The Oldcorne Cross: The crucifix is the only known item to have survived from the 1606 raids on Catholic properties after the Gunpowder Plot
THE only known item to have survived from the raids on Catholic properties conducted in 1606, after the discovery of the infamous Gunpowder Plot in November 1605, will be the focus of the Disguised To Survive exhibition at the Bar Convent Living Heritage Centre.
The crucifix, The Oldcorne Cross, will be in the spotlight from October 5 to November 9. Special collections manager Dr Hannah Thomas explains why: “This is one of the most remarkable items in our possession.
“We have been working closely with experts such as Michael Hodgetts, who has painstakingly researched the history of all known priest’s hiding holes in England and Wales, and we are now confident in believing that this is the only item surviving from a series of raids that took place at the houses of known Catholic associates across the Midlands in 1606, following the discovery of the Gunpowder Plot in November 1605.”
During the Reformation, mistrust and double agents were a part of everyday life. In Elizabethan England the practice of the Catholic faith was banned for political reasons. Elizabeth I and her Government were antagonistic towards Catholics on account of their loyalty to the Pope.
Pope Pius V’s excommunication of Elizabth in 1570 made all Catholics a threat to her claim to the throne. Harsh punishments were handed to Catholics who failed to attend Sunday services in the Anglican church. Heavy fines were imposed and land and property were confiscated. Catholic priests suffered horrific torture and death.
Catholics began to resort to secrecy, whereupon disguises became commonplace during the Reformation. When English priests, trained on the continent, re-entered England, they would be “disguised in both names and in persons; some in apparel as soldiers, mariners or merchants…and many as gallants, yea in all colours, and with feathers and such like, disguising themselves; and many of them in behaviour as ruffians”.
Once in the country, priests had to take on an inconspicuous disguise that would explain their presence at a household if questioned.
On display in the Bar Convent is a set of silk vestments that were carried by a priest disguised as a pedlar (door-to-door salesman). If challenged, the colourful vestments would appear to be an innocent bundle of ribbons.
Bar Convent special collections manager Dr Hannah Thomas with the crucifix
Priests would hide objects used for Mass in plain sight, such as using a carved oak Tudor 16th century bedhead as an altar for celebrating Mass in secret. At threat of discovery, the altar could be quickly replaced by the bed and appear completely innocent.
All communications had to be in code or would be written in invisible ink. When female education pioneer Mary Ward sent secret letters, in order to reveal the hidden text, the recipient would have to heat the paper over a flame or a candle. She would write her messages with lemon juice that would become invisible when dried.
Catholics made use of the architecture and created hiding places; they would always have an escape route. From 1588 until his final arrest in 1606,Nicholas Owen devoted his life to the construction of priest’s hiding holes, to protect the lives of persecuted priests.
He also had the ingenious idea of creating a double hiding hole, one inside the other. When the soldiers found the first one, it would not occur to them to look further. He was eventually captured at Hindlip Hall in the aftermath of the Gunpowder Plot, tortured and killed. A hiding hole can be found in the Bar Convent chapel.
The Sisters of the Bar Convent also took on disguises. As it was very unusual for women to own property, the sisters pretended to be widows and dressed as such in public. Sister Frances Bedingfield, who founded the house, was from a well-known Catholic family and wisely took on the alias of Mrs Long.
The Sisters formed a group of fellow Catholics who they could rely on to keep a secret (Women of the Catholic Underground). They would act the innocent (the women playing up to ‘but we are only women, we wouldn’t be capable of such a thing’).
The location of the convent in Blossom Street, just outside the Bar Walls, was key, being beyond any jurisdiction, with Catholic houses nearby and a view of the walls. This enabled the Sisters to see approaching authorities, giving them the time to escape.
*There will be a trail through the exhibition and those who complete the trail will be in with a chance of winning a £30 voucher for use in the café.
Disguised To Survive runs at Bar Convent Living Heritage Centre, Blossom Street, York, from October 5 to November 9. Opening hours: 10am to 5pm, Monday to Saturday.
Delma Tomlin in Tansy beetle sculptural form at Merchant Adventurers’ Hall,designed by HazardOne
YORK Trailblazers, the city-wide sculpture trail celebrating York’s unsung heroes, launches on Yorkshire Day, August 1.
Organised by York Civic Trust and Make It York, the trail is co-curated with organisations, community groups, schools and universities with £249,999 funding from the National Lottery Heritage Fund.
The Trailblazers project provides the opportunity to discover these lesser-known people who have made a difference to lives either locally or globally.
Members of the public and community groups nominated their trailblazers, whereupon a co-created final list of these stories was researched by partner organisations, highlighting each invaluable contribution.
To honour these remarkable individuals, artists worked with community groups to create the tansy beetle sculptures that represent them.
Why tansy beetles, you may well be asking. This beetle, an emblematic symbol of York, was chosen on account of its connection to the city, one of only two places where tansy beetles are found.
Faith Gray’s sculpture, designed by Martha Beaumont, at Grays Court Hotel, Chapter House Street, York
This vibrant and resilient beetle mirrors the spirit of the Trailblazers – each sculpture not only pays tribute to these changemakers but also brings their stories to life along the trail.
Andrew Morrison, chief executive officer of York Civic Trust, says: “The York Trailblazers project has revealed a fantastic range of people from York, many of whom we did not know of before. With Make It York, it has been fantastic to collaborate with so many local artists and communities. We hope that this is the first of many such celebrations.”
The sculpture trail has been designed to be as sustainable as possible. The materials used are recycled, repurposed or recyclable and the sculptures and the reused bases will be repurposed or recycled after the trail has ended.
Each sculpture has been produced by local artists and crafters working with local people to create “something unique and meaningful to them”. The choice of sustainable materials and artwork and the decoration of each sculpture has been developed by the partnership of artist and local community. This process of sustainable co-production is considered to be as important as the finished product.
Commissioned to create the beetle structure, Tom Springett Metalwork Creations drew on his experience of working in set construction, visual merchandising, architectural metalwork and art fabrication industries to create the metal works of art.
Mary Ward’s sculpture for York Trailblazers, designed by Jen Dring, in the Bar Convent Living Heritage Centre gardens. Picture: David Harrison
Some of the sculpture artwork may exist only for a few weeks but the beetle structure itself and an accessible digital record of the artwork will continue to celebrate York’s Trailblazers.
Seventeen sculptures will be placed throughout the city, each one reflecting a different trailblazer, designed to capture the legacy of these inspirational people,.
Among them will be The Luddites,a sculpture created collaboratively by a small group of people affected by homelessness with the Good Organisation. Rather than celebrate an individual ‘trailblazer,’ it serves to commemorate 64 Luddites who were tried in the court in York in 1813.
The Luddites were a group of early 19th-century workers who protested against the introduction of machinery that they believed threatened their jobs. The movement began in the textile industry, where mechanised looms and knitting frames were replacing traditional hand-weaving methods, leading to job losses and reduced wages for skilled workers.
Although the Luddite movement did not stop the process of industrialisation, it highlighted the social and economic challenges faced by workers during a period of unprecedented change, and many of their underlying concerns still resonate today with the rapid rise of AI and digital technology.
W H Auden’s sculpture, designed by Navigators Art and Performance, at West Offices, Station Rise, York
The Luddites sculpture at the Eye of York is designed by theatre and performance design graduate Alex Gray, an aspiring theatre designer now working as a stagehand at the Darlington Hippodrome.
The Delma Tomlin sculpture was researched by the Merchant Adventurers’ Hall and National Centre for Early Music. Dr Delma Tomlin MBE is a living trailblazer, who came to York in 1984 to administer the York Festival Mystery Plays and loved the city far too much to ever leave.
She championed the move to return the York Mystery Plays to the city streets and served as chief executive officer of the Millennium production in York Minster.
As the founder of the National Centre for Early Music, based in the medieval church of St Margaret’s in Walmgate, Delma has been a pivotal figure in music making, focusing her energies on supporting young professional musicians locally, nationally and internationally and flying the flag for York whenever possible.
A member of the York Merchant Adventurers Company, in 2022 Delma became the first woman to become Governor since the company’s inauguration more than 650 years ago in 1357. She does not plan to be the last.
The Delma Tomlin sculpture, sited at the Merchant Adventurers’ Hall, is designed by HazardOne, recognised by the Guardian as one of the top five female graffiti artists in the UK and named among the top 25 female street artists worldwide in the Huffington Post.
Alex Gray’s sculpture for The Luddites at the Eye of York
The York Young Carers sculpture, at the Principal York hotel, was researched by unpaid young adult carers aged 16-25 from the York Carers Centre, who worked with artist Zoe Phillips to represent unpaid carers in York, including both identified and hidden carers.
The group reflected that carers share similar experiences and circumstances, but have unique stories in their own right, and decided that it would be difficult to find one trailblazer to represent them all.
They felt the sculpture would be impactful if it enabled carers to recognise themselves as trailblazers for the roles they hold, sacrifices they make and difficulties they go through for the love of the person they care for.
They said the sculpture design “should be not what it appears – with lots going on underneath”. The group was struck by the grace of the tansy beetle’s exterior, along with the power and resilience of the driving legs and inner workings underneath the shell. They felt this was the perfect metaphor for a carer.
The York Young Carers’ sculpture designer, Zoe Phillips, is an inclusive mixed media artist who explores our connections with objects and the narratives they hold.
Gemma Wood’s tansy beetle mural on show at THOR’S Orangery, Parliament Street
Reflecting on her journey, Zoe says: “Working with the young adult carers group has been important to me both personally and professionally. Finding a way to share the identity and voice of this incredible group of individuals, for whom time and space for themselves may be sparse but they find a way to draw connections and share how important community is, was key.
“The beetle exposes all the hidden workings, those background details that are often overlooked or taken for granted but are so important to the running of things. With huge thanks to all those who shared their thoughts and experiences with me, you really are one-of-a-kind trailblazers!”
The trail will run from August 1 to September 30, opening on Yorkshire Day, whose celebrations, activities and events in the city will include a Yorkshire-themed market on Parliament Street.
Sarah Loftus, managing director of Make It York, says: “York Trailblazers is an inspiring tribute to the pioneers whose courage and vision paved the way for our community’s future. This project not only celebrates their legacy but also creatively highlights the humble tansy beetle, reflecting York’s ongoing commitment to its conservation in the city.”
Full details can be found at visityork.org/york-trailblazers, including Meet The Trailblazers and Meet The Artist. You can download the trail map and a cycle trail for exploring the trail by bike and learn how to minimisie your environmental footprint by using public transport.
Zoe Phillips’s sculpture for York Young Carers at the Principal York hotel
Did you know?
KNOWN as “the Jewel of York”, the endangered tansy beetle has been chosen as the emblem of the York Trailblazers project to reflect its special status as a York resident with its riverside habitat on the banks of the River Ouse.
The 17 sculpures
The Luddites
Location: Eye of York
Researched by: The Good Organisation.
Designed by: Alex Gray.
Rather than celebrate an individual ‘trailblazer,’ this sculpture serves to commemorate 64 Luddites who were tried in the court in York in 1813. This sculpture was collaboratively created by a small group of people affected by homelessness with the Good Organisation.
Coppergate Woman sculpture designer Sarah Schiewe at Thursday’s launch.York artist who hand-builds her stoneware pieces using coil and slab methods and decorate them with oxides, glazes, decals and mixed media. “Every individual is different, and we should celebrate these differences,” she says. “Each person has a set of values, feelings and memories unique to them. I take these impressions and turn them into a bespoke piece of ceramic art for that individual. The profits from my work fund free community art and sculpture workshops to help children develop confidence through creativity”
Coppergate Woman
Location: August 1 to 6: Parliament Street; August 6 onwards, Coppergate Walk
Researched by: University of York, Archaeology Department
Designed by: Sarah Schiewe
The Viking Age sometimes comes across as a world of rich and powerful men: kings, chieftains and raiders. This makes The Coppergate Woman, known affectionately by the research team and artists as Vigdis, an important Trailblazer: she tells us about her life as a migrant woman living with disabilities in York 1,000 years ago.
HazardOne: designer of Delma Tomlin sculpture. Combines rich colour palettes with illumination and modern-age glitch effects to create striking portraits using traditional free-hand graffiti techniques. From a seven-storey mural in St Paul’s, Bristol, to a community project on the Arizona-Mexico border, to the 79th floor of 3 World Trade Centre, New York, her work takes her all over the planet
Delma Tomlin
Location: Merchant Adventurers’ Hall
Researched by: Merchant Adventurers’ Hall and National Centre for Early Music, York
Designed by: HazardOne
Dr Delma Tomlin MBE is a living trailblazer. As the founder of the National Centre for Early Music, based in the medieval church of St Margaret’s in Walmgate, Delma has been a pivotal figure in music making – focusing her energies on supporting young professional musicians locally, nationally and internationally – and flying the flag for York whenever possible.
John Chesterman and Stuart Feather
Location: Spurriergate
Researched by: Queer Arts
Designed by: Jade Blood
John Chesterman and Stuart Feather, both from York, were instrumental in the Gay Liberation Front (GLF), organisers of the first ever Pride march in 1972.
Anne Lister
Location: Holy Trinity Church, Goodramgate
Researched by: York University and Churches Conservation Trust
Designed by: Shannon Reed
Anne Lister’s (1791-1840) life and diaries have blazed a trail for the LGBTQIA+ community today, helping people understand their history and embrace their identity.
Faith Gray
Location: Grays Court Hotel, Chapter House Street
Nominated by: York St John University
Designed by: Martha Beaumont
Faith Gray (1751-1826), born in York, dedicated her life to improving the conditions of girls and women in York. Her legacy of compassion and social progress endured beyond her death, paving the way for future generations of women reformers.
Mary Kitson Clark
Location: York Museum Gardens
Researched by: Yorkshire Philosophical Society
Designed by: Sian Ellis
Mary Kitson Clark (1905-2005) was one of the first female archaeologists to be recognised in a professional capacity in the UK for her significant contributions to the study and conservation of York’s archaeological heritage.
WH Auden
Location: West Offices, Station Rise
Researched and designed by: Navigators Art and Performance
Wystan Hugh Auden (1907-1973) was born in Bootham, York. Informed by science and engineering, his fascination with the world and its workings was expressed in a myriad of poetic forms, earning him the title “the Picasso of modern poetry”.
York Young Carers
Location: Principal York, Station Road
Researched by: York Young Carers
Designed by: Zoe Phillips – By Deckle and Hide
Unpaid young adult carers aged 16-25, from the York Carers Centre, worked with artist Zoe Phillips to represent unpaid carers in York, including both identified and hidden carers.
Jen Dring: designer of Mary Ward sculpture. York printmaker who creates linocut and collagraph prints. Her work is inspired by her faith, everyday experiences, moments in nature and places she loves. She takes on bespoke commissions, as well as using her teaching skills to offer linocut and tetra pak workshops
Mary Ward
Location: Bar Convent Living Heritage Centre, Blossom Street
Researched by: All Saints School and Bar Convent
Designed by: Jen Dring
Mary Ward (1585-1645) was a visionary Yorkshire woman who revolutionised education for girls in England. Despite societal and religious restrictions, Mary dedicated her life to providing equal education opportunities for girls, believing “there is no such difference between men and women that women may not do great things.”
Ivory Bangle Lady
Location: York Railway Station, Station Road
Researched by: University of York Archaeology Department
Designed by: York Anti-Racist Collective
The woman who has become known as the ‘Ivory Bangle Lady’ was buried at Sycamore Terrace, York, in the second half of the fourth century CE. As a trailblazer, the Lady has marked an important path in showing that ethnic and religious diversity and immigration is written in York’s history from its very beginning.
Annie Coultate
Location: Fishergate Primary School, Escrick Street
Researched by: Fishergate, Fulford and Heslington Local History Society
Designed by: Christine Joplin
Annie Coultate (1856 -1931), a dedicated suffragette, was instrumental in the women’s suffrage movement in York.
Anne Lister sculpture designer Shannon Reed.Part-time artist, full-time biology undergraduate, in York. Focuses on wildlife, paying particular attention to threatened native UK species. Her artwork is multi-media, ranging from pointillism portraits of endangered animals to oil paintings on recycled wood. Designed and decorated two wooden ducks for the University of York’s Long Boi-ology Art Trail to raise awareness of the threat that avian influenza and flooding poses to UK wildlife
Mary Tuke
Location: St Lawrence Parish Church, Lawrence Street
Researched by: Hempland Primary School
Designed by: Heather Dawe and Sarah Jackson
Mary Tuke was a pioneering woman who displayed remarkable ambition, resilience and courage. In 1725, as a Quaker in her thirties who had lost her family, Mary opened a grocer’s shop in Walmgate, York, defying societal norms.
Roma and Geoff
Location: Millennium Bridge Park, Hospital Fields Road
Researched by: The Tansy Beetle Action Group
Designed by: Cathy Simpson
The Tansy Beetle Action Group (TBAG) was established in 2008 by Geoff and Roma Oxford (University of York), following the designation of the rare and beautiful Tansy beetle as a UK conservation priority.
Mary Kitson Clark’s sculpture, designed by Sian Ellis, in York Museum Gardens
June Hargreaves
Location: Rowntree Park
Researched by: Herstory. York and Make Space for Girls
Designed by: Emma Feneley
The way historic cities such as York protected their heritage was transformed in the mid-1960s by a new law on ‘Conservation Areas’. This was the idea of June Hargreaves, a young York town planner, who became York’s senior planning officer in 1961.
Michael Rowntree
Location: Homestead Park, Water End
Researched by: The Rowntree Society
Designed by: Natalie McKeown
Michael Rowntree (1919-2007), from the globally renowned York confectionery family, held senior roles in Oxfam and was chairman from 1971 to 1977, during a time when the charity delivered its biggest ever aid package and set up the country’s first textile recycling plant.
Rosie Wall
Location: Sanderson Community House, Bramham Road, Acomb
Researched by: The Place at Sanderson Community House
Designed by: Leo Morey
Rosie Wall has dedicated herself to the Chapelfields community. She was instrumental in developing the Sanderson Court Community House (now The Place), and Crossroads, a safe space for young people, addressing significant anti-social behaviour in the area.
York Trailblazers: the back story
Geoff Oxford: Trailblazer, environmentalist and founder of the Tansy Beetle Action Group at the August 1 launch
YORK Trailblazers, the new city-wide sculpture trail, launched on August 1, kicking off the Yorkshire Day celebrations in York.
The sculpture trail celebrates York’s unsung heroes. Centred around the tansy beetle, each sculpture has a different design to capture the legacy of these inspirational people who have made a difference to people’s lives.
At the launch celebrations at THOR’s Orangery, artists and trailblazers gathered to enjoy the first day of the trail alongsidethe featured sculptures, Coppergate Woman.
Richard Kitchen, co-founder of Navigators Art and Performance, discussing York Trailblazer WH Auden at Thursday’s launch
Coppergate Woman depicts the life of a migrant woman living with disabilities in York 1,000 years ago. This sculpture will be on Parliament Street until August 6, then moving to Coppergate Centre, where she lay until she was discovered by archaeologists from the York Archaeological Trust in the late-1970s.
Discovered in a shallow pit by the river Foss, the remains of this unknown woman are displayed in a glass case in Jorvik Viking Centre. Her story was brought to life in Maureen Lennon’s play The Coppergate Woman, staged as a community production by York Theatre Royal from July 30 to August 7 2022.
A special mural was painted for the launch day by Gemma Wood. This will stay in place on THOR’S exterior until August 18.
Gemma Wood painting her tansy beetle mural at THOR’S Orangery on Thursday
Tansy Beetle facts:
The River Ouse has the largest population of tansy beetles in the UK, found on a 30km stretch of the river.
The iridescent green leaf-beetle, approximately 10 mm in length, has a smaller population at Woodwalton Fen, Cambridgeshire, where it was re-discovered in 2014.
Tansy beetles rarely fly; they find new food plants and habitats by walking. Finding a breeding partner is made more difficult by this resticted mobility. Most active in April and May, then August and September.
The tansy beetle is named after the Tansy plant, whose reduction in number has led to the beetle’s declining population too.
As an endangered species, tansy beetles are being monitored and bred in captivity to ensure that the populations do not disappear.
Trailblazers project facts:
National Lottery Heritage Fund Grant: £249,999.
More than 40 community groups have been involved.
York Trailblazer Rosie Wall’s tansy beetle sculpture, designed by Leo Morey, at Sanderson Community House, Bramham Road, Acomb
More than 1,000 schoolchildren participated in school workshops.
£30,000 of community grants were awarded to 23 York groups.
More than 150 workshops have been delivered.
39 York Trailblazers have been researched and celebrated.
17 Tansy Beetle Trailblazer Sculptures have been created.
What has the £249,999 support from the National Lottery Heritage delivered?
A COMMUNITY workshop programme to allow local communities and residents to research and uncover new trailblazers for York.
A community grants programme to enable heritage organisations, voluntary and community groups to contribute to the project, especially those groups who have not accessed heritage activities before.
A digital arts project to help celebrate York’s designation as a UNESCO Creative City of Media Arts.
A heritage trail around the city working with artists and communities, inspired by York’s lesser-known heritage stories.
A school workshop programme and resource packs providing opportunities for young people to learn more about their heritage and, in particular, the trailblazers that form the sculpture trail.
Sustainability
THE sculpture trail has been designed to be as sustainable as possible. The materials used are recycled, repurposed or recyclable and the sculptures and the reused bases will be repurposed or recycled after the trail has ended.
The choice of sustainable materials and artwork and the decoration of each sculpture has been developed by the partnership of artist and community. This process of sustainable co-production is as important as the finished product.
Tansy Beetle metalwork
COMMISSIONED to create the beetle structure, Tom Springett, Metalwork Creations drew on his experience of working in set construction, visual merchandising, architectural metalwork and art fabrication industries, to create these metal works.
Before the York Trailblazers metal works, a Tansy Beetle mural took shape in York…
ATM’s mural of a tansy beetle in Queen Street, York
STREET artist ATM, known for his depiction of endangered species, painted his mural of a tansy beetle on a brick wall on Queen Street, York, in 2019. Capturing the insect’s shimmering green hue, it is a bejewelled highlight of the walk from Micklegate to York Railway Station.
Into the woods: George Stagnell as Dennis “Hank” Haydock in In The Footsteps of Hank Haydock, premiered at Helmsley Arts Centre on Saturday
WARTIME memoirs and Catholic women trailblazers, open studios and open-air Status Quo lead off Charles Hutchinson’s recommendations.
Double bill of the week: Everwitch Theatre, Bomb Happy D-Day 80, In The Footsteps Of Hank Haydock (film premiere) and Sleep/Re-live/Wake/Repeat (theatre), Helmsley Arts Centre, June 1, 7.30pm
TO commemorate the 80th anniversary of D-Day, Bomb Happy playwright Helena Fox has created two poignant, lyrical new works telling the stories of two Yorkshire Normandy veterans from conversations and interviews she held with them in 2016.
Featuring York actor George Stagnell, the short film In the Footsteps of Hank Haydock: A Walk In The Park was shot on location in the Duncombe Park woodland with its lyrical account of Coldstream Guardsman Dennis “Hank” Haydock’s experiences in his own words. In Sleep/Re-Live/Wake/Repeat, playwright Helena Fox and vocalist Natasha Jones bring to life the first-hand experiences of D-Day veteran Ken “Smudger” Smith and the lifelong impact of PTSD and sleep trauma through spoken word and a cappella vocals. Box office: 01439 771700 or helmsleyarts.co.uk.
Mary Ward (Augsberg portrait): Foundress of the Bar Convent, as featured in the Trailblazers audio trail
York exhibition of the week; Trailblazers of the Bar Convent, Bar Convent Living Heritage Centre, Blossom Street, York, until September 30, 10am to 5pm; last entry 4pm
AS part of the citywide York Trailblazers sculpture trail, the Trailblazers of the Bar Convent audio trail uncovers tories behind key characters down the years at the oldest surviving Catholic convent in Great Britain.
Using QR codes, visitors will discover more about the trailblazing women whose bravery and determination made history locally, nationally and around the world. Among them are foundress Mary Ward, who believed that girls deserved an equal education to boys; Mother Superior Ann Aspinal, who determined to build a secret chapel totally hidden from the outside world, and Sister Gregory Kirkus, who set up the convent’s first ever museum. Tickets: barconvent.co.uk.
Kathyrn Williams & Withered Hand: Heading to Selby Town Hall tonight
Duo of the week: Kathryn Williams & Withered Hand, Selby Town Hall, tonight, 8pm
KATHRYN Williams is the Liverpool-born, Newcastle-based, Mercury Music Prize-nominated singer-songwriter with 16 albums to her name. Withered Hand is singer-songwriter Dan Willson (CORRECT), from the Scottish underground scene.
They first met in 2019 in an Edinburgh Book Festival spiegeltent, prompting Williams to tweet Willson: “What kind of songs would we write together and what would they sound like?” The results can be heard on the album Willson Williams, released on One Little Independent Records, and in concert in Selby. Box office: selbytownhall.co.uk.
The poster for the three-day Drawsome! 2024 festival in York
York festival of the week: Drawsome! 2024, Young Thugs Studio, May 31; The Crescent, June 1; Arts Barge, Foss Basin, York, June 2
DRAWSOME! combines exhibitions and workshops with live music each evening. Things Found and Made is exhibiting at The Golden Ball, Cromwell Road, from May 31 and Greek-Australian graphic novel artist Con Chrisoulis for one night only at Young Thugs Studio, Ovington Terrace, on May 31 from 7pm, when Ichigo Evil, Plantfood, Mickey Nomimono and Drooligan will be performing.
On June 1, Bonneville, Lou Terry, Captain Starlet and Leafcutter John play at The Crescent community venue, where workshops run from 1 to 4pm, featuring Bits and Bots Recycled Robot, with Tom Brader, and Creative Visible Mending, with Anna Pownall, complemented by Zine Stalls hosted by Things Found and Made, Adam Keay and Teresa Stenson.
On June 2, the Arts Barge presents Dana Gavanski, Kindelan, Moongate and We Are Hannah, after three 11am to 2pm workshops: Poem Fishing with Becca Drake and Jessie Summerhayes, Adana Letterpress and lino printing, and Screenprinting with Kai West.
Sarah Sharpe: Opening her studio at Viriditas Nook, Mill Beck House, 2 Pinewood, Norton, Malton, for North Yorkshire Open Studios
North Yorkshire Open Studios 2024, June 1 and 2, 8 and 9, 10am to 5pm
STRETCHING from the coast to the moors, dales and beyond, 169 artists and makers from North Yorkshire’s artistic community invite you to look inside their studios over the next two weekends.
The event is organised by the artist-run collective North Yorkshire Open Studios, which supports painters, sculptors, printmakers, jewellers, ceramicists and photographers. Taking part in the Malton area will be Angela Cole (Westow), Catriona Stewart (Norton), Sandra Oakins (Norton), Jo Naden (Scagglethorpe), Sarah Sharpe (Norton) and Jonathan Moss (Malton). For full details, go to: nyos.org.uk. A full brochure is available.
Status Quo: Francis Rossi, left, leads his legendary band at Scarborough Open Air Theatre
Coastal gig of the week: Status Quo, Scarborough Open Air Theatre, June 2, gates 6pm
DENIM rock legends Status Quo open the 2024 season at Scarborough Open Air Theatre, where they played previously in 2013, 2014 and 2016. Led as ever by founder Francis Rossi, who turns 75 today, they must pick their set from 64 British hit singles, more than an any other band. The support act will be The Alarm. Box office: scarboroughopenairtheatre.com/statusquo.
Georgia Lennon as Paula Pokrifki and Luke Baker as Zack Mayo in An Officer And A Gentleman The Musical. Picture: Marc Brenner
Musical of the week: An Officer And A Gentleman The Musical, Grand Opera House, York, June 4 to 8, 8pm, Tuesday, 7.30pm, Wednesday to Saturday, plus 2.30pm Wednesday and Saturday matinees
NORTH Yorkshireman Nikolai Foster directs Leeds-born actor Luke Baker as fearless young officer candidate Zack Mayor in the Curve, Leicester touring production of An Officer And A Gentleman.
Once an award-winning 1982 Taylor Hackford film, now Douglas Day Stewart’s story of love, courage and redemption comes re-booted with George Dyer’s musical theatre arrangements and orchestrations of pop bangers by Bon Jovi, Madonna, Cyndi Lauper, Blondie and the signature song (Love Lift Us) Up Where We Belong. Box office: atgtickets.com/york.
Graffiti Classics!: “Making classical music wickedly funny and fantastically exhilarating” at Milton Rooms, Malton
Breaking boundaries: Graffiti Classics!, Milton Rooms, Malton, June 14, 8pm
GRAFFITI Classics! is not only a classical concert but also a gypsy-folk romp, an opera, a stand-up comedy set and dance show rolled into one uplifting, virtuosic experience.
Bursting the “elitist boundaries of the traditional string quartet”, Graffiti Classics! embraces Beethoven to bluegrass, baroque to pop, Mozart to Elvis, Strauss to Saturday Night Fever, as 16 strings, eight dancing feet and four voices combine with one aim: “to make classical music wickedly funny and fantastically exhilarating for everyone, young and old”. Box office: 01653 696240 or themiltonrooms.com.
Malton Spring Food Lovers Festival: Look out for the festival guide and map on site
FOOD for thought on the arts and culture front, from street cookery to dance, trailblazing women to Drawsome! artists and musicians, prog-rock and folk greats to coastal Dexys, as Charles Hutchinson reports.
Flavour of the week: Malton Spring Food Lovers Festival, today, from 9am; tomorrow and Bank Holiday Monday, from 10am
ON the streets of “Yorkshire’s Food Capital”, Malton Food Lovers Festival celebrates Yorkshire’s supreme produce and cooking over three days of 120 artisan stalls and street food vendors, talks, tastings, chef demonstrations, brass bands and buskers, festival bar, food shops, sculpture trail, entertainment, blacksmith workshops, vintage funfair and family fun with Be Amazing Arts’ Creativitent, Environmental Art’s Creative Chaos and Magical Quests North.
The live musicians will be: today, Malton White Star Band, 11am to 1pm, The Rackateers, 1pm to 3pm, and Oz Ward, 6pm to 8pm; tomorrow, White Star Training Band, 11.30am to 12.30pm, and The Rackateers, 1pm to 3pm, and Monday, The Acoustic Buddies, 11am to 12pm and 2pm to 3pm. Festival entry is free.
Mary Ward (Augsberg portrait): Foundress of the Bar Convent, featuring in the Trailblazers audio trail
Exhibition launch of the week; Trailblazers of the Bar Convent, Bar Convent Living Heritage Centre, Blossom Street, York, opening today
THE Trailblazers of the Bar Convent audio trail focuses on uncovering the stories of key characters from the history of the oldest surviving Catholic convent in Great Britain.
Among them are foundress Mary Ward, who believed that girls deserved an equal education to boys; Mother Superior Ann Aspinal, who determined to build a secret chapel totally hidden from the outside world, and Sister Gregory Kirkus, who set up the convent’s first ever museum. Tickets: barconvent.co.uk.
What a hoot: Gemma Curry and her owl puppet in Hoglets Theatre’s Wood Owl And The Box Of Wonders
Pre-festival show of the week: Hoglets Theatre in Wood Owl And The Box Of Wonders, Fountains Mill, Fountains Abbey, near Ripon, tomorrow, 11am and 2pm
IN an Early Bird event for the 2024 Ripon Theatre Festival, York company Hoglets Theatre presents director Gemma Curry’s solo show Wood Owl And The Box Of Wonders for age three upwards.
A lonely little owl wants nothing more than to fly into the night and join his friends, but how can he when he is made from wood in Gemma’s magical half-term journey of singing owls, fantasy worlds, friendship and an age-old message about love? The 40-minute show featuring beautiful handmade puppets and original music will be complemented by an optional puppet-making activity. Box office: ripontheatrefestival.org.
Lesley Ann Eden and her York School of Dance and Drama pupils: Presenting Pinocchio And Ponchetta at Joseph Rowntree Theatre. Picture: Nigel Holland
Dance show of the week: York School of Dance and Drama in Pinocchio And Ponchetta, Joseph Rowntree Theatre, York, tomorrow, 6.30pm
YORK choreographer and dance teacher Lesley Anne Eden presents her 50th anniversary York School of Dance and Drama show with a company ranging in age from six to 70.
Pinocchio And Ponchetta is Lesley’s take on the old story of Pinocchio and his sister, “full of fabulous dancing and great fun for all the family”, with the promise of her trademark quirky props. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
The cover artwork for York Barbican-bound Richard Thompson’s new album, Ship To Shore
Folk luminary of the week: Richard Thompson, York Barbican, May 27,doors 7pm
GUITARIST, singer and songwriter Richard Thompson showcases his 20th solo album – and first since 2018’s 13 Rivers – ahead of the May 31 release of Ship To Shore on New West Records.
Notting Hill-born Thompson, 75, who made his name with folk rock pioneers Fairport Convention before forming his Seventies’ duo with Linda Thompson, will be performing with a full band. Box office: yorkbarbican.co.uk.
Yes: Playing York Barbican on Tuesday
Rock gig of the week: Yes, The Classic Tales Of Yes Tour 2024, York Barbican, May 28, 8pm
PROG-ROCK legends Yes perform iconic songs from more than 50 years of groundbreaking music-making, definitely including a 20-minute medley from their 1973 album Tales From Topographic Oceans and “possibly” from latest album Mirror To The Sky too.
In the line-up will be Steve Howe, guitars and vocals, Geoff Downes, keyboards, Billy Sherwood, bass guitar and vocals, Jon Davison, vocals and acoustic guitar, and Jay Schellen, drums. Box office: yorkbarbican.co.uk.
Kathryn Williams and Withered Hand: Teaming up at Selby Town Hall
Duo of the week: Kathryn Williams & Withered Hand, Selby Town Hall, May 29, 8pm
KATHRYN Williams is the Liverpool-born, Newcastle-based, Mercury Music Prize-nominated singer-songwriter with 16 albums to her name. Withered Hand is singer-songwriter Dan Willson, from the Scottish underground scene.
They first met in 2019 in an Edinburgh Book Festival spiegeltent, prompting Williams to tweet Willson: “What kind of songs would we write together and what would they sound like?” The results can be heard on the album Willson Williams, released on One Little Independent Records on April 26, and in concert in Selby (and Otley Courthouse on May 30). Box office: selbytownhall.co.uk.
Dexys: Heading to the Yorkshire coast on May 30
Coastal trip of the week: Dexys, Scarborough Spa Grand Hall, May 30, doors 7pm
AFTER playing York for the first time in their 45-year career last September, Dexys return to North Yorkshire on the latest leg of The Feminine Divine Live!
Led as ever by Kevin Rowland, Dexys open with a theatrical presentation of last year’s album, The Feminine Divine, to be followed by a second soulful set of beloved hits, from Come On Eileen and Jackie Wilson Said to The Celtic Soul Brothers and Geno. Box office: 01723 376774 or scarboroughspa.co.uk.
Bonneville (York singer-songwriter Bonnie Milnes) promotes her debut album New Lady at Drawsome! 2024 gig at The Crescent
York festival of the week: Drawsome! 2024, Young Thugs Studio, May 31; The Crescent, June 1; Arts Barge, Foss Basin, York, June 2
DRAWSOME! combines exhibitions and workshops with live music each evening. York multi-disciplinary artist Rowan Jackson will be exhibiting at Angel on the Green, Bishopthorpe Road, from 7pm on May 27; Things Found and Made at The Golden Ball, Cromwell Road, from May 31 and Greek-Australian graphic novel artist Con Chrisoulis for one night only at Young Thugs Studio, Ovington Terrace, on May 31 from 7pm, when Ichigo Evil, Plantfood, Mickey Nomimono and Drooligan will be performing.
On June 1, Bonneville, Lou Terry, Captain Starlet and Leafcutter John play at The Crescent community venue, where workshops run from 1 to 4pm, featuring Bits and Bots Recycled Robot, with Tom Brader, and Creative Visible Mending, with Anna Pownall, complemented by Zine Stalls hosted by Things Found and Made, Adam Keay and Teresa Stenson.
On June 2, the Arts Barge presents Dana Gavanski, Kindelan, Moongate and We Are Hannah, after three 11am to 2pm workshops: Poem Fishing with Becca Drake and Jessie Summerhayes, Adana Letterpress and lino printing, and Screenprinting with Kai West. Drawsome! is run in aid of Bowel Cancer UK.
The poster for Drawsome! 2024
In Focus: Showstopper! The Improvised Musical, York Theatre Royal, May 29 and 30, 7,30pm; The Showstopper Kids Show, May 30, 2pm
SHOWSTOPPER! The Improvised Musical heads back to York Theatre Royal in an expanded format with a children’s version of the spontaneous musical comedy for half-term week.
The Showstoppers have 14 years behind them at the Edinburgh Fringe, to go with a BBC Radio 4 series, a West End run and an 2016 Olivier Award for their blend of comedy, musical theatre and, wait for it, spontaneity.
Each Showstopper show is created live on the spot from audience suggestions, resulting in a new musical comedy at each performance, which is then named by the audience.
The cast takes suggestions for the setting, genre and style to transform them into an all-singing, all-dancing production with humorous results. Anything can be expected at a Showstopper show, so if the audience fancies Hamilton in a hospital or Sondheim in the Sahara, The Showstoppers will sing it.
Thursday’s Showstopper Kids Show is for children of all ages, who will see their own ideas being turned into a fully improvised musical right in front of them.
The children will decide where the story is set, what happens next and who the characters are. The Showstoppers will create whatever is suggested, so the characters could be anyone, such as the children’s favourite TV show characters, and the show could be set under the sea or in a doll’s house. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Mary Ward (Augsberg portrait): Foundress of the Bar Convent
THE Trailblazers of the Bar Convent will be celebrated in a new audio trail that opens at the living heritage centre, in Blossom Street, York, on May 25 to mark half-term week.
Focusing on uncovering the amazing stories of key characters from the history of the oldest surviving convent in Great Britain, the exhibition trail spotlights:
* Mary Ward, who believed that girls deserved an equal education to boys;
* Mother Superior Ann Aspinal, who determined to build a secret chapel totally hidden from the outside world;
* Sister Gregory Kirkus, who set up the first ever museum at the convent;
* Plus many more incredible women who have lived there over the centuries, dedicating their lives to helping those in need, protecting the Catholic faith and supporting the Catholic community across the city.
Saint Margaret Clitherow
The foundress of the order – resident at the Bar Convent since 1686 – was a Yorkshire woman, Mary Ward, who has such international significance that her followers and supporters are building a case to have her officially recognised as a saint by the Catholic Church.
She believed that women were intellectually equal to men and deserved an education that reflected that equality. Providing a proper education for girls was central to her work, and she duly travelled widely across Europe, founding schools in ten European cities by 1628.
She noted in 1617 that “there is no such difference between men and women that women may not do great things – and I hope in God it will be seen that women in time to come will do much”.
In the mid-18th century, Mother Ann Aspinal wanted to construct a new convent chapel with an Italianate style dome but it was still illegal to build Catholic churches at that time. Rather than hiding the building project, she instead added a new suite of rooms to the front of the building, including a beautiful Georgian parlour, to disguise the real building project taking place at the back of the house: the secret chapel.
Sister Gregory Kirkus: Author of 20 books about the Bar Cinvent
Sister Gregory Kirkus wrote more than 20 books on the history of the convent and researched the lives of many of the sisters who have lived here. She established the inaugural museum at the Bar Convent and saved its historic books and documents. Thanks to her, so much of the building’s history is known.
The Bar Convent Living Heritage Centre is open to the public and welcomes all faiths and none. The chapel is free to visit and a public mass is celebrated on Fridays at 12 noon. The relic of Saint Margaret Clitherow is housed there.
Using QR codes throughout the Trailblazers trail, visitors are invited to discover more about the trailblazing women of the Bar Convent story, whose bravery and determination made history locally, nationally and globally.
Entry to the convent is free. The trail is included in admission to the Bar Convent exhibition. Complete the trail to be in with a chance to win a £30 voucher for the café. Tickets: barconvent.co.uk.
Opening hours for the exhibition, chapel and Georgian parlour: 10am to 5pm; last entry 4pm. Café: Monday to Saturday, 8am to 3pm (hot food served until 2.30pm).
Dr Hannah Thomas, the Bar Convent’s special collections manager, with a portrait of Mary Ward and her 17th century paternoster bead. Picture: Charlotte Graham
THE online campaign to support the cause to have 17th century York-born nun and educational pioneer Mary Ward declared a saint by the Roman Catholic Church will be launched today.
This petition launch heralds the beginning of the global annual celebration of Mary Ward Week 2024, marking her birth on January 23 1585 and death on January 30 1645.
In a nutshell, at a time when Roman Catholicism was illegal in England, Mary Ward strived for the equality and dignity of women in religion and education and paved the way for the first schools for girls to offer an education equal to boys, the second being established at the Bar Convent, Blossom Street, York, in 1686.
Today her vision is thriving in 42 countries at around 200 schools worldwide, and yet she was declared a heretic by the Catholic Church and was subjected to a 1631 Bull of Suppression that destroyed her first institution.
The subject of Ciaran O’Connor’s documentary, Mary Ward: Dangerous Visionary, voiced by Dane Judi Dench, Mary was the foundress of the Congregation of Jesus who reside at the Bar Convent, the oldest surviving Catholic convent in Great Britain.
On show there in the permanent display about Mary and her legacy is the 17th century crucifix that she carried on her multiple walks across the Alps to speak to the Pope, along with a pair of shoes from those walks and much else besides.
Prominent in the step-by-step progression to Mary’s “long overdue” beatification and canonisation by the Church is Sister Elizabeth Cotter, Canon Lawyer and Postulator for the Cause of Venerable Mary Ward, who will be promoting the campaign in York this week, with its centrepiece of an online petition to “take the cause to the next level”.
Sister Ann Stafford with Mary Ward’s 17th century crucifix at the Bar Convent Living Heritage Centre, York. Picture: Charlotte Graham
“As part of our case, we need to provide evidence that Mary Ward remains relevant today,” she says. “Key to this was her passionate belief that ‘women in time to come will do much’, which has always been the driving force of followers who brought her vision to 42 countries from her time and up to the present day.
“This recognition by the Church would provide the women of our time with a fine example of the Church’s willingness to promote the dignity of women in a world which badly needs such witness.”
Sister Elizabeth continues: “For the hundreds of thousands of Mary Ward followers worldwide, recognition by the Church would validate the belief that Mary Ward is a saint for the modern world; she is needed as much by our 21st century world as she was in those dark days of opposition to women in the 17th century.
“Support for and belief in Mary Ward has never waned in more than 400 years and her beatification and canonisation by the Church is long overdue.”
Sister Ann Stafford, sister in charge at the Bar Convent Living Heritage Centre, says: “We have been contributing to the ongoing global campaign to have Mary Ward officially recognised by the Church as a saint. As someone who campaigned for the dignity of women all of her life, we truly believe that Mary Ward is a vital role model for our time.
“Please help our cause in any way you can. You can sign the petition; join the conversation across the social media platforms using #MaryWardForSaint; visit us at the Bar Convent to discover more about Mary Ward; help us to raise awareness about this local woman who made international history, or let the Cause Office know if you can help us in other ways by emailing causemaryward@gmail.com.”
Canon Lawyer Sister Elizabeth Cotter, Postulator for the Cause of Venerable Mary Ward, with the Sisters in Asansol, India
Explaining the present state of play, involving theological and historical commissions, Sister Elizabeth says: “The process is in the phase where the Church has to be sure that a person never worked or wrote against the Church or did anything contrary to the faith.
“But why has it taken so long? Mary was interred in a monastery in Anger, Munich, in 1631 when she was declared a heretic. When she was let out, she went to the Pope in Rome to seek her exoneration, but it has taken four centuries to do undo the damage done in what was written about her.
“The year of Veneration came in 2009 under Pope Benedict XVI, who had attended a Mary Ward kindergarten school in Germany as a five-year old.”
Now comes the Beatification stage. “We have to find proof of a miracle,” says Sister Elizabeth. “I was appointed to my role in 2015, and I spent 2015 to 2019 asking if anyone had come across a miracle resulting from a prayer to Mary Ward. We came across plenty.”
One such miracle has been selected, whereupon a tribunal/board enquiry has been set up in the Catholic diocese where it occurred, requiring proof of the person’s medical cure.
“Only when they have brought the enquiry to a conclusion will the authorities in Rome decide if Mary is to be beatified or not.”
Bar Convent Living Heritage Centre, in Blossom Street, York: the oldest surviving Catholic convent in Great Britain, opened in secrecy in 1686
The case for Mary Ward was submitted in December 2019, but a combination of the Covid 19 pandemic and the workload of the tribunal priest has kept Sister Elizabeth and Mary’s followers waiting and waiting.
“But what keeps me going is remembering how long it took for Mary to be venerated. I just handle the process on Mary’s behalf and make sure it’s all in order, and we pray for this priest all the time, hoping he will be able to conclude the tribunal because he has so much on his plate.”
In the meantime, special events will be running throughout Mary Ward Week and until February 17 at Bar Convent to highlight the cause. These will be led off by today’s 12.30pm to 1pm talk by special collections manager Dr Hannah Thomas on Mary Ward’s history-making, ground-breaking vision for religious and educational change, against all the odds, and why she should be declared a saint.
At Sunday’s annual ecumenical service at 4pm at St Thomas’s, Osbaldwick, the Anglican church where Mary Ward is buried, the Most Reverend and Right Honourable Archbishop of York Stephen Cottrell will give the homily.
“When Mary Ward died, Catholics were not allowed to be buried in York, but Mary’s followers were so honest in their ‘bribing’ of the Anglican priest at this tiny church in Osbaldwick that he agreed for her to be buried there,” says Sister Elizabeth.
Mary’s tombstone is now placed inside the church, bearing an epitaph with a coded reference to her determination that women might take inspiration from St Ignatius: “To love the poore, persever in the same, live, dy and rise with them was all the ayme of Mary Ward”.
Now the aim is to make Mary Ward a saint.
For more details and the link to the online petition, head to: www.barconvent.co.uk. Bar Convent opening hours: Monday to Saturday, 10am to 4pm.
Mary Ward: Painted Life Congregatio Jesu Augsburg (Germany); Foto Studio Tanner, Nesselway
Mary Ward: the back story
MARY Ward was born into a devout Catholic family after the English Reformation had taken place.
She had a tumultuous childhood; her family was forced to relocate several times to avoid detection and was linked with the Gunpowder Plot.
She witnessed the brutal persecution of her fellow Catholics, including the imprisonment of members of her own family, such as her grandmother, Ursula Wright and the martyrdom of her cousin, Fr. Francis Ingleby, on Knavesmire, York.
Mary felt called to the Catholic religious life that had been banned in England for 70 years and travelled to the continent where many other Catholics had fled.
She and her companions founded the first religious congregation for women modelled directly on the newly founded Society of Jesus (Jesuits), who take a fourth vow of universal mission to go wherever the Pope might send them.
Mary Ward believed that women were spiritually and intellectually equal to men and deserved an education that reflected that equality. Providing a proper education for girls was central to her work, and she travelled widely across Europe, founding schools in ten European cities by 1628.
These views and methods were far ahead of her time and the Catholic Church opposed her at every step and even had her imprisoned.
In 1617 she famously said: “There is no such difference between men and women that women may not do great things – and I hope in God it will be seen that women in time to come will do much.”
To put this into context, this was at a time when philosophers were debating if women even had souls; and her own religious adviser questioned whether women had as much religious fervour as their male counterparts due to the weakness of their sex.
It was a firmly held belief that too much education would be too taxing for the female brain. Even centuries later, in 1895, a manual on child development argued that if a girl overused her brain, it would damage her ability to bear children, noting that ‘this New Woman is only possible in a novel and not in nature’.
Mary Ward died on January 30 1645 during the English Civil War, having never seen her vision fully realised. She is buried in the churchyard at St Thomas’s, Osbaldwick, York, where her tombstone can be seen inside the church.
Across the global network of her religious congregation, the Bar Convent is the focal point and home of the historic legacy of her work.
After her death in 1645, her followers continued her work and opened a secret convent in York. They were the first to open schools for girls in this country that offered the same education as boys.
There is now a global following of thousands of religious sisters, along with around 200 schools worldwide in Mary Ward’s name, lay collaborators and Friends of Mary Ward.
Pope John Paul II singled out Mary Ward as an “extraordinary Yorkshire woman and a pioneer” in 1982 when he celebrated a Mass in York attended by 210,000 people.
In 2009, she was declared Venerable by Pope Benedict XVI, in the first step on the road to canonisation and sainthood. The next step is to have Mary Ward beatified, an ongoing task.
Mary Ward, by Ellie Lewis, an illustration from the In The Footsteps Of Mary Ward guide book at Bar Convent Living Heritage Centre
Why does Mary Ward deserve to be a saint? The Bar Convent charts the reasons
1. Mary Ward pioneered a new way to live the consecrated life at a time when the monastic life was the only way acceptable to the Catholic Church. Believing that God’s will was driving her towards this new way, she persevered despite imprisonment and condemnation by the Church she sought to serve.
Exonerated eventually, Mary Ward’s holiness of life was recognised by the Church in 2009 when Pope Benedict declared her “Venerable.” At a time when the worldwide Synod called by Pope Francis is urging stronger roles for women within the Church, Mary Ward is a prime role model for future generations and especially for girls.
2. Mary Ward’s passionate belief that “women in time to come will do much” has been the driving force of those who brought her vision and values to 42 countries in every continent from her time and up to the present day.
She continues to provide inspiration to the women of our time. Recognition by the Church would provide a much-needed example of the Church’s willingness to promote the dignity of women in a world which badly needs such witness.
3. Her key values of freedom, justice, sincerity and joy, vital in her 17th context, retain their significance and importance in a world so devoid of these virtues today.
4. Despite the way she was treated by the Church of her time, Mary Ward retained her love for it, urging her followers to “love the Church”. She is a model of critical fidelity at a time when many struggle within the Church.
5.Mary Ward lived and worked for the greater glory of God despite the obstacles in her way. Her life challenges us to do the same.
6. Mary Ward was an Englishwoman who held fast to the Catholic faith in an era of persecution and hostility to the Church. What a role model she is to English Catholics today. By making her a saint, the Church would give recognition to the many faithful women and men who hold fast to the faith despite difficulties.
7. For the hundreds of thousands of Mary Ward followers worldwide, recognition by the Catholic Church would validate the widely held belief that Mary Ward is needed as much by our 21st century world as she was in the dark days of opposition to women in the 17th century.
“There is no such difference between men and women that women may not do great matters,”wrote Mary Ward in 1617
