Eileen Walsh and Megan Placito are thrilled by reaction to Jeremy Dyson & Andy Nyman’s twisted thriller The Psychic

Eileen Walsh’s TV psychic Sheila Gold in York Theatre Royal’s world premiere of Jeremy Dyson & Andy Nyman’s The Psychic. Picture: Manuel Harlan

JEREMY Dyson and Andy Nyman’s world premiere of The Psychic is into its last week at York Theatre Royal, where lead actress Eileen Walsh and professional theatre newcomer Megan Placito have been enjoying every twist and turn of the writer-director duo’s psychological thriller.

Eileen is playing popular TV medium Sheila Gold, who loses a high-profile court case that brands her a charlatan, costing her not only her reputation but also a fortune in legal fees. When a wealthy couple ask Sheila to conduct a séance to attempt to make contact with their late child, she senses an opportunity to bleed them for money. What follows makes her question everything she has ever believed, leading her on a journey into the darkest corners of her life. 

Joining her on that journey is Megan’s Tara, Sheila’s ambitious, resolute niece, who combines vulnerability and underdog defiance  with a determination to inherit her family’s fairground wisdom and tricks.

“I did a Zoom meeting with Jeremy and Andy two months before we started rehearsals after they’d seen my work and said, ‘Can we send you the script?’,” says Eileen. “I’d never done a play like this, but the lads were so enthusiastic about their subject, the magic and the jump scares that it was an easy ‘yes’ for me.”

Megan, who trained at ArtsEd, had appeared in the television series Father Brown, Casualty and Doctors and the films Peter Pan’s Neverland, Decode Me and The Salt Path, but not yet on stage when she was contacted by casting director Arthur Carrington.

“Jeremy and Andy had asked him, ‘can you find any girls from a showman background?’, and I was the first one they saw in January, after I was sent the script on my birthday in December – on the same day that my boyfriend bought me a book on witchcraft! It was like all these things were coming together,” says Megan.

“I’d done some indie films and the usual rites-of-passage TV shows, but I was desperate to do theatre, although Arts Ed was more focused on TV and film training, but all the performances that had captivated me had been on stage. Like seeing Eileen’s performance in Arthur Miller’s The Crucible at the National [Theatre], playing John Proctor’s wife, Elizabeth.”

Megan met Jeremy and Andy at the Umbrella Rooms in Shaftsbury Avenue. “I was just wanting to rack their brains as I grew up in a travelling showman community in Chertsey in Surrey, who worked on fairgrounds,” she says.

“My mum is a showman and my father is a ‘joskin’ [a non-traveller], as she wanted to get out of the showman world, where, in a lot of the communities, there are pressures. But I had freedom, I went to a regular GCSE school, and when I said I wanted to be an actor, my mum said, ‘yeah, do it’. Showmanship is in my heart; it’s in my blood to perform.”

 Megan Placito’s Tara in The Psychic. Picture: Manuel Harlan

At her first meeting with Jeremy and Andy, Megan was “asking them about the language in the play, and how they’d written about a matriarchal world  when it’s called ‘showman’ – though actually the community is run by the women.”

Eileen was drawn to Dyson and Nyman’s fascination with the powers of psychics. “The way the guys spoke about ‘reading people’ intrigued me,” she says.

“I’d just done a show called The Second Woman with an Australian company at Cork Opera House, when it was an opportunity to see how I could hold up for 24 hours, playing the same scene 100 times opposite 100 men, so I felt it was moving in the right direction for me to come out and talk with a live audience straightaway in The Psychic.

“It was not something scary for me to deal with, bringing the audience on a journey into the play through direct address.”

Eileen continues: “It’s really interesting to give people in the audience the chance to talk if they fill out the ‘share card’: they’ll share their stories, share eye contact with you, and it’s amazing how many people will share intimate details about themselves.

“I love the bravery that it takes for them to do that, standing up in front of the audience, who actually become the eighth character in the play.”

York Theatre Royal is running a 35 Live ticket offer for 18 to 35-year-olds, where they can acquire two tickets for £15 each. “People in that age group should see The Psychic because it’s on-trend with TikTok and Tarot card reading, and so many people are interested in spiritualism,  ‘the other’ and ‘manifesting’,” says Megan.

“I do think that people will enjoy that side of it: the question of whether any of it is real or unreal. There’s so much interest in ghost stories, and I love how it feels like a Victorian melodrama too.”

The Psychic, York Theatre Royal, until Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The Psychic: York Theatre Royal is offering 35 Live ticket offer for 18 to 35-year-olds

REVIEW: Jeremy Dyson & Andy Nyman’s world premiere of The Psychic, York Theatre Royal, until May 23 ****

Sheila Gold: Frank, incensed and muddying the truth in The Psychic at York Theatre Royal. Picture: Manuel Harlan

THIS critique comes with a personally signed request from theatre makers Jeremy Dyson and Andy Nyman, paperclipped to the programme for their world premiere of The Psychic.

“Whilst we know it makes your job a little harder, we would love it if your review could steer clear of spoilers of any of the twists or secrets that you are about to learn,” they ask.

The Psychic has been up and running for a week of previews before Wednesday’s press night – with Jonathan Ross and actor Tim McInnerny among the high-spirited full house – and no doubt those twists and secrets are being shared already, but your reviewer’s lips are sealed on the minutiae of what unfolds.

Frances Barber’s prickly Rosa in The Psychic. Picture: Manuel Harlan

The north and south writer-director combo of Dyson (from Ilkley) and Dyson (from London) made the same request for Ghost Stories, their audacious spooky conceit that is still freaking out audiences after 16 years (and played the Grand Opera House, York, in March 2020).

After the paranormal scares and shrieks of Ghost Stories, Dyson, alumnus of the deeply, madly, darkly twisted League Of Gentlemen, teams up anew with regular creative co-pilot Nyman, actor, director, writer and collaborator with psychological illusionist Derren Brown for  two decades, who played Winston Churchill in Peaky Blinders, by the way.

Illusions and disillusion play their part in The Psychic, a twisted dark thriller of jet black humour wrapped inside a state-of-the-nation study of fame and the corrosive impact of the Fourth Estate and radio shock-jocks, delivered with a theatrical sleight of hand in tandem with illusions designer Chris Fisher, lighting designer Zoe Spurr, sound designer Nick Manning, video designer Duncan McLean and, above all, set and costume designer Rae Smith, whose scene-setting is outstanding and well worth the longer-than-usual interval wait for the revelation of the gaudy interior of a Spanish villa.

Writer-directors Andy Nyman and Jeremy Dyson in rehearsal for The Psychic’s world premiere at York Theatre Royal. Picture: Manuel Harlan

Dyson and Nyman were delighted to team up with the Theatre Royal in York, a city “drenched in the supernatural” as Nyman described it, for the torrid tale of  TV’s most famous psychic, Sheila Gold (Eileen Walsh) in the immediate aftermath of losing a high-profile court case, costing her not only her reputation but also £500,00 in legal fees.

We join her as the audience on the first night of her latest tour, fighting back against the charge of being a charlatan with her golden Irish brogue and “gift” for contacting the other side.

It will not be an easy ride: heat-seeking, scandal-stirring, slick and slimy radio presenter Robert Hamm (Mischief Theatre regular Dave Hearn) is out to give her a hard time; niece Tara (Megan Placito, in her professional stage debut) demands she trains her in her showman skills and won’t take ‘No’ for an answer.

Showing her the ropes: Eileen Walsh’s Sheila Gold working with her “protege”, Megan Placito’s Tara in The Psychic. Picture: Manuel Harlan

Enter a wealthy couple, Deepak (Jaz Singh Deol) and Nisha (Nikhita Lesler), with a desperate  request for Sheila to conduct a séance to attempt to make contact with their late child. Sheila duly snatches at the opportunity to bleed them for money.

In the words of Dyson and Nyman, “what follows makes Sheila question everything she ever believed and leads her on a journey into the darkest corners of her life”. Occupying the darkest corner of all is her dysfunctional relationship with her mother, the anything-but-rosy Rosa (Frances Barber), her spiteful spiritualist forebear as a fortune teller on the Blackpool pier.

Central to The Psychic is the question: “Is any of it real?”, not only asking whether TV and stage show psychics are fakes, but also what is the truth of such lives beyond the  TV screen, as Dyson and Nyman question “what really matters in life”.

Dave Hearn’s arch cynic of an investigative radio presenter, Robert Hamm, in The Psychic. Picture: Manuel Harlan

Can you trust what you are watching amid Fisher’s illusions and McLean’s videos, and who is deceiving who in the fractured mother-and-daughter relationship of Rosa and Sheila? The greater truth here, beyond the price of fame, is the cost of greed and jealousy, as captured in the terrific performances of Walsh’s Sheila, Barber’s waspish, embittered Rosa and impressive debutant Placito’s aspirational Tara (Placito having grown up in a travelling showman family).

Dyson and Nyman serve up moments of shock-horror and utilise a disorientating sound pool – much in the manner of Danny Robbins’s 2: 22 A Ghost Story – but for all the supernatural intrigue, at its heart The Psychic mirrors Greek tragedies in its study of mortality and morality, the maternal and the matriarchal, the eternal and the material, the ethereal and the real, the heaven and the hell. 

Jeremy Dyson and Andy Nyman’s The Psychic, York Theatre Royal, until May 23. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Seeking contact with their late child: Jaz Singh Deol’s Deepak and Nikhita Lesler’s Nisha in The Psychic. Picture: Manuel Harlan