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More Things To Do in York and beyond when going for gold in pursuit of entertainment and enlightenment. Here’s Hutch’s List No. 29, from The Press, York

Shed Seven: Playing sold-out concerts in York Museum Gardens on July 19 and 20

SHED Seven’s 30th anniversary open-air gigs top Charles Hutchinson’s bill. Roman emperors, Ryedale musicians, Brazilian sambas and theatrical Fools look promising too.

York festival of the week: Futuresound presents Live At York Museum Gardens, Jack Savoretti, July 18; Shed Seven, July 19 and 20

ONLY 100 tickets are still available for Anglo-Italian singer-songwriter Jack Savoretti’s opening concert of the inaugural Live At York Museum Gardens festival at the 4,000-capacity York Museum Gardens, when the support acts will be Northern Irish folk-blues troubadour Foy Vance, York singer-songwriter Benjamin Francis Leftwich and fast-rising Halifax act Ellur.

Both of Shed Seven’s home-city 30th anniversary gigs have sold out. Expect a different set list each night, special guests and a school choir, plus support slots for The Libertines’ Peter Doherty, The Lottery Winners and York band Serotones next Friday and Doherty, Brooke Combe and Apollo Junction next Saturday. Sugababes’ festival-closing concert on July 21 was cancelled in April. Box office: seetickets.com/event/jack-savoretti/york-museum-gardens/2929799.

Jack Savoretti: Opening the inaugural Live At York Museum Gardens festival on Thursday

Tribute show of the week: The Illegal Eagles, York Barbican, Sunday, 7.30pm

IN their 24th year on the road, The Illegal Eagles return with a new production rooted as ever in the greatest hits of the American West Coast country rock band, from Hotel California to Desperado, Life In The Fast Lane to Lyin’ Eyes.

The latest line-up features former Blow Monkeys drummer Tony Kiley, Trevor Newnham, from Dr Hook, on vocals and bass, Greg Webb, vocals and guitars, Mike Baker, vocals, guitars and keys, and Garreth Hicklin, likewise. Box office: yorkbarbican.co.uk.

Mezzo-soprano Fleur Barron: Artist in residence at 2024 Ryedale Festival

Classical festival of the week: Ryedale Festival, running until July 28

THIS summer’s Ryedale Festival features 58 performances in 35 beautiful and historic locations, with performers ranging from Felix Klieser, a horn player born without arms, to trail-blazing Chinese guitarist Xuefei Yang, mezzo-soprano Fleur Barron to violinist Stella Chen, the Van Baerle Piano Trio to Rachel Podger on her Troubadour Trail.

Taking part too will be Royal Wedding cellistSheku Kanneh-Mason, Georgian pianist Giorgi Gigashvili, Brazilian guitar pioneer Plinio Fernandes, choral groups The Marian Consort and Tenebrae, actress and classical music enthusiast Dame Sheila Hancock, jazz singer Claire Martin and Northumbrian folk group The Unthanks. For the full programme and ticket details, head to: ryedalefestival.com. 

Mary Beard: Revealing the truths and lies behind the emperors of Rome at Grand Opera House, York

History lesson of the week: Mary Beard: Emperor Of Rome, Grand Opera House, York, tonight, 7.30pm

CLASSICIST scholar, debunking historian and television presenter Mary Beard shines the spotlight on Roman emperors, from the well-known Julius Caesar (assassinated 44 BCE) to the almost-unknown Alexander Severus (assassinated 235 CE).

Venturing beyond the hype of politics, power and succession, she will uncover the facts and fiction of these rulers, assessing what they did and why and how we came to have such a lurid view of them. Audience questions will be taken. Box office: atgtickets.com/york.

Maria Gray in the role of The Acrobat in Around The World In 80 Days-ish at York Theatre Royal. Picture: Charlie Kirkpatrick

Theatrical return of the week: Around The World In 80 Days-ish, York Theatre Royal, July 18 to August 3

PREMIERED on York playing fields in 2021, revived in a touring co-production with Tilted Wig that opened at the Theatre Royal in February 2023, creative director Juliet Forster’s circus-themed adaptation of Jules Verne’s novel returns under a new title with a new cast.

Join a raggle-taggle band of circus performers as they embark on their most daring feat yet: to perform the fictitious story of Phileas Fogg and his thrilling race across the globe. But wait? Who is this intrepid American travel writer, Nellie Bly, biting at his heels? Will an actual, real-life woman win this race? Cue a carnival of delights with tricks, flicks and brand-new bits. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Katie Leckey: Alternating the roles of Ben and Gus with Jack Mackay in Griffonage Theatre’s The Dumb Waiter
Jack Mackay: Alternating the roles of Ben and Gus with Katie Leckey in Griffonage Theatre’s The Dumb Waiter

Fringe show of the week: Griffonage Theatre in The Dumb Waiter, Theatre@41, Monkgate, York,  July 18 to 20, 7.30pm plus 2.30pm Saturday matinee

YORK company Griffonage Theatre follow up February’s debut production of Patrick Hamilton’s Rope with Harold Pinter’s 1957 one-act play The Dumb Waiter, directed and designed by Wilf Tomlinson.

Two hitmen, Ben and Gus, are waiting in a basement room for their assignment, but why is a dumbwaiter in there, when the basement does not appear to be in a restaurant? To make matters worse, the loo won’t flush, the kettle won’t boil, and the two men are increasingly at odds with each other. Unique to this production, actors Jack Mackay and Katie Leckey will alternate the roles of Ben and Gus at each performance. Box office: tickets.41monkgate.co.uk.

Four go into three: Cast members James Aldred, Peter Long, Lucy Chamberlain and Charlotte Horner of The Three Inch Fools

Open-air theatre at the double: The Three Inch Fools in The Secret Diary Of Henry VIII, Scampston Hall, Scampston, near Malton, July 20; Merchant Adventurers’ Hall, York, July 23 and Helmsley Walled Garden, August 6; The Comedy Of Errors, Helmsley Walled Garden, July 19, all at 7pm

THE Three Inch Fools, brothers James and Stephen Hyde’s specialists in fast-paced storytelling and uproarious music-making, head to Scampston, York and Helmsley with their rowdy reimagining of the story of the troublesome Tudor king in The Secret Diary Of Henry VIII as he strives to navigate his way through courtly life, while fighting the French again, re-writing religious law and clocking up six wives.

The Play That Goes Wrong’s Sean Turner directs the Fools’ innovative take on Shakespeare’s shortest, wildest farce The Comedy Of Errors, with its tale of long-lost twins, misunderstandings and messy mishaps. Box office: eventbrite.co.uk.

Barbara Marten, York actor, oil on canvas, by Steve Huison, on show at Pyramid Gallery

Exhibition of the week: Steve Huison, Portraits, Pyramid Gallery, Stonegate, York, until August 31

THE Full Monty actor and artist Steve Huison is exhibiting 12 studies of colleagues in the acting profession, musicians who have inspired him, an adventurous Greenland chef and a famous Swiss clown.

On show are portraits of fellow actors Paul Barber, Arnold Oceng, Barbara Marten, Will Snape, Clarence Smith and Joe Duttine, musicians Abdullah Ibrahim, Quentin Rawlings and Flora Hibberd, counsellor and therapist Dr Tanya Frances, chef Mike Keen and Grock the Clown. Opening hours: Monday to Saturday, 10am to 5pm.

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What’s On in Ryedale, York and beyond as classical festival opens. Here’s Hutch’s List No. 24, from Gazette & Herald

Mezzo-soprano Fleur Barron: Residency at Ryedale Festival. Picture: Victoria Cadisch

RYEDALE Festival tops the bill for Charles Hutchinson’s recommendations. A tribute to tribute acts, Grimm tales, Roman emperors, Brazilian sambas and theatrical Fools look promising too.

Festival of the week: Ryedale Festival, July 12 to 28

THIS summer’s Ryedale Festival features 58 performances in 35 beautiful and historic locations, with performers ranging from Felix Klieser, a horn player born without arms, to trail-blazing Chinese guitarist Xuefei Yang, mezz-soprano Fleur Barron to violinist Stella Chen, the Van Baerle Piano Trio to Troubadour Trail host Rachel Podger.

Taking part too will be Royal Wedding cellistSheku Kanneh-Mason, Georgian pianist Giorgi Gigashvili, Brazilian guitar pioneer Plinio Fernandes, choral groups The Marian Consort and Tenebrae, actress and classical music enthusiast Dame Sheila Hancock, jazz singer Claire Martin and Northumbrian folk group The Unthanks. For the full programme and ticket details, head to: ryedalefestival.com. 

Re-Bjorn each show: Sarah-Louise Young in I Am Your Tribute at Theatre@41, Monkgate, York

Fringe show of the week: Sarah-Louise Young, I Am Your Tribute, Theatre@41, Monkgate, York, tomorrow, 7.30pm

AFTER An Evening Without Kate Bush, the Julie Andrews-focused Julie Madly Deeply and The Silent Treatment, Sarah-Louise Young returns to Theatre@41 with her Edinburgh Fringe-bound new show, I Am Your Tribute.

In her “most ambitiously interactive performance yet”, she invites you to help her create the ultimate tribute to an act of your choosing. Along the way she will teach you the tricks of the trade, share her greatest hits and uncover the occasionally darker side of living in someone’s else’s shadow. Expect music, wigs and wonderment. Box office: tickets.41monkgate.co.uk.

Happily ever after: Rowntree Players cast members in Grimm Tales

Fairy tales of the week: Rowntree Players in Grimm Tales, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm

AMI Carter directs Rowntree Players in Carol Ann Duffy’s adaptation of Grimm Tales, dramatised by Tim Supple, with Chris Meadley in the role of the Narrator.

The cast of 15 takes a journey through a selection of delightfully bizarre stories from the Brothers Grimm collection to reveal their true origins and to discover that the path to a happy ending can, indeed, be a little grim. Box office: 01904 501395 or josephrowntreetheatre.co.uk.

Mary Beard: Roman emperors, the truth and the lies, at Grand Opera House, York

History lesson of the week: Mary Beard: Emperor Of Rome, Grand Opera House, York, Saturday, 7.30pm

CLASSICIST scholar, debunking historian and television presenter Mary Beard shines the spotlight on Roman emperors, from the well-known Julius Caesar (assassinated 44 BCE) to the almost-unknown Alexander Severus (assassinated 235 CE).

Venturing beyond the hype of politics, power and succession and into the heart of the palace corridors, she will uncover the facts and fiction of these rulers, asking what they did and why, and how we came to have such a lurid view of them. Themes of autocracy, corruption and conspiracy will be explored and audience questions will be taken. Box office: atgtickets.com/york.

Andrew Methven: Playing a Lazy Sunday Session at Milton Rooms, Malton

Afternoon entertainment: Lazy Sunday Sessions, Andrew Methven & Joseph Wing, Milton Rooms, Malton, Sunday, 3pm

HEADLINER Andrew Metheven, from Bradford, pens lo-fi folk songs about births, hills, decay and daydreams and too many about birds, as heard on his June 2024 debut album, Sister Winter, available via Bandcamp. Singer and guitarist Joseph Wing, from Malton band Penny Fleck, will be the support act. Box office: 01653 696240 or themiltonrooms.com.

Madness: Welcome to the House Of Fun at Scarborough Open Air Theatre

Coastal gig of the week: Madness, Scarborough Open Air Theatre, Friday, gates 6pm

MADNESS, the Nutty Boys of Camden Town, return to the North Yorkshire great outdoors for Suggs and co to roll out such ska-flavoured music-hall hits as Our House, One Step Beyond, Baggy Trousers, It Must Be Love, House Of Fun, Michael Caine, Wings Of A Dove, Night Boat To Cairo, My Girl, Driving In My Car, Tomorrow’s Just Another Day and Embarrassment. Standing tickets are still available at scarboroughopenairtheatre.com/madness.

Fernando Maynart: Showcasing new album at Helmsley Arts Centre

Brazilian sambas of the week: Fernando Maynart, Helmsley Arts Centre, Saturday, 7.30pm

BRAZILIAN singer, composer, guitarist and percussionist Fernando Maynart introduces his new album, TranSambas, showcasing the different rhythmic nuances of samba rooted in Africa via the West African slave trade and the Afro-Brazilian religion. 

Maynart, whose set also features songs by Brazilian maestro Dorival Caymmi, will be accompanied by Brazilian flautist Daniel Allain and drummer/percussionist Denilson Oliveira, plus Ryedale multi-instrumentalist David Key. Box office: 01439 771700 or helmsleyarts.co.uk.

Four go into three: James Aldred, Peter Long, Lucy Chamberlain and Charlotte Horner of The Three Inch Fools

Open-air theatre at the double: The Three Inch Fools in The Secret Diary Of Henry VIII, Scampston Hall, Scampston, near Malton, July 20; Merchant Adventurers’ Hall, York, July 23 and Helmsley Walled Garden, August 6; The Comedy Of Errors, Helmsley Walled Garden, July 19, all at 7pm

THE Three Inch Fools, brothers James and Stephen Hyde’s specialists in fast-paced storytelling and uproarious music-making, head to Scampston, York and Helmsley with their rowdy reimagining of the story of the troublesome Tudor king in The Secret Diary Of Henry VIII as he strives to navigate his way through courtly life, while fighting the French again, re-writing religious law and clocking up six wives.

The Play That Goes Wrong’s Sean Turner directs the Fools’ innovative take on Shakespeare’s shortest, wildest farce The Comedy Of Errors, with its tale of long-lost twins, misunderstandings and messy mishaps. Box office: eventbrite.co.uk.

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The Three Inch Fools take to North Yorkshire outdoors with The Secret Diary Of Henry VIII and The Comedy Of Errors

Four go into three: Cast members James Aldred, Peter Long, Lucy Chamberlain and Charlotte Horner of The Three Inch Fools

OPEN-AIR theatre specialists The Three Inch Fools will head to Scampston Hall, Scampston, near Malton, on July 20 with their rowdy reimagining of the story of a troublesome Tudor king, The Secret Diary Of Henry VIII.

Further North Yorkshire performances will follow at Merchant Adventurers’ Hall, York, on July 23, and Helmsley Walled Garden on August 6.

Founded in Cumbria in 2015 by the Hyde brothers, producer James and writer, composer and director Stephen, the company combines fast-paced storytelling with uproarious music-making as their modus operandi for their contemporary spin on the traditional touring troupe.

The Secret Diary finds a young Henry VIII attempting to navigate his way through courtly life on a tour that will visit heritage sites with Tudor links to transport audiences back in time, albeit with a different take on history than the one told by the great houses.

Stephen Hyde’s new work provides an “essential guide” to how to keep your head in the Tudor Court when unexpectedly thrust into the limelight, as Henry navigates the ups and downs of courtly life, all while fighting the French (again) and re-writing religious law. Cue a madcap take on Britain’s most epic monarch and those infamous wives.

Operating from their rehearsal residency at the National Trust property of Eastbury Manor House in Banbury, the Fools are touring 80 venues this summer with two shows, the second being their innovative twist on Shakespeare’s shortest, wildest farce, The Comedy Of Errors, with its tale of long-lost twins, misunderstandings and messy mishaps.

Directed by The Play That Goes Wrong’s Sean Turner, The Comedy Of Errors will play Helmsley Walled Garden on July 19.

In the Three Inch Fools cast will be James Aldred, Lucy Chamberlain, Charlotte Horner and Pete Long, while the production team includes fight director and choreographer Marcello Marascalchi, movement director Claire Parry and costume & props designer Aoife Hills.

The Three Inch Fools in The Secret Diary Of Henry VIII, Scampston Hall & Walled Gardens, Scampston, near Malton, July 20; Merchant Adventurers’ Hall, York, July 23, and Helmsley Arts Centre, August 6, all at 7pm. The Comedy Of Errors, Helmsley Walled Garden, July 19, 7pm. Gates open at 6pm. Age guidance: 6+. Box office: eventbrite.co.uk.

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Ashley Karrell’s digital portrait of Merchant Adventurers’ Hall’s first woman governor, Dr Delma Tomlin, goes on show at Easter

Photographer Ashley Karrell with his portrait of Dr Delma Tomlin, first woman governor of the Merchant Adventurers’ Hall in York. Picture: Ashley Karrell

THE Merchant Adventurers’ Hall, in York, is celebrating its first woman governor with a specially commissioned photo portrait of Dr Delma Tomlin MBE.

She was appointed to the role in 2022, becoming the first female incumbent since the hall’s foundation in 1357.

Dr Tomlin is the founder and long-standing artistic director of the National Centre for Early Music, at St Margaret’s Church, Walmgate, York, and the director of York Early Music Festival, York Early Music Christmas Festival and Beverley & East Riding Early Music Festival.

Oil paintings of past governors are on display around the hall, in Fossgate, and from this Easter they will be joined by the new digital portrait by Ashley Karrell in the Great Hall.

In a move away from traditional oil painting to the 21st century digital age, the Merchant Adventurers’ Hall commissioned Karrell, an award-winning director, producer, photographer and artist, to create the highly original work.

Already he had made his mark in Yorkshire as the first black portrait photographer to be commissioned for the permanent collection at the stately home of Harewood House, working on the Missing Portraits series that features Leeds West Indian Carnival founder Arthur France MBE and actor David Harewood OBE.

Karrell also made the hybrid film #BlackBoyJoyGone, nominated at the 2023 Grierson Awards, and the multi-award-winning dance theatre film Displaced.

Dr Tomlin said: “It was such an honour to take up the role of the first female governor of this venerable organisation, which has a 660-year history. To reflect this new direction, we decided to take a different approach to commemorate the occasion and commissioned the award-winning Ashley Karrell to work with us. We hope that visitors will be as excited as we are by this historic photo portrait.”

Ashley Kerrall’s digital photographic portrait of Dr Delma Tomlin. Copyright: Ashley Karrell

Karrell said: “I’m truly grateful to Dr Delma Tomlin and the Merchant Adventurers’ Hall for the opportunity of creating this significant portrait. My art is captivated by stories about human experiences, the exploration of community and social engagement.

“This image is one of one; what we created speaks of history, representation, celebration and triumph. To be a small part of the 660-year history of this institution gives me joy and I hope the audience will feel strength and humility within the eyes of our first female governor. Thank you for allowing me to be a part of your story.”

The Merchant Adventurers’ Hall, York’s oldest medieval building, continues to engage audiences with an innovative approach, attracting visitors from all over the world. The hall is home to many collections, including silver, furniture and paintings, which provide a glimpse into its rich history. It also remains the everyday base for the 160 members of the Company of Merchant Adventurers of the City of York.

This Easter’s unveiling of the photo portrait coincides with the launch of a free digital museum guide through the arts and culture app Bloomberg Connects. The app gives access to expertly curated content and guides to more than 350 museums, galleries, sculpture parks, gardens, and other cultural spaces.

Over the past few years, the Merchant Adventurers’ Hall has reached wider audiences with exhibitions and has increased its digital offer. Visitor numbers continue to go from strength to strength, as illustrated by the Two Rivers interactive exhibition attracting a big audience with its revelations of the fascinating history and importance of the city’s rivers.

Lauren Marshall, the hall’s museum director, said: “We’re very excited about our new digital guide, which we hope will make the visitor experience at the Merchant Adventurers’ Hall even more enjoyable.

“We’ve been delighted by the ever-increasing interest in this amazing medieval building, one of the most stunning in the UK, and we’re looking forward to welcoming visitors from York and beyond in the months to come.”

Dr Delma Tomlin, DUniv, MBE: the back story

Delma Tomlin

FOUNDER and artistic director of the National Centre for Early Music, at St Margaret’s Church, Walmgate, York, promoting music from the 13th to the 18th centuries.

Director of York Early Music Festival, York Early Music Christmas Festival and Beverley & East Riding Early Music Festival.

Acknowledged expert in the promotion of the medieval York Mystery Plays.

In 2000, she was awarded an honorary doctorate by the University of York for her work in the city. In 2008, she received an MBE for Services to the Arts in Yorkshire & Humberside. In 2018, she was appointed Cultural Champion for York. In 2020, she was elected an Honorary Freeman of the City of York.

Ashley Karrell: the back story

AWARD-WINNING director, producer, photographer and artist with more than two decades of experience. His work includes films, television, visual art, theatre productions and commercial and experimental video across the UK and beyond.

Captivated by stories of human experiences, the exploration of community and social engagement.

Known for his hybrid film #BlackBoyJoyGone, nominated at 2023 Grierson Awards; multi-award-winning dance theatre film Displaced;  feature film and documentary of Geraldine Connorʼs stage masterpiece Carnival Messiah, winner of Peopleʼs Choice Award for Best Documentary at Trinidad Film Festival.

First black portrait photographer commissioned for permanent collection at Harewood House, near Leeds, photographing Missing Portraits series, featuring Leeds West Indian Carnival founder Arthur France MBE and actor David Harewood OBE

2022-24 marks the release of eight new short films, touring theatre shows and photography projects.

For more information, go to: www.AshleyKarrell.com. Social media links: Instagram – @ashleykarrell; Facebook – @ashleykarrell; X/Twitter – @ashleykarrell

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REVIEW: Martin Dreyer’s verdict on Helen Charlston & Toby Carr and Marian & Rose Consorts at York Early Music Festival

Helen Charlston: “A voice like no other”

York Early Music Festival: Helen Charlston & Toby Carr, Undercroft, Merchant Adventurers’ Hall, York, July 10; The Marian Consort & Rose Consort of Viols, National Centre for Early Music, York, July 11

THERE is something special about a late-night recital, especially when the lights are low. The low-ceilinged Undercroft, with the audience in darkness and the performers dimly back-lit, was just the ticket for a spot of drama.

With the trusty theorbo of Toby Carr for support, Helen Charlston brought her considerable voice to bear on battle-hardened heroines.

Hers is no ordinary mezzo, as in soprano without the high notes. She has a considerable range, both high and low, but her tone is smoothly focused throughout, without sign of gear changing. Add to that a flair for diction which adds conviction to her theatricality, and you have a voice like no other. This was an exciting evening.

She opened and closed with Purcell. His most successful song in Bonduca (Boadicea as imagined by John Fletcher), O Lead Me To Some Peaceful Gloom, neatly captured the heroine’s inner conflict, and An Evening Hymn spoke of bold spiritual confidence.

She also evinced a special feel for the music of17th-century Italian Barbara Strozzi, a singer herself. The bitter-sweet pain of L’Heraclito Amoroso and the marvellously Italianate decorations in La Travagliata (The Tormented Woman) were meat and drink to Charlston’s skill.

She took her programme title, Battle Cry, from an eponymous work by Owain Park setting poetry by Georgia Way, which she premiered in 2021. It pictures intimate reactions to four ‘abandoned’ women: a lament for Boadicea, the solitude of Philomela, a prayer to Sappho and love-regret for Marietta.

Here she showed an uncommon affinity for the words, in vocal lines that were grateful even when occasionally flowery. Carr’s underpinnings were invaluable; as so often elsewhere, his rhythmic awareness added colour to the ebb and flow of passion. Its harmonies were modern but its aura evoked a much earlier era.

The highlight of the programme was the nobility in Charlston’s approach to Monteverdi’s Lamento d’Arianna, which allowed us to discern a steely centre to the heroine’s emotional roller-coaster. Her dramatic style suggested that she must soon have a future on the operatic stage.

Carr was with her every step of the way. Indeed, it would have been good to hear more from him alone than the three brief solos we were allowed. Either way, they made a powerful duo.

The Marian Consort, represented by six voices at the NCEM on July 11

THE following lunchtime saw the combination of two consorts, the Rose Consort of Viols, which harks back to this festival’s origins, and the Marian Consort (of six voices). Byrd At Elizabeth’s Court celebrated the great man’s high-wire act as a Roman Catholic under a Protestant ruler.

It also allowed anthems normally heard with organ accompaniment to be experienced with the intimate richness of viols.

At its heart lay Byrd’s carol anthem Lullaby, My Sweet Little Baby, which features the Virgin Mary’s gentle retort to the Massacre of the Innocents.

Responding to a new commission from the consorts to commemorate the 400th anniversary of Byrd’s death, Juta Pranulytė sensitively chose the same text to reflect the number of children born into war, cruelty and oppression in our own day.

Pranulytė’s smooth vocal lines moved in mainly close harmony over viols required at times to produce trills and portamentos. The soprano opened at the top of her range and needed to negotiate several high semi-tonal shifts.

The atmosphere thus conjured was elegiac, combining comfort with tears, in a style reminiscent of Byrd’s own musical misgivings about the plight of Roman Catholics under Elizabeth. Apart from its prologue, which was diffuse, this was a canny piece of writing that fell easily on the ear.

Several verse anthems surrounded this centrepiece. The higher-voiced soloists mainly needed to enunciate more clearly, but choral blend was exquisite. Byrd’s rare setting of Italian, the Ariosto poem La Verginella, was delicately treated by the soprano Caroline Halls.

Other highlights included the madrigal-style Come To Me Grief, For Ever, sung unaccompanied, and a gorgeous Amen to close the New Year carol O God That Guides The Cheerful Sun. The Tallis motet O Sacrum Convivium, sung from the back of the hall, was an apt reminder of Byrd’s important mentor and (later) close colleague.

The Roses offered several pieces on their own, including a five-part Tallis fantasia reconstructed by John Milsom and Byrd’s voluntary for Lady Nevell, infused with snappy figurations. His variation-packed Browning was typical of the ensemble’s smooth dexterity.

Review by Martin Dreyer