Seat of power: Rosy Rowley’s Jack Falstaff, the fool mid-stool expunging on the throne. Picture: John Saunders
AMERICAN playwright Scott Bradley plays his Trump card by association in the York International Shakespeare Festival world premiere of A Kingdom Jack’d.
In situ for a month of rehearsals with fellow American Tempest Wisdom’s York company 1st Zanni Theatre, award-winning Iowa playwright, actor, director, producer and university lecturer Bradley asks the question: What if disgraced knight Jack Falstaff had landed on the throne in 1399, instead of serious warrior king Henry IV?
Enter birthday girl Rosy Rowley’s Falstaff – now King John II, no less – with a bibulous burp. Stupid, lecherous, selfish and still as funny as Queen Elizabeth I once found her favourite Shakespeare rogue, Bradley’s rambunctious lush must somehow fund the army, balance the budget and make foreign policy, betwixt naps, plentiful imbibing at the Boar’s Head Inn, Eastcheap, and multiple meals at any excuse.
At full throttle: Oliver James Parkins’ Henry “Hal” Holingbroke in a fight to the death with Katie Leckey’s Harry “Hotspur” Percyin A Kingdom Jack’d. Picture: John Saunders
In Bradley’s satirical spin on Shakespeare’s Henry IV Part I, Falstaff’s government is drunk, his enemies are plotting, the Welsh are rising, even his allies are scheming, and girlfriend Doll Tearsheet (the outstanding Julia Bisby), the smart London harlot, wants in on the action.
Whipped up in two brisk 45-minute halves, book-ended by Jai Rowley’s pastiche period score, A Kingdom Jack’d pumps up the satirical volume with clowning physicality under Wisdom’s direction, while sounding the alarum bells for the consequences of buffoonery in positions of power.
As Wisdom puts it: “Scott has made Falstaff not only unpredictable, but dangerous. He now has institutional power on top of his pre-existing social power, and the thrill of watching the effects of that power unfold is hilarious and sickening in equal measure.”
Ro Trimble’s Lady “Kate” Percy in discussion with Katie Leckey’s Harry “Hotspur” Percy. Picture: John Saunders
In performance, the impact is more scabrously and scatalogically humorous than sickening (unless you are squeamish about the surfeit of swordplay in the Grand Guignol finale as the bodies pile up like uncollected bin bags in Birmingham in Pearl Mollison’s no-holds-barred fight choreography).
Rowley’s Falstaff is lairy, licentious, lewd, flippant as a pancake, and Bradley, Wisdom and Rowley alike revel in the symbolism of Falstaff flagrantly conducting ablutions in full view of all and sundry. By Rowley’s side, Bisby’s nimble Doll is droll and astute with a waspish crack of the quip in her putdowns.
Julia Bisby’s Doll Tearsheet stands over Rosy Rowley’s prone Jack Falstaff. Writer Scott Bradley, second from left, seated, front row, looks on. Picture: John Saunders
In a cast of 12, Wisdom draws both high energy and rhythmic versifying from their cast of 12, all relishing the proximity of the audience to the thrust staging within the timber frames of the history-soaked hall.
Kitted out splendidly in Grae Heidi-Brookes’s hand-made costumes, Oliver James Parkins evokes Charlie Chaplin’s face, floppy hair and impishly disruptive comedy in Henry “Hal” Holingbroke; Jodie Foster is a riot as Lady Quickly and especially the intemperate Owen Glendower; Jimmy Johnson and Katie Leckey maximise the clowning in their head-banging Sir Pistol & Sir Nym double act and Ro Trimble’s impresses equally in the high camp of Edmund Mortimer and the scheming allure of Lady “Kate” Percy.
In a running joke by Bradley, Lou Dunn’s shrunken wallflower John Bolingbroke keeps being forgotten or ignored by everyone on stage, but not by the audience. Elsewhere, not everything is easy to follow in the plot, especially in Act Two, but maybe that is a nod to Shakespeare too by the ever canny, mischievous Bradley.
Julia Bisby’s Doll, left, and Rosy Rowley’s Jack Falstaff rehearsing Scott Bradley’s A Kingdom’s Jack’d. Picture: Scott Bradley
IOWA playwright Scott Bradley is in York for a month, working on the world premiere of “alternative history play” A Kingdom Jack’d with his fellow American, director Tempest Wisdom.
Together they are putting the ‘international’ into the York International Shakespeare Festival while putting the most English of cult figures in the spotlight in York company 1st Zanni Theatre’s production of his uproarious black comedy twist on Henry IV Part 1 at Merchant Adventurers’ Hall on Wednesday (29/4/2026) and Thursday at 7.30pm.
Tradition has it that Queen Elizabeth I was so delighted by the character of Sir John Falstaff in Henry IV, Part 1 and Part 2, she duly commanded Shakespeare to write a play showing the old rogue in love. Cue The Merry Wives Of Windsor.
Now, Bradley boldly, mischievously re-imagines an iconic moment in political and Shakespearean history: what if disgraced knight Jack Falstaff – played by York stage regular Rosy Rowley – somehow found his way on to the throne of England in 1399, instead of serious warrior-king Henry IV?
In a nutshell, here comes Shakespeare turned upside down, where brutal satire meets broad comedy, delivered in tightly wrought verse in an irreverent that play draws on the medieval world of Henry IV, the Elizabethan imagination that reshaped it and our own contemporary political absurdities.
“Stupid, lecherous, selfish but hilarious, Shakespeare’s most (in)famous clown must somehow fund the army, balance the budget and make foreign policy, between naps of course,” says Scott. “His government is drunk, his enemies are plotting, his allies are scheming, and even his girlfriend’s getting in on the action.
“Falstaff is king…but for how long, as chaos ensues with all these different factions clashing and backstabbing left, right and centre?”
A Kingdom Jack’d playwright Scott Bradley: Presenting his alternate history of kings, rebellion and political chaos inside one of York’s most historic buildings
He wrote an initial version in 2016 in response to the impact on the arts and beyond of Donald Trump’s first term as President of the United States, whereupon Tempest’s mother, Robyn Calhoun, first saw a Playwrights Workshop version in 2017, performed by theatre students at the University of Iowa, where Scott was a lecturer.
Now, with Trump exercising power so erratically in his second term, A Kingdom Jack’d emerges in full bloom in York, with a brisk running time of 45 minutes each half. “I initially contacted Scott asking if I could read the play and maybe bring a staged reading to the Shakespeare festival, and he gave me an incredible amount of licence – I could take it as far as I’d like!” recalls Tempest. “I can only hope I’ve deserved the immense amount of trust he’s put in me and the team.”
After studying theatre at the University of Chicago, Tempest pursued a Masters degree in theatre-making at the University of York, making their mark on the York theatre scene as the creator and host of the bi-monthly Bard at the Bar at Micklegate Social and directing York Shakespeare Project in The Two Gentlemen Of Verona in October 2024.
“I’ve worked on many devised shows before – processes where the writing happens in the rehearsal room and the decisions are largely made through group discovery and consensus, but this is my first time having a playwright in the room, making creative decisions in response to my direction and the cast’s choices,” says Tempest.
“I’ll admit, I was intimidated by the prospect, but it’s been really cool, and Scott is too kind of a person and too good of a collaborator to be intimidating. Of course, I’m not the one who has to re-memorise the script changes, so take that with a grain of salt!”
Staggering performance: Rosy Rowley’s bibulous Jack Falstaff – King “Jack” John II – during rehearsals at Southlands Methodist Church. Picture: Scott Bradley
Scott, who studied drama at the University of Hull in 1986, and later drag with Bloo Lips in London, has worked as an actor, director and producer in a career taking in New York, Chicago and Washington DC before returning to Iowa to teach on the Playwrights Workshop course.
“But in 2016, the election went the wrong way, the way we didn’t want, with Trump winning, and that was devastating,” he says. “I knew I wanted to respond to what was happening in the country, particularly being in the middle of Iowa, which is a red-meat, conservative world: the place I ran away from as a kid.
“I wanted to respond to this crazy, populist President, who was using his presidency to make him and his cronies rich, whereas now, in his second term, he’s just authoritarian.”
Scott was studying Shakespeare’s Henriad, his History plays, at the time. “I thought, what makes Falstaff so enjoyable, and made Trump so enjoyable, as buffoonish provocateurs, was that Falstaff was a crook with no real power and Trump was just a reality TV star.
“They are just these ridiculous guys, whose immorality makes them fun, because they have no power, but what happens when you put that funny buffoon, that funny drunk [Falstaff] in charge? He becomes really terrifying. Falstaff is still very funny, but it’s just that now he has the power to have people beheaded.
“It’s that idea of taking this buffoon, this foolish man, and suddenly he’s in charge of governing the country, when before that luckily there were a few that put up guard rails, but now he has none of that and he’s much more dangerous. But Falstaff is redeemable in that he’s a fictional character.”
Rosy Rowley’s Jack Falstaff in the poster for 1st Zanni Theatre’s premiere of A Kingdom Jack’d at York International Shakespeare Festival
The influence of Charles Ludlam and the Ridiculous Theatre Company in New York can be seen in the politics in Scott’s work. “He was a ‘smarty pants’ who mined pop culture and hooked into history and drag,” he says.
Hence, for A Kingdom Jack’d, you can read A Kingdom Trump’d into the play too. “There’s a bit of Trump in my Falstaff but also some of Boris Johnson too because of how he behaved in Covid, when everyone knew he lying but people loved him anyway,” says Rosy, whose birthday coincides with the opening performance.
“I first read the play about 18 months ago – and I never thought I’d be playing Falstaff as I thought I’d be auditioning for [Mistress] Quickly. As a woman of a certain age, it gets much harder to play leading parts, so to get the chance to play this odious man is amazing.
“I’ve played a lot of male roles, but with Falstaff, the danger lies in over-caricaturing him as a ‘bloke’, so I’m trying not to do that. There’s a vulnerability to Falstaff that you don’t see in Trump.”
Julia Bisby, who is travelling from Sheffield to play the smart London harlot Doll Tearsheet, says: “Because it’s a comedy, they’re exaggerated characters and it’s larger than life, with an emphasis on clowning and physicality.
“One of my favourite things about Doll is her abundance of insults,” says A Kingdom Jack’d actress Julia Bisby. Picture: Scott Bradley
“Doll uses her body as her way of making money, but it’s her brain, her mind, that stands out. She’s super-smart. Amid the greed of all these people fighting for the crown, Doll’s not chasing power, but she has the power, wanting to avoid bloodshed for the good of the country. One of my favourite things about her is her abundance of insults.”
Scott says: “One of the things that I was interested in – and I’m still interested in – is that it’s everyday people that can make a difference, can make changes, and that’s why I was interested in Doll being that figure, the one who has a sense of direction, a sense of morality, and wants a world that’s not craven.”
“But so do all the women [in the play],” says Rosy. “They are the ones who want to make changes…”
…”What happens when you’ve killed off all the men?” ponders Scott. “Perhaps we should give women the chance to have their voice – and the female characters get to do that in this play.”
An alarming moment for Rosy Rowley’s Jack and Julia Bisby’s Doll in A Kingdom Jack’d. Picture: Scott Bradley
He was delighted that Tempest wanted to stage the play with a professional cast and crew at the Shakespeare festival after doing an initial reading with Rosy. “I was all in for that,” he says. “What a great way to present this play, in York, in the Merchant Adventurers’ Hall, in English and Welsh voices that I imagine would have been the voices of that time – making sure we are saying the Welsh words right.
“Having first workshopped the play with young American actors, it’s just such a dream to have British actors of the age of the characters – though we have a couple of Americans in the cast too!”
Scott continues: “I was so thrilled when this production was proposed that I really wanted to be here to kick the tyres. I arrived at the very top of April, so I’ve been here for a month, after I’d done a new draft of the play, where I’d cut a lot of air out of it. I’ve been at most of the rehearsals and it’s been invaluable to hear it spoken.
“I was working on the play as a political satire, where Tempest wanted to pick it up and play with it with clowns. Now I’m really excited to see the play on stage and to see some of the other plays at the festival too.”
1st Zanni Theatre in A Kingdom Jack’d, Merchant Adventurers’ Hall, York, York International Shakespeare Festival, April 29 and 30, 7.30pm. Scott Bradley will conduct a post-show Q&A with Tempest Wisdom after each performance. Box office: yorkshakes.co.uk.
Tempest Wisdom
Q&A with A Kingdom Jack’d director and 1st Zanni Theatre founder Tempest Wisdom
What attracted you to directing this new play?
“The challenges and opportunities of this play are twofold: one is a question of comedy, and one is a question of history.
“Henry IV, Part I and Love’s Labour’s Lost are my two favourite Shakespeare plays, largely because they both break the generic mold. ‘Love’s’ is a bubbly comedy that ends with an uncomfortable injection of reality, and Henry IV is characterised by a profound tension between comedy and history, with Prince Hal as the fulcrum balancing the two.
“There’s the world of the court, dominated by King Henry, where the serious Shakespearean history business of state occurs: war, treasury, public relations, diplomacy.
“And then there’s the world of the Boar’s Head Inn, the trashy Eastcheap tavern where Falstaff reigns over the comedy side of things: elaborate wordplay, plays-within-plays, wine and women and song.
“Scott has taken that push-and-pull in the source material and dialled it up to 11. The script is clever, funny, a bit mean, and moves at a breakneck pace through a catalogue of jokes that range from pure blue humour to all-too-real barely-satire.
“So the first challenge, the comedy challenge, has been managing that tightrope walk: the cycle of warming up an audience to laughter, then bringing the humour around to a darker and darker tone until it’s difficult to laugh at…and then pushing it even further into the absurd, so we’re laughing again…and then starting the cycle all over.
“The history challenge: Picking this play apart is kind of like delving into a fossil record! Many of the characters in Henry IV, as in all of Shakespeare’s history plays, were real people, and so the first layer of ‘sediment’ we can draw from is their lived reality: the King Henry, Prince Hal, and Owain and Catrin Glyndŵr lived and breathed and died (and in the case of Harry Hotspur, their heads were occasionally mounted on Micklegate Bar!).
“They were also public figures, of course, and so the second and third layers of the fossil record are the public perception of them: the perceptions of their fellows and subjects – and how we understand them today.
“Then, naturally, there are the fictionalised, narrativised versions of them we get in Shakespeare’s plays and their various stagings and adaptations, which colour our understanding of the historical fact significantly (not as much as the case of Richard III, but that’s another story).
“Finally, there’s the script itself, Scott’s reworking of ALL of those prior layers, which brings a modern political filter and an entirely new context. So for myself and the actors, working through these semantic layers of history, narrative and cultural consciousness and using all that rich data (those beautiful fossils!) to construct something fresh and new and immediate has been so rewarding.”
Tempest Wisdom in rehearsal for role as Moth in York Shakespeare Project’s Love’s Labour’s Lost earlier this month
How would you sum up Falstaff in Shakespeare’s plays and how does he contrast with Scott’s Jack Falstaff?
“I have a pet theory that all of Shakespeare’s clowns and fools fit on a spectrum ranging from Genuinely As Stupid As They Seem (Touchstone I don’t believe that man has any idea what’s going on at any point) to Not Even Bothering To Couch Their Opinions In Jokes Anymore (Lear’s Fool).
“Falstaff is unique among his motley peers because he slides up and down that spectrum scene by scene and play by play, even line by line. It puts him in a powerful position, because it makes him unpredictable. You can’t quite tell when he’s playing dumb.
“Scott has made Falstaff not only unpredictable, but dangerous. He now has institutional power on top of his pre-existing social power, and the thrill of watching the effects of that power unfold is hilarious and sickening in equal measure.”
How exciting is it to be premiering an American-written and directed play at York International Shakespeare Festival?
“This show might as well have been written specifically for the York International Shakespeare Festival. The purpose of the festival is to celebrate Shakespeare as ‘the world’s playwright’’, and so our focus is on bringing together culturally specific understandings of and responses to Shakespeare’s work.
“Scott’s play fits that bill to a T, having been born of a particular socio-political anger that I, as an American emigrant, share. (The first draft was written in 2016…a moment of upheaval on the American and global political stage, to put it lightly).
“I hope we’re able to convey some of the rage, despair, absurdity and hope driving this production, as well as getting a few laughs out of people!”
Tempest on founding 1st Zanni Theatre in York:
““It feels like the York theatre scene is having a reckoning. All across the city there are conversations happening: how can we help each other? What do we need to build in order to succeed together? It’s because of that supportiveness that I felt capable of committing to a career as an artist, and I want to build this company based on that same ethos.”
Julia Bisby rehearsing her role as Doll Tearsheet in A Kingdom Jack’d. She first worked with director Tempest Wisdom on Shakespeare Speakeasy play-in-a-day productions of Twelfth Night and Macbeth (re-spun as a comedy) at Theatre@41, Monkgate, York. Picture: Scott Bradley
Who is in the cast for A Kingdom Jack’d?
Rosy Rowley: King “Jack” John II
Julia Bisby: Doll Tearsheet. Performed in Shakespeare’s Speakeasy, York (Twelfth Night, Macbeth)
Oliver James Parkins: Henry “Hal” Bolingbroke. Bristol Old Vic Theatre School graduate
Effie Warboys: Lord Francis/Lady Catrin “Cat” Glendower
Stuart Green: Earl of Worcester/Earl of Northumberland
Jodie Foster: Lady Quickly/Owen Glendower
Liz Bailey: Sir Bardolph/Welsh Guard
Lainey Shaw: Lord Chief Justice/Henry Bolingbroke
Lou Dunn: Ned Poins/John Bolingbroke
Jimmy Johnson: Sir Pistol/Sir Walter Blunt. Performer with Deathly Dark Tours and Wetwang Hauntings
Katie Leckey: Sir Nym/Harry “Hotspur” Percy. Founder of York company Griffonage Theatre
Ro Trimble: Edmund Mortimer/Lady “Kate” Percy
Ro Trimble, Katie Leckey and Stuart Green in A Kingdom Jack’d. Picture: John Saunders
Who is in the production team?
Tempest Wisdom: Director, founder of 1st Zanni Theatre
Scott Bradley: Writer
Pearl Mollison: Stage manager/fight choreographer
Anna Gallon: Producer, from York company Four Wheel Drive Theatre
Grae Heidi-Brookes: Hand-made costume designer
Jai Rowley: Composer, as part of final-year placement at University of Huddersfield
Helena Kerkham: Assistant producer, joining project as part of 1ZT’s on-going work to develop and champion emerging local creative talent
Tia Thompson: Assistant director
Lou Dunn, left, Julia Bisby and Oliver James Parkins in A Kingdom Jack’d. Picture: John Saunders
Scott Bradley: back story
AWARD-WINNING Iowa-born theatre-maker, director, producer and writer, whose credits span New York, Chicago and Washington DC. Works include cult musicals Alien Queen, Carpenters Halloween and We Three Lizas and solo memoir Packing. Holds fellowships and residencies across the United States. A Kingdom Jack’d marks his first full-length UK production.
The impact of Merchant Adventurers’ Hall on A Kingdom Jack’d
MERCHANT Adventurers’ Hall amplifies the play’s resonances. Completed shortly before Henry Bolingbroke’s real-life ascent to the throne, the timber-framed hall is steeped in the same history A Kingdom Jack’d rewires so gleefully. Its vast oak beams, Great Hall proportions and centuries-old mercantile heritage provide a setting where Shakespearean rebellion feels strikingly at home.
The hall offers an inspiring backdrop, its deep historical roots – medieval, Tudor and contemporary – make it an ideal home for A Kingdom Jack’d’s layered world of kings, rebels and political chaos.
Producer Anna Gallon says: “The Hall is a treasure. Bringing new theatre into such a significant space feels like a natural next step in York’s cultural growth. This show plays with three different historical periods at once, and the building meets that challenge beautifully.”
Collage and mixed-media artist Donna Maria Taylor: Participating in York Open Studios at South Bank Studios
FROM Rocky Horror film stars to Shakespeare in a suitcase, Bowie to Boe, Priscilla to The Psychic premiere, Charles Hutchinson is spoilt for choice again.
Art event of the week: York Open Studios, York and beyond, today and Sunday, 10am to 5pm
FOR a second weekend, 150 artists and makers within York and a ten-mile radius of the city are welcoming visitors to 107 workplaces and studios.
This annual event offers the chance to gain a sneak peek into where the artists work, their methods and inspirations, whether a regular contributor or the 27 new participants, spanning traditional and contemporary painting and print, illustration, drawing, ceramics, mixed media, glass, sculpture, jewellery, textiles and photography. For more information, visit yorkopenstudios.co.uk; access the interactive map at yorkopenstudios.co.uk/map.
Weather Balloons’ Anne Prior: Playing Navigators Art’s YO Underground #7 bill at The Basement, City Screen Picturehouse
Arts collaboration of the week: Navigators Art/Projects presents YO Underground 7, The Basement, City Screen, York, tonight, 7.30pm
CONTINUING its mission to present adventurous left-field music and words from York and the region, Navigators Art plays host to a mixed bill of uniquely styled indie song-writing from Weather Balloons’ Anne Prior, the Joe Douglas Trio’s North African-inspired free jazz and a collaboration between audiovisual projections and Ben Hopkinson’s quartet Synaefonia. Box office: bit.ly/nav-events.
Blue: In full bloom at York Barbican tonight
Limited ticket availability: Blue and special guests 911, York Barbican, tonight, 7.30pm; Alfie Boe, York Barbican, April 28, 7pm
REVITALISED boy band Blue have released the single Flowers, penned by good friend Robbie Williams and Boots Ottestad, ahead of their 25th anniversary tour date at York Barbican.
“Robbie reached out to me a while back and said ‘I’ve got a song for Blue’,” says Blue’s Antony Costa, who will be joined as ever by Duncan James, Lee Ryan and Simon Webbe. “We only got to record it recently and thought it would be perfect to release for the anniversary tour. We can’t wait for you all to hear Flowers.”
Tenor Alfie Boe plays York on Tuesday and Harrogate Royal Hall on Wednesday on his 35-date tour, combining his most iconic hits and fan-favourite classics with material from new album Face Myself. Box office: yorkbarbican.co.uk; for Boe, https://gigst.rs/AB26.
Alfie Boe: Tenor dramatics at York Barbican. Picture: Ray Burmiston
Book event of the week: Rivers, Water and Wildness, A Talk by Amy-Jane Beer, St Chad’s Church, Campleshon Road, York, April 28, 7.30pm to 9pm
THE Friends of Nun Ings invite you to Rivers, Water and Wildness, Our Rivers and Their Landscapes, a talk by biologist-turned-writer and former South Bank resident Amy-Jane Beer, author of The Flow, winner of the Wainwright Prize for Nature Writing 2023, who now lives on the Derwent.
The Flow is a book about water, and, like water, it meanders, cascades and percolates through many lives, landscapes and stories. From West Country torrents to Levels and Fens, rocky Welsh canyons and the salmon highways of Scotland to the chalk rivers of the Yorkshire Wolds, Beer follows springs, streams and rivers to explore tributary themes of wildness and wonder, loss and healing, mythology and history, cyclicity and transformation. Tickets are available via eventbrite; admission is free but donations are welcome.
Nell Campbell (Columbia), Barry Bostwick (Brad Majors) and Patricia Quinn (Magenta) celebrating the 50th anniversary of The Rocky Horror Picture Show
Let’s do the Time Warp…again: The Rocky Horror Picture Show 50th Anniversary Spectacular Tour 2026, York Barbican, Sunday, 7pm
JOIN the original Brad Majors (Barry Bostwick), Magenta (Patricia Quinn) and Columbia (Nell Campbell) for this once-in-a-lifetime screening event with a live shadow cast. Jim Sharman’s 1975 film of Richard O’Brien’s musical will be shown in a 4K remastered edition, preceded by a Q&A with the movie stars. Expect a costume contest, memorabilia display with film artefacts and a participation prop bag for every ticket holder. Box office: yorkbarbican.co.uk.
Jim Henson’s Labyrinth: In Concert: David Bowie on screen at York Barbican
Fantastical film and music event of the week: Jim Henson’s Labyrinth: In Concert, York Barbican, April 27, 7.30pm
JIM Henson’s musical fantasy film Labyrinth is on tour in concert in celebration of its 40th anniversary, transporting audiences to Goblin City in a fusion of film on a large HD cinema screen and live music on stage, performed by a band playing David Bowie and Trevor Jones’s soundtrack score and songs in sync with Bowie’s original vocals.
Taking on an ever-growing cult status since its release on June 27 1986, Labyrinth stars Bowie as principal antagonist Jareth the Goblin King, who rules the goblin kingdom, kidnaps protagonist Sarah’s baby brother and presents a charming yet menacing challenge, appearing as a rock star-like figure who lures and influences her journey. Box office: yorkbarbican.co.uk.
Degrees Of Error’s poster for you-do-it whodunit Murder She Didn’t Write
Sleuthing opportunity of the week: Degrees Of Error in Murder She Didn’t Write, Grand Opera House, York, April 28, 7.30pm
DON your deerstalker, grab your magnifying glass and prepare your “finger of suspicion” as Edinburgh Fringe favourites Degrees Of Error return for your sleuthing pleasure, creating a classic murder mystery on-the-spot in this ingenious improvised comedy.
You, the audience, become the author as the cast acts out your very own Agatha Christie-inspired masterpiece live on stage. At each show, the company uses your suggestions to create an original and comical murder mystery. All you have to do is solve it. Ms Gold poisoned at a synchronised swimming gala? Dr Blue exploded by cannon during a hot air balloon race? Professor Violet crushed to death at a Love Island re-coupling? You decide – but will you guess whodunit before the killer is revealed? Box office: atgtickets.com/york.
Kristian Barley’s Adam, left, Steve Tearle’s Bernadette and Matthew Clarke’s Tick in NE Theatre York’s musical Priscilla, Queen Of The Desert
Musical of the week: NE Theatre York in Priscilla, Queen Of The Desert, Joseph Rowntree Theatre, York, April 28 to May 2, 7.30pm plus 2.30pm Saturday matinee
STEVE Tearle, creative director of NE Theatre York, plays Bernadette, joined by Matthew Clarke as Tick and Kristian Barley as Adam, in the adventure of two drag artists and a trans woman embarking on a life‑changing road trip across the Aussie outback in their battered tour bus, discovering the power of love, identity, acceptance and true friendship.
“As they head west through the Australian desert to chase a dream aboard their lavender bus, Priscilla, Queen of the Desert, our three terrific travellers come to the forefront of a comedy of errors,” says Steve, whose high-energy production also features Helen Greenley as Shirley, Ben Rich as Jimmy, Steve Perry as Bob, the mechanic, Ali Butler-Hind as his wife Cynthia, plus disco divas Perri Ann Barley, Melissa Boyd and Aileen Hall. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Eileen Walsh, left, Jaz Singh Deol, Megan Placito, Andy Nyman, Nikhita Lesler and Jeremy Dyson in rehearsal for the world premiere of The Psychic at York Theatre Royal. Picture: Manuel Harlan
World premiere of the week: The Psychic, York Theatre Royal, April 29 to May 23
“IS any of it real,” ask Jeremy Dyson and Andy Nyman in The Psychic, the latest spook-fest from the writer-director duo behind Ghost Stories. In their twisted new thriller, popular TV psychic Sheila Gold loses a high-profile court case that brands her a charlatan, costing her not only her reputation but also a fortune in legal fees.
When a wealthy couple ask Sheila to conduct a séance to attempt to make contact with their late child, she senses an opportunity to bleed them for money. What follows makes her question everything she has ever believed and leads her on a journey into the darkest corners of her life. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Pulling Shakespearean strings: Gemma Curry in Hoglets Theatre’s Spooky Shakespeare Suitcase Theatre at York International Shakespeare Festival
Children’s show of the week: Hoglets Theatre presents Spooky Shakespeare Suitcase Theatre, York International Shakespeare Festival, York St John University Creative Centre Auditorium, April 29, 6.30pm
HAGS, hauntings, hobgoblins and more emerge from the spooky suitcase owned by Lady Macbeth (Dotty to her friends). These spectres from performances past need to retell their stories before they can find peace in the literary afterlife, but are they friends or will we need to be vanquished back into the supernatural suitcase?
Written, crafted and performed by Hoglets Theatre founder, director, writer and performer Gemma Sharp, this funny, energetic children’s theatre experience presents a world of hand-made puppets, music and storytelling, all performed from a single suitcase. “No prior knowledge of Shakespeare is required,” she says. Box office: https://yorkshakes.co.uk/programme-2026/spooky-shakespeare-suitcase-theatre/.
The poster for Scott Bradley’s premiere of A Kingdom Jack’d at York International Shakespeare Festival
The poster for Scott Bradley’s premiere of A Kingdom Jack’d at York International Shakespeare Festival starring Rosy Rowley, whose birthday coincides with the opening night
Shakespeare spin-off of the week: 1st Zanni Theatre in A Kingdom Jack’d, York International Shakespeare Festival, Merchant Adventurers’ Hall, York April 29 and 30, 7.30pm
IN A Kingdom Jack’d, American playwright Scott Bradley re-imagines an iconic moment in political and Shakespearean history: what if disgraced knight Jack Falstaff (Rosy Rowley) somehow found his way onto the throne of England in 1399, instead of serious warrior-king Henry IV?
Stupid, lecherous, selfish but humorous, Shakespeare’s most (in)famous clown must somehow fund the army, balance the budget and make foreign policy between naps. His government is drunk, his enemies are plotting,his allies are scheming, and even his girlfriend wants a piece of the action. Falstaff is king but for how long? Box office: yorkshakes.co.uk.
Willow artist Laura Ellen Bacon at her Whispers Of The Wilderness exhibition at Beningbrough Hall. Picture Anthony Chappel-Ross
WILLOW sculptures, a riotous Shakespeare comedy, outdoor cinema and a festival of practical arts are early September attractions for Charles Hutchinson.
Exhibition opening of the week; Whispers Of The Wilderness, Exploring Wilderness Gardens, Beningbrough Hall, near York, until April 12 2026, Tuesday to Sunday, 11am to 4pm
WHISPERS Of The Wilderness brings together contemporary large-scale willow sculptures by Laura Ellen Bacon, historic pieces from across the National Trust collection to showcase Wilderness Gardens through time, and a new drawing studio designed by artist Tanya Raabe-Webber.
Complemented by a new soundscape, audio chair, sketches of the developing sculptures and more, the exhibition is a sensory experience across the first-floor Reddihough Galleries and Great Hall. Its opening coincides with Beningbrough’s own Wilderness Garden being the next to be developed as part of Andy Sturgeon’s long-term garden vision, from autumn this year. Tickets: nationaltrust.org.uk/visit/yorkshire/beningbrough.
The HandleBards’ poster for Much Ado About Nothing, tonight’s Shakespeare riotous comedy performance at Merchant Adventurers’ Hall, York
Shakespeare performance of the week: The HandleBards in Much Ado About Nothing, Merchant Adventurers’ Hall Great Hall, York, tonight, 7pm
PEDEALLING from venue to venue with set, props and costumes on bikes, the HandleBards’ four-strong troupe of actors is spending the summer touring environmentally sustainable Shakespeare hither and thither in a bicycle-powered indoor production of Much Ado full of riotous energy and comedic chaos.
Soldiers return from the war to a household in Messina, kindling new love interests and re-kindling old rivalries as the parallel love stories of Beatrice, Benedick, Claudio and Hero become entangled with scheming, frivolity and melodrama. Box office for returns only: handlebards.com/show/much-ado-about-nothing-merchant-adventurers-hall.
Scarlett Johansson in Jurassic World Rebirth, Friday’s film at Picturehouse Outdoor Cinema in York Museum Gardens
Film event of the week: City Screen Picturehouse presents Picturehouse Outdoor Cinema, York Museum Gardens, York, Jurassic World Rebirth (12A), Friday, 6.30pm; Stop Making Sense (PG), Saturday, 6.30pm; 10 Things I Hate About You (12A), Sunday, 6.30pm
SCARLETT Johansson, Jonathan Bailey and Mahershala Ali star in Gareth Edwards’ new Jurassic World chapter as an intrepid team races to secure DNA samples from the three most colossal creatures across land, sea and air.
Jonathan Demme’s Stop Making Sense, capturing David Byrne’s Talking Heads in perpetual motion at Hollywood’s Panatges Theatre in December 1983, re-emerges in a 40th anniversary restoration of “the greatest concert film of all time”. Joseph Gordon-Levitt, Allison Janney, Julia Stiles and Heath Ledger star in 10 Things I Hate About You, wherein Cameron falls for Bianca on the first day of school, but not only his uncool status stops him from asking her out.
Blankets, cushions and small camping chairs are allowed at screenings that will begin at dusk or as soon as darkness descends. Box office: picturehouses.com/outdoor-cinema/venue/york-museum-gardens.
Jason Manford is A Manford All Seasons at York Barbican, Scarborough Spa and Hull City Hall
Comedy gigs of the week; Jason Manford in A Manford All Seasons, York Barbican, Friday, 7.30pm and November 15, 7.30pm; Scarborough Spa Grand Hall, Saturday, 7.30pm; Hull City Hall, January 22 2026, 7.30pm
SALFORD comedian, writer, actor, singer and radio and television presenter is on tour in his new stand-up show. He cites Billy Connolly as the first comedian he saw aged nine and as his first inspiration and he cherishes such family friendly entertainers as Eric Morecambe, Tommy Cooper and Les Dawson. Box office: York, yorkbarbican.co.uk; Scarborough, scarboroughspa.co.uk; Hull, hulltheatres.co.uk.
Lino print art demonstration at Fangfest Festival of Practical Arts in Fangfoss
Silver anniversary of the week: Fangfest Festival of Practical Arts, Fangfoss, East Riding, Saturday and Sunday, 10am to 4pm each day
FANGFOSS is celebrating the 25th anniversary of Fangfest with the All Things Silver flower festival; veteran cars; archery; the Stamford Bridge Heritage Society; music on the village green; children’s games; the Teddy Bear Trail and artists aplenty exhibiting and demonstrating their work.
Opportunities will be provided to try out the potter’s wheel, spoon carving and chocolate making. Some drop-in activities are free; more intensive workshops require booking in advance. Look out too for the circus skills of children’s entertainer John Cossham, alias Professor Fiddlesticks, and the Pocklington and District Heritage Trust mobile museum. Admission is free.
York Philharmonic Male Voice Choir: Performing Sounding Brass and Voices concert with York RI Golden Railway Band at Joseph Rowntree Theatre, York
Musical partnership of the week: Sounding Brass and Voices, York Philharmonic Male Voice Choir and York RI Golden Rail Band, Joseph Rowntree Theatre, York, Saturday,7.30pm
TWO well-loved York ensembles reunite for Sounding Brass and Voices to celebrate 100 years of music. York Philharmonic Male Voice Choir and York RI Golden Rail Band are performing a joint concert for the fourth time in a tender and thrilling pairing of brass and voices.
“From romantic film music to toe-tapping hits, there will be something for everyone,” says Golden Rail Band conductor Nick Eastwood. “And prepare yourselves for the finale, when the choir and the band will take the stage together for a couple of glorious and rousing numbers that will gladden your heart and send you home singing.” Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Gruff Rhys: Solo gig at The Crescent, York. Picture: Ryan Eddleston
York gig of the week: Gruff Rhys, The Crescent, York, September 10, 7.30pm
SUPER Furry Animals and Neon Neon musician Gruff Rhys plays The Crescent two days ahead of the release of his ninth solo album, Dim Probs, his fourth sung entirely in Welsh, marking his debut on Rock Action Records.
Over the years, Rhys has collaborated with Gorillaz, Africa Express, Mogwai, Sparklehorse, Danger Mouse, Sabrina Salerno and Imarhan and written two books, multiple cinema and video game soundtracks and an opera, created music for three stage shows and devised two feature documentaries. Box office for returns only: thecrescentyork.com/events/gruff-rhys.
Suede: Returning to York Barbican on 2026 Antidepressants tour. Picture: Dean Chalkley
Show announcement of the week: Suede, Antidepressants UK Tour 2026, York Barbican, February 7 2026
AFTER playing York Barbican for the first time in more than 25 years in March 2023, Suede will make a rather hastier return on their 17-date January and February tour. Brett Anderson’s London band will be promoting tenth studio album Antidepressants, out on September 5 on BMG.
“If [2022’s] Autofiction was our punk record, Antidepressants is our post-punk record,” says Anderson. “It’s about the tensions of modern life, the paranoia, the anxiety, the neurosis. We are all striving for connection in a disconnected world. This was the feel I wanted the songs to have. This is broken music for broken people.” Box office: yorkbarbican.co.uk/whats-on/suede26.
Helen Charlston: “Projection and accentuation of words is amongst the best I have encountered in a long while, I am tempted to say unrivalled,” writes reviewer Martin Dreyer. Picture: Julien Gazeau
HELEN Charlston’s elegant mezzo had already been heard at the festival’s opening event with Fretwork, but this solo recital with theorbist Toby Carr deserved special mention, not least for an attractive new work commissioned by the National Centre for Early Music from composer Anna Disley-Simpson and librettist Olivia Bell.
Neither had been on my radar before – definitely my loss – but their new piece is an exciting collaboration that bodes well for their futures. It was specifically designed to fit within the festival’s Heaven & Hell subtitle, “a reflection on the story of man’s fall from grace”, in the words of the brochure.
Bell contributes an extremely witty poem, Purgatory: a waiting room, which immediately lends itself to monodrama, in which the ‘keeper of the keys’ offers advice and comfort to a new arrival wondering whether they will end up above or below.
The surprise here, mirrored three times in a refrain, is that the visitor has a choice: ‘Beach or snow? Joy or woe? Peace or party? Sparse or hearty? Fire or ice? Naughty or nice?’
Although not the refrain, this extract conveys something of the poem’s internal rhymes, not to say its Betjemanesque humour. But behind its clipped, conversational tone lies deeper philosophy; comedy and ideas are cleverly intermingled.
Disley-Simpson’s through-composed approach is essentially tonal, but above all she is alive to the text and clearly understands what suits the voice, using emphatic leaps when need be.
She could hardly have had a better advocate than Charlston, whose projection and accentuation of words is amongst the best I have encountered in a long while, I am tempted to say unrivalled.
The theorbo, too, is given more than a mere underlay, with speedier riffs, for example, that invigorate the refrain. Toby Carr played with typical fluency throughout.
There was a clear feeling of teamwork between all four – two creators and two performers – that might valuably lead to something genuinely operatic, a one-act piece, for example, with a mute ‘visitor’ being harangued by the key-keeper, allowing even more amusing theatrics than a static singer can achieve. But the potential the work throws up is indisputable.
The first part of the evening, ‘Heaven’, took place in the Great Hall upstairs; after the interval, appropriately for ‘Hell’, we moved downstairs to the gloomier, candlelit Undercroft.
The downside of this was that it took the BBC all but an hour to move equipment accordingly. But the broadcasts, when they come up on BBC Radio 3 on July 27 and August 3, will surely prove the whole exercise worthwhile.
‘Heaven’ included especially poignant accounts of Purcell’s The Blessed Virgin’s expostulation, in which Charlston fully inhabited the virgin’s volatile misgivings, and of Lord, What Is Man?, with despondency quite blown away by a forthright final quatrain and Hallelujah.
In ‘Hell’, aside from the premiere and some tasty Charpentier, we had Carissimi’s wonderfully volatile take on Lucifer and some meatily mischievous Monteverdi. Both performers were on top form. Don’t miss them.
Delma Tomlin in Tansy beetle sculptural form at Merchant Adventurers’ Hall,designed by HazardOne
YORK Trailblazers, the city-wide sculpture trail celebrating York’s unsung heroes, launches on Yorkshire Day, August 1.
Organised by York Civic Trust and Make It York, the trail is co-curated with organisations, community groups, schools and universities with £249,999 funding from the National Lottery Heritage Fund.
The Trailblazers project provides the opportunity to discover these lesser-known people who have made a difference to lives either locally or globally.
Members of the public and community groups nominated their trailblazers, whereupon a co-created final list of these stories was researched by partner organisations, highlighting each invaluable contribution.
To honour these remarkable individuals, artists worked with community groups to create the tansy beetle sculptures that represent them.
Why tansy beetles, you may well be asking. This beetle, an emblematic symbol of York, was chosen on account of its connection to the city, one of only two places where tansy beetles are found.
Faith Gray’s sculpture, designed by Martha Beaumont, at Grays Court Hotel, Chapter House Street, York
This vibrant and resilient beetle mirrors the spirit of the Trailblazers – each sculpture not only pays tribute to these changemakers but also brings their stories to life along the trail.
Andrew Morrison, chief executive officer of York Civic Trust, says: “The York Trailblazers project has revealed a fantastic range of people from York, many of whom we did not know of before. With Make It York, it has been fantastic to collaborate with so many local artists and communities. We hope that this is the first of many such celebrations.”
The sculpture trail has been designed to be as sustainable as possible. The materials used are recycled, repurposed or recyclable and the sculptures and the reused bases will be repurposed or recycled after the trail has ended.
Each sculpture has been produced by local artists and crafters working with local people to create “something unique and meaningful to them”. The choice of sustainable materials and artwork and the decoration of each sculpture has been developed by the partnership of artist and local community. This process of sustainable co-production is considered to be as important as the finished product.
Commissioned to create the beetle structure, Tom Springett Metalwork Creations drew on his experience of working in set construction, visual merchandising, architectural metalwork and art fabrication industries to create the metal works of art.
Mary Ward’s sculpture for York Trailblazers, designed by Jen Dring, in the Bar Convent Living Heritage Centre gardens. Picture: David Harrison
Some of the sculpture artwork may exist only for a few weeks but the beetle structure itself and an accessible digital record of the artwork will continue to celebrate York’s Trailblazers.
Seventeen sculptures will be placed throughout the city, each one reflecting a different trailblazer, designed to capture the legacy of these inspirational people,.
Among them will be The Luddites,a sculpture created collaboratively by a small group of people affected by homelessness with the Good Organisation. Rather than celebrate an individual ‘trailblazer,’ it serves to commemorate 64 Luddites who were tried in the court in York in 1813.
The Luddites were a group of early 19th-century workers who protested against the introduction of machinery that they believed threatened their jobs. The movement began in the textile industry, where mechanised looms and knitting frames were replacing traditional hand-weaving methods, leading to job losses and reduced wages for skilled workers.
Although the Luddite movement did not stop the process of industrialisation, it highlighted the social and economic challenges faced by workers during a period of unprecedented change, and many of their underlying concerns still resonate today with the rapid rise of AI and digital technology.
W H Auden’s sculpture, designed by Navigators Art and Performance, at West Offices, Station Rise, York
The Luddites sculpture at the Eye of York is designed by theatre and performance design graduate Alex Gray, an aspiring theatre designer now working as a stagehand at the Darlington Hippodrome.
The Delma Tomlin sculpture was researched by the Merchant Adventurers’ Hall and National Centre for Early Music. Dr Delma Tomlin MBE is a living trailblazer, who came to York in 1984 to administer the York Festival Mystery Plays and loved the city far too much to ever leave.
She championed the move to return the York Mystery Plays to the city streets and served as chief executive officer of the Millennium production in York Minster.
As the founder of the National Centre for Early Music, based in the medieval church of St Margaret’s in Walmgate, Delma has been a pivotal figure in music making, focusing her energies on supporting young professional musicians locally, nationally and internationally and flying the flag for York whenever possible.
A member of the York Merchant Adventurers Company, in 2022 Delma became the first woman to become Governor since the company’s inauguration more than 650 years ago in 1357. She does not plan to be the last.
The Delma Tomlin sculpture, sited at the Merchant Adventurers’ Hall, is designed by HazardOne, recognised by the Guardian as one of the top five female graffiti artists in the UK and named among the top 25 female street artists worldwide in the Huffington Post.
Alex Gray’s sculpture for The Luddites at the Eye of York
The York Young Carers sculpture, at the Principal York hotel, was researched by unpaid young adult carers aged 16-25 from the York Carers Centre, who worked with artist Zoe Phillips to represent unpaid carers in York, including both identified and hidden carers.
The group reflected that carers share similar experiences and circumstances, but have unique stories in their own right, and decided that it would be difficult to find one trailblazer to represent them all.
They felt the sculpture would be impactful if it enabled carers to recognise themselves as trailblazers for the roles they hold, sacrifices they make and difficulties they go through for the love of the person they care for.
They said the sculpture design “should be not what it appears – with lots going on underneath”. The group was struck by the grace of the tansy beetle’s exterior, along with the power and resilience of the driving legs and inner workings underneath the shell. They felt this was the perfect metaphor for a carer.
The York Young Carers’ sculpture designer, Zoe Phillips, is an inclusive mixed media artist who explores our connections with objects and the narratives they hold.
Gemma Wood’s tansy beetle mural on show at THOR’S Orangery, Parliament Street
Reflecting on her journey, Zoe says: “Working with the young adult carers group has been important to me both personally and professionally. Finding a way to share the identity and voice of this incredible group of individuals, for whom time and space for themselves may be sparse but they find a way to draw connections and share how important community is, was key.
“The beetle exposes all the hidden workings, those background details that are often overlooked or taken for granted but are so important to the running of things. With huge thanks to all those who shared their thoughts and experiences with me, you really are one-of-a-kind trailblazers!”
The trail will run from August 1 to September 30, opening on Yorkshire Day, whose celebrations, activities and events in the city will include a Yorkshire-themed market on Parliament Street.
Sarah Loftus, managing director of Make It York, says: “York Trailblazers is an inspiring tribute to the pioneers whose courage and vision paved the way for our community’s future. This project not only celebrates their legacy but also creatively highlights the humble tansy beetle, reflecting York’s ongoing commitment to its conservation in the city.”
Full details can be found at visityork.org/york-trailblazers, including Meet The Trailblazers and Meet The Artist. You can download the trail map and a cycle trail for exploring the trail by bike and learn how to minimisie your environmental footprint by using public transport.
Zoe Phillips’s sculpture for York Young Carers at the Principal York hotel
Did you know?
KNOWN as “the Jewel of York”, the endangered tansy beetle has been chosen as the emblem of the York Trailblazers project to reflect its special status as a York resident with its riverside habitat on the banks of the River Ouse.
The 17 sculpures
The Luddites
Location: Eye of York
Researched by: The Good Organisation.
Designed by: Alex Gray.
Rather than celebrate an individual ‘trailblazer,’ this sculpture serves to commemorate 64 Luddites who were tried in the court in York in 1813. This sculpture was collaboratively created by a small group of people affected by homelessness with the Good Organisation.
Coppergate Woman sculpture designer Sarah Schiewe at Thursday’s launch.York artist who hand-builds her stoneware pieces using coil and slab methods and decorate them with oxides, glazes, decals and mixed media. “Every individual is different, and we should celebrate these differences,” she says. “Each person has a set of values, feelings and memories unique to them. I take these impressions and turn them into a bespoke piece of ceramic art for that individual. The profits from my work fund free community art and sculpture workshops to help children develop confidence through creativity”
Coppergate Woman
Location: August 1 to 6: Parliament Street; August 6 onwards, Coppergate Walk
Researched by: University of York, Archaeology Department
Designed by: Sarah Schiewe
The Viking Age sometimes comes across as a world of rich and powerful men: kings, chieftains and raiders. This makes The Coppergate Woman, known affectionately by the research team and artists as Vigdis, an important Trailblazer: she tells us about her life as a migrant woman living with disabilities in York 1,000 years ago.
HazardOne: designer of Delma Tomlin sculpture. Combines rich colour palettes with illumination and modern-age glitch effects to create striking portraits using traditional free-hand graffiti techniques. From a seven-storey mural in St Paul’s, Bristol, to a community project on the Arizona-Mexico border, to the 79th floor of 3 World Trade Centre, New York, her work takes her all over the planet
Delma Tomlin
Location: Merchant Adventurers’ Hall
Researched by: Merchant Adventurers’ Hall and National Centre for Early Music, York
Designed by: HazardOne
Dr Delma Tomlin MBE is a living trailblazer. As the founder of the National Centre for Early Music, based in the medieval church of St Margaret’s in Walmgate, Delma has been a pivotal figure in music making – focusing her energies on supporting young professional musicians locally, nationally and internationally – and flying the flag for York whenever possible.
John Chesterman and Stuart Feather
Location: Spurriergate
Researched by: Queer Arts
Designed by: Jade Blood
John Chesterman and Stuart Feather, both from York, were instrumental in the Gay Liberation Front (GLF), organisers of the first ever Pride march in 1972.
Anne Lister
Location: Holy Trinity Church, Goodramgate
Researched by: York University and Churches Conservation Trust
Designed by: Shannon Reed
Anne Lister’s (1791-1840) life and diaries have blazed a trail for the LGBTQIA+ community today, helping people understand their history and embrace their identity.
Faith Gray
Location: Grays Court Hotel, Chapter House Street
Nominated by: York St John University
Designed by: Martha Beaumont
Faith Gray (1751-1826), born in York, dedicated her life to improving the conditions of girls and women in York. Her legacy of compassion and social progress endured beyond her death, paving the way for future generations of women reformers.
Mary Kitson Clark
Location: York Museum Gardens
Researched by: Yorkshire Philosophical Society
Designed by: Sian Ellis
Mary Kitson Clark (1905-2005) was one of the first female archaeologists to be recognised in a professional capacity in the UK for her significant contributions to the study and conservation of York’s archaeological heritage.
WH Auden
Location: West Offices, Station Rise
Researched and designed by: Navigators Art and Performance
Wystan Hugh Auden (1907-1973) was born in Bootham, York. Informed by science and engineering, his fascination with the world and its workings was expressed in a myriad of poetic forms, earning him the title “the Picasso of modern poetry”.
York Young Carers
Location: Principal York, Station Road
Researched by: York Young Carers
Designed by: Zoe Phillips – By Deckle and Hide
Unpaid young adult carers aged 16-25, from the York Carers Centre, worked with artist Zoe Phillips to represent unpaid carers in York, including both identified and hidden carers.
Jen Dring: designer of Mary Ward sculpture. York printmaker who creates linocut and collagraph prints. Her work is inspired by her faith, everyday experiences, moments in nature and places she loves. She takes on bespoke commissions, as well as using her teaching skills to offer linocut and tetra pak workshops
Mary Ward
Location: Bar Convent Living Heritage Centre, Blossom Street
Researched by: All Saints School and Bar Convent
Designed by: Jen Dring
Mary Ward (1585-1645) was a visionary Yorkshire woman who revolutionised education for girls in England. Despite societal and religious restrictions, Mary dedicated her life to providing equal education opportunities for girls, believing “there is no such difference between men and women that women may not do great things.”
Ivory Bangle Lady
Location: York Railway Station, Station Road
Researched by: University of York Archaeology Department
Designed by: York Anti-Racist Collective
The woman who has become known as the ‘Ivory Bangle Lady’ was buried at Sycamore Terrace, York, in the second half of the fourth century CE. As a trailblazer, the Lady has marked an important path in showing that ethnic and religious diversity and immigration is written in York’s history from its very beginning.
Annie Coultate
Location: Fishergate Primary School, Escrick Street
Researched by: Fishergate, Fulford and Heslington Local History Society
Designed by: Christine Joplin
Annie Coultate (1856 -1931), a dedicated suffragette, was instrumental in the women’s suffrage movement in York.
Anne Lister sculpture designer Shannon Reed.Part-time artist, full-time biology undergraduate, in York. Focuses on wildlife, paying particular attention to threatened native UK species. Her artwork is multi-media, ranging from pointillism portraits of endangered animals to oil paintings on recycled wood. Designed and decorated two wooden ducks for the University of York’s Long Boi-ology Art Trail to raise awareness of the threat that avian influenza and flooding poses to UK wildlife
Mary Tuke
Location: St Lawrence Parish Church, Lawrence Street
Researched by: Hempland Primary School
Designed by: Heather Dawe and Sarah Jackson
Mary Tuke was a pioneering woman who displayed remarkable ambition, resilience and courage. In 1725, as a Quaker in her thirties who had lost her family, Mary opened a grocer’s shop in Walmgate, York, defying societal norms.
Roma and Geoff
Location: Millennium Bridge Park, Hospital Fields Road
Researched by: The Tansy Beetle Action Group
Designed by: Cathy Simpson
The Tansy Beetle Action Group (TBAG) was established in 2008 by Geoff and Roma Oxford (University of York), following the designation of the rare and beautiful Tansy beetle as a UK conservation priority.
Mary Kitson Clark’s sculpture, designed by Sian Ellis, in York Museum Gardens
June Hargreaves
Location: Rowntree Park
Researched by: Herstory. York and Make Space for Girls
Designed by: Emma Feneley
The way historic cities such as York protected their heritage was transformed in the mid-1960s by a new law on ‘Conservation Areas’. This was the idea of June Hargreaves, a young York town planner, who became York’s senior planning officer in 1961.
Michael Rowntree
Location: Homestead Park, Water End
Researched by: The Rowntree Society
Designed by: Natalie McKeown
Michael Rowntree (1919-2007), from the globally renowned York confectionery family, held senior roles in Oxfam and was chairman from 1971 to 1977, during a time when the charity delivered its biggest ever aid package and set up the country’s first textile recycling plant.
Rosie Wall
Location: Sanderson Community House, Bramham Road, Acomb
Researched by: The Place at Sanderson Community House
Designed by: Leo Morey
Rosie Wall has dedicated herself to the Chapelfields community. She was instrumental in developing the Sanderson Court Community House (now The Place), and Crossroads, a safe space for young people, addressing significant anti-social behaviour in the area.
York Trailblazers: the back story
Geoff Oxford: Trailblazer, environmentalist and founder of the Tansy Beetle Action Group at the August 1 launch
YORK Trailblazers, the new city-wide sculpture trail, launched on August 1, kicking off the Yorkshire Day celebrations in York.
The sculpture trail celebrates York’s unsung heroes. Centred around the tansy beetle, each sculpture has a different design to capture the legacy of these inspirational people who have made a difference to people’s lives.
At the launch celebrations at THOR’s Orangery, artists and trailblazers gathered to enjoy the first day of the trail alongsidethe featured sculptures, Coppergate Woman.
Richard Kitchen, co-founder of Navigators Art and Performance, discussing York Trailblazer WH Auden at Thursday’s launch
Coppergate Woman depicts the life of a migrant woman living with disabilities in York 1,000 years ago. This sculpture will be on Parliament Street until August 6, then moving to Coppergate Centre, where she lay until she was discovered by archaeologists from the York Archaeological Trust in the late-1970s.
Discovered in a shallow pit by the river Foss, the remains of this unknown woman are displayed in a glass case in Jorvik Viking Centre. Her story was brought to life in Maureen Lennon’s play The Coppergate Woman, staged as a community production by York Theatre Royal from July 30 to August 7 2022.
A special mural was painted for the launch day by Gemma Wood. This will stay in place on THOR’S exterior until August 18.
Gemma Wood painting her tansy beetle mural at THOR’S Orangery on Thursday
Tansy Beetle facts:
The River Ouse has the largest population of tansy beetles in the UK, found on a 30km stretch of the river.
The iridescent green leaf-beetle, approximately 10 mm in length, has a smaller population at Woodwalton Fen, Cambridgeshire, where it was re-discovered in 2014.
Tansy beetles rarely fly; they find new food plants and habitats by walking. Finding a breeding partner is made more difficult by this resticted mobility. Most active in April and May, then August and September.
The tansy beetle is named after the Tansy plant, whose reduction in number has led to the beetle’s declining population too.
As an endangered species, tansy beetles are being monitored and bred in captivity to ensure that the populations do not disappear.
Trailblazers project facts:
National Lottery Heritage Fund Grant: £249,999.
More than 40 community groups have been involved.
York Trailblazer Rosie Wall’s tansy beetle sculpture, designed by Leo Morey, at Sanderson Community House, Bramham Road, Acomb
More than 1,000 schoolchildren participated in school workshops.
£30,000 of community grants were awarded to 23 York groups.
More than 150 workshops have been delivered.
39 York Trailblazers have been researched and celebrated.
17 Tansy Beetle Trailblazer Sculptures have been created.
What has the £249,999 support from the National Lottery Heritage delivered?
A COMMUNITY workshop programme to allow local communities and residents to research and uncover new trailblazers for York.
A community grants programme to enable heritage organisations, voluntary and community groups to contribute to the project, especially those groups who have not accessed heritage activities before.
A digital arts project to help celebrate York’s designation as a UNESCO Creative City of Media Arts.
A heritage trail around the city working with artists and communities, inspired by York’s lesser-known heritage stories.
A school workshop programme and resource packs providing opportunities for young people to learn more about their heritage and, in particular, the trailblazers that form the sculpture trail.
Sustainability
THE sculpture trail has been designed to be as sustainable as possible. The materials used are recycled, repurposed or recyclable and the sculptures and the reused bases will be repurposed or recycled after the trail has ended.
The choice of sustainable materials and artwork and the decoration of each sculpture has been developed by the partnership of artist and community. This process of sustainable co-production is as important as the finished product.
Tansy Beetle metalwork
COMMISSIONED to create the beetle structure, Tom Springett, Metalwork Creations drew on his experience of working in set construction, visual merchandising, architectural metalwork and art fabrication industries, to create these metal works.
Before the York Trailblazers metal works, a Tansy Beetle mural took shape in York…
ATM’s mural of a tansy beetle in Queen Street, York
STREET artist ATM, known for his depiction of endangered species, painted his mural of a tansy beetle on a brick wall on Queen Street, York, in 2019. Capturing the insect’s shimmering green hue, it is a bejewelled highlight of the walk from Micklegate to York Railway Station.
Shed Seven: Playing sold-out concerts in York Museum Gardens on July 19 and 20
SHED Seven’s 30th anniversary open-air gigs top Charles Hutchinson’s bill. Roman emperors, Ryedale musicians, Brazilian sambas and theatrical Fools look promising too.
York festival of the week: Futuresound presents Live At York Museum Gardens, Jack Savoretti, July 18; Shed Seven, July 19 and 20
ONLY 100 tickets are still available for Anglo-Italian singer-songwriter Jack Savoretti’s opening concert of the inaugural Live At York Museum Gardens festival at the 4,000-capacity York Museum Gardens, when the support acts will be Northern Irish folk-blues troubadour Foy Vance, York singer-songwriter Benjamin Francis Leftwich and fast-rising Halifax act Ellur.
Both of Shed Seven’s home-city 30th anniversary gigs have sold out. Expect a different set list each night, special guests and a school choir, plus support slots for The Libertines’ Peter Doherty, The Lottery Winners and York band Serotones next Friday and Doherty, Brooke Combe and Apollo Junction next Saturday. Sugababes’ festival-closing concert on July 21 was cancelled in April. Box office: seetickets.com/event/jack-savoretti/york-museum-gardens/2929799.
Jack Savoretti: Opening the inaugural Live At York Museum Gardens festival on Thursday
Tribute show of the week: The Illegal Eagles, York Barbican, Sunday, 7.30pm
IN their 24th year on the road, The Illegal Eagles return with a new production rooted as ever in the greatest hits of the American West Coast country rock band, from Hotel California to Desperado, Life In The Fast Lane to Lyin’ Eyes.
The latest line-up features former Blow Monkeys drummer Tony Kiley, Trevor Newnham, from Dr Hook, on vocals and bass, Greg Webb, vocals and guitars, Mike Baker, vocals, guitars and keys, and Garreth Hicklin, likewise. Box office: yorkbarbican.co.uk.
Mezzo-soprano Fleur Barron: Artist in residence at 2024 Ryedale Festival
Classical festival of the week: Ryedale Festival, running until July 28
THIS summer’s Ryedale Festival features 58 performances in 35 beautiful and historic locations, with performers ranging from Felix Klieser, a horn player born without arms, to trail-blazing Chinese guitarist Xuefei Yang, mezzo-soprano Fleur Barron to violinist Stella Chen, the Van Baerle Piano Trio to Rachel Podger on her Troubadour Trail.
Taking part too will be Royal Wedding cellistSheku Kanneh-Mason, Georgian pianist Giorgi Gigashvili, Brazilian guitar pioneer Plinio Fernandes, choral groups The Marian Consort and Tenebrae, actress and classical music enthusiast Dame Sheila Hancock, jazz singer Claire Martin and Northumbrian folk group The Unthanks. For the full programme and ticket details, head to: ryedalefestival.com.
Mary Beard: Revealing the truths and lies behind the emperors of Rome at Grand Opera House, York
History lesson of the week: Mary Beard: Emperor Of Rome, Grand Opera House, York, tonight, 7.30pm
CLASSICIST scholar, debunking historian and television presenter Mary Beard shines the spotlight on Roman emperors, from the well-known Julius Caesar (assassinated 44 BCE) to the almost-unknown Alexander Severus (assassinated 235 CE).
Venturing beyond the hype of politics, power and succession, she will uncover the facts and fiction of these rulers, assessing what they did and why and how we came to have such a lurid view of them. Audience questions will be taken. Box office: atgtickets.com/york.
Maria Gray in the role of The Acrobat in Around The World In 80 Days-ish at York Theatre Royal. Picture: Charlie Kirkpatrick
Theatrical return of the week: Around The World In 80 Days-ish, York Theatre Royal, July 18 to August 3
PREMIERED on York playing fields in 2021, revived in a touring co-production with Tilted Wig that opened at the Theatre Royal in February 2023, creative director Juliet Forster’s circus-themed adaptation of Jules Verne’s novel returns under a new title with a new cast.
Join a raggle-taggle band of circus performers as they embark on their most daring feat yet: to perform the fictitious story of Phileas Fogg and his thrilling race across the globe. But wait? Who is this intrepid American travel writer, Nellie Bly, biting at his heels? Will an actual, real-life woman win this race? Cue a carnival of delights with tricks, flicks and brand-new bits. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Katie Leckey: Alternating the roles of Ben and Gus with Jack Mackay in Griffonage Theatre’s The Dumb WaiterJack Mackay: Alternating the roles of Ben and Gus with Katie Leckey in Griffonage Theatre’s The Dumb Waiter
Fringe show of the week: Griffonage Theatre in The Dumb Waiter, Theatre@41, Monkgate, York, July 18 to 20, 7.30pm plus 2.30pm Saturday matinee
YORK company Griffonage Theatre follow up February’s debut production of Patrick Hamilton’s Rope with Harold Pinter’s 1957 one-act play The Dumb Waiter, directed and designed by Wilf Tomlinson.
Two hitmen, Ben and Gus, are waiting in a basement room for their assignment, but why is a dumbwaiter in there, when the basement does not appear to be in a restaurant? To make matters worse, the loo won’t flush, the kettle won’t boil, and the two men are increasingly at odds with each other. Unique to this production, actors Jack Mackay and Katie Leckey will alternate the roles of Ben and Gus at each performance. Box office: tickets.41monkgate.co.uk.
Four go into three: Cast members James Aldred, Peter Long, Lucy Chamberlain and Charlotte Horner of The Three Inch Fools
Open-air theatre at the double: The Three Inch Fools in The Secret Diary Of Henry VIII, Scampston Hall, Scampston, near Malton, July 20; Merchant Adventurers’ Hall, York, July 23 and Helmsley Walled Garden, August 6; The Comedy Of Errors, Helmsley Walled Garden, July 19, all at 7pm
THE Three Inch Fools, brothers James and Stephen Hyde’s specialists in fast-paced storytelling and uproarious music-making, head to Scampston, York and Helmsley with their rowdy reimagining of the story of the troublesome Tudor king in The Secret Diary Of Henry VIII as he strives to navigate his way through courtly life, while fighting the French again, re-writing religious law and clocking up six wives.
The Play That Goes Wrong’s Sean Turner directs the Fools’ innovative take on Shakespeare’s shortest, wildest farce The Comedy Of Errors, with its tale of long-lost twins, misunderstandings and messy mishaps. Box office: eventbrite.co.uk.
Barbara Marten, York actor, oil on canvas, by Steve Huison, on show at Pyramid Gallery
Exhibition of the week: Steve Huison, Portraits, Pyramid Gallery, Stonegate, York, until August 31
THE Full Monty actor and artist Steve Huison is exhibiting 12 studies of colleagues in the acting profession, musicians who have inspired him, an adventurous Greenland chef and a famous Swiss clown.
On show are portraits of fellow actors Paul Barber, Arnold Oceng, Barbara Marten, Will Snape, Clarence Smith and Joe Duttine, musicians Abdullah Ibrahim, Quentin Rawlings and Flora Hibberd, counsellor and therapist Dr Tanya Frances, chef Mike Keen and Grock the Clown. Opening hours: Monday to Saturday, 10am to 5pm.
Mezzo-sopranoFleur Barron: Residency at Ryedale Festival. Picture: Victoria Cadisch
RYEDALE Festival tops the bill for Charles Hutchinson’s recommendations. A tribute to tribute acts, Grimm tales, Roman emperors, Brazilian sambas and theatrical Fools look promising too.
Festival of the week: Ryedale Festival, July 12 to 28
THIS summer’s Ryedale Festival features 58 performances in 35 beautiful and historic locations, with performers ranging from Felix Klieser, a horn player born without arms, to trail-blazing Chinese guitarist Xuefei Yang, mezz-soprano Fleur Barron to violinist Stella Chen, the Van Baerle Piano Trio to Troubadour Trail host Rachel Podger.
Taking part too will be Royal Wedding cellistSheku Kanneh-Mason, Georgian pianist Giorgi Gigashvili, Brazilian guitar pioneer Plinio Fernandes, choral groups The Marian Consort and Tenebrae, actress and classical music enthusiast Dame Sheila Hancock, jazz singer Claire Martin and Northumbrian folk group The Unthanks. For the full programme and ticket details, head to: ryedalefestival.com.
Re-Bjorn each show: Sarah-Louise Young in I Am Your Tribute at Theatre@41, Monkgate, York
Fringe show of the week: Sarah-Louise Young, I Am Your Tribute, Theatre@41, Monkgate, York, tomorrow, 7.30pm
AFTER An Evening Without Kate Bush, the Julie Andrews-focused Julie Madly Deeply and The Silent Treatment, Sarah-Louise Young returns to Theatre@41 with her Edinburgh Fringe-bound new show, I Am Your Tribute.
In her “most ambitiously interactive performance yet”, she invites you to help her create the ultimate tribute to an act of your choosing. Along the way she will teach you the tricks of the trade, share her greatest hits and uncover the occasionally darker side of living in someone’s else’s shadow. Expect music, wigs and wonderment. Box office: tickets.41monkgate.co.uk.
Happily ever after: Rowntree Players cast members in Grimm Tales
Fairy tales of the week: Rowntree Players in Grimm Tales, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm
AMI Carter directs Rowntree Players in Carol Ann Duffy’s adaptation of Grimm Tales, dramatised by Tim Supple, with Chris Meadley in the role of the Narrator.
The cast of 15 takes a journey through a selection of delightfully bizarre stories from the Brothers Grimm collection to reveal their true origins and to discover that the path to a happy ending can, indeed, be a little grim. Box office: 01904 501395 or josephrowntreetheatre.co.uk.
Mary Beard: Roman emperors, the truth and the lies, at Grand Opera House, York
History lesson of the week: Mary Beard: Emperor Of Rome, Grand Opera House, York, Saturday, 7.30pm
CLASSICIST scholar, debunking historian and television presenter Mary Beard shines the spotlight on Roman emperors, from the well-known Julius Caesar (assassinated 44 BCE) to the almost-unknown Alexander Severus (assassinated 235 CE).
Venturing beyond the hype of politics, power and succession and into the heart of the palace corridors, she will uncover the facts and fiction of these rulers, asking what they did and why, and how we came to have such a lurid view of them. Themes of autocracy, corruption and conspiracy will be explored and audience questions will be taken. Box office: atgtickets.com/york.
Andrew Methven: Playing a Lazy Sunday Session at Milton Rooms, Malton
Afternoon entertainment: Lazy Sunday Sessions, Andrew Methven & Joseph Wing, Milton Rooms, Malton, Sunday, 3pm
HEADLINER Andrew Metheven, from Bradford, pens lo-fi folk songs about births, hills, decay and daydreams and too many about birds, as heard on his June 2024 debut album, Sister Winter, available via Bandcamp. Singer and guitarist Joseph Wing, from Malton band Penny Fleck, will be the support act. Box office: 01653 696240 or themiltonrooms.com.
Madness: Welcome to the House Of Fun at Scarborough Open Air Theatre
Coastal gig of the week: Madness, Scarborough Open Air Theatre, Friday, gates 6pm
MADNESS, the Nutty Boys of Camden Town, return to the North Yorkshire great outdoors for Suggs and co to roll out such ska-flavoured music-hall hits as Our House, One Step Beyond, Baggy Trousers, It Must Be Love, House Of Fun, Michael Caine, Wings Of A Dove, Night Boat To Cairo, My Girl, Driving In My Car, Tomorrow’s Just Another Day and Embarrassment. Standing tickets are still available at scarboroughopenairtheatre.com/madness.
Fernando Maynart: Showcasing new album at Helmsley Arts Centre
Brazilian sambas of the week: Fernando Maynart, Helmsley Arts Centre, Saturday, 7.30pm
BRAZILIAN singer, composer, guitarist and percussionist Fernando Maynart introduces his new album, TranSambas, showcasing the different rhythmic nuances of samba rooted in Africa via the West African slave trade and the Afro-Brazilian religion.
Maynart, whose set also features songs by Brazilian maestro Dorival Caymmi, will be accompanied by Brazilian flautist Daniel Allain and drummer/percussionist Denilson Oliveira, plus Ryedale multi-instrumentalist David Key. Box office: 01439 771700 or helmsleyarts.co.uk.
Four go into three: James Aldred, Peter Long, Lucy Chamberlain and Charlotte Horner of The Three Inch Fools
Open-air theatre at the double: The Three Inch Fools in The Secret Diary Of Henry VIII, Scampston Hall, Scampston, near Malton, July 20; Merchant Adventurers’ Hall, York, July 23 and Helmsley Walled Garden, August 6; The Comedy Of Errors, Helmsley Walled Garden, July 19, all at 7pm
THE Three Inch Fools, brothers James and Stephen Hyde’s specialists in fast-paced storytelling and uproarious music-making, head to Scampston, York and Helmsley with their rowdy reimagining of the story of the troublesome Tudor king in The Secret Diary Of Henry VIII as he strives to navigate his way through courtly life, while fighting the French again, re-writing religious law and clocking up six wives.
The Play That Goes Wrong’s Sean Turner directs the Fools’ innovative take on Shakespeare’s shortest, wildest farce The Comedy Of Errors, with its tale of long-lost twins, misunderstandings and messy mishaps. Box office: eventbrite.co.uk.
Four go into three: Cast members James Aldred, Peter Long, Lucy Chamberlain and Charlotte Horner of The Three Inch Fools
OPEN-AIR theatre specialists The Three Inch Fools will head to Scampston Hall, Scampston, near Malton, on July 20 with their rowdy reimagining of the story of a troublesome Tudor king, The Secret Diary Of Henry VIII.
Further North Yorkshire performances will follow at Merchant Adventurers’ Hall, York, on July 23, and Helmsley Walled Garden on August 6.
Founded in Cumbria in 2015 by the Hyde brothers, producer James and writer, composer and director Stephen, the company combines fast-paced storytelling with uproarious music-making as their modus operandi for their contemporary spin on the traditional touring troupe.
The Secret Diary finds a young Henry VIII attempting to navigate his way through courtly life on a tour that will visit heritage sites with Tudor links to transport audiences back in time, albeit with a different take on history than the one told by the great houses.
Stephen Hyde’s new work provides an “essential guide” to how to keep your head in the Tudor Court when unexpectedly thrust into the limelight, as Henry navigates the ups and downs of courtly life, all while fighting the French (again) and re-writing religious law. Cue a madcap take on Britain’s most epic monarch and those infamous wives.
Operating from their rehearsal residency at the National Trust property of Eastbury Manor House in Banbury, the Fools are touring 80 venues this summer with two shows, the second being their innovative twist on Shakespeare’s shortest, wildest farce, The Comedy Of Errors, with its tale of long-lost twins, misunderstandings and messy mishaps.
Directed by The Play That Goes Wrong’s Sean Turner, The Comedy Of Errors will play Helmsley Walled Garden on July 19.
In the Three Inch Fools cast will be James Aldred, Lucy Chamberlain, Charlotte Horner and Pete Long, while the production team includes fight director and choreographer Marcello Marascalchi, movement director Claire Parry and costume & props designer Aoife Hills.
The Three Inch Fools in The Secret Diary Of Henry VIII, Scampston Hall & Walled Gardens, Scampston, near Malton, July 20; Merchant Adventurers’ Hall, York, July 23, and Helmsley Arts Centre, August 6, all at 7pm. The Comedy Of Errors, Helmsley Walled Garden, July 19, 7pm. Gates open at 6pm. Age guidance: 6+. Box office: eventbrite.co.uk.
Photographer Ashley Karrell with his portrait of Dr Delma Tomlin, first woman governor of the Merchant Adventurers’ Hall in York. Picture: Ashley Karrell
THE Merchant Adventurers’ Hall, in York, is celebrating its first woman governor with a specially commissioned photo portrait of Dr Delma Tomlin MBE.
She was appointed to the role in 2022, becoming the first female incumbent since the hall’s foundation in 1357.
Dr Tomlin is the founder and long-standing artistic director of the National Centre for Early Music, at St Margaret’s Church, Walmgate, York, and the director of York Early Music Festival, York Early Music Christmas Festival and Beverley & East Riding Early Music Festival.
Oil paintings of past governors are on display around the hall, in Fossgate, and from this Easter they will be joined by the new digital portrait by Ashley Karrell in the Great Hall.
In a move away from traditional oil painting to the 21st century digital age, the Merchant Adventurers’ Hall commissioned Karrell, an award-winning director, producer, photographer and artist, to create the highly original work.
Already he had made his mark in Yorkshire as the first black portrait photographer to be commissioned for the permanent collection at the stately home of Harewood House, working on the Missing Portraits series that features Leeds West Indian Carnival founder Arthur France MBE and actor David Harewood OBE.
Karrell also made the hybrid film #BlackBoyJoyGone, nominated at the 2023 Grierson Awards, and the multi-award-winning dance theatre film Displaced.
Dr Tomlin said: “It was such an honour to take up the role of the first female governor of this venerable organisation, which has a 660-year history. To reflect this new direction, we decided to take a different approach to commemorate the occasion and commissioned the award-winning Ashley Karrell to work with us. We hope that visitors will be as excited as we are by this historic photo portrait.”
Ashley Kerrall’s digital photographic portrait of Dr Delma Tomlin. Copyright: Ashley Karrell
Karrell said: “I’m truly grateful to Dr Delma Tomlin and the Merchant Adventurers’ Hall for the opportunity of creating this significant portrait. My art is captivated by stories about human experiences, the exploration of community and social engagement.
“This image is one of one; what we created speaks of history, representation, celebration and triumph. To be a small part of the 660-year history of this institution gives me joy and I hope the audience will feel strength and humility within the eyes of our first female governor. Thank you for allowing me to be a part of your story.”
The Merchant Adventurers’ Hall, York’s oldest medieval building, continues to engage audiences with an innovative approach, attracting visitors from all over the world. The hall is home to many collections, including silver, furniture and paintings, which provide a glimpse into its rich history. It also remains the everyday base for the 160 members of the Company of Merchant Adventurers of the City of York.
This Easter’s unveiling of the photo portrait coincides with the launch of a free digital museum guide through the arts and culture app Bloomberg Connects. The app gives access to expertly curated content and guides to more than 350 museums, galleries, sculpture parks, gardens, and other cultural spaces.
Over the past few years, the Merchant Adventurers’ Hall has reached wider audiences with exhibitions and has increased its digital offer. Visitor numbers continue to go from strength to strength, as illustrated by the Two Rivers interactive exhibition attracting a big audience with its revelations of the fascinating history and importance of the city’s rivers.
Lauren Marshall, the hall’s museum director, said: “We’re very excited about our new digital guide, which we hope will make the visitor experience at the Merchant Adventurers’ Hall even more enjoyable.
“We’ve been delighted by the ever-increasing interest in this amazing medieval building, one of the most stunning in the UK, and we’re looking forward to welcoming visitors from York and beyond in the months to come.”
Dr Delma Tomlin, DUniv, MBE: the back story
Delma Tomlin
FOUNDER and artistic director of the National Centre for Early Music, at St Margaret’s Church, Walmgate, York, promoting music from the 13th to the 18th centuries.
Director of York Early Music Festival, York Early Music Christmas Festival and Beverley & East Riding Early Music Festival.
Acknowledged expert in the promotion of the medieval York Mystery Plays.
In 2000, she was awarded an honorary doctorate by the University of York for her work in the city. In 2008, she received an MBE for Services to the Arts in Yorkshire & Humberside. In 2018, she was appointed Cultural Champion for York. In 2020, she was elected an Honorary Freeman of the City of York.
Ashley Karrell: the back story
AWARD-WINNING director, producer, photographer and artist with more than two decades of experience. His work includes films, television, visual art, theatre productions and commercial and experimental video across the UK and beyond.
Captivated by stories of human experiences, the exploration of community and social engagement.
Known for his hybrid film #BlackBoyJoyGone, nominated at 2023 Grierson Awards; multi-award-winning dance theatre film Displaced; feature film and documentary of Geraldine Connorʼs stage masterpiece Carnival Messiah, winner of Peopleʼs Choice Award for Best Documentary at Trinidad Film Festival.
First black portrait photographer commissioned for permanent collection at Harewood House, near Leeds, photographing Missing Portraits series, featuring Leeds West Indian Carnival founder Arthur France MBE and actor David Harewood OBE
2022-24 marks the release of eight new short films, touring theatre shows and photography projects.
For more information, go to: www.AshleyKarrell.com. Social media links: Instagram – @ashleykarrell; Facebook – @ashleykarrell; X/Twitter – @ashleykarrell
