Principal dancers Fergus Fitzpatrick and Anna Mai Fitzpatrick with the New Generation dancers in Riverdance’s 30th anniversary show, on tour at York Barbican from tomorrow to Sunday
RIVERDANCE is celebrating its 30th anniversary with its New Generation of pounding Irish dancers, on the beat at York Barbican from tomorrow (24/10/2025) to Sunday.
Not one of them was born when Irish composer Bill Whelan originated Riverdance as an interval act at the 1994 Eurovision Song Contest in Dublin, featuring Irish dancing champions Michael Flatley and Jean Butler and the vocal ensemble Anúna.
Husband-and-wife production team John McColgan and Moya Doherty soon converted it into a stage show that opened in Dublin on February 9 1995.
Whelan, McColgan and Doherty remain at the helm for Riverdance: The New Generation as composer, director and producer respectively on the 30-venue UK tour – one for each year – that runs from August 12 to December 14.
The New Generation production of this Grammy award-winning show rejuvenates the format with innovative choreography and costumes and state-of-the art lighting, projection and motion graphics.
Riverdance principal dancer Anna Mai Fitzpatrick: Dancing since the age of four
Director John McColgan says: “It is both a privilege and a delight to celebrate 30 years of Riverdance and the unique journey it has taken us on. In those 30 years, the show has transformed from a spectacle into a global cultural phenomenon, continuously evolving yet remaining true to its Irish roots.
“On this tour we welcoming ‘the New Generation’ of artists while paying tribute to the talented performers, creators, dedicated crew, and the millions of fans who have made Riverdance a worldwide celebration of music and dance.”
Among the principal dancers in a show that blends the traditional and the contemporary in a showcase of dancers, singers and musicians will be brother-and-sister dance captains Fergus Fitzpatrick and Anna Mai Fitzpatrick.
“Fergus and I both joined the company about eight years ago,” says Anna Mai. “So we saw Riverdance through its 25th anniversary, just before Covid, when the score had been recomposed by Bill Whelan.”
“We started Irish dancing at a young age, at eight in my case, and Anna Mai was four,” says Fergus. “We started by going to after-school dance classes at the local primary school, at Navan in County Meath, and I first saw the Riverdance show a couple of years later on TV.
Fergus Fitzpatrick: World champion-turned-Riverdance principal dancer
“It looked like they were having so much fun with their friends on stage, and after that show, I remember trying to do the moves around the coffee table in the living toom!”
Anna Mai rejoins: “Yeah, it looked like they were having the best time of their lives on stage, and even at that age, I was up on my feet trying to replicate it.”
Both becoming dance champions, they caught the Riverdance bug and love being part of the New Generation show. “We train our whole life to be on stage, and we wouldn’t know what to do if we weren’t performers,” says Anna Mai. “Like anything, you have to put everything into it, all your willpower.”
Fergus says: “Once we’re on tour, we’re together for almost 24 hours a day: eating together, dancing together, staying together in the hotel – and there are plenty of siblings in the show, so it’s good to have that camaraderie off stage as well as on.”
Everyone is pulling in the same direction: the production team, the dancers, the singers, the musicians. “Absolutely,” says Fergus. “The team that you see are very like-minded, and the audience can feel it: they see the beautiful harmony between us and the team behind the scenes, making us look good. It’s a really talented team with a shared vision.
“Fergus and I are very lucky to have each other there on tour, and we can always reach out to each other,” says sister Anna Mai
“The New Generation brings a great energy to this version of the show. We’ve only known life in Riverdance, and we feel the responsibility of the legacy.”
Anna Mai is full of admiration for the work of Whelan and McColgan. “They always do such an incredible job of taking care of the show for now and for future generations as ambassadors for the culture of Ireland,” she says. “We are always so grateful to them for keeping the magic that we all know and love.”
Injuries are part and parcel of a dancer’s life, but Anna Mai says: “A lot of it goes back to preparation. The risk of injury goes with any sport or physical activity, but in those activities, there also can be ‘mental injury’, where you’re not in a good place.”
She, however, is very much in a good place. To keep in top condition, “we work with physiotherapists and massage therapists who travel with us on tour,” she says.
“As much as it’s a dream to be doing Riverdance, it’s also a job, and it’s up to us to be able to prepare to do our job. Fergus and I are very lucky to have each other there on tour, and we can always reach out to each other.”
“We approach a set of live dates in a scientific way now,” says Fergus
Fergus adds: “We approach a set of live dates in a scientific way now. We think about how many shows there will be, what we will need in the way of recovery, how we will sustain being at the top of our game for so many shows.
“And of course the team helps us; Riverdance knows that we need a masseur on the road with us, a company physio, that kind of thing, to keep our bodies conditioned”.
Anna Mai comments: “Because we and the show have been to many of these places and cities before, we have connections that we can tap into. And we love to use our time off and get to know an area even better, do some touristy things, catch up with old friends.
“With Riverdance, many things are constantly changing; you will never be on the road with exactly the same people, on exactly the same tour routing. There is always a new energy, a new buzz, and that’s really fun to feed off. We’re making memories together.”
Fergus is looking forward to this week’s performances at York Barbican. “We’ve performed in York before and we absolutely loved it. It’s such a beautiful city and the audiences are incredible,” he says.
Anna Mai Fitzpatrick dancing in Riverdance Perform at Jubilee Stage, Expo 2020 Dubai in November 2021. Picture: Steve Holland/Expo 2020 Dubai
“It was late 2021 when we last came, when the venues opened up again, and we can’t wait to get back there. There’s definitely an energy there. That magic. A feeling you get, that energy, that crescendo, the moments of emotion, when the audience jump to their feet. That’s a great feeling.”
Traditional Irish dancing may be done with “arms down by your side”, but Riverdance’s combination of the traditional and the contemporary, the Irish and the international, means that “in our professional dancing, we do use the arms more,” says Anna Mai.
“It’s really good fun to get to explore that in the shows. If you look back to the synchronicity of the dancing at the Eurovision show, it was all arms by the side, but we will hold hands at times in our show and support the lead dancer with our hands, and that’s an exciting development.”
Summing up the abiding popularity of Riverdance, Anna Mai concludes: “There is always something new in the way the show resonates. I have seen the show many times and it always hits me differently, on a certain night, one particular number might really affect you; there is so much to experience, the phenomenal music as well as the dancers, all the different styles.
“It is never the same. It’s hard to describe the magic of Riverdance to someone who hasn’t seen it. It’s the human emotion that keeps the fans coming back. They come for the feeling that they leave the show with.”
Riverdance, 30th Anniversary Tour, The New Generation, York Barbican, October 24 to 26, 7.30pm, Friday to Sunday, plus 2.30pm Saturday and Sunday matinees. Box office: yorkbarbican.co.uk.
Sibling synchronicity: Anna Mai Fitzpatrick and Fergus Fitzpatrick are principal dancers and dance captains in Riverdance’s 30th anniversary show
Fergus Fitzpatrick and Anna Mai Fitzpatrick: back story
FERGUS, from County Meath, Ireland, discovered his passion for dance at the age of eight. With his sister Anna Mai, he grew up competing internationally in Irish dancing competitions.
Under the tutelage of Holly and Kavanagh Academy of Irish Dance, Fergus achieved his dream of becoming a world champion in 2017.
Joined Riverdance, performing in Gaiety Theatre, Dublin. As principal dancer, he has performed in prestigious venues such as Radio City Music Hall, New York, and Hammersmith Apollo, London.
Other productions include Heartbeat Of Home at Piccadilly Theatre, London, and London Palladium.
“Only the best dancers will make it to Riverdance,” says Fergus. “It takes a lot of hard work for a lot of years, a lot of drive. In the back of our minds when we started dancing, the end goal was always Riverdance.
“However, before you get there, there is a whole competition scene. Now though, as principal dancer I also feel that I need to outwork the younger guys who are coming through! They are so good, and of course they want my job, so I need to work hard and work smart.”
“As principal dancer I feel that I need to outwork the younger guys who are coming through!” says Fergus
ANNA Mai began her dance journey at the age of four and danced competitively for 16 years alongside brother Fergus. From a young age, Irish Dance was her passion.
Won many major championships includingAll-Ireland Championships, Great Britain Championships and British Nationals.
Joined Riverdance in 2017, touring China with Fergus, then performed with Riverdance at Gaiety Theatre, Dublin, for two summer seasons.
Moved into principal role in 2020, touring with the show on UK national tour, at Expo Dubai in North American, Europe, and China, Australia and Japan tour.
Toured with Heartbeat O Home, making debut as principal dancer at Piccadilly Theatre in London’s West End.
“A love for the dancing and the show is crucial,” says Anna Mai. “That’s the dream I suppose, for any job, and we do wholeheartedly love what we do. That is what pushes me to be that one per cent better every day, keep the fire burning.
“The show takes a lot of work. When the audience sees the cast on stage, they see the glamorous end to what has been the work of an entire team helping each other to get to that point. We love the entire process.”
Spreading her wings: Elle Wootton in The 13-Storey Treehouse at Grand Opera House, York. Picture: James D Morgan
SHAKESPEARE sonnets, a treehouse with bowling alley and sea monster, The Magpies’ music festival and a thrilling children’s workshop will keep the summer diary busy, advises Charles Hutchinson.
Family show of the week: The 13-Storey Treehouse, Grand Opera House, York, today and tomorrow, 1pm and 5pm
ADAPTED by Richard Tulloch (The Book Of Everything, Bananas In Pyjamas), this one-hour play for children aged six to 12 brings Andy Griffiths and Terry Denton’s story to stage life with a seriously funny cast and a treehouse replete with a bowling alley, a secret underground laboratory, self-making beds and a marshmallow machine.
Expect magical moments of theatrical wizardry and a truckload of imagination from the cast of Elle Wootton, Edwin Beats and Ryan Dulieu when Andy and Terry forget to write their debut play. Where will they find flying cats, a mermaid, a sea monster, an invasion of monkeys and a giant gorilla? Find out this weekend. Box office: atgtickets.com/york.
Maurice Crichton’s Callum, the director, and Alexandra Logan’s Lily, the upstart actress, exchange words in the dress rehearsal for York Shakespeare Project’s Summer Sonnets in the Holy Trinity churchyard, in Goodramgate, York. Picture: John Saunders
Wedding invitation of the week: York Shakespeare Project, Summer Sonnets, Holy Trinity churchyard, Goodramgate, York, today to August 17, except August 12, 6pm and 7.30pm plus 4.30pm today and next Saturday
AUDIENCES are invited to a secret wedding at Holy Trinity, where they will meet the church’s most famous couple – Anne “Gentleman Jack” Lister and Ann Walker – while enjoying a complimentary drink.
Linked by Josie Campbell’s script, York Shakespeare Project’s tenth anniversary selection of Shakespeare sonnets will be performed in character by Maurice Crichton; Marie-Louise Feeley; Liam Godfrey; Emily Hansen; Halina Jaroszewska; Alexandra Logan; Sally Mitcham; Grace Scott; Effie Warboys; Helen Wilson and director Tony Froud. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Lincoln Lightfoot: Taking part in the York River Art Market today
York’s answer to the Left Bank in Paris: York River Art Market, today and tomorrow; August 17 and 18, 10am to 5pm
ORGANISED by jewellery designer and York College art tutor Charlotte Dawson, York River Art Market sets out its stalls on the Dame Judi Dench Walk riverside for a ninth summer season. Up to 30 artists and makers per day will be exhibiting ceramics, jewellery, paintings, prints, photographs, clothing, candles, T-shirts, shaving products and more. Admission is free.
Castle Howard: “Silence” is golden in the Boar Garden tonight when DJs fill revellers’ headphones with Nineties’ dancefloor nuggets
Hush-hush event of the week: 90s’ Outdoor Silent Disco, Castle Howard, near Malton, today, 7pm to 10pm
CASTLE Howard’s Boar Garden plays host to some of Great Britain’s best 90s’ DJs, spinning pop, R&B and band favourites in a feel-good experience. Revellers can select from three different channels of music while wearing state-of-the-art LED headphones. sets. Valid photographic ID may be requested on entry to this strictly 18-plus event. Box office: eventbrite.co.uk/e/90s-silent-disco-at-castle-howard-tickets-846091200557.
Artist Peter Hicks in his studio, working on his Fountains Abbey and Studley Royal commission
Exhibition of the week: Peter Hicks, Fountains Abbey and Studley Royal Water Garden, near Ripon
PETER Hicks’s summer exhibition, Fountains Abbey & Studley Royal – A Landscape Painter’s Perspective, is being extended to September 15. On show are works painted in response to the John and William Aislabie-designed landscapes at Fountains during Hicks’s 2023 residency.
Commissioned by the National Trust, the Yorkshire landscape artist’s paintings, studies and sketchbooks are on display in Fountains Mill. Hicks specialises in abstract landscapes with acrylic washes on canvas and board, making his own benches and brush handles and using humble, accessible materials. Tickets: nationaltrust.org.uk/visit/yorkshire/fountains-abbey-and-studley-royal-water-garden.
The Magpies: Running their fourth music festival at Sutton Park, near York
Festival of the week: The Magpies Festival, Sutton Park, near York, today
RUN by transatlantic folk band The Magpies, The Magpies Festival is rooted in the trio’s native Yorkshire, where they first met. Now in its fourth year, the 2024 event will be headlined today by Sam Kelly & The Lost Boys at 10pm, preceded by Charm Of Finches, 12 noon, The Often Herd, 2pm, Jesca Hoop, 4pm, The Magpies, 6pm, and Nati (formerly known as Nati Dreddd), 8pm.
The poster for the Three Day Thriller workshop for children at Helmsley Arts Centre
Children’s activity of the week: The Three Day Thriller, Helmsley Arts Centre, August 12 to 14, 10am to 2pm. CANCELLED
BUCKLE up for this improvising and devising workshop for 11 to 16-year-olds, designed to look at different theatre and performance techniques to make a new story in the thriller genre. The focus will be on character, plot and staging to create excitement, mystery and suspense, keeping audiences on the edge of their seats. At the end of day three, the work explored will be shared with family and friends. Places on the £75 workshop can be booked on 01439 771700 or at helmsleyarts.co.uk.
Robert Gammon: Playing at Dementia Friendly Tea Concert at St Chad’s Church, York
Dementia Friendly Tea Concert: Robert Gammon, piano, St Chad’s Church, Campleshon Road, York, August 15, 2.30pm
PIANIST Robert Gammon returns to St Chad’s to perform Bach’s Prelude and Fugue in F sharp Minor from the Well Tempered Clavier Book 2, Schumann’s Kinderszenen and two Chopin Polonaises. As usual, 45 minutes of music will be followed by tea and homemade cakes in the church hall.
“This relaxed event is ideal for people who may not feel comfortable at a formal classical concert, so we do not mind if the audience wants to talk or move about,” says organiser Alison Gammon. Seating is unreserved; no admission charge, but donations are welcome.
Elkie Brooks: Heading out on her Long Farewell Tour. Leeds and York await. Picture: Neil Kirk
Gig announcement of the week: Elkie Brooks, Long Farewell Tour, Leeds City Varieties Music Hall, September 12; York Barbican, April 11 2025
AFTER 64 years of performing live, the “British queen of blues”, Elkie Brooks, is to undertake her Long Farewell Tour, visiting Leeds and York among 24 dates.
The Salford singer, 79, will perform such hits as Pearl’s A Singer, Lilac Wine, Fool (If You Think It’s Over), Sunshine After The Rain, No More The Fool and Don’t Cry Out Loud in a career-spanning show of blues, rock and jazz numbers that will showcase material from her forthcoming 21st studio album for the first time. Box office: elkiebrooks.com/elkie-brooks-tour-dates-2024; leedsheritagetheatres.com and yorkbarbican.co.uk.
In Focus: North York Moors Chamber Music Festival, August 11 to 24
North York Moors Chamber Music Festival curator Jamie Walton. Picture: Matthew Johnson
THE ground-breaking North York Moors Chamber Music Festival is returning for its 16th consecutive season after record audience figures last summer.
Running from August 11 to 24 with the title of Echos, the festival uses moorland churches and an acoustically treated venue in the grounds of Welburn Manor, attracting international artists, many of them committing to the entire fortnight by taking up residencies.
This summer, these musicians include violinist Alena Beava, Benjamin Baker and Charlotte Scott; pianists Vadym Kholodenko, Katya Apekisheva, Daniel Lebhardt and Leeds International Piano Competition prize-winner Ariel Lanyi; clarinettist Matthew Hunt and mezzo-soprano Anna Huntley, who originates from Yarm. The programme will feature a Young Artists Focus too.
The festival’s 14 afternoon and evening concerts will present music by Schubert, Rachmaninoff, Mozart, Schumann, Elgar, Debussy and Mendelssohn, together with thrilling 20th century classics.
Each concert will take the audience on a musical journey through the narrative of specific themes, in carefully curated, thought-provoking music that pushes the boundaries.
As well as Welburn Manor, concerts will take place at churches including St Michael’s, Coxwold; St Mary’s, Lastingham; St Hilda’s, Danby, and St Hedda’s, Egton Bridge.
Festival curator and cellist Jamie Walton says: “Expect to be stirred, thrilled and at times moved as we explore the phenomenon of influence, of cycles through the ages, musical shadows, and themes which echo the times. These concerts are intense for both the audiences and artists but often revelatory and transformative.
“There’s a palpable sense of common purpose and feeling between all those who are there participating in the experience, either on stage or as a listener. It’s a profoundly reassuring experience, and one which we all cherish.”
Who will be playing at North York Moors Chamber Music Festival
Violinist Alena Baeva performing at North York Moors Chamber Music Festival in 2023. Picture: Matthew Johnson
Violin: Alena Baeva; Benjamin Baker; Marike Kruup; Emma Parker; Victoria Sayles; Charlotte Scott; Bridget O’Donnell and Simmy Singh
Viola: Meghan Cassidy; Simone van der Giessen; Max Mandel; David Shaw
Cello: Rebecca Gilliver; Tim Posner; Jamie Walton and Deni Teo
Double bass: Misha Mullov-Abbado
Piano: Katya Apekisheva; Vadym Kholodenko; Joseph Havlat; Ariel Lanyi; Daniel Lebhardt
Clarinet: Matthew Hunt
Flute: Thomas Hancox and Silvija Scerbaviciute
Mezzo soprano: Anna Huntley
Plus: The Paddington Trio
North York Moors Chamber Music Festival: the programme
Charlotte Scott: Returning to North York Moors Chamber Music Festival in 2024. Picture: Matthew Johnson
August 11, 2pm, Passing Themes, Marquee, Welburn: Corelli – Violin sonata in D minor op 5 no 12 (‘La Folia’); Rachmaninoff – Variations on a Theme of Corelli op 42*; Dvořák – Piano trio no 4 in E minor op 90 (‘Dumky’)
August 12, 7pm, Tales From The Stage, Marquee, Welburn: Stravinsky – The Soldier’s Tale Suite; Poulenc – Sonata for violin and piano*; Debussy – Bilitis for flute and piano; Poulenc – L’Invitation au Chateau; Stravinsky – Divertimento (The Fairy’s Kiss Suite)
August 13, 2pm, Enlightenment, St Michael’s, Coxwold: Beethoven – String trio op 9 no 1 in G major; Weber – Clarinet quintet in B-flat major op 34
August 14, 7pm, Echoes and Embers, Marquee, Welburn: Dutilleux – Sonatine Myths; Simpson – Eleven Echoes of Autumn*; Szymanowski – Myths op 30; Simpson – An Essay of Love
August 15, 2pm, Landscape and Memory, St Mary’s, Lastingham : Dowland – Lachrymae Antiquae; Purcell – Chacony in G minor (arr. Britten); Adès – O Albion; Adès – Alchymia
August 16, 7pm, Towards The Edge, Marquee, Welburn: Shostakovich, Piano trio no 2 in E minor op 67*; Zarębski – Piano quintet; Liszt – La lugubre gondola II; Shostakovich – Piano trio no 2 in E minor op 67*; Zarębski – Piano quintet in G minor op 34
August 17, 7pm, Vienna!, Marquee, Welburn: Mozart – Sonata for violin and piano no 21 in E minor K304; Webern – Langsamer Satz; Schoenberg – Chamber Symphony no 1 op 9 (arr. Webern)*; Berg – Adagio for violin, clarinet and piano Schubert – Fantasy in C major for violin and piano D934
Pianist Daniel Lebhardt: A regular player at North York Moors Chamber Music Festival. Picture: Matthew Johnson
August 18, 2pm, Heading East, St Hilda’s, Danby: Kodály – Intermezzo for string trio; Dohnányi – Serenade in C for string trio op; Kodály – Duo sonata for violin and cello op 7
August 19, 7pm, Songs For The Earth, Marquee, Welburn: string quartet & double-bass
August 20, 7pm, La Belle Époque, Marquee, Welburn: Debussy – Violin sonata in G minor; Fauré – La Bonne Chanson op 61*; Chausson – Chanson perpétuelle op 37; Chausson – Concert for violin, piano and string quartet op 21
August 21, 7pm, A Wartime Story, Marquee, Welburn: Elgar – Sonata for violin and piano in E minor op 82*; Prokofiev – (War) Sonata for piano no 8 in b-flat major op 84; Ravel – Piano trio in A minor
August 22, 2pm, Jubilation, St Hedda’s, Egton Bridge: Brahms – String quintet no 2 in G major op 111; Mendelssohn – String octet in E flat major op 20
August 23, 7pm, Ghosts Of History, Marquee, Welburn: Beethoven – Piano trio op 70 no 1 in D major (‘Ghost’); Saariaho – Light and Matter; Matteis – Fantasia for violin in A minor*; Elgar – Piano quintet in A minor op 84
August 24, 2pm, A New Dawn, Marquee, Welburn; Schumann – Gesänge der Frühe op 133; Schubert – Adagio e Rondo Concertante D487*; Schumann – Piano quartet in E flat major op 47
* Interval follows
The North York Moors Chamber Music Festival stage at last summer’s event in the Welburn Abbey marquee. Picture: Matthew Johnson
More Things To Do in York and beyond “poo power” from August 17 onwards. Here’s Hutch’s List No 34, from The Press, York
DON’T poo-poo Ada Grey’s exhibition for children at Nunnington Hall, advises Charles Hutchinson, as he picks cultural highlights for the weeks ahead.
Wedding invitation of the week: York Shakespeare Project, Summer Sonnets, Holy Trinity churchyard, Goodramgate, York, August 17 at 4.30pm, 6pm and 7.30pm
AUDIENCES are invited to a secret wedding at Holy Trinity, where they will meet the church’s most famous couple – Anne “Gentleman Jack” Lister and Ann Walker – while enjoying a complimentary drink.
Linked by Josie Campbell’s script and theatrical characters, York Shakespeare Project’s tenth anniversary selection of Shakespeare sonnets is performed in character by Maurice Crichton; Marie-Louise Feeley; Liam Godfrey; Emily Hansen; Halina Jaroszewska; Alexandra Logan; Sally Mitcham; Grace Scott; Effie Warboys; Helen Wilson and director Tony Froud. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/.
Mopping up: Marie-Louise Feeley’s Doreen and Helen Wilson’s Maureen, the church-cleaning double act in York Shakespeare Project’s Summer Sonnets. Picture: John Saunders
York’s answer to the Left Bank in Paris: York River Art Market, August 17 and 18, 10am to 5pm
YORK River Art Market sets out its stalls on the Dame Judi Dench Walk riverside for its third weekend this summer, featuring up to 30 artists and makers per day. Among today’s stallholders will be Bejojo Art, Jillie Lazenby, Woody’s Creations, Emily Littler, Happy Pot Mama, Magdalena Biernacka, Kissed Frog, I’ve Been Creative, Matt Lightfoot Photography, Inky Print Designs and Wood Wyrm.
Popping up tomorrow will be Urban Infill Store, Wild Orange Tree, Jo O’Cuinneagan, Rock and Twig Studio, David Lobley Photography, The Littlest Falcon, Feather Isle, Fei’s Crochet, Painter Merv, Stairwell Books, Ounce Of Style and plenty more. Look out for York singer-songwriter Heather Findlay on busking duty tomorrow. Admission is free.
Heather Findlay: Busking at August 17’s York River Art Market. Picture: Adam Kennedy
Exhibition of the week: Ada Grey, Splat! Patter! Plop!, Nunnington Hall, Nunnington, near York, until September 8
DIVE into a world where the “hilarity of poo” takes centre stage in this “unique children’s illustration exhibition like no other” by Ada Grey, creator of such picture books as Poo In The Zoo, Island Of Dinosaur Poo and Super Pooper Road Race.
Noted for the vibrant colours, lively characters and comical twists of her children’s tales, for the first time Grey is showcasing illustrations of such beloved characters as Bob McGrew and Hector Gloop in iconic moments from her favourite stories. Children have the chance to immerse themselves in Ada’s books, draw inspiration to create their own characters and proudly display their creations in the Poop-a-Doodle gallery. Grey will drop in on August 20 to run workshops for children from 11am to 4pm. Tickets and workshop bookings: nationaltrust.org.uk/visit/yorkshire/nunnington-hall/exhibitions.
Poo power: Illustrator and author Ada Grey’s exhibition at Nunnington Hall
Dance show of the week: Michael Flatley’s Lord Of The Dance, York Barbican, August 20 to 25, 7.45pm, plus Saturday matinee at 2.30pm
IN the words of Lord Of The Dance impresario Michael Flatley: “Our 2024 tour promises to be an extraordinary journey that will take audiences to the next level once again.
“In 2024, this extraordinary experience for fans will feature new staging, fresh choreography, new costumes, cutting-edge technology, and special effects lighting. It’s a celebration of a lifetime of standing ovations and we aim to leave the audience spellbound.” Box office: yorkbarbican.co.uk.
Lord Of The Dance: “Aiming to leave the audience spellbound” at York Barbican
York gig of the week: Please Please You & Brudenell presents Lanterns On The Lake, The Crescent, York, August 23, 7.30pm
FORMED on Tyneside in 2007, Lanterns On The Lake combine dreamy, melancholic indie rock with beautiful layers of texture and celestial melodies. Led by singer and songwriter Hazel Wilde, the 2020 Mercury Prize nominees have supplied soundtrack music to Conversations With Friends, Uncanny, Made In Chelsea, Skins and the video game Life Is Strange and recorded an orchestral live album with the Royal Northern Sinfonia.
Their latest album, June 2023’s Versions Of Us, is full of existential meditations, “examining life’s possibilities, facing the hand we’ve been dealt and the question of whether we can change our individual and collective destinies”. Box office: thecrescentyork.com/events/lanterns-on-the-lake.
Lanterns On The Lake’s Hazel Wilde, Paul Gregory, Bob Allan and Angela Chan: Playing The Crescent on their return to York
Another slice of MeatLoaf: MeatLoud – Bat Out Of Hades, Joseph Rowntree Theatre, York, August 24, 7.30pm
FOUNDED in 2015, this powerhouse tribute to MeatLoaf and songwriter Jim Steinman is fronted by vocalist Andy Plimmer, who is joined Sally Rivers to take on the guise of Bonnie Tyler, Celine Dion and Cher. The second half features a complete performance of the classic 1977 album Bat Out Of Hell. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
MeatLoud: Paying tribute to MeatLoaf and Jim Steinman at Joseph Rowntree Theatre
New season opener: Jake Vaadeland & The Sturgeon River Boys, Selby Town Hall, September 4, 7.30pm
SELBY Town Hall kicks off its autumn season with the debut visit of Jake Vaadeland & The Sturgeon River Boys, purveyors of bluegrass and rockabilly from Saskatchewan, Canada.
Selby Town Council arts officer Chris Jones enthuses: “I absolutely love these guys. It’s probably the show I’m most looking forward to in the second half of the year. At just 21 years old, Jake is terrifyingly talented. He and the band – dressed in authentic 1950s’ suits – make the most fantastically fun, upbeat, toe-tapping music, already gracing the main stages of festivals across North America.” Box office: 01757 708449 or selbytownhall.co.uk.
Jake Vaadeland & The Sturgeon River Boys: Making debut appearance at Selby Town Hall next month
Theatre chat: An Evening With Simon Russell Beale, York Theatre Royal, September 10, 7.30pm
WAS Shakespeare an instinctive “conservative” or, rather, gently subversive? How collaborative was he? Did he add a line to Hamlet to accommodate his ageing and increasingly chubby principal actor Richard Burbage? Did he suffer from insomnia and experience sexual jealousy?
In An Evening With Simon Russell Beale, in conversation with a special guest, the Olivier Award-winning actor will share his experiences of “approaching and living with some of Shakespeare’s most famous characters”, from his school-play days as Desdemona in Othello to title roles in Hamlet and Macbeth. Expect anecdotes of Sam Mendes, Nick Hytner, Stephen Sondheim and Lauren Bacall too. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Simon Russell Beale: Shakespeare actor, now starring as Ser Simon Strong in House Of The Dragon, will be in conversation at York Theatre Royal in September
“Think The Great Gatsby meets Sinatra At The Sands meets Back To The Future”:Postmodern Jukebox, Moonlight & Magic World Tour, York Barbican, May 7 2025
RETRO musical collective Postmodern Jukebox have announced the 34-date UK & Australia/New Zealand leg of next year’s Moonlight & Magic World Tour that includes a return to York Barbican.
“If we’ve learned anything from ten years of touring the world, it’s that great music has the ability to transcend time and space in a way that is best described as ‘magic,” says Postmodern Jukebox creator and show director Scott Bradlee, whose parallel musical universe reimagines pop hits in 1920s’ jazz, swing, doo-wop and Motown settings. Box office: yorkbarbican.co.uk.
Postmodern Jukebox: Retro musical collective head back to past triumphs at York Barbican
Leg power: Riverdance celebrates 30 years with The New Generation tour in 2025, playing York, Sheffield and Hull among 30 UK venues
RIVERDANCE 30: The New Generation will visit York Barbican for five performances from October 24 to 26 2025 on the Irish dance troupe’s 30th anniversary tour.
The British leg of next year’s global travels will take in 30 venues – one for each year of Riverdance’s history – from August to December, including further Yorkshire performances at Sheffield City Hall from August 16 to 18 and Hull Connexin Live on October 7.
For the 30th anniversary, Riverdance will welcome a new generation of performers who were not born when the show began. Those beginnings were as an eight-minute interval act in the 1994 Eurovision Song Contest at The Point in Dublin, where Michael Flatley was among the original dancers.
Directed by John McColgan, produced by Moya Doherty and featuring compositions by Bill Whelen, Riverdance 30 will “rejuvenate the original show with new innovative choreography and costumes and state-of-the-art lighting, projection and motion graphics” in a performance by dancers, musicians and singers that will blend the traditional with the contemporary.
McColgan says: “It is both a privilege and a delight to celebrate 30 years of Riverdance and the unique journey it has taken us on. In those 30 years, the show has transformed from a spectacle into a global cultural phenomenon – continuously evolving yet remaining true to its Irish roots.
“On this upcoming tour we look forward to welcoming ‘The New Generation’ of artists while paying tribute to the talented performers, creators, dedicated crew and the millions of fans who have made Riverdance a worldwide celebration of music and dance.”
Irish green: Anniversary celebrations in Riverdance 30: The New Generation
Principal dancer and dance captain Fergus Fitzpatrick says: “Being part of Riverdance’s journey is an absolute honour. It’s truly a dream come true to get to perform the principal role in this phenomenon.
“As we approach our 30th anniversary, the excitement for the incredible work our team and creative talents are about to unveil is palpable.
“I can’t wait to see what they will produce and feel the excited pulse of the audience’s response. This milestone is not just a celebration of Riverdance’s past but a light that inspires the new generation of performers all around the world.”
Fellow principal dancer and dance captain Amy Mae Dolan adds: “I am fascinated to see how Riverdance continues to grow and evolve over the next decade. I have no doubt that it will continue to surpass our expectations, move audiences and inspire new generations for dancers to come.”
Riverdance 30: The New Generation, York Barbican, October 24 to 26 2025, 7.30pm plus 2.30pm Saturday and Sunday matinees. Box office: axs.com/york.
Sheffield City Hall, August 16 to 18 2025, 7.30pm plus 2.30pm Saturday and Sunday matinees; sheffieldcityhall.co.uk. Hull Connexin Live, October 7 2025, 7.30pm; connexinlivehull.com.
Spring in his step: Michael Flatley to mark 25th anniversary of Lord Of The Dance with four shows at York Barbican next April
THE 25th anniversary tour of Michael Flatley’s Lord Of The Dance will leap into York Barbican from April 11 to 14 on its 2022 British tour.
Billed as “the most successful touring show in entertainment history”, Flatley’s Irish dance extravaganza has visited 1,000 venues worldwide and been watched by 60 million people in 60 different countries on every continent.
Riverdance innovator Flatley will revive and update the original Lord Of The Dance for new generations of fans in a show with more than 150,000 taps per performance as it “transports the audience to a mythical time and place, capturing hearts in a swirl of movement, precision dancing, artistic lighting and pyrotechnics.”
“I’m so excited to bring the original Lord of the Dance back to UK Theatres in 2022,” says the American dancer and choreographer of Irish ancestry, who turned 63 on July 16. “I feel like this is the most vital tour in our 25-year history. The return of the arts is so incredibly important. I hope the tour will help renew spirits and put a smile back on everyone’s faces.”
The journey to Lord Of The Dance began with Chicago-born Flatley’s dream to create the greatest Irish dance show in the world, first catching the eye with a performance at the 1994 Eurovision Song Contest at The Point Dublin. “Nothing is impossible. Follow your dreams,” he vowed.
Flatley’s Lord Of The Dance combines high-energy Irish dancing and original music with storytelling and sensuality, “transcending culture and language as it soars into the soul on astounding aerial moves, unparalleled precision dancing and state-of-the art theatrical effects”.
For the 25th anniversary tour, Flatley is promising new choreography, staging and costumes and new music by Gerard Fahy, plus cutting-edge technology for special-effects lighting, as he directs 40 young performers. In a nutshell, the best of tradition meets the excitement of new music and dance.
Tickets for the four 8pm performances are on sale at yorkbarbican.co.uk.
