Posted on

After successful day at Millthorpe School, York Beethoven Project announces plans for Symphony No. 3 in York and Malton

John Atkin conductiing the York Beethoven Project musicians at Millthorpe School

THE second event in the York Beethoven Project to perform all nine of his symphonies was a “huge success”, says director and conductor John Atkin.

On February 10, 56 musicians spent the day hosted by York Music Education CIC at Millthorpe School rehearsing Symphony No2, climaxing with an informal performance to an audience.

“York Music Education CIC were fabulous hosts; a number of senior students joined the orchestra for the day, and most groups popped in to listen at some point, including the I Can Play! session, bringing music to deaf children,” says John.

“As with Symphony No. 1, the day was very well organised and ran like clockwork, with five sessions of rehearsals, the second being a sectional one where the wind instruments were directed by Jonathan Sage.    

“There were ample breaks between each session with a couple of hundred cups of tea and coffee as well as cake provided by parents and Friends of York Music Education CIC.”

The aim of the project is inclusivity and opportunity. “That’s why it was really great to include some new faces, especially the students who joined us or came into the open rehearsal and maybe experienced a large orchestra for the first time,” says John. “Huge thanks to Dan Hield and all his team.”

The day was particularly poignant for John, who attended York Music Centre as a pupil in the 1970s and 1980s, when it was held at what was Queen Anne’s Grammar School. 

York Beethoven Project’s second day drew 56 musicians

“I first played there in a recorder ensemble as an eight-year-old, then returned as a trombonist in the late-1970s to play in YASSO and the Concert Band, which was a great experience and a good grounding in orchestral playing,” he says.

“I even gave up Saturday morning rugby to play, so it must have been pretty special!  Either way, it was my first step along a career path that’s now gone on 40-plus years.” 

What’s next? The project is making plans to perform Symphony No. 3, “Eroica”, with a 40-piece orchestra at the Joseph Rowntree Theatre, York, on September 14 and the Wesley Centre, Malton, on September 28 in the company of the White Rose Singers.

Billed as An Evening Of Revolutionary Music, these 7.30pm concerts will feature revolutionary music from musicals including Les Misérables, West Side Story, Carousel and Stephen Sondheim works too.

“We’re asking musicians who play instruments that Beethoven wrote for to sign up to the next event, but we really only have vacancies for strings and French horns,” forewarns John.

Player registration forms can be found at: https://docs.google.com/forms/d/e/1FAIpQLScZar8bgRoIfMdhbw1fhKizjureEwKjXrz5Gu7dZ5rWrTgBGA/viewform

For more information, go to: www.whiterosetheatre.co.uk

Posted on

John Atkin’s No. 9 dream off to flying start as York Beethoven Project rehearses and performs Symphony No. 1 in a day

John Atkin, right, leading the York Beethoven Project workshop for Beethoven’s Symphony No. 1 at Acomb Methodist Church

ONE down, eight to go! The York Beethoven Project is under way with its vow to perform all of Ludwig Van B’s symphonies.

“The first event at Acomb Methodist Church was a huge success,” says organiser John Atkin, the York musical director and White Rose Theatre stalwart. “Fifty-six musicians put themselves forward to take part in the come-and-play workshop, so we closed registration in advance.

“Those players came from a variety of musical organisations in York, as well as further afield, which was the aim, and 54 attended on the day – September 23 – hosted by York Light Orchestra.

“They rehearsed Symphony No 1 in C major Op. 2, and it was then performed to an audience at the end, where there was standing room only.”

Atkin led the inaugural day, aided by fellow musicians Marcus Bousfield and Jonathan Sage. “It was very well organised and ran like clockwork through five sessions of rehearsals,” says John.

John Atkin’s score for Beethoven’s Symphony No. 1 at the inaugural York Beethoven Project workshop

“The second one was a sectional rehearsal where the wind instruments were directed by Jonathan. Following these sessions, we performed our debut concert. There were ample breaks between each session with a couple of hundred cups of tea and coffee being consumed.”

Acomb Methodist Church is the regular rehearsal venue for York Light Orchestra, the day’s hosts. “They gave us access to their equipment and music library,” says a grateful John.

Although musicians came predominantly from York, “a few friends and colleagues travelled in from Sheffield, Hull, Harrogate, Thirsk and Northallerton”. “The longest distance travelled was by a couple from East Sussex, who picked us up online. They can’t do Symphony No 2 but have the date for No. 3 in their diaries,” says John.

“There was a pretty even split between men and women, ranging in age from 20s to 70s, with a mixture of full-time players, keen amateurs and a few people ‘getting back into playing’ after a number of years.”

The string players at York Beethoven Project’s first workshop

Explaining his reasons for setting up the project, John says: “I get typecast at times as ‘the man that does shows’. Well, yes I am, but I also love classical music and have looked to spend more time doing this and some other projects as I get older.

“I started playing Beethoven as a young piano student. Then he was on my set works list at A-level, and we did a large piece of work on him at university, where I first had the opportunity to conduct his orchestral works. 

“Over the years, life has got in the way but completing the full cycle of symphonies has always been an ambition. After discussing it with colleagues at gigs and in a number of theatre pits around Yorkshire, it become evident that people would be supportive of the idea, so we launched York Beethoven Project in June and the response was great. Not only did we have 54 players at the first event, but we also have eight others on the waiting list.”

Outlining what he is seeking to achieve with the York Beethoven Project and assessing what the first day delivered, John says: “The plan was for it to be inclusive and fun while performing the work to a good standard. The concert was informal and introduced a number of people to Beethoven for the first time.

“All of our aims were achieved, as well as players rekindling friendships with people they hadn’t seen for some time.  Playing Beethoven for fun all day with 50 people – what’s not to like?!”

The wind players rehearsing Beethoven’s Symphony No. 1

Instruments were spread evenly with 32 string players, 21 wind players and a percussionist. “That made the sound well balanced,” says John. “All instruments that Beethoven wrote for are welcome to sign up for the next event at Millthorpe School, hosted by York Arts Education, where I lead some Saturday ensembles.

“Here we hope to join up with a number of senior students and expand the orchestra even more for Symphony No. 2, which is one of my personal favourites. We’ll be doing it in the same format of a one-day workshop on Saturday, February 10.

“The sessions for Symphony No. 3, Eroica, will take place in September 2024 with two performances, hosted by the Joseph Rowntree Theatre, York, and the Welsey Centre, Malton. These concerts will feature revolutionary music from musicals too, including Les Miserables, Carousel and Sondheim works.”

The concert series will end with Symphony No. 9 in D minor No. 125 in 2027, just in time for the 200th anniversary of Beethoven’s death (on March 26 1827, at the age of 56). Each concert will take place in a different York venue and will be performed by York-based musicians and those from “not too far away”. Even Sussex!

More information and registration details for these events can be found at www.whiterosetheatre.co.uk. Enquiries about the project may be made via yorkbeethovenproject@gmail.com. 

The poster for the first York Beethoven Project workshop and performance

           

Posted on

Young talents’ work to go on digital display at According To McGee after Easter’s New Visuality art camp at Bar Convent

Director Greg McGee, right arm raised, leads the cheers at New Visuality’s Easter Art Camp for York school children

YORK charity New Visuality is to illuminate the wall of its gallery window space at According To McGee with the artwork of the city’s young talent.

After holding creative workshops for 25 participants over Easter and renewing its collaboration with University of York’s SplashBy, New Visuality will mount a showcase of digital projections of art, films, and slogans at the Tower Street art space from early May to early June.

“Not only do we want to get the projections up and running before the summer evenings take over,” says charity director Greg McGee. “But also the artwork has been so good, and the links made between grassroots football clubs, community cafés and the city’s heritage so healthy, that a digital exhibition in our window opposite the newly refurbished Clifford’s Tower makes perfect sense, especially if it’s to be done in a timely manner.”

New Visuality’s Art Camp sessions, funded by City of York Council’s Holiday Activities and Food (HAF) programme, focused on healthy eating, physical exercise and how to reflect these issues in painting and digital art.

New Visuality Art Camp participants at Bar Convent at Easter

Teenage art ambassadors from York High School, All Saints School, Millthorpe School, and Archbishop Holgate’s School led the sessions. “Generally, the younger people came from the west of York,” says Greg, “So the visual reference points were West Bank Park, Hob Moor, Acomb Front Street and Acomb Green, but there was also a York-wide conversation to be had.

“One thing we found was that there are so many young people who haven’t experienced heritage in their city, so we organised a trip to Bar Convent Living Heritage Centre.

“As ever, the welcome was warm and the experience was a real buzz, especially the reading session we had with internationally published author Karen Langtree.”

Bar Convent staff were delighted to see the young artists sit down and draw, take photos with professional cameras and listen to the excerpts.

“I Hope We Can Play Footy”: Artwork by Erin from the New Visuality Art Camp, soon to feature among the digital projections at According To McGee

Volunteers manager Lauren Masterman says, “It was a joy to welcome these young artists to the Bar Convent. They brought great energy and enthusiasm as they explored the chapel and the collections in our exhibition, and it was lovely to see how much they enjoyed Karen Langtree’s interactive storytelling session. We’re very much looking forward to seeing the artwork they have produced.”

The activities were fuelled each day with fresh food from Choose 2 Cafe, a not-for-profit social enterprise based in Hull Road. “The food was great and led to lots of discussions on how fast-food outlets manipulate catchy slogans and attractive colour schemes to reel you in,” says Greg.

“To help hammer home how important a healthy lifestyle is, we knew we had to get in someone who the young people could relate to, so we gave grassroots football club York RI a call.”

Step forward Under-14s players Matteo and Niall. “Their careful guidance and knowledgeable overview of what to eat and how to make fresh fruit as attractive an option as fast food were humbling,” says Greg.

Food, football and now art ambassadors: Niall, left, and Matteo, from the York RI Football Club’s Under-14s team, dispensing healthy tips and fodder at the New Visuality Art Camp

“As far as we’re concerned, Matteo and Niall can proudly call themselves art ambassadors and can count on similar paid opportunities in the future. I’m looking forward to watching them continue to help develop the creativity of the young people we work with.”

Matteo was delighted to take part in the activities, “It was great to be around creative people and help inspire them with how to draw art linked with sport and to give advice on what to eat and how to exercise.” 

Look out for the digital projections in the window of According To McGee from May 5, every night from 5pm to 10pm, for a month. “The artwork itself is excellent, and now we have the technology we can get it out in an elegant, immersive way and allow it to develop with the artwork from future art camps,” says Greg.

“Watching this project evolve from a school holiday art camp into a far-reaching collaboration with York schools, Bar Convent, and York RI Football Club has been a highlight of my career.”