THE Grand Opera House, York, is teaming up with City of York Council to offer anyone aged 26 and under £5 tickets for the Broadway and West End show Once The Musical.
Running from February 3 to 8, the show is based on the 2007 Irish indie hit film, telling the uplifting yet yearning story of two lost souls – a Dublin street busker and a Czech musician – who unexpectedly fall in love.
Charting their relationship across five short days, big changes happen to both of them in little ways in this romantic musical drama. Celebrated for its original score, including the Academy Award-winning song Falling Slowly, Once is a spell-binding story of hopes and dreams.
Directed by Peter Rowe, with musical direction by regular accomplice Ben Goddard, Once The Musical has embarked on its first major British tour after Broadway and West End productions, leading to a Grammy for Best Musical Theatre Album, eight Tony Awards and an Olivier Award for Outstanding Achievement in Music.
To book £5 tickets, go to atgtickets.com/sho…/once/grand-opera-house-york/ Code: ONCE5. Proof of age must be shown when collecting tickets.
BAH Humbug! The
Christmas spirit is taking over the Grand Opera House, York, from Tuesday and
not even Ebenezer Scrooge can stop it.
York company Pick Me
Up Theatre are presenting their big winter show, Scrooge The Musical, directed
by Robert Readman, with choreography by Iain Harvey and musical direction by
Sam Johnson.
Quick refresher
course: based on Charles Dickens’s Victorian cautionary tale A Christmas Carol,
Scrooge tells the tale of old miser Ebenezer Scrooge on the night he is visited
by the ghosts of Christmas Past, Present and Yet To Come.
Can he be turned
from sourpuss to saint? What will happen to Tiny Tim? Will everyone have a
merry Christmas after all? “Come and find out in this all-singing, all-dancing,
all-flying show,” invites Robert.
His cast will be led by Pick Me Up regular Mark Hird, fresh from directing this autumn’s musical, Monster Makers, at 41 Monkgate. He now adds Scrooge to a diverse CV that includes Captain Mainwaring in Dad’s Army, Colonel Pickering in My Fair Lady and Uncle Fester in The Addams Family.
Further leading
roles go to Rory Mulvihill as the jolly Ghost of Christmas Present and Alan
Park as Scrooge’s long-suffering clerk Bob Cratchit.
“It started out as a film musical in
1970, adapted for the screen by Leslie Bricusse, with Albert Finney as
Scrooge,” recalls Mark. “But it was one of those musicals that landed at an
unlucky time just as film musicals went out of fashion.
“Everyone thought it was an absolute banker, but times and tastes change,
but now, when you go back to it, it’s actually a really good film.
“So, 22 years later, Leslie Bricusse decided to turn it into a stage
musical, wrote half a dozen new songs, written specially for Anthony Newley’s
Scrooge, and it went down incredibly well.”
Alan Park chips in: “Then it became a vehicle for Tommy Steele for many
years in Bill Kenwright’s productions. Each year, Robert Readman put in a
request for the performing rights, and at last, this year he got a ‘Yes’.
“So, this must be the first time it will have been done in a theatre of
this size without it being a Bill Kenwright show.”
Park and Hird believe that Bricusse’s songs are vital to the show’s success.
“They provide the vehicle for you to discover more about the characters beyond
Scrooge, like Bob, so that by the end of a song you know more about them,” says
Alan.
“You get the inner
thoughts of the characters in the songs, so you get more than 2D characters,”
suggests Mark. “You really see Scrooge’s progression, through his songs, for
example.
“You’re also quite
surprised by the sheer variety of the songs and the music, with some big
set-pieces.”
“There are some
proper Cockney knees-up songs,” says Alan.
“But also some
lovely ballads, like when Scrooge sees the only girl he ever loved as a young
man, Isabel, his fiancée,” rejoins Mark. You go back in time and you hear her singing this gorgeous ballad
with Young Scrooge called Happiness, as old Scrooge looks on.”
“The way Robert has
staged it, you have Young Scrooge and old Scrooge mirroring each other’s
actions, so you kind of feel like Isabel is singing it to old Scrooge,” says
Alan.
Picking up his
earlier point about Scrooge’s character progression, Mark says: “Through his
songs, Scrooge goes from his position of denial, saying how he hates Christmas,
to feeling ‘it’s not my fault, fate has done this to me’, when confronted by
the Ghost of Christmas Past.
“Then, with the
Ghost Of Christmas Present, he starts to think, ‘Could there be a better
life?’, so it’s a fantastic story arc and a fantastic set of songs, with one of
the most perfect stories ever written to hang it all together.”
A Christmas Carol
has been interpreted in myriad ways on screen and stage, even by The Muppets
puppets in 1992 in The Muppet Christmas Carol “My five-year-old daughter is
still convinced I’m playing a frog in Scrooge, because her exposure to A
Christmas Carol is seeing Kermit playing Bob Cratchit in the Muppets’ movie!”
says Alan.
Assessing the
abiding popularity of Dickens’ tale, Alan says: “It’s not just about
redemption. We all reflect on moments in our life, wishing we could have done
things differently, and the story also taps into nostalgia and regret and
worrying about things.
“Watching this story
unfold, it can change your perspective on the world and who you are.”
Mark adds: “It also
says it’s never too late to turn over a new leaf and never too late to start
again.”
“The story is full
of joyful moments that are infectious, even infecting Scrooge, so I do feel
it’s a feelgood show,” says Alan. “If you’re looking at a wider point, we all
tend to focus on what’s getting us down, but this story lets us step out and
think about all the joyful things of Christmas.”
Mark concludes: “There’s probably no better show to put you in a good mood for Christmas.”
Pick Me Up Theatre’s Scrooge The Musical runs from November 26 to December 1 at Grand Opera House, York. Box office: 0844 871 3024 or at atgtickets.com/york.