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June 28, 2024June 29, 2024

Everwitch Theatre present Bomb Happy D-Day 80, Hank & Smudger’s Stories at Shepherds Hall, Lealholm, tonight

*George Stagnell, playing D-Day veteran Dennis “Hank” Haydock, in a scene from In The Footsteps Of Hank Haydock: A Walk In The Park, filmed in Duncombe Park woodland*

EVERWITCH Theatre will stage Bomb Happy D-Day 80: Hank & Smudger’s Stories, an evening of film and wartime spoken word, for a second time tonight.

First presented at Helmsley Arts Centre on June 1 in the lead-up to the 80^th anniversary commemorations in Normandy, France, on June 6, In The Footsteps Of Hank Haydock: A Walk In The Park and Sleep/Re-live/Wake/Repeat will be presented at Shepherds Hall, Lealholm, near Whitby, at 7pm when a full house will attend.

Looking ahead, Everwitch writer and director Helena Fox says: “After putting on the Helmsley and Shepherds Hall performances as our preview showings, we’re in the process of planning a tour next year to venues in the North to commemorate VE Day 80.

“We anticipate from the interest shown so far for these to include atmospheric non-arts venues, for example, historic Bamburgh Castle and the Second World War-themed Eden Camp Modern History Museum. The film is being entered into international festivals too.”

The premiere at Helmsley Arts Centre drew a full house too, including York actor George Stagnell, making a quiet entrance after travelling up from his London home to watch his film role.

He had first appeared in the 2017 tour of Helena Fox’s Bomb Happy, a play inspired by the playwright’s conversations in 2016 with Yorkshire Normandy veterans. She had since returned to those conversations to create two new pieces for the 80^th anniversary, opening the Helmsley show with Sleep/Re-live/Wake/Repeat, a live performance of verbatim spoken word and nostalgic a cappella song, presented by Fox in tandem with singer Natasha Jones.

They brought to life anew the first-hand accounts of D-Day veteran Private Ken “Smudger” Smith, from Armley, Leeds, those words echoing down the years as they charted the lifelong impact of PTSD (Post-Traumatic Stress Disorder) and sleep trauma.

The first showing of black-and-white images from Ken Smith’s personal photo collection that followed his journey during an equally traumatic time in the Middle East after victory in Europe made Smith’s observations all the more resonant. Can a soldier ever find peace after the atrocities of war?

There followed, for that one night only, a new short story of an act of reconciliation for the 80th anniversary of D-Day: Our Mum, Our Dad, And A Door Handle, written and performed by Dorothy Bilton, daughter of Bomb Happy D-Day veteran Bert Barritt, whose experiences had featured in Bomb Happy.

George Stagnell had played Private Ken “Cookey” Cooke, from York, in Fox’s play. Cookey, the last of the Bomb Happy veterans still alive, had hoped to make the Helmsley performance, but in the end his energies were poured into attending the D-Day commemorations, where his television interviews were as poignant and lucid as ever.

For In the Footsteps Of Hank Haydock: A Walk In The Park, he switched to Guardsman Dennis “Hank” Haydock, conscripted at 18 from Sheffield to serve as a Sherman tank gunner in the 2nd Battalion of the Coldstream Guards.

Written and directed by Fox, her debut 30-minute film was shot by Jay Sillence of York company InkBlot Films on location in the woodland of Duncombe Park, near Helmsley, in July 2022. On the hottest day of the year. Pretty much in one continuous take, re-takes kept to a minimum with film stock running low.

Stagnell has previous form for wartime memoir, performing a remarkable one-man adaptation of Michael Morpurgo’s Private Peaceful at the John Cooper Studio, Theatre@41, Monkgate, York in March 2017 and later at the Edinburgh Fringe. Next came Bomb Happy and later, in 2021, a performance piece about Hank Haydock at Duncombe Park, where the young conscript had trained.

Stagnell is not an experienced film actor, but he has the attributes of stillness, presence, focus, in his understated yet weighted performance, allied to a mellifluous voice and mesmeric eyes, made for the big screen.

He looks the period part too, and he serves the words of Hank Haydock wonderfully well, especially when filmed in close up, as well as when striding through the woodland, looking skywards, as rueful as truthful in his demeanour.

As Robert Laurence Binyan wrote in his poem For The Fallen, published in The Times on September 21 1914, “At the going down of the sun and in the morning/We will remember them.” Now, the archivist works of Helena Fox, the profound performance of George Stagnell, will do likewise in honouring those that served, ensuring their words, their foreboding, yet their camaraderie too, shall live on.

Everwitch Theatre, Bomb Happy D-Day 80, Hank & Smudger’s Stories, Shepherds Hall, Lealholm, near Whitby, 7pm. For returns only: 01947 897011. All the Shepherds Hall hosting fee will be donated to the Royal British Legion.

May 31, 2024June 28, 2024

Everwitch Theatre marks 80th anniversary with Bomb Happy D-Day 80 film premiere and performance at Helsmsley Arts Centre

TO commemorate the 80th anniversary of D-Day this year, Bomb Happy playwright Helena Fox has created two poignant, lyrical new works telling the stories of two Yorkshire Normandy veterans from conversations and interviews she held with them in 2016.

One a film, the other a combination of word and song, they will be premiered by Everwitch Theatre at Helmsley Arts Centre on Saturday night (1/6/2024).

York actor George Stagnell, part of Everwitch Theatre’s original Bomb Happy touring cast in 2017, stars in the short film In The Footsteps Of Hank Haydock: A Walk In The Park.

Shot by York company InkBlot Films on location in the woodland of Duncombe Park, near Helmsley, the 30-minute film recounts Coldstream Guardsman Dennis “Hank” Haydock’s experiences in his own words, both his training in the Second World War tank encampment in those woods and on the frontline.

In Sleep/Re-live/Wake/Repeat: Smudger’s Story, writer Helena Fox and vocalist Natasha Jones bring to life the first-hand accounts of D-Day veteran Private Ken “Smudger” Smith, from Armley, Leeds, and the lifelong impact of PTSD (Post-Traumatic Stress Disorder) and sleep trauma through verbatim spoken word and haunting a cappella vocals.

Word and song will be complemented by the first showing of black-and-white images from Ken Smith’s personal photo collection that follow his journey during an equally traumatic time in the Middle East after victory in Europe.

*Playwright Helena Fox, left, and singer Natasha Jones: Presenting Sleep/Re-Live/Wake/Repeat: Smudger’s Story at Helmsley Arts Centre* *tomorrow*

“Both the film and live performance use first-hand testimonies of two Second World War veterans, ordinary Yorkshire lads who find themselves in extraordinary circumstances, following their unique journeys from civilian to soldier and back to civilian,” says Helena.

“At times humorous, at times harrowing, both film and spoken-word performance allow a close-up insight into life on the frontline and give a rare glimpse into life for someone beset by memories of war.”

George Stagnell, who will be heading up from his new London home to attend Saturday’s premiere, played Private Ken “Cookey” Cooke, from York, in Fox’s play Bomb Happy.

For In the Footsteps of Hank Haydock: A Walk In The Park, he switched to Guardsman Dennis “Hank” Haydock, conscripted at 18 from Sheffield to serve as a Sherman tank gunner in the 2nd Battalion of the Coldstream Guards.

“The chance to play Hank Haydock first came about in 2021 when Helena got in touch to ask if I’d be interested in doing this performance piece around Duncombe Park, where he had trained,” says George.

“We performed it in June, with social distancing [under Covid restrictions), doing a walk around the remains of the Nissen huts and tank maintenance pits in the woodland.

George Stagnell as Ken ‘Cookey’ Cooke, second from right, with Joe Sample as Ken “Smudger” Smith, left, Carl Wylie as George “Merry” Meredith, Thomas Lillywhite as Albert “Bert” Barritt and Adam Bruce as Dennis ‘Hank’ Haydock in Everwitch Theatre’s Bomb Happy in 2017. Picture: Michael J Oakes

“I stepped in for another actor who couldn’t do it, ending up learning 13 pages of script in two weeks, and it was a really good challenge, having not been able to do any acting during Covid. I thought ‘I’m going to be rusty’, but each day I worked on it, I became ingrained in it.”

Helena invited Jay Sillence and Mike Leigh Cooper, from InkBlot Films, to attend one of the hour-long performances. “Straightaway they said they really wanted to turn it into a short film, but the whole thing then ended up being postponed till summer-autumn 2022 because we all had other commitments, rather than September 2021 as first planned.”

Lines restored to his head, George took on the unfamiliar task of being filmed in 2022. “It was tricky because, truth be told, I don’t have a huge amount of film experience, though I’m keen to do more,” he says. “I had a chat with Helena where she said, ‘it’s still story telling’.

“Bomb Happy was a physical play, creating scenes behind boxes or having to crouch down. With the filming, it’s all about the words, trusting in Hank’s memoir, and it helps that’s his own words, which makes it so poignant and gut-wrenching.

“We made a few cuts as we didn’t want it to be the full-hour but more concentrated, with lots of close-up head shots.”

*Ken “Smudger” Smith, Duke of Cornwall’s Light Infantry veteran, standing in the corn at Hill 112, where he fought in July 1944. Picture: Paul Reed*

Bomb Happy had spread the focus between five D-Day veterans, “Hank” Haydock, Ken “Smudger” Smith, Ken “Cookey” Cooke, Albert “Bert” Barritt and George “Merry” Meredith, but first the Duncombe Park walk and now the film have “gone a lot deeper” into Hank’s character. “A lot of it has come from Hank’s wartime diaries and memoirs that Helena was allowed to use, whereas the other accounts were verbatim from her interviews,” says George.

His filming was done largely in one continuous take in July, on the hottest day of the year, re-taking only a few lines “if we felt the need”. “That was part of the excitement, doing it only one go, so it was like theatre in that sense,” he says. “You allow Hank’s words to do the work for you.

“Sadly I never got to meet him, but one of the things I’d been told was that he was reserved and a deep thinker, and I strongly connected with that. Like all the veterans in Bomb Happy, he was still able to find positive things in his reflections, like funny memories of his training camp days, or reminiscing about the start of a relationship, still feeling beauty in such horrific circumstances alongside remembering the more difficult experiences.”

*In addition to the film and live performance, Saturday’s programme will feature a new short story of an act of reconciliation for the 80th anniversary of D-Day: Our Mum, Our Dad, And A Door Handle, written and performed by Dorothy Bilton, daughter of Bomb Happy D-Day veteran Bert Barritt.

Everwitch Theatre, Bomb Happy D-Day 80, In The Footsteps Of Hank Haydock (film premiere) and Sleep/Re-live/Wake/Repeat: Smudger’s Story (live performance), Helmsley Arts Centre, June 1, 7.30pm. Box office: 01439 771700 or helmsleyarts.co.uk.

Bomb Happy definition

“BOMB Happy is a slang phrase we use for being under fire for many days at a time,” said D-Day veteran Ken “Smudger” Smith. “It does describe the condition you become.”

July 11, 2023July 11, 2023

REVIEW: 1812 Theatre Company in Jekyll & Hyde The Musical, Old Meeting House, Helmsley Arts Centre, July 5 to 9 ***

*Natasha Jones’s Lucy Harris and Joe Gregory’s Dr Jekyll in 1812 Theatre Company’s Jekyll & Hyde The Musical. All pictures: Helmsley Arts Centre, Joe Coughlan Phtography*

IN their 30^th anniversary year, Helmsley Arts Centre’s resident troupe, the 1812 Theatre Company, staged a musical for the first time.

The Old Meeting House stage is not the biggest, yet still Julie Lomas’s cast could accommodate 22 players in that compact space, with the full company number Murder! Murder! being one of the highpoints for cast and choreographer Michaela Edens alike.

Lomas is an experienced directorial hand from her days at The Grange Theatre, Walsall, where she directed Frank Wildhorn and Leslie Bricusse’s Broadway musical for the Grange Players. Likewise, musical director John Atkin had filled the same role for York Musical Theatre Company in May last year.

Know-how and experience duly combined with fresh ideas to good effect in this musical retelling of Robert Louis Stevenson’s novella of love, betrayal and murder.

*Sarah Barker’s brothel madam, Aunt, in Jekyll & Hyde The Musical*

Two keyboards, guitar and drums took care of business with panache, Atkin and cohorts Cameron McArthur, Paul McArthur and Joe Brooks being equally at home with big ballads in the Lloyd Webber mode and the sly wickedness shared with Sondheim’s Sweeney Todd: The Demon Barber Of Fleet Street.

Sue Elm, Michael Goslin and Peter Ives’s set was built on two levels, both of them busy with human traffic in the ensemble numbers but best suited to the duets and profusion of solo numbers. Dr Henry Jekyll’s laboratory had to be rather squeezed in at the back but thankfully Joe Gregory is whippet slim.

The Gothic colour scheme of red walls and black doors was particularly effective when matched by the attire of the Victorian prostitutes of the Red Rat, and the use of masks was striking too.

This was CharlesHutchPress’s first encounter with Joe Gregory, and what an impressive lead performance he gave as the handsome/devil conflation of the upstanding, urbane but obsessive Jekyll and vengeful, sadistic, deranged alter ego Hyde welled up from within, once the doctor dares to dabble in reckless scientific experimentation in the cause of research for mental illness.

*Joe Gregory’s urbane but obsessive Dr Jekyll*

No Hammer Horror histrionics to report here on the journey to the dark side and an inner struggle between good and evil, scientific learning and carnal carnage. Instead, Gregory became more forceful of voice and manner, his movements staccato, stealthy and seductive, his actions ruthless, as brisk and lean as a bull fighter beneath a cocked hat.

The contrast was greater in his singing of the largely narrative songs, where notes would be deliberately strained in Hyde’s more urgent, guttural delivery, never more so than in The Confrontation, the Act Two vocal wrestling match for control in this dangerously dual personality.

It cannot be every arts centre where the artistic director (and youth theatre director to boot) happens to be the stand-out singer and actress for the resident company too. Step forward Natasha Jones, who was a knockout as Lucy Harris, the love-struck but self-protective prostitute, at once feisty but fearful and vulnerable.

What a voice; what expressiveness. Each and every one of Lucy’s solo songs was better for her singing it, having first teased and tantalised provocatively among the saucy prostitutes in Bring On The Men.

*Natasha Jones’s Lucy Harris: “What a voice. What expressiveness”*

Her duets with both Gregory’s Jekyll and Hyde fizzed with electricity and, in between, her duet with Amy Gregory’s Emma Carew, Dr Jekyll’s trusting, unknowing fiancée, was Amy’s peak moment too.

As befits a romanticist scientist, Gregory’s Dr Jekyll had chemistry with both women, one relationship tender if preoccupied, the other tactile and voracious, as the chemically altered Hyde gradually prevails, both possessed and possessive.

John Lister’s John Utterson, Kristian Gregory’s Simon Stride, Richard Noakes’s Sir Danvers Carew, Barry Whitaker’s Bishop of Basingstoke, Sarah Barker’s brothel madam, Aunt, and Esme Schofield’s Newsgirl all had their moments in a show best known for Dr Jekyll’s belter This Is The Moment.

It was enjoyable too to spot Rowntree Players’ riotous pantomime dame, Graham Smith, in a deliciously wicked cameo as Sir Archibald Proops QC, a law unto himself indeed.

*Joe Gregory’s Dr Jekyll finds peace at last in the arms of Amy Gregory’s Emma in the finale to Jekyll & Hyde The Musical*

June 27, 2023July 5, 2023

1812 Theatre Company to stage Jekyll & Hyde The Musical under Julie Lomas’s direction at Helmsley Arts Centre

*Natasha Jones’s Lucy and Joe Gregory’s Jekyll/Hyde in rehearsal for 1812 Theatre Company’s Jekyll & Hyde The Musical*

JULIE Lomas makes her directorial debut for the 1812 Theatre Group at the helm of the Helmsley company’s ambitious production of Jekyll & Hyde The Musical.

The resident troupe at Helmsley Arts Centre will be performing Frank Wildhorn and Leslie Bricusse’s thrilling pop score there from July 5 to 9 as part of the Meeting House Court venue’s 30th anniversary celebrations.

Julie, who has a wealth of experience directing at the The Grange Theatre, Walsall, is joined in the creative team by John Atkin, a musical director who needs no introduction to York audiences.

*Julie Lomas: Directing 1812 Theatre Company for the first time*

In Robert Louis Stevenson’s story, a devoted man of science, Dr Henry Jekyll, is driven to find a chemical breakthrough that can solve some of mankind’s most challenging medical dilemmas. Indeed, he is trying to discover cures for what now would be recognised as dementia and Alzheimer’s disease.

Rebuffed by the powers that be, he decides to make himself the subject of his own experimental treatments, accidentally unleashing his inner demons along with the man the world would come to know as Mr Hyde.

Wildhorn’s soaring melodies offer wonderful opportunities for the performers to showcase their abilities. The two leading ladies each have their showstopping moments, but for the actor playing Dr Jekyll and Mr Hyde, the role is a breath-taking tour de force.

*Sarah Barker and Esme Schofield rehearsing a scene from Jekyll And Hyde The Musical*

Enter Joe Gregory, a talented musician and experienced actor, who is a stalwart of 1812’s pantomimes and latterly has appeared in Martin Vander Weyer’s Helmsley’s Whole History, Alan Ayckbourn’s Absent Friends and David Tristram’s Going Green.

Joe will be playing opposite his wife, Amy Gregory, here cast as Jekyll’s fiancée, Emma Danvers. Amy is a “graduate” of the 1812 Youth Theatre, run by Natasha Jones, who will play Lucy, the other woman in Jekyll’s life.

Seven cast members are drawn from the youth theatre ranks, bringing their energy and skills to Julie’s production, which is sponsored by the Yorkshire Future Music Fund and Gillham Charitable Fund.

*Amy Gregory’s Emma Carew in the rehearsal room*

The full cast will be: Dr Jekyll/Mr Hyde, Joe Gregory; Emma Carew, Amy Gregory; Lucy, Natasha Jones; Utterson, John Lister; Danvers, Richard Noakes; Simon Stride, Kristian Gregory; Mrs Poole, Joanne Lister; Aunt (Brothel Madam), Sarah Barker; New Girl, Esme Schofield; Nellie (Prostitute), Sara Todd; Winnie (Prostitute) Jeanette Hambidge; Lady Beaconsfield, Sue Smith; Lady Savage, Heather Linley, and Bishop of Basingstoke, Barry Whitaker.

Further roles will be: General Glossop, Stephen Lonsdale; Sir Archibald Proops, Graham Smith; Miss Henrietta Faversham, Rosie Hayman; Jekyll’s Father, Stephen Lonsdale; Miss Louisa Pembroke, Annabelle Bridgman; Ward Orderly/Bouncer, Tom Robson, plus Dancer and Prostitute, Abigail Elliot, Millicent Neighbour, Bella Cornford, Amelia Featherstone and Charlotte Mintoft.

1812 Theatre Company in Jekyll & Hyde The Musical, Helmsley Arts Centre, July 5 to 9, 7.30pm. Tickets: £15, under 18s, £7.50, from the arts centre or at helmsleyarts.co.uk.