National Theatre Connections turns spotlight on new plays and young performers at York Theatre Royal Studio

Ravers: Part of the National Theatre Connections programme at York Theatre Royal Studio

THE National Theatre Connections programme in the York Theatre Royal Studio welcomes Westborough High School this evening at 6.15pm to present Jane Bodie’s The Company Of Trees.

Playwright, screenwriter and teacher Bodie’s drama about bullying, bravery, the power of nature, finding friendship, loneliness and Hanoi the giant tortoise follows new girl Willow as she moves into town but is not welcomed by the popular gang. Meanwhile, when a spectacular gymnastic accident leaves Taylor bed-bound, her once loyal gang begin to drop away.

Enter Willow, to share Taylor’s solitude, teach her about trees and poems that don’t rhyme, whereupon Taylor begins to heal.

Suitable for age 14 upwards, The Company Of Trees features strong language, themes of bullying, references to physical injury and the loss of a parent.

Vickie Donoghue’s Fresh Air will be staged by South Hunsley School tonight at 7.45pm and John Smeaton Academy on Thursday at 7.15pm.

Fresh Air: Featuring in the National Theatre Connections season at York Theatre Royal Studio

In this  Essex stage, screen and radio writer’s play, students from a pupil referral group are made to go orienteering in what they discover is England’s most haunted woods. Stalked by eerie ghost children determined to keep them there forever, they must learn to confront the here and now to unlock the key to their futures.

Suitable for age 14 upwards, Fresh Air features moderate language, mild gore, mild dread, ghosts and supernatural elements throughout, references to mental health and one instance of a character being choked.

Writer, director, composer, choreographer, designer, producer and film, theatre, TV and radio performer Rikki Beadle-Blair’s Ravers will be performed by Wyke Sixth Form College tomorrow at 6.15pm and York Theatre Royal Youth Theatre (York St John University group) on Saturday at 12 noon and 7pm.

A rag-tag group of self-described “neeks” (nerds and geeks) gathers at midnight in a local park to hold a “‘dry rave” (No intoxicants). Will the group succeed in redefining “cool” or will the powers-that-be succeed in shutting down the neek revolution?

Again suitable for age 14 upwards, Ravers has depictions of underage drinking, moderate language, themes of anxiety and references to the loss of a parent.

Brain Play: One of the plays to be performed at York Theatre Royal Studio this week

Oxfordshire playwright Chloë Lawrence-Taylor and Olivier-nominated playwright, dramaturg and musician Paul Sirett’s Brain Play will be presented by Joseph Rowntree School on Thursday and 1812 Youth Theatre on Friday, both at 5.30pm.

When Mia’s dad suffers a traumatic brain injury and struggles to leave the house, she makes it her mission to find the cure for his symptoms. Delving deeper and deeper into the world of neuroscience, Mia is desperate to make him better, but first she must contend with her own brain.

Suitable for age 13 upwards, Brain Play contains strong language, discussion of brain injury and its associated effects, plus hearing loss, anxiety, PTSD, obsessive compulsive disorder and mental health, references to blood and agoraphobia, and, at one point a character says “take him out and shoot him” in jest.

Abbey Grange Academy takes to the Studio stage on Friday at 7.15pm to perform Mia And The Fish, Southall writer Satinder Chohan’s modern retelling of the ancient Indian myth Manu And The Fish.

Mia is a young refugee girl who, along with her sister, is washed up onto the British shores. Against the backdrop of a freak winter heatwave, as the climate emergency becomes critical, one day Mia happens upon a talking fish that she nurtures and names Samaki.

Mia And The Fish: Performance at 7.15pm on Friday

As well as becoming Mia’s friend and confidante, Samaki grows quickly into a giant fish, larger than any marine animal the world has ever known, and becomes the key to her and her friends’ survival in the face of the imminent extinction of humanity.

Suitable for age 13 upwards, Mia And The Fish contains discussions of the climate emergency, references to displacement and the refugee crisis and mild language.

National Theatre Connections’ week of York Theatre Royal Studio performances concludes with three weekend performances of Gary McNair’s No Regrets.

York Theatre Royal Youth Theatre will be in action at 4.15pm and 5.30pm on Saturday, followed by Cockburn John Charles Academy on Sunday at 5pm.

The Company Of Trees: Jane Bodie’s play for National Theatre Connections

Over the course of five years, Glasgow writer-performer McNair, three-time winner of the coveted Scotsman Fringe First Award, spoke to people at all stages and in all walks of life on the subject of regret.

This play marks the results of those conversations, presented in a collection of scenes, from the silly to the profound, that charts our relationship with the things we should have done but never did and the things we should not have done but did.

Suitable for age 14 upwards, No Regrets features strong language, descriptions of violence, mentions of alcohol and addiction, one scene of a mugging and stabbing and references to death.

Tickets are on sale on 01904 623568 or at yorktheatreroyal.co.uk.

What’s On in Ryedale, York and beyond. Hutch’s List No. 10, from Gazette & Herald

The poster for Brain Play, to be staged by 1812 Youth Theatre as part of National Theatre Connections at Helmsley Arts Centre and York Theatre Royal

LIKE Tom Stade’s comedy show, tipping winners is a Risky Business, but Charles Hutchinson is confident his recommendations will be triumphant.

Ryedale play of the week: 1812 Youth Theatre & National Theatre Connections, Brain Play, Helmsley Arts Centre, today to Friday, 7.30pm

UNDER the National Theatre Connections banner, Helmsley company 1812 Youth Theatre presents Chloe Lawrence-Taylor and Paul Sirett’s Brain Play, first in Helmsley and later at York Theatre Royal on March 21 at 7.30pm.

When Mia’s dad suffers a traumatic brain injury and struggles to leave the house, she makes it her mission to find the cure for his symptoms. Delving deeper and deeper into the world of neuroscience, Mia is desperate to make him better, but first she must contend with her own brain. Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk; York, 01904 623568 or yorktheatreroyal.co.uk.

John Shuttleworth: 40 years of bonhomie, bon mots and persistently, perkily mundane yet profound songs at Leeds City Varieties Music Hall and Hull Truck Theatre. Picture: Tony Briggs

Comedy positivity of the week: John Shuttleworth, Raise The Oof, Leeds City Varieties Music Hall, tonight and tomorrow, 7.30pm; Hull Truck Theatre, April 2,7.30pm

JOHN Shuttleworth, the good-natured Sheffield sage and perky Yamaha organ purveyor of charmingly mundane songs fashioned by actor Graham Fellows, celebrates his 40th anniversary on his Raise The Oof tour, full of nostalgia and new stories.

Here come tales of his early days with neighbour Ken Worthington, the humorous realities of married life with miserable wife Mary, and John’s hopes for a late-career breakthrough. Box office: Leeds, 0113 243 0808 or leedsheritagetheatres.com; Hull, 01482 323638 or hulltruck.co.uk.

Becca Drake: Guest poet at York Literature Festival’s Howl Owt night at The Blue Boar

York Literature Festival gig of the week: Howl Owt, The Blue Boar, Castlegate, York, tomorrow, 7.30pm

JOIN Chloe Hanks and Stephanie Roberts from Howlers Open Mic and Henry Raby from Say Owt for an evening of performances by York poets and writers, bolstered by a special guest.

This time, their roles will be reversed with the Say Owt crew taking over the open mic and the Howlers welcoming the guest, Becca Drake, York poet, Little Hirundine printmaker and researcher. Performers can sign up for three-minute open-mic spots on arrival. Admission is free.  

Neil Foster’s Cosme McMoon, left, Jackie Cox’s Florence Foster Jenkins and Mike Hickman’s St Clair in Rowntree Players’ Glorious!

York play of the week: Rowntree Players in Glorious!, The True Story Of Florence Foster Jenkins, The Worst Singer In The World, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

COVER your ears! Here comes Glorious! The True Story Of Florence Foster Jenkins, The Worst Singer In The World, as told by Peter Quilter in his joyous and heart-warming comedy with music, based on the life of an eccentric 1940s’ New York socialite with a passion for singing but a voice for disaster.

Enthusiastic but tonally erratic soprano Florence (played by Jackie Cox) gave private recitals, sang at extravagant balls, made bizarre recordings and revelled in a triumphant sold-out final performance at New York’s Carnegie Hall at 76. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Mike + The Mechanics: Mike Rutherford, centre, re-living 40 years at York Barbican with Andrew Roachford, left, and Tim Howar

40th anniversary celebration of the week: Mike + The Mechanics, Looking Back – The Living Years, York Barbican, Friday, 7.30pm

AFTER opening their Refueled! tour at York Barbican in April 2023, Mike + The Mechanics return next Friday on their Looking Back – Living The Years 40th anniversary travels. Expect the set list to combine Over My Shoulder, The Living Years and All I Need Is A Miracle with selections from their nine albums and a “drift into some of Genesis’s much loved classic tracks”. Box office: yorkbarbican.co.uk.

David John Pike: Baritone soloist for York Musical Society’s concert at York Minster

Classical concert of the week: York Musical Society, Bach Mass in B minor, York Minster, Saturday, 7.30pm

DAVID Pipe conducts York Musical Society’s singers and orchestra in Bach’s epic choral work, replete with magnificent choruses, resplendent fugues, moving arias and soloists Zoe Brookshaw and Philippa Boyle (both soprano), Tom Lilburn (countertenor), Nicholas Watts (tenor) and Canadian/British/Luxembourger David John Pike (baritone), who returned to music after initially training and working as a chartered accountant. Tickets: available from York Minster or on the door.

Tom Stade: Risk-taking comedy at Helmsley Arts Centre

Comedy minefield of the week: Tom Stade: Risky Business, Helmsley Arts Centre, Saturday, 8pm

TOM Stade’s sense of ‘funny’ and today’s ‘funny’ do not always see eye to eye, bur that’s cool; it’s not his way to follow the herd, he says. The Vancouver-born, Scottish-based humorist much prefers to take the path less travelled, a path that brings this independent spirit and irrepressible force of nature to Helmsley to airdrop his unflinching comedy into an ever-changing minefield. Navigating the tightrope of today’s divisive times may be a risky business but Stade reasons that without risk there can be no reward. Box office: 01439 771700 or helmsleyarts.co.uk.

Nicola Mills: Songs and stories at Milton Rooms, Malton

Taking the “posh” out of opera: Nicola Mills, Opera For The People, Milton Rooms, Malton, Saturday, 7.30pm

VICTORIA Woods meets Pavarotti in Nicola Mills’s funny and inspiring show, wherein she combines her down-to- earth Northern roots with operatic singing and telling tales of working-class life, from performing in some of Europe’s finest opera houses to taking opera to the streets.

Expect not only opera on a night when the audience will choose songs from Mills’s Song Menu, spanning Mozart to musicals to Elvis Presley. Box office:  01653 696240 or themiltonrooms.com.

Tayla Kenyon in her solo play Fluff at Theatre@41, Monkgate, York on Sunday. Picture: Patrick Murray

Fringe play of the week: Teepee Productions and Joe Brown present Fluff, Theatre@41, Monkgate, York, Sunday, 7.30pm

NOW is the time for Fluff to do the ultimate puzzle: her life. Fluff hates puzzles, however, especially word searches. She can never find the words, nor understand why there is a half-eaten birthday cake and a woman who keeps visiting her room. As she navigates her way through her most treasured and darkest memories, Fluff desperately needs to piece together her life, story by story, person by person.

Tayla Kenyon performs solo in her darkly comedic 75-minutre play, co written with James Piercy, as she explores memories and the choices we make, using a non-linear plot line to enable the audience to feel, first hand, the devastating effects of dementia. Box office:  tickets.41monkgate.co.uk.