‘Tis Halloween, the season for Elizabeth Godber’s werewolf comedy-drama Wolf Country at Beverley’s East Riding Theatre

Nell Baker’s Eddy, left, Jo Patmore’s Alice and Tom Gallagher’s Connor in the John Godber Company’s premiere of Elizabeth Godber’s Wolf Country at East Riding Theatre

FOR Halloween, the John Godber Company unleashes Elizabeth Godber’s country music-dusted werewolf comedy-drama Wolf Country at the East Riding Theatre, Beverley.

Country music mega-fan Alice (played by Jo Patmore) and no-nonsense nurse Eddy (Nell Baker) are best friends who would be happy for things to stay exactly as they are. Unfortunately, a potential werewolf is running rampant around Beverley, and so nothing looks like it will stay the same for long.

Eddy cares not a jot for all the rumours and conspiracies, but Alice is straight down the rabbit hole, especially after meeting self-proclaimed werewolf expert Connor (Tom Gallagher).

As the hot breath of Halloween looms ever closer, the full moon is out and matters are starting to spiral. Surely they know East Yorkshire is Wolf Country – and don’t you?

From the co-writer of the UK Theatre Award-nominated Stephen Joseph Theatre hit The Comedy of Errors (More Or Less) and writer of the ERT premiere of The Remarkable Tale Of Dorothy Mackaill comes a lupine comedy of friendship, ambition and what drives our fears amid the wildness that lurks beneath the surface of modern life in East Yorkshire – all underscored by a Country Western soundtrack.

Nell Baker, left, Jo Patmore and Tom Gallagher in an uplifting scene in Elizabeth Godber’s play about anxiety, East Yorkshire and werewolf folklore

“I first came across the legend of ‘Old Stinker’, Beverley’s very own werewolf, while looking into local folklore and history when studying at the University of Hull,” says Elizabeth.

“I’ve always loved anything a bit whimsical and magical, and the idea really stuck with me. Werewolf legends are very rare in the UK; most come out of Germany, Eastern Europe or the USA, so the concept of a werewolf on Beverley Lock was just too good an idea to put to one side.

“Especially as East Yorkshire was the last place in the UK to have wild wolves, who were said to have died out in the 18th century, so it’s all just a brilliant story that almost wrote itself.”

When Elizabeth looked further into the legend, she was excited to learn there had been a flurry of sightings of the beast in 2015 and 2016. “Even the rock musician Alice Cooper had got involved, posting on social media about it,” she says. “This is where I really started to link the wolf to music and Americana, and I’ve always been a massive country music fan, so including that all made sense to me.”

A real hunt for the beast was conducted by the werewolf hunters of East Yorkshire in 2016. “In researching for this play, I was excited to be able to talk to some of the people who went on it, although they didn’t find anything,” says Elizabeth.

Cue her tale of werewolves, anxiety and growing up in Beverley, accompanied by a country music sound track, whose flavour can be savoured on the East Riding Theatre website with a link to Spotify. Dolly Parton, Tim McGraw, Garth Brooks, Johnny Cash, Shania Twain et al, y’all.

Wolf Country playwright Elizabeth Godber

“From all those East Riding folklores came the idea of this play – though it’s not really about werewolves,” says Elizabeth. “It’s about three friends in their late 20s, living in Beverley, finding themselves at that time in life when they’re discussing adulthood and the move away from being a teenager to that person with a job.

“There’s also romance going on, but all this is happening when there’s a werewolf on the loose in Beverley, creating fear and paranoia, which is reflected in their own lives.

“Learning about the werewolf hunts in 2015 and 2015, I liked the idea of writing about our paranoia that there is something out there in the dark playing on our phobias.”

At 30, “for sure I felt I was ready to write something of my own experience of being a young person growing up in a more rural place,” says Elizabeth. “I live in Beverley, and I see a lot of plays set in London and Manchester, but there are a lot of people like me who grew up and live in the countryside, and I want to tell that story.

“It was really important to me too to have a local cast. Jo Patmore, from The Highwayman last year, and Nell Baker are both from Beverley and Tom Gallagher is from Hull. I wanted to have that authenticity of growing up in East Yorkshire. That’s important when you’re premiering plays to an East Yorkshire audience, who will tell you exactly what they think!”

Mental wellbeing plays its part in Elizabeth’s play. “The lead character that Jo plays, Alice, is overtaken by anxiety about the werewolf legend, to the extent that the hunt takes her over, so it’s also a play about mental health,” she says.

Wolf/Alice: Jo Patmore’s Alice experiences anxiety over the East Yorkshire werewolf stories in Elizabeth Godber’s Wolf Country

“There’s a balance between ‘oh my god, what’s going on?’ and all the laughter, which is reflective of life, so it’s uplifting and positive overall, but there will be highs and lows on the way.

“I hope that the story is both interesting and funny as well – being my father, John Godber’s daughter, I write plays that are comedic too.”

As for the inclusion of country music, “Alice has an obsession with country music. That’s how she deals with her anxiety,” says Elizabeth. “I’ve always been drawn to folklore element of country music, with all that ‘ruralness’ to it, which I wanted to bring from America to East Yorkshire, but also because it has an ‘otherness’ to it that I wanted to bring to the story.”

One final thought from Elizabeth: “Be careful on your travels on your way home as you never know what might be out there!” she says, in the finale to her programme note.

Elizabeth Godber’s Wolf Country, East Riding Theatre, Beverley, until November 1, 7.30pm plus 2.30pm Thursday and Saturday matinees. Age recommendation: 16 plus for strong language and sexual references. Box office: eastridingtheatre.co.uk/wolf-country/

The John Godber Company’s poster for the Halloween premiere of Wolf Country

Badapple Theatre set out to save the Polar world and Christmas in new family show Polaris, on tour from today to January 5

Tom Mordell’s Polaris the Snow Bear and Danny Mellor’s Sammy the Seal in Badapple Theatre Company’s Polaris The Snow Bear. Picture: Karl Andre

MEET Polaris, the travelling snow bear and star of a new family Christmas show by Green Hammerton’s Badapple Theatre Company that opens tonight.

Polaris is on the longest journey of his life: to find the great Mr. Hat-In-Burrow, a renowned human naturalist who – legend says – has the key to saving the Polar world.

When he arrives unexpectedly by iceberg in a small village in the North of England, Polaris does not receive the warm welcome he expected! Many complicated and comedic adventures ensue as he tries to put everything right in time for Christmas with the help of his reluctant sidekick, Sammy the Seal.

Tom Mordell

Written and directed by Badapple director Kate Bramley, this festive tall tale for all ages five upwards, as well as the young at heart, will tour to small village halls throughout Yorkshire and then nationwide from November 29 to January 5 2025 with a cast of Tom Mordell as Polaris (and other roles) and company favourite Danny Mellor as Sammy the Seal (and other roles too). Jez Lowe’s songs and Catherine Dawn’s design completes the snow-dusted picture.

For the past 26 years, Badapple have performed  original shows in the smallest and hardest-to-reach rural venues nationwide, bringing theatre and music “to your doorstep”.

“From the North Yorkshire team that delivered The Mice Who Ate Christmas, The Elves And The Carpenter and The Snow Dancer, expect a classic Badapple family show with the usual comedy, puppets, songs, mayhem and a touch of snowy wonder!” says Kate. “It’s perfect for grandparents and grandchildren to enjoy together as Polaris and sidekick Sammy seek to save the Polar world – and Christmas itself.”

Danny Mellor

The tour will take in 26 venues, as far afield as Lancashire, Cumbria, County Durham, Derbyshire, Nottinghamshire, Lincolnshire, Gloucestershire, Somerset, Herefordshire and Shropshire, as well as North, East and South Yorkshire.. All venue and ticket details can be found at: https://www.badappletheatre.co.uk/show/polaris-the-snow-bear/ or by telephoning 01423 331304.

Yorkshire dates include:

November 29, 7pm: Tockwith Village Hall, box office, 01423 331304.

November 30, 7pm: Kilham Village Hall, 07354 301119.

December 1, 7pm: Old Girls’ School, Sherburn in Elmet, 01977 685178.

December 3, 7pm: Green Hammerton Village Hall, 01423 331304.

December 7, 3pm: The Mount School, York, 01423 331304/badappletheatre.co.uk.

Badapple’s tour poster for Polaris The Snow Bear

December 11, 7.30pm: Bishop Monkton Village Hall, 01423 331304. 

December 17, 6pm: The Cholmeley Hall, Brandsby, 01347 889898.

December 28, 2pm: Ampleforth Village Hall, 07549 775971.

December 30, 4.30pm: East Cottingwith Village Hall, 07866 024009.

Did you know? Badapple’s travels in 2024 with The Regalettes

EARLIER this year, Badapple Theatre Company mounted spring and autumn tours of director Kate Bramley’s 1930s’-inspired comedy The Regalettes, the first from April 24 to June 7 with a Yorkshire cast of Ellie Pawsey and Rhiannon Canoville-Ord; the second from September 26 to  November 17 with Pip Cook and fellow York actress Nell Baker plus ‘cinema’ visuals and new twists.

In The Regalettes, Celebrity and rural life clash head on when a new movie premières at the tiny Regal cinema in the fictional Yorkshire village of Bottledale in Bramley’s play set in the 1930s, the cinema decade that spans Hitchcock noir and classic Technicolor showstoppers.

Ellie Pawsey’s The Falcon in Badapple’s The Regalettes. Picture: Karl Andre

Comedy and intrigue ensue as the intrepid heroines Hilda and Annie suddenly find themselves at the heart of a very silly mystery. Cue film sequences, music, songs and clowning in Bramley’s story that looks at the contrast for young women between isolated village life and the perceived glamour of the movies.

Bramley revealed how the idea for the play came about. “I’m a big film noir fan; it’s so stylish and elegant, and so well written – and the 1930s was a huge boom time for Hollywood and famous UK film makers as well.”

Rhiannon Canoville-Ord as Mademoiselle Escargot in The Regalettes. Picture: Karl Andre

Away from Hollywood, the decade was far from magical for many, with the Great Depression taking hold. “For ordinary working people, the 1930s was a time of increasing financial hardship which seemed a world away from the glamour of a movie set,” Kate noted.

“I suppose I thought there were some parallels to our modern-day experiences, but as ever it’s a comedy, and we just had a lot of fun piecing together a ‘what if’ mini-mystery that turns normal rural life upside down for our heroines.”

Nell Baker

The first tour set off in the wake of Badapple securing £28,381 grant funding from Arts Council England and £800 from East Riding Council. “Badapple is immensely grateful for this generous funding, which enables ours original brand of live theatre to reach rural locations across the country,” said Kate.

Later explaining how the 18-date second tour differed from the first, she said: “Bringing in a new cast has given the whole show a new lease of life. I have re-written some of the show and, alongside our new assistant director Connie Peel, we added some new visual twists and turns to the narrative, as well as our production team augmenting the overall design and style. We are always refining and creating and looking to make every tour be the best it can be.”

Pip Cook

Amanda Whittington celebrates friendship, growing older and living for today in third Hull Truck instalment Ladies Unleashed

Amanda Whittington: Ladies Unleashed playwright

HULL Truck Theatre’s second half of their 50th anniversary season unleashes Ladies Unleashed, the third instalment of Amanda Whittington’s trilogy.

In the wake of Hull Truck hits Ladies Day – the one set at York Racecourse to coincide with Royal Ascot switching to Knavesmire in 2005 – and Ladies Down Under two years later, now the Nottingham playwright celebrates friendship, growing older and living for today.

Directed by artistic director Mark Babych, Ladies Unleashed reunites four friends, Hull fish factory workers Jan, Pearl, Linda and Shelley in 2022 on the peaceful, magical retreat of the Holy Island of Lindisfarne in a story of secrets and mysteries, reunions and an imminent wedding, twists and surprises.

“Seventeen years! It’s absolutely frightening! I was checking when I started, thinking it must be ten years ago, but in fact it was 2005, and the world has changed so much since then,” says Amanda.

“I can’t believe it’s so long since we first went to Ladies Day with the fish factory foursome, and to Australia in Ladies Down Under a few years later. Creating these stories for Hull Truck was a magical time and the audience response was unforgettable. 

“Since then, the two Ladies plays have been a firm favourite on the amateur circuit across the UK. Barely a month goes by without a production somewhere in the country, keeping the play alive since its original production. It’s such a gift as a writer to know what affection your characters are held in.”

Pearl (Fenella Norman), Jan (Allison Saxton) and Linda (Sara Beharrell) have not seen Shelley (Hull-born Gemma Oaten) for years, but when she suddenly turns up, Linda’s plans for a weekend of quiet contemplation (“not a hen party,” she says) take a different turn as tensions rise with the tide.

“I’ve always set the plays in the present day, so now Pearl is in her early 70s; Jan, mid-60s; Linda and Shelley around 40,” says Amanda.

Gemma Oaten in rehearsal for her role as Shelley in Ladies Unleashed at Hull Truck Theatre

“A whole generation has gone by, and I was quite reluctant to get back on the bike, after doing Ladies Day as a one-off, but then I did another one two years later, and so the characters are still very much alive in village halls and community centres.

“I thought of all the people who’ve been in Ladies Day or seen it, and there were discussions with Nick Hern Books, the publishers, who’ve been really instrumental in keeping the Ladies alive all these years.

“Then I started talking to artistic director Mark Babych about new ideas for the 50th anniversary, and a new Ladies play was floated. I was curious to think about where they were a generation later, but presenting it as a stand-alone play, looking at getting older and the benefits and challenges of doing that, when you don’t normally do that with characters from earlier plays.”

The third instalment was commissioned pre-pandemic. “There was a first draft, then the lockdowns, and when I came back to it, there’d been more changes,” says Amanda.

“I write about where we are, where we’ve been, so it’s partly a play about time. Writing dialogue for those characters again, I found it was like they’d never been away. They were just back in the room.

“It felt instantly right, and then it was about putting it in a dramatic framework that felt contemporary.”

After a day at the York Races in Ladies Day and a trip to Australia in Ladies Down Under, Amanda now sends Pearl Jan, Linda and Shelley to Lindisfarne and lets the island work its spell on them, like in Shakespeare’s The Tempest and Tim Firth’s Neville’s Island.

“That was exactly the thought behind it, to get them to a place they can’t get off, a place that had so much history and texture, and, like Hull, had a great fishing industry, giving it that connection with the past.”

Ladies Unleashed cast members in the rehearsal room: from left, Martha Godber, Nell Baker, Fenella Norman, Sara Beharrell,, Allison Saxton and Gemma Oaten

Here was the cue for two new additions to the Whittington ranks of women, young fish workers Mabel (played by Martha Godber) and Daisy (Nell Baker), whose friendship from Lindisfarne’s past stirs anew as the island itself becomes restless, the sky darkens, the air chills, and the winds of change blow skeletons from closets. Whereupon past, present and future collide.

“I thought, what happens if the past comes alive and the young women they might have been awaken, working on the island a century earlier?” says Amanda. “This was the chance to bring magic realism into the play, and that’s been a lovely thing to open up.”

Women’s stories are at the heart of Amanda’s plays. “That’s very much what I’m about as a writer. It felt very natural for me to do that, and right from the beginning of my career that’s the voice I’ve always spoken in. Even now it’s still not common but it’s a characteristic of my work,” she says.

“John Godber’s plays, Arthur Miller’s plays, are never talked about as ‘male plays’, but women’s plays stand out because there just aren’t as many. Ladies Unleashed is about a female world, and as the women of Holy Island’s past come alive, it shows how women’s lives have changed so radically and yet how some things have still not changed.

“Thankfully, there are lots of untold stories from history about women that are being told now, but they’re not stories just for women; they’re stories for everyone.”

Ladies Unleashed plays out in the age of #MeToo and a rising focus on women’s rights. “It’s released something in the last few years that’s not about men versus women, or oppressing women, particularly as there are damaged men as well,” says Amanda. “That’s the spirit of my work, with women giving their perspective on a century of change, and in 2022 it’s really welcomed by audiences.”

What are the ladies unleashing, Amanda? “What holds them together is that core of friendship, and the key to that is their work as fish factory workers, but they all have something they need to be released from, barriers to break through, and part of that comes down to how that differs in the different generations and how that’s changed,” she says.

Hull Truck Theatre in Ladies Unleashed, September 29 to October 22. Last performance, 7.30pm. Box office: 01482 323638 or hulltruck.co.uk.