What’s On in Ryedale, York and beyond. Hutch’s List No. 19, from Gazette & Herald

Pease talks: John Pease features on the the inaugural bill at Katie Lingo’s Funny Fridays stand-up comedy nights at Patch in the Bonding Warehouse, York

A NEW comedy night in a bygone location and Shakespeare on a council estate stand out in Charles Hutchinson’s picks for cultural exploration.

Laughter launch of the week: Funny Fridays, Patch, Bonding Warehouse, Terry Avenue, York, May 9, doors 7pm for 7.30pm start

LIVE comedy returns to the Bonding Warehouse for the first time since the days of the late Mike Bennett presenting the likes of Lee Evans and Ross Noble under the Comedy Shack banner. Stand up for Funny Fridays, hosted by York humorist Katie Lingo (alias copywriter Katie Taylor-Thompson) with an introductory price of £6.50.

On her first bill will be Kenny Watt, Tuiya Tembo, BBC New Comedy Awards semi-finalist Matty Oxley, Saeth Wheeler and Edinburgh Fringe Gilded Balloon semi-finalist John Pease. Box office: eventbrite.co.uk/e/funny-fridays-at-patch-tickets.

So much at stake: Laura Castle’s Count Dracula and Jamie McKeller’s Van Helsing in Neon Crypt Productions’ Dracula: The Bloody Truth. Picture: Michael Cornell

Taking their first bite of the week: Neon Crypt Productions in Dracula: The Bloody Truth, Theatre@41, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

THE York producers of The Deathly Dark Tour and A Night Of Face-Melting Horror, Jamie and Laura McKeller, get stuck into their debut stage show under the name of Neon Crypt Productions.

From the mischievous minds of physical theatre specialists Le Navet Bete, Dracula: The Bloody Truth reveals the truth behind the fangs, as told by Jamie McKeller’s disgruntled Professor Van Helsing  and a troupe of three very stressed actors, Laura Castle’s Count Dracula, Laura McKeller’s Mina and Michael Cornell’s Jonathan Harker. Together they will shatter the lies spoken by the charlatan Bram Stoker and finally shed light on what actually happened. Box office: tickets.41monkgate.co.uk.

Gary Oldman in Krapp’s Last Tape on his return to York Theatre Royal after 45 years. Picture: Gisele Schmidt

York theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, until May 17

OSCAR winner Gary Oldman returns to York Theatre Royal, where he made his professional debut in 1979, to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since 1989.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Tickets update: check availability of returns on 01904 623568 or yorktheatreroyal.co.uk.

The young lovers in York Stage’s A Midsummer Night’s Dream: Will Parsons’ Lysander, left, Meg Olssen’s Hermia, Amy Domeneghetti’s Helena and Sam Roberts’s Demetrius. Picture: Charlie Kirkpatrick, Kirkpatrick Photography

Reinvented play of the week: York Stage in A Midsummer Night’s Dream, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday, Saturday and Sunday matinees

YORK pantomime golden gal Suzy Cooper turns Fairy Queen Titania opposite York-born Royal Shakespeare Company actor Mark Holgate’s Fairy King Oberon in Nik Briggs’s debut Shakespeare production for York Stage.

In his first co-production with the Cumberland Street theatre, Briggs relocates the Bard’s most-performed comedy from the court of Athens to Athens Court, a northern council estate, where magic is fuelled with mayhem and true love’s bumpy path is played out to a new score by musical director Stephen Hackshaw and Nineties and Noughties’ dancefloor fillers, sung by May Tether. Box office: atgtickets.com/york.

Scott Bradlee’s Postmodern Jukebox: Putting the retro into today’s hits at York Barbican

Nostalgia for today: Scott Bradlee’s Postmodern Jukebox: Magic & Moonlight Tour 2025, York Barbican, tonight, doors 7pm

AFTER chalking off their 1,000th show, retro collective Postmodern Jukebox are on the British leg of their Moonlight & Magic world tour. Enter a parallel universe where modern-day hits are reimagined in 1920s’ jazz, swing, doo-wop and Motown arrangements. Think The Great Gatsby meets Sinatra At The Sands meets Back To The Future.  Dress vintage for the full effect. Box office: yorkbarbican.co.uk. 

Wes Banderson: Transferring Wes Anderson’s film music from screen to concert stage at The Crescent, York

Witty name of the week: Wes Banderson, The Crescent, York, tonight, 7.30pm

WES Banderson bring the music of Wes Anderson’s movies to the concert platform in a night of original score and deep-cut soundtracks from the left-field works of the idiosyncratic Texan filmmaker.

Noted for addressing themes of grief, loss of innocence and dysfunctional families, Anderson is the auteur behind The Grand Budapest Hotel, Fantastic Mr Fox, The Life Aquatic With Steve Zissou, The Royal Tenenbaums, Moonrise Kingdom, Isle Of Dogs and Asteroid City. Box office: thecrescentyork.com.

AKA Theatre Company in The Flood, on tour in York, Hull and Leeds

Premiere of the week: AKA Theatre Company in The Flood: A Musical, Friargate Theatre, York, May 9 and 10, 7.30pm; Godber Studio, Hull Truck Theatre, Hull, May 13, 7pm; Leeds Playhouse Burton Studio, May 14 and 15, 8pm

AKA Theatre Company’s premiere of Lucie Raine and Joe Revell’s musical The Flood blends live music and heartfelt storytelling based on true accounts of facing up to disaster in West Yorkshire in 2015.

 “This is a story about what it means to come together when everything falls apart,” says writer-director Raine, who uses a cast of five actor-musicians. “It’s not just a play. It’s a tribute to resilience and creativity, inspired by Hebden Bridge and its people. It’s a celebration for all communities who have faced adversity and emerged stronger.” Box office: York, ticketsource.co.uk; Hull, hulltruck.co.uk; Leeds, leedsplayhouse.org.uk. 

Kate Rusby: Showcasing new album When They All Looked Up at Ryedale Festival. Picture: David Angel

Concert announcement of the week: Ryedale Festival presents Kate Rusby, When They All Looked Up, Milton Rooms, Malton, July 25, 7pm

BARNSLEY nightingale Kate Rusby performs songs from her new studio album, When They All Looked Up, with her Singy Songy Session Band as she weaves new melodies, timeless tunes and heartfelt storytelling into an evening of pure folk enchantment. Box office: ryedalefestival.com/event/kate-rusby.

Bram Stoker “sucks” as Neon Crypt Productions get stuck into in debut show Dracula: The Bloody Truth at Theatre@41

So much at stake: Laura Castle’s Count Dracula and Jamie McKeller’s Professor Van Helsing in Neon Crypt Productions’ Dracula: The Bloody Truth. Picture: Michael Cornell

FROM the York producers of The Deathly Dark Tour and A Night Of Face-Melting Horror, bonded with the mischievous minds of Le Navet Bete, comes the debut production by Neon Crypt Productions, Dracula: The Bloody Truth.

Drawing blood at Theatre@41, Monkgate, York, from tonight to Saturday, a very disgruntled Professor Van Helsing and an accompanying  troupe of three very stressed actors will “shatter the lies spoken by the charlatan Bram Stoker and finally  shed light on what actually happened”.

“Van Helsing is looking to repair his reputation and, with the help of the trio of highly talented actors, tell the true story of Count Dracula,” says Neon Crypt co-founder Jamie McKeller. “The show will take the audience from Transylvania to Whitby, the dreaded Borgo Pass to London and beyond!”

Laura McKeller, left, Michael Cornell, Laura Castle and Jamie McKeller in a scene form Neon Crypt Productions’ Dracula: The Bloody Truth

Exposing the truth behind the fangs, Laura Castle will take the role of Count Dracula, joined by Laura McKeller as Mina and Michael Cornell as Jonathan Harker in the horror-comedy show scripted by Le Navet Bete.

Neon Crypt Productions is the latest venture by ghost tour promoters Jamie and Laura McKeller, who run The Deathly Dark Tour in the guise of Dr Damian Deathly and Dede Deathly, as well as the film company Neon Crypt Films.

Jamie also appeared in Rowntree Players’ pantomimes in 2023 and 2024 and made his return to directing after 15 years with Rowntree Players’ March 2023 production of John Godber’s Teechers Leavers ’22, followed by another state-of the-rotten-nation Godber comedy, Shakers, co-written with Jane Thornton, in March 2024.

Jamie McKeller’s Professor Van Helsing and Laura Castle’s Count Dracula in Neon Crypt Productions’ Dracula: The Bloody Truth

The McKellers have set up Neon Crypt Productions with fellow founding members Castle and Cornell. “We all share the same passion for entertaining, high-energy theatre that slaps a smile on the face,” says Jamie. “As well as performing in the shows, we make the sets, props, costumes, market and generally wear about a hundred hats each!”

Defining the company’s ethos, Jamie says: “Neon Crypt is a collection of unhinged performers with a fiery passion for laugh-out- loud, make-your-belly-ache theatre. We all met in various productions over the years and wanted to produce shows that we would want to see: short, snappy and stupendously silly.

“Our aim is to produce a minimum of two shows a year, sometimes licensed plays from other companies and sometimes our own original work. Our home turf is Theatre@41, which we all have a strong connection with and hope to be performing here for years to come.”

Taking a bite out of Le Navet Bete’s Dracula: The Bloody Truth: Laura McKeller’s Mina and Laura Castle’s Count Dracula in Neon Crypt Productions’ debut show

The Deathly Dark Tour, now in its fifth year on York’s haunted streets, is noted for its alliance of spooks and dark humour: a combination matched by physical theatre exponents Le Navet Bete in Dracula: The Bloody Truth.

“We had the pleasure of first seeing Le Navet Bete’s adaptation of Bram Stoker’s Dracula a
a few years ago,” says Jamie. “Typically it’s a show that demands space; the sheer volume of scenery, props and costumes alone is bigger than any sensible production in a studio theatre! It’s 100 per cent energy from the first moment and doesn’t stop until the final bows.”

Looking forward to the opening night, director Jamie says: “What a show to choose for our first one! It’s no small feat to pull this one off. Comedy is tricky enough but high-speed farce is probably one of the hardest to accomplish well.

Making it Count: Laura Castle’s Dracula in Neon Crypt Productions’ Dracula: The Bloody Truth

“But what a cast to work with. I’m credited as the director of the show, but in truth this
was a collaborative project. Everyone brought in ideas; there isn’t a piece of the show
that isn’t the result of someone having a thought in the rehearsal room. If you think you
know the story of Dracula, let us prove you wrong!”

Coming next from Neon Crypt Productions will be November’s staging of The Wetwang Hauntings, a new comedy-horror show penned by Jamie McKeller and two Deathly Dark Tour cohorts, to mark Halloween. Watch this space for more details.

Neon Crypt Productions in Dracula: The Bloody Truth, Theatre@41, Monkgate, York, May 6 to 11, 7.30pm and 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.

More Things To Do in York and beyond as laughter returns to waterside landmark. Hutch’s List No. 19, from The York Press

Pease talks: John Pease features in Patch’s new Funny Fridays comedy forum at the Bonding Warehouse

A NEW comedy night in a bygone location and Shakespeare on a council estate stand out in Charles Hutchinson’s picks for cultural exploration.

Laughter launch of the week: Funny Fridays, Patch, Bonding Warehouse, Terry Avenue, York, May 9, doors 7pm for 7.30pm start

LIVE comedy returns to the Bonding Warehouse for the first time since the days of the late Mike Bennett presenting the likes of Lee Evans and Ross Noble under the Comedy Shack banner. Stand up for Funny Fridays, hosted by York humorist Katie Lingo (alias copywriter Katie Taylor-Thompson) with an introductory price of £6.50.

On her first bill will be Kenny Watt, Tuiya Tembo, BBC New Comedy Awards semi-finalist Matty Oxley, Saeth Wheeler and Edinburgh Fringe Gilded Balloon semi-finalist John Pease. Box office: eventbrite.co.uk/e/funny-fridays-at-patch-tickets.

Sean Heydon: Magical sleight of hand at the Laugh Out Loud Comedy Club tonight

Magical comedy gig of the week: Laugh Out Loud Comedy Club presents Sean Heydon, Big Lou, Oliver Bowler and MC Damion Larkin, The Basement, City Screen Picturehouse, York, tonight, 8pm

LAUGH Out Loud headliner Sean Heydon has performed to A-list celebrities and blue-chip companies, as well as at comedy clubs, with his combination of madcap comedy,  sleight-of-hand magic and illusions for more than 15 years.

Big Lou offers a modern twist on old-school joke telling in the Les Dawson style; comedian, actor and writer Oliver Bowler discusses life experiences on the mean streets of Bolton; regular host and promoter Damion Larkin keeps order. Box office: 01904 612940 or lolcomedyclubs.co.uk.

Anastacia: Playing York Barbican on her Not That Kind 25th anniversary tour

Anniversary tour of the week: Anastacia, Not That Kind Tour, York Barbican, Sunday, 7.45pm

CHICAGO singer-songwriter Anastacia , 56, heads to York on her European tour marking the 25th anniversary of her debut album Not That Kind and its breakthrough hit  I’m Outta Love.

Further singles Not That Kind, Paid My Dues, One Day In Your Life,  Left Outside Alone and Sick And Tired charted too, as did 2001 album Freak Of Nature (reaching number four) and 2004’s chart-topping Anastacia, 2005’s Pieces Of A Dream, 2008’s Heavy Rotation, 2014’s Resurrection and 2015’s Ultimate Collection Her special guest will be Casey McQuillen. Box office: for returns only, yorkbarbican.co.uk.

Newton Faulkner: Unveiling new songs from his upcoming Octopus album at The Crescent, York

“No technological funny business” of the week: Newton Faulkner, Feels Like Home Tour 3, The Crescent, York, Sunday, 7.30pm

LET Reigate singer-songwriter Newton Faulkner describe his York gig: “Folks, I give you the Feels Like Home Tour 3. We’re talking no technological funny business in my set-up. I love switching my focus back to just playing and singing. I also cannot wait to introduce you properly to the new material and my new head.”

Often Faulkner has found himself in his home studio working solo, but not for this next record, nor for this tour. His new phase is full of collaboration, one where “seeing these songs come to life on stage is going to be nothing short of joyous” ahead of the September 19 release of Octopus. Box office: thecrescentyork.com.

Gary Oldman in Krapp’s Last Tape on his return to York Theatre Royal after 45 years. Picture: Gisele Schmidt

York theatre event of the year: Gary Oldman in Krapp’s Last Tape, York Theatre Royal, until May 17

OSCAR winner Gary Oldman returns to York Theatre Royal, where he made his professional debut in 1979, to perform Samuel Beckett’s melancholic, tragicomic slice of theatre of the absurd Krapp’s Last Tape in his first stage appearance since 1989.

“York, for me, is the completion of a cycle,” says the Slow Horses leading man. “It is the place ‘where it all began’. York, in a very real sense, for me, is coming home. The combination of York and Krapp’s Last Tape is all the more poignant because it is ‘a play about a man returning to his past of 30 years earlier’.” Tickets update: check availability of returns on 01904 623568 or yorktheatreroyal.co.uk.

York musician Steve Cassidy: Once he worked with John Barry and producer Joe Meek, now he plays with his mates on regular nights at the JoRo

Return of the week: Steve Cassidy Band, Joseph Rowntree Theatre, York, Sunday, 7.30pm

YORK singer, songwriter, guitarist and former head teacher Steve Cassidy will be joined by special guests when he lines up as usual with John Lewis on lead guitar, Mick Hull on bass guitar, ukulele, guitar and vocals, Brian Thomson on percussion and George Hall on keyboards.

Expect rock and country songs, as well as instrumental pieces, selected especially for this evening. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Rupert Julian’s 1925 film The Phantom Of The Opera, starring Lon Chaney and Mary Philbin

Film event of the week: 100th anniversary of The Phantom Of The Opera, with pianist Jonny Best, National Centre for Early Music, York, May 6, 7.30pm

BENEATH the opulence of the Paris Opera House, in the darkness of the catacombs, lurks the Phantom, a lonely creature whose only comfort is the sound of the music that drifts down to him from the stage above. When a new soprano arrives, he becomes enraptured by her voice and swears to possess her at any cost in Rupert Julian’s lavish 1925 American silent film.

Both a dark love story and a horror classic, noted for its vast sets and innovative experiments with film colour as well as the skull-like appearance of Lon Chaney’s Phantom, Julian’s film is accompanied by a new improvised piano score by Jonny Best to marks its centenary. Box office: 01904 658338 or ncem.co.uk.

Neon Crypt Productions bite back in Dracula: The Bloody Truth

Taking their first bite of the week: Neon Crypt Productions in Dracula: The Bloody Truth, Theatre@41, Monkgate, York, May 6 to 11 7.30pm plus 2.30pm Saturday matinee

THE York producers of The Deathly Dark Tour and A Night Of Face-Melting Horror, Jamie and Laura McKeller, get stuck into their debut stage show under the name of Neon Crypt Productions.

From the mischievous minds of physical theatre specialists Le Navet Bete, Dracula: The Bloody Truth reveals the truth behind the fangs, as told by a disgruntled Jamie McKeller’s Professor Van Helsing  and a troupe of three very stressed actors, Laura Castle’s Count Dracula, Laura McKeller’s Mina and Michael Cornell’s Jonathan Harker. Together they will shatter the lies spoken by the charlatan Bram Stoker and finally shed light on what actually happened. Box office: tickets.41monkgate.co.uk.

Mark Holgate’s Oberon and Suzy Cooper’s Titania, centre, with Sam Roberts’s Demetrius, left, Amy Domeneghetti’s Helena, Will Parsons’ Lysander and Meg Olssen’s Hermia in York Stage’s A Midsummer Night’s Dream

Reinvented play of the week: York Stage in A Midsummer Night’s Dream, Grand Opera House, York, May 6 to 11, 7.30pm plus 2.30pm Wednesday, Saturday and Sunday matinees

YORK pantomime golden gal Suzy Cooper turns Fairy Queen Titania opposite York-born Royal Shakespeare Company actor Mark Holgate’s Fairy King Oberon in Nik Briggs’s debut Shakespeare production for York Stage.

In his first co-production with the Cumberland Street theatre, Briggs relocates the Bard’s most-performed comedy from the court of Athens to Athens Court, a northern council estate, where magic is fuelled with mayhem and true love’s bumpy path is played out to a new score by musical director Stephen Hackshaw and Nineties and Noughties’ dancefloor fillers, sung by May Tether. Box office: atgtickets.com/york.

Katherine Toy in rehearsals for AKA Theatre’s The Flood, on tour in York, Hull and Leeds. Picture: Cian O’Riain

Premiere of the week: AKA Theatre Company in The Flood: A Musical, Friargate Theatre, York, May 9 and 10, 7.30pm; Godber Studio, Hull Truck Theatre, Hull, May 13, 7pm; Leeds Playhouse Burton Studio, May 14 and 15, 8pm

AKA Theatre Company’s premiere of Lucie Raine and Joe Revell’s musical The Flood blends live music and heartfelt storytelling based on true accounts of facing up to disaster in West Yorkshire in 2015.

 “This is a story about what it means to come together when everything falls apart,” says writer-director Raine, who uses a cast of five actor-musicians. “It’s not just a play. It’s a tribute to resilience and creativity, inspired by Hebden Bridge and its people. It’s a celebration for all communities who have faced adversity and emerged stronger.” Box office: York, ticketsource.co.uk; Hull, hulltruck.co.uk; Leeds, leedsplayhouse.org.uk. 

Scott Bradlee’s Postmodern Jukebox: Putting the retro into today’s hits at York Barbican

Nostalgia for today: Scott Bradlee’s Postmodern Jukebox: Magic & Moonlight Tour 2025, York Barbican, May 7, doors 7pm

AFTER chalking off their 1,000th show, retro collective Postmodern Jukebox are on the British leg of their Moonlight & Magic world tour. Enter a parallel universe where modern-day hits are reimagined in 1920s’ jazz, swing, doo-wop and Motown arrangements. Think The Great Gatsby meets Sinatra At The Sands meets Back To The Future.  Dress vintage for the full effect. Box office: yorkbarbican.co.uk. 

In Focus: York Late Music, Unitarian Chapel, St Saviourgate, York, Stuart O’Hara & Marianna Cortesi, today at 1pm; Trio Agile and Northern School of Contemporary Dance, today at 7.30pm

Stuart O’Hara & Marianna Cortesi

YORK Late Music plays host to two concerts today, the first featuring bass Stuart O’Hara and pianist Marianna Cortesi  this afternoon as Sounds Lyrical presents settings of poets Hugh Bernays, John Gilham, Richard Kitchen and Alan Gillott by composers Thomas J Crawley, Robert Holden, Jenny Jackson, Katie Lang, Dawn Walters and James Else.

The concert comprises: Elizabeth Lutyens’ Refugee Blues (Auden); David Blake’s Morning Sea (CP Cavafy); Dawn Walters’ Pre-dawn (Richard Kitchen); Jenny Jackson’s Collecting Stones (Richard Kitchen); Robert Holden’s Flaneur (John Gilham) and Katie Laing’s Maker (Richard Kitchen).

Then come Thomas J Crawley’s Leather Heart (Hugh Bernays); James Else’s Retras IV (Alan Gillott); Tim Brooks’s Jeer (Lizzie Linklater); David Blake’s Voices (CP Cavafy) and Stephen Dodgson’s Various Australian Bush Ballads, 2nd Series. The programme also includes music by David Blake and Elizabeth Lutyens.

Northern School of Contemporary Dance dancer Antonio Bukhar Ssebuuma: Performing with Trio Agile tonight

TONIGHT’S concert marks a first collaboration between York Late Music and the Northern School of Contemporary Dance in Trio Agile and NSCD’s Freedom Dances programme.

Bringing together the freedoms of dance, music and rhythm, Trio Agile combine their experimental flair and improvisatory talent with four dancers from the Leeds school, Antonio Bukhar Ssebuuma, Darcy Bodle, Genevieve Wright and Maya Donne.

The 7.30pm performance blends a range of styles from across the globe in a shared expression of the power and joy of the arts, including new works from Indian composer and performer Supriya  Nagarajan, Angela Elizabeth Slater, David Lancaster, Steve Crowther, David Power, Athena Corcoran-Tadd and James Else.

Curated by James Else in partnership with the Northern School of Contemporary Dance, the programme comprises: Susie Hodder-Williams & Chris Caldwell, Prelude; Angela Elizabeth Slater,  Weaving Colours; Paul Honey, Une Valse Assez Triste; James Else, Freedom Dances and David Lancaster, The Compendium Of Ingenious Mechanical Devices.

Then follow Susie Hodder-Williams & Chris Caldwell, Pas de Deux; Tom Armstrong, Aunt Maria’s Dancing Master; Paul Honey, Pizzìca; Athena Corcoran-Tadd,  To You; Supriya Nagarajan,  Mohanam Raga; Steve Crowther,  Once Upon A Time Harlequin Met His Columbine; David Power,  Something In Our Skies; Susie Hodder-Williams & Chris Caldwell, Light Dances and Athena Corcoran-Tadd , Hope Is A Boat.

The musicians will be: Susie Hodder-Williams, flutes; Chris Caldwell, saxophone and bass clarinet; Richard Horne, vibraphone and percussion; Supriya Nagarajan, voice, and Paul Honey, piano.  

Chris Caldwell, Susie Hodder-Williams and composer James Else will give a pre-concert talk at 6.45pm with a complimentary glass of wine or juice.

Tickets are on sale at latemusic.org or on the door.