Tag: Next Door But One

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What’s On in Ryedale, York and beyond. Hutch’s List No. 26, from Gazette & Herald

Hannah Davies and Jack Woods: Performing The Ballad Of Blea Wyke at Shakespeare Gallery, Scarborough, on Friday and Saturday. Picture: Matt Jopling

ELECTRONIC music by the sea,  best musical award winner Dear Evan Hansen and a Eurovision spoof light Charles Hutchinson’s fire.

Scarborough Fringe show of the week: Next Door But One and Say Owt present The Ballad Of Blea Wyke, Shakespeare Gallery, St Helen’s Square, Scarborough, Friday and Saturday, 7.30pm

STORYTELLING, poetry and music show The Ballad Of Blea Wyke re-tells the traditional Selkie myth, re-imagined for a not-far-into-the-future dystopian Yorkshire coast by North Yorkshire theatre-maker Hannah Davies and Pascallion musician Jack Woods.

Micro-commissioned by York Theatre Royal as part of the Green Shoots project in May 2022, the show has grown into a 60-minute performance by writer, performer, director and Say Owt associate artist Davies and guitar, mandolin and violin player Woods. Box office: scarboroughfair.uk/events/the-ballad-of-blea-wyke/

Pendulum: Electronic rock at Scarborough Open Air Theatre

Coastal gigs of the week: Pendulum, supported by Normandie, Friday; Basement Jaxx, Saturday, Scarborough Open Air Theatre, gates open at 6pm

FORMED in Perth, Western Australia, in 2002, electronic rock act Pendulum have returned from a self-imposed hiatus with the EPs Elemental and Anima, festival headline shows and now Scarborough. Rob Swire, Gareth McGrillen and Paul Harding’s  drum & bass group released such albums as 2005’s Hold Your Colour, 2008’s In Silico and 2010’s UK chart topper, Immersion, before shifting their focus to their Knife Party project in 2012.

Fellow electronic combo Basement Jaxx play Scarborough this weekend as part of their resumption of live shows after ten years of “DJing around the globe”. “It’ll be great to return to the live stage: to connect to people with life-affirming energy and give people a great time,” says Felix Buxton. Cue house and garage with a punk attitude. Box office: scarboroughopenairtheatre.com.

Raul Kohli: Exploring what it means to be British at Theatre@41, Monkgate, York

York comedy gig of the week: Raul Kohli: Raul Britannia, Theatre@41, Monkgate, York, Saturday, 8pm

COMEDIAN and proud Brit Raul Kohli is the son of a Hindu Indian and Sikh Singaporean, raised in Newcastle upon Tyne, where his best friend was a Pakistani Muslim.

Kohli has lived in every corner of this glorious nation and is fascinated by the diversity of these small isles.  Imagine his surprise to hear from politicians and the media that “multiculturalism has failed”: the spark that lit the flame for his exploration of what it means to be British. Box office: tickets.41monkgate.co.uk.

Qween UK: They will rock you at Helmsley Arts Centre

Tribute show of the week: Qween UK, Helmsley Arts Centre, Saturday, 7.30pm

QWEEN UK celebrate the works of Freddie Mercury, Brian May, John Deacon and Roger Taylor in a tribute show that encompasses all the “classic” Queen songs, complemented by subtle acoustic arrangements. Box office:  01439 771700 or helmsleyarts.co.uk.    

Ryan Kopel’s Evan Hansen in Dear Evan Hansen: Thrust ever deeper into a web of lies at Grand Opera House, York

Last chance to see: Dear Evan Hansen, Grand Opera House, York, June 24 to 28, 7.30pm and 2.30pm Wednesday, Friday and Saturday matinees

THE Grand Opera House will be the last English port of call on the UK tour of Benj Pasek, Justin Paul and Steven Levinson’s Olivier, Tony and Grammy Best Musical award winner.

Dear Evan Hansen tells the story of a teenager with a social anxiety disorder that inhibits his ability to connect with his peers. After the death of fellow student Connor Murphy, Evan (played by Ryan Kopel) entangles himself in an unwieldy fib, claiming he was Connor’s secret best friend. Thrust ever deeper into a web of lies, he gains everything he has ever wanted: a chance to belong. Box office: atgtickets.com/york.

Alexandra Mather’s Nicklaus in York Opera’s The Tales Of Hoffmann. Picture: John Saunders

Opera of the week: York Opera in The Tales Of Hoffmann, York Theatre Royal, June 25 to 28, 7.15pm plus 4pm Saturday matinee

ELIZABETH Watson and John Soper direct York Opera in Jacques Offenbach’s The Tales Of Hoffmann, based on three short stories by German romantic writer E.T.A Hoffmann.

Tenors Karl Reiff and Hamish Brown perform the title role on alternate nights; Hoffmann’s evil enemies will be played by Ian Thomson- Smith and Mark Simmonds and his love interests will be sung by Stephanie Wong (Olympia), Ione Cummings (Antonia) and Katie Cole (Giulietta). Hoffmann’s loyal friend, Nicklaus, will be performed by Alexandra Mather. Box office: 01904 623568 or yorktheatreroyal.co.uk.

York Light Opera Company in rehearsal for Neil Wood’s production of Eurobeat – Pride Of Europe

Eurovision celebration of the week: York Light Opera Company in Eurobeat – Pride Of Europe, Theatre@41, Monkgate, York, 7.30pm, June 25 to 27 and July 1 to 4; 3pm, June 28 and 29 and July 5

COMPOSER, writer and lyricist Craig Christie’s high-octane, electrifying musical Eurobeat: The Pride Of Europe celebrates the vibrant energy and spirit of the continent.

Expect non-stop, infectious Eurobeat rhythms, dazzling visuals and a show to leave audiences breathless. Prepare to dance and revel in  the fun of an annual European song contest where audience participation decides the winner. Neil Wood directs a cast led by Annabel van Griethuysen as hostess Marlene Cabana and Zander Fick as master of protocols Bjorn Bjornson. Box office: tickets.41monkgate.co.uk.

Guitarist James Oliver: Playing Ryedale Blues Club gig on June 26

Blues gig of the week: Ryedale Blues Club, The James Oliver Band, Milton Rooms, Malton, June 26, 8pm

THE ever busy James Oliver Band play upwards of 300 gigs a year all over Great Britain, Europe and the USA, chalking up 3,000 so far.

Guitarist Oliver, UK Blues Awards Emerging Artist of the Year winner in 2020, has released two studio and three live albums and is working on a new record with legendary producer John Leckie. Box office: 01653 696240 or themiltonrooms.com

Aaron Simmonds: Headlining the Hilarity Bites Comedy Club bill on June 27

Ryedale comedy gig of the week: Hilarity Bites Comedy Club presents Aaron Simmonds, Alex Mitchell and Chris Lumb, Milton Rooms, Malton, June 27, 8pm

AARON Simmonds has been failing to stand up for 32 years. Luckily he is far better at comedy than standing up, offering sharp observations grounded in his disability, but by no means limited by it.  

2024 Britain’s Got Talent finalist Alex Mitchell is an autistic comic with functional neurological disorder (FND), In his Tics Towards Puffection show, he laughs at himself, his neurodivergence, disability and sexuality to reflect on difficult subjects within his own life and wider society. Host Chris Lumb manages and performs in The Discount Comedy Checkout improv group. Box office: 01653 696240 or themiltonrooms.com.

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Old York Theatre to perform Charlie Blanshard’s immersive debut play Jorvik at Barley Hall, York, on July 25 and 26

Oliver Strong’s Odin in Charlie Blanshard’s play Jorvik

EAST Yorkshire writer and actor Charlie Blanshard will present his debut full-length play, Jorvik, at Barley Hall, Coffee Yard, York, on July 25 and 26.

He first presented his hour-long show there on February 17 at the 2025 Jorvik Viking Festival, when it was pleasing to see a  theatre piece in a festival noted for its living history encampments, workshops, tours, traditional crafts, feasts, family events, boat burning, evening entertainment and dramatic combat performances.

“That’s why I made the show,” said Old York Theatre co-producer Charlie, whose imposing 6ft 2 frame and long hair would have befitted Viking times.

“When I was studying at Rose Bruford College, I made a short Viking film called Snake-In-The-Eye, which we shot in the Allfather Hall in Valhalla, as my final work on my MA in Actor Performer Training course.

“Dr Chris Tuckley [Jorvik’s head of interpretation and learning] gave me historical advice for that project, and I reached out to him again with this play. He put me in touch with Abi at Jorvik, I presented the script and asked if there was any way I could do it at Barley Hall.”

Old York Theatre’s logo

The answer was yes, whereupon February 17’s two performances led off a northern tour that took in The Brain Jar cocktail bar in Hull and the Monks Walk Inn in Beverley, where Charlie used to work, as well as crossing the Pennines to play a Manchester cabaret bar.

Jorvik, an immersive play set directly in the aftermath of the fall of Eoforwic to the Great Viking Army and its rebirth as Jorvik, will be staged once more in the Tudor Throne Room, the great hall at Barley Hall.

What will “immersive” involve, Charlie? “Every audience member will be cast as a member of the Viking Army with plenty of opportunities to get involved if you want to,” he says. “Everyone is part of the moment. It’s not a play to be sat at the back with popcorn!”

Directed by co-producer Jack Chamberlain, Charlie takes the role of Ubbe, son of Ragnar and leader of the Viking army, playing opposite Oliver Strong’s Odin.

 “The play leans heavily on the Viking mythos, rejoices in the fantastical and is delivered with the spirit of larger-than-life storytelling! We follow our protagonist; Ubbe, soaked in the blood of battle as he finds himself at a great banquet in his honour,” says Charlie.

Jorvik actor-writer Charlie Blanshard

“But in this mysterious throne room, not all is as it seems!. Jorvik is a play about loss, glory, family and celebrating life while we are still around to enjoy it. Expect big characters, song, fights and plenty of table banging.”

Defining Old York Theatre’s theatre style, Charlie says: “It’s theatre of myths and legends, legacy and mortality. We’re not focused on history; it’s storytelling about larger-than-life heroes and gods and focusing on their stories. Ultimately, we want people to come and have a good time and leave with a smile on their face.

“We tell the story in a mixture of styles, with moments of mythological verse and also modern language. It’s a mash-up to match the clash of two worlds, and every show will be different because each audience will add a unique element with their own story.

“It’s a performance that’s rooted in history and myth but lives and breathes today – and York is the perfect place to stage it because this is a city where history does live and breathe and you  can experience the legends of times before.”

Born in Londesborough, in the Wolds, and raised in Hull, Charlie has been drawn to York since regular weekend family trips in his childhood. “It really does feel like home every time I come to the city. Even as a young child, it captured my imagination. From the city walls to historic pubs, you think, ‘who has walked these walls, these streets?’, ‘who has sat before in these pubs?’. It’s a city that cannot deny its history.”

Charlie Blanshard in his Viking film Snake-In-The-Eye

Old York Theatre’s motto is “Theatre company rooted in Yorkshire, for the world. Anywhere, anytime, any place”. Hence February’s debut mini-tour headed  to a great hall, a cabaret bar, a cocktail bar and a pub.

“We hope to expand on that,” says Charlie. “We also want to appeal both to people who’ve been to a theatre a thousand times and those who’ve never been. So we want to break down barriers for people to go to a theatre show, as well as those who go to see Chekhov and Shakespeare, which is why we’re doing the play in cocktail and cabaret bars.”

Living in Hull on his return from London, Charlie has worked with Middle Child theatre company, based in Hull Town, and now with Old York Theatre. “I want to make work for the north,” he says. “The northern theatre scene called me back to make new theatre, bringing northern stories to northern audiences and breaking dwon that barrier of theatre being London-centric.”

Since that February tour, Charlie has appeared in York community arts collective Next Door But One’s May tour of Sarah McDonald-Hughes’s How To Be A Kid to primary schools, bookended by public performances at York Explore and Friargate Theatre, York. He played six-year-old Joe, a dinosaur-fixated dreamer, in a story of family, friends and fitting in, built around a study of young carers, mental health and social care.

Old York Theatre in Jorvik, Barley Hall, Coffee Yard, York, July 25 and 26, 7pm. Box office: yat.digitickets.co.uk/tickets

Charlie Blanshard’s Joe in Next Door But One’s How To Be A Kid in May. Picture: James Drury

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REVIEW: Next Door But One in How To Be A Kid, next stop Friargate Theatre, York 17/5/2025, 12 noon and 3pm

Tucking in: Becky Heslop’s Molly and Charlie Blanshard’s Joe with George Green’s Mum in Next Door But One’s How To Be A Kid. All pictures: James Drury

First published on May 16 2025

YORK community arts collective Next Door But One has been touring How To Be A Kid to primary schools and Out Of Character at York St John University this week, bookended by public performances at York Explore and Friargate Theatre.

CharlesHutchPress was among the audience of adults and children at the first of two shows in the Marriott Room, a regular, wood-panelled location at York Explore for NDB1’s work.

Sarah McDonald-Hughes’s hour-long play for seven to 11-year-olds and their grown-ups has its roots in a Paines Plough premiere in London, but as ever with NDB1, associate director Kate Veysey’s production has been informed, indeed influenced and rubber-stamped by working with communities with lived experience of the subject. In this case, young carers, young people in care and the Out Of Character theatre group, whose members have experience of mental health issues.

Hence NDB1 has teamed up with Our Time Charity to raise awareness of mental health, young carers and those in care. A play can go only so far. Our Time Charity can go further.

Becky Heslop’s Molly and George Green’s Taylor in How To Be A Kid

McDonald-Hughes’s story of family, friends and fitting in certainly plays its part in highlighting the work of a group that often goes unspoken, maybe even unknown: young carers. Young carers such as Molly (played by Becky Heslop).

She is 12 years old; her dinosaur-fixated dreamer of a kid brother, Joe (Charlie Blanshard), is six. When, spoiler alert, Nan (George Green) dies, Mum (Green again) is so grief stricken, she becomes house-bound, even bed-bound. 

Molly must cook, do the dishes, make sure Joe brushes his teeth, get him ready for school, find time for homework and look after Mum. How can she still be a child under such duress?

At one point, Joe is packed off to live with his dad; Molly, meanwhile, is placed in a care home for six weeks, where she befriends Taylor, soon her bestie with a mutual love of dancing.

Charlie Blanshard’s Joe lets out a dinosaur roar in How To Be A Kid

Scenes are short, likewise sentences are snappy, to make revelations even more startling. Character changes are no less swift, with the impressively diverse George Green being the quintessence of multi-role-playing: at the last count, nine! Namely, Taylor/Abby/Mum/Nan/bus driver/social worker Michelle/teacher Miss Johnson/monosyllabic McDonalds  worker/swimming pool cleaner. Everything’s gone  Green, to borrow a 1981 New Order song title.

And yes, you read that right: swimming pool cleaner. Under Kate Veysey’s direction, How To Be A Kid enters a world of magic realism where Molly is at the wheel of a car, Joe beside her, in his dinosaur top, as they head off to the baths, closed at night to the public, yet magically open to them.

Veysey, whether working with Youth Theatre Royal Youth Theatre or now with NDB1 and Out Of Character, has a way of making theatre work for young and older alike, and here she elicits delightful performances from the chameleon Green, Heslop’s resourceful Molly and Blanshard’s ever-imaginative Joe, as full of wonder and humour as pathos and bewilderment.

Why should we see How To Be A Kid, CharlesHutchPress asked the cast. “Because it’s a beautifully epic, hilarious adventure rooted in reality,” said Blanshard.

“It’s fun, it’s honest and it’s playful,” says How To Be A Kid actress Becky Heslop

“It’s fun, it’s honest and it’s playful. They are the three words to describe it – and there’s lots of cake and dinosaurs and dancing,” said Heslop. “It turns a light on grief, mental health and carers in a positive way.“

“I think it’s fun that means something, an hour of escapism, where you learn something, but not in a preachy way,” said Green.

Your reviewer couldn’t have put it better, so take their word for it. How To Be A Kid is child’s play with a serious message, one that states how everything can be changed by communication. In this case by talking with mum, not staying mum.

Make that two messages, because McDonald-Hughes places great store in the power of imagination and creativity in pursuit of joy and hope. In a nutshell, the tools of theatre.

Box office: ticketsource.co.uk/whats-on/york/friargate-theatre/how-to-be-a-kid/.

Next Door But One’s poster for How To Be A Kid

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REVIEW: Next Door But One in Hospital Doors, Theatre@41, Monkgate, York ****

Christie Peto’s Jo , left, Evie Jones’s Sam and Ian Weichardt’s Andi in Next Door But One’s Hospital Doors at Theatre@41, Monkgate, York. Picture: James Drury

YORK community arts collective Next Door But One co-created Hospital Doors over 18 months in workshops with community groups of LGBTQ+ young people and adults, unpaid carers and disabled people.

Artistic director Matt Harper-Hardcastle’s resulting 75-minute play filters that research into a fractious family drama built on intersecting conversations on disability, sexuality, illness, care and death.

When their father falls ill, estranged siblings Jo (Christie Peto), Andi (Ian Weichardt) and Sam (Evie Jones) find themselves thrown together for the first time in years. Assumptions are shattered, revelation by revelation, as they grow to know each other anew.

Writer-director Matt Harper-Hardcastle in the rehearsal room for Next Door But One’s Hospital Doors

Harper-Hardcastle structures his contemporary drama as a three-hander that explores the sibling relationship from their contrasting perspectives, building the full, three-dimensional picture out of all the chaos of their childhood and adult years.

Peto’s Jo is the disgruntled elder sister, who at 16 took over looking after her disabled sister Sam (Jones) when their mother died. She is filled with resentment towards gay brother Andi (Weichardt), who has been absent for six years, not there to help with caring for their ailing father, having left the home and a stifling environment where school bullies had called him ‘poofter’ and his homophobic father ridiculed him as “Andi Pansy”.

In turn, Jones’s Sam has had to cope with disability, walking with a stick after an accident, and sensing her father’s shame at having a disabled daughter, like when he took away her stick for photos for the family album. She has had to live with people always looking at Jo, rather than her, when matters are being discussed. Now she is embroiled in the labyrinthine bureaucracy of PIP (Personal Independence Payment) negotiations too.

Christie Peto’s Jo taking centre stage in Next Door But One’s premiere of Hospital Doors. Picture: James Drury

Harper-Hardcastle writes with candour, humour and insight, great understanding too, reminiscent of both Mike Leigh and Ken Loach in documenting modern-day family dynamics within the impact of the wider society framework, with its prejudices, its moral minefields, its bigotry and belligerence.  

This story of home truths and days, even years, away from home, is full of pain, grief, anger, but also, in Harper-Hardcastle’s own words, “the joy that can be found in the mundane efforts we all make to understand those we love”. Therein lies the hope in an ending that asks the last of the play’s big questions.

The theatrical style is intimate, chamber sized, with only three red chair, symbolic of its small scale but with a big impact, like in John Godber’s early kinetic comedies. The focus is on the to and fro of the dialogue, the performing style being equally frank and no-nonsense.

Playing games: Evie Jones’s Sam presents the family Monopoly set to Ian Weichardt ‘s Andi as Christie Peto’s Jo looks miffed in Hospital Doors. Picture: James Drury

Props are minimal but deeply significant, never more so than when each sibling brings a game or toy from childhood days with sustained symbolism, such as Andi being the missing piece from his jigsaw. (Sam chooses Monopoly; Jo, Buckaroo.)

Stella Blackman’s set design of see-through string curtains and doorways evokes what Harper calls “fleeting, transient places” for conversations in hospital corridors, over garden walls and on the phone. Lara Jones’s sound design, Jessie Addinall’s lighting design and Amelia Hawkes’s video projections bring modernity to the Sixties’ kitchen-sink drama conventions of the subject matter, peaking with a fevered mash-up of sound and vision to match the splintered emotions.

Next Door But One prides itself on being an inclusive company, typified here by the use of Hawkes’s creative captioning, displayed above the set design. You might find yourself comparing the printed wording with the more flexible interpretation by the cast, but for your reviewer it reinforces the punching power of Harper-Hardcastle’s text.

Next Door But One presents Hospital Doors, Theatre@41, Monkgate, York, tonight at 7.30pm; tomorrow at 2pm and 7.30pm. Box office: tickets.41monkgate.co.uk.

Next Door But One’s poster for Hospital Doors

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Next Door But One address disability, LGBTQ+ sexuality, illness, care and death in Hospital Doors premiere at Theatre@41

Ian Weichardt, Christie Peto, centre, and Evie Jones rehearse Hospital Doors under the watchful eye of writer-director Matt Harper-Hardcastle. Picture: James Drury

NEXT Door But One’s new production, Hospital Doors, shines light on the lived experience of disabled, LGBTQ+ and unpaid carer communities in York in next week’s premiere at Theatre@41, Monkgate, York.

On joining Arts Council England’s Investment Programme in 2023, the York community arts collective set an ambition of creating a new play that intertwined the real-life stories of three of their long-standing community collaborators.

Since then, chief executive officer and artistic director Matt Harper-Hardcastle has been running workshops with disabled, LGBTQ+ and unpaid carer groups to produce a script that explores the uniqueness and commonalities from across these identities.

After 18 months of development, Hospital Doors will meet an audience for the first time from March 12 to 15 in a limited series of public performances at Theatre@41.

“I cannot wait to share Hospital Doors,” says Matt. “It really feels like a flagship production for Next Door But One.

“It epitomises our whole ethos and approach to creating theatre; putting the community first, involving them from day one and staging exciting and compelling stories which amplify often overlooked or unheard voices.”

As well as Hospital Doors being an artistic ambition for Next Door But One, the show is a personal investment for Matt. “My own identity has an affinity to all three community groups, so to be able to bring my full self into this process and align my own lived experience with that of all the participants involved has been a really special one. And I think it has made the script even more compelling and relatable,” he says.

Evie Jones, left, and Christie Peto will make their Next Door But One debut in Hospital Doors at Theatre@41, Monkgate. Picture: James Drury

Matt’s play follows three estranged siblings who are thrown together for the first time in years when their dad falls ill. Peppered with the humour of family life, Hospital Doors offers a window into intersecting conversations about disability, sexuality, illness and care, all held within the same, chaotic family frame.

This intimate show, set in fleeting, transient places – in corridors, over garden walls, on phone calls – is stacked with questions and reflections of modern family dynamics, and the joy that can be found in the mundane efforts we all make to understand those we love.

Hospital Doors promises to be visually striking, with set and costume design by Stella Backman and Hull-based team Jessie Addinall and Amelia Hawkes contributing an ambitious lighting, video and creative caption design.

Producer Joshua Goodman says: “The team we have formed to create Hospital Doors are bringing so much skill and passion to the production that we are certain we can bring a memorable experience to our audiences, but the final performance isn’t where this all ends.”

The one-act play will be followed by a Playback Theatre performance on several dates, when the audience will be encouraged to stay on to share their own stories inspired by the play. These will then be improvised by a team of specialised performers and musicians.

“We know that a lot of our audiences appreciate time and opportunity to reflect on what they have just watched, and this will facilitate that,” says Joshua. “It will also help us to better understand our work and what resonates with people, which will only benefit the future of our work and ensure any developments remain informed by our community.”

Hospital Doors writer-director and Next Door But One chief executive officer and artistic director Matt Harper-Hardcastle

Here, writer-director Matt Harper-Hardcastle discusses Hospital Doors with CharlesHutchPress.  

What did the research and development (R&D) for this play involve over 18 months, Matt?

“We started by asking three of our community groups – disabled adults, LGBTQ+ young adults and unpaid carers – what a play that was representative of them would look like.

“From there we ran workshops on characterisation, creative writing and improvisation to shape the narrative, with every workshop focused on what they wanted Hospital Doors to say.” 

How did you turn that research into a play?

“It was a purposefully gradual process, which started with an exchange of stories from across the different communities to find common ground, leading to an anthology of stories, poems, mood boards, Venn diagrams, pictures and transcriptions that I then formed into some initial scenes.

“These scenes went back to the groups who ‘red penned’ them or improvised around them to create more detail. This back-and-forth process went all the way through 2023 until we produced a rehearsed reading for all our community members to come to, provide feedback on and ‘sign off’, as it were.”

How have your own experiences influenced your writing of this play?

“They have really shaped the writing. As a gay, disabled man who shared caring responsibilities for my mum before she died, everything that was shared with me in the research & development I felt an affinity and empathy towards.

“It’s very rare that as a writer you get to bring so many facets of your identity into one script, so I’ve not only relished in the process, but also felt a great sense of responsibility.” 

At the heart of NDB1’s mission is working with the community, with this production being the epitome of that work. Is that why you call it your “flagship show”?

“Absolutely. When we joined Arts Council England’s Investment Programme, one of our artistic ambitions was to look at how we could tighter braid the participation and performance strands of our work together; how we could work with our communities to create performances that then shared their experiences with wider audiences.

“It all connects – and Hospital Doors is a really thorough and public display of our commitment to this.”

Aside from filmmakers Mike Leigh and Ken Loach, it is hard to think of British writer-directors who would address these subjects so directly: disability, sexuality, illness & care and death. How come you discuss all four in one play?

“It can sometimes feel quite blinkered to make a show that is only about one subject or one identity, because in truth we don’t exist as a silo. A show about disability would naturally bring in conversations of relationships, as it would care, and so rather than ignoring that we looked at it intentionally.

Ian Weichardt and Evie Jones in rehearsal for Next Door But One’s Hospital Doors. Picture: James Drury

“And in doing so, by placing these seemingly very different identities side by side, actually what it does is amplify them all and support a richer discourse in the very complex commonalities between them.

“Put it simply, our work exists to bring people together and that’s what we are hoping to do via this approach with Hospital Doors.”

Are all the cast – Christie Peto, Ian Weichardt and Evie Jones – new to Next Door But One?

“Yes – which is great, as we love working with new artists! We put a lot of effort into casting for this show, not only because we needed to form a trio of siblings, but also we really wanted to be as authentic as possible to our communities and therefore we sought actors who had a shared lived experience with our communities and therefore the characters.

“All three actors care very much about the play and what we are trying to achieve, but also have a wicked sense of humour which is making rehearsals very fun indeed. Ian is originally from York, Christie is from Leeds and Evie is a University of York alumnus.” 

What strikes you as the best benefit of performing in the black box space of the John Cooper Studio at Theatre@41, Monkgate?

“We held our rehearsed reading there in 2023, so it feels like we are coming full circle, but also it’s the intimacy of the space, which we really wanted for Hospital Doors. We want the stories, the characters, the words and the emotions to be almost tangible to our audiences.” 

What part will the set and video design, lighting, creative captions and sound design play in the show?

“We are condensing huge topics and hundreds of stories into a one act three-hander, so the design helps to bring in the epic scale of that mission! All of the design helps to paint the wider world of the play, show us the characters’ pasts, bring life to their memories and help us understand how much they are revealing or concealing.

“The creative captioning not only increases access to the performance, but also puts the important stuff front and centre – the words and stories handed to us by our community.”  

What happens next to Hospital Doors? Maybe a full tour?

“This is definitely not the end of Hospital Doors. We could R&D it forever, but we needed to decide when to put down the pen and share it with an audience. That is now. What we learn from this, what we find resonates with or speaks to our audiences, will shape another future iteration that will then tour.” 

What do Playback Theatre performances involve?  When will they take place in the York premiere run?

“Playback Theatre will be our Act 2. Audiences who have watched Hospital Doors will be invited to stay and share their own stories, inspired by the play, and then watch them spontaneously performed by a team of actors.

“Our actors care very much about the play and what we are trying to achieve, but also have a wicked sense of humour which is making rehearsals very fun indeed,” says writer-director Matt Harper-Hardcastle of Evie Jones, left, Christie Peto, right, and Ian Weichardt. Picture: James Drury

“This aims to give our audiences more time to reflect on what they have watched, connect with the play more and also understand what others have in common with it too.

“Also hearing the stores that Hospital Doors evokes in our audiences will help us understand the real moments of resonance and therefore how we should develop the play in the future. Playback Theatre will accompany all performances except the Thursday matinee and Saturday evening.”

How has NDB1 progressed in the company’s nine years? What fills you with the most pride?

“A lot has changed since we started; we’ve grown in size, in reach, in skill, in profile, in impact, but what has stayed the same is our values of what we do and why we do it. Even in the toughest of times these haven’t faltered and have always been our driving force. So I’m really proud of that.

“There are too many moments to think of that I’m most proud of, but I always have an anecdote from a recent project in my back pocket that I like to share that I think epitomises our work.

“The one I’m currently sharing a lot is from a carer who attended our Arts and Loss workshops. She recently lost her partner and was heavily in the throes of grief. At her first workshop, she cried a lot but wanted to stay, safe in the space we had created.

“Slowly she started to share her story. She then started using her experience to offer advice to others. She enjoyed being creative with new friends. At the end of the project, she gave me a hug and whispered ‘this is the happiest I’ve been all year’.

“It’s those moments – and there are many more like it – which are priceless, get me up in the morning and make me immensely proud of what NDB1 does.”

Next Door But One presents Hospital Doors at Theatre@41, Monkgate, York, March 12 to 15. Performances:7.30pm, except March 13, 7pm; 2pm matinees, March 13 and 15. Box office: tickets.41monkgate.co.uk.

Hospital Doors cast and creative team:

Actors: Christie Peto, Ian Weichardt, Evie Jones

Writer and director: Matthew Harper-Hardcastle

Designer: Stella Backman

Video, lighting and creative captions designers: Amelia Hawkes and Jessie Addinall

Sound designer and composer: Lara Jones

Company and stage manager: Jane Williamson

Next Door But One: the back story

OVER the past nine years, York community arts collective Next Door But One has been creating touring productions inspired by the lived experience of the communities from across their arts participation programme.

This has included Operation Hummingbird’s exploration of themes of bereavement and care; The Firework-Maker’s Daughter, created in partnership with neurodivergent young people and their families, and their most recent tour, She Was Walking Home, shaped from the real-life testimonies of 33 women living, working and studying in York.

Next Door But One’s poster for Hospital Doors, next week’s production at Theatre@41, Monkgate, York

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Next Door But One receives ‘life-changing’ £20,000 after winning Sky Bet Ebor Festival Community Sweepstake

Next Door But One artistic director Matt Harper-Hardcastle, left, receives the “life-changing” £20,000 cheque from Sky Bet’s Steve Birch after winning the Sky Bet Ebor Festival Community Sweepstake at York Racecourse

MATT Harper-Hardcastle attended York Races for the first time on Saturday and headed home with £20,000…without placing a bet.

To explain, Matt is the artistic director and chief executive officer of York community arts collective and charity Next Door But One (NDB1), who won the Sky Bet Ebor Festival Community Sweepstake.

As part of the joint initiative between York Racecourse and Sky Bet, the sweepstake rewards good causes from across Yorkshire in acknowledgement of their hard work within the community. Each shortlisted charity was awarded a £1,000 donation to put towards a project or initiative.

This year, more than 150 entries to the sweepstake were made, leading to a final shortlist of 22, each allocated a runner in the 3.35pm Sky Bet Ebor Handicap from the sweepstake draw.

From a ceremony shown live on TV at the Knavesmire course on Thursday, Matt drew the horse names from one tombola; Pam, from Hull & East Riding Breast Friends, the charities from the other.

Matt turned out to have the magical touch, having drawn Magical Zoe for NDB1. Trained by Henry de Bromhead and ridden by Billy Lee, the hurdler-turned-flat racer lived up to being the favourite in the betting by finishing first past the post, a victory that brought NDB1’s £20,000 grand prize. Second place went to The Clothing Bank with Menfulness taking third, securing £5,000 and £2,000 respectively.

Next Door But One, an award-winning LGBTQ+ and disability-led theatre company, delivers a programme focused on workshops and performances for and with cohorts of the community with disabilities, mental ill health, unpaid carers, women from lower socioeconomic backgrounds and LGBTQ+ individuals.

In the wake of Magical Zoe’s triumph, a delighted Matt said: “This is the first time I’ve ever been to the races, so the fact that we’ve come away with £20,000 for the charity is absolutely amazing. This donation has meant that we’ve already reached our funding target for the year, which will continue to be hugely beneficial into 2025.

Next Door But One’s leadership team: creative engagement manager El Stannage, left, producer Joshua Goodman, artistic director Matt Harper-Hardcastle, associate director Kate Veysey and communications coordinator Anna Johnston

“The donation will be used for our participatory arts programme for marginalised communities. For every £20 invested, we’re able to provide a whole year’s worth of free and inclusive arts engagement for one person, so this means we’re able to make a difference to so many. The whole team would like to thank York Racecourse and Sky Bet for their support. It really is a life-changing amount of money.”

James Brennan, head of marketing and sponsorship at York Racecourse, added: “The Ebor always proves to be a very special event in our racing calendar, and 2024 proved no different as we saw Billy Lee ride to victory.

“Hosting the shortlisted good causes is always a pleasure, and we’re looking forward to following their journeys and seeing how they utilise the valuable donations they receive.”

Michael Shinners, head of sports PR at Sky Betting & Gaming, concluded: “A huge congratulations to Next Door But One, The Clothing Bank and Menfulness for placing in our community sweepstake.

“The Sky Bet Ebor Festival Community Sweepstake is an annual highlight for us, as we learn about all the amazing work that our charities and good causes support across the Yorkshire region. We hope that our donations for all of those shortlisted go a little or a long way in helping them continue their great work.”

The final 22 shortlisted Yorkshire charities, foundations and community groups were:

Active Independence; Beverley Community Lift; BIADS – Barnsley Independent Alzheimer’s and Dementia Support; Day One Trauma Support; Declan John Foundation; Hornsea First Aid Centre; Hull 4 Heroes; Hull and East Riding Breast Friends; Just ‘B’; Menfulness; MySight York; Next Door But One CIC; Noah’s Ark Centre; Norton Hive Library and Community Hub; Overgate Hospice; Rotherham Cancer Care; Sheffield Mencap and Gateway; Sheffield Steelkings Para Ice Hockey Club; The Clothing Bank; Friends of Rowntree Park, York; The Rainbow Centre, Scarborough, and Yorkshire’s Brain Tumour Charity.

James Brennan said: “As with every year, we have seen so many worthwhile entries to the sweepstake. Choosing 22 from this extensive list is never easy but the final runners reflect a diverse group of worthy causes from across the region.

“The Sky Bet Ebor Festival is the highlight of our racing calendar with this initiative an important part of proceedings.  We always look forward to hosting the shortlisted contenders and to showcasing the amazing work they all do.”

Representatives from the 22 shortlisted Yorkshire charities, foundations and community groups for the Sky Bet Ebor Festival Community Sweepstake at York Racecourse on Saturday
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Next Door But One takes next steps to help creative talent with The Producing Hub

Next Door But One’s leadership team: creative engagement manager El Stannage, left, producer Joshua Goodman, artistic director Matt Harper-Hardcastle, associate director Kate Veysey and communications coordinator Anna Johnston

HOT off winning two York Enterprise Awards, Next Door But One is launching The Producing Hub to expand its provision of professional development for creative talents in the city.

Over the past year, the York community arts collective has supported 68 performing arts professionals to nurture their skills and achieve career goals through a series of workshops, one-to-one mentoring and by providing micro-commissions for new work, such as the Yorkshire Trios showcase at York Theatre Royal Studio in late-March.

“Seventy-five per cent have started a new project or developed an existing one; 68 per cent have applied for and secured new jobs or commissions; 50 per cent have applied for funding for their work, and have showcased that work too,” says Next Door But One (NDB1) chief executive officer and artistic director Matt Harper-Hardcastle.

“As one participant described their involvement: ‘The biggest impact from engaging in NDB1’s professional development is how much confidence I’ve gained. I’ve since secured further professional work, I have less imposter syndrome and feel like I belong in this industry.

“The experience of working with NDB1 made me feel validated that I have the skill to pursue acting professionally, and what my USP [unique selling point] is in the industry. I’m able to effectively communicate what I can offer the industry and NDB1 has been instrumental in helping me understand this’.”

James Lewis-Knight, artistic director of Clown Space, recipients of Next Door But One support for professional development

Matt reflects: “We’ve always said that NDB1 is a place where creatives can hang their hat. Being a freelance artist can often feel very lonely, isolating and a bit discombobulating,” he says. “We saw this acutely during Covid. As the world started to open up again following the pandemic, we had an influx of local creatives getting in touch for advice.

“Sixty-seven per cent had had a large proportion of their work cancelled; 50 per cent had struggled to secure the same amount of work since; 42 per cent had considered leaving the industry and their chosen career altogether, and 58 per cent have felt a significant disconnection from the industry as a whole. Local freelancers are the lifeblood of NDB1’s work, so we knew we had to do something about it.”

Since those shockwaves of 2021, NDB1 has provided 28 micro-commissions to writers, directors and actors, run three programmes of professional development workshops, a full year’s coaching for emerging companies and countless one-to-ones with York artists to provide bespoke advice and signposting.

“Now we are launching our most ambitious and robust programme of support for creatives through The Producing Hub Next Door But One,” says Matt. “‘It’s a way to pull together and formalise all the responsive support we’ve been providing into something we can really shout about and invite more people into.”

Firstly, backed by funding from City of York Council (through the UK Shared Prosperity Fund) and Arts Council England, over the next year NDB1 will provide producing support for Thunk-It Theatre’s next tour of New Girl and for the company development of Clown Space, the York company run by professional clown James Lewis-Knight and Emily Chattle that specialises in teaching clowning, full mask and physical theatre.

“Clown Space are at a point where they need support with their creative business plans, vision values and funding mechanisms,” says Matt.

Creative 1:1s. Seed Funding.Seminars. Next Door But One has help and advice on hand for York arts talents

Thunk-It Theatre artistic director Becky Lennon says: “We are thrilled to be joining The Producing Hub. We’ve been lucky to be supported by NDB1 since we first began in 2020 and are excited to be co-producing our now Arts Council England-funded production, New Girl, this autumn with the wonderful support from the NDB1 Team.

“The Producing Hub is a great way for us to learn how to produce our own work in a supported professional set-up. We cannot wait to see how we develop with the amazing backing from the team.”

Secondly, in partnership with York Theatre Royal, NDB1’s Opening Doors will return from November 2024 to provide a series of free professional development workshops built from the needs expressed by York creatives.

“We’re also really excited to take our informal one-to-one surgeries and the ‘cuppa catch-ups’ we regularly have with creatives to provide regular opportunities for creatives to sit with members of the NDB1 team and get the advice they need,” says Matt.

NDB1 associate director Kate Veysey adds: “I think it’s down to our approachability, but we regularly have creatives getting in touch to ask our advice on new projects, to look over applications and even just to be a friendly face to artists who are new to the city.

Thunk-It Theatre in New Girl: Receiving Next Door But One support for next tour

“We really see the value in these quick, responsive interventions and happily go offering space, support and coffee, but as a small team ourselves we were reaching capacity.

“From September, however, NDB1 will be offering bookable slots around the city, for York creatives to set the agenda and receive the headspace of our leadership team on whatever is needed.”

This 1:1 service has been made possible with a grant from YOR4Good, partnering with the University of York’s School of Arts and Creative Technologies, and with the support of Explore York library service and Theatre@41, Monkgate.

Kate continues: “We’re excited by this as we can offer seed funding to support creatives to overcome particular barriers to their desired career progression. This could be affording fees for training courses, hiring space to have a table-read of a new script or even covering access costs to take up new opportunities.”

In addition, a casting call is open until September for NDB1’s May 2025 production of How To Be A Kid. “We’ll be casting from new graduates from the past two years, who’ll do a three-week rehearsal process, incorporating professional training as part of a touring production, with advice on, for example, acquiring professional headshots and talking to casting agents,” says Matt.

To stay up to date with these opportunities and to learn how to engage NDB1’s services, creatives are advised to sign up to the mailing list and fill out Expression of Interest forms, available via the website: nextdoorbutone.co.uk.

Double winners: Kate Veysey, second left, El Stannage, Matt Harper-Hardcastle amd Anna Johnston, of Next Door But One, with Warrick Dent, left, from LNER, after receiving the Community Changemaker and Inclusive Business awards at the 2024 York Enterprise Awards. Picture: Alex Holland
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More Things To Do in York and beyond from March 23 onwards. What springs up in Hutch’s List No 13, from The Press?

Adam Kay: If laughter is the best medicine, head to the Grand Opera House

SHORT plays, doctor’s tales, pop memories, life 11,000 years ago, women in word and song, egg hunts and a Sondheim celebration put the spring into Charles Hutchinson’s step as a new season arrives.

Doctor in the House: Adam Kay: Undoctored, Grand Opera House, York, March 23, 7.30pm

BILLING himself as “the nation’s twelfth-favourite doctor”, This Is Going To Hurt author Adam Kay follows a record-breaking Edinburgh Fringe run and West End season with a tour of tales from his life on and off the wards.

Expect Kay’s ‘degloving’ story to feature “because people ask for refunds if they don’t hear it”. Post-show, he will be signing books. Last few tickets: atgtickets.com/york.

Navigators Art & Performance’s poster for GUNA: Views and Voices of Women at The Basement

Navigators Art & Performance presents: GUNA: Live!, Views and Voices of Women, The Basement, City Screen Picturehouse, York, March 23, 7pm

TO complement Navigators Art & Performance’s City Screen exhibition for International Women’s Week, the York arts collective hosts an inspiring evening of music, spoken word and comedy that explores, celebrates and promotes the creativity of women and non-binary artists. 

The line-up of mostly York-based performers features poets Danae, Olivia Mulligan and Rose Drew; performance artist Carrieanne Vivianette; global songs and percussion from Soundsphere; original music from Suzy Bradley; comedy from Aimee Moon and a rousing appearance by multi-faceted York musician and artist Heather Findlay. Box office: bit.ly/nav-guna.

Lush stories: Miki Berenyi’s book, Fingers Crossed, under discussion at York Literature Festival

Book of the week: Miki Berenyi In Conversation: Fingers Crossed, York Literature Festival, The Crescent, York, March 24, 3pm

MIKI Berenyi, former lead singer, rhythm guitarist and founder member of London shoegaze/dream pop band Lush discusses her memoir, Fingers Crossed, and her career, recounting her experiences as a trailblazing woman fronting a seminal late-1980s group. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Livy Potter: Performing in Paul Birch’s Running Up That Hill in Yorkshire Trios at York Theatre Royal

York theatre event of the week: Yorkshire Trios, York Theatre Royal Studio, Tuesday and Wednesday, 7.45pm, both sold out

YORK company Next Door But One brings together York actors, writers and directors to produce original, short pieces of theatre, five to 15 minutes in length, on the theme of Top Of The Hill. Cue tales of motherhood, grief, love, war and even Kate Bush.

Badapple Theatre’s Kate Bramley and Connie Peel direct Nicola Holliday in Sarah Rumfitt’s Toast; Livy Potter performs Paul Birch’s Running Up That Hill under Harri Marshall’s direction; Jacob Ward directs Claire Morley in Yixia Jiang’s Outliving and Bailey Dowler appears in Jules Risingham’s Anorak, directed by Tempest Wisdom. Box office for returns only: 01904 623568 or yorktheatreroyal.co.uk.

Curators Andrew Woods, left, Adam Parker and Emily North with Mesolithic remains of a wooden platform and materials used for fire-making in the Yorkshire Museum’s Star Carr exhibition. Picture: Anthony Chappel-Ross

Exhibition opening of the week: Star Carr: Life After The Ice, Yorkshire Museum, York; open Tuesday to Sunday, 10am to 5pm

EXCAVATED in the Vale of Pickering, the Star Carr archaeological site provides the first evidence in Great Britain of the beginnings of home, a place where people settled and built places to live.

The Yorkshire Museum’s interactive exhibition brings together artefacts from “the Mesolithic equivalent of Stonehenge” to give an insight into human life 11,000 years ago, a few hundred years after the last Ice Age, such as how they made fires. On display are objects from the Yorkshire Museum Collection, from antler headdresses and a decorated stone pendant to the world’s oldest complete hunting bow and the earliest evidence of carpentry from Europe. To book tickets, go to: yorkshiremuseum.org.uk.

Sam Hird: Singing Sondheim with Pick Me Up Theatre

Musical revue of the week: Pick Me Up Theatre in Sondheim We Remember, Theatre@41, Monkgate, York, March 27 to 30, 7.30pm plus 2.30pm Saturday matinee

ROYAL College of Music student Sam Hird returns home to York to join his father Mark Hird in the Pick Me Up Theatre company for Sondheim We Remember’s selection of music from Stephen Sondheim’s Broadway shows, film scores and television specials.

Taking part too in this celebration of the New York composer and lyricist will be show director Helen ‘Bells’ Spencer, Susannah Baines, Emma Louise Dickinson, Alexandra Mather, Florence Poskitt, Andrew Roberts, Nick Sephton, Catherine Foster and Matthew Warry. Box office: tickets.41monkgate.co.uk.

The National Trust’s guide to Easter activties, egg hunts et al, at Nunnington Hall

Easter Egg Hunt of the fortnight: Nunnington Hall, Nunnington, near Helmsley, today until April 7, 10.30am to 5pm; last entry, 4.15pm.

FAMILIES can enjoy a fun-packed visit to the National Trust property of Nunnington Hall throughout the Easter school holiday, when children can take part in an Easter egg hunt trail around the freshly mown garden, with activities to be completed such as an egg and spoon race, archery and boules, before receiving their egg.

Children can enjoy drawing and painting in the creative hub; take part in seed planting in the cutting garden; explore the Lion’s Den play area, with its obstacle course, rope bridge and climbing frame; learn about composting and spend time in the bird-watching area. On March 31 and April 1, additional garden activities include races on the main lawn and bird-feeder making. Tickets: nationaltrust.org.uk/nunnington-hall.

Wet Wet Wet and special guest Heather Small: Teaming up at York Barbican in 2025

York gig announcement of the week: Wet Wet Wet & Heather Small, York Barbican, October 13 2025

WHEN Wet Wet Wet headlined a festival in Dubai, who should they bump into but Heather Small, the big voice of M People. She duly accepted their invitation to be the special guest at all dates on their 2025 tour.

Wet Wet Wet will be returning to York Barbican after their January 31 2024 double bill with Go West on the Best Of Both Worlds Tour. In the line-up will be founding member and bassist Graeme Clark, long-standing guitarist Graeme Duffin and singer Kevin Simm, The Voice UK winner and former Liberty X member, who joined the Scottish group in 2018. Tickets: axs.com.york.

In Focus: Children’s show, Millennium Entertainment International in There’s A Monster In Your Show, York Theatre Royal, March 26 to 28, 1.30pm and 4pm

There’s A Monster In Your Show composer Tom Fletcher with his children, Buzz, Buddy and Max, and a monster puppet

THE Easter holiday festivities at York Theatre Royal kick off with Tom Fletcher’s new family musical There’s A Monster In Your Show.

Based on Fletcher and Greg Abbot’s Who’s In Your Book? picture-book series for Puffin, the 50-minute performance for three-year-olds and upwards is billed as an “interactive, high-energy adventure for big imaginations” that leaps from page to stage with the aid of lively original music

Adapted for the stage by Zoe Bourn and directed by Miranda Larson, the show features new music by McFly band member Fletcher and Barry Bignold. Expect playful fun aplenty for your littlest ones as their favourite characters come to life in a performance packed with interactive moments to enjoy together.

In the story, performers are preparing to start their show but quickly discover they are not alone on stage. Little Monster wants to be part of the fun too, promptly extending an invitation to his friends Dragon, Alien and Unicorn to join him. Cue comedy and chaos as they help to create a magical show, learning about the joy of books and friendship along the way.

Fletcher says: “I’m so excited to see There’s A Monster In Your Book come to life on stage. The whole journey is incredibly exciting. Theatre is such an important way to introduce children to the arts and There’s A Monster In Your Show is the perfect first theatre trip for pre-schoolers and their families. I’m so looking forward to seeing their reactions first hand.”

The 1.30pm show on March 28 will be a Relaxed Performance that aims to reduce anxiety around theatre visits to help everyone have an enjoyable time. All are welcome, but especially people with sensory or communication difficulties or a learning disability. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Exhibition launch of the week: Anita Bowerman, Newby Hall and Gardens and Other Yorkshire Scenes, Newby Hall, Skelton-on-Ure, from March 28

Anita Bowerman painting in the Newby Hall Gardens. Picture: Simon Dewhurst

HARROGATE artist Anita Bowerman’s exhibition Newby Hall and Gardens and Other Yorkshire Scenes is running at Newby Hall, Skelton-on-Ure, near Ripon, from March 28 to the end of June.

Taking inspiration from these magnificent North Yorkshire gardens, Anita has created a series of garden views for a solo exhibition in the Grantham Room, sited in the gardens.

She was invited to paint at Newby Hall after co-owner Lucinda Compton saw her as she painted the main border and house outside at the Autumn Harrogate Flower Show.

Newby Hall From The Gardens, by Anita Bowerman

“It all started when I was asked to paint the Newby Hall Gardens at the Autumn Harrogate Flower Show,” says Anita. “I painted the stunning, award-winning borders and the house. Crowds of people gathered around to watch me.

“I was in my element painting the entire border in my signature style, just using leaves, twigs and moss dipped into acrylic paint. I then added bees, butterflies and birds, such as the robin and heron, and the picture-perfect 17th Century house, with a brush.”

Anita was at Newby Hall in her capacity as  artist-in-residence for the Human Gardeners, where founders Sarah Owen-Hughes, head gardener at Rudding Park, and Faith Douglas, curator at Thorpe Perrow, interview people on stage about “all things nature and the people in the plant world” at both of the twice-yearly Harrogate Flower Shows. Anita speaks on stage and paints in the gardens at these events.

“It was an amazing privilege as I painted outside with just the birds, bees and birds and butterflies for company,” says Harrogate artist Anita Bowerman. Picture: Simon Dewhurst

Over the winter months, when Newby Hall and Gardens was closed to the public, she created a series of paintings that offers garden lovers a secret glimpse of the gardens’ seasonal life. 

“It was an amazing privilege as I painted outside with just the birds, bees and birds and butterflies for company,” says Anita, who chose to paint iconic, well-known views of the gardens.

“I’ve created five original paintings for this Newby Hall Collection: Newby Hall From The Borders; The Rock Garden; The Autumn Garden; The Prunus Cherry Plum Trees and Wild Narcissi. Over the summer, I’ll be painting here to add to the collection.”

The Rock Garden, Newby Hall, by Anita Bowerman

Each painting tells a story, says Anita. “I painted all these artworks outside on canvas, absorbing the atmosphere, colours, seeing and hearing wildlife. Sometimes sunny, sometimes rainy – it all adds to each painting.

“I love using bright colours, stemming from a career in fashion working for brands such as Liberty London as a buyer. The paintings I create are impressionistic.”

“Sometimes sunny, sometimes rainy – it all adds to each painting,” says Anita Bowerman. Picture: Simon Dewhurst

Anita continues: “Head gardener Lawrence Wright guided me around the gardens showing hidden locations to paint.  I loved every minute of this and feel proud of the work I have produced. Catch me painting in the gardens this year.”

Original paintings from the exhibition, limited-edition prints and cards are available to buy from the Newby Hall shop. Alternatively, visit Anita’s online shop at anitabowerman.co.uk, where all her artwork can be seen, or visit her Dove Tree Art Gallery, in Back Granville Road, Harrogate, by appointment on 07760 157046.

The Autumn Garden, Newby Hall, by Anita Bowerman

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Yorkshire Trios confirmed for Next Door But One’s theatrical showcase at York Theatre Royal Studio next March. Who’s taking part?

In the line-up for Next Door But One’s Yorkshire Trios in the York Theatre Royal Studio next March: top row, Sarah Rumfitt, left, Kate Bramley, Connie Peel and Nicola Holliday; second row, Jules Risingham, Tempest Wisdom and Bailey Dowler; third row, Yixia Jiang, Jacob Ward and Claire Morley; bottom row, Paul Birch, Harri Marshall and Livy Potter

AFTER receiving more than four times as many applications as commissions available, York theatre company Next Door But One has assembled the next band of Yorkshire Trios – and a quartet – for March 2024.

“That many applicants is a sign of a few things,” says chief executive officer and artistic director Matt Harper-Hardcastle. “Just the sheer amount of talent that is within the local area; that there’s still a need after Covid for local creatives to be supported to get their own work out there, and hopefully that we as a company are seen as approachable and that people want to connect with us.”

Through a series of micro-commissions, York actors, writers and directors are being supported by NDB1 to produce original, short pieces of theatre that celebrate their individual skill and creativity.

“The brief is to create a five to 15-minute solo performance that in some way responds to the overall theme of ‘Top of the Hill’, so this is already resulting in stories of motherhood, grief, love, war and even Kate Bush!” says Matt.

“The writers are working on their second draft after receiving dramaturgical support from our team, and then rehearsals will begin in the early new year.”

The artists taking part will be Sarah Rumfitt, Kate Bramley, Connie Peel, Nicola Holliday, Jules Risingham, Tempest Wisdom, Bailey Dowler, Yixia Jiang, Jacob Ward, Claire Morley, Paul Birch, Harri Marshall and Livy Potter.

“This version is really building on everything that we learned and achieved from the first time around,” says Next Door But One artistic director Matthew Harper-Hardcastle

They will be working towards a showcase of original performances at York Theatre Royal next March, with more details on performance dates and how to book tickets to be released in the new year.

NDB1’s inaugural 2021 showcase of Yorkshire Trios in the garden performance space of The Gillygate pub marked the first live show in York after the lifting of Covid restrictions.

“At the time, many local performing arts professionals were feeling disconnected from their artistry and were extremely anxious about the future of their careers,” recalls Matt.

“So we listened to their concerns and created a series of micro-commissions to form new collaborative trios of an actor, writer and director, from which original work could be produced.”

One 2021 creative described Yorkshire Trios as “a total lifeline; a lighthouse in a stormy sea”. “Since then, Next Door But One has supported a further 44 creatives with mentoring in such areas as job applications and funding bid writing,” says Matt.

Yixia Jiang: Writing Love Letters Before Dawn for Yorkshire Trios

“We’ve always wanted to be an approachable company where creatives can hang their hat. We really believe in investing in the York cultural ecology, so this new iteration of Yorkshire Trios sits alongside our professional development programme, Opening Doors, and our Company Coaching provision.

“That provision is giving quarterly business and peer mentoring to five arts-based companies, Thunk-It Theatre, Story Craft Theatre, Terpsichoring dance company, Moon Dust and CoCreate, each with a different focus and at different stages of their development.”

Looking forward to next March’s showcase, NDB1 associate director Kate Veysey says: “It was really encouraging and humbling to read people’s honest reflections on what Yorkshire Trios could do for them within the application process.

“Some who had never been able to showcase their work in their hometown, others who had faced challenges in creating a professional network or establishing their careers on their own terms, and others who really respected our work and wanted to align their practice with our values. We feel really confident in being able to offer solutions to these points through this project.”

Emerging writer Yixia Jiang’s play Love Letters Before Dawn will be performed by Claire Morley, directed by Jacob Ward. “Working with this group of amazing people in York gives me a chance to take a glance into the local theatre industry and help establish myself as a playwright here,” he says.

Bailey Dowler: Performing Jules Risingham’s Anorak

York actor Bailey Dowler will perform Jules Risingham’s Anorak under the direction of Tempest Wisdom. “I wanted to get involved with Yorkshire Trios because there’s a lot of local talent in York and this is a perfect opportunity to widen my creative circle,” says Bailey.

“I cannot wait to work so closely with a writer and director. It’s such a rarity to have a one-to-one experience in the rehearsal room and so I’m excited to collaborate together, creating beautiful theatre, fuelled with passion.

“Next Door But One has a fantastic support system and I’m looking forward to being mentored and learning more about the process of creating a play, from outside the eyes of an actor.”

Fellow actor Nicola Holliday will present Sarah Rumfitt’s Toast, directed by Kate Bramley, artistic director of Badapple Theatre Company, and Connie Peel. “Having heard from friends what an incredible and inclusive company NDB1 was to work with, I was eager for the opportunity and chuffed to bits to be cast in Yorkshire Trios,” says Nicola.

“As an autistic, full-time working parent, finding flexible inclusive work can be a challenge and being welcomed with open arms, kindness and understanding by the whole NDB1 team has been lovely.

Nicola Holliday: Performer for Sarah Rumfitt’s Toast

“Meeting my Yorkshire quartet, such a talented creative and passionate bunch of local folks, I cannot wait to see our piece grow and develop, to be really challenged as an actor and to make some more meaningful connections here in York.”

Writer Sarah Rumfitt says: “Yorkshire Trios has given me an opportunity to explore my own voice within writing, something I have had little time for since becoming a mum.

“Being a creative is incredibly rewarding but also at times lonely. After an initial meeting with NDB1 and the other trios, I already feel more connected and part of an exciting community of Yorkshire-based creatives.”

Co-director Kate Bramley adds: “I’m really delighted to be working with Next Door But One on a brand new short play and mentoring another young director to boot, which makes us a unique four-person ‘trio’! I’ll be very excited to get started in the New Year.”

The fourth Yorkshire Trio comprises writer Paul Birch, actor Livy Potter and director Harri Marshall, combining on Running Up That Hill, the Kate Bush one.

Now that all the Yorkshire Trios have been introduced to one another, they can start creating performances that “really reflect who they are”. “We’ve provided the stimuli of ‘Top of The Hill’,” says NDB1 creative engagement manager El Stannage. “Not only because it then provides an overall theme to the final performances, but also because it brings a bit of the NDB1 ethos into the process.

Writer Sarah Rumfitt: Toast pops up at Next Door But One’s Yorkshire Trios showcase

“As a team, we often talk about what it’s like for us at the ‘top of the hill’; what it looks like when we are at our best, and that’s really what we want to instil in our trios. We want to celebrate each of them and applaud the incredible talent in our area.”

Highlighting how the 2024 Yorkshire Trios will differ from 2021, Matt says: “This version is really building on everything that we learned and achieved from the first time around.

“We’ve scheduled our Opening Doors programme to run alongside Yorkshire Trios this year, so we can offer development workshops for all the actors, writers and directors. We’ve included additional mentoring or adapted roles to suit the desired outcomes of certain creatives.

“The showcase of work will be performed in the York Theatre Royal Studio so we’ll be able to include more aesthetic decisions. And finally, we’ve reduced the number of commissions this time around so that we can increase the commission sum so that it’s more reflective of the work and energy each creative puts into it.”

Matt is delighted that the chosen artists are so diverse in representing York’s arts community in 2024. “As a company we really lead with who we are, and as an LGBTQ+ and disability-led company, we call to others who want to do the same, or want to be in those same spaces,” he says.

“Then the more that happens, the more others see themselves represented in both the industry and on stage, which then calls to more people, and so the process continues. So, it was really important to us that we had a real diversity across our trios, both in terms of identity and also experiences/stages in their career.”

The 2024 Yorkshire Trios – and a quartet

Kate Bramley: Co-directing Sarah Rumfitt’s Toast

Toast by Sarah Rumfitt

Performed by Nicola Holliday and directed by Kate Bramley and Connie Peel

AFTER giving birth, the midwife brings you toast; simple, medium cut, white Hovis that’s done a quick dip in the toaster, barely browned, overly buttered but the best thing Becky’s ever tasted. If only she knew what was coming…she’d have asked for the full loaf. Following a year-long struggle with post-natal depression, Becky and her son set off on their first walk together; they are going to the top of the hill; a place Becky would often walk alone before becoming “Mum”.

Livy Potter: Performing Paul Birch’s Running Up That Hill

Running Up That Hill by Paul Birch

Performed by Livy Potter and directed by Harri Marshall

ALEX is lost. Alex hates running but loves Kate Bush. They know all the facts about Kate Bush. Kate Bush drinks milk before recording and knows Lenny Henry. Alex is

running and Kate’s voice seems to help. Hill running is the worst and one (bastard) hill has them (almost) beat. This is the story of what Alex is running from and what they are running towards.

Prison is behind them as is their escape from a controlling relationship. Running up that hill is presently painful but it’s a different kind of pain from the past; besides, running up that hill might finally give Alex a clear view…

Harri Marshall: Directing Running Up That Hill

Love Letters Before Dawn by Yixia Jiang

Performed by Claire Morley and directed by Jacob Ward

A SOLDIER has been defending a battlefield from a hill for the past 100 days. Today he has given up on all chances to defend this place. All hopes seem lost.

However, the soldier keeps hold of his bravery and pride by remembering his fallen commander’s words: “We don’t persist because there is hope. It’s because of persisting, there shall be hope.”

Jacob Ward: Directing Yixia Jiang’s Love Letters Before Dawn

Anorak by Jules Risingham

Performed by Bailey Dowler and directed by Tempest Wisdom

THOMAS (no relation to The Tank Engine) loves trains. His whole life has been spent chasing trains, and always chasing after him was his partner, Charlie. Charlie did not like trains but loved Thomas. Thomas sits alone in his camping chair, on the top of his and Charlie’s favourite hill, looking down on the valley below, waiting for a train to pass that never seems to arrive.

With little to write about in his journal, he spends this time reflecting on his life with Charlie – and working out how to overcome his newfound grief. Thomas achieves a new understanding of grief, and how to keep living in the absence of our loved ones.

Jules Risingham: Writer of Anorak
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Scrooge turns into grumpy Yorkshire farmer for Badapple Theatre Company’s take on A Christmas Carol on tour from tomorrow

Grumpy farmer? In Yorkshire? Meet James Lewis-Knight’s Farmer Scrooge in Badapple Theatre Company’s Farmer Scrooge’s Christmas Carol. Picture: Karl Andre

GREEN Hammerton company Badapple Theatre set off on their winter travels tomorrow with Farmer Scrooge’s Christmas Carol, starring York actors James Lewis-Knight and Emily Chattle.

Billed as “classic Badapple: Dickens with a Yorkshire twist, puppets, songs and music by Jez Lowe and all the jokes we can handle at this time of year,” writer-director Kate Bramley’s new family show will play across Yorkshire as well as Nottinghamshire, Derbyshire, Worcestershire, Leicestershire, Lincolnshire, Staffordshire, Northumberland, Cumbria, County Durham and Oxfordshire.

Starting out at Tockwith Village Hall, near York, tomorrow at 7pm, Badapple’s tour van will take in 22 performances between December 1 and 30 as Bramley’s itinerant band of actors heads to venues on their Yorkshire doorstep and beyond with her comedy slant on Charles Dickens’s 180-year-old story, now set in and around Scrooge’s farm and bedroom in 1959.

“Have a good chuckle while the blustering, skin-flint farmer Ebeneezer Scrooge gets his comeuppance and is forced to see the error of his penny-pinching ways,” says Kate of a production that marks Badapple’s 25th anniversary of touring.

James will play Fred, Scrooge, Shep and Elvis, yes, Elvis; Emily’s multi-role playing will stretch to Ginger, Bert the feed man, Mrs Cratchitt, Niece (Josie), Marley, Belle, Mrs Feziweg, Mr Feziweg, assorted Cratchitts, Undertaker, Mrs Dilbert and Girl. (Please note, name spelling may diversify from other versions, whether Cratchit or Fezziwig).

Emily Chattle with the puppet of Mr Fezziwig in Badapple Theatre Company’s Farmer Scrooge’s Christmas Carol. Picture: Karl Andre

“Full of local stories and carols, puppets and mayhem, and original songs by Sony Award-winner Jez Lowe, plus a whacking great dose of seasonal bonhomie, this is a winter warmer to put a smile on everyone’s face this Christmas.”

Don’t take only Kate’s word for it. Clare Granger, High Sheriff of North Yorkshire, is a Badapple devotee. “It’s wonderful to spend a joyous evening with Badapple Theatre Company in a small rural village hall,” she says. “Kate Bramley is absolutely fulfilling her ambition to bring the arts into the community and the uplifting effect on the audience of what the theatre company does is palpable.”

Badapple’s mission is to venture out to the smallest and hardest-to-reach village halls and community venues to bring professional theatre to all. “We all know that isolation and loneliness are major issues in our rural communities and that maintaining good mental health is proving more and more of a challenge for the general population,” says the High Sheriff.

“It is hard to overestimate the positive benefits of getting out of the house and attending a joyful, inexpensive, communal event in your own locality. Badapple Theatre Company is providing just this experience.”

This year, James has appeared in York company Next Door But One’s tour of Operation Hummingbird, Matthew Harper-Hardcastle’s “humorous and uplifting exploration of grief, loss and noticing just how far you’ve come”, while Emily did the milk rounds in Badapple’s tour of Eddie And The Gold Tops, Bramley’s comedy of a milkman turning into the cream of Sixties pop stars.

James Lewis-Knight and Emily Chattle in a scene from BadappleTheatre Company’s Farmer Scrooge’s Christmas Carol. Picture: Karl Andre

Farmer Scrooge’s Christmas Carol: Yorkshire dates

December 1: Tockwith Village Hall, 7pm. Box office: 01423 331304

December 2: Harpham & Lowthorpe Village Hall YO25 4QZ, 7.30pm. Box office:  07867 692616.

December 3: The Old Girls’ School, Sherburn in Elmet, LS25 6BL, 7pm. Box office:  01977 685178.

December 13: Bishop Monkton Village Hall, near Harrogate, HG3 3QG, 7.30pm. Box office: 01423 331304.

December 19: Green Hammerton Village Hall, near York, YO26 8AB, 7pm. Box office: 01423 331304.

December 20: Burton Fleming Village Hall, East Yorkshire, YO25 3LL, 6.30pm. Box

December 27: Sutton under Whitestonecliffe Village Hall, Hambleton, YO7 2PS, 4.30pm. Box office: 01423 331304.

December 29: East Cottingwith Village Hall, near York, YO42 2TL, 4pm. Box office:  07866 024009 or 07973 699145.

Emily Chattle with one of the puppets designed by Sam Edwards for Badapple’s Farmer Scrooge’s Christmas Carol. Picture: Karl Andre