Geoff Turner’s Sir Thomas Graspall in Mr Joseph Peterson’s The Raree Show or The Fox Trap’t. Picture: Gareth Buddo
IN a celebration of 18th century theatre and the lives of York’s Georgian players and comedians, The Raree Show or The Fox Trap’t will open the York Georgian Festival 2025.
Presented by Holy Trinity, Goodramgate, at Merchant Taylors’ Hall, Aldwark, on August 7, the hour-long 7.30pm performance promises entertainment, wit and historical intrigue.
Think of all the delightful clichés of 18th century theatre: mannered acting; plays with double titles; characters whose names give away their personalities;wicked uncles, clever servants, comedy foreigners; physical comedy and happy endings.
“Joseph Peterson’s The Raree Show or The Fox Trap’t delivers all of this with a hearty dose of charm,” says director Sarah Cowling, York tour guide and Churches Conservation Trust volunteer at Holy Trinity, Goodramgate, who is fascinated by York’s Georgian theatrical scene.
Andrea Mitchell’s Belinda. Picture: Toni Wainwright
“Joseph Peterson, a parishioner from Goodramgate, described in the parish register as ‘comedian’, wrote this piece specifically to delight and amuse the citizens of York – the city he ‘reveres’. When it was first performed in 1738, it is very likely that it was performed in the very hall we will be performing in on August 7: Merchant Taylors’ Hall.
“Very likely”, Sarah? “The source I had for proof that the piece was performed in York has proven unreliable. It is ‘most likely’ that it was performed here in York – as it was written for the city and the original Dramatic Personae are all from York – but I cannot find the playbill or proof. It is ‘most likely’ that it was performed in Merchant Taylors’. Indeed some of the original actors are known to have performed in there,” she says.
“After success at last year’s Georgian Festival with a read-through of Peterson’s masterpiece, Merchant Taylors’ have been kind enough to offer use of the hall for this year’s ‘off-book’ production.”
Peterson’s theatrical romp is billed as “a tale of a ward trapped into marriage against her late father’s wishes; divided couples reunited; sword fights; terrible French accents; clever tricks and a satisfying ‘happily ever after’”.
Nick Patrick Jones’s Sir Fopling Conceit. Picture: Gareth Buddo
“The driving force behind this production is the fascinating figure of Mr Joseph Peterson, an actor, parishioner of Holy Trinity, Goodramgate, and writer,” says Sarah. “Peterson was so dedicated to his craft that he added new meaning to the phrase ‘dying on stage’ – later in life, quite literally dying mid-performance.
“The Raree Show or The Fox Trap’t is very much a vehicle for Mr Peterson. He wrote it, he introduces it, appears in it and wraps up the proceedings.”
Born in 1710, Peterson married Margaret Whare in St Michael le Belfrey at the age of 22. In January 1738, their son Joseph was baptised at Holy Trinity, Goodramgate, hence his listing as a ‘comedian’ in the parish records.
“He was a key member of Thomas Keregan’s company of actors, performing in productions such as Twin Rivals, The Shepherd’s Opera and The Trepan or Virtue Rewarded,” says Sarah.
Joy Warner’s Corinna. Picture: Gareth Buddo
“Before the establishment of York Theatre Royal, one of the venues used for theatre in York was the Merchant Taylors’ Hall, where we will stage our lively production, mirroring where The Raree Show or The Fox Trap’t may have been performed nearly 300 years ago.”
18th century life on stage was often unpredictable. In 1746, Peterson left York theatre for the Norwich Theatre Company, where he continued to thrive. “However, in October 1758, while performing Measure For Measure at Market Cross Theatre in Bury St Edmunds, Suffolk, he collapsed mid-performance. His last words were, ‘reason thus with life if I do lose thee I lose a thing that none but fools would keep a breath thou art…’, says Sarah.
“He died in the arms of fellow actor Mr Moody. Curiously, Mr Moody had previously experienced another actor’s death in his arms on stage in Harrogate!”
What can next Thursday’s audience expect? “It might help to know that A Raree Show is essentially a peep show – images in a box, not necessarily risqué. In our production, the Raree Show refers to various current events (current to the 1730s), adding a satirical edge to the performance.”
The cast for last summer’s York Georgian Festival read-through of The Raree Show or The Fox Trap’t
Funds raised from this charity performance will be used to conserve the First World War Roll of Honour from Bedern National School, displayed at Holy Trinity Church, Goodramgate. “The performance of the work, written by a former more than 100 years ago,” says Sarah.
Summing up next Thursday’s performance, she concludes: “We invite our audience to step into the 18th century and revel in the theatrical artistry of The Raree Show or The Fox Trap’t. With its captivating storyline and historical insights, this production is sure to be an unforgettable highlight of the York Georgian Festival.
“The show has sold out, which is brilliant, but there’s a whole catalogue of these funny little York-grown Georgian shows. I really hope we can unearth more.”
York Georgian Festival: Holy Trinity, Goodramgate, presents Joseph Peterson’s The Raree Show or The Fox Trap’t, Merchant Taylors’ Hall, Aldwark, York, August 7, 7.30pm; doors 7pm. SOLD OUT. Booking link for returns: tps://bit.ly/3EnRhEY.
Who’s in the cast for The Raree Show of The Fox Trap’t?
York tour guide Mad Alice: Making cameo appearance in The Raree Show or The Fox Trap’t
Sir Thomas Graspall, played by Geoff Turner; Squire Timothy and Smart, Joe Standerline; Manly, Matt Tapp; Belamour, Zander Fick; Sir Fopling Conceit and Mr Joseph Peterson, Nick Patrick Jones; Servant and Mrs Peterson, Aileen Bloomer; Belinda, Andrea Mitchell; Corinna, Joy Warner, and Betty, Mad Alice (in a cameo by The Bloody Tour of York guide Alicia Stabler).
