REVIEW: York Stage Musicals venture outdoors for first time in Rowntree Park ****

Emily Ramsden, left, Joanne Theaker and May Tether performing at the Rowntree Theatre Amphitheatre in York on Sunday night. Pictures: Jess Main

REVIEW: York Stage Musicals At Rowntree Park, Rowntree Park Amphitheatre, York, tonight and tomorrow, 7.30pm. Tickets update: Sold out.

NIK Briggs and Jessica Douglas were “so sick of bad news about the arts”, the York Stage Musicals duo decided they had to “do a thing…anything”.

Three weeks later, the director and musical director are staging three nights of open-air, socially distanced, family-favourite concerts of musical-movie hits at the Rowntree Park Amphitheatre in YMS’s first ever outdoor show.

The three-night run that began last night sold out within a week. Quick work all round, not least by Adam Moore’s Tech 247, who set up the stage in only two hours yesterday afternoon.

Richard Upton stands out front in Sunday’s concert

“A huge thank you to our audience tonight!” tweeted producer Briggs afterwards. “We loved performing for you!!”

They did indeed. Emily Ramsden, Ashley Standland, May Tether, Joanna Theaker, Richard Upton and late addition Conor Mellor, professional performers all, with York Stage credits to their name, could not have looked more glad to be back on a stage when theatres remain in the dark but thankfully outdoor shows are on the rise.

Tonight and tomorrow, the singing six will take to the blow-up polytunnel stage again, attired in black, cocktail party dresses on one side, suits on the other, Upton and Standland in white shirts, Mellor more informal in a black T-shirt.

Joanne Theaker in the solo spotlight

Picnicking audience members sit in Covid-secure designated bubbles, arranged in a crescent on the grass hillside opposite the bandstand stage that could, indeed should, be used more often each York summer.

As evening turns to night over the unbroken 100-minute span of the concert, the light show within the tubing matches the songs’ subjects and moods, while also picking out keyboardist Douglas’s fellow musicians: drummer Andy Hayes, guitarist Neil Morgan, bassist Rosie Morris and keyboard player Sam Johnson.

Songs from Hairspray, Grease, Cats, Cabaret, West Side Story and The Greatest Showman are to the fore, and a selection on the theme of Green is particularly inspired. Likewise, the teasing introduction seeking a diva to sing Hopelessly Devoted You that settles on…Conor Mellor, who should have been away at sea this month, after returning to York from his Caribbean cruise-ship shows in April, but is still grounded by the pandemic.

As darkness descends, Emily Ramsden, left, Ashley Standland, May Tether, Richard Upton, Joanne Theaker and Conor Mellor bring Sunday’s concert to a close

Highlights are many, from Ramsden’s All That Jazz and Saving All My Love For You to Tether’s Memory and Theaker’s Cabaret; Upton’s Luck Be A Lady to Tether and Standland’s Summer Nights. Mellor hits the heights in Kinky Boots’ Soul Of A Man, while Upton and Theaker’s Elephant Love Medley, from Moulin Rouge, is the fast-moving arrangement of the night.

How else could the show end but with Dirty Dancing’s uplifting I’ve Had The Time Of My Life, although social distancing ruled out any attempt at the film’s infamous climactic lift.

If Covid-19’s social-distancing requirements have reinforced the suitability of the Rowntree Park Amphitheatre for open-air shows, then at least something good has come out of these killjoy times for the York musical theatre and live music scene.

Conor Mellor, back home in Bishopthorpe from the Caribbean, wins the Best Socks In Show award while singing Soul Of A Man

Delighted by the response of singers, musicians and audiences alike to these Rowntree Park shows, Briggs says: “It’s just been overwhelming. I knew us ‘Theatre Crew’ who work in it were desperate to get back, but we didn’t appreciate how much it meant to our audiences!! Here’s to Bravery going forward. Give us a space and York Stage will get a show on.”

Alas, that show will not be September’s Covid-scuppered production of Kinky Boots, but in mentioning “Bravery”, Briggs is echoing the sentiments of one of last night’s outstanding numbers, This Is Me from The Greatest Showman. “I am brave, I am bruised…And I’m marching on to the drum I beat, I’m not scared to be seen, I make no apologies, this is me,” the lyrics assert.

Such positivity, in the face of understandable Covid fear, is the way forward, step by step, drum beat by drum beat, for deeply bruised live entertainment. Not recklessness, no-one would suggest such a course so irresponsibly, but a combination of ambition and practicality, as shown by Briggs and Douglas.

York Stage Musicals producer/director Nik Briggs and musical director Jess Douglas

York Stage head outdoors for first time for three musical nights in Rowntree Park UPDATED

On fire: Emily Ramsden, when playing the Dragon in York Stage Musicals’ Shrek The Musical. PIcture: Charlie Kirkpatrick

YORK Stage are bringing musical theatre back to life this summer with their first ever outdoor show, taking over the Rowntree Park Amphitheatre for three nights from August 23 to 25.

“Combining a live band with a team of sensational professional singers, this socially distanced outdoor event will provide you with the musical theatre fix you’ve been craving,” promises producer and director Nik Briggs.

“Presenting a programme filled with all of your favourite movie-musical songs, be prepared to be amazed as our vocalists perform songs from Grease, Hairspray, Cats, Cabaret, The Greatest Showman, West Side Story and many more.”

Explaining the choice of programme, Nik says: “We decided to stay away from anything ‘niche’, although we’re renowned for bringing new pieces, as well as ‘blockbusters’, to the York stage.

“We wanted to keep it light, with singers of great quality singing songs of great quality, and a band of great quality, performing songs we all know so well, presented as a concert rather than as a staged performance, so it’s very much about the music. With lovely lighting, it’s going to look beautiful too, with Adam Moore, Lisa Cameron and Daniel Stephenson handling the technical side of the show.”

Joanne Theaker as Maria in York Stage Musicals’ production of The Sound Of Music. Picture: Charlie Kirkpatrick

Looking forward to restoring the sound of live music to Rowntree Park, Nik says: “We’re  so excited to be creating the city’s first musical theatre event post-lockdown. We have built up a reputation of leading the way with our programming and bringing the latest show titles to the city in spectacular fashion, and so when the go ahead for outdoor performances was given, we knew we had to make theatre somehow and somewhere!”

The Rowntree Park Amphitheatre, with its bandstand and grass bank, is a long-standing presence in York’s outdoor performance portfolio, but really should be utilised more often.

Nik holds up his hands. “I’ve never lived in that part of York, so I’ve not used Rowntree Park a lot, and because the amphitheatre is tucked away in the far corner, it’s almost a hidden gem,” he says.

“During lockdown, I thought, ‘‘I’m sick of all the bad news, I need to create some good news, and find a good way of working outdoors this summer’, and it was my partner who suggested this beautiful space.

“When we came upon it, my reaction was, ‘why are we not using this space already?’.  It’s perfect, surrounded by trees. It’s crazy that it’s not used more often when other performance spaces are over-subscribed.

Richard Upton as Stacee Jaxx in York Stage Musicals’ Rock Of Ages. Picture: Robin May

“So, we set about creating a concert of songs that will be the tonic we all need right now: family favourites from across the generations”. 

Under the guidance of York Stage’s regular musical director, Jessica Douglas, York Stage are assembling “some very special performers” who have all trained and worked professionally in musical theatre and have a wealth of British and international credits to their names.

All five have performed in York Stage Musicals shows too. Step forward Emily Ramsden, Ashley Standland, May Tether, Joanne Theaker and Richard Upton.

“We saw this show as an opportunity to support actors left out of work by the Coronavirus shutdown of theatres, who would previously have been making their money from performing,” says Nik.

Musical director and pianist Jessica Douglas will be complemented by keyboards, guitar, bass and drums in the band of five. She is leading rehearsals too. “We’re doing a mix of outdoor rehearsals, along with some things pre-recorded they’ve all been sent online to rehearse,” says Nik.

Ashley Standland as Phantom in The Phantom Of The Opera. Picture: Richard J Tampion

“When they get together, it will be for the least time possible, with two of three rehearsals per person, with the joint rehearsals being socially distant, singing at least three metres apart.”

Be assured, the safety of performers, staff and audience is “paramount” in York Stage’s planning of this three-day event.

“We’re remaining up to date and working to ensure everything we do is guided and informed by City of York Council and the current Government guidance as the event approaches,” says Nik. 

“We want to ensure we can provide audiences with a brilliant night of musical theatre, while keeping them safe and comfortable.

“Under Government guidelines for public performances, for this venture, we’re only able to work with performers who have trained and work professionally, so although the total number of performers may be reduced from our usual blockbuster shows, we can still guarantee a host of powerhouse vocals.” 

May Tether as Tracey in York Stage Musicals’ Hairspray. Picture: Tim Clarke

In order to make sure they can seat everyone and maintain suitable social distancing of two metres between groups, York Stage have taken the decision to sell spaces for a “Bubble Blanket” for families or support bubbles to sit in, rather than sell individual tickets.

“These spaces have been positioned to ensure there’s a minimum gap of two metres between the spaces in every direction, while keeping the audience three metres away from the performers,” says Nik.

York Stage are creating two sizes of “Bubble Blanket” spaces: one will hold up to three people; a larger one will accommodate four to six people. Please note, no actual blankets will be provided, so bring your own or a camping chair. “You can bring a picnic too, as long as you take away your rubbish,” requests Nik.

A one-way system will be in operation and the show will be 90 minutes straight through. “With no interval, we avoid any possibility of congestion,” reasons Nik.

The ticket price is £40 for the smaller Bubble Blanket; £65 for the bigger one, available online only at yorkstagemusicals.com and they MUST be bought in advance of the 7.30pm shows.

York Stage director Nik Briggs and musical director Jessica Douglas

York Stage have been anything but dormant through lockdown and beyond. “We’ve been doing Songs From The Settee online,” says Nik. “We thought there’d be four or five, but there were 11 in the end – we made a rod for our own back, but it was lovely to work with professional singers and musicians, and now we’re thanking them, and the technicians too, by doing the live shows.”

Meanwhile, York Stage School has continued to run through lockdown and beyond with online sessions. “We’re doing a summer school too, with sessions last week and this week,” says Nik.

“We’ve even had one student calling in from Estonia! Normally she stays with her grandma in York in the summer, but not this year, so she’s joining in from Estonia. We have just short of 30 students taking part, and we’re creating a ‘Zoomsical’, an online performance under licence, to show to family and friends in a premiere on YouTube on Saturday.

“The show’s called The Big One-Oh!, composed by Doug Besterman with lyrics by Dean Pitchford, and it’s an American high school piece that the licencees have managed to adapt to do on Zoom.”

Looking ahead, Nik says: “Hopefully, we can return to York Stage School lessons as normal in September, pending Government guidance.”

York Stage Musicals confirm The Hunchback Of Notre Dame premiere…and Shrek is back too

Oh, what a Knight: Chris Knight as Donkey in York Stage Musicals’ Shrek The Musical in September 2019. Shrek will return to the Grand Opera House in 2021

YORK Stage Musicals are to present The Hunchback Of Notre Dame in…2022.

“Theatres may be closed at the moment but that does not stop us planning for the future,” says artistic director Nik Briggs.

“We are honoured to be producing The Hunchback Of Notre Dame at the Grand Opera House in Autumn 2022. With lyrics by Wicked’s Stephen Schwartz and music by Aladdin’s Alan Menken, this is a very exciting project for us indeed.

“It was one where we were approached by the rights holders, like with Shrek The Musical.  We love that because we’re not in the rat race to get it, and it’s nice they value the work we do, especially with Disney, who have very strict regulations.”

The York Stage diary for 2021 is taking shape with Shrek The Musical confirmed for a return to the Grand Opera House next spring, over the Easter holidays, and rights secured for Elf next winter.

Jacob Husband, as Adam, front, Alex Weatherhill, as Bernadette, and Joe Wawrzyniak, as Tick, in York Stage Musicals’ Priscilla Queen Of The Desert, The Musical, at the Grand Opera House, York. Picture: Benedict Tomlinson

More shows are being lined up too, not least a new work from Alex Weatherhill, who starred as Bernadette in York Stage Musicals’ production of Priscilla Queen Of The Desert, The Musical, in September 2017.

“Alex came to see us in Tim Firth’s The Flint Street Nativity and Steel Magnolias and said he wanted to do something for us, and we’re delighted as he writes the summer show at the Bridlington Spa,” says Nik.

Shrek The Musical will bring York Stage full circle, being the last show the company staged at the Grand Opera House before the Coronavirus pandemic shut down theatres and the first to be mounted by YSM once the Cumberland Street theatre re-opens.

As for The Hunchback Of Notre Dame, Nik says: “It’s a show we’ve always wanted to look at doing because it’s never been done in the West End, only in America, so it will be nice to bring it to York.”

Indeed it will but, after his tour de force as Shrek in Shrek The Musical last September, will Nik be playing the Hunchback? “Definitely not,” he insists. That Autumn 2022 slot still leaves plenty of time to change his mind, however.

“Wherever you have a camera, we have a class” is the new school rule as York Stage School goes on screen

York Stage School principal Nik Briggs with fellow On Screen teachers Jessica Douglas (singing/musical theatre), left, Danielle Hill-Mullan (musical theatre) and Joanne Theaker (acting/musical theatre)

YORK Stage School will celebrate its second birthday from behind closed doors but with the launch of on-screen activities.

“Wherever you have a camera, we have a class,” will be the new school rule, prompted by Government strictures brought on by the Covid-19 pandemic.

Principal Nik Briggs says: “After a brilliant two years, where we have worked with hundreds of students and seen them flourish in our classrooms, we now face the possibility of not being able to work with them under the current Government guidance for some time and the necessary social distancing and self-isolation policies that come with that.

“Consequently, we are fully committed to ensuring our students are always kept safe and well and will not be running classes while schools are closed to students.”

Cue York Stage School’s new “homework” instead. “It is with this in mind that we have been busy working on this new project, which will see us joining up with lots of our teachers’ contacts from the theatre, TV and film industry to introduce our exciting new programme, York Stage School…On Screen, over the coming weeks and months.”

Are you ready to watch, explore, react and create, asks Nik.“If so, then sign up, stop waiting in the wings…and join us on screen for a programme where we’ll be sending out weekly briefs, scripts and stimuli to children via email and through videos from both our regular teachers and special weekly industry-professional guest tutors,” he says.

Homework for when you must stay at home: York Stage School prepares to launch Stage School…On Screen

Students will have six days to watch the videos, explore the stimuli given and then react and create their own videos at home. “These will then be sent back to us at York Stage School HQ,” says Nik.

“Children will receive feedback on their creations via email and video calls from our staff; each week we will celebrate their work across our social channels with weekly industry recognition from our guest tutors.”

To take part, students will need either a mobile phone, tablet or PC with a built-in camera and microphone, plus an internet connection and an email address. “This can be either their own or a parent’s,” says Nik.

“While we will be using the York Stage School social media channels to celebrate students’ work – if parents are happy for their child’s image to be broadcast – access to these is not needed to take part in the project.” 

The first “issue” of York Stage School…On Screen is being given away free of charge. “This is in order for you to decide if this programme is something your child will enjoy and genuinely benefit from,” reasons Nik. “After the initial week, there’ll be a weekly charge of £10 to take part. To receive the first issue, please sign up by clicking Register Now on the website, yorkstageschool.com.”

Mary, Mary, very contrary: Fiona Baistow., left. and Florence Poskitt clash over who plays Mary in York Stage Musicals’ The Flint Street Nativity last Christmas

Putting on his other cap as artistic director of York Stage Musicals, Nik says: “At the moment we are very much all up in the air with regards to shows.

“We were scheduled to be performing Bugsy Malone at the Grand Opera House from April 23 to 26, but that has now been cancelled, now that theatres have been closed in response to the Coronavirus epidemic. However, we do hope for the children’s sake to remount this at a later date.”

York Stage Musicals had a trio of premieres in the pipeline too: Sondheim On Sondheim, Kinky Boots and Soho Cinders. “We had just auditioned for the UK premiere of Sondheim On Sondheim’s run at the John Cooper Studio @41 Monkgate, from May 20 to 23, but casting has had to be put on hold,” says Nik.

“This will mean the production will now have to take place at a later date, hopefully in the autumn.

“Our big September show is the York premiere of Kinky Boots at the Grand Opera House from September 10 to 19, and at the moment no changes have been made on this production’s scheduling.”

Nik is still hopeful too of bringing another alternative Christmas show to the John Cooper Studio @41 Monkgate in the wake of 2019’s gleeful production of Tim Firth’s The Flint Street Nativity.

“After that success, we’ve now secured the rights to bring George Stiles and Anthony Drewe’s Soho Cinders to the city for the first time ever,” says Nik.

“This musical romp transports the classic Cinderella story to the streets of Soho, where the action is definitely more suitable for an adult audience and the ugly sisters are more Gemma Collins than Berwick Kaler!”

Watch this space for regular updates.

Six of the best to star in York Stage’s comedy drama Steel Magnolias

“Strong women”: Joanne Theaker, front left, Louise Henry, back left, Sandy Nicholson, Julie-Anne Smith and Kathryn Addison starring in Nik Briggs’s production of Steel Magnolias for York Stage

YORK Stage kick off their 2020 season with Robert Harling’s comedy-drama Steel Magnolias at Theatre @41 Monkgate, York.

Running in the John Cooper Studio from February 19 to 22, this 1987 American play focuses on the camaraderie of six Southern women who talk, gossip, jest and harangue each other through the best of times and comfort and repair one another through the worst.

“Steel Magnolias is alternately hilarious and touching with six female characters that are all as delicate as magnolias yet as strong as steel,” says director Nik Briggs.

Joanne Theaker, Louise Henry, Sandy Nicholson and Julie-Anne Smith in York Stage’s Steel Magnolias

His cast comprises Joanne Theaker as M’Lynn; Louise Henry as Shelby; Julie-Anne Smith as Ousier; Sandy Nicholson as Clairee; Kathryn Addision as Truvy and Carly Morton as Annelle.

Yorkshire actress Joanne Theaker returns to the York Stage company, having led the cast as Maria in The Sound Of Music at the Grand Opera House last April.

Previously, Joanne has played Sister Mary Roberts in Sister Act; Diva in Priscilla Queen Of The Desert – The Musical; Judy in Dolly Parton’s 9 To 5 The Musical and Paulette in Legally Blonde. Elsewhere, she has performed at Hull Truck Theatre in the original casts of John Godber’s Thick As a Brick and Big Trouble In The Little Bedroom and at the Stephen Joseph Theatre, Scarborough, in Neil Simon’s They’re Playing Our Song.

Julie-Anne Smith and Sandy Nicholson have a laugh in the photo-shoot for Steel Magnolias

Louise Henry joins rehearsals after making her professional debut as Snow White in this winter’s Grand Opera House pantomime, Snow White And The Seven Dwarfs. Previously, for York Stage Musicals, she had performed in The Sound Of Music as Liesl last April and Twilight Robbery as Jayne in May. West End actress Julie-Anne Smith last appeared for York Stage Musicals as Violet in 9 To 5 in 2017.

Briggs says: “Bringing Steel Magnolias to the stage, and working with these six women especially, has been a joy. It’s no secret that I love working with strong women, especially in the rehearsal room and you don’t get much stronger than these six.

”Having previously directed many female-led shows – Sister Act, Legally Blonde, 9 To 5, The Sound Of Music, Be My Baby and Little Voice – Steel Magnolias has been on my ‘To Do’ list for a long time.”

Hair-larious: Louise Henry and Joanne Theaker

The women’s closeness drew Briggs to Harling’s piece. “It’s relatable, the salon is a world in itself and the six characters are an adopted family,” he says. “They laugh, cry, argue, support and challenge each other within this world and it really allows for the drama and comedy to flourish and soar.

“We’ve had tears of laughter and tears of sadness over the rehearsal period. This really is a show to see with your closest girl friends and family. Come, laugh and cry together, and if you want to wear pyjamas and bring a large carton of ice cream with you for the ultimate girly ‘night in-out’, we won’t judge!”

Harling was inspired to write Steel Magnolias, his first play, after his sister Susan died of complications from diabetes. Premiered off-Broadway at the WPA Theater in 1987, it quickly transferred to Broadway, where it became an instant sensation, running for three years and spawning the hit movie starring Dolly Parton, Julia Roberts, Sally Field, Daryl Hannah, Olympia Dukakis and Shirley MacLaine.

Hair piece: York Stage’s poster image for Steel Magnolias

York Stage in Steel Magnolias, John Cooper Studio, Theatre @41 Monkgate, York, February 19 to 22, 7:30pm plus 2.30pm Saturday matinee. Tickets: £15, concessions £13, at yorkstagemusicals.com, on 01904 623568 or in person from the York Theatre Royal box office. “We shall be supporting York and District Diabetes UK Group throughout the run,” says director Nik Briggs.