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More Things To Do in York and beyond as temperatures drop and festive fervour rises. Hutch’s List No.49, from The Press, York

The Gesualdo Six, with director Owain Park, centre, back row: Two concerts in one evening at NCEM

CHRISTMAS music, Scrooge the farmer, artist fairs and pantomime frolics set up Charles Hutchinson for the festive season ahead.

Festival of the week: York Early Music Christmas Festival, today until December 9

YORK Early Music Christmas Festival 2023 takes the theme of Music, Minstrels and Mystery, with today’s concerts by Flutes & Frets (Bedern Hall) and The Gesualdo Six & Fretwork Viol Consort (NCEM) having sold out already.

So has December 9’s finale, the Yorkshire Bach Choir’s Bach Christmas Oratorio (Sir Jack Lyons Concert Hall), but tickets are still available for The Harmonious Society of Tickle-Fiddle Gentlemen, Fiddlesticks, The Marian Consort, Ceruleo and Baroque In The North. For concert details and tickets, visit ncem.co.uk. Box office: 01904 658338.

James Lewis-Knight and Emily Chattle in a scene from Badapple Theatre Company’s Farmer Scrooge’s Christmas Carol. Picture: Karl Andre

Tour opening of the week: Badapple Theatre Company in Farmer Scrooge’s Christmas Carol, until December 30

A GRUMPY farmer? From Yorkshire? Surely not! Welcome to Kate Bramley’s rural revision of Dickens’s festive favourite, A Christmas Carol, now set on Farmer Scrooge’s farm and in his bed in 1959 in Green Hammerton company Badapple Theatre’s tour of Yorkshire and beyond.

York actors James Lewis-Knight and Emily Chattle play multiple roles in a tale replete with local stories and carols, puppets and mayhem, original songs by Jez Lowe and a whacking great dose of seasonal bonhomie. For tour dates and ticket details, visit: badappletheatre.co.uk or call 01423 331304.

South Bank Studios artist Carolyn Coles: Taking part in this weekend’s Christmas Artists Trail

Artists with Christmas in mind: South Bank Studios Christmas Artists Trail, hosted by South Bank Studios, Bishopthorpe Road, York, today and tomorrow, 10am to 4pm

JOIN artists, illustrators and makers in the South Bank area of York for a weekend of festive cheer and a chance to visit artists’ houses and studios. For sale will be paintings, illustrations, ceramics, textiles, cards and gifts.

Taking part: Jill Tattersall, at 11 Mount Parade, today and tomorrow; Marie Murphy, 38, Scarcroft Road, today; Donna Maria Taylor, Carolyn Coles, Karen Winship, Rebeca Mason (11am to 4pm, in the loft), Katie Hill (outside) and Rachel Jones (outside) at South Bank Studio, today only.

Other art events happening in York over the weekend will be PICA Studios’ open studio, in Grape Lane, today and tomorrow, 10am to 5pm, and Rogues Atelier’s open studio, in Fossgate, today and tomorrow, 10am to 5pm.

Damion Larkin: Hosting Laugh Out Loud Comedy Club at The Basement

Comedy gig of the week: Laugh Out Loud Comedy Club, The Basement, City Screen Picturehouse, York, today, 5pm and 8pm

ESSEX comedian Markus Birdman headlines Laugh Out Loud Comedy Club’s brace of Basement gigs today. Joining him will be Tal Davies, Hasan Al-Habib and promoter/master of ceremonies Damion Larkin.

In 2022, Birdman suffered a stroke and ended up with a platinum heart, the subject of his Platinum Tour show. This year he was a semi-finalist on Britain’s Got Talent. Box office: lolcomedyclubs.co.uk.

Nina Cumin, left, Jonathan Sage and Kate Ledger: York Late Music concert of Anthony Gilbert works tonight

York Late Music: Micklegate Singers, After Byrd, today, 1pm; Nina Kumin, Jonathan Sage and Kate Ledger, 7.30pm, both at Unitarian Chapel, St Saviourgate, York

MICKLEGATE Singers bring together three anniversaries, Byrd, Rachmaninov and Thomas Weelkes, in a lunchtime musical sandwich of more than 500 years of a cappella choral music.

In the evening, Nina Kumin, violin, Jonathan Sage, clarinet, and Kate Ledger, piano, mark July’s death of Anthony Gilbert by performing four of the British composer’s works, plus music by Nicola LeFanu and David Lumsdaine, who both knew him well. Box office: latemusic.org or on the door.

Kirk Brandon: Fronting Spear Of Destiny at The Crescent

40th anniversary gig of the week: Spear Of Destiny, The Crescent, York, Wednesday, 7.30pm

FORTY years on from Epic Records’ release of Spear Of Destiny’s debut album, The Grapes Of Wrath, Kirk Brandon leads his punk-influenced power rock band on a 17-date November and December tour.

On the back of American travels, Brandon will be performing with his longest-serving line-up:  Adrian Portas (New Model Army/Sex Gang Children), Craig Adams (Sisters Of Mercy/The Cult/The Mission) and Phil Martini (Jim Jones And The Righteous Mind), bolstered by Clive Osborne on saxophone and Steve Allen-Jones on keys. Support comes from former Simple Minds bassist Derek Forbes & The Dark. Box office: thecrescentyork.com.

Kate Rusby: Showcasing her new Christmas album, Light Years, at York Barbican on Thursday

Festive folk gig of the week: Kate Rusby, Established 1973 Christmas Tour, York Barbican, Thursday, 7.30pm

BARNSLEY folk nightingale Kate Rusby marks turning 50 on Monday with the release of her seventh Christmas album, Light Years, and an accompanying tour that opens in York.

In the company of her regular band, coupled with the added warmth of the Brass Boys, Kate combines carols still sung in South Yorkshire pubs with her winter songs and favourite Christmas chestnuts. Look out for the fancy dress finale. Box office: yorkbarbican.co.uk.

Rowntree Players having a ball in rehearsal for Cinderella

Pantomime opening of the week: Rowntree Players in Cinderella, Joseph Rowntree Theatre, December 9 to 16, except December 11

HOWARD Ella directs Rowntree Players in a rollicking romp of a pantomime, wherein Cinderella and Buttons are fighting to save the Windy End Hotel when the Queen announces a ball to celebrate Prince Charming’s birthday.

Trouble is brewing with the arrival of a “truly horrific trio”, determined to find themselves a prince. Expect song, dance, all the traditional silliness…and a mad rush for the last few tickets for all performances. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Billie Marten: Dropping into The Crescent with her Drop Cherries album. Picture: Katie Silvester

Recommended but sold out already

RIPON singer-songwriter Billie Marten, now based in London, returns home to Yorkshire to showcase her fourth album, Drop Cherries, on which she explores the struggle with modernity versus tradition, nature, mental health, relationships and “a general voyeurism on the world as she sees it”. Clara Mann supports.

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Late Music celebrates the work of Anthony Gilbert and York composer Janet Owen Thomas in Saturday night concert

The late York composer Janet Owen Thomas, remembered in Anthony Gilbert’s work Monsoon Toccata

ANTHONY Gilbert’s Monsoon Toccata: In Memoriam Janet Owen Thomas (1961-2002) will be performed by pianist Kate Ledger at Saturday night’s Late Music concert in York.

“This concert will be a celebration of composer Anthony Gilbert who died in July this year, aged 89,” says Late Music administrator Steve Crowther. “The programme includes his memorial piece written for Janet Owen Thomas, the York composer, who died tragically young.”

Performed by violinist Nina Kumin, clarinet player Jonathan Sage and pianist Ledger at the Unitarian Chapel, St Saviourgate, the 7.30pm programme features three more Gilbert works, plus music by Nicola LeFanu and David Lumsdaine, who both knew him well.

Here Steve Crowther pays tribute to Jane Owen Thomas and her contribution to York Late Music.

“I never met Janet, even though she lived near me in Holgate, York. I did speak with her on the phone however, inviting Janet to compose a short piece for a small ensemble,” he recalls.

“It was the early days of Late Music and I worked with director David Power. It was then called the Late Music Festival with a strapline: The Cutting Edge, and the following year, The Cutting Edge Gets Sharper.

“The concerts were a niche market, and quite often the niche didn’t bother turning up. Low audiences with marginal box office revenue did not appeal to grant-funding bodies and so there was, as Kwasi Kwarteng discovered many years later, little in the way of inward investment.

“So we decided to change our marketing strategy, or rather, develop one. Living Composers, performed Live. This really sounded unique and, apart from the Go West Festival in Wales, it was.

Nina Kumin, left, Jonathan Sage and Kate Ledger: Playing Anthony Gilbert works at Saturday night’s Late Music concert at the Unitarian Chapel, St Saviourgate, York

“The main issue here was that quite a few of the living composers we programmed were no longer with us after we had gone to print. We then went nuts and threw the kitchen sink at the programming.

“The concerts now included jazz, Indian music, gamelan, crossover, loads of fusions; we even dug up Beethoven. Anyway, this long and winding road led us to where we are today. So back to Janet.

“OK, so this next bit isn’t going to sound professional or cool; not that I have ever been professional or cool. Janet said she would be interested and then caught me off guard with: ‘What will the commission fee be?’ I started laughing and said: ‘you’re kidding?’. She wasn’t.

“I have often thought Late Music should host a memorial concert of Janet’s music. And we will. I thought this programme note written by Anthony Gilbert – for a short piano piece called Monsoon Toccata, was very touching, very moving. It feels so right and so fitting to include this in Anthony’s own Late Music memorial concert.”

Anthony Gilbert wrote: “In 1988, Janet Owen Thomas met up with me in Sydney at the end of a short organ recital tour – possibly her last before devoting herself entirely to composing.

“We returned to England together, doing a rapid circular tour of Northern India on the way. Alighting from the plane at Delhi, we were hit by the whirling wind and torrential rain of the seasonal monsoon, and early the following morning there was also a minor earthquake.

“This experience determined the spirit of the music, and Northern Indian Raga determines the purely technical approach, with the quasi-improvisatory toccata-like textures acting as decoration to a slow-moving, widely spaced modal top line, which almost loses control of the overall shape at the mid-point – a reflection of the impact of those natural phenomena.”

Janet Owen Thomas, composer, writer, teacher and organist: the back story, from British Music Collection

Born: Merseyside, to Welsh and German parents.

Education: Merchant Taylors’ Girls’ School, Liverpool; read music at St Hugh’s College, Oxford, taught by Jane Glover and Robert Saxton (composition).

Further studies: After premiere of her choral  work New And Better Days, commissioned to mark the opening of Liverpool’s Tate Gallery, read for degree in Music Technology at University of York, then took advanced composition studies with Anthony Gilbert at Royal Northern College of Music, Manchester.

Works included: UK premiere of Rosaces at 1991 BBC Proms (youngest composer featured that year). Concerto Grosso Cantus for Bang-on-a-Can, 1992, performed in Goldberg Ensemble’s Contemporary series at RNCM, broadcast on BBC Radio 3. Under The Skin, BBC commission for 1999 Huddersfield Festival of Contemporary Music. Preludes for Piano, premiered in London in 2000.

Commissioned or performed by: BBC; Goldberg Ensemble; Park Lane Group; Allegri and Bingham Quartets; Gemini; Boccherini String Trio; Stephen De Pledge; Mary Wiegold; Lontano; Kevin Bowyer; the Option Band and others.

Lived and worked in: York, dividing her time between teaching, writing and composition.

York composer Nicola LeFanu


IN her obituary for Janet Owen Thomas, fellow York composer Nicola LeFanu wrote of her musical style: “The hallmark of her style is linear counterpoint; the music is carefully constructed to allow for self-similarity in its proportions, both in the large and in the detail.

“In speaking of her work, Thomas acknowledged the influence of the 17th and 18th-century music which she played so much in her days as an organist. Her contrapuntal textures are transformed, though, by the ‘shimmer and glitter’ which she loved.”