REVIEW: Northanger Abbey, Stephen Joseph Theatre, Scarborough, till April 13 **

Rebecca Banatvala’s Cath, back, AK Golding’s Iz and Sam Newton’s Hen in Northnager Abbey

THE journey from page to stage is familiar, well trodden, but still unpredictable for classic novels. Sometimes it works, sometimes it tries too hard, when a book remains better read than said.

This co-production by the SJT, Scarborough, Orange Tree Theatre, Richmond, Octagon Theatre, Bolton, and Theatre by the Lake, Keswick, is one such occasion.

We have seen many adaptations in this manner: a small, busy-as-Heathrow cast working with more imagination than props in Hannah Sibai’s design, breaking down theatre’s fourth wall from the start,  speeding between roles and  differing theatre styles, but here falling short of the best work of Tilted Wig, Wise Children and Nick Lane’s adaptations.

Writer Zoe Cooper defines Jane Austen’s coming-of-age satire of Gothic novels as “a book about invention that revels in layers of fictionality, of imagination”, one that she first read at 19, roughly the same age as lead character Catherine Morland when she leaves behind her claustrophobic northern family to join the smart set in Bath.

In her programme note, Cooper recalls how she felt out of place, awkward and grubby in her posh university town. Austen’s Catherine Morland (Rebecca Banatvala’s Cath) is a bookworm who feels that same discomfort and disconnection after being drawn to Bath by books and dreams.

Cooper and Banatvala express Cath’s tendency to over-excitement and bad behaviour, ending up in difficult situations that she navigates by warping reality with fiction amid the balls and parties.

Cooper draws on another recollection of her English Literature studies, how her tutorials were “generally male, very white, and very heterosexual”. Her reading of Northanger Abbey was rather different: she liked the book because “it felt a little bit naughty” in the friendship of Catherine and society sophisticate Isabella.

That plays out passionately in this account, where the loving bond between impressionable Cath and worldly Iz (AK Golding) runs deeper than Cath’s relationship with Hen (Sam Newton).

Tessa Walker’s production, however, needs to be more humorous, darker in its Gothic climax, but that requires sharper writing by Cooper. The performances have to swim against the tide, too much work to do.

Matt Haskins’ lighting is a delight, but that should never be the stand-out feature. An Audience with Lucy Worsley on Jane Austen, with “new research and insights into a passionate woman who fought for her freedom”, at York Barbican on October 14 will be more enlightening.

Box office: 01723 370541 or sjt.uk.com.

Bottom’s up for love & looning in More Things To Do in Ryedale, York & beyond. Hutch’s List No. 9, from Gazette & Herald

Rebecca Banatvala, back, AK Golding, middle, and Sam Newton, front, in Northanger Abbey at the SJT, Scarborough. Picture: Pamela Raith

GOTHIC Austen, a clowning Bottom, dark pop chat, vintage blues and harmonious folk feature in Charles Hutchinson’s suggestions for a busy diary.

Play of the week outside York: Northanger Abbey, Stephen Joseph Theatre, Scarborough, until April 13, 7.30pm plus 1.30pm Thursday and 2.30pm Saturday matinees

ZOE Cooper adapts Jane Austen’s coming-of-age satire of Gothic novels in a co-production by the SJT, Orange Tree Theatre, Richmond, Octagon Theatre, Bolton, and Theatre by the Lake, Keswick, starring Rebecca Banatvala (Cath), AK Golding (Iz) and Sam Newton (Hen) under Tessa Walker’s direction.

In a play fizzing with imagination, humour and love, Cath Morland knows little of the world, but who needs real-life experience when you have books to guide you? Cath seizes her chance to escape her claustrophobic family life and join the smart set in Bath. Between balls and parties, she meets worldly, sophisticated Iz, and so Cath’s very own adventure begins. Box office: 01723 370541 or sjt.uk.com.

Megson: Folk duo Debs and Stu Hanna at Helmsley Arts Centre

Folk concert of the week: Megson, Helmsley Arts Centre, Saturday, 7.30pm

BRITISH folk duo Megson combines Debs Hanna’s vocals, whistle and piano accordion with Stu Hanna’s guitar, mandola and banjo on songs filled with perceptive lyrics and exquisite musicianship. An infectious mix of heavenly vocals, lush harmonies and driving rhythmic guitars mark their concerts, topped off with northern humour between numbers.

Chalking up 13 studio albums in 20 years, the four-time BBC Radio 2 Folk Award nominees and two-time Spiral Earth Award winners will be showcasing their latest release, March 2023’s What Are We Trying To Say?. Box office: 01439 771700 or helmsleyarts.co.uk.

Red, a dare: Tweedy’s Bottom, clowning around and chancing his luck in love in the Everyman Theatre Company’s A Midsummer Night’s Dream, on tour at York Theatre Royal. Picture: Andrew Huggins/Thousand Word Media

York play of the week: Cheltenham Everyman Theatre in A Midsummer Night’s Dream, York Theatre Royal, April 9 to 13, 7pm plus 2pm Thursday and 2.30pm Saturday matinees

THE Everyman Theatre Company staging of Shakespeare’s A Midsummer Night’s Dream puts a new twist on the familiar tale by casting comedy clown Tweedy as Bottom and making him “comedy advisor” on Paul Milton’s production to boot.

The night’s magic, mischief, and mayhem unfold in an enchanted forest in Athens, intertwining the romantic misadventures of four young lovers, the playful meddling of mischievous fairies and the comedic antics of amateur actors, culminating in a tale of love, mistaken identity and reconciliation engineered by Jeremy Stockwell’s meddlesome Puck. Box office: 01904 623568 or yorktheatreroyal.co.uk.

John Robb: Rock’n’roll tales at Pocklington Arts Centre

Pop chat of the week: John Robb: Do You Believe In The Power Of Rock’n’Roll?, Pocklington Arts Centre, April 11, 8pm

JOHN Robb discusses his life in music; his pop culture book Art Of Darkness: The History Of Goth; being the first person to interview Nirvana; inventing the word Britpop and his adventures on the post-punk frontline.

Blackpool-born Robb is an author, musician, journalist, television and radio presenter and pundit, music website boss, publisher, Louder Than Words festival boss, eco-warrior and talking-head singer of The Membranes. His special guest is The Sisters Of Mercy co-founder Gary Marx. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Pianist Robert Gammon: Performing with Maria Marshall and Alison Gmmon at musical tea concert

Dementia Friendly Tea Concert: Maria Marshall, Robert Gammon and Alison Gammon, St Chad’s Church, Campleshon Road, York, April 182.30pm

CELLIST Maria Marshall opens this Dementia Friendly Tea Concert with Faure’s Elegy, accompanied by pianist Robert Gammon, who then plays two short solo Grieg piano pieces. Alison Gammon joins them for Beethoven’s trio Opus 11 for clarinet, piano and cello.

The relaxed 45-minute concert, ideal for people who may not feel comfortable at a formal classical concert, will be followed by tea and homemade cakes in the church hall. Seating is unreserved; no charge applies to attend but donations are welcome for hire costs and Alzheimer’s charities. On-street parking along Campleshon Road complements the church’s small car park.

The Nightcreatures’ Henry Botham and Tom Davies: Blues songs and stories at Milton Rooms, Malton

Blues gig of the week: The Nightcreatures, Farewell To Storyville, Songs and Stories from New Orleans, Milton Rooms, Malton, April 12, 8pm

THE Nightcreatures duo of pianist Henry Botham and guitarist and singer Tom Davies take a journey to old New Orleans for a night of songs and stories, serving up a spicy gumbo of filthy blues, funky grooves and classic tunes.

Old blues, Mardi Gras songs and vintage New Orleans material are explored, drawing on the heritage of Dr John, James Booker, Professor Longhair, Allen Toussaint and the great Louisiana bluesmen. Jenny Wren and Her Borrowed Wings, a trio led by singer and double bassist Jenny Trilsbach, support. Box office: 01653 696240 or themiltonrooms.com.

Sam Jewison: Interpreting the Great American Songbook at the SJT

Jazz gig of the month: Sam Jewison, Stephen Joseph Theatre, Scarborough, April 27, 7.30pm

JAZZ singer and pianist Sam Jewison returns to the SJT after a sold-out show in 2023 to perform his interpretation of the Great American Songbook in a fusion of jazz, classical and popular music.

Expect to hear new treatments of songs from the Broadway stage, Hollywood screen and golden age of American popular music, made famous Frank Sinatra, Ella Fitzgerald, and Oscar Peterson, from the pens of Cole Porter, Leonard Bernstein and George Gershwin. Joining Jewison will be Fraser Smith (tenor saxophone), Harry Sankey (guitar), Harry Evans (double bass) and Joe Dessauer (drums). Box office: 01723 370541 or sjt.uk.com. 

Lucy Worsley: Revelations from the life of Jane Austen at York Barbican

Show announcement of the week: An Audience with Lucy Worsley on Jane Austen, York Barbican, October 14,

FOLLOWING up her Agatha Christie tour, historian Lucy Worsley’s latest illustrated talk steps into the world of Jane Austen, one of English literature’s most cherished figures as the author of Pride And Prejudice, Sense And Sensibility and Persuasion. 

Through the houses, places and possessions that mattered to Austen, Worsley looks at what home meant to her and to the women like her who populate her novels. Austen lived a “life without incident”, but with new research and insights Worsley reveals a passionate woman who fought for her freedom. Box office: yorkbarbican.co.uk.