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Riding Lights artistic director Paul Birch serves up ‘alternative’ Nativity play A Christmas Cracker at Friargate Theatre

It’s a Cracker: Holly Cassidy with the puppet dog in A Christmas Cracker. Picture: Tom Jackson

WRITER and artistic director Paul Birch is staging his first play since taking the reins of Riding Lights Theatre Company at Friargate Theatre, York, in July.

On tour from November 25 to December 18, A Christmas Cracker will conclude its travels with a home run in York from December 21 to 24.

Introducing a magical show packed with comedy, puppetry and seasonal storytelling for all the family, Paul says: “Things are not going well for world-famous storyteller Ebenezer Sneezer. She’s lost. There is snow in her wellies and her wise and faithful dog, Cracker, has some strange ideas about Christmas.

“Caught taking shelter in Mrs McGinty’s barn, she allows them to stay on condition that Ebenezer warm up her Christmas with some of her seasonal stories. If they bring her enough glad tidings, there’s a hot supper on the cards. If not, they will be thrown back out into the storm.

“With Mrs McGinty’s frozen heart in need of a magnificent miracle and Deadly the dastardly donkey ready to kick comfort and joy out of his stable, will Ebenezer triumph? Despite turbulent turkeys and hysterical hay fights, she has a plan and some tremendous tales to turn things around.”

Full of Birch’s trademark humour, “it’s kind of an alternative, unusual way into the Nativity story,” he says. “I would say it’s like a cross between Wallace & Gromit and Chicken Run in its tone, and hopefully it pulls off that Pixar trick, where the whole family can sit down and enjoy it together.

Riding Lights artistic director Paul Birch, right, with executive director Oliver Brown outside Friargate Theatre

“It’s a play about communicating the importance of love, the importance of perseverance and the wonder and power of storytelling.

“So it’s a re-working of the Christmas story that also recognises that the act of storytelling itself has such a powerful effect on people. Part of the play shows how stories can be harmful too, where we have the ‘villains of the piece’  not actually being villains but playing out roles when they’ve been treated as villains, but then they discover that’s not the true story at all.”

Paul continues: “Stories are not just something we tell to each other but they also shape us. It’s about re-discovering the stories we tell and how we tell them to each other.

“It’s very difficult to live with the cynicism of our age. One of the things I think about the Creation story, whether you think the story is true or not, is that people can be transformed for the better and there is hope in that.

“Christian stories or stories of other faiths have hope embedded in them, and we have to come back to the hope that we can be better, we can make things better. What links His Last Report [next summer’s community play about the life and legacy of Seebohm Rowntree that Riding Lights will be doing with York Theatre Royal] and A Christmas Cracker is the common theme of the power of human beings to change things for the better.

“Maybe that is the case with all theatre: that thing of what happens as a result of that change into a new story. It’s not that stories simply go, ‘here is the message’, but that it is a point of connection between audience members and connection between theatre-makers and their audience.

Grace Hussey-Burd and Holly Cassidy in a scene in Riding Lights Theatre Company’s winter show A Christmas Cracker. Picture: Tom Jackson

“We’re trying to make sense of the world, not providing answers, but seeing new opportunities through new ideas.”

Paul points to the ever-changing shape of theatre being one of its prime strengths. “The difference between film or other recorded media and theatre is that they cannot be changed, but theatre can do that with each performance. It will change and shift, and not only the performers, but the audience too – and when theatre is good, it’s a dialogue between the two. That’s not to say it might not have clear provocations within it, but it always needs to be responsive.”

Paul first wrote A Christmas Cracker more than a decade ago. “I did re-write it for this production and even now I would re-work it again. We are always re-tuning. Watching with a young audience is always really interesting because they will tell you when it’s working and when it’s not.”

Paul’s hour-long play is directed by Erin Burbridge, retaining the Burbridge family involvement in Christian theatre company Riding Lights after the death of company founder Paul in May 2023. Her cast features Grace Hussey-Burd as Ebeneezer Sneezer and Holly Cassidy as Cracker and Mrs McGinty, with York actress Claire Morley on understudy duty.

Time to get cracking to secure tickets.

Riding Lights Theatre Company in A Christmas Cracker, Friargate Theatre, Lower Friargate, York, December 21 to 24. Performances: 11am, 1.30pm and 6pm, DEceber 21 to 23; 11am, 1.30pm and 4pm, December 24. Box office: 01904 655317or ridinglights.org/achristmascracker.

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York company Riding Lights appoints Paul Birch as artistic director and Oliver Brown as executive director at Friargate Theatre

Leading lights: Riding Lights’ new executive director Oliver Brown, left, and artistic director Paul Birch outside Friargate Theatre in York

RIDING Lights Theatre Company today announces the appointment of its new artistic director, Paul Birch, and executive director, Oliver Brown.

They will serve as joint chief executive officer of the national touring theatre company, based at Friargate Theatre, Lower Friargate, York.

Playwright, sketch writer, improv comedy trailblazer and theatre director Paul Birchrejoins the company as artistic director after holding early roles as its youth theatre director and associate director of education and community.

He succeeds Paul Burbridge, co-founder of the Christian theatre company and artistic director since its foundation in 1977, who died after a short illness in April 2023.

As a freelance writer-director, his work has been produced in many theatres nationwide, expanding into audio dramas and a practice focused on improvisation, collaborating with improvisers from all over the world.

Paul has developed a track record of applied theatre-making and was artistic director of Out Of Character, a York company comprising artists with lived experience of mental illness, for eight years.

 “I’ve had the privilege of working with Riding Lights for over 20 years. Paul Burbridge was a great mentor to me and offered me many early opportunities in acting, writing and directing,” he says. His influence and inspirational teaching in theatre-making has had a profound and lasting impact on my work.

“The creativity of Riding Lights has always been about making work with and for all kinds of people in all kinds of places; often those hardest to reach. I’m looking forward to finding new artistic ways to create powerful and joyful theatre in that spirit.”

Riding Lights’ new executive director, Oliver Brown, left, and artistic director Paul Birch in the black-box studio theatre at Friargate Theatre, York

Oliver Brown FRSA, at present associate director at Riding Lights,takes up the post of executive director after holding senior leadership roles in production and operations at venues including Hull Truck Theatre and CAST in Doncaster. He is the elected vice-chair and trustee director of the Association of British Theatre Technicians.

His first encounter with Riding Lights was in 1999, when the teenage Oliver knocked on the door of Friargate Theatre, soon after it opened, asking for a technical work placement. Over the subsequent decades, he has worked as a freelance technical and stage manager for the company on many occasions.

“After being a part of Riding Lights for nearly 25 years, I am delighted to be joining the company once again as executive director, having spent my summers at its annual residential summer school, my early years up a ladder amongst the lights in Friargate Theatre, and out on national tours,” he says.

“Along with Paul, I am looking forward to Riding Lights’ 50th anniversary in 2027 and planning for the future.

“I am passionate about communicating faith and social justice issues through theatre and community work – a tradition in which Riding Lights is a leader, and one in which I will be honoured to play a part as we develop the evolving vision of Riding Lights.”

Riding LightsTheatre Companyhas been making and touring theatre informed by a Christian faith for 47 years, making it one of Great Britain’s most productive and long-serving independent theatre companies. Its productions have been seen across the world, from the United States of America, through Europe, to Israel and Palestine.

John Emmett, chair of the board of directors, says: “I am delighted that Paul and Ollie have agreed to join Riding Lights. Both of them have a long association with the company and understand well Paul Burbridge’s remarkable legacy. I am confident that they will build on this in fresh and exciting ways to create theatre which entertains, challenges and inspires.”

Friargate Theatre has announced an autumn season of theatre, stand-up and improv comedy, storytelling, music, film and family shows that opens on September 5. For full details and bookings, head to: friargatetheatre.co.uk. Box office: 01904 613000.

Riding Lights is in rehearsal for Cups On A String, a new play by York playwright Bridget Foreman, directed by David Gilbert for an eight-week autumn tour across the UK, to be staged in partnership with Transforming Lives for Good, a charity that brings hope and a future to struggling children.

The brochure cover artwork for Friargate Theatre’s autumn return

Riding Lights: the back story

RIDING Lights Theatre Company was founded in 1977 by Paul Burbridge, Murray Watts and Nigel Forde and has been based in York ever since.

Riding Lights opened Friargate Theatre, in Lower Friargate, York, in 1999. It has since operated as the company’s office and rehearsal space and has two performance spaces: one a ground-floor cabaret-style space seating around 60 people; the other an upstairs black-box studio theatre seating 100. 

World premieres in recent years have included African Snow, a co-production with York Theatre Royal (York Theatre Royal, West End transfer and national tour); Augustus Carp Esq. by Himself (Friargate Theatre); Dick Turpin (Friargate Theatre) and an adaptation of Jerome K Jerome’s Three Men In A Boat (national tour, co-produced with Northcott Theatre, Exeter).

In Summer 2012, Riding Lights, in tandem with York Theatre Royal and York Museums Trust, produced the epic-scale, outdoor production of the York Mystery Plays in York Museum Gardens.

Frequently characterised by quirky satire, Riding Lights’ productions challenge audiences to engage with topical themes and issues, often examining the reverberations of historical events in today’s society.

Classic plays such as Shakespeare’s The Winter’s Tale (two national tours), Ben Jonson’s The Alchemist (the inaugural production at Friargate Theatre), Dario Fo’s Mistero Buffo (Friargate Theatre and national tour) and Max Frisch’s The Fire Raisers (Bridewell Theatre, London) have found fresh and arresting relevance in Riding Lights productions.