Tag: Olivia Turner

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What’s on in Ryedale &York from 3/6/2026. Hutch’s List No. 22, from Gazette & Herald

Writer Alexander McCall Smith: Taking part in York Festival of Ideas 2026. Picture: Alexander McCall Smith Portraits

NOT only a festival, held on university soil, is full of ideas. So too is Charles Hutchinson in his list of fruitful artistic pursuits as June blooms.

Festival of the fortnight: York Festival of Ideas, Place & Space, until June 12

YORK Festival of Ideas 2026 explores Place and Space in more than 200 mostly free in-person and online events designed to educate, entertain and inspire. 

Led by the University of York, the event features world-class speakers, such as Nicola Sturgeon, Dame Kelly Holmes, Alexander McCall Smith and Stuart Rose, performances, exhibitions, tours, family-friendly activities, a Michael Morpurgo celebration day and much more, with topics ranging from archaeology to art, history to health, politics to psychology, football to Manchester’s Music Soul. For the full programme, go to: yorkfestivalofideas.com.

Holly Sumpton’s Ewen Montagu in SplitLip’s Operation Mincemeat: A New Musical, on tour at Grand Opera House, York. Picture: Matt Crockett

Musical of the week: SplitLip in Operation Mincemeat: A New Musical, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

THE year is 1943 and we are losing the war but, luckily, we can gamble all our futures on a stolen corpse. Singin’ In The Rain meets Strangers On A Train in SplitLip’s Operation Mincemeat, the Olivier and Tony award-winning musical take on the unbelievable true story of the twisted secret mission that won us the Second World War.

Bursting at the seams with chaos beyond invention, the question is: how did a dead body, a fake love letter and MI5 operative Ian Fleming come together to wrong-foot Hitler? Let Christian Andrews, Holly Sumpton, Seán Carey, Charlotte Hanna-Williams and latest recruit Jamie-Rose Monk tell the tale. Box office: atgtickets.com/york.

Rosalinda at the double: Alexandra Mather, left, and Olivia Turner sharing the principal role -two performances each – in York Opera’s Die Fledermaus. Picture: David Kessel

Opera of the week: York Opera in Die Fledermaus, York Theatre Royal, Wednesday to Friday, 7.30pm; Saturday, 4pm

YORK Opera is marking two milestones with John Soper and  Elizabeth Watson’s production of Johann Strauss II’s party opera Die Fledermaus: the company’s 60th anniversary and its 40th year of performances at York Theatre Royal.

When lavish host Prince Orlofsky seeks fresh amusement at his New Year’s Eve party, what better place for disguises, deception and revenge served with chilled champagne? Alexandra Mather and Olivia Turner share the role of Rosalinda; likewise, Stephanie Wong and LaLa Marais both play Adele, alongside Molly Raine’s Orlofsky and Ian Thomson-Smith’s  Falke. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Writer-performers Molly Whitehouse and Dan Poppitt in rehearsal for Black Sheep Theatre Productions’ premiere of Love At First Bite

Premiere of the week: Black Sheep Theatre Productions in Love At First Bite, Theatre@41, Monkgate, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

JOSH Woodgate directs Dan Poppitt and Molly Whitehouse’s seductive new work Love At First Bite, wherein dating can be hell, but what if one of them were a creature of the night? What happens when Alan and Minnie meet at a speed-dating night? A spark flickers. Dates follow. Laughter lingers.

“Yet beneath the rhythms of a familiar rom-com, something waits in the dark,” say Poppitt and Whitehouse, who play the lovers in York company Black Sheep’s premiere. “One of them is a vampire – but the secret shifts. Each night, the actors trade fangs and the audience is left to wonder who is hunter, who is prey.” Blending sharp-fanged wit with a brush of gothic shadow, their play toys with romance, rewrites folklore and invites audiences to consider what it means to love…and to hunger! Box office: tickets.41monkgate.co.uk.

Sofia Romano in Silver Stage’s murder mystery Club Mistero at Helmsley Arts Centre. Picture: Freya Chaston

Immersive murder mystery of the week: Silver Stage & Solent University present Club Mistero, Helmsley Arts Centre, Friday, 7.30pm

LOSE yourself inside the dazzling but dangerous Club Mistero in 1920s’ New York City, where a flighty barman, outspoken diva, secretive showgirl, neglected wife and an owner with eyes on every corner all become suspects when someone is, seemingly, nowhere to be found. Clutch your pearls, ol’ sport, murder is afoot.

In the heart of a speakeasy, surrounded by deception and secrets, a web of betrayal, revenge and power is spun, whereupon tensions rise as the line between friend and foe is blurred, but who will survive the night? Silver Stage’s Evelyn Foy, George Mclean, Niamh Boyle, Sofia Romano and Borna Vitlov will keep you guessing to the very end. Box office: 01439 771700 or helmsleyarts.co.uk.

Alchemy Live! pay tribute to Dire Straits at Malton’s Milton Rooms on Friday

Tribute gig of the week: Alchemy Live!, Milton Rooms, Malton, Friday, 8pm

FORMED in 2020 by lifelong Dire Straits fans Martin Ledger and Neil Scott, Alchemy Live’s debut in York was delayed until May 13 2022 by the pandemic lockdowns. By January 2023, they were progressing to theatre shows. 

Frontman Ledger says: “It has always been the ethos to concentrate on getting the music and sound right, rather than just putting on headbands and shiny jackets. Dire Straits themselves were always about the music first and we are fully committed to upholding that. Mark Knopfler has these little percussive flourishes in his playing, which are really difficult to re-create but without them it’s just not Knopfler.”  Box office: 01653 696240 or themiltonrooms.com.

Rick Astley: Opening the summer season at Scarborough Open Air Theatre

Let the seaside season begin: Rick Astley, TK Maxx presents Scarborough Open Air Theatre, Friday, gates open at 6pm

IN the wake of 2025’s number two album, Are We There Yet?, last November’s paperback edition of his autobiography, Never, and April’s Reflection arena tour, Newton-le-Willows crooner Rick Astley opens the 2026 season at Scarborough Open Air Theatre.

Now 60, Astley has enjoyed two chapters of success, kicking off with Never Gonna Give You Up topping the charts in 1987, leading to BRIT award success and further hits with Together Forever and Whenever You Need Somebody. After stepping away from the limelight, he marked his half-century by returning to the top spot with his comeback album, 50, and has never looked back, playing Glastonbury and the Royal Albert Hall and performing The Smiths’ songs with Blossoms  and Frank Sinatra and swing classics at Henley Festival. Box office:  scarboroughopenairtheatre.com.

Director Courtney Brown in Pickering Musical Society’s Let’s Do It!, The Cole Porter Songbook

Musical kicks of the week: Pickering Musical Society in Let’s Do It!r, The Cole Porter Songbook, Kirk Theatre, Pickering, June 9 to 13, 7.30pm plus 2.30pm Saturday matinee

IN a sparkling showcase of wit, romance, sophisticated melodies and clever lyrics, Pickering Musical Society celebrates the joyous Cole Porter Songbook, performing beloved songs from Anything Goes, Kiss Me, Kate and High Society and such hits as You’re The Top and I Get A Kick Out Of You under the direction of Courtney Brown.

The Sarah Louise Ashworth School of Dance’s vibrant tap, jazz and contemporary routines combine stylish choreography, glamorous costumes and a tribute to the Great American Songbook. Box office: 01751 474833 or kirktheatre.co.uk.

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Olivia Turner and Alexandra Mather to share Rosalinda’s role in York Opera’s Die Fledermaus at York Theatre Royal

Rosalinda at the double: Alexandra Mather, left, and Olivia Turner, in rehearsal for their shared role – two performances each -in York Opera’s Die Fledermaus. Picture: David Kessel

YORK Opera is marking not one but two milestones with John Soper and Elizabeth Watson’s production of Die Fledermaus from tomorrow to Saturday.

This year is the company’s 60th anniversary and the 40th anniversary of its first appearance at York Theatre Royal: hence the summer production choice of Johann Strauss II’s party opera, wherein lavish host Prince Orlofsky seeks fresh amusement at his New Year’s Eve party. What better place for disguises, deception and revenge served with chilled champagne?

On an earlier occasion, Doctor Falke had been humiliated by his old friend Herr Eisenstein, who persuaded him to dress for a party as a bat [Die Fledermaus]. After much amusement and ridicule, eventually he was abandoned to wander the streets of Vienna. Falke plots his revenge with a cocktail of hidden secrets, mistaken identities and a splash or two of champagne that leads to a comedy of errors that soon takes flight. Will the bat be revenged?

Olivia Turner and Alexandra Mather will share the role of Rosalinda; likewise, Stephanie Wong and LaLa Marais both will play Adele, after the decision to double cast the principal roles was made in response to the high calibre of talent displayed at the auditions.

Olivia Turner: Making her York Opera debut as Rosalinda in Die Fledermaus. Picture: David Kessel

Here Olivia and Alexandra a series of questions on being the two faces of Rosalinda in York Opera’s Die Fledermaus.

How would you describe Rosalinda’s character?

Olivia: “She is a glamorous and spirited character who enjoys flirting with her many admirers. She is intelligent and likes to think she can outwit her unfaithful husband.”

Alexandra: “She’s sassy, spirited and more than a little mischievous. She’s intelligent and enjoys staying one step ahead of everyone around her. While she’s quick to challenge her husband’s infidelities, she’s not entirely innocent herself, which gives the character a wonderfully cheeky hypocrisy. She’s fun-loving, free-spirited, flirtatious and full of personality.”

Do you play a different role on the nights when you’re not playing Rosalinda?

Olivia: “No, I will only be performing the role of Rosalinda tonight and on Friday.”

Alexandra: “No. Rosalinda is quite a substantial role, so we’re making the most of our nights off when we’re not performing! That said, I’ll certainly be there watching and cheering Liv on. I’ll be performing the role of Rosalinda tomorrow and on Saturday.”

Alexandra Mather rehearsing a scene from Die Fledermaus with Karl Reiff. Picture: David Kessel

Have you performed in Die Fledermaus previously?

Olivia: “No, this is my first time performing in Die Fledermaus, but I watched a production at the Royal College of Music, which I really enjoyed.”

Alexandra: “No, this is my first time, although it’s a piece I’ve wanted to do for a very long time. I’ve been familiar with and loved the music for years, so it’s a real pleasure finally to be performing it.”

What’s your big number in the show?

Olivia: “Csárdás, where I am disguised as a Hungarian Countess and am trying to convince the party I am Hungarian through the music of my homeland.”

Alexandra: “Like Liv, my showcase number is the Csárdás. However, my personal favourite piece to perform is probably the Watch Duet. I remember seeing a performance featuring Joan Sutherland when I was about 14 and becoming completely obsessed with it. It’s one of the pieces that first sparked my interest in opera, so performing it now feels particularly special.”

Have you worked separately or together in rehearsal?

Olivia: “During rehearsals we would generally run the scenes separately to allow each of us to explore our own ideas and styles, but we have been supporting each other throughout the process, which has been helpful.”

“Rosalinda is a glamorous and spirited character who enjoys flirting with her many admirers,” says Olivia Turner. Picture: John Saunders

Alexandra: “A bit of both. We’ve rehearsed scenes separately so that we could each develop our own interpretation of Rosalinda, but we’ve also spent a lot of time watching and learning from each other. It’s been a very supportive process, and it’s always useful to have someone nearby who knows your lines when you suddenly forget them!”

What is your history of performing with York Opera?

Olivia: “This is my first time. Everyone has been so welcoming and it has been a pleasure to be involved in this 60th anniversary production.”

Alexandra: “I’ve been performing with York Opera for nearly ten years, and I feel incredibly privileged to be part of the company. They are one of the most welcoming and supportive groups I’ve ever worked with. It may sound clichéd, but they really do feel like a family. York Opera provides opportunities for performers to sing and act at a very high level alongside a full orchestra and exceptional musicians, and I’ve always felt both challenged and supported here.”

What is the principal joy of singing on the York Theatre Royal stage?

Olivia: “I am very excited as this will be my first time singing on the Theatre Royal stage.”

Alexandra: “York Theatre Royal is a fantastic venue. It’s large enough to feel exciting and impressive, but intimate enough that you never lose the connection with the audience. Smaller comic moments still land beautifully, and you can really feel the audience responding to what’s happening on stage. It’s also wonderful to bring local audiences into a thriving local theatre and support a venue that plays such an important role in York’s cultural life.”

York Opera in Die Fledermaus, York Theatre Royal, tomorrow (3/6/2026), Thursday and Friday, 7.30pm, Saturday, 4pm. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Alexandra Mather in the role of Rosalinda in York Opera’s photoshoot at Little Wold Vinery, South Cave, Brough. Picture: David Kessel

Four more questions for Alexandra:

What does sharing the role with Olivia bring to the production?

“It’s a really interesting opportunity to see another person’s interpretation of the role and to learn from their approach. Every performer brings something different to a character, so it’s fascinating to watch how Liv has developed her Rosalinda. It’s also been lovely getting to know her throughout the rehearsal process, and we’ve been able to support each other along the way.”

What are the primary delights of Die Fledermaus as a “party opera”?

“The joy of Die Fledermaus is that it’s light, frothy and enormous fun. It’s wonderfully easy to watch and enjoy. The waltzes and Strauss melodies sweep you along and create an atmosphere of pure celebration.

“At the same time, it has moments of genuine beauty, such as the Act II ensemble Brother Mine, where the pace briefly slows and you’re treated to some glorious, warm-hearted music. It’s a show that balances comedy, elegance and charm perfectly.”

Alexandra Mather in discussion with Die Fledermaus co-director Elizabeth Watson. Picture: David Kessel

How does the directing partnership of John Soper and Elizabeth Watson work?

“They work together extremely well because they bring different strengths to the production. John is a fantastic designer who creates and builds all of our sets himself, so he approaches the show with a very strong visual perspective. Liz is particularly skilled at character work, relationships and emotional storytelling.

“John also has an excellent comic instinct and a brilliant sense of timing, while Liz excels at shaping the more romantic and emotional moments. Together they create a really effective balance.”

What is coming up next for you in 2026?

“Next, I’ll be appearing in Michael Frayn’s classic farce Noises Off with Pick Me Up Theatre at the Joseph Rowntree Theatre in October. I’m very much looking forward to swapping one kind of comic chaos for another and trading operatic farce for one of the greatest stage comedies ever!”

Alexandra Mather‘s Rosalinda, left, and Stephanie Wong’s Adele, enjoying York Opera’s photoshoot at Little Wold Vinery ahead of this week’s production of Die Fledermaus. Picture: David Kessel