Andy McCluskey leading Orchestral Manoeuvres In The Dark on the first night of Live At York Museum Gardens. All pictures: Devon Chambers
ORCHESTRAL Manoeuvres In The Dark’s Summer Of Hits opened this Summer of Hot’s trio of concerts in Futuresound’s third Live At York Museum Gardens season.
Oh yes, it was hot, absurdly hot, hot enough to bake a pizza on the Yorkshire Museum walls, if you could cook a pizza sideways, as if in a Salvador Dali painting.
There will be no respite for Self Esteem’s Friday bill or today for Super Furry Animals (not a state of fur coverage any would want right now), so come prepared. Spray on Factor 50 sun cream, advises Futuresound project manager Rachel Hill. Look out for the water stations too to top up bottles.
The site lay-out changed from the first festival to the second, when the stage switched architectural backdrop from the Yorkshire Museum to the St Mary’s Abbey ruins, and further changes have come into play for 2026: a sure sign that Futuresound and York Museums Trust respond positively to suggestions.
Andrew Cushin, in retro football shirt, kicking off day one of Live At York Museum Gardens
Large screens have been placed to either side to enhance the viewing experience (last year, standing at the back, your reviewer struggled to see a head let alone Elbow, before being accommodated most kindly in the Ambulant seated area for Richard Hawley).
The Premium ticket experience has improved vastly too: separate entry via Exhibition Square; commodious bar (well stocked but no gin, presumably deemed too depressive for a festival) ; Indian and bao bun food vendors; seats and bean bags dotted around the gardens, away from the stage but within hearing range.
The Premium viewing area has expanded too, still by the Yorkshire Museum, still with reserved Ambulant seating, but now with a steeped bank of terracing, like the most spacious football Kop ever. Out-standing improvement, indeed.
Futuresound make good decisions: first in setting up Live At York Museum Gardens, then adding a Sunday comedy festival, then bettering the festivalgoer’s experience. The Leeds event promoters also pick the headline acts really well, whether home-crowd favourites Shed Seven’s 30th anniversary celebrations and Jack Savoretti in 2024 or Elbow, Hawley and Nile Rodgers & Chic last summer.
China Crisis frontman Gary Daly, dressed for the beach, at Live At York Museum Gardens
In 2026, headliners OMD, Self Esteem and Super Furry Animals each will appeal to a different pop/ rock demographic – Eighties, Gen Z and Nineties respectively – and the supporting bills offer enticement aplenty to arrive well before the 8.30pm last entry.
Andrew Cushin, Newcastle’s latest singer-songwriter protégé, came and went before your reviewer settled in by the museum wall to see China Crisis lead singer Gary Daly dressed appropriately for the weather: white T-shirt and green shorts (the de rigueur dress code for the men in the crowd too).
The Kirkby synth-poppers would be playing for only 30 minutes, so he would cut “the chat”, said the normally notoriously loquacious Daly after only two songs in the opening ten. Christian, “Jeremy Vine favourite” Arizona Sky, Black Man Ray, Wishful Thinking and King In A Catholic Sky were all reminders of how the Liverpool School of Melody DNA passed through them so delightfully.
We Don’t Need This Fascist Groove Thang T-shirts (without the brackets of the song title) heralded the presence of Heaven 17 devotees in the sold-out crowd. One, called Sumo, had been to 217 gigs (one more than lead singer Glenn Gregory, Glenn revealed, after Sumo turned up for a show in Canada but illness had put paid to the Sheffield electronic pioneers’ appearance).
Heaven 17 fans wearing We Don’t Need This Fascist Groove Thang T-shirts at the front of Friday’s sold-out crowd
Like Daly, Gregory likes to talk, to tell stories, as sharp of tongue as his tailoring in white suit, blue shirt and shades. Keyboardist Martyn Ware favoured sparkling hat and jacket, joined on stage by a drummer and Carrie, Rachel and Florence (keyboards and backing vocals).
We Don’t Need This Fascist Groove Thang, the first song Heaven 17 wrote after Ware and Ian Craig Marsh split from Heaven 17 in 1981, was given a 2026 re-boot, with ‘Trump’ replacing ‘Reagan’ in the lyrics. “We don’t need this Farage groove thang,” Gregory said afterwards, urging support for Count Binface in the Clacton by-election.
Introduced as “Kim Wilde walked down the aisle to this one”, Come Love With Me Come was a particular joy, while the “Giorgio Moroder tribute”, I’m Your Money, was segued with Donna Summer’s I Feel Love. Gregory and co then went the full cover-version hog on David Bowie’s Let Dance, rivalled only by the climactic Temptation for impact.
“Enjoy Orchestral Manoeuvres, I know I will,” enthused Gregory, later to be spotted in the crowd doing exactly that. It still wasn’t dark when OMD emerged on stage after a futuristic film projection, and nor would there be any “orchestral manoeuvres”, but all dressed in black (ah, there’s the dark), frontman Andy McCluskey and keyboardist Paul Humphreys (in specs) were joined by Martin Cooper on keys and saxophone and Stuart Kershaw on drums.
Martyn Ware and Glenn Gregory of Heaven 17: Still playing to win after 45 years together at Live At York Museum Gardens
In this digital age, OMD can replicate their recorded electronic sound to perfection, says McCluskey, although there was still room for him to forget the same words twice in one song, met with an invitation to the audience to jump.
Imagery ran throughout their set on a screen that spanned the whole of the stage, changing for each song, switching between colour and black and white, much in the manner of Public Service Broadcasting’s concerts.
True to their billing, the Summer Of Hits meant playing all, not some of their hits, with the oh-so-familiar standouts of the brace of Joan Of Arcs, Souvenir, Forever Live And Die and Sailing On The Seven Seas, plenty of peaks, the occasional trough, and a magnificent version of Enola Gay, to the haunting accompaniment of atomic bomb footage.
Walking On The Milky Way was ruefully reflective, if defiant, of the passage of time and what else but Electricity could crackle through the night sky to meet the 10.30pm curfew bang on.
The crowd watching the climax to Orchestral Manoeuvres In The Dark’s set as darkness descends on Live At York Museum Gardens
SUPER Furry Animals may be Dai-hard Welshman, but in an act of supreme consideration to England versus Norway kicking off at 10pm in the World Cup quarter final, everything today at Live At York Museum Gardens will kick off earlier to boot. Gates open at 3.30pm; last entry is at 8pm.
Saturday’s bill: Pys Melyn (3.55pm to 4.25pm); Divorce (4.45pm to 5.25pm); Los Campesinos! (5.55pm to 6.40pm); Baxter Dury (7.10pm to 7.55pm); headliners Super Furry Animals (8.25pm to 9.55pm.
Orchestral Manoeuvres In The Dark’s Andy McCluskey and Paul Humphreys: Summer of Hits concert at Live At York Museum Gardens tonight
LIVE At York Museum Gardens returns for its third festival of outdoor concerts from today to Saturday and second York Comedy Festival on Sunday, organised by Leeds event promoters Futuresound Group.
“We’re so proud of how Live at York Museum Gardens has grown, and we’re looking forward to seeing the changes we’ve made to the site this year, ensuring that everyone enjoys their time in such a beautiful space,” says Rachel Hill, Futuresound’s project manager, who lives in York, by the way.
The map of the Live At York Museum Gardens site for July 9 to 11
“None of this would have been possible without the continued collaboration, trust and support of the team at York Museums Trust; the opportunity to put together such an incredible bill for the summer makes us excited for the future of our partnership.”
Today’s bill: Orchestral Manoeuvres In The Dark’s Summer of Hits (9pm), with Heaven 17 (7.30pm), China Crisis (6.30pm) and Newcastle singer-songwriter Andrew Cushin (5.30pm) in support. Gates open at 5pm; last admission 8.30pm. SOLD OUT.
Friday’s bill: Self Esteem (Rotherham’s Rebecca Lucy Taylor), supported by The Big Moon, Moonchild Sanelly and Joshua Idehen. Gates, 5pm; last entry, 8.30pm.
Super Furry Animals: Flower power in the botanical gardens at Live At York Museum Gardens on Saturday. Picture: Ryan Eddleston
Saturday’s bill: PLEASE NOTE: NOW STARTING and ENDING EARLIER. Super Furry Animals (8.25pm to 9.55pm), plus Baxter Dury (7.10pm to 7.55pm). Los Campesinos! (5.55pm to 6.40pm), Divorce (4.45pm to 5.25pm) and Pys Melyn (3.55pm to 4.25pm). Gates, 3.30pm; last entry, 8pm.
Event curfew for each concert: 10.30pm.
Check Live At York Museum Gardens social media channels on the day, where set times will be published ahead of time. NO readmittance to Live At York Museum Gardens; once you leave the site, you will not be allowed to re-enter.
Sunday’s comedy bill: Nabil Abdulrashid, 4:20pm to 4:45pm; Jeff Innocent, 4.50pm to 5.15pm; Barry from Watford, 5.45pm to 6.10pm; Suzi Ruffell, 6.15pm to 6.40pm; Russell Kane, 7.10pm to 7.35pm; Joanne McNally, 7.40pm to 8.05pm; Ross Noble, 8.35pm to 9.05pm and Russell Howard, 9.30pm to 10pm, hosted by Jarred Christmas. Gates, 3pm; last entry, 8.15pm. .
The map for the Live At York Museum Gardens site for Sunday’s York Comedy Festival
Map: Futuresound, the team behind Live at York Museum Gardens, have come to know the site well and, in tandem with York Museums Trust, have “refined how the event fits and feels within the garden walls”. Downloadable site maps can be found at the Live at York Museum Gardens FAQ page with other relevant information.
Box office: Located adjacent to General Admission entrance via Museum Street while the newly situated Premium Ticket entrance is via Exhibition Square.
New features: The Live at York Museum Gardens Premium Area has been moved to a new location closer to the action with a Hang Out Area featuring seating, premium facilities and exclusive food vendors, along with access to a new first-come, first-served, free-flowing Premium Standing Platform with an unparalleled view of the stage.
Significantly, this year’s event will feature large-format, high-definition screens either side of the main stage for the first time, “significantly improving audiences ability to see and appreciate the performances”.
Cutting a dash: Russell Kane will play a 25-minute set at Sunday’s York Comedy Festival at 7.10pm
Gardens facts: Founded in the 1830s, York Museum Gardens span more than ten acres of botanical gardens, set against the backdrop of the ruins of St Mary’s Abbey and also house the Yorkshire Museum and Hospitium. The gardens welcome 1.3 million visitors a year as a space to relax and enjoy.
Weather forecast: Phew, what a scorcher, all weekend.
Rachel Hill’s advice: Make sure to apply Factor 50 sun cream.
Alas, Self Esteem’s Rebecca Lucy Taylor was not available for an interview.
Self Esteem’s Rebecca Lucy Taylor
Who is Self Esteem? Fact file
Born: Rotherham, South Yorkshire, October 15 1986.
Name: Rebecca Lucy Taylor.
Age: 39.
Parents’ occupations: Father, health & safety advisor and amateur musician; mother, secretary.
Education: Wales High School in Rotherham, where she was a “choir nerd”.
Occupation: Singer, songwriter, musician and actress.
Style: Experimental pop, R&B and electronica, delivered with theatrical stage presence.
Content: Known for bold, emotionally honest, witty, genre-defying pop music with feminist themes, addressing gender politics, women’s rights, female autonomy, mental health, liberation, modern identity and self-empowerment, challenging societal norms.
First band: The Lonely Hearts, featuring Taylor on drums.
Second band: On vocals, drums, guitar and percussion, she was one half of folk-indie/country soul duo Slow Club, formed in Sheffield in 2006 with fellow former Lonely Heart Charles Watson (vocals, guitar, piano)
Albums: Yeah So, 2009; Paradise, 2011; Complete Surrender, 2014; All Of This Won’t Matter Anymore, 2016.
Played here: The Basement (City Screen Picturehouse), The Duchess and The Crescent in York; Pocklington Arts Centre.
The first poster for Self Esteem at Live At York Museum Gardens
Documentary: Our Most Brilliant Friends, directed by Piers Dennis, released in 2018, charting Slow Club’s final tour in Winter 2016 and the “unfulfilled” Taylor’s rising dissatisfaction with the band.
Did you know? Guillemots’ Fyfe Dangerfield occasionally joined the duo on stage on tour.
Rebranded as Self Esteem: 2017, preceded by using that name for artistic projects such as a painting and print exhibition.
Albums: Compliments Please, 2019; Prioritise Pleasure, 2021; A Complicated Woman, April 25 2025.
Best-known song: Spoken-word anthem I Do This All the Time, 2021.
Acting roles: On TV, I Hate Suzie Too (Sky) and Smothered (Sky). Film: Layla, playing Emily in writer-director Amrou Al-Kadhi’s 2024 debut British romance.
Theatre: Sally Bowles in Cabaret, at Kit Kat Club, Playhouse Theatre, West End, London, September 2023 to March 2024; Maggie Frisby in 50th anniversary West End revival of David Hare’s Teeth’n’Smiles, Duke of York’s Theatre, March 13 to June 6 2026 (playing lead role originated by Helen Mirren)
On stage too: Created and starred in A Complicated Woman Live, a specially conceived theatrical live performance at Duke of York’s Theatre, London, in 2025.
Awards: Visionary Award at 2025 Ivor Novello Awards; Album of the Year for Proritise Pleasure in the Guardian and Sunday Times Culture; Attitude magazine’s Music Award, 2021; BBC Introducing Artist of the Year, 2022. Nominated for Mercury Prize, BRIT Awards, Sky Arts Awards and NME Awards.
Did you know too? Self Esteem composed the soundtrack for Suzie Miller’s one-woman play Prima Facie, starring Jodie Comer in the West End, on Broadway and on tour at Grand Opera House, York, in February 2026.
Debut book: A Complicated Woman, published on October 30 2025. Co-curated London Literature Festival at Southbank to mark its release.
When is Self Esteem playing York? Live At York Museum Gardens, July 10. Box office: https://www.futuresoundgroup.com/york-museum-gardens-events
The second poster for Self Esteem at Live At York Museum Gardens
Becca Magson’s Rita and Joe Gregory’s Frank in 1812 Theatre Company’s Educating Rita. Picture: Lauren Wyeth
RYEDALE Festival and 1812 Theatre’s Educating Rita, compact Shakespeare and Live At York Museum Gardens are uppermost in Charles Hutchinson’s recommendations amid the July heatwave.
Ryedale play of the week: 1812 Theatre Company in Educating Rita, Helmsley Arts Centre, tonight to Saturday, 7.30pm
SAMANTHA Hughes directs Helmsley Arts Centre resident troupe 1812 Theatre Company in Willy Russell’s comedy Educating Rita, wherein Frank (Joe Gregory) is a tutor of English Literature in his 50s whose disillusioned outlook on life drives him to drink and bury himself in his books.
Enter Rita (Becca Magson), a forthright 26-year-old hairdresser who is eager to learn. After weeks of cajoling, she slowly wins over the hesitant Frank with her highly original insights and refusal to accept “No” for an answer. Box office: 01439 771700 or helmsleyarts.co.uk. Picture: Lauren Wyeth.
Michael Flatley’s Irish dancers in the 30th anniversary tour of Lord Of The Dance, in action at York Barbican tonight. Picture: Brian Doherty
Dance show of the week: Michael Flatley’s Lord Of The Dance30th Anniversary Tour, York Barbican, tonight, 7.45pm
THE 30th anniversary tour of Michael Flatley’s Lord Of The Dance promises a grand celebration of the revolutionary Irish dance production’s legacy, after captivating more than 60 million fans in 60 countries since its 1996 debut.
The 30 Years of Standing Ovations tour features “brand-new choreography, stunning costumes, state-of-the-art special effects and cutting-edge lighting, ensuring that the production continues to push boundaries and deliver an unforgettable experience”. Box office: yorkbarbican.co.uk/whats-on/lord-of-the-dance-30th-anniversary/.
Clive Francis’s Sir Humphrey Appleby in I’m Sorry, Prime Minister. Picture: Johan Persson
Political drama of the week: I’m Sorry, Prime Minister, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees
JIM Hacker is back, older, but perhaps not wiser, and still utterly baffled by the real world. Hoping for a quiet retirement from government as the master of Hacker College, Oxford, Jim (Robert Kitson, replacing the indisposed Simon Rouse) instead finds himself facing the ultimate modern crisis: cancelled by the college committee. Enter Sir Humphrey Appleby (Clive Francis), who has lost none of his love for bureaucracy, Latin phrases and well-timed obstruction.
Can Humphrey and Jim outmanoeuvre the hostile students, the Fellows and reality itself? Or is it finally time to say “I’m Sorry, Prime Minister”? Brimming with wit, nostalgia and more double-speak than a press briefing, the final chapter in the evergreen comedy series is written and directed by Jonathan Lynn,co-directed byMichael Gyngell and presented by The Barn Theatre, Cirencester. Box office: atgtickets.com/york.
Reduced Shakespeare Company’s 2026 tour cast for The Complete Works of William Shakespeare (Abridged), squeezing into York Theatre Royal this week
Shakespeare shake-up of the week: Reduced Shakespeare Company in The Complete Works of William Shakespeare (Abridged), York Theatre Royal, until Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
MARKING 30 years of performances in the UK, the Reduced Shakespeare Company’s 2026 tour company of Efé Agwele, Woogie Jung, Tom Pavey and Kiran Raywilliams presents Hamlet told backwards, a micro-condensed Othello scored to a ukulele, a carnage-filled Titus Andronicus presented as a YouTube cookery tutorial and the History Plays as a manic football game, passing the crown from king to king.
Californian co-founders Adam Long, Daniel Singer and Jess Winfield have re-booted, re-imagined, reinvented and updated the restless comedy for a new generation to undertake a rollercoaster ride through all 37 of the Bard’s First Folio of plays. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Stephen Smith’s Claude Monet in A Montage Of Monet at York Medical Society. Picture: Amie Barton-Young
Storytelling actor of the week: Threedumb Theatre presents Stephen Smith in A Montage Of Monet, York Medical Society, Stonegate, York, tonight, 7.30pm and July 11, 3pm; One Man Poe world premiere, July 11, 7.30pm
THREEDUMB Theatre artistic director and actor Stephen Smith performs Joan Greening’s new play exploring French Impressionist artist Claude Monet’s life and loves: his two marriages, his first wife’s devastating death, his lover’s erratic behaviour, his suicide attempt, his thoughts on fellow Impressionists and the torment of his failing eyesight. The 55-minute Monet montage combines projection design and Joe Furey’s music with Smith’s storytelling in two York performances.
Smith also presents the world premiere of his latest Poe double bill (The Business Man and The Case of M. Valdemar) ahead of his Edinburgh Fringe residency. Box office: York, 01904 623568 or yorktheatreroyal.co.uk.
Orchestral Manoeuvres In The Dark’s Andy McCluskey and Paul Humphreys: Summer of Hits concert at Live At York Museum Gardens
Rock and pop festival of the week: Futuresound presents Live At York Museum Gardens, Orchestral Manoeuvres In The Dark, tomorrow, gates 5pm; Self Esteem, Friday, gates 5pm, and Super Furry Animals, Saturday, gates 4pm
WIRRAL synth-pop pioneers Orchestral Manoeuvres In The Dark open Futuresound’s third season of Live At York Museum Gardens concerts tomorrow with a Summer of Hits bill featuring Heaven 17, China Crisis and rising Newcastle singer-songwriter Andrew Cushin.
Mercury Prize nominee Self Esteem, aka Rotherham singer, songwriter and actress Rebecca Lucy Taylor, tops Friday’s line-up, featuring London indie group The Big Moon, South African ghetto funk musician Moonchild Sanelly and Nigerian-born musician and spoken-word artist Joshia Idehen.
Welsh psychedelic rock band Super Furry Animals are Saturday’s headliners, joined by singer-songwriter Baxter Dury, indie-pop septet Los Campesinos!, Nottingham alt-country band Divorce and North Wales psychedelic act Pys Melyn. Box office for July 10 and 11: futuresoundgroup.com/york-museum-gardens-events.
Ross Noble: Playing York Comedy Festival at Live At York Museum Gardens on Sunday
Comedy event of the week: Futuresound presents York Comedy Festival, Live at York Museum Gardens, York, Sunday, gates 3pm
TOPICAL comedian Russell Howard (9.30pm), from Russell Howard’s Good News, and Geordie surrealist Ross Noble (8.35pm) take top billing at the second open-air York Comedy Festival, promoted by Futuresound.
In Sunday’s line-up too will be Irish stand-up and podcast sensation Joanne McNally (7.40pm); stand-up and presenter Russell Kane (7.10pm); Big Kick Energy podcaster and comedian Suzi Ruffell (6.15pm); Barry From Watford (5.45pm), the 82-year-old comic creation of Alex Lowe; cult stand-up hero and viral sensation Jeff Innocent (4.50pm) and Britain’s Got Talent finalist Nabil Abdulrashid (4.20pm), all hosted by Jared Christmas. Box office: yorkcomedyfestival.com.
The Gesualdo Six: Performing Wishing Tree: A Choral Journey at St Lawrence’s Church, York, on July 14 at 3pm as part of Ryedale Festival. Picture: Ash Mills
Festival of the week: Ryedale Festival, July 10 to 26
RYEDALE Festival presents 60 events this month in 40 different venues, including Tenebrae, pianist Junyan Chen, The Gesualdo Six, Dunedin Consort, John Wilson & Sinfonia of London’s An English Summer, the Royal Liverpool Philharmonic Orchestra, Royal Northern Sinfonia and Opera North.
Taking part too are tenor Mark Padmore and pianist Christopher Glynn, Sheku & Isata Kanneh-Mason, pianist Benjamin Grosvenor, Eliza Carthy and The Restitution, soprano Erika Baikoff, cellist Laura van der Heijden, BBC Radio 3 New Generation Artists and Kirkbymoorside Town Brass Band. For the full festival programme and tickets, go to: ryedalefestival.com.
Hannah Davies and Jack Woods: Re-imagining of the selkie myth in a not-too-distant future in The Ballad Of Blea Wyke. Picture: Matt Jopling
Dystopian vision of the week: Hannah Davies & Jack Woods in The Ballad of Blea Wyke, Rise@Bluebird Bakery, York, July 10, 8.30pm; Helmsley Arts Centre, July 17, 7.30pm
IN North Yorkshire writer and storyteller Hannah Davies and musician Jack Woods’ dystopian re-imagining of the selkie myth in a not-too-distant future, a young woman wants to see the sea. A stranger stands on a cliff. The last grey seal swims towards the shore.
On her 18th birthday, tough care-leaver Cerys breaks the city’s lockdown and travels to the coastal cliffs that birthed her, the crumbling landscape drawing her back to her mythic past. Cue a haunting interweaving of story, music, poetry and song. Box office: York, https://bluebirdbakery.co.uk/rise;Helmsley, 01439 771700 or helmsleyarts.co.uk.
SledOne’s mural, What Walks Amongst Us, taking shape at AcombFest. Picture: Art of Protest
MURALS in Acomb, early music beyond borders, Mystery Plays on waggons, a political swansong and compact Shakespeare keep Charles Hutchinson’s thoughts off the July heatwave.
Art event of the week: AcombFest, Acomb, York, today and tomorrow
CURATED by Art of Protest, York’s first international street art festival continues today and tomorrow with its theme of A Return To Nature, featuring 20 art installations, live murals, RARE Collective’s Paint Jam, spray battles and more than 30 bands, DJs and performers, across 22 venues.
Look out too for interactive family-friendly workshops, an art market, history walks and talks, special events and tastings and a community cinema. Muralists taking part include SMUG, from Australia, Sheffield muralist Peachzz, wildlife artist Curtis Hylton and Acomb’s very own SledOne. For full details, go to: https://acombfest.co.uk/.
Baroque collective Solomon’s Knot: Performing Friedrich Nicolaus Bruhns’ St Mark Passion, directed by Jonathan Sells, at The Quire, York Minster, on July 10
50th anniversary event of the summer: 2026 York Early Music Festival, Beyond Borders, until July 11
THE premier British early music festival marks its 50th anniversary with a celebration of “just how far early music has travelled – beyond the borders of the myriad historic venues of our city to a worldwide audience,” says director Delma Tomlin.
The festival welcomes The Sixteen, B’Rock Orchestra & Vocal Consort, Imago Mundi, mezzo-soprano Helen Charlston, Solomon’s Knot and NCEM Platform Artists Anacronia and Contre le temps, among others. Box office: 01904 658338 or ncem.co.uk/yemf.
Bodhan Pitel’s Herod in DSpace Ukrainian Theatre’s The Massacre of the Innocents in the York Mystery Plays 2026. Picture: John Saunders
Theatrical outdoor event of the week: 2026 York Mystery Plays, streets of York, tomorrow, 10.30am to 4.50pm
THE four-yearly staging on the York Mystery Plays on pageant waggons takes place at four locations across the city: free viewing at the Minster Refectory Gardens, Deansgate, (from 10.30am) King’s Square (from 11.10am), St Sampson’s Square (from 11.50am) and ticketed seats at Dean’s Park (from 12.30pm). Ten core plays will be complemented by further extracts to tell the story from The War In Heaven to Doomsday. For full details, go to yorkmysteryplays.co.uk; tickets, ticketsource.com/york-festival-trust.
Clive Francis as Sir Humphrey Appleby in I’m Sorry, Prime Minister. Picture: Johan Persson
Political drama of the week: I’m Sorry, Prime Minister, Grand Opera House, York, July 7 to 11, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees
JIM Hacker is back, older, but perhaps not wiser, and still utterly baffled by the real world. Hoping for a quiet retirement from government as the master of Hacker College, Oxford, Jim (Robert Kitson, replacing Simon Rouse) instead finds himself facing the ultimate modern crisis: cancelled by the college committee. Enter Sir Humphrey Appleby (Clive Francis), who has lost none of his love for bureaucracy, Latin phrases and well-timed obstruction.
Can Humphrey and Jim outmanoeuvre the hostile students, the Fellows and reality itself? Or is it finally time to say “I’m Sorry, Prime Minister”? Brimming with wit, nostalgia and more double-speak than a press briefing, the final chapter in the evergreen comedy series is written and directed by Jonathan Lynn,co-directed byMichael Gyngell and presented by The Barn Theatre, Cirencester. Box office: atgtickets.com/york.
Reduced Shakespeare Company’s 2026 tour cast for The Complete Works of William Shakespeare (Abridged)
Shakespeare shake-up of the week: Reduced Shakespeare Company in The Complete Works of William Shakespeare (Abridged), York Theatre Royal, July 7 to 11, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
MARKING 30 years of performances in the UK, the Reduced Shakespeare Company’s 2026 tour company of Efé Agwele, Woogie Jung, Tom Pavey and Kiran Raywilliams presents Hamlet told backwards, a micro-condensed Othello scored to a ukulele, a carnage-filled Titus Andronicus presented as a YouTube cookery tutorial and the History Plays as a manic football game, passing the crown from king to king.
Californian co-founders Adam Long, Daniel Singer and Jess Winfield have re-booted, re-imagined, reinvented and updated the restless comedy for a new generation to undertake a rollercoaster ride through all 37 of the Bard’s First Folio of plays. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Stephen Smith’s Claude Monet in A Montage Of Monet
Busiest actor of the week: Threedumb Theatre presents Stephen Smith in A Montage Of Monet, York Medical Society, Stonegate, York, July 8, 7.30pm and July 11, 3pm; One Man Poe, Ripon Theatre Festival, Ripon Arts Hub, July 10, 8pm; One Man Poe world premiere, York Medical Society, July 11, 7.30pm
THREEDUMB Theatre artistic director and actor Stephen Smith performs Joan Greening’s new play exploring French Impressionist artist Claude Monet’s life and loves: his two marriages, his first wife’s devastating death, his lover’s erratic behaviour, his suicide attempt, his thoughts on fellow Impressionists and the torment of his failing eyesight. The 55-minute Monet montage combines projection design and Joe Furey’s music with Smith’s storytelling in two York performances.
Smith also presents four of Edgar Allan Poe’s Gothic horror works (The Tell-Tale Heart, The Pit and The Pendulum, The Black Cat and The Raven) in Ripon, followed by the world premiere of his latest Poe double bill (The Business Man and The Case of M. Valdemar) in York. All six, amounting to 18,000 Poe words, will be performed at the Edinburgh Fringe. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Ripon, ripontheatrefestival.org.
Musical of the week: Top Hat and Tails Theatre in Little Shop Of Horrors!, Friargate Theatre, York, July 9 to 11, 7.30pm plus 2.30pm Saturday matinee
MEEK floral assistant Seymour Krelborn stumbles across a new breed of plant he calls Audrey II, a foul-mouthed carnivore that promises him fame and fortune if he keeps feeding it with blood. Over time, however, Seymour discovers Audrey II’s plans for global domination in Howard Ashman and Alan Menken’s sci-fi B-movie monster spoof, presented here with a live band and professionally hand-crafted puppets. Box office: ridinglights.org.
Orchestral Manoeuvres In The Dark’s Andy McCluskey and Paul Humphreys: Summer of Hits show at York Museum Gardens on Thursday
Music festival of the week: Futuresound presents Live At York Museum Gardens, Orchestral Manoeuvres In The Dark, July 9, gates 5pm; Self Esteem, July 10, gates 5pm, and Super Furry Animals, July 11, gates 4pm
WIRRAL synth-pop pioneers Orchestral Manoeuvres In The Dark open Futuresound’s third season of Live At York Museum Gardens concerts on Thursday with a Summer of Hits bill featuring Heaven 17, China Crisis and rising Newcastle singer-songwriter Andrew Cushin.
Mercury Prize nominee Self Esteem, aka Rotherham singer, songwriter and actress Rebecca Lucy Taylor, tops Friday’s line-up, featuring London indie group The Big Moon, South African ghetto funk musician Moonchild Sanelly and Nigerian-born musician and spoken-word artist Joshia Idehen.
Welsh psychedelic rock band Super Furry Animals are next Saturday’s headliners, joined by singer-songwriter Baxter Dury, indie-pop septet Los Campesinos!, Nottingham alt-country band Divorce and North Wales psychedelic act Pys Melyn. Box office for July 10 and 11: futuresoundgroup.com/york-museum-gardens-events.
If I Knew The Way, I Would Take You Home, by Matt Sewell
In Focus: Birds of the week: Matt Sewell exhibition for RARE Collective at WET, Micklegate, York,until mid-July
SHROPSHIRE artist, illustrator and author Matt Sewelll is the latest street art luminary to be showcased in RARE Collective’s collaboration with WET wine bar, in Micklegate, York, in aid of SASH (Safe and Sound Homes), the York youth homelessness charity.
“We’re really chuffed to have Matt return to York with his fabulous Riso prints,” says RARE Collective exhibition organiser Sharon McDonagh. “If you came to the Vandalfest charity street art show last year, you would have seen his cracking bird mural on Floor 3 of the big disused office block in Low Ousegate.
Artist Matt Sewell at work
Sewell is an avid ornithologist, contributing regularly to the Caught By The River website and publishing the books Our Garden Birds, Our Songbirds, Our Woodland Birds, Owls, Penguins and A Charm Of Goldfinches And Other Collective Nouns.
He has illustrated for the Guardian, Barbour, V&A Museums, BBC, National Trust, Greenpeace, Big Issue and Levi’s and painted walls for Helly Hansen, Puma and the RSPB (Royal Society for the Protection of Birds). He has exhibited in Great Britain, New York, old York, Tokyo and Paris.
Cuckoo Cuckoo Cuckoo, by Matt Sewell
Under RARE Collective’s partnership with WET, artists and photographers exhibit their work in a six-week solo show. As well as at WET, work can be bought online both during and after the exhibition run at rarecollective.co.uk.
In addition, a selection of Sewell’s prints is featuring in RARE Collective’s exhibition for AcombFest at The Crooked Tap, on show until August 15 in support of SASH.
Matt Sewell’s wall of bird prints for sale at WET
Exhibiting too are: spAm (Sharon McDonagh), Sola, Alison Jagger, Al Murphy, Anthony Appleyard, Boxxhead, HazardOne, Lady Mkei, Lincoln Lightfoot, Liskbot, Michael Dawson, Nicolas Dixon, Slice Of Lino, STATIC and Stephen Bottrill.
“RARE are working in collaboration with the Art of Protest Project, after being invited by AcombFest curator Jeff Clark and the AOP team to curate the live PaintJam at the Carlton Tavern, in Acomb Road, Holgate, today and tomorrow,” says RARE Collective curator Sharon McDonagh.
“This will involve nine artists painting live from 10am to 4pm each day (Boxxhead, HazardOne, Lady Mkei, Lincoln Lightfoot, Liskbot, Nicolas Dixon, Sola, spAm and VYZ); live DJ sets by Alilou, Bob Yenz, Conor Rogan, Free Da Karlos and Sola plus guests, audiovisual artists Fred DWolf, Sonas and JohnManBand on a huge screen, cocktails and mixology by Tulum Spirits Collective and street food by El Chappo, all in support of SASH.”
Did you know?
MATT Sewell is also a musician, performing as Sewell &The Gong with Chris Tate and as the deep-cut compiler of the compilation series A Crushing Glow.
Matt Sewell’s work environment
In Focus too: Michael Flatley’s Lord Of The Dance, 30th Anniversary Tour, York Barbican, July 6 to 8, 7.45pm
THE 30th anniversary tour of Michael Flatley’s Lord Of The Dance promises a grand celebration of the revolutionary Irish dance production’s legacy after captivating more than 60 million fans in 60 countries since its 1996 debut.
The 30 Years of Standing Ovations tour will feature “brand-new choreography, stunning costumes, state-of-the-art special effects and cutting-edge lighting, ensuring that the production continues to push boundaries and deliver an unforgettable experience”.
Creative manager James Keegan says: “Michael Flatley has taught me that there are no boundaries in the creative space. When he burst onto the scene in the mid-90s, he took traditional Irish dancing to a place nobody had ever dreamed of, and that has been the key to the show’s success.
“Michael often says in rehearsals that we need to push the boundaries as much as we can, and if it’s too far or doesn’t work, we can always pull it back. That mindset is what keeps Lord Of The Dance evolving.”
Lord Of The Dance on its 30th anniversary tour. Picture: Brian Doherty
Keegan believes that the core elements of Flatley’s visionary production – choreography, music and storytelling – remain timeless while still evolving. “What made Lord Of The Dance famous 30 years ago is still what makes it work today: 40 of the greatest Irish tap dancers in the world performing in one line in perfect sync. It’s a spectacle that never loses its magic,” he says.
Reflecting on Flatley’s impact, Keegan says: “Professional Irish dancing didn’t really exist until Michael created his shows and added a more entertaining twist to the art form.
“He wasn’t just a dancer; he was a highly tuned athlete who could perform at astonishing levels for a full two-hour show, seven days a week. Today, we see young competitive dancers around the world striving to reach the levels he set.”
But beyond the footwork and the spectacle, Keegan reckons Flatley’s greatest legacy is his ability to inspire. “Michael’s motto has always been, ‘Nothing is impossible.’ He took an already intricate dance form and pushed it even further, breaking records like 38 taps per second and incorporating upper body movements that defied tradition,” he says.
Michael Flatley
“I’ve seen it time and time again: a dancer who never thought they could be a lead receives Michael’s encouragement, and before long, they are fulfilling their dream on stage.”
For Keegan, one moment stands out above the rest. “In 1997, I was a ten-year-old competitive Irish dancer in Manchester, struggling with the name-callers and the challenges of being a young male dancer,” he says.
“Then Lord Of The Dance came to town. Watching Michael and the cast that night at the Apollo Theatre changed everything for me. The masculinity, the precision, the energy, it was like nothing I’d ever seen before.
“I met Michael at the stage door, and suddenly, I knew that being an Irish dancer could mean being a superstar. Nineteen years later, I had the honour of sharing his final show with him at Caesars Palace, Las Vegas, in 2016. It was a full-circle moment I will never forget.”
Michael Flatley’s Lord Of The Dance dancers
As Lord Of The Dance embark on its 30th anniversary tour, Flatley reflects on the journey. “The magic of Lord Of The Dance lives on in the hearts of our audience, and I am thrilled to bring this iconic show back to the UK in 2026,” he says.
“30 Years of Standing Ovations celebrates the incredible journey we’ve shared with fans over the years. It’s a tribute to the enduring power of dreams, the joy of dance and the unwavering support of our audience. This tour is our way of saying thank you for three decades of unforgettable memories.”
Although Flatley, now 67, retired from performing during his final tour in 2016, he has remained at the helm of Lord Of The Dance, guiding its evolution while preserving its timeless magic.
Now, as the production prepares for its biggest celebration yet, fans can look forward to a breathtaking spectacle that honours the past, embraces the present, and inspires the future of Irish dance.
Andy McCluskey and Paul Humphreys of Orchestral Manoeuvres In The Dark
ELECTRONIC new wave trailblazers Orchestral Manoeuvres In The Dark will headline the first night of Futuresound’s third summer of Live At York Museum Gardens concerts.
The Wirral synth-pop duo of Andy McCluskey and Paul Humphreys will be joined on OMD’s Summer Of Hits bill on July 9 bill by two fellow Eighties’ synth-pop luminaries, Sheffield’s Heaven 17 and Kirkby’s China Crisis, and rising singer-songwriter Andrew Cushin.
“It’s gonna be lovely playing outdoors,” says McCluskey, 67, fresh from OMD’s 22-date February and March tour showcasing their 2023 UK top two-charting album Bauhaus Staircase. “The biggest difference quite simply is playing in daylight. We have a lot of lights and LED screens behind us, so it will have a different feel just because of the daylight. It won’t be dark until quite late in the show.”
The contrast with the indoor experience will come one night earlier at Bradford Live. “A lot of people in Yorkshire were frustrated that York sold out so quickly, so the promoter asked us to play Bradford,” says Andy, who is looking forward to performing at the new £55 million Bradford venue – in the former Odeon cinema – for the first time.
Roll on to the next night in York. “There’s a party element to playing outdoors, though you’re playing with the lottery of the weather in Britain.” Good news for these upcoming Orchestral manoeuvres in the not so dark: the weather forecast predicts sunny intervals with a gentle breeze – while Futuresound concert promoter Rachel Hill advises bringing Factor 50 sun cream.
Choosing the set list will be straightforward. “We’ve advertised the shows as the Summer Of Hits tour, as you’re going to get 18 hits regardless, but obviously in York we’ll have some great acts with us,” says Andy. “Heaven 17 are stunning live, as are China Crisis, both with amazing frontmen [Glenn Gregory and Gary Daly respectively], so that means we have to keep it tighter in York, playing for 90 minutes [to meet the 10.30pm curfew].
“We specifically asked to have Heaven 17 and China Crisis on the bill. At the beginning of March, I was on an Eighties’ rock cruise, out of Port Canaveral, cruising around the Caribbean, doing two 90-minute shows and the rest of the week as holiday, taking all the WAGs with us! Heaven 17 were there for that one – and we go way back with the China Crisis boys, who’ve done a couple of tours with us over the years.”
Formed by childhood friends McCluskey (vocals and bass) and Paul Humphreys (keyboards and vocals) in 1978, Orchestral Manoeuvres In The Dark emerged in the pioneering early days of synth pop, when the proto-machinery was more erratic in its behaviour in making their electronic craft work.
Contrast with 21st century technology. “The digital age has transformed everything,” says Andy. “For me, as the singer, one of the best things now is the in-ear monitor, where you can hear everything so clearly. You don’t need so many speakers on stage; you don’t need it to be so loud, and the sound guy doesn’t have to fight with that.
“You don’t have to keep changing your synths. Everything is loaded into the digital keyboard, so there’s a lot less work for the keyboard player and the songs sound perfect every night.”
Is perfection good for live music, Andy? “Absolutely! We love it. We’re happy with how our records sounded, so that’s how we try to re-create them live on stage, as why would you want to mess with treasured memories. Why change them? Let people treasure those memories,” he says.
“I don’t understand how bands can go on stage and say to themselves ‘I’m so bored how this song sounds after playing it 1,000 times’. Don’t mess with your songs!”
Casting an eye over five decades of OMD, Andy says: “It’s quite remarkable to look back, and what I’m always reminding myself is that we’ve had a lot of hit singles doing the music just the way we wanted to. No-one was telling us how to record them or writing songs for us. We’ve been a 48-year rolling accident!
“I should have gone to Leeds to study Fine Art; Paul should have done a British Telecom apprenticeship in London [but turned it down]. Instead we created a band with a crazy name for a dare for one gig, and here we are, still together 48 years later.
“The broader picture is that what we’re blessed with is how we’re in a post-modern era where nothing is out of fashion any more – which is nice for us older musicians, where if you’re considered an icon, people will still come and see you, and if people saw those songs as the soundtrack of their lives back then, they’re still the soundtrack to their lives.
“In many ways, songs act as little memory pegs, upon which hang several different memories. One of the great things about being a songwriter is that you may not solve poverty or end warfare, but you create these little three-minute vignettes that become reference points for the most touching moments in people’s live, like your songs being played at funerals.
“That’s the greatest compliment that someone can give you, that something you created has become a memory for an entire family.”
Futuresound presents Orchestral Manoeuvres In The Dark’s Summer Of Hits featuring Heaven 17, China Crisis and Andrew Cushin, Live at York Museum Gardens, July 9, gates open at 5pm. SOLD OUT.
Joshua Arnold and Therine: On the bill for A Feast Of Fools III at the Black Swan
N his first guide to the New Year, Charles Hutchinson picks out upcoming highlights on January’s calendar and beyond.
Navigators Art presents A Feast Of Fools III, The Black Swan Inn, Peasholme Green, York, Sunday, 7.30pm, doors 7pm
WELCOME to A Feast Of Fools III, York arts collective Navigators Art’s sign-off to “Holiday’s end – the last gasp of Mischief” in a celebration of Twelfth Night and Old Christmas packed with live folk music and a nod to the pagan and the impish.
Navigators Art’s poster for A Feast Of Fools
On the bill are Ancient Hostility, performing passionate political and personal song in harmony; North West folk duo Joshua Arnold and Therine, presenting vocal-led trad and experimental versions of British folk songs; Pefkin, whose ritualistic hymnals draw heavily on the landscape and the natural world, and White Sail, York’s multi-instrumental alt-folk legends. Box office: www.ticketsource.co.uk/navigators-art-performance.
Danielle Long’s Prince Valentine and Alice Rose’s Snow White in Pickering Musical Society’s pantomime Snow White
First Ryedale panto of the New Year: Pickering Musical Society in Snow White, Kirk Theatre, Pickering, January 14 to 25, 7.15pm, except January 19; 2.15pm, January 17, 18, 24 and 25
DIRECTED for the tenth year by resident director Luke Arnold and writer by Ron Hall, Pickering Musical Society’s 2026 pantomime combines comedy, spectacle, festive magic, dazzling scenery and colourful costumes.
The show features such principals as Marcus Burnside’s Dame Dumpling, Danielle Long’s Prince Valentine, Alice Rose’s Snow White, Paula Cook’s Queen Lucrecia and Sue Smithson’s Fairy Dewdrop. Audiences are encouraged to book early to avoid disappointment. Box office: 01751 474833 or kirktheatre.littleboxoffice.com.
Harry Summers in rehearsal for the role of Abanazar in Malton and Norton Musical Theatre’s Aladdin – The Pantomime
Second Ryedale pantomime of the New Year: Malton and Norton Musical Theatre in Aladdin – The Pantomime, Milton Rooms, Malton, January 17, 1.30pm, 5.15pm; January 18, 2pm; January 20 to 23, 7.15pm; January 24, 1pm, 5.15pm
BETWIXT York roles in York Shakespeare Project’s The Spanish Tragedy and Black Treacle Theatre’s Anne Boleyn, Harry Summers continues to corner the market in dark, dramatic and deliciously boo-worthy roles as wicked magician Abanazar in Malton and Norton Musical Theatre’s Aladdin.
Fresh from his villainous scene-stealing in The Spanish Tragedy, Thomas Jennings plays the Emperor, insisting he is “one of the good guys”, even if his idea of good includes execution and arranged marriages. Further principal players in the mystical land of Shangri-La include Harriet White’s Aladdin, Isabel Davis’s Princess Jasmine; Rory Queen’s dame, Widow Twankey, Tom Gleave’s Wishee Washee, Mark Summers’ Genie of the Lamp and Annabelle Free’s Spirit of the Ring. Box office: 01653 696240 or themiltonrooms.com.
To her Eternal Shame: Sue Perkins announces return to the comedy circuit after more than a decade
Amusing musings of the month:The Eternal Shame Of Sue Perkins, Grand Opera House, York, January 18, 7.30pm
YOU may know her as Bake-Off Sue, Taskmaster Sue, Just A Minute Sue, or the Sue that gives you travel envy, but stand-up Sue is full of surprises. In this new show, Sue Perkins shares the unlikely happenings from a career in the spotlight.
What’s the fallout when your pituitary gland goes haywire on live TV? How do you convince the public you didn’t really fall on to that vacuum cleaner attachment? And when intimate photos are splashed all over the internet, how do you switch the shame to dignity and joy? Find out in Perkins’ first live show in more than a decade, wherein shedelivers a humorous treatise on stigma, humiliation and misunderstanding. Box office: atgtickets.com/york.
Deadpan Players’ poster for their Star Wars sci-fi and AI spoof at the JoRo
The spoof, the whole spoof and nothing but the spoof:Deadpan Players in Star Wars: May The Farce Be With You, Joseph Rowntree Theatre, York, January 23, 7.30pm, and January 24, 2pm and 7.30pm
IN a time of deep unrest, rebel forces are fighting for survival. Led by Garth Vader, the Empire has created a sinister network called The Dark Web, through which Vader could travel back in time to crush the rebellion. Plucky Princess Slaya has encrypted and uploaded the password, along with a desperate cry for help to cute droid R2Ai.
Can Fluke Skywalker decipher the message, find Only One Kenobi, enlist the help of rogue pilot Ham Solo and the legendary, if rather pungent, Gedi Master, the diminutive but powerful “Odour”, then rescue the Princess and save the Galaxy? Find out by attending this fundraising event, with all proceeds going to Yorkshire Air Ambulance and Candlelighters. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Mike Joyce: Recollections of five years on the drummer’s stool with The Smiths at Pocklington Arts Centre
On the beat: Mike Joyce, The Drums: My Life In The Smiths, Pocklington Arts Centre, January 28, 7.30pm
DRUMMER Mike Joyce has been asked numerous times, “What was it like being in The Smiths?”. “That’s one hell of a question to answer!” he says. Answer it, he does, however, both in his 2025 memoir and now in his touring show The Drums: My Life In The Smiths.
To reflect on being stationed behind singer Morrissey and guitarist Johnny Marr from 1982 to 1987, Joyce will be interviewed by Guardian music journalist Dave Simpson, who lives near York. Audience members can put their questions to Joyce too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
York Residents’ Festival 2026: Weekend of free attractions, experiences and offers
Festival launch of the month: York Residents’ Festival, January 31 and February 1
ORGANISED by Make It York, York Residents’ Festival offers residents free entry to York’s top attractions and exclusive offers on food, retail and unique experiences across the city in support of businesses and independent makers.
Thefull list of offers and pre-booking will go live from 12 noon on January 9 at visityork.org/resfest. Among them will be York Museums Trust providingfree entry to York Castle Museum, York Art Gallery and the Yorkshire Museum and the National Trust doing likewise to Treasurer’s House.
Self Esteem: Headlining Futuresound’s July 10 bill at Live At York Museum Gardens
Looking ahead to the summer: Futuresound Group presents Self Esteem at Live At York Museum Gardens, July 10, 5pm
SOUTH Yorkshire’s Self Esteem is the second headliner to be announced for Futuresound Group’s third summer of Live At York Museum Gardens concerts, in the wake of Orchestral Manoeuvres in The Dark, Heaven 17, China Crisis and Andrew Cushin being booked for July 9.
Rotherham-born Rebecca Lucy Taylor was part of Slow Club for a decade before turning solo as the sardonic Self Esteem, releasing the albums Compliments Please in 2019, Prioritise Pleasure in 2021 and A Complicated Woman last April. She will be supported by South African “future ghetto funk” pioneer Moonchild Sanelly and Sweden-based Nigerian spoken-word artist and musician Joshua Idehen, with more guests to be confirmed. Box office: futuresound.seetickets.com/event/self-esteem/york-museum-gardens/3555239.
ELECTRONIC new wave trailblazers Orchestral Manoeuvres In The Dark are the first headliners to be confirmed for Futuresound’s third summer of Live At York Museum Gardens concerts.
The Wirral synth-pop duo of Andy McCluskey and Paul Humphreys will be joined on OMD’s Summer Of Hits bill on July 9 bill by two fellow Eighties’ synth-pop luminaries, Sheffield’s Heaven 17 and Kirkby’s China Crisis.
Rising Newcastle-upon-Tyne singer-songwriter Andrew Cushin will open the show, on the back of supporting such acts as Noel Gallagher and Louis Tomlinson.
The York exclusive postcode presale (for postcode prefixes starting with YO1, YO10, YO19, YO23, YO24, YO26, YO30, YO31 and YO32) will go on sale from 10am tomorrow (29/10/2025). General sales will open at 10am on Friday (31/10/2025).
Formed in Meols, Merseyside in 1978 by McCluskey (vocals, bass guitar) and Humphreys (keyboards, vocals), Orchestra Manoeuvres in The Dark (aka OMD) combined chart success with electronic experimentation on albums such as February 1980 debut Orchestral Manoeuvres In The Dark, October 1980’s Organisation, 1981’s Architecture & Morality, 1983’s Dazzle Ships and 1984’s Junk Culture.
China Crisis in concert at The Crescent, York, in 2024
OMD have since released 1985’s Crush; 1986’s The Pacific Age; 1991’s Sugar Tax; 1993’s Liberator; 1996’s Universal; 2010’s History Of Modern; 2013’s English Electronic; 2017’s The Punishment Of Luxury and 2023’s Bauhaus Staircase.
Pioneering 1979 singles Electricity and Red Frame/White Light paved the way for 1980 chart breakthrough Messages, triggering a flow of synth-pop hits with Enola Gay; Souvenir; Joan Of Arc; Maid Of Orleans (The Waltz Of Joan Of Arc); Genetic Engineering; Locomotion; Talking Loud And Clear; Tesla Girls; So In Love; (Forever) Live And Die; Sailing On The Seven Seas; Pandora’s Box; Stand Above Me and Walking On The Milky Way, their last Top 20 entry in 1996.
In 1986, OMD conquered the United States when If You Leave led off the soundtrack to the hit rom-com film Pretty In Pink.
Orchestral Manoeuvres In The Dark last played York on October 27 2019 at York Barbican on their extended 40th anniversary world tour. That anniversary was marked by the reissue of their first four albums on 180g vinyl, housed in their original sleeve designs by Peter Saville.
Summing up five decades of OMD, McCluskey says: “Electronic music is our language. It’s how we talk.”
