THE Ebor Singers serve up a festive treat of choral favourites in A Christmas Celebration – Handel, Chilcott and Rutter at St Olave’s Church, Marygate, York, on Sunday.
Directed by Paul Gameson and accompanied by organist David Pipe, the York choir will be joined by a string quartet for Part One of Handel’s Messiah. Solos will be taken on by choir members Amy Walker, Hugo Janacek, Jason Darnell and Jonty Ward.
“Part One of Handel’s Messiah takes us from prophecy to the birth of Jesus, and Handel draws on the most popular musical genres of the day for his Messiah: part-German passion, part-Italian opera, part-English anthem,” says Paul.
Messiah Part One will be complemented by carols by John Rutter and Bob Chilcott. “The Christmas music of Rutter and Chilcott carols, both highly distinctive and accessible, have been a perennial feature of Christmas concerts and services for the past 40 years,” says Paul.
“We will perform some of their favourites, including Rutter’s The Angels Carol and Chilcott’s The Shepherds’ Carol.”
The Ebor Singers’ 20th -anniversary season will continue next year with Pergolesi’s Stabat Mater on March 8 and music from the English Civil War and the Siege of York May 17, both at York Minster.
Tickets for Sunday’s 7.30pm concert are on sale at eventbrite.co.uk/e/the-ebor-singers-messiah or on the door.
RYAN Collis and Charlotte Robertson are the winners of the 2024 National Centre for Early Music Young Composers Awards.
Ryan won the age 19 to 25 years category with Lux Divinae; Charlotte, the 18 years and under category with A Wonderous Mystery.
Presented in partnership with BBC Radio 3, the final of the 17th NCEM Young Composers Awards took place at the NCEM, St Margaret’s Church, Walmgate, York, on May 16.
This year, the NCEM and BBC Radio 3 invited aspiring young composers to create a new work for The Tallis Scholars. Composers were asked to write for unaccompanied voices, setting the 16th century text Mirabile Mysterium (A Wondrous Mystery) either in the original Latin or the English translation.
Composers were encouraged to create music that responds to the imagery of the words and, like the polyphonic vocal music of the European Renaissance, has a sense of melodic direction.
Compositions by the eight young finalists were workshopped during the day by composer Professor Christopher Fox, professional singers from York ensemble Ex Corde and their director Paul Gameson, in the presence of Peter Phillips, director of The Tallis Scholars.
In the evening, Ex Corde and Paul Gameson gave a public performance, live streamed to ensure that friends and families from across the United Kingdom were able to join in.
Thomas Shorthouse, Mirabile Mysterium;Tingshuo Yang, Mirabile Mysterium; Ryan Collis, Lux Divinae; Reese Carly Manglicmot, Mirabile Mysterium.
18 and under
Matty Oxtoby, Mirabile Mysterium; Charlotte Robertson, A Wondrous Mystery; Jamaal Kashim, Mutationem ac Stabilitatem; Selina Cetin, Nativitas Salvatoris Nostri.
The 2024 panel of judges were BBC Radio 3 producer Les Pratt, NCEM director Delma Tomlin and Tallis Scholars director Peter Phillips.
Ryan Collis and Charlotte Robertson’s winning works will be premiered by The Tallis Scholars in a public concert at Saffron Hall, Saffron Walden, on Sunday, October 20, when the performance will be recorded for later broadcast on BBC Radio 3’s Early Music Show.
Delma Tomlin said: “We are delighted to welcome back the internationally acclaimed vocal ensemble The Tallis Scholars, directed by our good friend Peter Phillips, as the partners for 2024.
“An annual event on the NCEM’s busy calendar, the Young Composers Award is becoming increasingly popular with aspiring young composers and recognised as an important landmark in their careers.
“It was wonderful to welcome these talented young people to York for a day sharing music and ideas at the NCEM’s home, St Margaret’s Church. I’d like to say a special thank-you to Dr Christopher Fox, Peter Phillips, Paul Gameson and Ex Corde, for their inspiration, hard work and invaluable support, and of course to my fellow judges.
“We’re looking forward to hearing the winning compositions performed by The Tallis Scholars in Saffron Walden in the autumn and broadcast on BBC Radio 3’s Early Music Show.”
Les Pratt said: “Radio 3 prides itself on being the home of classical music that is known to many, as well as a place where audiences can discover the latest trends and creations.
“Through our support for young composers, thanks to our partnership with NCEM, we are making sure that the art form is kept alive, and always looks to the future. That’s why we can’t wait to share these wonderful new compositions with listeners at home on the Early Music Show and on BBC Sounds.”
The Tallis Scholars said: “Commissioning and performing the works of living composers has been an important part of the long life of The Tallis Scholars, alongside our performances of Renaissance sacred polyphony. To be able to work with young composers is a great privilege and to see how they respond to ancient texts and renaissance settings of those texts is endlessly fascinating.”
THE Ebor Singers serve up a double festive treat of Part One of Handel’s Messiah and Britten’s A Ceremony of Carols in A Christmas Celebration in York on Sunday, December 18.
This is the second of the York choir’s Christmas concerts, wherein the 7.30pm programme will be performed in the intimate surroundings of St Olave’s Church, Marygate.
The choir will be joined by a string quartet and organist Keith Wright for Handel’s work; harpist Rachel Dent for Britten’s carols. Solos will be taken on by choir members.
“Part One of Handel’s Messiah takes us from prophecy to the birth of Jesus, and Britten’s A Ceremony of Carols takes up the story of the nativity,” says musical director Paul Gameson. “Although 200 years separate these two works, they both speak with similar directness and freshness.
“Handel draws on the most popular musical genres of the day for his Messiah: part-German passion, part-Italian opera, part-English anthem. Britten followed a trend of his contemporaries, exploring medieval poetry, but his music – scored for female voices and harp – established the new quintessential ‘sound’ of Christmas music.
A Christmas Celebration also showcases pieces from The Ebor Singers’ new album of American Christmas music, Wishes And Candles.
Tickets (£15, concessions £12, students aged 16 plus £7, children free) are available from eventbrite.co.uk or on the door.
PAUL Gameson directs The Ebor Singers tonight in an evening of beautiful choral arrangements for Christmastide at St Lawrence Parish Church, Lawrence Street, York.
The 7.30pm concert, A Christmas Celebration By Candlelight, also marks the launch of the York choir’s CD recording of Christmas music by contemporary American composers, Wishes And Candles.
Pieces from the disc, featuring works by Morten Lauridsen, Eric Whitacre, Dan Forrest, Abbie Bettinis and Matthew Culloton, will be complemented by festive compositions by John Rutter and Bob Chilcott.
“We’re looking forward to sharing music from our new album,” says Paul. “It took two years to put this together, thanks to a two-year Covid-enforced hiatus between recording sessions, so it was particularly enjoyable completing this in April this year.
“Music by Lauridsen and Whitacre is featured, but so too are other composers whose names and music deserve to be more widely known, such as Forrest, Bettinis and Culloton. There’ll also be some audience-participation carol singing, so bring your voices too!”
Tickets (£15, concessions £12, students £7 (16 plus), children free) are on sale at eventbrite.co.uk or on the door.
A Christmas Celebration is the first of two Christmas concerts in York for the choir, who will perform Part 1 of Handel’s Messiah (featuring the Christmas story) and Britten’s A Ceremony of Carols on Sunday, December 18 at 7.30pm at St Olave’s Church, Marygate. Tickets: eventbrite.co.uk.
MERRY Christmas from The Ebor Singers. In February? Yes, on Saturday, when the festive spirit will be breaking out at St Olave’s Church, Marygate, York.
Let the York choir’s director, Paul Gameson, explain. “When we were first able to perform together late last year, it was to prepare for our regular Christmas concert of Britten’s A Ceremony Of Carols for choir and harp, but amid choir illness and rising Covid-19 cases in York, the performance was cancelled.
“Nevertheless, we have chosen this piece for our return to singing in public, our first concert since March 2020. While Britten’s work is synonymous with Christmas, a closer look at the texts suggests a more medieval interpretation of the word ‘carol’.”
Derived from the Old French word carole, it refers to a round of dancers, singing and holding hands. “Carols were not limited to Christmas and were not necessarily religious!” says Paul. “Britten’s work traces the story of Jesus’s birth from the Annunciation through to the Nativity and early childhood.
“So, nestled as it is between Christmas and Lent, this February performance celebrates the joy of Christ’s birth while anticipating his Passion, with music by Chilcott, Stopford, Howells and Holst alongside Britten. As this is our first public concert for two years, a little festive joy feels much needed!”
The Ebor Singers will be joined by harpist Rachel Jerome for the 7.30pm concert, billed as “A Rose in the Middle of Winter”. Tickets (£12, concessions £10, under-16s free) are on sale at eborsingers.org/currentevents and on the door.
The present Government Covid-guidance will apply, but The Ebor Singers also suggest that audience members wear masks.