Tag: Pocklington Arts Centre

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Rob Rouse is ready to tickle Funny Bones on first tour since winning award from fellow comedians. Where’s he playing?

Rob Rouse : Comedians’ comedian of the year. Picture: Karina Lax

ROB Rouse takes to the roads from today, bringing his Funny Bones stand-up tour to Pocklington Arts Centre on March 12, buoyed by winning Comics’ Comic Best Act of the Year 2025.

Determined exclusively via a poll of comedians on the UK circuit, the award recognises the Cheshire-born comedian’s standing after more than 25 years on the circuit. “I’m thrilled and absolutely knocked over by it,” says Rob, 52, of his January honour.

“It’s taken me completely by surprise. I’m very grateful and genuinely touched to receive this. We all love making audiences laugh and we all love the feeling of getting a laugh from our fellow clowns at the back of the room. It’s one of the things that encourages us to keep going and keep writing.

“I’ve been doing this a long time and to be acknowledged by your peers, who truly understand the highs and lows of this crazy job, feels deeply moving and humbling.”

Rob further reflects: “It made me really quite emotional. I’ve never believed that showbusiness is competitive in any way, shape or form . It isn’t, and the more time you spend doing it, you realise that, even those who are at the top of the tree, even they can feel there’s something not quite in place or something they’ve never got right.

Rob Rouse: Comedian, actor, podcaster and comedy club host

“The essence of creativity is that you’re always searching, and this award was like lots of my friends and colleagues saying ‘we really like you, Rob’, just as I love them. We’re all part of this ragbag of clowns, and what we all share is standing on stage and just mucking around, making people laugh and having fun.”

He will be doing exactly that when his “lap of honour” travels with Funny Bones take in further Yorkshire gigs at Helmsley Arts Centre, March 20; Stephen Joseph Theatre, Scarborough, March 21; Crookes Social Club, Sheffield, March 26; Richmond Georgian Theatre Royal, March 27; Leeds Glee Club, April 12, and Lawrence Batley Theatre, Huddersfield, April 17, further boosted by Rob taking home the Best Act prize from the 2025 Yorkshire Comedy Awards.

We all know of the benefit of laughter, how it triggers the brain to releaseendorphins that act as “feel-good chemicals”. Does that make Rob smile? “I wholeheartedly believe it’s good for us, as the world is very complicated – though, despite what you might think, statistically we’re living in the safest time in history. These are immutable facts.” (Footnote: Rob was speaking before the unfolding of this week’s events in Iran and the Middle East.)

When putting together a new show, such as Funny Bones, he applies this modus operandi: “I just try to do on stage what I’d like to watch myself, so I’ll try stuff out at gigs and if it works, I keep doing it; if it sort of works, I keep doing it; if it doesn’t work, I stop doing it,” says Rob, who topped the Laugh Out Loud Comedy Club bill at York Barbican last March.

He recalls being inspired by the surrealist work of Vic Reeves and Bob Mortimer. “They were the ones who lit a fire in me as a teenager, thinking, ‘this is fun, I love this’. What I really love about them is that they didn’t ask anyone’s permission to do what they do. They had the essence of punk about them,” says Rob.

“I love Fry & Laurie, Eddie Izzard, Fawlty Towers, Tommy Cooper, The Young Ones, but there was something about Vic and Bob that felt celebratory. Their comedy was a lightning bolt.”

One man and his skeleton dog: Rob Rouse in Funny Bones. Picture: Karina Lax

Yet he could not have foreseen his comedy career. “If anything, I was a shy child, and the thought of stepping out on stage frightened me,” he says. 

So much so that,  filled with nerves about performing at a primary school assembly, he accidentally placed his foot in a crate, cutting his head open on the corner of a table as he fell, and duly needed stitches. “I remember thinking, ‘that’s good, I don’t have to go on stage now,’” says Rob.

Rob studied Geography at Sheffield University “when it was just about escaping the world”. “A good friend of mine was in the university drama group; I’d split up with my girlfriend and was moping around the place, and they said ‘you should get off your backside and do an audition’,” he recalls.

On the first night of the subsequent production, when the stage ‘flats’ collapsed, Rob was the only one on stage. “I ended up talking to the audiences on my own, and the laughs I got from that felt different from the laughs I got in the play,” he says. “It made me think, ‘oh, that’s interesting’, so the bulb had been planted.”

Rob then performed a ten-minute set at a charity gig at the Fox & Duck, Sheffield. “I remember being nervous, even puking before the show, but it was also an absolute rush,” he says.

“I’ll try stuff out at gigs and if it works, I keep doing it; if it sort of works, I keep doing it; if it doesn’t work, I stop doing it,” says Rob Rouse. Picture: Karina Lax

Moving to London, he booked open-mic spots through Time Out and went on to win Channel 4’s So You Think You’re Funny Award at the 1998 Edinburgh Fringe with his combination of joyous silliness, infectious energy and storytelling craft.

He has since starred in the BBC’s Upstart Crow, playing manservant Ned Bottom to David Mitchell’s William Shakespeare, as well as appearing on 8 Out Of 10 Cats and The Friday Night Project, touring all over the world, clocking up 12 Edinburgh Fringe shows and performing in two sold-out West End runs of Upstart Crow The Play

Now living in the Peak District, he is resident host of The Comedy Village at the Crookes Social Club in Sheffield, where he bills himself as the “comedy village idiot”.

Funny Bones marks his return to solo touring in a high-spirited show built on craftily spun tall tales, eerily convincing characters, bucketfuls of manic energy, daft flights of fancy and a barrage of one-liners in a celebration of comedy and being alive.

“I purchased the skeleton suit online for the photo-shoot, but it had a boil-in-the-bag effect on me! It’s made of plastic, completely unbreakable, but it’s just too hot to perform in,” says Rob. “I wouldn’t inflict that on the audience. After three nights, I’d have to hand out nose pegs!”

Tickets are on sale at: Pocklington, 01759 301547or pocklingtonartscentre.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk; Scarborough, 01723 370541 or sjt.uk.com; Sheffield, thecomedyvillage.com; Richmond, 01748 825252 or georgiantheatreroyal.co.uk; Leeds,  0871 472 0400 or glee.co.uk; Huddersfield, 01484 430528 or thelbt.org.

“We’re all part of this ragbag of clowns, and what we all share is standing on stage and just mucking around, making people laugh and having fun,” says Rob Rouse of the life of a comedy performer. Picture: Karina Lax

Rob Rouse: back story

Television and film work

STARTED his career in television as a “warm-up” on the hit BBC sitcom Coupling, where he entertained the studio audience between filming.

Rouse starred in the first series of the BBC Three sitcom Grownups and Guilty Pleasures, a new chat show that he hosted. Played uncredited role in Penelope,  Mark Palansky’s feature film premiered at Toronto International Film Festival in September 2006.

In 2005, Rouse co-presented Channel 4 entertainment show The Friday Night Project, now known as The Sunday Night Project. Starred in Channel 4 sketch show Spoons.

Acting work took in a role in ITV comedy-drama Tunnel Of Love and starring role in BBC3 sitcom The Bunk Bed Boys. Cast member for E4’s The Pilot Show.

Panellist on 8 Out of 10 Cats and Bognor Or Bust.

In 2007, he starred as Robert Thornton in ten episodes of Paramount Comedy shorts The Former Ambassador Robert Thornton.  Starred in Mad Mad World on ITV1 since Spring 2012.

Plays Ned Bottom in BBC Two’s Shakespeare sitcom Upstart Crow, written by Ben Elton, appearing alongside David Mitchell, Harry Enfield, Mark Heap and Liza Tarbuck.

Other work
Rouse and his wife, comedy writer and performer Helen Rutter, present comedy self-help podcast Rob And Helen’s Date Night, charting a series of odd dates including horse riding, life-drawing in front of a fire, and the couple recording Rage Against The Machine’s Killing In The Name, live in their garage.

Rouse and Rutter starred in Rutter’s play The Ladder, premiered at the 2018 Edinburgh Fringe, based on an accident when Rutter’s hand became stuck in a ladder at home, necessitating Rouse’s attempts to help her.

Specialising in self-aware collaborative comedy focusing on their real-life relationship, they presented Funny In Real Life at the 2019 Edinburgh Fringe.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 8, from Gazette & Herald

Mark Simmons: Expertly crafted one-liners and off-the-cuff jinks with the audience at Pocklington Arts Centre

FISHING community memories, an abbey light installation and an exhibition addressing loneliness make for a diverse week ahead in Charles Hutchinson’s recommendations. 

One-liners of the week: Mark Simmons, Jest To Impress, Pocklington Arts Centre, tonight, 7.30pm

CANTERBURY jester Mark Simmons won Dave’s Joke of the Edinburgh Fringe in 2024 with this gag: “I was going to sail around the globe in the world’s smallest ship but I bottled it”. Now he follows up his 200-date Quip Off The Mark two-year UK, Ireland, Australia, and New Zealand tour with Jest To Impress, a new show packed with one-liners, alongside his trademark off-the-cuff jokes based on random audience suggestions.

Simmons also hosts the Jokes With Mark Simmons podcast, where he invites fellow comics, such as Gary Delaney, Sarah Millican and Milton Jones, to discuss jokes that, for whatever reason, would not work. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The poster for What The Sea Saw’s fishing stories at Helmsley Arts Centre

Rehearsed reading of the week: 1812 Theatre Company presents What The Sea Saw, Helmsley Arts Centre, Jean Kershaw Auditorium, tonight and tomorrow, 7.30pm

SET in Scarborough’s Bottom End and capturing the verbatim first-hand testimonies of remaining members of the fishing families, Helena Fox’s new play recounts the tragic events of the 1954 Lifeboat Disaster through the eyes of witnesses, as well as capturing the lost cultures and working practices of the coastal community, including the role of women in skeining and baiting.

Directed by Heather Findlay, the fundraising event for Scarborough RNLI features Stamford Bridge’s Big Shanty Crew’s performance of Scarborough 54. Box office: 01439 771700 or helmsleyarts.co.uk.

Imitating The Dog light up Selby Abbey for three days of Selby Light 2026

Installation of the week: Selby Light 2026, Selby Abbey, tomorrow to Saturday, 6pm to 9pm

SELBY Abbey will be the setting for Homeward, Leeds company Imitating The Dog’s large-scale installation celebrating our different stories and the unified feeling of finding home, framed by the question How Did You Get Here?

Inside, the installation continues as a walk-through experience, complemented by Jazmin Morris’s Through The Liquid Crystal Display, a series of visual code illustrations inspired by Selby Abbey. The trail then extends into the town centre with works by Selby College students. Admission is free.

The 20ft Squid Blues Band: Combining 1950s’ Chicago style with 1960s’ blues explosion at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents The 20ft Squid Blues Band, Milton Rooms, Malton, tomorrow, 8pm

THE 20ft Squid Blues Band, from Sheffield, play upbeat, fast, irreverent blues, combining elements of the 1950s’ Chicago style with the more wayward aspects of the 1960s’ blues explosion.

They mix self-penned songs with numbers made famous by Howling Wolf and Little Walter, while throwing in artists not so obviously from the blues tradition, such as Tom Waits and Prince. Expect eye-popping harmonica, thundering bass, intricate beats and choice guitar. Box office: 01653 696240 or themiltonrooms.com.

Nick Doody: Topping Hilarity Bites Comedy Club line-up at Milton Rooms, Malton

Comedy bill of the week: Hilarity Bites Comedy Club, Nick Doody, Ed Purnell and Will Duggan, Milton Rooms, Malton, Friday, 8pm

IN the first Hilarity Bites bill of 2026, Nick Doody will be joined by Ed Purnell and Will Duggan. Doody first performed as a student in the 1990s when he supported Bill Hicks at Hicks’ request, since when he has performed all over the world and written for Joan Rivers, Lenny Henry, Dame Edna Everage and Mock The Week regulars aplenty.

In a clever spin, Purnell, Ecuador’s numero uno comedian, delivers his set in Spanish with a sprinkling of English, whereupon audiences realise they can understand him without speaking his mother tongue. Duggan is a quick and witty host. Box office: 01653 696240 or themiltonrooms.com.

Phoenix Dance: Presenting world premiere of Interplay at York Theatre Royal. Picture: Drew Forsyth

Dance show of the week: Phoenix Dance Theatre, Interplay, York Theatre Royal, Friday, 7.30pm; Saturday, 2pm, 7.30pm

LEEDS company Phoenix Dance Theatre’s world premiere tour of Interplay opens at York Theatre Royal, featuring dynamic works by Travis Knight and James Pett (Small Talk), Ed Myhill (Why Are People Clapping?!) Yusha-Marie Sorzano & Phoenix artistic director Marcus Jarrell Willis (Suite Release) and Willis’s Next Of Kin. 

Across duet and ensemble works, Interplay explores themes of duality and shared authorship, revealing how distinct artistic voices can intersect to create something greater than the sum of their parts. Each piece offers a unique perspective, united by a bold physicality and a deep curiosity about human relationships, rhythm and collective experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Holly Taymar: Performing the best of Eva Cassidy’s back catalogue at Milton Rooms, Malton

Tribute gig of the week: Holly Taymar Sings Eva Cassidy, Milton Rooms, Malton, Sunday, 8pm

YORK singer-songwriter Holly Taymar turns the spotlight on Eva Cassidy, one of the most beloved voices of the 20th century. Revelling in Cassidy’s blend of folk, jazz and blues, she performs renditions of Fields Of Gold, Songbird, Over The Rainbow and Autumn Leaves.

“My show show is not an impersonation,” says Taymar. “It’s a heartfelt homage to an artist who left a lasting impact on my development as an artist and on the world of music.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Loneliness Is Not A Dirty Word: Exhibition collaboration between Hannah Turlington and local and wider community at Helmsley Arts Centre

Exhibition launch of the week: Hannah Turlington, Loneliness Is Not A Dirty Word, Helmsley Arts Centre, March 3 to May 1

LONELINESS Is Not A Dirty Word is a collaboration between artist Hannah Turlington and the local and wider community, involving sessions where participants were invited to share their own experiences of loneliness by creating pieces of visual art in a variety of mediums.

The resulting exhibition aims to create space for the viewer to consider their own narratives of loneliness and reduce the stigma associated with being lonely.

Del Amitri’s Justin Currie, left, and Iain Harvie: Cherry-picking from four decades of songs at York Barbican in November

Gig announcement of the week: Del Amitri, Past To Present UK Tour 2026, November 16

GLASGOW band Del Amitri will open their 17-date Past To Present autumn tour at York Barbican, where core members Justin Currie and Iain Harvie will mark four decades of songs, stories and live shows. Ticket will go on general sale on Friday at 9.30am at www.gigsandtours.com, www.ticketmaster.co.uk and www.delamitri.info.

The career-spanning set list will chart their early breakthroughs, classic singles such as Nothing Ever Happens, Always The Last To Know and Roll To Me, fan favourites and recording renaissance after an 18-year hiatus with 2021’s Fatal Mistakes.

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REVIEW: Kathryn Williams, Mystery Park, Tour, Pocklington Arts Centre, Feb 20 ****

Kathryn Williams: Taking a late change of support and special guest in her stride at Pocklington Arts Centre

WEDNESDAY broke with the news that guitarist Matt Deighton, support and special guest on the first leg of Kathryn Williams’s Mystery Park Tour last autumn, would not be available for the second. All the shingles’ Hades, poor lad, had come his way. Get well soon.

Opening night in Pocklington was only two days away. Crumbs. Here’s where the rules of six degrees of separation came into play. Liverpool-born Kath and West of Scotland guitarist Memphis Gerald – so called after someone misheard his real name of Ben Fitzgerald – both live in Newcastle but had never met on the folk circuit.

However, they share a mutual friend in Louis Abbott of Glaswegian folkies Admiral Fallow, who put Kath in touch with Memphis. A few emails later to rearrange his diary, and Memphis was on board for Kath’s travels.

Three hours of rehearsals on Thursday introduced Kath to Memphis and Memphis to her songs, whose guitar parts he was still practising studiously in the still chill of night until 4am, nevertheless grateful to be “thrown onto this bill at the very last minute”.

 “I can’t believe I met you only yesterday,” he would say to Kath between songs as they settled into their Pocklington groove. “I don’t think I could have learned these songs so quickly if they weren’t so gorgeous.”

Memphis had opened the show beneath his peaked cap with a solo set in the low light of three chintzy lampshades brought to Pock by Kath in the tour van driven by best friend Sarah Williams (who will be doing sterling work on the merch stall each night too).

His lyric “Flowers don’t decide where they grow from” caught the ear early on,  and the politest protest song ever to grace these isles, We Will Die On This Hill, stood out with its celebration of the Right To Roam protestors’ UK Supreme Court triumph over their Dartmoor landlords, Alexander and Diana Darwall, in May 2025.

Memphis, by the way, has felt emboldened to send the ramblers his song; let’s hope they now sing it lustily as they ramble on, like Led Zeppelin were once wont to do.

Fuelled by a visit to Atlas, Pocklington’s artisan sourdough bakery and cafe in St Peter’s Square,  Kath took to the stage where she had first played 25 years ago and had performed too when pregnant with son Ted (now present in long-haired teenage form in Friday’s audience with his shared love of music, especially T Rex and Big Thief’s Adrianne Lenker).

As the tour title indicated, Kath concentrated her set on last September’s Mystery Park, her 18th album (if you include collaborations) in a career launched with cassette tapes at early gigs and her 1989 debut Dog Leap Stairs, made for £80.

For all her collaborations with Paul Weller, Ed Harcourt, Polly Paulusma, Dame Carol Ann Duffy, Neil MacColl, Withered Hand’s Dan Wilson, Beth Nielsen Chapman and The Pond, her 12 years of hosting songwriting retreats for the Arvon Foundation, her bed-themed podcast Before The Light Goes Out, her 2021 novel The Ormering Tide and her art exhibitions at Start-Yard, Birkenhead and the Biscuit Factory (from May 8), there is still a delightfully cottage industry vibe to polymath Kath.  

After all these years, her performance demeanour remains natural, at times almost apologetic, not afraid to fluff a guitar line, to consult her notes when setting up her Mellotron, or to make light of a request to adjust its M-shaped light to pink after its white brightness had dazzled one front-row occupant.

Kath loves a joke, a wry observation, a conspiratorial quip, a local reference or two, putting everyone at ease when faced both by Pocklington’s notoriously quietly appreciative audience and the first-night bedding-in of an admirably unflustered Memphis.

“I have a hole in my lip…I always drip,” she said with disarming rhyming candour. “It’s humbling when someone who’s played your songs for a day knows them better than you do,” she admitted after one sudden stop.

Turning 52 on Monday this week, Kath is now writing her most personal songs, rooted in motherhood and memory. “I think this album, more than anything, is a reflection of where I am in my life,” she told CharlesHutchPress in this week’s interview.

“A lot of songs on my other albums are works of imagination, flights of fancy, with fragments of what I’ve been doing. But this one places me on the bridge between parents getting older and kids getting older, and feeling that pull both ways.”

Alongside such high points as Goodbye To Summer, Gossamer Wings – co-written with “a young man who really needs your support, Paul Weller” – and a Big Thief cover, at the core of Friday’s set were three family reflections. Firstly, Sea Of Shadows, with its time-travelling account of eldest son Louis growing up in a story built around a sheriff’s star.

Next, This Mystery, a beautifully tender response to her father’s dementia and Parkinson’s Disease, in part inspired by the sight of a lorry driving over a vinyl record, smashing into fragments like dementia’s impact on our minds. “Well, that’s the happy songs over,” she deadpanned.

Lastly, Servant  Of The Flame, for son Ted, with his love of playing computer games again and again, as she watched by his side, a line Kath repeated over and again as she pulled away from the microphone, until falling silent, just as Ted would  fall into slumber.  

Yes, these songs are personal, but they have that quality that Kath cherishes above all others in concert: connectivity.

She will remember Pocklington, February 20 2026 as “the night of the floppy plectrum” (when replacing a harder one that she gave to an audience member”, but also as the night when another commented the gig had made her “very happy”.

“I hope to see you in another 25 years,” Kath said at the close. “Hopefully they’ll have put some stair lifts in.”

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Kathryn Williams to perform her most personal songs yet on Mystery Park tour, opening at Pocklington Arts Centre

Kathryn Williams: “Making songs in the quiet margins of motherhood and memory, shaped by time’s shifting tides”. Picture: Emma Holbrook

KATHRYN Williams launches the second leg of her Mystery Park Tour at Pocklington Arts Centre tomorrow, fresh from celebrating her 52nd birthday on Monday.

“I was always disappointed I wasn’t born on Valentine’s Day, but I’ve discovered my birthday falls [a day later] on Lupercalia, the she-wolf festival, ancient Rome, Romulus & Remus and all that,” says Liverpool-born, Newcastle-based folk singer, songwriter, Arvon tutor, novelist, Before The Light Goes Out podcaster and watercolour and portrait artist.

Released on One Little Independent Records last September, Mystery Park is Kathryn’s 18th album: a deeply personal collection marked by emotional depth and lyrical precision in 11 reflective songs, “made in the quiet margins of motherhood and memory, shaped by time’s shifting tides”.

 “This record is for anyone who’s felt something and kept it quiet,” says Kathryn. “For those private echoes. I hope these songs give people space to hear their own.

“The cover artwork is my own painting, based on the willow pattern from my grandmother’s tea sets. Each part of it ties into the songs: a map of memories.”

Kathryn expands: “I think this album, more than anything, is a reflection of where I am in my life. A lot of songs on my other albums are works of imagination, flights of fancy, with fragments of what I’ve been doing. But this one places me on the bridge between parents getting older and kids getting older, and feeling that pull both ways. So I would say it’s my most personally revealing album.

“Writing these songs, you have the responsibility towards the people who the songs are about. It’s a pressure you feel, like if you were writing a memoir, where you want them to recognise themselves, as well as not hating you [for what Kathryn has written].”

Twenty-seven years since she self-released her debut album, Dog Leap Stairs, made for £80, working through the night in various studios, she sees a weightier significance in Mystery Park’s songs. “This far into my career, when I’m only two years off 30 years of putting music out, I kind of feel it’s a legacy record, with songs about my dad, my sons, other people in my life, and I hope these songs cast their nets out long after I’ve gone.”

“That song then walked towards me like in a mist,” says Kathryn Williams of her experience of writing This Mystery

Centrepiece song This Mystery utilises the metaphor of Kathryn seeing a record being shattered by a lorry driver as a symbol of her father’s dementia, or “memory being unplayable in the form that it was in,” as she puts it. “But this is a song for him, not the disease. Anyone who has had a loved one diagnosed with this cruelty will know how you just want to paint their skies blue and make everything all right,” she says.

“I wrote the opening words of that song a few years ago at an Arvon Foundation songwriting retreat at Lumb Back where I was tutoring. I was waiting  at these traffic lights just before Hebden Bridge, when the lorry drove over the record,” she recalls. “That’s when I got a phone call from my mum.”

Pulling over to one side, she received the message that her father had been diagnosed with dementia, compounding the image in her head of the shattered vinyl. “That song then walked towards me like in a mist,” says Kathryn. “It’s been hard to sing it when they’ve come to a gig.”

Yet her father’s love of music, rooted in his own days as a singer in a folk group, is a solace. “Even now I’ll start singing a Paul Simon song to him and he’ll know the pitch and the tune, though he won’t necessarily know what day or what time of day it is,” says Kathryn.

As her father’s dementia progresses – he no longer attends Kathryn’s concerts – “it’s like holding someone, trying to stop them from falling off the cliff, so it’s really difficult.

“Even though we don’t have the answers, the only thing we can do is live each day in love – and some beautiful things come from his inability to find the words like he once did. Like when he couldn’t express the wonder of the pink skyline, he said, ‘Look what’s come downstairs’.”

Sea Of Shadows, co-written with Neill MacColl and producer Leo Abrahams, is a tribute to eldest son Louis, in response to watching him grow from infant to adult. “Parenthood isn’t fixed,” says Kathryn. “We think we will have small kids forever, but time quickens and before we know it, we have huge humans living with us where once there was a little baby. I love singing this song and thinking of him through the different images and travelling through time”.

Kathryn Williams’s artwork for her Mystery Park album cover. “It’s based on the willow pattern from my grandmother’s tea sets,” she says. “Each part of it ties into the songs – a map of memories”

Kathryn adds: “It’s not only about Louis; it’s also about me as a mother – and the amount of mothers who come up to me after a gig with tears in their eyes to say they really relate to that song. When listening to music, the one thing that really matters is if they connect with the song.

“That connectivity: that’s why I still continue to perform, despite finding it very difficult. I love the connection with the audience, so it’s about keeping up the energy and momentum on a tour, in spite of all the soul-sucking motorway travel.”

Closing track Servant Of The Flame was written for younger son Ted, capturing the act of sitting beside him while he plays video games: choosing presence, even in small moments, as an act of love, where Kathryn is “watching them evolve into their own identities. Seeing them struggle and hoping that they can navigate the ups and downs that we all face in life”.

Polly Paulusma is among Kathryn’s co-writers, penning Goodbye To Summer together on an Arvon retreat. “[We were] outside on two wooden chairs watching the dying sunlight tip off the wings of the swallows and the swifts,” Williams recalls. “The last hurrah of summer before they fly away. The seasons begin to mark more and more. How many summers do we have in one life? Will the birds fly back home? Polly writes in open tunings so the new paths to melodies felt giddying and fresh.”

One name leaps out from the credits above all others, Mr Paul Weller, Kathryn’s collaborator on Gossamer Wings, a song built from voice notes and texts, capturing a moment of creative chemistry born at a distance.

“This was the first thing we did together, working remotely,” she says. “Paul came up with the idea for the song and the title,” she says. “Then I researched ‘gossamer wings’, and I sent him quite a lot of texts, where he would reply, ‘well, that sounds like a lyric’.”

Such was Kathryn’s enthusiasm to show “I’m not lazy, I’m a good girl”, she recalls Paul once commenting, ‘that’s great, but you haven’t really involved me!’.”I was just trying to do my part!” she says.

Paul Weller: Co-writer of Gossamer Wings on Kathryn Williams’s Mystery Park album

“My eagerness to show him I was diligent made me barge on ahead without him on this one, but we pulled it together and I calmed the heck down for the second sitting. This was based on the title that Paul had and an idea of spirits breaking free from the constraints.”

Paul contributed vocals and Hammond organ to the recording, and they went on to write So Quietly together for Weller’s October 2024 EP Supplement: 66, featuring Kathryn on lead vocals and the late double bassist Danny Thompson on his last recording.

“Even yesterday [this interview was conducted on February 15], he sent a text to say lyrics I’d sent should be the first line of our next song together.”

Songs from Mystery Park will be predominant on her tour set list. “The majority of the gig will be the new material because I always think it’s a special thing to play them for the first time, when they also take on a different life from the record,” says Kathryn.

Songs from the back catalogue will feature too in the set, “though while some people forget songs they’ve written, I forget whole albums!” says Kathryn.

As on the tour’s first leg from October 5 to November 15 last autumn, She will be accompanied on guitar by Matt Deighton after he opens each show with a solo set. “For this tour, we’ve made a double A-side of our versions of Sea Of Shadows and Servant Of The Flame, from The Glasshouse [formerly Sage, Gateshead],” says Kathryn.

Look out for limited-edition seven-inch vinyl copies, housed in sleeves in five colours designed and made by Kathryn’s family, on the merchandise stall, run by her “wonderful best friend”, Sarah Williams, who will be driving the tour van too.

Kathryn Williams, Mystery Park Tour, with support and special guest Matt Deighton, Pocklington Arts Centre, tomorrow (20/2/2026), 8pm. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Kathryn Williams: Folk singer-songwriter, Arvon songwriting tutor, novelist (The Ormering Tide, 2021), Before the Light Goes Out podcaster, watercolour & portrait artist

Mystery Park track listing:

Thoughts Of My Own; Goodbye To Summer, co-written with Polly Paulusma; Gossamer Wings, co-written with Paul Weller; Tender, co-written with Polly Paulusma; This Mystery; Sea Of Shadows, co-written with Neill MacColl & Leo Abrahams; Move Me, co-written with Beth Nielsen Chapman; Knew You Forever; Sunsets and Servant Of The Flame.

Musicians on Mystery Park:

Kathryn Williams, vocals; Leo Abrahams,guitar, bass, keyboards, ukulele & piano, also album producer, arranger and mixer at The Shelter; Neill MacColl, guitar, vocals; Polly Paulusma, vocals, guitar (track 2 & 4); Paul Weller, vocals, Hammond organ (track 3); Ed Harcourt, piano (tracks 5, 6, 7 & 10), mariachi bass (track 7), vocals (track 10); Chris Vatalaro, drums, piano (track 9); David Ford,  harmonica (track 7); Emma Smith, violin (tracks 5, 6 & 7).

Did you know?

KATHRYN Williams is hosting her Striking Features art exhibition at Start-Yard in Birkenhead, from January 16 to February 20 to coincide with the Mystery Park Tour (opening hours, Monday to Friday, 9 am to 5 pm). Among the tour dates from February 20 to March 29 will be Future Yard, Birkenhead, on February 24.

Showcasing her work as a painter, the show features an intimate collection of portraits painted on matchboxes, alongside delicate watercolours and limited-edition prints. The collection captures character, emotion and quiet beauty, reflecting Kathryn’s style at the intersection of music and visual expression.

“I’ve been offered another exhibition in Newcastle, where it will open at the Biscuit Factory on May 8,” reveals Kathryn, who trained at art school in Newcastle and has designed the artwork for several of her album covers, such as Dog Leap Stairs and Mystery Park.

Kathryn Williams’s podcast

Did you know too?
KATHRYN is working on the third series of her bed-themed Before The Light Goes Out podcast, lining up her latest interviewees to explore the gap between wake and sleep.

In each episode, Kathryn talks to a special guest from the world of music or literature about “what they do as they enter the realm of sleep, what has changed for them over the years and other things”.

 What is Lupercalia?

THIS ancient Roman pastoral festival, observed on February 15 with its rituals to drive out evil spirits, promotes health, fertility and purification. It is tied closely to the founding legend of Rome and the Lupercal cave, where Romulus and Remus were nurtured allegedly by a she-wolf. 

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What’s On in Ryedale, York and beyond. Hutch’s List No. 7, from Gazette & Herald

Victoria Delaney in rehearsal for York Settlement Community Players’ Blue Remembered Hills. Picture: John Saunders

FROM Dennis Potter to Stephen Sondheim, showman  P.T. Barnum to a Phil Collins tribute, Charles Hutchinson is spoilt for cultural choice amid the incessant rainfall.

Play of the week: York Settlement Community Players in Blue Remembered Hills, York Theatre Royal Studio, tonight to February 28, 7.45pm, except Sunday and Monday; February 21 and 28, 2pm matinees

FLEUR Hebditch, former Stephen Joseph Theatre dramaturg for a decade, makes her Settlement Players directorial debut with Dennis Potter’s stage adaptation of his 1979 BBC Play For Today drama.

Seven children are playing in the Forest of Dean countryside on a hot summer’s day in 1943. Each aged seven, they mimic and reflect the adult world at war around them. Their innocence is short lived, however, as reality hits. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Blue Remembered Hills director Fleur Hebditch

Spooky adventure of the week: Flying Ducks Youth Theatre in The Addams Family Musical, Joseph Rowntree Theatre, York, tomorrow  to Saturday, 7pm plus 2pm Saturday matinee

YORK company Flying Ducks Youth Theatre undertake a whimsical, spooky musical adventure into the delightfully dark world of the hauntingly eccentric Addams Family on a night of unexpected revelations.

When Wednesday Addams falls in love with a “normal” boy, chaos ensues. As the two families converge over dinner, secrets are revealed and the true meaning of family is put to the test. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Kathryn Williams: Opening Mystery Park Tour at Pocklington Arts Centre

Time’s shifting tides of the week: Kathryn Williams, Mystery Park Tour 2026, Pocklington Arts Centre, Friday, 8pm

KATHRYN Williams, the Liverpool-born, Newcastle-based folk singer-songwriter, novelist, podcaster, tutor and artist long celebrated for her quiet emotional depth and lyrical precision, promotes her 15th studio album, last September’s Mystery Park, with support and special guest guitarist Matt Deighton in tow.

Opening her 12-date tour in Pocklington, 2000 Mercury Music Prize nominee Williams marks 27 years of diverse, multi-faceted music projects with a reflective, textured work, made in the quiet margins of motherhood and memory, shaped by time’s shifting tides. “This is the most personal record I’ve made,” she says. “The artwork is my own painting, based on the willow pattern from my grandmother’s tea sets. Each part of it ties into the songs: a map of memories.” Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Megson’s Debs Hanna and Stu Hanna: Performing at Helmsley Arts Centre on Friday

Folk gig of the week: Megson, Helmsley Arts Centre, Friday, 7.30pm

FOUR-TIME BBC Radio 2 Folk Awards nominees and double Spiral Earth Awards winners Megson combine heavenly vocals, lush harmonies and driving rhythmic guitars, topped off with northern humour. 

Hailing from Teesside and now based in Cambridgeshire, husband-and-wife folk roots duo Debs Hanna (vocals, whistle, piano accordion) and Stu Hanna (guitar, mandola, banjo) followed up 2023 studio album What Are We Trying To Say with Megson – Live In Teesside, recorded at Stockton-on-Tees Arc in 2025. Box office: 01439 771700 or helmsleyarts.co.uk.

Ryedale film event of the week: Summit Stories, Kirk Theatre, Pickering, Friday, 7.30pm

THIS evening of adventure films to raise funds for the Scarborough & Ryedale branch of Mountain Rescue England & Wales features a variety of exciting off-piste adventures, such as ski mountaineering, mountain climbing and mountain biking.

Created by elite athletes from around the world, the Faction Collective’s 150 Hours From Home, Blair Aitken of British Backcountry’s 10 In A Weekend, Commencal’s Dolomites and Jessie Leong’s The Last Forgotten Art contain scenes to take the breath away. The mountain rescue team, by the way, supports adventurers when things go wrong and conducts  day-to-day searches and rescues off the beaten track. Box office: 01751 474833 or kirktheatre.co.uk.

Seriously Collins: Taking Phil Collins at Face Value in tribute to solo and Genesis years at Milton Rooms, Malton

Tribute gig of the week: Seriously Collins – A Tribute To Phil Collins & Genesis, Milton Rooms, Malton, Saturday, 8pm

RETURNING by popular demand, Seriously Collins relive the hits of Phil Collins and Genesis, taking a musical journey through the songs that defined an era, echoing Collins’s soulful solo sound and re-creating the energy, intricacy and intensity of his more expansive original band. Expect “no gimmicks, just a genuine tribute to one of the greatest artists of our time”. Box office: 01653 696240 or themiltonrooms.com.

Lee Mead, centre, as showman P. T. Barnum, surrounded by actor musicians and circus acts in Barnum: The Circus Musical, on tour at Grand Opera House, York. Picture: Pamela Raith

Touring musical of the week: Bill Kenwright Ltd in Barnum: The Circus Musical, Grand Opera House, York, February 24 to 28, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

MUSICALS leading man Lee Mead plays the most challenging role of his career, stepping into P. T. Barnum’s shoes and on to the tightrope as the legendary circus showman, businessman and politician in Jonathan O’Boyle’s touring production of the Broadway musical.

Mead leads the cast of more than 20 actor-musicians (playing 150 instruments), acrobats and international circus acts as, hand in hand with wife Charity, Barnum finds his life and career twisting and turning the more he schemes and dreams his way to headier heights. Box office: atgtickets.com/york.

Maggie Smales’s Madame Armfeldt and Libby Greenhill’s Fredrika rehearsing for Wharfemede Productions’ A Little Night Music

Sondheim show of the week: Wharfemede Productions in A Little Night Music, Theatre@41, Monkgate, York, February 24 to 28, 7.30pm plus 2.30pm Saturday matinee

SET in turn-of-the-century Sweden, A Little Night Music explores the tangled web of love, desire, and regret through Stephen Sondheim’s signature blend of sophistication, humour and hauntingly beautiful music, not least the timeless Send In The Clowns.

Directed by Helen “Bells” Spencer, Wharfemede Productions’ show combines the York company’s hallmark attention to emotional depth, musical high quality and character-driven ensemble storytelling. Box office: tickets.41monkgate.co.uk.

Levellers: Revisiting Levelling The Land at York Barbican this autumn. Picture: Steve Gullick

Gig announcement of the week: Levellers, Levelling The Land 35th Anniversary Tour, York Barbican, October  29

BRIGHTON folk-rockers Levellers have been among Britain’s most enduring and best-loved bands for nearly 40 years, their success built in part on the anthems that comprised their platinum-selling second album Levelling The Land, whose 35th anniversary falls on October 7.

To mark the occasion, Levellers will head out on a UK and European tour from October 16 to November 21, playing many songs from that album, alongside fan favourites from their extensive catalogue. Hotly tipped Essex punk duo The Meffs will support. Tickets go on sale on Friday at 10am from https://www.yorkbarbican.co.uk/whats-on/levellers-2026/.

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More Things To Do in York and beyond in half-term week and in the nocturnal skies. Hutch’s List No. 6, from The York Press

The March To Coppergate, when 500 Vikings parade through York city centre on February 21 in a highlight of the 2026 JORVIK Viking Festival

THE Vikings are invading York once more while the Dark Skies Festival is full of stars in Charles Hutchinson’s tips for adventure and artistic discovery.

Festival of the week: JORVIK Viking Festival, York, February 16 to 22

YORK is gearing up for another action‑packed February half‑term as the JORVIK Viking Festival  brings a week of hands‑on history, craft activities and Norse‑themed entertainment to the city’s streets and historic venues.

Organised by York Archaeology, Europe’s largest Viking festival  promises an accessible programme for families, featuring a mix of free drop‑in events and low‑cost bookable sessions designed to spark curiosity in young Vikings and their grown‑ups. The full programme and tickets are available at jorvikvikingfestival.co.uk. 

Milky Way over Ravenscar at the North York Moors National Park Dark Skies Festival. Picture: Steve Bell, North York Moors National Park

Celebrating jewels of the night sky: North York Moors and Yorkshire Dales National Parks Dark Skies Festival, nightly until March 1

NORTH York Moors and Yorkshire Moors National Parks celebrate their 11th Dark Skies Festival this month. Discover activities at night to heighten the senses, such as night runs, canoeing and night navigation, astrophotography workshops, stargazing safaris, children’s daytime trails, art workshops and mindful experiences.

Full details of nocturnal activities at the two International Dark Sky Reserves, at the peak of the stargazing season, can be found at https://www.darkskiesnationalparks.org.uk/north-york-moors-events and https://www.darkskiesnationalparks.org.uk/yorkshire-dales-events.

Day Fever: Turning York Barbican into a dance floor this afternoon

Dance moves on St Valentine’s Day: Day Fever, York Barbican, today, 3pm

FULL of revellers ready to party to the best feelgood music, personally curated by Jon McClure of Sheffield band Reverend And The Makers, the gang behind Day Fever guarantee an afternoon of no-holds-barred fun times and dancing. Box office: yorkbarbican.co.uk.

Fladam Theatre duo Florence Poskitt and Adam Sowter in Astro-Norma And The Cosmic Piano at Helmsley Arts Centre

Children’s show of half-term week: Fladam Theatre in Astro-Norma And The Cosmic Piano, Helmsley Arts Centre, Sunday, 2.30pm

FLADAM Theatre, the York actor-musician duo of Adam Sowter and Florence Poskitt, return with an intergalactic musical adventure ideal for ages four to ten. Meet out-of-this-world pianist Norma, who dreams of going into space, like her heroes Mae Jemison and Neil Armstrong, but children can’t go into space, can they? Especially children who have a very important piano recital coming up.

When a bizarre-looking contraption crash-lands in the garden, is it a bird? Or perhaps  a plane? No and twice no, it’s a piano, but no ordinary piano. This is a cosmic piano! Maybe Norma’s dreams can come true in a 45-minute show packed with awesome aliens, rib-tickling robots, and interplanetary puns that will have children shooting for the stars. Box office: 01439 771700 or helmsleyarts.co.uk.

For whom the Bells toll: The Best Of Tubular Bells I, II & III, York Barbican, Sunday, 7.30pm

THE Best of Tubular Bells I, II & III celebrates Mike Oldfield’s iconic and seminal musical pieces on a 26-date 26 date UK tour featuring an expansive live group, led and arranged by Oldfield’s long-term collaborator Robin Smith.

1973’s Tubular Bells will be performed in full, complemented by extended sections of 1992’s Tubular Bells ll and 1998’s Tubular Bells lll, as well as worldwide hit single Moonlight Shadow. Box office: yorkbarbican.co.uk.

Hottest ticket of 2026 in York: Jodie Comer as defence lawyer Tessa Ensler in Suzie Miller’s Prima Facie at the Grand Opera House. Picture: Rankin

Recommended but sold out already: Jodie Comer in Prima Facie, Grand Opera House, York, February 17 to 21, 7.30pm plus 3pm Thursday and Saturday matinees

JODIE Comer returns to her Olivier and Tony Award-winning role as lawyer Tessa Ensler in the “Something Has To Change” tour of Suzie Miller’s Prime Facie in her first appearance on a North Yorkshire stage since her professional debut in Scarborough as Ruby in the Stephen Joseph Theatre world premiere of Fiona Evans’s The Price Of Everything in April 2010.

Comer’s Tessa is a thoroughbred young barrister who loves to win, working her way up from working-class origins to be at the top of her game: prosecuting, cross examining and lighting up the shadows of doubt in any case. An unexpected event, however, forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge. Box office for returns only: atgtickets.com/york.

Thom Feeney in rehearsal for York Settlement Community Players’ Blue Remembered Hills

Child’s play of the week: York Settlement Community Players in Blue Remembered Hills, York Theatre Royal Studio, February 18 to 28, 7.45pm, except Sunday and Monday; 2pm, February 21 and 28

FLEUR Hebditch, former Stephen Joseph Theatre dramaturg for a decade, makes her Settlement Players directorial debut with Dennis Potter’s stage adaptation of his 1979 BBC Play For Today drama.

Seven children are playing in the Forest of Dean countryside on a hot summer’s day in 1943. Each aged seven, they mimic and reflect the adult world at war around them. Their innocence is short lived, however, as reality hits. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Spooky adventure of the week: Flying Ducks Youth Theatre in The Addams Family Musical, Joseph Rowntree Theatre, York, February 19 to 21, 7pm plus 2pm Saturday matinee

YORK company Flying Ducks Youth Theatre undertakes a whimsical, spooky musical adventure into the delightfully dark world of the hauntingly eccentric Addams Family on a night of unexpected revelations.

When Wednesday Addams falls in love with a “normal” boy, chaos ensues. As the two families converge over dinner, secrets are revealed and the true meaning of family is put to the test. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Kathyrn Williams: Opening Mystery Park Tour at Pocklington Arts Centre

Folk gig of the week: Kathryn Williams, Mystery Park Tour 2026, Pocklington Arts Centre, February 20, 8pm

KATHRYN Williams, the Liverpool-born, Newcastle-based folk singer-songwriter, novelist, podcaster, tutor and artist long celebrated for her quiet emotional depth and lyrical precision, promotes her 15th studio album, last September’s Mystery Park, with support and special guest guitarist Matt Deighton in tow.

Opening her 12-date tour in Pocklington, 2000 Mercury Music Prize nominee Williams marks 27 years of diverse, multi-faceted music projects with a reflective, textured work, made in the quiet margins of motherhood and memory, shaped by time’s shifting tides. “This is the most personal record I’ve made,” she says. “The artwork is my own painting, based on the willow pattern from my grandmother’s tea sets. Each part of it ties into the songs: a map of memories.” Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Katherine Jenkins: Playing York Barbican on 25th anniversary tour

Concert announcement of the week: Katherine Jenkins, York Barbican, October 15

WELSH mezzo-soprano Katherine Jenkins, 45, the biggest-selling classical artist of the 21st century, will play York Barbican as the only Yorkshire venue of her 25 Year Anniversary Tour. Tickets will go on sale at 10am on February 20 at https://www.yorkbarbican.co.uk/whats-on/katherine-jenkins-2026/.

“Reaching 25 years in music is incredibly emotional, but this tour is truly a celebration of the fans who have been there from the very beginning,” she says. “To be heading out across the UK and Ireland for 18 special shows feels less like a celebration of a career and more like a reunion with old friends, and I can’t wait to stand on stage, look out into those familiar faces and share it all over again.”

Russell Hicks: In action at Theatre@41, Monkgate, York, and The Wardrobe, Leeds on his This Time It’s Personal tour

In Focus: Comedy gig of the week, Russell Hicks, This Time It’s Personal, Theatre@41, Monkgate, York, tonight, 8pm

LAST year, Russell Hicks was just Happy To Be Here on his tour travels, discussing his life in the UK after moving from the USA.

Now the improvisational Californian comedian is looking inwards on his latest tour that visits Theatre@41, Monkgate, York, tonight and The Wardrobe, Leeds, on February 22 (7.30pm). “This year it’s about…me. I’m back. And This Time It’s Personal,” he says, explaining the show title.

Deciding to leave the Trump-era politics to the likes of Jon Stewart, “I thought I would talk about more personal things, which is a challenge because I’m reactive to the climate, having done this thing of being a fish out of water [in Happy To Be Here].

“I’ve done that thing of discussing British culture through an American perspective on Instagram and Facebook, and I write Dear Diary entries about moving to Britain. I’ve done stuff on Marmite and Wetherspoons, as an American who knows nothing about this culture and is very honest about it, but they’re mostly just jokes.

“Like in America, I’m seen as a drinker; in England, I’m a legend (when it comes to drinking). That gave me an outline to talk about the UK versus the USA, and having done that, now I’m looking at myself in my new show, trying to sharpen my perspective, where I’m 42 now and so you get to the point where you’re more reflective.”

Russell continues: “That’s kind of the hallmark of being this age. At 35/40, people are starting to look at where they are and what got them there, good or bad. As in any culture, there is so much attention paid to early choices and early paths through life, but then there’s no guide to what to do in a capitalist society after 40. Then it’s just about maintenance.”

Do not mistake This Time It’s Personal for a navel-gazing exercise. “I’m very sensitive that that might be boring, where people do this show that can best summed up as ‘why I’m not successful’. But in my show, I’m celebrating being a comic and the experiences that I have,” says Russell.

“An audience member once came up to me and said, ‘comedians are like university drop-outs: they’re smart but they make the worst choices’. In a comedy club, I’m always in the moment, but then once I’m outside, I’ll look at what makes me uncomfortable. It’s that thing of thinking that you’re talking about yourself but actually you’re talking about all of us.”

As ever, Russell will be weaving improvisation into his shows in York and Leeds. “Improvisation, for me, is just something that’s inevitable. It’s the only way that I know how to perform, bringing in more as I talk about myself, and I’m always happy to find something in the room and then go off track,” he says.

“It’s just exciting. There’s a purity of connection. Being on stage, it’s the closest you get to hanging out with someone, making them laugh.”

As for the jokes, “I always know a joke’s really worked when they’re laughing uncontrollably at something and then have a hard time trying to re-tell it!” he says.

One final question: do you have any memories of past York visits, Russell? “One night in York, I went on a ghost walk before the show, then died on stage. I was like my own ghost that night!”

Box office: York, tickets.41monkgate.co.uk/; Leeds, https://ticket247.co.uk/Event/russell-hicks-at-the-wardrobe-leeds-486754.

Russell Hicks: Comedian, actor, writer

Russell Hicks: back story

Born: San Diego, California.

 Based: London.

Occupation: Exuberant, provocative stand-up comedian noted for weaving improvisation into material, and writer of weekly journals of life as an ex-pat.

Appeared on: Channel 4, BBC and ITV.  Starred as loveable Texan Coach Hughes in Prime Video series Lovestruck High, narrated by Lindsay Lohan. Written for and starred in ITV’s Stand Up Sketch Show. Won Channel 4 competition series Captive Audience with his fully improvised stand-up.

Track record: Won Prague Fringe Festival 2024. Headlined at every major UK club, including The Stand, Glee Club and Up The Creek. Residency at Top Secret Comedy Club in London. Comperes at Leeds and Reading Festival. Curates indie venues, historic theatres such as Hammersmith Apollo, and private members clubs. Endorsed as Global Talent by Arts Council England in 2022.

What else? Regularly entertains studio audiences at Have I Got News For You, The Last Leg and As Yet Untitled. Works Stateside with legendary Hollywood clubs The Comedy Store, The Improv and The Laugh Factory. As voice actor, he has lent his voice to Sky Comedy and Great Big Story and works for international brands in global campaigns.

Still more? Presenter on Yahoo Entertainment. Opens shows regularly for friends Axel Blake (2022 winner of Britain’s Got Talent), Simon Brodkin and Al Murray. Multiple film roles include appearing Edgar Wright’s The Running Man (2025) and Amazon MGM Studios romantic comedy Maintenance Required (2025) on Amazon Prime. Posts Dear Diary series on Instagram, gaining millions of views.

Previous tours: The Age Of Hicks, 2022; Next Level, 2023; first national UK itinerary, Happy To Be Here, 2024-2025, discussing his life in the UK.

Latest tour: This Time It’s Personal, January 23 to June 5.

Reflection of the day: “I still can’t believe I get to make people laugh for a living, travel the world and, most importantly, not wake up early on Monday mornings.”

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What’s On in Ryedale, York and beyond. Hutch’s List No. 4, from Gazette & Herald

A scene from Carlos Acosta’s Nutcracker In Havana, on tour at Grand Opera House, York. Picture: Tristram Kenton

CUBAN dance luminary Carlos  Acosta’s Havana reinvention of The Nutcracker tops  Charles Hutchinson’s latest selection of cultural highlights.

Dance show of the week: Carlos Acosta’s Nutcracker In Havana, Grand Opera House, York, Friday, 7.30pm; Saturday, 2.30pm and 7.30pm

CAST illness has put paid to tonight and tomorrow’s performances, but dance superstar Carlos Acosta’s Nutcracker In Havana will still turn up the heat in his modern Cuban twist on the snow-dusted 1892 Russian festive ballet on Friday and Saturday. Built on Cuban composer Pepe Gavilondo’s arrangement of Tchaikovsky’s score, Acosta moves the celebration of joy, life, love and family to modern-day Havana.

More than 20 dancers from Acosta’s Cuban company Acosta Danza perform the familiar story of a young girl transported to a magic world, but one newly incorporating the culture, history and music of his home country. Box office: atgtickets.com/york.

Tim Delap’s John Middleton and Kara Tointon’s Constance Middleton in the Royal Shakespeare Company’s The Constant Wife. Picture: Mihaela Bodlovic; set and co-costume designer Anna Fleischle; co-costume designer Cat Fuller

Play of the week: Royal Shakespeare Company in The Constant Wife, York Theatre Royal, until Saturday , 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

SET in 1927, The Constant Wife finds Constance as a very unhappy woman. “Nonsense,” says her mother, who insists “she eats well, sleeps well, dresses well and she’s losing weight. No woman can be unhappy in those circumstances”. 

Played by Kara Tointon, she is the perfect wife and mother, but her husband is equally devoted to his mistress, who just happens to be her best friend. Tamara Harvey directs the new adaptation by Home, I’m Darling playwright and Rivals television series writer Laura Wade. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Mishmash’s Ruby’s Worry: Easing worries at NCEM, York

Family show of the week: Mishmash: Ruby’s Worry, National Centre for Early Music, Walmgate, York, Saturday, 11.30am and 2.30pm

RUBY had always been happy, perfectly happy, until one day she discovered a worry. The more she tries to rid herself of that worry, the more it grows and grows. Eventually she meets a boy who has a worry too. Together they discover that everyone has worries, and that if you talk about them, they never hang around for long! Mishmash’s Ruby’s Worry is told through live music, song, puppetry and physical theatre, taking the audience on a delightful musical adventure. Box office: 01904 658338 or ncem.co.uk.

Talent showcase of the week: HAC Studio Bar Open Mic Jan 2026, Helmsley Arts Centre, Saturday, 7.30pm

THIS social evening in Helmsley Arts Centre’s Studio Bar offers the opportunity to hear Ryedale musicians and artists perform. The bar will be open serving beer from Helmsley Brewery and Brass Castle Brewery, an assortment of gins, wines from Helmsley Wines and more. There is no need to book to listen or participate, just turn up.

Mountaineer Simon Yates, of Touching The Void fame, has sold out his My Mountain Life talk on Friday at 7.30pm. Box office for returns only: 01439 771700 or helmsleyarts.co.uk.

Femme Fatale Faerytales: Telling Mary, Mary’s contrary tale

A homecoming, a haunting, a holy rebellion: Femme Fatale Faerytales present Mary, Mary, Fossgate Social, Fossgate, York, February 1 and 2, 8pm (doors 7pm)

MARY, Mary quite contrary, wouldn’t you like to know how her garden grows? Step into the fairytale world of Femme Fatale Faerytales as Sasha Elizabeth Parker unveils a dark, lyrical, feminist re-telling of an age-old classic. Part confession, part ritual, part bedtime story for grown-ups, Mary, Mary invites you to meet the woman behind the nursery rhyme in all her wild, untamed, contrary glory.

In her York debut, expect enchanting storytelling, poetic prophecy and a subversive twist on the tales you thought you knew on two intimate, atmospheric nights in one of York’s cult favourite haunts. Box office: wegottickets.com.

Packing in the acts for PAC Comedy Club line-up at Pocklington Arts Centre

Comedy gig of the week: PAC Comedy Club, Pocklington Arts Centre, February 5, 8pm

RICH Wilson, winner of the New Zealand Comedy Festival Best International Act award, tops the PAC Comedy Club bill next Thursday. He has performed at all the major UK comedy clubs, as well in New York and Las Vegas and at the Perth Fringe, Melbourne International Festival and Edinburgh Fringe.

Supporting Wilson will be Jonny Awsum, who shot to fame on Britain’s Got Talent with his high-energy musical comedy, and Yorkshireman Pete Selwood, who specialises in observational material with killer punchlines, introduced by surrealist compere and BBC New Comedian of the Year regional finalist Elaine Robertson. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The Yorkshire Gypsy Swing Collective: In full swing at Milton Rooms, Malton

Jazz gig of the week: The Yorkshire Gypsy Swing Collective, Milton Rooms, Malton, February 7, doors, 7.30pm

THIS gypsy jazz supergroup with musicians from all around Yorkshire plays music inspired by Django Reinhardt and Stephane Grappelli of the Quintette du Hot Club de France. 

The collective of Lewis Kilvington and Martin Chung, guitars, James Munroe, double bass, Derek Magee, violin, and Christine Pickard, clarinet, remains true to Django and Stephane’s spirit while pushing the genre of gypsy jazz forward into a modern sphere. Expect fast licks, burning ballads and even some Latin-inspired pieces. Box office: 01653 696240 or themiltonrooms.com.

Liz Foster: Exhibiting at Rise@Bluebird Bakery, Acomb, from February 12

Exhibition launch: Liz Foster, Deep Among The Grasses, Rise:@Bluebird Bakery, Acomb, York, February 12 to April 10

YORK artist Liz Foster’s new series of abstract paintings, Deep Among The Grasses, invites you into rich, expansive imagined spaces where she explores memory, landscape and the childhood feeling of being immersed in wild places.

Full of colour, feeling and atmosphere, this body of work is being shown together for the first time. Everyone is welcome at the 6pm to 9pm preview on February 12 when Leeds-born painter, teacher and mentor Liz will be in attendance.

Super Furry Animals: Playing first shows in ten years in 2026, including Live At York Museum Gardens

Gig announcement of the week: Live At York Museum Gardens present Super Furry Animals, York Museum Gardens, July 11

FUTURESOUND completes the line-up for its third Live At York Museum Gardens season with Welsh art-rock icons Super Furry Animals, celebrating more than 30 years together with multicolour hits and off-piste deep cuts, lovingly handpicked from  nine albums.

Gruff Rhys, Huw Bunford, Cian Ciarán, Dafydd Ieuan and Guto Pryce are returning to the concert platform in 2026 for the first time in ten years. Joining them in York will be a quartet of special guests, unconventional kindred spirit Baxter Dury, compatriot indie-pop septet Los Campesinos!, fast-rising Nottingham alt-country group Divorce and the Welsh Music Prize-nominated woozy, Sixties-inspired psychedelia Pys Melyn.

Futuresound Group project manager Rachel Hill says: “We’re thrilled to announce Super Furry Animals as the final headliner for our third Live at York Museum Gardens series. None of it would be possible without the collaboration, trust and support of the team at York Museums Trust and being able to put together such an incredible line up for the summer makes us excited for the future of our partnership.”

York exclusive postcode presale (YO1, YO10, YO19, YO23, YO24, YO26, YO30, YO31 and  YO32) go on sale at 10am today at https://futuresound.seetickets.com/event/super-furry-animals/york-museum-gardens/3567101?pre=postcode.

General sales open at 10am on Friday at https://futuresound.seetickets.com/event/super-furry-animals/york-museum-gardens/3567101.

Tickets are on sale already for Liverpool’s  Orchestra Manoeuvres In The Dark on July 9 and South Yorkshire ’s Self Esteem on July 10 at futuresoundgroup.com/york-museum-gardens-events.

The poster for Super Furry Animals’ concert in York Museum Gardens

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More Things To Do in York & beyond as Royal Shakespeare Company revisits 1920s. Hutch’s List No. 4, from The Press

Kara Tointon as Constance Middleton in the Royal Shakespeare Company’s The Constant Wife. Picture: Mihaela Bodlovic; set and co-costume designer Anna Fleischle and co-costume designer Cat Fuller

LAURA Wade’s new adaptation of The Constant Wife for the RSC leads off Charles Hutchinson’s latest selection of cultural highlights.

Play of the week: Royal Shakespeare Company in The Constant Wife, York Theatre Royal, January 26 to 31, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

SET in 1927, The Constant Wife finds Constance as a very unhappy woman. “Nonsense,” says her mother, who insists “she eats well, sleeps well, dresses well and she’s losing weight. No woman can be unhappy in those circumstances”. 

Played by Kara Tointon, she is the perfect wife and mother, but her husband is equally devoted to his mistress, who just happens to be her best friend. Tamara Harvey directs the new adaptation by Home, I’m Darling playwright and Rivals television series writer Laura Wade. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Aesthetica Art Prize winner Tobi Onabolu’s Danse Macabre, on show at York Art Gallery

Last chance to see: Aesthetica Art Prize and Future Tense: Art in the Age of Transformation, York Art Gallery, today and tomorrow, 10am to 5pm

YORK arts movers and shakers  Aesthetica present  two landmark exhibitions, the 2025 Aesthetica Art Prize  and Future Tense: Art in the Age of Transformation, featuring large-scale immersive installations by prize alumni Liz West and Squidsoup.

On show among work by 25 shortlisted entries are main prize winner, London artist-filmmaker Tobi Onabolu’s exploration of spirituality, mental health and the human psyche,  Danse Macabre, and Emerging Prize winner Sam Metz’s bright yellow structures in Porosity, reflecting his sensory experience of the Humber Estuary.

Squidsoup’s Submergence immerses audiences in an ocean of 8,000 responsive LED lights, blurring the line between digital and physical space, while Liz West’s Our Spectral Vision surrounds visitors with a radiant spectrum of colour in a sensory encounter. Tickets: yorkartgallery.org.uk/tickets.

Ceramicist Emily Stubbs, left, and seascapes artist Carolyn Coles showcase their new work in The Sky’s The Limit at Pyramid Gallery, alongside Karen Fawcett’s bird sculptures

Exhibition launch of the week: Carolyn Coles, Emily Stubbs and Karen Fawcett, The Sky’s The Limit, Pyramid Gallery, Stonegate, York, today until mid-March

SOUTH Bank Studios artist Carolyn Coles and PICA Studios ceramicist Emily Stubbs will be on hand from 11.30am to 2.30pm at today’s opening of The Sky’s The Limit, their joint exhibition with wildlife sculptor Karen Fawcett.

Like Carolyn, Emily has been selected to take part in York Open Studios 2026 on April 18 & 19 and April 25 & 26. Look out too for work by Pyramid Gallery’s Jeweller of the Month, Kate Rhodes, from Hebden Bridge. Gallery opening hours are: 10am to 5pm, Monday to Saturday.

Anna Hale: Killer punchlines, musical flair and spiky resilience in Control Freak at The Crescent on Sunday

Comedy gig of the week: Anna Hale: Control Freak, The Crescent, York, Sunday, 7.30pm

ANNA Hale, comedian, singer-songwriter and unapologetic control freak, likes to write the jokes and the songs, plan the lighting cues and even sell the tickets for her gigs. When life spins out of control, however, can one perfectionist keep the show together, and, crucially, not let anyone else have a go?

Find out when encountering the killer punchlines, musical flair and spiky resilience of the 2024 Musical Comedy Awards Audience Favourite winner’s debut tour show. Box office: thecrescentyork.com.

Glenn Moore: So many Moore jokes at The Crescent on Tuesday

Show title of the week: Glenn Moore: Please Sir, Glenn I Have Some Moore, The Crescent, York, January 27, 7.30pm (doors 7pm)

EDINBURGH Comedy Award nominee Glenn Moore has written too many jokes again, so expect a whirlwind of punchlines from the Croydon stand-up and presenter on Tuesday. Here comes more and more of Moore after appearances on Live At The Apollo, Have I Got News For You, Mock The Week, 8 Out Of 10 Cats Does Countdown, The News Quiz, Just A Minute and his own BBC Radio 4 series, Glenn Moore’s Almanac. Box office: thecrescentyork.com.

Snow and frost in Cuba: Carlos Acosta’s Nutcracker In Havana brings heat and ice to the Grand Opera House, York. Picture: Johan Persson

Dance show of the week: Carlos Acosta’s Nutcracker In Havana, Grand Opera House, York, now January 30 and 31, 7.30pm plus 2.30pm Saturday matinee 

UPDATE 27/1/2025: Cast illness has put paid to January 28 and 29’s performances.

DANCE superstar Carlos Acosta’s Nutcracker In Havana turns up the heat in his modern Cuban twist on the snow-dusted 1892 Russian festive ballet. Built on Cuban composer Pepe Gavilondo’s arrangement of Tchaikovsky’s score, Acosta moves the celebration of joy, life, love and family to modern-day Havana.

More than 20 dancers from Acosta’s Cuban company Acosta Danza perform the familiar story of a young girl transported to a magic world, but one newly incorporating the culture, history and music of his home country. Box office: atgtickets.com/york.

Mike Joyce: Tales from his drumming days for The Smiths at Pocklington Arts Centre

On the beat: Mike Joyce, The Drums: My Life In The Smiths, Pocklington Arts Centre, January 28, 7.30pm

DRUMMER Mike Joyce has been asked numerous times, “What was it like being in The Smiths?”. “That’s one hell of a question to answer!” he says. Answer it, he does, however, both in his 2025 memoir and now in his touring show The Drums: My Life In The Smiths.

To reflect on being stationed behind singer Morrissey and guitarist Johnny Marr from 1982 to 1987, Joyce will be interviewed by Guardian music journalist Dave Simpson, who lives near York. Audience members can put their questions to Joyce too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The poster for Country Roads’ celebration of Dolly Parton, Johnny Cash, Kenny Rogers et al at York Barbican

Country celebration of the week: Country Roads, York Barbican, January 30, 7.30pm

COUNTRY Roads invites you to a celebration of country superstar royalty featuring such hits as 9 To 5, The Gambler, I Walk The Line, Ring Of Fire, King Of The Road, Crazy, Rhinestone Cowboy, Jolene, Dance The Night Away, Walkin’ After Midnight and many, many more as the stars of fellow tribute show Islands In The Stream return in this new production. Box office: yorkbarbican.co.uk.

Mishmash’s delightful musical adventure Ruby’s Worry, easing worries at the NCEM

Family show of the week: Mishmash: Ruby’s Worry, National Centre for Early Music, Walmgate, York, January 31, 11.30am and 2.30pm

RUBY had always been happy, perfectly happy, until one day she discovered a worry. The more she tries to rid herself of that worry, the more it grows and grows. Eventually she meets a boy who has a worry too. Together they discover that everyone has worries, and that if you talk about them, they never hang around for long! Mishmash’s Ruby’s Worry is told through live music, song, puppetry and physical theatre, taking the audience on a delightful musical adventure. Box office: 01904 658338 or ncem.co.uk.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 4, from Gazette & Herald

Kara Tointon as Constance in The Constant Wife, on tour at York Theatre Royal

LAURA Wade’s new adaptation of The Constant Wife for the RSC leads off Charles Hutchinson’s latest selection of cultural highlights.

Play of the week: Royal Shakespeare Company in The Constant Wife, York Theatre Royal, January 26 to 31, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

SET in 1927, The Constant Wife finds Constance as a very unhappy woman. “Nonsense,” says her mother, who insists “she eats well, sleeps well, dresses well and she’s losing weight. No woman can be unhappy in those circumstances”. 

Played by Kara Tointon, she is the perfect wife and mother, but her husband is equally devoted to his mistress, who just happens to be her best friend. Tamara Harvey directs the new adaptation by Home, I’m Darling playwright and Rivals television series writer Laura Wade. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jeffrey Martin: Blend of folk, Americana and literary short stories at Rise@Bluebird Bakery, Acomb, York

Folk gig of the week: Please Please You and Brudenell Presents present Jeffrey Martin and special guest Tenderness, Rise@Bluebird Bakery, Acomb, York, Saturday, 8.15pm (doors 7.30pm)

PORTLAND musician Jeffrey Martin’s narrative-driven songwriting  is a blend of folk, Americana and literary short stories with echoes of Raymond Carver. Before turning to music full time in 2016, he spent several years as a high-school English teacher, a profession he left to “chase his dreams at all cost.”

His lyrics are marked by his insight into the human condition, often focusing on the struggles and quiet dignity of people on the margins of society. Box office: bluebirdbakery.co.uk/rise.

Emily Stubbs: Exhibiting ceramics at Pyramid Gallery, York, from Saturday

Exhibition launch of the week: Carolyn Coles, Emily Stubbs and Karen Fawcett, The Sky’s The Limit, Pyramid Gallery, Stonegate, York, Saturday until mid-March

SOUTH Bank Studios artist Carolyn Coles and PICA Studios ceramicist Emily Stubbs will be on hand from 11.30am to 2.30pm at Saturday’s opening of The Sky’s The Limit, their joint exhibition with wildlife sculptor Karen Fawcett.

Like Carolyn, Emily has been selected to take part in York Open Studios 2026 on April 18 & 19 and April 25 & 26. Look out too for work by Pyramid Gallery’s Jeweller of the Month, Kate Rhodes, from Hebden Bridge. Gallery opening hours are: 10am to 5pm, Monday to Saturday.

Snake Davis and Sumudu Jayatilaka: Performing together at Helmsley Arts Centre

Jools’ partners of the week: Snake & Sumudu, Helmsley Arts Centre, Saturday, 7.30pm

SAXOPHONIST to the stars Snake Davis and singer-songwriter Sumudu Jayatilaka often meet up to perform with Jools Holland and His Rhythm & Blues Orchestra or to play together in arts centres.

Raised in Scunthorpe, now based in London, Sumudu has frequently toured as a backing vocalist, guitarist, keyboardist and percussionist for Sir Van Morrison. At 15, she made her TV debut on BBCs Pebble Mill At One, performing her own composition, accompanied by Snake on sax and flute. Later they took part in a Royal Albert Hall concert with Burt Bacharach and Hal David.  At Helmsley, expect classic pop, original compositions and a touch of soul and jazz. Box office: 01439 771700 or helmsleyarts.co.uk.

Shakin’ all over: Rebel Dean in Whole Lotta Shakin’, his tribute to Shakin’ Stevens at the Joseph Rowntree Theatre

Tribute show of the week: Whole Lotta Shakin’ – The Shakin’ Stevens Story, Joseph Rowntree Theatre, York, Sunday, 7.30pm

ENDORSED by members of Shakin’ Stevens own family, West End star Rebel Dean’s award-winning tribute to Great Britain’s biggest-selling singles artist of the 1980s tell the story of the rockin’ Welsh boy and his rise to chart-topping superstardom.

Whole Lotta Shakin’ combines a live band with rare footage and images in a nostalgic night of Shaky hits, Green Door, Oh Julie, You Drive Me Crazy and This Ole House et al, complemented by Eddie Cochran, Chuck Berry, Ritchie Valens and Elvis Presley numbers that he covered. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Anna Hale: Killer punchlines, musical flair and spiky resilience at The Crescent, York

Comedy gig of the week: Anna Hale: Control Freak, The Crescent, York, Sunday, 7.30pm

ANNA Hale, comedian, singer-songwriter and unapologetic control freak, has written the jokes and the songs, planned the lighting cues and even sold the tickets for her gigs. When life spins out of control, can one perfectionist keep the show together, and, crucially, not let anyone else have a go? Find out when encountering the killer punchlines, musical flair and spiky resilience of the 2024 Musical Comedy Awards Audience Favourite winner’s debut tour show. Box office: thecrescentyork.com.

Mike Joyce: Tales from his drumming days for The Smiths at Pocklington Arts Centre

On the beat: Mike Joyce, The Drums: My Life In The Smiths, Pocklington Arts Centre, January 28, 7.30pm

DRUMMER Mike Joyce has been asked numerous times, “What was it like being in The Smiths?”. “That’s one hell of a question to answer!” he says. Answer it, he does, however, both in his 2025 memoir and now in his touring show The Drums: My Life In The Smiths.

To reflect on being stationed behind singer Morrissey and guitarist Johnny Marr from 1982 to 1987, Joyce will be interviewed by Guardian music journalist Dave Simpson, who lives near York. Audience members can put their questions to Joyce too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Neil Sadler: Leading his blues band at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents Neil Sadler Band, Milton Rooms, Malton, January 29, 8pm

NORTH Devon guitarist, singer, songwriter and record producer Neil Sadler has worked with songwriters and composers Guy Fletcher and Doug Flett, Don Black, Leslie David Reed and Tony McCaulay and honied his  guitar style with blues and rock artists Larry Miller, Mike Farmer, Dennis Siggery and Malaya Blue, as well as running No Machine Studios for 30 years

Sadler has led his present line-up since early 2024 featuring drummer Ray Barwell and bass guitarist Kev Langman. In January 2025, his Past To Present album was nominated for UK Blues Federation awards for UK Blues Traditional Artist of the Year and UK Blues Album of the Year. Box office: 01653 696240 or themiltonrooms.com.

The poster for Country Roads’ celebration of Dolly Parton, Johnny Cash, Glen Campbell et al at York Barbican

Country celebration of the week: Country Roads, York Barbican, January 30, 7.30pm

COUNTRY Roads invites you to a celebration of country superstar royalty featuring such hits as 9 To 5, The Gambler, I Walk The Line, Ring Of Fire, King Of The Road, Crazy, Rhinestone Cowboy, Jolene, Dance The Night Away, Walkin’ After Midnight and many, many more as the stars of fellow tribute show Islands In The Stream return in this new production. Box office: yorkbarbican.co.uk.

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Rob Rouse, the comedians’ favourite comic, to shake his Funny Bones on tour. Seven Yorkshire venues await from March 12

Rob Rouse: Craftily spun tall tales, eerily convincing characters, bucketfuls of manic energy, daft flights of fancy and a barrage of one-liners in Funny Bones. Picture: Karina Lax

ROB Rouse will play seven Yorkshire gigs on his Funny Bones stand-up tour, buoyed by winning Comics’ Comic Best Act of the Year 2025 in the UK Comedy Awards and Best Act at the 2025 Yorkshire Comedy Awards.

Rouse, 52, will play Pocklington Arts Centre on March 12; Helmsley Arts Centre, March 20; Stephen Joseph Theatre, Scarborough, March 21; Crookes Social Club, Sheffield, March 26; Richmond Georgian Theatre Royal, March 27; Leeds Glee Club, April 12, and Lawrence Batley Theatre, Huddersfield, April 17.

Determined exclusively via a poll of comedians on the UK comedy circuit, the Comics’ Comic award recognises the Cheshire-born comedian’s standing after more than 25 years on the road.

“It’s taken me completely by surprise, I’m very grateful and genuinely touched to receive this,” says Rouse. “We all love making audiences laugh and we all love the feeling of getting a laugh from our fellow clowns at the back of the room. It’s one of the things that encourages us to keep going and keep writing.

“I’ve been doing this a long time and to be acknowledged by your peers, who truly understand the highs and lows of this crazy job, feels deeply moving and humbling.”

Rouse first rose to prominence after winning Channel 4’s So You Think You’re Funny Award at the 1998 Edinburgh Fringe, building a reputation for his joyous silliness, infectious energy and storytelling craft.

“To be acknowledged by your peers, who truly understand the highs and lows of this crazy job, feels deeply moving and humbling,” says Rob Rouse. Picture: Karina Lax

He has gone on to appear in the BBC’s Upstart Crow, playing manservant Ned Bottom to David Mitchell’s William Shakespeare, as well as on 8 Out Of 10 Cats, The Friday Night Project and Dave’s One Night Stand and making countless radio appearances too.

Rouse has toured all over the world, from Australia to the Just For Laughs Festival in Montreal, clocked up 12 Edinburgh Fringe shows, mounted three UK solo tours and performed in two sold-out West End runs of Upstart Crow The Play.

Now living in the Peak District, he is resident host of The Comedy Village at the Crookes Social Club in Sheffield, where he bills himself as the “comedy village idiot”.

Funny Bones marks Rouse’s return to solo touring after support slots with Nina Conti, Kerry Godliman, Rory Bremner and Marcus Brigstocke. The high-spirited new show is packed with craftily spun tall tales, pitch-perfect, eerily convincing characters, bucketfuls of manic energy, daft flights of fancy and a barrage of one-liners in a celebration of comedy and being alive.

Tickets are on sale at: Pocklington, 01759 301547or pocklingtonartscentre.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk; Scarborough, 01723 370541 or sjt.uk.com; Sheffield, thecomedyvillage.com; Richmond, 01748 825252 or georgiantheatreroyal.co.uk; Leeds,  0871 472 0400 or glee.co.uk; Huddersfield, 01484 430528 or thelbt.org.