THE Delines, Willy Vlautin’s retro country-soul band from Portland, Oregon, have rearranged their Covid-postponed February 23 gig at Pocklington Arts Centre.
They will head to East Yorkshire on February 15 2022 instead, with the promise of new material on their first British travels since their sold-out 2019 itinerary.
Looking forward to The Delines’ 8pm gig with a full band line-up, Pocklington Arts Centre (PAC) director Janet Farmer says: “We’re delighted that we’ve been able to reschedule The Delines to perform live here as part of their delayed European tour.
“We know they’ll absolutely be worth the wait and we’re very much looking forward to welcoming the band and our audiences back for an evening of superb live music. We know our audiences cannot wait to experience live music once again, so I’d encourage you to book your tickets now to avoid disappointment.”
The Delines – Vlautin and Sean Oldham, both formerly of Richmond Fontaine, vocalist Amy Boone, Cory Gray and Freddy Trujillo – were working on new songs in the months before lockdown and expect to finish their follow-up to 2019’s The Imperial shortly.
Meanwhile, award-winning novelist Vlautin, 54, will be releasing his sixth book, The Night Always Comes, on April 6 (or June 6 in Harper Collins paperback, according to another website).
Nevada-born Vlautin, who was Richmond Fontaine’s lead singer, guitarist and songwriter from 1994 to 2016, was inspired by a Paul Kelly song, based on Raymond Carver’s So Much Water So Close To Home, to start writing stories.
In his latest, he explores the impact of trickle-down greed and opportunism of gentrification on ordinary lives. At the core of his story is the dangerously tired Lynette, who is caught between looking after her brother, working two low-paid jobs and trying to take part-time college classes.
Every penny she has earned for years, she has put into savings, striving to scrape together enough to take out a mortgage on the house she rents with her mother.
Tickets for The Delines cost £20 at pocklingtonartscentre.co.uk. The support act that night will be Los Angeles singer-songwriter Jerry Joseph, 59, who released the album This Beautiful Madness last August.
COURTNEY Marie Andrews will play Pocklington Arts Centre on June 17 on the back of being crowned International Artist of the Year at the 2021 UK Americana Awards.
The Phoenix singer-songwriter also saw off competition from American Aquarium, Margo Price and Katie Pruitt to win Best International Album for Old Flowers at the January 28 virtual ceremony presented by Bob Harris, host of The Country Show on BBC Radio 2.
Elvis Costello, Steve Earle and Gillian Welch all performed at the awards, run by the Americana Music Association, to celebrate the very best in country from Britain and internationally.
This summer, Courtney, 30, will perform the Grammy-nominated Old Flowers, her break-up album released last July on Loose/Fat Possum Records, on her return to Pocklington.
She last played a sold-out PAC in December 2018, at the end of a week when she was felled by a viral infection the morning after her London gig and had to call off her Birmingham, Bristol and Oxford gigs.
Rested and recuperated, she was still nursing a cough, but found the energy for a solo set of songs and stories, introducing Ships In The Night and It Must Be Someone Else’s Fault, two new compositions that would end up on Old Flowers.
Courtney had been booked to play PAC on June 17 last year, but Covid restrictions forced the postponement of her six-date tour. In the quietude of an emptied diary, she completed her debut poetry collection, Old Monarch, set for release in the UK on May 13 (preceded by April 6 in the United States) through Simon & Schuster.
“It’s been hard to contain my excitement about this news…my first poetry collection,” Courtney said on Instagram, introducing a book that “reads like a transformation, me, the narrator, being the figurative Old Monarch”.
“Some people are like monarch butterflies – solitary by nature, on a passionate search for somewhere,” the publicity explains for a collection divided into three sections, Sonoran Milkweed, Longing In Flight and Eucalyptus Tree (My Arrival to Rest).
Centred on themes of longing and a desire to belong, while excavating scenes from her childhood in the American Southwest, the poems address Courtney’s childhood in Arizona, family and the naive assumptions of youth; leaving home; falling in love for the first time and becoming an adult as the Old Monarch butterfly arrives in a figurative garden.
“Last summer, while on an island out at sea, I decided to finish some poems I started years ago. Pondering metaphysical transformation, I collected these questions and instilled them onto these pages,” Courtney’s Instagram post said.
“From my childhood in Arizona to allegorical gardens of rest, you can follow my journey as an Old Monarch. Between its pages, I hope you find patterns of your own path reflected.”
Summing up the third section in the book’s press release, Courtney concludes: “There are a lot of metaphysical and philosophical poems in this section. I arrive at the figurative garden, and I finally understand the journey at the edge of my life.
“There are a lot of poems in the context of a garden here, accepting mortality and the ever-changing world. These are meant to be wise old woman poems.”
You will have to wait until June 17 to discover if Courtney will include any of Old Monarch’s poems in her Pocklington set, when she will be accompanied by a full band.
Looking forward to Courtney’s return, PAC director Janet Farmer says: “We would like to congratulate Courtney on her impressive, but not surprising, UK Americana Awards wins, as well as the publication of her debut collection of poetry.
“We can’t wait to welcome Courtney back to Pocklington this June when we’ll get the chance to hear her perform her stunning album Old Flowers live.
“If you don’t want to miss this incredible opportunity, I would urge you to buy your tickets now to avoid disappointment.”
Old Flowers was created in the aftermath of a long-term relationship ending, leading to her most vulnerable writing on ten songs that chronicle her journey through heartbreak, loneliness and finding herself again.
“There are a million records and songs about heartbreak, but I did not lie when writing these songs,” Courtney says. “This album is about loving and caring for the person you know you can’t be with.
“It’s about being afraid to be vulnerable after you’ve been hurt. It’s about a woman who is alone, but OK with that, if it means truth. This was my truth: my nine-year relationship ended and I’m a woman alone in the world, but happy to know herself.”
Truth hurts, love hurts, but Courtney found writing Old Flowers “a safe place, a place of comfort”. “I didn’t lie in what I wrote because it was a very cathartic process,” she says.
“It was the only way I could channel what I was going through but I think sometimes people do lie in these situations because vulnerability is scary – and when you’re vulnerable you show your weakest emotions, and people are uncomfortable with that.”
By way of contrast, Courtney benefited from the confessional self-analysis. “Songs can predict your future or look back at what’s happened, and I didn’t realise that I felt the way I did until I started writing them,” she says.
“I definitely learned a lot about vulnerability: not hiding behind a character I learned so much about my relationship and goodbyes. Everything has a reason and we’re always searching for ourselves and for joy in our lives. This record is no different: when you reach the end of the tunnel, you reach the light and life goes on.”
Produced by Bon Iver and Big Thief producer Andrew Sarlo, Old Flowers was recorded at Sound Space Studio, a private studio in Los Angeles, with only three musicians: Andrews on vocals, acoustic guitar and piano, Twain’s Matthew Davidson, on bass, celeste, mellotron, pedal steel, piano, pump organ, Wurlitzer and background vocals, and Big Thief’s James Krivcheniaon drums and percussion.
“I think it may be only the third or fourth album to have been made there. Andrew had made a connection with the owner, and it’s just an amazing downtown space in the arts district of LA with giant windows and so many cool instruments in there,” says Courtney.
“Andrew and I had both decided the album needed to be made in a very intimate space with the fewer cooks in the kitchen, the better, and this place was perfect.
“A lot of the record was just Matt and me and I guess it was like a musical dance of communication between the two of us, and then James added those small moments of magic between our ‘dancing’.”
Old Flowers is Courtney’s seventh album, following on from 2018’s May Your Kindness Remain; 2016’s Honest Life; 2013’s On My Page; 2010’s No One’s Slate Is Clean; 2009’s Painters Hands And A Seventh Son and 2008’s Urban Myths.
“I definitely look at albums in their own right. I’m with Neil Young on that,” says Courtney. “Every album has its own journey. It would be a disservice and an injustice if I were to try to make the same record over and over again. The best artists are constantly re-born with each album.”
Old Flowers finds Courtney in full bloom. “The title means lots of things to me, one of them being that you can’t revive old flowers, but they remain beautiful even when they’ve died and they’re preserved.
“A friend of mine once said to me that flowers are timeless, and I can agree with that sentiment.”
Tickets for Courtney Marie Andrews’ 8pm concert at Pocklington Arts Centre on June 17 cost £20 at pocklingtonartscentre.co.uk.
Did you know?
Courtney Marie Andrews recorded a cover of Simon & Garfunkel’s America with Liz Cooper and Molly Sarlé in 2020.
MAGIC Carpet Theatre and Pocklington Arts Centre are renewing links for a free online streaming event for the February half-term.
The Hull company’s family show The Wizard Of Castle Magic will be shown on PAC’s YouTube channel from Thursday, February 18 at 2.30pm, available to view for 14 days until March 4.
The Wizard Of Castle Magic is the second Magic Carpet Theatre play to have been filmed live at PAC behind closed doors by Pocklington production company Digifish last autumn.
The first, Magic Circus, starring director Jon Marshall as the Ringmaster and Steve Collison as the Clown, streamed to more than 1,600 people over Christmas and the New Year.
As with Magic Circus, The Wizard Of Castle Magic will be free to watch from the safety of a home seat. Once more, if viewers enjoy it, there will be an option to make a donation to support PAC at this challenging time.
Again too, East Riding families who access regional food banks will be the first to be offered the chance to watch The Wizard Of Castle Magic days before its February 18 premiere.
The streaming project, replete with plans for online workshops, has been made possible by a £4,100 grant from East Yorkshire’s I Am Fund, via the HEY Smile Foundation.
PAC director Janet Farmer says: “We’re delighted to present our next online family theatre show to our audiences. We’ve really missed being able to offer our family theatre programme, which has earned a national reputation for high quality, engaging, diverse children’s theatre and workshops.
“So, to be able to offer our younger audiences and their families the chance to experience all the magic and excitement of live theatre at home is just fantastic.”
Janet adds: “The funding we’ve secured for the project will enable us to develop an enhanced online presence, leading to sustained arts engagement from younger generations during the pandemic and beyond.
“Once again, we’d like to say thank you to the I Am Fund and the HEY Smile Foundation for making this possible.”
Magic Carpet Theatre are firm PAC favourites, staging numerous sold-out events there full of circus skills, magic and audience participation.
Now comes the online The Wizard Of Castle Magic, an enchanting show based on the traditional Sorcerer’s Apprentice tale for children aged three to 11 and their families with a script packed with comedy, illusion and special theatrical effects.
The You Tube stream is a new digital version of a company-devised production that has played schools, arts venues and the Edinburgh Fringe.
LOCKDOWN 3 plods on with no end in sight deep amid the winter chill, drawing Charles Hutchinson’s gaze to online events, a writing opportunity and the promise of live entertainment somewhere down the line.
Online lockdown exhibition at the double: Emily Stubbs and Lesley Birch, Muted Worlds, for Pyramid Gallery, York
CERAMICIST Emily Stubbs and artist Lesley Birch have teamed up for Muted Worlds, a lockdown exhibition of pots and paintings that has begun as a digital show from their studios before moving to Terry Bretts’s gallery in Stonegate, once Lockdown 3 strictures are eased.
“This is a show with a more muted edge,” say Emily and Lesley. “Winter is here and with it, Covid, and another lockdown, so we feel the need for simplicity. We have collaborated to produce monochrome pieces inspired by the winter season.”
Looking ahead, Emily will be taking part in York Open Studios this summer, showing her ceramics at 51 Balmoral Terrace.
Creative project of the winter season: Friends of Rowntree Park’s Words From A Bench project
THE Friends of Rowntree Park invite you to join the Words From A Bench project by submitting a short story or poem based around themes of the York park, the outdoors, nature and escape.
No more than 1,000 words in length, the works will be displayed in the park. Adults and children alike should send entries by February 15 to hello@rowntreepark.org.uk.
Gigs on the move: Pocklington Arts Centre re-writing 2021 diary
POCKLINGTON Arts Centre is re-scheduling concerts aplenty in response to the relentless grip of the Coronavirus pandemic.
Irish chanteuse Mary Coughlan’s April 23 show is being moved to October 19; the Women In Rock tribute show, from May 21 to October 29; New York singer-songwriter Jesse Malin, from February 2 to December 7, and Welsh singer-songwriter Martyn Joseph, from February 12 to December 2. Tickets remain valid for the rearranged dates.
A new date is yet to be arranged for the postponed February 23 gig by The Delines, Willy Vlautin’s country soul band from Portland, Oregon. Watch this space.
Early notice of online Early Music Day at National Centre for Early Music, York, March 21
THE Gesualdo Six will lead the NCEM’s celebrations for Early Music Day 2021 on March 21 by embarking on an online whistle-stop musical tour of York.
The Cambridge vocal consort’s concert will be a streamed at 3pm as part of a day when musical organisations throughout Europe will come together for a joyful programme of events to mark JS Bach’s birthday.
During their residency, The Gesualdo Six will spend almost a week in York performing in a variety of locations on a musical tour of the city that will be filmed and shared in March.
Better late than never: York Open Studios, switching from spring to summer
CELEBRATING the 20th anniversary of Britain’s longest-running open studios, York’s artists are determined to go ahead with York Open Studios 2021, especially after a barren year in 2020, when doors had to stay shut in Lockdown 1.
Consequently, the organisers are switching the two weekends from April 17/18 and 24/25 to July 10/11 and July 17/18, when more than 140 artists and makers will show and sell their work within their homes and workspaces in an opportunity for art lovers and the curious to “enjoy fresh air, meet artists and view and buy unique arts and crafts from York’s very best artisans”.
Planning ahead for next year, part one: Midge Ure & Band Electronica, Grand Opera House, York
MIDGE Ure & Band Electronica will open next year’s Voice & Visions Tour at the Grand Opera House, York, on February 22, when the 67-year-old Scotsman will be marking 40 years since the release of Ultravox’s Rage In Eden and Quartet albums in September 1981 and October 1982 respectively.
Ure & Band Electronica last played the Opera House in October 2019 on The 1980 Tour, when Ultravox’s 1980 album, Vienna, was performed in its entirety for the first time in four decades, complemented by highlights from Visage’s debut album, as Ure recalled the year when he co-wrote, recorded and produced the two future-sounding records.
Planning ahead for next year, part two: Tommy Emmanuel at Grand Opera House, York
AUSTRALIAN guitarist Tommy Emmanuel, 65, will play the Grand Opera House, York, on March 6 2022 in the only Yorkshire show of next year’s12-date tour with special guest Jerry Douglas, the Ohio dobro master.
At 44, Emmanuel became one of only five musicians to be named a Certified Guitar Player by his idol, Chet Atkins. Playing fingerstyle, he frequently threads three different guitar parts simultaneously into his material, handling melody, supporting chords and bass all at once.
Online concert series of the season: Steven Devine, Bach Bites, National Centre for Early Music, York, Fridays
EVERY Friday at 1pm, until March 19, harpsichordist Steven Devine is working his way through J S Bach’s Fugues and Preludes in his online concert series. Find it on the NCEM’s Facebook stream.
And what about?
STAYING in, staying home, means TV viewing aplenty. Tuck into the French film talent agency frolics and frictions of Call My Agent! on Netflix and Scottish procedural drama Traces on the Beeb; be disappointed by Finding Alice on ITV.
THE Felice Brothers’ postponed June 2020 gig at Pocklington Arts Centre is now in the 2021 diary for June 23.
Ian and James Felice, who grew up in the Hudson valley of upstate New York, are self-taught musicians, inspired as much by Hart Crane and Whitman as by Woody Guthrie and Chuck Berry.
They began in 2006 by playing subway platforms and sidewalks in New York City and have since released nine albums of original, lawless Americana, country and folk rock songs.
In 2017, they served as the backing band for Conor Oberst’s album, Salutations. Two years later came Undress, an album whose stand-out songs were trailered by Ian Felice in a solo show at The Winning Post, York, in October 2018.
Undress, their first studio release in three years, will be prominent in their Pocklington set list, when Ian and James will be accompanied by drummer Will Lawrence and bassist Jesske Hume.
Tickets are on sale at £20 at pocklingtonartscentre.co.uk.
POCKLINGTON Arts Centre is re-scheduling concerts aplenty in response to the relentless grip of the Coronavirus pandemic.
Irish chanteuse Mary Coughlan’s April 23 show is being moved to October 19; the Women In Rock tribute show, from May 21 to October 29; New York singer-songwriter Jesse Malin, from February 2 to December 7, and Welsh singer-songwriter Martyn Joseph, from February 12 to December 2. Tickets remain valid for the rearranged dates.
A new date is yet to be arranged for the postponed February 23 gig by The Delines, Willy Vlautin’s country soul band from Portland, Oregon.
TEDDY Thompson’s January 22 gig at Pocklington Arts Centre will now take place precisely one year later.
His rearranged January/February itinerary also will visit Leeds Brudenell Social Club on January 23 2022.
Thompson, 44, will be releasing an as-yet-unnamed new album to coincide with the tour. Had the pandemic not ruled out this month’s travels, he would have been showcasing Heartbreaker Please, his May 2020 break-up record, instead.
The relationship ended just as the English singer-songwriter with the New York City home address was finishing up penning the songs. “I tend to write sad songs, slow songs. It’s what comes naturally,” he says. “So I tried to make an effort here to set some of the misery to a nice beat! Let the listener bop their heads while they weep.”
The son of singer-songwriters Richard and Linda Thompson, Teddy emigrated to the United States at 18 to embark on a career of his own. He was influenced heavily not by folk music but by such artists as Buddy Holly, Chuck Berry, Elvis Presley and the Everly Brothers.
Settling into New York at 23, he has released six albums and featured on the soundtrack of the Golden Globe and Bafta-winning film Brokeback Mountain, as well as collaborating on projects with Rufus and Martha Wainwright.
Teddy also recorded songs for the soundtrack to the Leonard Cohen tribute, I’m Your Man, and contributed songs to the Nick Drake retrospective, Way To Blue.
He will be supported on his 12-date tour by another artiste with a folk-roots heritage: Roseanne Reid, eldest daughter of The Proclaimers’ Craig Reid.
Father Richard, the 71-year-old English folk-rock luminary, songwriter and guitarist, will play next summer’s Platform Festival, run by Pocklington Arts Centre at The Old Station, on July 21.
Fairport Convention alumnus Richard now lives in Montclair, New Jersey, after three decades in Los Angeles.
Tickets for Thompson times two are on sale at pocklingtonartscentre.co.uk.
FAMILIES are being given another chance to watch Pocklington Arts Centre’s online streaming of Magic Circus for free, in response to public demand.
The fun family-friendly show, performed by Hull company Magic Carpet Theatre and filmed behind closed doors at PAC last October, premiered to more than 1,000 viewers over Christmastide. Among them were families accessing food banks in the East Riding, who received exclusive early access.
Now, the production is being streamed for free online once again to keep children entertained during Lockdown 3, with donations invited to PAC’s crowdfunding appeal at: justgiving.com/crowdfunding/magic-carpet-theatre.
PAC director Janet Farmer says: “In the absence of our usual popular live family Christmas show, we were delighted to be able to bring all the fun and excitement of live theatre to younger audiences with our online production, made possible with thanks to a grant of £4,100 from the HEY Smile Foundation’s I am Fund.
“It’s fantastic that so many people watched the show at home when it premiered the first time round, and as we’re now in lockdown once again, we wanted to give everyone another chance to enjoy Magic Circus.”
Magic Circus is one of two Magic Carpet Theatre theatre shows filmed live at PAC by Pocklington production company Digifish for audiences to watch online. The second, The Wizard Of Castle Magic, will be available to stream from February half-term.
In addition, online workshops are planned as part of a project designed to encourage sustained arts engagement from younger generations during the pandemic and increased attendance at PAC events when the Market Place venue can eventually re-open its doors.
Magic Carpet Theatre are firm PAC favourites, noted for their circus skills, magic and audience participation, and have staged numerous sold-out events there.
Directed by Jon Marshall with music by Geoff Hardisty and effects by Theatrical Pyrotechnics, Magic Circus is a fast-moving, colourful story that combines magical illusions, comedy, circus skills and puppets.
Performed by Marshall and Steve Collison, it tells the humorous tale of what happens to the ringmaster’s extravaganza plans after the artistes and elephants fail to arrive and everything has to be left in the calamitous hands of the clowns. Disaster!
Inevitably, they make a fantastically messy job of it as Magic Carpet Theatre take traditional circus and variety skills, dust them down and invest them with new life, moulding them into a mystifying hour-long play with a circus theme.
Second show The Wizard Of Castle Magic, based on the traditional tale of the Sorcerer’s Apprentice, is also aimed at children aged three to 11 and their families with a script replete with comedy, illusion and special theatrical effects.
Magic Circus can be viewed on Pocklington Arts Centre’sYouTube channel from 2.30pm today (7/1/2021) for 14 days. The Wizard Of Castle Magic will be streamed via YouTube from 2.30pm on Thursday, February 18.
Watch online for free at: https://youtu.be/CNrUixTMWdQ.
CHRISTMAS is on the way, in whatever form the Government allows you to wrap it up, but tiers will not be shed in the world of entertainment.
Charles Hutchinson picks his way through what’s on in the days ahead and in 2021 too.
Nostalgic concert of the week: Jessa Liversidge, Songbirds, Joseph Rowntree Theatre, York, Sunday, 7.30pm
YORK’S unstoppable force for the joy of singing, Jessa Liversidge, will present her celebration of female icons at the reopened JoRo this weekend, accompanied by pianist Malcolm Maddock.
Expect an eclectic mix of vintage pop, musical theatre and comedy from the 1960s, ’70s and ’80s. “One minute I may be in full, high-energy Victoria Wood flow,” she says. “Moments later, I could be totally still, lost in a Kate Bush or Karen Carpenter song, and then I’ll go straight into theatrical mode for Sondheim’s Send In The Clowns.”
Home comfort and joy: York Guildhall Orchestra’s Lockdown Christmas Medley, on YouTube
PERFORMED by more than 50 amateur York musicians, all playing in their own home, then seamlessly stitched together for YouTube by John Guy’s technical wizardry, here comes York Guildhall Orchestra’s Christmas Medley.
Arranged by conductor Simon Wright, they keep to the Wright time as they “play together” for the first time since February’s York Barbican concert, medleying their way through Hark!, The Herald Angels Sing, Ding Dong!, Silent Night And We Wish You A Merry Christmas. View their four-minute smile at https://www.youtube.com/watch?v=WuoW6gvkGxk.
Drive-in home for Christmas: Daisy Dukes Winter Wonderland, Elvington Airfield, near York, December 18 to 20
NOT only have Vue York at Clifton Moor and Everyman York, in Blossom Street, reopened but 2020’s socially distanced, car-contained drive-in boom hits the Christmas movie market from tomorrow too.
The apostrophe-shy Daisy Dukes Drive-in Cinema takes over Elvington Airfield for three days to show: December 18, from 12 noon, Frozen 2, Home Alone, Edward Scissorhands and Die Hard; December 19, from 12 noon, Elf, How The Grinch Stole Christmas, Gremlins and Bad Santa; December 20, from 11am, The Polar Express, Home Alone 2, Batman Returns and Love Actually.
Children’s virtual show of the week outside York: Pocklington Arts Centre presents Magic Carpet Theatre in Magic Circus, from Saturday
POCKLINGTON Arts Centre is to stream Magic Carpet Theatre’s show Magic Circus from 2.30pm on December 19, available on YouTube for up to seven days.
Directed by Jon Marshall with music by Geoff Hardisty and effects by Theatrical Pyrotechnics, this fast-moving hour-long show, full of magical illusions, comedy, circus skills and puppets, tells the humorous tale of what happens to the ringmaster’s extravaganza after the artistes and elephants fail to arrive and everything has to be left in the hands of the clowns. Disaster!
Who should have been in York this week? Alan Carr: Not Again, Alan!, York Barbican, now re-scheduled
ALAN Carr, comic son of former York City footballer Graham Carr, had been booked in to perform Not Again, Alan! at York Barbican again and again this week, four nights in fact, from Wednesday to Saturday, on his first tour in four years.
Covid kicked all that into touch, but all tickets remain valid for the new dates. December 16 2020 is now in the diary for January 14 2022; December 17 for January 15 2022; December 18 for December 18 2021, and December 19 for the same day next year.
TV and radio presenter Carr will muse on the things that make his life weird and wonderful, from his star-studded wedding day to becoming an accidental anarchist; from fearing for his life at border control to becoming a reluctant farmer. “Three words spring to mind,” he says. “Not again, Alan!”
Exhibition for the winter: A Season For Giving, Fairfax House, York, running until February 7
THE Christmas installation at the Georgian home of the Terry family, Fairfax House, ironically will not be open from December 21 to January 5, so catch it before then or afterwards (Tuesdays to Sundays, 11am to 4pm).
On a festive journey through the townhouse collections, room by room, magical scene by magical scene, meet Noel Terry for a 1940s’ family Christmas, join a raucous Georgian Christmas dinner party, and much more besides. Visits must be pre-booked.
Opera North at Christmas: Whistle Stop Opera: Cinderella, ONDemand from today
OPERA North’s Whistle Stop Opera version of Cinderella was booked into the NCEM in York and Pocklington Arts Centre but Covid ruled No Show. Instead, parents and children aged five upwards can enjoy it online at home over the school holidays.
Filmed at Leeds City Varieties Music Hall, John Savournin’s magical musical production stars Marie Claire Breen as Cinderella, Amy J Payne as Prince/Stepmother and Julia Mariko Smith as Fairy Godmother, drawing on various versions of the rags-to-riches tale, such as Rossini’s La Cenerentola, Massenet’s Cendrillon, Pauline Viardot’s operetta Cendrillon and Rodgers and Hammerstein’s musical Cinderella. For more details on how to watch, go to operanorth.co.uk
Big-name Irish signings for York Barbican in 2021: Van Morrison, May 25 and 26, and Chris De Burgh and Band, October 15
NORTHERN Irishman Van Morrison, 75, has booked a brace of Barbican gigs for the spring; Southern Irishman Chris De Burgh, will follow him to York next autumn.
In September, Morrison launched three protest songs, one every two weeks, railing against safety measures to prevent the spread of Covid-19: Born To Be Free, As I Walked Out and No More Lockdown. Will he unmask any of them next May? Wait and see.
De Burgh & Band’s only Yorkshire date of The Legend Of Robin Hood & Other Hits tour will support his upcoming album of the same name (except for the Other Hits part, obviously).
And what about?
JUST a reminder, York has two pantomimes on the go: York Theatre Royal’s newly extended Travelling Pantomime tour of the city and York Stage’s “musical with pantomime braces on”, Jack And The Beanstalk, at Theatre @41 Monkgate.
BETH Nielsen Chapman’s All Around The World Tour of songs and stories will land at Pocklington Arts Centre on October 23 next year.
Autumn 2021 will bring the release of the Nashville singer-songwriter’s 15th solo album, to be recorded with legendary producer Ray Kennedy, who has worked previously with Lucinda Williams and Steve Earle no less.
Twice nominated for a Grammy, Beth, 62, has written seven American number ones and had her songs recorded by Bonnie Raitt, Willie Nelson, Bette Midler, Elton John, Neil Diamond, Michael McDonald, Keb Mo’, Roberta Flack, Waylon Jennings, Indigo Girls, and Faith Hill.
Inducted into the USA’s Songwriters Hall of Fame in 2016, the Texan musician is a breast cancer survivor and environmentalist and considers herself a “creativity midwife”, passionate about inspiring others to blossom into their creative life.
In demand in America as a keynote speaker and teacher of workshops on creativity, song-writing, grief and healing through art, she uses her inspirational approach to tap into the creative process. She has taught at universities and colleges internationally, such as the Royal Scottish Academy of Music & Drama and Liverpool Institute of Performing Arts, as well as Berklee School of Music in Boston, Massachusetts.
On her last album, 2018’s Hearts Of Glass, she “reached into the place within us where vulnerability meets strength, taking you right into the centre of the full beautiful dance of contradictions that inhabit love and life”.
Latterly, Beth has been invited to be an Ambassador for the Buddy Holly Educational Foundation.
Early next year, she will debut The SongSchool Podcast, featuring legendary guest songwriters describing what they consider “the perfect song”, as well as on-the-spot critiques for songs submitted, both live in the studio and down the phone line from the other side of the world. After the feedback, any songs that are rewritten and improved will be brought back to the show.
Beth last played Pocklington Arts Centre on her Hearts Of Glass Tour in March 2018, having earlier performed there in 2014.
“We came to Pocklington on the Red Sky July tour and it was a great night. To me, the feeling of a place is more important than the size,” she said ahead of that 2018 gig.
What can you expect on her return, as well as new songs? “When you come to one of my shows, you’re going to hear about what’s happened in my life. It’s part of the tapestry of the evening,” she says.
As for playing those new compositions: “I always say I know a song is finished when I play it live and feel it in my gut,” Beth concludes.
Tickets for her 8pm Pocklington show cost £30 at pocklingtonartscentre.co.uk.