Led Zep’s Robert Plant to headline Pock’s best Platform Festival with Saving Grace

Robert Plant and Suzi Dian, fronting Saving Grace, the Platform Festival’s prize capture

ROBERT Plant will headline this summer’s Platform Festival as the crescendo of Pocklington Arts Centre’s 20th anniversary celebrations.

The former Led Zeppelin frontman and lyricist, now 71, will lead Saving Grace, his folk-blues collaboration with fellow vocalist Suzi Dian, at Pocklington’s Old Station on July 10.

Tea time…then Omid Djalili plays the Platform Festival

“Hopefully we’ve pulled something rather special out of the bag for our 20th anniversary!” says delighted director Janet Farmer. “Bringing Robert Plant to Pocklington is a major coup for us.”

Shed Seven’s Rick Witter and Paul Banks, folk-rock icon Richard Thompson, comedian Omid Djalili, The BBC Big Band and country-pop twin sisters Ward Thomas are among the other acts signed up for the fifth Platform Festival, running from July 9 to 15.

Richard Thompson: closing show at Platform Festival on July 15

“The Platform Festival programme reflects this very special year for us,” says Janet. “Robert Plant is a legendary name in the music scene and it’s so exciting that he and the other highly accomplished musicians in Saving Grace will be joining us for such a significant event.

“There’s no doubt Robert and Saving Grace are the biggest band we’ve ever booked for Platform. Curating a line-up of artists that we personally love every year is always a source of much pride for our team and we strongly believe this year’s line-up is both the best and most star-studded music bill we’ve ever put together.”

“There’s no doubt Robert Plant and Saving Grace are the biggest band we’ve ever booked for Platform,” says festival director Janet Farmer

Plant and Dian are joined in his blues and folk-inspired acoustic co-operative by Oli Jefferson on percussion, Tony Kelsey on mandolin, baritone and acoustic guitars, and Matt Worley on banjo, acoustic and baritone guitars and cuatro. Their support act will be delta blues singer, songwriter and bottleneck slide guitarist Catfish Keith.

The 2020 Platform Festival comprises four stand-alone shows plus a day-long event on three stages. First up, British-Iranian comedian Omid Djalili will perform on July 9, followed by Saving Grace’s July 10 concert. The 18-piece BBC Big Band will play on July 14, conducted by Barry Forgie, with Jeff Hooper on vocals; guitarist, singer, songwriter and Fairport Convention founding member Richard Thompson will close the festival on July 15.

Saturday headliners: Shed Seven’s Paul Banks and Rick Witter

The festival’s Saturday bill, on July 11, will be headlined by Rick Witter and Paul Banks’s Shed Seven Acoustic show, wherein the York Britpop alumni’s frontman and lead guitarist will perform such Sheds anthems as Going For Gold, Chasing Rainbows, She Left Me On Friday and Getting Better, complemented by cherry-pickings from 2017’s Instant Pleasures, their first studio album in 16 years.

Shed Seven launched Instant Pleasures with a special show at Pocklington Arts Centre in November that year, by the way.

Country-pop twin sisters Ward Thomas: Platform Festival return

Joining the Sheds in the July 11 line-up will be bagpipe band TheRed Hot Chilli Pipers, with their ground-breaking fusion of traditional Scottish music and rock and pop anthems. “Think men in kilts, bagpipes with attitude, drums with a Scottish accent and a show that carries its own health warning,” says Janet.

Ward Thomas will follow up their April 30 gig at Leeds City Varieties and arena tour supporting James Blunt with a return to the Platform Festival, where Hampshire twins Catherine and Lizzy Ward Thomas previously appeared in 2017.

Big show: The BBC Big Band

Acoustic folk singer Lucy Spraggan, once of The X Factor, will make her Platform debut a year later than first planned; festival favourites The Grand Old Uke Of York will be back with their upbeat rock, pop, ska and anything in-between ukulele covers, and New York Brass Band will play the Platform Saturday for the first time, fresh from pumping up the party atmosphere with their smokin’ New Orleans Mardi Gras jazz at Pocklington Arts Centre’s 20th anniversary party night on March 6.

Festival newcomer Twinnie, alias York-born Twinnie-Lee Moore, 32-year-old star of West End musicals, The Voice contestant, model, film actress and Hollyoaks soap queen, is now a Nashville-hearted singer-songwriter. After wowing the C2C country gathering at London’s O2, Platform will be her Yorkshire homecoming.

Twinnie: country roads lead York-born singer-songwriter to Pocklington on July 11

Heading Pockwards too that Saturday will be husband-and-wife duo Truckstop Honeymoon, hollering their blasts of bluegrass, punk rock and soul to a five-string banjo and doghouse bass, and Buffalo Skinners, returning to the festival for the first time in four years with their Sixties’ folk and modern-day Americana.

York blues singer-songwriter Jess Gardham and Plumhall are on the bill too, and as ever the third Saturday stage will be spotlighting the region’s emerging talent, curated by the tireless, peerless Charlie Daykin and Access Creative College.

Tickets are on sale at pocklingtonartscentre.co.uk, platformfestival.com and seetickets.com or on 01759 301547.

Courtney Marie Andrews to showcase Old Flowers break-up album at Pocklington

Courtney Marie Andrews: Pocklington return in the summer. Picture: Sam Stenson

PHOENIX singer-songwriter Courtney Marie Andrews will showcase her new album at Pocklington Arts Centre on June 17 on her six-date tour.

Old Flowers will be released on June 5 on Loose/Fat Possum Records as her follow-up to 2018’s May Your Kindness Remain.

Created in the ashes of a long-term relationship, Andrews’ ten new songs amount to her most vulnerable writing to date as she chronicles her journey through heartbreak, loneliness and finding herself again.

“Old Flowers is about heartbreak,” says Courtney Marie, 29. “There are a million records and songs about that, but I did not lie when writing these songs. This album is about loving and caring for the person you know you can’t be with.

“It’s about being afraid to be vulnerable after you’ve been hurt. It’s about a woman who is alone, but OK with that, if it means truth. This was my truth this year: my nine-year relationship ended and I’m a woman alone in the world, but happy to know herself.” 

Produced by Andrew Sarlo, who has worked with Bon Iver and Big Thief, Old Flowers was recorded at Sound Space Studio and features only three musicians: Andrews, on vocals, acoustic guitar and piano; Twain’s Matthew Davidson, on bass, celeste, mellotron, pedal steel, piano, pump organ, Wurlitzer and background vocals, and Big Thief’s James Krivchenia on drums and percussion.

“This album is about loving and caring for the person you know you can’t be with,” says Courtney Marie Andrews

Defining their intentions, Sarlo says: “Before we got to the studio, we agreed to prioritise making this record as cathartic and minimal as possible, focusing on Courtney’s voice and her intention behind the songs.

“Because of this, the record is all about performance. I believe a great recording is the chemistry between everything during basics and the ability to feel something happening, instead of obsessing over the perfect take. Courtney embraced this approach and we ended up with a raw, natural and human record.”

The resulting track listing comprises Burlap String; Guilty; If I Told; Together Or Alone; Carnival Dream; Old Flowers; Break The Spell; It Must Be Someone Else’s Fault; How You Get Hurt and Ships In The Night.

Courtney Marie last played Pocklington in December 2018, at the end of a week when she was felled by a viral infection the morning after her London gig and had to call off her Birmingham, Bristol and Oxford gigs.

Rested and recuperated, she was still nursing a cough, but found the energy for a solo set of songs and stories, introducing Ships In The Night and It Must Be Someone Else’s Fault, two new compositions that would end up on Old Flowers.

This time Courtney Marie will play with a full band in the lead-up to her series of summer festival engagements. Tickets for June 17’s 8pm gig cost £20 on 01759 301547 or at pocklingtonartscentre.co.uk.

Tom Rosenthal’s Manhood is an incisive comedy show with a cutting edge

Tom Rosenthal: “Maybe I’m stuck in adolescence, I don’t know,” he says. All pictures: Idil Sukan

PLEBS and Friday Night Dinner sitcom star Tom Rosenthal is bringing his first-ever stand-up tour to Pocklington Arts Centre on March 14.

Manhood is truly comedy with a cutting edge, wherein Rosenthal will be “avenging the theft of his foreskin”, as he discusses how he has suffered psychological distress ever since he realised he had been circumcised as a child.

Tom, the Hammersmith-born son of TV sports presenter Jim Rosenthal, applies the use of graphs, statistics, playful jokes and rigid research to tell his story, having spoken to experts on the subject matter.

He may have a Jewish background, but he was not brought up to be Jewish and that was not the reason for the circumcision. He duly felt anger towards his parents, the aforementioned Jim and his mother Chrissy Smith, a former Newsnight producer, when he was younger.

“Most comedy shows will not be an hour about genital-cutting practices,” says Tom Rosenthal of Manhood

“Maybe I’m stuck in adolescence. I don’t know,” says Tom. “As soon as I found out what happened to me, I was just constantly searching for a reason that made sense of it and I’ve still not found one. That’s sort of the driving force of the show: going through all the justifications for it being allowed.”

He is not anti-circumcision, however. “If you want to choose to do it when you’re old enough, go right ahead. It’s like any other kind of body modification, like a tattoo or a piercing,” he says.

“But to do it to a child against their will when they cannot take the decision to take that back, it feels as if it’s against our human rights. I want prospective parents to watch my show. Have a nice night out. Laugh with the boy from the sitcoms with the big nose, but also go away thinking ‘maybe that’s not cool actually’.”

Best known for playing Roman Empire nerd Marcus in ITV2’s Plebs and the perpetually adolescent prankster son, Jonny, in Channel 4’s Friday Night Dinner, Tom has long wanted to do a stand-up tour. “The nicest thing about it is getting to meet the people who actually watch the TV programmes I’m in,” he says.

“I think the story of someone who is at odds with their body is something teenagers can relate to,” says Tom Rosenthal

“I’m also really proud of Manhood. It’s a show that I always wanted to make. It has a dual purpose for me. Obviously, I wanted to put on the funniest show that I can, but I also want fans to go away thinking about stuff which most people don’t really think about.

“It’s something that I think is slightly askew with our culture. I should add that this is not your typical comedy show. Most comedy shows will not be an hour about genital-cutting practices.”

After premiering Manhood at last summer’s Edinburgh Fringe and playing dates last autumn, Tom is touring from February 8 to April 9. “I’m really a molly- coddled actor,” he says. “It has surprised me how tiring live comedy is. Some of my friends seem to be able to walk on stage and just be themselves, whereas I’m always nervous. I have the utmost respect for all comedians. I guess, by comparison, an actor’s life is quite easy.”

The tour marks a new phase in Rosenthal’s career. Although he started out as a stand-up, becoming joint winner of the Leicester Mercury Comedian of the Year Award in 2011 after graduating from London University with a Philosophy degree, acting has taken up most of his time since then.

“I’m really proud of Manhood. It’s a show that I always wanted to make,” says Tom.

“I was reluctant to call myself a comedian despite the fact that I did stand-up. I felt like until you’ve done a tour, you can’t call yourself a comedian. So, one semi-benefit of doing Manhood is that now I’m a little bit more comfortable saying I’m a comedian as I’ve gone to towns, people have paid money to see me and I definitely heard some of them laugh.” 

Although the subject matter of Manhood may be personal, Rosenthal believes the feelings of alienation he discusses are universal. “I’ve had quite a lot of teenagers coming and I think the story of someone who is at odds with their body is something they can relate to,” he says. “What makes it interesting though also makes it quite odd. The fact that you are watching a guy talking about his penis quite a lot.”

His Pocklington audience next week will discover more about Tom in his Manhood show, but for those familiar with his television characters, does he consider himself to be closer to Marcus or Jonny?

“I probably feel I’m more Marcus,” he decides. “He’s a neurotic schemer who thinks that he’s smarter than he is, whereas Jonny is a sort of teenage boy prankster. Ultimately though, if you combine the two, that’s my whole terrible personality.”

Tom Rosenthal: Manhood, Pocklington Arts Centre, March 14, 8pm. Box office: 01759 301547 or at pocklingtonartscentre.co.uk.

New York Brass Band to toast Pocklington Arts Centre’s 20th birthday at party night

New York Brass Band: seven-piece Mardi Gras jazz powerhouse from York, although there appears to be nine of them here

POCKLINGTON Arts Centre will be celebrating its 20th anniversary on Friday (March 6) with a party night.

A private reception at 7pm will be followed by a public performance by North Yorkshire’s only contemporary New Orleans-inspired brass band, the New York Brass Band from old York.

This seven-piece powerhouse, complete with percussion, sax, trumpets, trombones and sousaphone, will raise the roof with their rousing brand of Mardi Gras jazz from 8pm.

Looking forward to Friday’s celebrations, director Janet Farmer says: “New York Brass Band are a far cry from being your typical brass band. This is up-on-your-feet dancing, party-loving, Mardi Gras-style funky brass music that will be a lot of fun. 

“As Pocklington Arts Centre celebrates its 20th anniversary this year, we felt a band like this added a true party vibe to our diverse programme of live music.”

Hailing from the ancient streets of York, New York Brass Band are at the forefront of a funky brass revolution now sweeping Great Britain. 

“Inspired by Rebirth Brass Band, Soul Rebels, Hot 8, Youngblood and Brassroots, New York Brass Band pack a powerful punch of relentless drums, rumbling tuba and wailing horns,” says Janet.

“Nothing kicks a party into gear like the sound of a smokin’ New Orleans Mardi Gras jazz band.

Although New York Brass Band’s inspiration is drawn from New Orleans musicians, their repertoire ranges from Marvin Gaye to George Michael, from Cee-Lo Green to Stevie Wonder, with some funky, gritty northern originals thrown in for good measure. 

Their past performances include Glastonbury Festival from 2014 to 2017; Bestival on the Isle of Wight; Durham Brass Festival; Cork Jazz Festival; Le Tour de France; the Monaco Grand Prix and England’s cricket Test matches.

New York Brass Band have entertained guests at celebrity parties and weddings for comedian Alex Brooker, Liam Gallagher, ex-Scotland footballers Joe Jordan and Gordon McQueen and Jamie Oliver.

Tickets for Friday cost £11 each on 01759 301547 or at pocklingtonartscentre.co.uk.

Sue Clayton to lead World Down Syndrome Day event at Pocklington Arts Centre

York artist Sue Clayton with odd socks for World Down Syndrome Day’s event at Pocklington Arts Centre

YORK artist Sue Clayton will mark World Down Syndrome Day at Pocklington Arts Centre on March 21 as her Downright Marvellous At Large exhibition draws to a close that day.

Sue’s portraits of adults with Down Syndrome and a giant pair of hand-knitted socks will provide the backdrop for the 11am to 1pm event featuring children’s craft activities, music, cake and a pop-up exhibition.

That show, This Is Me, will be running in the arts centre studio during the final week of Downright Marvellous At Large from March 14 to 21. On show will be self-portraits by members of Wold Haven Day Centre, Pocklington, and Applefields Special School, York, created at workshops led by Sue. 

Sue put her exhibition together in honour of her son, James, who has Down Syndrome and turns 18 this year. “Downright Marvellous At Large is a true celebration of adults with Down’s at work and play, and I hope it has made a real impression on visitors,” she says. 

“I can’t wait to bring what has been a really busy, successful exhibition to a suitable close in spectacular style with a celebration to mark World Down Syndrome Day. 

“Everyone is invited to come along, enjoy some children’s crafts, a pop-up exhibition and a free piece of cake, as well as a few surprises along the way”

Sue’s portraits, presenting the “unrepresented and significant” social presence of adults with Down Syndrome, is complemented by a giant pair of odd socks created using hand-knitted squares donated by members of the public. 

Many people wear odd socks on World Down Syndrome Day, a global event that aims to raise awareness and promote independence, self-advocacy and freedom of choice for people with the congenital condition. 

Socks are used because their shape replicates the extra 21st chromosome that people with Down Syndrome have. 

John Osborne reflects on dementia, music, age and memory in You’re In A Bad Way

John Osborne: storyteller and poet

STORYTELLER, poet and BBC Radio 4 regular John Osborne returns to Pocklington Arts Centre on Thursday to present his beautiful, funny and uplifting new theatre show about music and dementia. 

Last March, he performed a quietly spoken double bill of John Peel’s Shed and Circled In The Radio Times in the bar; intimate, convivial storytelling in an intimate, convivial space.

Now, inspired by seeing a friend’s father face a dementia diagnosis and the feelings of warmth and positivity and unexpected twists and turns the family went through, he has put together You’re In A Bad Way.

“This is the fifth theatre show I’ve made and it’s definitely my favourite,” says Osborne.  “That’s because I never planned to write about something as personal as dementia, and I’d never written about such a big topic before, which I felt was intimidating and other writers would do it.

“But I was faced with this dilemma when my friend’s father was diagnosed with dementia a couple of years ago. It was a really interesting thing to observe, because though it was horrible and terrifying and sad, it was also beautiful and magical with special moments.

“It felt like such a beautiful story that I wanted to tell. Just because you’ve been diagnosed with something, it doesn’t mean it’s the end.” 

Osborne recalls the circumstances behind his friend’s revelation. “My friend and I go to Glastonbury every summer. We started at 21 and we’ve been going for 17 years now and we never miss a year,” he says.

“So, it was one of those sweet things we like to do, but it was at Glastonbury she told me about her father. Glastonbury is kind of where these things do happen, when you’re spending so much time together.

“I was saying I felt I was getting too old for Glastonbury, for putting up tents and the like, and it was then she suddenly told me about her dad’s dementia, and I thought, ‘what’s happening to us?’. But everyone has these stories, don’t they?”

This set in motion You’re In A Bad Way. “I started thinking about my relationships, friendships; growing up and now not being as young as you used to be, but also about having the luxury of growing old, and then my friend’s father dementia diagnosis,” says Osborne. “I also found myself thinking about how music plays an important part in our lives.”

Gradually, music and dementia joined in union as Osborne wrote the show. “Initially, I was looking at music from my own point of view, but the more I researched dementia, sport and music were two things that were so important to dementia patients,” he says.

“Like hearing an old commentary from a cup final their favourite team won. Someone who has been unresponsive to any stimulus can suddenly go back to where they first heard that commentary.

“It’s the same with music, where they can remember the lyrics from years ago, but can’t now remember who anyone is.”

Before he went ahead with You’re In A Bad Way, Osborne sought his friend’s approval for him to talk about her family’s story on stage. “She works in theatre and said she was happy if a theatre show did discuss these things,” he recalls.

The poster artwork for John Osborne’s dementia-and-music show You’re In A Bad Way

When premiering the show at last summer’s Edinburgh Fringe, Osborne spent time at a dementia care centre in the Scottish capital to ensure he was fully informed about the experience of caring for someone with dementia.

“I met these fantastic women at LifeCare Edinburgh, and we talked about what they do and how they wanted to raise awareness of what they do,” says Osborne. “We raised money at the end of every performance to give to LifeCare.

“It was really good to get information and stories from them and to be able to repay them by mentioning LifeCare at each show.”

Osborne says that every time he performs You’re In A Bad Way, he learns new things about dementia. For example, the feeling of isolation when confronted by  loved one falling into the black hole of dementia. “If you’ve got a parent with dementia, it can be very hard to communicate about it with your friends, as your relationship with your family is so specific to you,” he says.

“In the case of my friend, her response was to drop everything to support her father, whereas her sister couldn’t deal with it at all and wasn’t there for him. She ran away from it.

“But whatever your reaction, there are thousands of reasons for why people do what they do in those circumstances.

“That’s why I wanted to do my research and not be out of my comfort zone when people tell me their own stories at the shows. I’ve met people who have stayed and supported; I’ve met people who ran away.”

Looking forward to Thursday’s Pock performance, what tone can the audience expect? “As it’s such a big topic, I’ve tried to make the show funny and life affirming and relatable,” says Osborne. 

“I don’t want it to be sad or serious; I think it’s important for it to be a good story to someone who has no association with dementia, as well as being sensitive to those who live surrounded by the illness.”

Osborne is busy writing his next show for this summer’s Edinburgh Fringe. “After two serious shows, You’re In A Bad Way, and before that, Circled In The Radio Times, which was also about getting older, I thought, ‘I really want to write something fun’,” he says, introducing My Car Plays Tapes.

“I’d had my first car for years, but it broke down. I did my John Peel’s Shed tour in it, and that’s partly why it broke down, when a little Fiesta isn’t meant to do that many miles, with a box of records in the back.

“So, I got the cheapest replacement car possible, with no electric windows, no CD player, but it’s got a tape player. Suddenly I was re-united with the tapes I made when I was 16, when I would have had no reason to listen to them again otherwise.

“That’s set me off writing about being forced to re-visit your past.” Hopefully, the resulting show will make its way to Pocklington post-Edinburgh Fringe.

In the meantime, tickets for Thursday’s 7.30pm performance of You’re In A Bad Way are on sale at £10 on 01759 301547 or at pocklingtonartscentre.co.uk or £12 on the door, with a special price of £9 for a carer of someone with dementia. 

If the world were about to end, would you take part in a final quiz night. Yes? Read on

Note the name of the pub: the perfect prescient setting for The Last Quiz Night On Earth

QUICK question. Did you see Chip Shop Chips, Box Of Tricks Theatre Company’s show at Pocklington Arts Centre last year?

Yes? So, presumably you will want know when they will be returning to Pock and what in?

The answers are Friday, March 20 in The Last Quiz Night On Earth, an immersive, innovative new play by Alison Carr for theatre devotees and pub quiz enthusiasts alike, who are promised “a very different experience of live performance”, set in a pub.

In the Box Of Tricks locker already are the award-winning Manchester company’s shows SparkPlug, Narvik and Under Three Moons. Now they follow two sold-out tours of Chip Shop Chips with Carr’s pre-apocalyptic comedy, The Last Quiz Night On Earth, as an asteroid heads to Earth in a tour that also visits the Stephen Joseph Theatre, Scarborough, for performances in the bar on March 24 and 25. 

Writer Alison Carr and assistant director Kitty Ball in the rehearsal room for The Last Quiz Night On Earth. Picture: Alex Mead

Next question. What happens? “It’s the final countdown. Landlady Kathy invites audiences to the last quiz night on earth with Quizmaster Rav. He is the host with the most,” say Box Of Tricks, an associate company at the SJT, by the way.

“But with time ticking, some unexpected guests turn up out of the blue. Bobby wants to settle old scores and Fran wants one last shot at love. Expect the unexpected to the bitter end and plenty of drama as the show gets quizzical.”

Hannah Tyrrell-Pinder directs the play, with design by Katie Scott. Pub landlady Kathy will be played by Meriel Scholfield, who has appeared in Coronation Street, Last Tango In Halifax, Holby City and Doctors, while Shaban Dar will take the role of pre-apocalyptic Quizmaster Rav.

Playwright Alison Carr’s past works include Caterpillar and Iris; her latest play, Tuesday, has been commissioned for the National Theatre’s 2020 Connections programme, to be performed by 40 groups from across the country. The Last Quiz Night On Earth is her first for Box Of Tricks.

Box Of Tricks director Hannah Tyrrell-Pinder

Next question. Why did she write The Last Quiz Night On Earth? “I started two other ideas before this one but they wouldn’t take hold. The idea of a quiz night kept popping into my head but I’d dismiss it because I was worried it’d been done too often before.

“So, I kept plugging away and overcomplicating things, until eventually I thought ‘okay, lean into it – a quiz night and what? A quiz night AND the world is about to end. It all opened up from there and a quiz night became the only way to tell this story.

“It brings so much to explore like togetherness and community, camaraderie, competitiveness. Throw into the mix an asteroid heading straight for us, and the stakes get higher. It’s the final chance to say the unsaid, heal rifts, get the last word, make peace with regrets or try to do something about them.” 

Alison wanted to combine the known and the unknown, the safe and the downright terrifying. “My vision was to create something that audiences don’t just sit and watch but are part of – but not in a scary way,” she says. 

Meriel Schofield as pub landlady Kathy in The Last Quiz Night On Earth. Picture: Alex Mead

“Personally, the thought of audience participation makes me feel sick, but a quiz is something we can all do, whether we’re a general knowledge expert or the neatest so we can do the writing.”

Comparing The Last Quiz Night On Earth with her past work, Alison says: “There are elements there like a fractious sibling relationship, and having something quite extreme or unexpected going on.

“But, overall, it’s quite a departure, especially the characters’ interaction with the audience. My jumping- off point was to write something fun. A play about an imminent apocalypse might not sound like larks and giggles, but around the time I got the call, I’d been researching a lot of serious, dark material for other plays I was writing.

“It takes its toll. So, when Hannah got in touch, my first thoughts were ‘yes please’ and ‘for my own well-being, it’s got to be fun’. Plus, I always want to be challenging myself, not trotting out the same-old, same-old. And just like ‘dark’ doesn’t mean humourless or hard-going, ‘fun’ certainly doesn’t equal something fluffy or meaningless. It is the end of the world, after all.” 

Shaban Dar as pre-apocalyptic Quizmaster Rav

Alison names Victoria Wood as her biggest inspiration. “She was, is, and always will be,” she says. “Her voice is so distinctive and so northern. She’s why I tried writing anything in the first place. She brought joy to so many and achieved so much, she was a grafter.  

“I’ll always try and see any Edward Albee or Tennessee Williams plays I can: they’re so big and fearless. Martin McDonagh’s The Beauty Queen Of Leenane is one of my favourite plays. Lee Hall, Bryony Lavery, Zinnie Harris. I recently saw and read some Annie Baker plays and I’m in awe of her.

“Having said all that, I’m not so much a fan of particular playwrights as I am plays and theatre in general. I try and see as much theatre as I can in the North East and beyond.”

Last question, Alison, why should the good people of Pocklington and Scarborough seeThe Last Quiz Night On Earth? “Well, there’s a quiz – a real one. Real questions, real teams, real swapping of answer sheets to mark,” she says. “You don’t have to be good at quizzes (I’m not) or, if you are, great, come and show off.

Chris Jack as Bobby in Box Of Tricks’ production

“And when you’re not trying to remember which British city hosted the 1970 Commonwealth Games, there’s a story unfolding around you about family and regrets and last chances. About making your mark, about grabbing the bull by the horns and not waiting until it’s too late to say ‘I love you’ or ‘I’m sorry’ or ‘I’ve never liked that colour on you’.

“I wouldn’t want anyone other than Box of Tricks making The Last Quiz Night On Earth. Their work is never pretentious or intimidating, it’s welcoming and warm and a good night out. What better way to meet our fiery demise?”  

Box Of Tricks present The Last Quiz Night On Earth, Pocklington Arts Centre, March 20, 7.30pm, and Stephen Joseph Theatre bar, Scarborough, March 24, 1.30pm (Dementia Friendly performance) and 7.30pm; March 25, 7.30pm. Box office: Pocklington, 01759 301547 or at pocklingtonartscentre.co.uk; Scarborough, 01723 370541 or sjt.uk.com.

Pre-apocalyptic comedy alert!! But where will The Last Quiz Night On Earth be held?

Look at the pub name! Where else could The Last Quiz Night On Earth be held? Well, Pocklington Arts Centre, actually

QUICK question. Did you see Chip Shop Chips, Box Of Tricks Theatre Company’s show at Pocklington Arts Centre last year?

Yes? So, presumably you will want know when they will be returning to Pock and what in?

The answers are Friday, March 20 in The Last Quiz Night On Earth, an immersive, innovative new play by Alison Carr for theatre devotees and pub quiz enthusiasts alike, who are promised “a very different experience of live performance”.

PAC director Janet Farmer says: “The last time Box Of Tricks visited here, they wowed and wholly entertained us with Chip Shop Chips, an immersive theatre experience that our audiences still talk about. 

“So, we can’t wait to welcome them back to the venue with their brand new show. It looks set to be an absolute blast!”

In the Box Of Tricks locker already are the award-winning Manchester company’s shows SparkPlug, Narvik and Under Three Moons. Now they follow two sold-out tours of Chip Shop Chips with Carr’s pre-apocalyptic comedy, The Last Quiz Night On Earth. 

Next question. What happens? “It’s the final countdown. Landlady Kathy invites audiences to the last quiz night on earth with Quizmaster Rav. He is the host with the most,” say Box Of Tricks.

“But with time ticking, some unexpected guests turn up out of the blue. Bobby wants to settle old scores and Fran wants one last shot at love. Expect the unexpected to the bitter end and plenty of drama as the show gets quizzical.”

Hannah Tyrrell-Pinder directs the play, with design by Katie Scott. Pub landlady Kathy will be played by Meriel Scholfield, who has appeared in Coronation Street, Last Tango In Halifax, Holby City and Doctors, while Shaban Dar will take the role of pre-apocalyptic Quizmaster Rav.

Playwright Alison Carr’s past works include Caterpillar and Iris; her latest play, Tuesday, has been commissioned for the National Theatre’s 2020 Connections programme.

Next question. Why did she write The Last Quiz Night On Earth? “I wanted to combine the known and the unknown, the safe and the downright terrifying,” she answers. 

“My vision was to create something that audiences don’t just sit and watch but are part of – but not in a scary way. 

“Personally, the thought of audience participation makes me feel sick, but a quiz is something we can all do, whether we’re a general knowledge expert or the neatest so we can do the writing.” 

The play was “so much fun to research and write,” she says. “I have to admit, I know a lot about asteroids now, and the answers to a fair amount of quiz questions. I’m so excited to have Box Of Tricks bring it to life and to share it with audiences.”

Director Hannah Tyrrell-Pinder adds: “I’m really excited to be working with Alison Carr on her first play for Box Of Tricks. 

“Alison is a writer of real talent, crafting plays of depth, wit and real emotional warmth. The Last Quiz Night On Earth is a unique piece: a pre-apocalyptic comedy bringing people together through the power of trivia for a great night out.

“Following our success touring Chip Shop Chips to the heart of communities, I’m really looking forward to revisiting some wonderful places and spaces as well as discovering new locations with this play.” 

Last questions. Pocklington show time? 7.30pm. Ticket price? £12.50, under 21s, £10, and Friends Rates. Box office number? 01759 301547. Online? pocklingtonartscentre.co.uk.

Robert Vincent to play with The Buffalo Skinners at Pocklington Arts Centre

Robert Vincent: new album, Pocklington return

LIVERPOOL singer-songwriter Robert Vincent will showcase his new album In This Town You’re Owned at Pocklington Arts Centre on February 7, one week before its release on Thirty Tigers.

For this return visit, he will be accompanied on stage by PAC favourites The Buffalo Skinners in his 8pm set.

“My last visit to Pocklington Arts Centre, supporting Beth Nielsen Chapman, was such a great night with a lovely music-loving crowd. So, I’m looking forward to being back and playing for the lovely folk of Pocklington,” he says.

Vincent has been hailed by veteran BBC presenter “Whispering” Bob Harris as “the real deal” for his Americana music. On seeing him play in the Bluebird Café at the Bluecoat, Liverpool’s centre for the contemporary arts, the legendary broadcaster immediately invited him, to record an Under The Apple Tree Session in his home studio for his BBC Radio 2 country show, describing his performance as “absolutely magnetic”.

Vincent duly received the inaugural Emerging Artist Award from Harris in 2016 and the UK Americana Music Association’s UK Album of The Year in 2018 for 2017’s sophomore work I’ll Make The Most Of My Sins, recorded in his hometown and mixed in Nashville by Grammy Award-winning producer Ray Kennedy.

The Buffalo Skinners: playing with Robert Vincent at Pocklington Arts Centre

His 2013 debut, Life In Easy Steps, drew BBC airplay for its title track on Janice Long and Radcliffe & Maconie’s shows.

He has since toured the UK supporting Paul Carrack, James Blunt and Squeeze and The Pretenders at the Royal Albert Hall. Last spring, he opened for Beth Nielsen Chapman on her Hearts Of Glass tour, including the aforementioned Pocklington show.

Last summer, Vincent was on the supporting bill for his hero, Pink Floyd’s Roger Waters, in Hyde Park at British Summer Time and joined “the Titan of Twang”, guitarist Duane Eddy, across the UK on his 80th birthday tour.

Now comes third album In This Town You’re Owned, produced by BRIT Award-winning Ethan Johns.

Tickets for Vincent’s Pock gig are on sale at £13.50 on 01759 301547 or at pocklingtonartscentre.co.uk. Vincent has further Yorkshire gigs coming up at The Greystones, Sheffield, on March 25, and Leeds Lending Room the next night.

The Felice Brothers to play Pocklington Arts Centre summer gig

The Felice Brothers: two brothers, Ian and James Felice, and two friends, Will Lawrence and Jesske Hume

POCKLINGTON Arts Centre has snapped up The Felice Brothers for a summer gig after director Janet Farmer saw the Americana band at Willie Nelson’s ranch.

Brothers Ian and James Felice and their friends, drummer Will Lawrence and bass player Jesske Hume, have crossed the Big Pond this month for a winter tour that visits Leeds Brudenell Social Club on Monday.

They will return to these shores for more dates in a summer of American and European gigs, among them Pocklington Arts Centre on June 23.

A delighted Janet Farmer says: “I was privileged to see them at Luck Reunion, held at Willie Nelson’s ranch, and can highly recommend their unique brand of American folk rock. Expect a raucous and energetic performance that will be something to truly treasure.

“Tickets for this show will sell fast, so I would encourage you to get yours soon or risk missing out on what will be a sublime show.”

Ian and James Felice grew up in the Hudson valley of upstate New York. Self-taught musicians, inspired as much by Hart Crane and Slim Whitman as by Woody Guthrie and Chuck Berry, they began in 2006 by playing subway platforms and sidewalks in New York City.  

They have gone on to release nine albums of original songs, drawing comparison with Neil Young and Bob Dylan for their song-writing and lawless sound. Last year they returned from a three-year hiatus with Undress, whose songs will be complemented by a selection from their back catalogue on June 23.

Tickets for their 8pm Pock gig cost £20 on 01759 301547 or at pocklingtonartscentre.co.uk.

Did you know?

The Felice Brothers served as the backing band for Conor Oberst’s 2017 album Salutations and subsequent tour.