Courtney Marie adds to Pocklington Arts Centre’s raft of rearranged shows

Courtney Marie Andrews: June date at Pocklington Arts Centre put back by a year

AMERICAN country singer Courtney Marie Andrews is moving her June 17 2020 concert at Pocklington Arts Centre to…June 17 2021.

“All customers are being contacted this week to offer them a transfer or refund,” says venue manager James Duffy, whose 30th birthday falls today, by the way.

Courtney’s now postponed date next month with a full band was to have been a showcase for her new album, Old Flowers, originally set for release on June 5 on Loose/Fat Possum Records.

Phoenix-born Courtney, 29, is now rescheduling the album launch too, again in response to the Covid-19 pandemic. “Hello dear ones,” she says on the Loose website. “Unfortunately, I must push back the release to July 24th. In order to protect the safety of its workers, the vinyl manufacturing plant producing my record is temporarily closed for the time being, meaning it won’t be possible to meet the original release date.

“During these strange times, I think it’s important we work together, rather than trudge ahead alone and abandon those who have helped artists along the way. I can’t explain to you how much this record means to me personally, and I am so incredibly excited for it to reach your ears soon. It’s just showing up fashionably late, 2020 style.”

John Smith: November 3 date at Pocklington Arts Centre

Pocklington Arts Centre (PAC) continues to update its list of rescheduled shows for 2020/21, with the prospect of more being added in the coming weeks and months.

Inquisitive folk truth seeker John Smith has switched from May 21 to November 3; American singer-songwriter Jesse Malin, from June 27 to February 2 2021; retro country soul band The Delines, from July 28 to February 23 2021, and BBC Radio 2 and Channel 5 presenter Jeremy Vine will now ask “What the hell is going on?” on February 26 2021, rather than May 1 2020.

Billy Bremner & Me, comedian Phil Differ’s comedy-drama recounting his dream of eclipsing the fiery Leeds United and Scotland captain’s footballing deeds, has moved from June 5 to March 11 2021; Herman’s Hermits will re-emerge on April 22 next spring, and Mock The Week comedian Andy Parsons’ sold-out April 28 gig is re-booked for April 24 2021.

Led as ever by vocalist Maddy Prior, folk favourites Steeleye Span’s 50th anniversary celebrations of debut album Hark The Village Wait will have to wait until its 51st anniversary, their show now moved from May 3 2020 to May 7 2021.

BBC Radio 2 Folk Award winners Catrin Finch, from Wales, and Seckou Keita, from Senegal, will be joined by Canadian multi-instrumental trio Vishten on June 10 next summer, rather than June 13 2020 as first planned.

The Felice Brothers, from the Catskill Mountains, New York State, will be playing almost a year to the day later than their original booking. Ian and James Felice, joined by drummer Will Lawrence and bass Jesske Hume, are in the PAC diary for June 22 2021, replacing June 23 this summer.

Pocklington Arts Centre director Janet Farmer

The spotlight would have been on their 2019 album Undress, as well as their back catalogue from 2006 onwards, but now there should be new material too. .

All existing tickets holders for the rescheduled shows are being contacted by the PAC box office for ticket transfers or refunds.

PAC director Janet Farmer says the public response to the East Yorkshire venue’s prolonged closure, in response to the Covid-19 pandemic, has been “wonderful both in terms of financial support and well wishing”.

“To date, we have raised £8,660 from crowdfunding and customer ticket refund donations, a total well beyond our original target,” she reveals.

“We have been working with artists and agents to reschedule the whole of the venue’s spring and summer 20th anniversary season and most, if not all, shows are being transferred to late 2020 and into 2021.”

Shed Seven guitarist Paul Banks and singer Rick Witter: Acoustic headline set at Platform Festival 2020 at The Old Station cancelled. Hopefully they will be Chasing Rainbows next summer instead

July’s Platform Festival, organised by Pocklington Arts Centre, with a line-up including Robert Plant’s Saving Grace, Shed Seven’s Rick Witter & Paul Banks, Richard Thompson and Omid Djalili at The Old Station, has been called off too, Again negotiations are on-going to feature as many of the 2020 artists as possible in the 2021 festival’s run from July 21 to 27. More details will be announced in the coming weeks.

“It was heart-breaking to have to postpone the majority of the venue’s 20th anniversary celebrations but the safety of our audience members, performers, staff, volunteers and wider community has to come first. We intend to turn these events into 21st anniversary celebrations next year,” says Janet.

“During this period, we believe it is critically important that PAC continues to support its staff, artists and creative partners. We are working closely with our peers, across the region and indeed the country, on collaborative projects during the closure and we hope to announce a series of online events very soon.

“While we will be increasing the venue’s online artistic output, we are very aware there is no substitute to watching a live performance and sharing this experience with fellow audience members. We, like all of our customers, look forward to the time when this can resume.”

Pocklington Arts Centre remains in regular contact with Arts Council England, the Music Venues Trust and the Cinema Exhibitors Association. “All have been very supportive with advice and support,” says Janet. “PAC is determined to weather this storm and emerge from this challenge stronger and more vibrant than ever.”

“We are all braving this crazy storm, in different ships, but together,” says Courtney Marie Andrews

The last word, for now, goes to Courtney Marie Andrews: “We are all braving this crazy storm, in different ships, but together,” she says. “I am continuously inspired by everyone coming together, in so many ways, during this unprecedented time.”

Pocklington’s Platform Festival in July is cancelled in ‘heart-breaking decision’

No Saving Grace: Robert Plant: was to have headlined Platform Festival this summer

POCKLINGTON’S 2020 Platform Festival, headlined by Robert Plant’s new band in July, is off.

Run by Pocklington Arts Centre (PAC) at The Old Station, the annual festival has “very sadly has been cancelled for Covid-19 health and safety reasons”.

The organisers, PAC director Janet Farmer and venue manager James Duffy, are working on transferring all the 2020 programme to July 21 to 27 2021 and will keep festival-goers updated over the coming weeks.

“We will weather this storm and return in 2021 stronger and more vibrant than ever,” they vow.

Omid Djalili: Booked to open Platform Festival on July 8

The 2020 line-up would have opened with comedian Omid Djalili on July 8, followed by Led Zeppelin frontman Robert Plant’s Saving Grace with Suzi Dian on July 10, and a Saturday bill on three stages, featuring Shed Seven Acoustic: Rick Witter & Paul Banks, Red Hot Chilli Pipers, Ward Thomas, Lucy Spraggan and York country singer Twinnie on July 11.

The BBC Big Band on July 14 and folk-rock stalwart Richard Thompson on July 15 would have completed the festival line-up.

In a joint statement, heartbroken Janet and James say: “Following the continuing developments in the COVID-19 pandemic, we have taken the difficult decision to cancel this year’s Platform Festival.

“The safety of our audience members, artists, staff, volunteers and wider community has to come first and we did not want to put additional pressure on the health and emergency services at this time.”

Shed Seven’s Paul Banks and Rick Witter: Topping Platform Festival’s Saturday bill with an acoustic set

Janet and James continue: “Platform is a labour of love, for PAC staff, and being unable to share it with you all in the venue’s 20th anniversary year is heart-breaking. It is, of course, the choice we had hoped we wouldn’t have to make.

“We looked at the possibility of staging the event at a later date in 2020 but the most important thing for us, other than your obvious safety, is to give our customers certainty and so we have made the decision to move this year’s festival to July 2021.”

Praising Platform’s regular festival-goers, they say: “Platform is nothing without our audience, you make it the great festival that it is. We want to thank you for your patience, support and understanding with us, while we have been working to reschedule the festival for you. We will weather this storm and return in 2021 stronger and more vibrant than ever.”

Dealing with housekeeping matters, they confirm: “If you have already booked your tickets, rest assured these are secured. You will be offered the choice of a refund or the chance to hold on to your tickets for the 2021 edition.

Richard Thompson: July 15 gig would have climaxed the 2020 Platform Festival

“We plan to carry as much of the programme as possible forward and, so far, almost all artists have agreed to work with us on this, which is amazing. We will, of course, keep you updated and we hope to have this all finalised in the coming weeks.

“Please be patient and wait to hear from us. Our box office – and external ticket agencies – is extremely busy and we will contact you in due course.”

Janet and James conclude: “Platform 2021 will take place on July 22 to 27 and we would love to see you all there for our biggest party yet. Stay home, stay safe and look after each other. For urgent enquiries, please email info@pocklingtonartscentre.co.uk.

“If you are in a position to support Pocklington Arts Centre and Platform Festival, we have set up a crowdfunding page via https://www.justgiving.com/crowdfunding/pac.”

Mary Coughlan: Pocklington concert moved to September 23

Meanwhile, Pocklington Arts Centre has released an updated list of rescheduled shows for 2020/21, with the prospect of more being added in the coming weeks and months.

The Wandering Hearts, winners of the 2018 Bob Harris Emerging Artist Award at the UK Americana Awards, move their sold-out In Harmony, An Intimate Tour show from April 14 to August 27 2020.

Mary Coughlan, “Ireland’s Billie Holiday”, switches her April 21 gig to September 23; inquisitive folk truth seeker John Smith, from May 21 to November 3, and American singer-songwriter Jesse Malin, June 27 to February 2 2021.

Andy Parsons: Comedian re-booked for April 24 2021

BBC Radio 2 and Channel 5 presenter Jeremy Vine now asks “What the hell is going on?” on February 26 2021, rather than May 1 2020.

Billy Bremner & Me, comedian Phil Differ’s comedy-drama recounting his dream of eclipsing the fiery Leeds United and Scotland captain’s footballing deeds, moves from June 5 to March 11 2021; Herman’s Hermits re-emerge on April 22 next spring, and Mock The Week comedian Andy Parsons’ sold-out April 28 gig is re-booked for April 24 2021.

Led as ever by vocalist Maddy Prior, folk favourites Steeleye Span’s 50th anniversary celebrations of debut album Hark The Village Wait will have to wait until its 51st anniversary, their show now moved from May 3 2020 to May 7 2021.

James Felice, left, Will Lawrence, Jesske Hume and Ian Felice of The Felice Brothers, now to play Pocklington on June 22 next summer

BBC Radio 2 Folk Award winners Catrin Finch, from Wales, and Seckou Keita, from Senegal, will be joined by Canadian multi-instrumental trio Vishten on June 10 next summer, rather than June 13 2020 as first planned.

The Felice Brothers, from the Catskill Mountains, New York State, will be playing almost a year to the day later than their original booking. Ian and James Felice, joined by drummer Will Lawrence and bass Jesske Hume, are in the PAC diary for June 22 2021, replacing June 23 this summer.

The spotlight would have been on their 2019 album Undress, as well as their back catalogue from 2006 onwards, but now there should be new material too.

Courtney Marie Andrews: Watch this space for an upcoming new date announcement

A new date for American country singer Courtney Marie Andrews’ now postponed June 17 concert with her full band should be confirmed in the next week. Her new album Old Flowers will be released on Loose/Fat Possum Records on June 5.

All existing tickets holders for the rescheduled shows are being contacted by the PAC box office for ticket transfers or refunds.

CORONAVIRUS: Pocklington Arts Centre closes doors but will return “stronger and more vibrant” in 20th anniversary year

Janet Farmer: director of Pocklington Arts Centre

POCKLINGTON Arts Centre is closing its doors to the public with effect from today in response to the Government’s Coronavirus measures, but vows to re-emerge “stronger and more vibrant than ever” in its 20th anniversary year.

A statement released by director Janet Farmer and venue manager James Duffy  this morning said: “In the light of the Government’s latest advice for people to avoid non-essential contact, we have taken the decision to close PAC to the public as of today (Tuesday, March 17).

“The health and safety of our staff, visitors, artists and volunteers is of utmost importance to us and therefore we do not feel it is prudent to remain open to the public at this time.”

Their statement continues: “We don’t know yet how long this closure will last, but this will be at least until Easter 2020 [mid-April]. Further updates will be announced in due course.

“During this period, it is critical that we continue to support our staff, artists and creative partners. We will be working closely with our peers across the region and indeed the country, and we are determined that PAC will emerge from this challenge stronger and more vibrant than ever. We will be publishing more on this in the coming days.”

Anyone who has booked a ticket or is due to attend a public event at PAC will be contacted by the box-office team over the next few days to organise a refund and/or discuss the cancellation.

Robert Plant: booked to headline this summer’s Platform Festival with his new band Saving Grace

“Tickets can be refunded but we would ask you to consider supporting the venue and artists by not accepting a refund, if you are able to afford to,” suggested the statement. “We will of course try to reschedule events, but this may take some time, so please bear with us in these very challenging times.”

Pocklington Arts Centre will be setting up a crowdfunding page later this week. “We’ll publish details of this on our social media accounts,” said Janet and James. “If you feel able to donate to this, your support would be most welcome to help secure the long-term future of the venue.”

The statement concluded: “Please visit our social media channels and website [pocklingtonartscentre.co.uk] for daily/weekly updates and as to when PAC will reopen.
“Many thanks for your understanding. We very much appreciate your patience in this unprecedented situation. Take care and keep safe.”

Pocklington Arts Centre’s spring and summer programme to mark the East Yorkshire venue’s 20th anniversary was launched on March 6 with a party night of New Orleans Mardi Gras jazz by the New York Brass Band.

Planned as the epicentre of the celebrations is the fifth Platform Festival of music and comedy, hosted by PAC at The Old Station, with the headline attraction of Led Zeppelin frontman Robert Plant’s new project, Saving Grace, on July 10.

Full details can be found at platformfestival.net and pocklingtonartscentre.co.uk.

Led Zep’s Robert Plant to headline Pock’s best Platform Festival with Saving Grace

Robert Plant and Suzi Dian, fronting Saving Grace, the Platform Festival’s prize capture

ROBERT Plant will headline this summer’s Platform Festival as the crescendo of Pocklington Arts Centre’s 20th anniversary celebrations.

The former Led Zeppelin frontman and lyricist, now 71, will lead Saving Grace, his folk-blues collaboration with fellow vocalist Suzi Dian, at Pocklington’s Old Station on July 10.

Tea time…then Omid Djalili plays the Platform Festival

“Hopefully we’ve pulled something rather special out of the bag for our 20th anniversary!” says delighted director Janet Farmer. “Bringing Robert Plant to Pocklington is a major coup for us.”

Shed Seven’s Rick Witter and Paul Banks, folk-rock icon Richard Thompson, comedian Omid Djalili, The BBC Big Band and country-pop twin sisters Ward Thomas are among the other acts signed up for the fifth Platform Festival, running from July 9 to 15.

Richard Thompson: closing show at Platform Festival on July 15

“The Platform Festival programme reflects this very special year for us,” says Janet. “Robert Plant is a legendary name in the music scene and it’s so exciting that he and the other highly accomplished musicians in Saving Grace will be joining us for such a significant event.

“There’s no doubt Robert and Saving Grace are the biggest band we’ve ever booked for Platform. Curating a line-up of artists that we personally love every year is always a source of much pride for our team and we strongly believe this year’s line-up is both the best and most star-studded music bill we’ve ever put together.”

“There’s no doubt Robert Plant and Saving Grace are the biggest band we’ve ever booked for Platform,” says festival director Janet Farmer

Plant and Dian are joined in his blues and folk-inspired acoustic co-operative by Oli Jefferson on percussion, Tony Kelsey on mandolin, baritone and acoustic guitars, and Matt Worley on banjo, acoustic and baritone guitars and cuatro. Their support act will be delta blues singer, songwriter and bottleneck slide guitarist Catfish Keith.

The 2020 Platform Festival comprises four stand-alone shows plus a day-long event on three stages. First up, British-Iranian comedian Omid Djalili will perform on July 9, followed by Saving Grace’s July 10 concert. The 18-piece BBC Big Band will play on July 14, conducted by Barry Forgie, with Jeff Hooper on vocals; guitarist, singer, songwriter and Fairport Convention founding member Richard Thompson will close the festival on July 15.

Saturday headliners: Shed Seven’s Paul Banks and Rick Witter

The festival’s Saturday bill, on July 11, will be headlined by Rick Witter and Paul Banks’s Shed Seven Acoustic show, wherein the York Britpop alumni’s frontman and lead guitarist will perform such Sheds anthems as Going For Gold, Chasing Rainbows, She Left Me On Friday and Getting Better, complemented by cherry-pickings from 2017’s Instant Pleasures, their first studio album in 16 years.

Shed Seven launched Instant Pleasures with a special show at Pocklington Arts Centre in November that year, by the way.

Country-pop twin sisters Ward Thomas: Platform Festival return

Joining the Sheds in the July 11 line-up will be bagpipe band TheRed Hot Chilli Pipers, with their ground-breaking fusion of traditional Scottish music and rock and pop anthems. “Think men in kilts, bagpipes with attitude, drums with a Scottish accent and a show that carries its own health warning,” says Janet.

Ward Thomas will follow up their April 30 gig at Leeds City Varieties and arena tour supporting James Blunt with a return to the Platform Festival, where Hampshire twins Catherine and Lizzy Ward Thomas previously appeared in 2017.

Big show: The BBC Big Band

Acoustic folk singer Lucy Spraggan, once of The X Factor, will make her Platform debut a year later than first planned; festival favourites The Grand Old Uke Of York will be back with their upbeat rock, pop, ska and anything in-between ukulele covers, and New York Brass Band will play the Platform Saturday for the first time, fresh from pumping up the party atmosphere with their smokin’ New Orleans Mardi Gras jazz at Pocklington Arts Centre’s 20th anniversary party night on March 6.

Festival newcomer Twinnie, alias York-born Twinnie-Lee Moore, 32-year-old star of West End musicals, The Voice contestant, model, film actress and Hollyoaks soap queen, is now a Nashville-hearted singer-songwriter. After wowing the C2C country gathering at London’s O2, Platform will be her Yorkshire homecoming.

Twinnie: country roads lead York-born singer-songwriter to Pocklington on July 11

Heading Pockwards too that Saturday will be husband-and-wife duo Truckstop Honeymoon, hollering their blasts of bluegrass, punk rock and soul to a five-string banjo and doghouse bass, and Buffalo Skinners, returning to the festival for the first time in four years with their Sixties’ folk and modern-day Americana.

York blues singer-songwriter Jess Gardham and Plumhall are on the bill too, and as ever the third Saturday stage will be spotlighting the region’s emerging talent, curated by the tireless, peerless Charlie Daykin and Access Creative College.

Tickets are on sale at pocklingtonartscentre.co.uk, platformfestival.com and seetickets.com or on 01759 301547.

Courtney Marie Andrews to showcase Old Flowers break-up album at Pocklington

Courtney Marie Andrews: Pocklington return in the summer. Picture: Sam Stenson

PHOENIX singer-songwriter Courtney Marie Andrews will showcase her new album at Pocklington Arts Centre on June 17 on her six-date tour.

Old Flowers will be released on June 5 on Loose/Fat Possum Records as her follow-up to 2018’s May Your Kindness Remain.

Created in the ashes of a long-term relationship, Andrews’ ten new songs amount to her most vulnerable writing to date as she chronicles her journey through heartbreak, loneliness and finding herself again.

“Old Flowers is about heartbreak,” says Courtney Marie, 29. “There are a million records and songs about that, but I did not lie when writing these songs. This album is about loving and caring for the person you know you can’t be with.

“It’s about being afraid to be vulnerable after you’ve been hurt. It’s about a woman who is alone, but OK with that, if it means truth. This was my truth this year: my nine-year relationship ended and I’m a woman alone in the world, but happy to know herself.” 

Produced by Andrew Sarlo, who has worked with Bon Iver and Big Thief, Old Flowers was recorded at Sound Space Studio and features only three musicians: Andrews, on vocals, acoustic guitar and piano; Twain’s Matthew Davidson, on bass, celeste, mellotron, pedal steel, piano, pump organ, Wurlitzer and background vocals, and Big Thief’s James Krivchenia on drums and percussion.

“This album is about loving and caring for the person you know you can’t be with,” says Courtney Marie Andrews

Defining their intentions, Sarlo says: “Before we got to the studio, we agreed to prioritise making this record as cathartic and minimal as possible, focusing on Courtney’s voice and her intention behind the songs.

“Because of this, the record is all about performance. I believe a great recording is the chemistry between everything during basics and the ability to feel something happening, instead of obsessing over the perfect take. Courtney embraced this approach and we ended up with a raw, natural and human record.”

The resulting track listing comprises Burlap String; Guilty; If I Told; Together Or Alone; Carnival Dream; Old Flowers; Break The Spell; It Must Be Someone Else’s Fault; How You Get Hurt and Ships In The Night.

Courtney Marie last played Pocklington in December 2018, at the end of a week when she was felled by a viral infection the morning after her London gig and had to call off her Birmingham, Bristol and Oxford gigs.

Rested and recuperated, she was still nursing a cough, but found the energy for a solo set of songs and stories, introducing Ships In The Night and It Must Be Someone Else’s Fault, two new compositions that would end up on Old Flowers.

This time Courtney Marie will play with a full band in the lead-up to her series of summer festival engagements. Tickets for June 17’s 8pm gig cost £20 on 01759 301547 or at pocklingtonartscentre.co.uk.

Tom Rosenthal’s Manhood is an incisive comedy show with a cutting edge

Tom Rosenthal: “Maybe I’m stuck in adolescence, I don’t know,” he says. All pictures: Idil Sukan

PLEBS and Friday Night Dinner sitcom star Tom Rosenthal is bringing his first-ever stand-up tour to Pocklington Arts Centre on March 14.

Manhood is truly comedy with a cutting edge, wherein Rosenthal will be “avenging the theft of his foreskin”, as he discusses how he has suffered psychological distress ever since he realised he had been circumcised as a child.

Tom, the Hammersmith-born son of TV sports presenter Jim Rosenthal, applies the use of graphs, statistics, playful jokes and rigid research to tell his story, having spoken to experts on the subject matter.

He may have a Jewish background, but he was not brought up to be Jewish and that was not the reason for the circumcision. He duly felt anger towards his parents, the aforementioned Jim and his mother Chrissy Smith, a former Newsnight producer, when he was younger.

“Most comedy shows will not be an hour about genital-cutting practices,” says Tom Rosenthal of Manhood

“Maybe I’m stuck in adolescence. I don’t know,” says Tom. “As soon as I found out what happened to me, I was just constantly searching for a reason that made sense of it and I’ve still not found one. That’s sort of the driving force of the show: going through all the justifications for it being allowed.”

He is not anti-circumcision, however. “If you want to choose to do it when you’re old enough, go right ahead. It’s like any other kind of body modification, like a tattoo or a piercing,” he says.

“But to do it to a child against their will when they cannot take the decision to take that back, it feels as if it’s against our human rights. I want prospective parents to watch my show. Have a nice night out. Laugh with the boy from the sitcoms with the big nose, but also go away thinking ‘maybe that’s not cool actually’.”

Best known for playing Roman Empire nerd Marcus in ITV2’s Plebs and the perpetually adolescent prankster son, Jonny, in Channel 4’s Friday Night Dinner, Tom has long wanted to do a stand-up tour. “The nicest thing about it is getting to meet the people who actually watch the TV programmes I’m in,” he says.

“I think the story of someone who is at odds with their body is something teenagers can relate to,” says Tom Rosenthal

“I’m also really proud of Manhood. It’s a show that I always wanted to make. It has a dual purpose for me. Obviously, I wanted to put on the funniest show that I can, but I also want fans to go away thinking about stuff which most people don’t really think about.

“It’s something that I think is slightly askew with our culture. I should add that this is not your typical comedy show. Most comedy shows will not be an hour about genital-cutting practices.”

After premiering Manhood at last summer’s Edinburgh Fringe and playing dates last autumn, Tom is touring from February 8 to April 9. “I’m really a molly- coddled actor,” he says. “It has surprised me how tiring live comedy is. Some of my friends seem to be able to walk on stage and just be themselves, whereas I’m always nervous. I have the utmost respect for all comedians. I guess, by comparison, an actor’s life is quite easy.”

The tour marks a new phase in Rosenthal’s career. Although he started out as a stand-up, becoming joint winner of the Leicester Mercury Comedian of the Year Award in 2011 after graduating from London University with a Philosophy degree, acting has taken up most of his time since then.

“I’m really proud of Manhood. It’s a show that I always wanted to make,” says Tom.

“I was reluctant to call myself a comedian despite the fact that I did stand-up. I felt like until you’ve done a tour, you can’t call yourself a comedian. So, one semi-benefit of doing Manhood is that now I’m a little bit more comfortable saying I’m a comedian as I’ve gone to towns, people have paid money to see me and I definitely heard some of them laugh.” 

Although the subject matter of Manhood may be personal, Rosenthal believes the feelings of alienation he discusses are universal. “I’ve had quite a lot of teenagers coming and I think the story of someone who is at odds with their body is something they can relate to,” he says. “What makes it interesting though also makes it quite odd. The fact that you are watching a guy talking about his penis quite a lot.”

His Pocklington audience next week will discover more about Tom in his Manhood show, but for those familiar with his television characters, does he consider himself to be closer to Marcus or Jonny?

“I probably feel I’m more Marcus,” he decides. “He’s a neurotic schemer who thinks that he’s smarter than he is, whereas Jonny is a sort of teenage boy prankster. Ultimately though, if you combine the two, that’s my whole terrible personality.”

Tom Rosenthal: Manhood, Pocklington Arts Centre, March 14, 8pm. Box office: 01759 301547 or at pocklingtonartscentre.co.uk.

New York Brass Band to toast Pocklington Arts Centre’s 20th birthday at party night

New York Brass Band: seven-piece Mardi Gras jazz powerhouse from York, although there appears to be nine of them here

POCKLINGTON Arts Centre will be celebrating its 20th anniversary on Friday (March 6) with a party night.

A private reception at 7pm will be followed by a public performance by North Yorkshire’s only contemporary New Orleans-inspired brass band, the New York Brass Band from old York.

This seven-piece powerhouse, complete with percussion, sax, trumpets, trombones and sousaphone, will raise the roof with their rousing brand of Mardi Gras jazz from 8pm.

Looking forward to Friday’s celebrations, director Janet Farmer says: “New York Brass Band are a far cry from being your typical brass band. This is up-on-your-feet dancing, party-loving, Mardi Gras-style funky brass music that will be a lot of fun. 

“As Pocklington Arts Centre celebrates its 20th anniversary this year, we felt a band like this added a true party vibe to our diverse programme of live music.”

Hailing from the ancient streets of York, New York Brass Band are at the forefront of a funky brass revolution now sweeping Great Britain. 

“Inspired by Rebirth Brass Band, Soul Rebels, Hot 8, Youngblood and Brassroots, New York Brass Band pack a powerful punch of relentless drums, rumbling tuba and wailing horns,” says Janet.

“Nothing kicks a party into gear like the sound of a smokin’ New Orleans Mardi Gras jazz band.

Although New York Brass Band’s inspiration is drawn from New Orleans musicians, their repertoire ranges from Marvin Gaye to George Michael, from Cee-Lo Green to Stevie Wonder, with some funky, gritty northern originals thrown in for good measure. 

Their past performances include Glastonbury Festival from 2014 to 2017; Bestival on the Isle of Wight; Durham Brass Festival; Cork Jazz Festival; Le Tour de France; the Monaco Grand Prix and England’s cricket Test matches.

New York Brass Band have entertained guests at celebrity parties and weddings for comedian Alex Brooker, Liam Gallagher, ex-Scotland footballers Joe Jordan and Gordon McQueen and Jamie Oliver.

Tickets for Friday cost £11 each on 01759 301547 or at pocklingtonartscentre.co.uk.

Sue Clayton to lead World Down Syndrome Day event at Pocklington Arts Centre

York artist Sue Clayton with odd socks for World Down Syndrome Day’s event at Pocklington Arts Centre

YORK artist Sue Clayton will mark World Down Syndrome Day at Pocklington Arts Centre on March 21 as her Downright Marvellous At Large exhibition draws to a close that day.

Sue’s portraits of adults with Down Syndrome and a giant pair of hand-knitted socks will provide the backdrop for the 11am to 1pm event featuring children’s craft activities, music, cake and a pop-up exhibition.

That show, This Is Me, will be running in the arts centre studio during the final week of Downright Marvellous At Large from March 14 to 21. On show will be self-portraits by members of Wold Haven Day Centre, Pocklington, and Applefields Special School, York, created at workshops led by Sue. 

Sue put her exhibition together in honour of her son, James, who has Down Syndrome and turns 18 this year. “Downright Marvellous At Large is a true celebration of adults with Down’s at work and play, and I hope it has made a real impression on visitors,” she says. 

“I can’t wait to bring what has been a really busy, successful exhibition to a suitable close in spectacular style with a celebration to mark World Down Syndrome Day. 

“Everyone is invited to come along, enjoy some children’s crafts, a pop-up exhibition and a free piece of cake, as well as a few surprises along the way”

Sue’s portraits, presenting the “unrepresented and significant” social presence of adults with Down Syndrome, is complemented by a giant pair of odd socks created using hand-knitted squares donated by members of the public. 

Many people wear odd socks on World Down Syndrome Day, a global event that aims to raise awareness and promote independence, self-advocacy and freedom of choice for people with the congenital condition. 

Socks are used because their shape replicates the extra 21st chromosome that people with Down Syndrome have. 

John Osborne reflects on dementia, music, age and memory in You’re In A Bad Way

John Osborne: storyteller and poet

STORYTELLER, poet and BBC Radio 4 regular John Osborne returns to Pocklington Arts Centre on Thursday to present his beautiful, funny and uplifting new theatre show about music and dementia. 

Last March, he performed a quietly spoken double bill of John Peel’s Shed and Circled In The Radio Times in the bar; intimate, convivial storytelling in an intimate, convivial space.

Now, inspired by seeing a friend’s father face a dementia diagnosis and the feelings of warmth and positivity and unexpected twists and turns the family went through, he has put together You’re In A Bad Way.

“This is the fifth theatre show I’ve made and it’s definitely my favourite,” says Osborne.  “That’s because I never planned to write about something as personal as dementia, and I’d never written about such a big topic before, which I felt was intimidating and other writers would do it.

“But I was faced with this dilemma when my friend’s father was diagnosed with dementia a couple of years ago. It was a really interesting thing to observe, because though it was horrible and terrifying and sad, it was also beautiful and magical with special moments.

“It felt like such a beautiful story that I wanted to tell. Just because you’ve been diagnosed with something, it doesn’t mean it’s the end.” 

Osborne recalls the circumstances behind his friend’s revelation. “My friend and I go to Glastonbury every summer. We started at 21 and we’ve been going for 17 years now and we never miss a year,” he says.

“So, it was one of those sweet things we like to do, but it was at Glastonbury she told me about her father. Glastonbury is kind of where these things do happen, when you’re spending so much time together.

“I was saying I felt I was getting too old for Glastonbury, for putting up tents and the like, and it was then she suddenly told me about her dad’s dementia, and I thought, ‘what’s happening to us?’. But everyone has these stories, don’t they?”

This set in motion You’re In A Bad Way. “I started thinking about my relationships, friendships; growing up and now not being as young as you used to be, but also about having the luxury of growing old, and then my friend’s father dementia diagnosis,” says Osborne. “I also found myself thinking about how music plays an important part in our lives.”

Gradually, music and dementia joined in union as Osborne wrote the show. “Initially, I was looking at music from my own point of view, but the more I researched dementia, sport and music were two things that were so important to dementia patients,” he says.

“Like hearing an old commentary from a cup final their favourite team won. Someone who has been unresponsive to any stimulus can suddenly go back to where they first heard that commentary.

“It’s the same with music, where they can remember the lyrics from years ago, but can’t now remember who anyone is.”

Before he went ahead with You’re In A Bad Way, Osborne sought his friend’s approval for him to talk about her family’s story on stage. “She works in theatre and said she was happy if a theatre show did discuss these things,” he recalls.

The poster artwork for John Osborne’s dementia-and-music show You’re In A Bad Way

When premiering the show at last summer’s Edinburgh Fringe, Osborne spent time at a dementia care centre in the Scottish capital to ensure he was fully informed about the experience of caring for someone with dementia.

“I met these fantastic women at LifeCare Edinburgh, and we talked about what they do and how they wanted to raise awareness of what they do,” says Osborne. “We raised money at the end of every performance to give to LifeCare.

“It was really good to get information and stories from them and to be able to repay them by mentioning LifeCare at each show.”

Osborne says that every time he performs You’re In A Bad Way, he learns new things about dementia. For example, the feeling of isolation when confronted by  loved one falling into the black hole of dementia. “If you’ve got a parent with dementia, it can be very hard to communicate about it with your friends, as your relationship with your family is so specific to you,” he says.

“In the case of my friend, her response was to drop everything to support her father, whereas her sister couldn’t deal with it at all and wasn’t there for him. She ran away from it.

“But whatever your reaction, there are thousands of reasons for why people do what they do in those circumstances.

“That’s why I wanted to do my research and not be out of my comfort zone when people tell me their own stories at the shows. I’ve met people who have stayed and supported; I’ve met people who ran away.”

Looking forward to Thursday’s Pock performance, what tone can the audience expect? “As it’s such a big topic, I’ve tried to make the show funny and life affirming and relatable,” says Osborne. 

“I don’t want it to be sad or serious; I think it’s important for it to be a good story to someone who has no association with dementia, as well as being sensitive to those who live surrounded by the illness.”

Osborne is busy writing his next show for this summer’s Edinburgh Fringe. “After two serious shows, You’re In A Bad Way, and before that, Circled In The Radio Times, which was also about getting older, I thought, ‘I really want to write something fun’,” he says, introducing My Car Plays Tapes.

“I’d had my first car for years, but it broke down. I did my John Peel’s Shed tour in it, and that’s partly why it broke down, when a little Fiesta isn’t meant to do that many miles, with a box of records in the back.

“So, I got the cheapest replacement car possible, with no electric windows, no CD player, but it’s got a tape player. Suddenly I was re-united with the tapes I made when I was 16, when I would have had no reason to listen to them again otherwise.

“That’s set me off writing about being forced to re-visit your past.” Hopefully, the resulting show will make its way to Pocklington post-Edinburgh Fringe.

In the meantime, tickets for Thursday’s 7.30pm performance of You’re In A Bad Way are on sale at £10 on 01759 301547 or at pocklingtonartscentre.co.uk or £12 on the door, with a special price of £9 for a carer of someone with dementia. 

If the world were about to end, would you take part in a final quiz night. Yes? Read on

Note the name of the pub: the perfect prescient setting for The Last Quiz Night On Earth

QUICK question. Did you see Chip Shop Chips, Box Of Tricks Theatre Company’s show at Pocklington Arts Centre last year?

Yes? So, presumably you will want know when they will be returning to Pock and what in?

The answers are Friday, March 20 in The Last Quiz Night On Earth, an immersive, innovative new play by Alison Carr for theatre devotees and pub quiz enthusiasts alike, who are promised “a very different experience of live performance”, set in a pub.

In the Box Of Tricks locker already are the award-winning Manchester company’s shows SparkPlug, Narvik and Under Three Moons. Now they follow two sold-out tours of Chip Shop Chips with Carr’s pre-apocalyptic comedy, The Last Quiz Night On Earth, as an asteroid heads to Earth in a tour that also visits the Stephen Joseph Theatre, Scarborough, for performances in the bar on March 24 and 25. 

Writer Alison Carr and assistant director Kitty Ball in the rehearsal room for The Last Quiz Night On Earth. Picture: Alex Mead

Next question. What happens? “It’s the final countdown. Landlady Kathy invites audiences to the last quiz night on earth with Quizmaster Rav. He is the host with the most,” say Box Of Tricks, an associate company at the SJT, by the way.

“But with time ticking, some unexpected guests turn up out of the blue. Bobby wants to settle old scores and Fran wants one last shot at love. Expect the unexpected to the bitter end and plenty of drama as the show gets quizzical.”

Hannah Tyrrell-Pinder directs the play, with design by Katie Scott. Pub landlady Kathy will be played by Meriel Scholfield, who has appeared in Coronation Street, Last Tango In Halifax, Holby City and Doctors, while Shaban Dar will take the role of pre-apocalyptic Quizmaster Rav.

Playwright Alison Carr’s past works include Caterpillar and Iris; her latest play, Tuesday, has been commissioned for the National Theatre’s 2020 Connections programme, to be performed by 40 groups from across the country. The Last Quiz Night On Earth is her first for Box Of Tricks.

Box Of Tricks director Hannah Tyrrell-Pinder

Next question. Why did she write The Last Quiz Night On Earth? “I started two other ideas before this one but they wouldn’t take hold. The idea of a quiz night kept popping into my head but I’d dismiss it because I was worried it’d been done too often before.

“So, I kept plugging away and overcomplicating things, until eventually I thought ‘okay, lean into it – a quiz night and what? A quiz night AND the world is about to end. It all opened up from there and a quiz night became the only way to tell this story.

“It brings so much to explore like togetherness and community, camaraderie, competitiveness. Throw into the mix an asteroid heading straight for us, and the stakes get higher. It’s the final chance to say the unsaid, heal rifts, get the last word, make peace with regrets or try to do something about them.” 

Alison wanted to combine the known and the unknown, the safe and the downright terrifying. “My vision was to create something that audiences don’t just sit and watch but are part of – but not in a scary way,” she says. 

Meriel Schofield as pub landlady Kathy in The Last Quiz Night On Earth. Picture: Alex Mead

“Personally, the thought of audience participation makes me feel sick, but a quiz is something we can all do, whether we’re a general knowledge expert or the neatest so we can do the writing.”

Comparing The Last Quiz Night On Earth with her past work, Alison says: “There are elements there like a fractious sibling relationship, and having something quite extreme or unexpected going on.

“But, overall, it’s quite a departure, especially the characters’ interaction with the audience. My jumping- off point was to write something fun. A play about an imminent apocalypse might not sound like larks and giggles, but around the time I got the call, I’d been researching a lot of serious, dark material for other plays I was writing.

“It takes its toll. So, when Hannah got in touch, my first thoughts were ‘yes please’ and ‘for my own well-being, it’s got to be fun’. Plus, I always want to be challenging myself, not trotting out the same-old, same-old. And just like ‘dark’ doesn’t mean humourless or hard-going, ‘fun’ certainly doesn’t equal something fluffy or meaningless. It is the end of the world, after all.” 

Shaban Dar as pre-apocalyptic Quizmaster Rav

Alison names Victoria Wood as her biggest inspiration. “She was, is, and always will be,” she says. “Her voice is so distinctive and so northern. She’s why I tried writing anything in the first place. She brought joy to so many and achieved so much, she was a grafter.  

“I’ll always try and see any Edward Albee or Tennessee Williams plays I can: they’re so big and fearless. Martin McDonagh’s The Beauty Queen Of Leenane is one of my favourite plays. Lee Hall, Bryony Lavery, Zinnie Harris. I recently saw and read some Annie Baker plays and I’m in awe of her.

“Having said all that, I’m not so much a fan of particular playwrights as I am plays and theatre in general. I try and see as much theatre as I can in the North East and beyond.”

Last question, Alison, why should the good people of Pocklington and Scarborough seeThe Last Quiz Night On Earth? “Well, there’s a quiz – a real one. Real questions, real teams, real swapping of answer sheets to mark,” she says. “You don’t have to be good at quizzes (I’m not) or, if you are, great, come and show off.

Chris Jack as Bobby in Box Of Tricks’ production

“And when you’re not trying to remember which British city hosted the 1970 Commonwealth Games, there’s a story unfolding around you about family and regrets and last chances. About making your mark, about grabbing the bull by the horns and not waiting until it’s too late to say ‘I love you’ or ‘I’m sorry’ or ‘I’ve never liked that colour on you’.

“I wouldn’t want anyone other than Box of Tricks making The Last Quiz Night On Earth. Their work is never pretentious or intimidating, it’s welcoming and warm and a good night out. What better way to meet our fiery demise?”  

Box Of Tricks present The Last Quiz Night On Earth, Pocklington Arts Centre, March 20, 7.30pm, and Stephen Joseph Theatre bar, Scarborough, March 24, 1.30pm (Dementia Friendly performance) and 7.30pm; March 25, 7.30pm. Box office: Pocklington, 01759 301547 or at pocklingtonartscentre.co.uk; Scarborough, 01723 370541 or sjt.uk.com.