OMID Djalili’s brace of postponed shows on July 22 at Pocklington Arts Centre has been moved to May 18 and 19 2022.
British-Iranian comedian, actor, television producer, presenter, voice actor and writer Djalili, 55, originally had been booked for this month’s cancelled Platform Festival at the Old Station, Pocklington.
When Pocklington Arts Centre’s festival organisers, director Janet Farmer and venue manager James Duffy, decided not to stage the large-scale indoor festival under the continuing pandemic cloud, award-winning Djalili agreed to do two shows in one night at PAC to ensure all those who had purchased tickets for his festival gig would not miss out.
Significantly too, those 7pm and 9pm performances would have been without social-distancing measures, but after the Government’s delay in Step 4 from June 21 to July 19 left uncertainty in the air, the shows were re-scheduled for next spring.
Tickets for the original event at Platform Festival remain valid and any ticket holder needing further information should contact the box office on 01759 301547. Those who selected the 7pm show on July 19 are now allocated to May 18; 9pm tickets to May 19. Remaining tickets for the new dates cost £25 at pocklingtonartscentre.co.uk.
When Djalili’s shows go ahead, third time lucky, expect intelligent, provocative, fast-talking, boundlessly energetic comedic outbursts rooted in cultural observations, wherein he explores the diversity of modern Britain.
POCKLINGTON Arts Centre will go down in the woods on July 1 and 8 to present Primrose Wood Acoustics, two outdoor concerts at twilight in a beautiful Pocklington sylvian setting.
Virtuoso Scunthorpe-born guitarist and singer-songwriter Martin Simpson will headline the first 7pm event at Primrose Wood, supported by Yorkshire singer-songwriter Katie Spencer.
A week later, the second twilight session will feature Leeds indie-folk/Americana band The Dunwells and opening act Rachel Croft, the York singer-songwriter.
The acoustic concerts are being staged by Pocklington Arts Centre (PAC) after a series of online events and outdoor exhibitions by York artists Karen Winship and Sue Clayton held during the pandemic.
Primrose Wood Acoustics not only will mark the first time PAC has taken concerts into the outdoors – giving audiences a chance to experience live music within a unique and Covid-secure setting – but also will be the first concerts to be hosted by the East Yorkshire venue since the first lockdown last March.
PAC director Janet Farmer says: “During the pandemic, we’ve been doing a lot of walking in the Pocklington area including Primrose Wood. With its natural clearings and proximity to the town centre, we immediately thought it would provide the perfect outdoor stage with a difference, so the idea of Primrose Wood Acoustics was born.
“As we prepare to re-open the venue, we’re very much looking forward to being able to bring some truly unique events to our audiences. This is going to be something quite special.”
Martin Simpson travels the length and breadth of Britain and beyond to give intimate solo performances full of passion, sorrow, love, beauty, tragedy and majestic fingerstyle guitar playing.
Simpson, 68, who recorded his first album, Golden Vanity, in 1976, is equally at home playing English traditional folk, American folk and blues and his own compositions on acoustic and slide guitar and banjo to boot.
Support act Katie Spencer writes songs imbued with the northern landscapes of her Yorkshire home and the warmth and idealism of the early 1970s’ folk and songwriter movements. Originally from Hull, she draws on the grainy imagery of the industrial docks and sea-fronts in her deeply personal songs of nostalgia, loss and love.
The Dunwells, formed by brothers Joseph and David Dunwell in Leeds in 2009, combine heartfelt lyrics with American-influenced indie-folk song structures, as heard on their 2012 debut album, Blind Sighted Faith, and six subsequent albums and EPs.
The Dunwells have performed at both PAC and Platform Festival, at Pocklington’s Old Station, and have toured the United States extensively, not least appearing at SXSW music festival in Austin, Texas. They last released a studio album, Something In The Water, in September 2019, followed by the live recording Live At Aire Street last December.
Support act Rachel Croft’s song-writing is cinematic, moody and classic, wherein atmospheric backdrops frame her vocals as she blends folk, rock and soul styles.
Rachel’s new EP, Reap What You Sow, will drop this summer, exploring a more potent, bluesy style.
Concertgoers can access the location from both main entrances to Primrose Wood via Burnby Lane and The Balk, with the concerts being staged close to the Burnby Lane (YO42 2QB) entrance.
Tickets cost £15 for July 1 and £12.50 for July 8 at pocklingtonartscentre.co.uk.
CharlesHutchPress puts questions to York singer-songwriter Rachel Croft as she prepares for the twilight hour in Primrose Wood.
Where and when did you last play a gig?
“The last real gig was at Highfield House in Driffield, back in October 2020 – a lone event I was lucky enough to share with Blair Dunlop and Gary Stewart. Before that, I think it was last March, sharing the night with Joe Shepard at the NCEM in York.”
Have you played in woodland previously?
“I haven’t played a gig as such in a woodland but I’ve recorded and performed in a few woodlands for music videos. Really atmospheric!
“Only Dreams had woodland in it, and the new video for Reap What You Sow, directed by James Buck, will have a part shot in woodland too.”
What do you feel about playing at the twilight hour: a magical time of day or a harbinger of the dark night to come?!
“Playing outdoors in the twilight hour sounds just right for some of my songs. I like to write atmospheric music, and I think this will be the perfect setting to finally share them with people!
“I think sunset can be a nostalgic time in a way, thinking about the day that’s done and the start of night. Certainly, it could add to the moodiness of some of my songs too.”
You have a new EP on the way, Reap What You Sow. When and how will you release it?
“The EP is due this summer. I’ll stagger a single and then the rest of the songs later on in the season, along with videos and live performances hopefully. We’re still finishing them, so once we have them completed, I can set a date and get cracking. I’m really excited to share these songs; they’re my best work so far. Stay tuned!”
Where and when was the EP recorded?
“It was recorded here in York, at Young Thugs Studios [in South Bank Social Club, Ovington Terrace], and has been ongoing for probably six months now, what with so much uncertainty and all my usual funding methods gone, which made things interesting!
“All the musicians on the tracks are from around here and I’m really lucky to know so many talented people.”
What are the song titles and themes and were any influenced by pandemic times?
“I’m keeping the song titles on the down-low for now, except Reap What You Sow, the title track and first single. There are five songs, though, and as a collection they represent a storm, sort of. The build-up, the energy, the wreckage left behind, and then the rebuild, leaving it behind.
“All the songs are from the lockdown, and I think they helped me to release a lot of pent-up frustration and emotion. I’ve never felt that, until this point, I’ve really released anything that shows the most of me, not just one side.
“It feels really liberating; I’ve always loved music like this but never before felt like I could be that artist. And then, well, it was the pandemic, so I thought I might as well have a go.”
The EP will “explore a more potent, bluesy style”: how will that manifest itself and what has drawn you to the blues?
“The bluesy style is mainly in two of the songs, where I was playing with some different chord variations and was influenced a lot by cinema, film music, and the jazz music I play with the Croft Mullen Band here in York [in a residency at The Phoenix Inn, George Street], alongside writing my own music.
“It’s been really nice to bridge that gap between styles. It’s got a lot of electric sounds in it too, but I love the vintage Nancy Sinatra feel of parts of the songs, how that weirdly works with quite fierce guitars at points.
“I’ve also started using my lower voice more in the songs, which I think really suits this change of sound. I can’t wait for everyone to hear it.”
What have you discovered about yourself in lockdown?
“I have learned that by having all the joyful distraction taken away, I can be more productive with song-writing. I can choose to sit down, and write, if I try. I never thought I could do that before lockdown. It’s been a great time for my music; I’ve never written so much, but maybe that’s because music seems to come easiest when you’re not totally happy.”
What else is in the diary for you for 2021? Hopefully more shows?
“I’ll be playing at Wickham Festival [Hampshire], Lindisfarne Festival [Northumberland], Northern Kin Festival [Stanhope, Bishop Auckland] and Beverley Fringe, all going well, and I’ve got a few concerts booked here in York and further afield that I’m looking forward to announcing to my socials soon! I’m just happy to get to play to real actual humans again!”
NEWS JUST IN: 14/5/2021
RACHEL Croft will open series two of the acoustic Songs Under Skies concerts in a double bill with Wounded Bear in the National Centre for Early Music gardens at St Margaret’s Church, Walmgate, York, on June 1. Gates, 6.30pm; socially distanced concert, 7pm to 8.30pm. Box office: tickets.ncem.co.uk.
THE Downing Street briefing on Step 3 of the roadmap rollout is just around the tantalising corner. Charles Hutchinson highlights the rising tide of upcoming shows, ongoing festivals and exhibitions and online options.
Love story of the month: The Love Season: Love Bites, York Theatre Royal, May 17 and 18
YORK Theatre Royal reopens with two nights of Love Bites, both a love letter to live performance by York artists and a celebration of the creative talent across the city.
More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged on May 17 – the first day theatres can reopen under Step 3 of the Government’s lockdown loosening – and May 18. The 22 short pieces will be performed each socially distanced night, introduced by broadcaster Harry Gration.
“We hope Love Bites will turn out to be ‘a many-splendored thing’!” says director Juliet Forster. Prompt booking is advised at yorktheatreroyal.co.uk or on 01904 623568.
Online festival of the week: Ryedale Festival’s Spring Festival, running until May 8
TOMORROW night will see the fast-rising combo The Immy Churchill Trio toast the arrival of spring with Spring Will Be A Little Late This Year, a late-night session of jazz standards from the Great American Songbook online from Helmsley Arts Centre at 9pm.
Finishing the festival at Castle Howard with The Lark Ascending on May 8 at 3pm, the virtuosic London Mozart Players and violinist Ruth Rogers will perform Grieg’s Holberg Suite, Vaughan Williams’s The Lark Ascending and Vivaldi’s Spring from The Four Seasons.
The Spring Festival season will be available to view on RyeStream until the end of May.
Exhibition launch of the week in York: Malcolm Ludvigsen’s Art, Village Gallery, York
PROLIFIC York plein-air artist Malcolm Ludvigsen is the focus of Village Gallery’s first new exhibition of 2021 in Colliergate, York.
Erstwhile maths professor Ludvigsen spends much of his time on the beaches and headlands of Yorkshire, fascinated endlessly by the sea and sky.
The show of Ludvigsen oil paintings will run until Saturday, June 19 with Covid-secure, socially distanced measures in place. Opening hours are Tuesday to Saturday, 10am to 4pm.
Comedy gig announcement of the week in York: Live At The Theatre Royal Comedy Night, York Theatre Royal, July 1
THIS will be Ed Byrne’s night in York when the observational Southern Irish comedian headlines an all-star bill.
Joining headliner Ed will be Mock The Week’s whip-smart wordsmith Rhys James and Have I Got News For You panellist-in-lockdown Maisie Adam, hosted by “compere-beyond-compare” Arthur Smith, the veteran gloomy weather-faced comedian and presenter from Bermondsey, London.
Tickets are on sale at yorktheatreroyal.co.uk and on 01904 62356.
Comedy gig announcement of the week outside York: Omid Djalili, Pocklington Arts Centre, July 22, at the double
POCKLINGTON Arts Centre has confirmed its first live shows since Tom Rosenthal’s Manhood comedy gig on March 14 last year.
British-Iranian comedian Omid Djalili will perform twice on Thursday, July 22. Significantly too, those 7pm and 9pm performances will be without social-distancing measures, but full of provocative, intelligent cultural observations.
Djalili, 55, originally had been booked for July’s now-cancelled Platform Festival at the Old Station, Pocklington.
Get your skates on: Cinderella On Ice, Rawcliffe Country Park, York, August 17 to 22
DANCING On Ice three-time champion Dan Whiston will lead the company for Cinderella On Ice, a show fuelled by high-speed ice-skating and aerial feats.
“I cannot wait to get back on the ice and for the crowds to witness this amazing show after such a troubled past 12 months of lockdowns,” says Whiston. “We hope to both wow and amaze.”
Fairytale On Ice’s ice-palace production will be performed by “some of the world’s most elite entertainers and skilled skaters after thousands of auditions”. Tickets for the 4.30pm matinees and 7.30pm evening performances are on sale at fairytaleonice.com.
The return of the York heroes: Shed Seven, Shedcember tour
SHED Seven will close their 2021 Shedcember tour with two nights at Leeds O2 Academy on December 20 and 21.
The York band’s 18-date itinerary will take in further Yorkshire shows at Sheffield O2 Academy on November 30 and Hull City Hall on December 1, but not a home-city gig, alas.
The Sheds’ concerts are billed as Another Night, Another Town – The Greatest Hits Live – a nod of acknowledgement in the direction of last December’s 21-track live double album. Tickets are selling very fast at shedseven.com, gigsandtours.com and ticketmaster.co.uk.
On the move: Catrin Finch & Seckou Keita, Pocklington Arts Centre
WELSH harpist Catrin Finch and Sengalese kora player Seckou Keita will now play Pocklington on May 21 2022.
The 7.30pm concert has been rescheduled from June 10 2021 for the usual Covid reasons. All original tickets remain valid; further tickets go on sale from 10am tomorrow (7/5/2021) at pocklingtonartscentre.co.uk.
Finch and Keita will be showcasing songs from their next album, as yet untitled and set for release next year.
And what about?
AS lockdown’s gradual, grinding release continues to make an impact on live performance, Leeds company Opera North will seek to entertain viewers at home. Check out Orpheus In The Record Shop, available for free at: bbc.co.uk/iplayer/episode/m000vbtx/lights-up-orpheus-in-the-record-shop.
Inspired by the ancient Greek myth, rapper and playwright Testament fuses spoken word and beatboxing with a cinematic score performed by the Orchestra and Chorus of Opera North.
Originally performed during Connecting Voices at Leeds Playhouse, it has been reworked for film by Alex Ramseyer-Bache and Playhouse artistic director James Brining as part of the BBC Lights Up season.
POCKLINGTON Arts Centre has confirmed its first live shows since Tom Rosenthal’s Manhood comedy gig on March 14 last year.
The East Yorkshire venue, in Market Place, Pocklington, has been closed to the public since March 17 2020 but comedian Omid Djalili is to perform twice on Thursday, July 22.
Significantly too, those 7pm and 9pm performances will be without social-distancing measures.
British-Iranian comedian, actor, television producer, presenter, voice actor and writer Djalili, 55, originally had been booked for July’s now-cancelled Platform Festival at the Old Station, Pocklington.
When Pocklington Arts Centre’s festival organisers, director Janet Farmer and venue manager James Duffy, decided not to stage the large-scale indoor festival under the continuing pandemic cloud, award-winning Djalili agreed to do two shows in one night at PAC to ensure all those who had purchased tickets for the festival gig would not miss out.
Janet says: “We’re over the moon that despite having to change our plans for putting on a full-scale Platform Festival this year, Omid Djalili will perform at PAC twice in one night, and those performances will be non-socially distanced.
“In the event of Covid restrictions being reintroduced, we will let customers know in advance.”
Djalili’s comedy is at once intelligent, provocative, boundlessly energetic and rooted in cultural observations, wherein he explores the diversity of modern Britain.
Tickets for the original event at Platform Festival remain valid and any ticket holder needing further information should contact the box office. Remaining tickets for the new shows cost £25 at pocklingtonartscentre.co.uk.
Looking ahead, Janet says: “We have some outstanding live comedy lined up as part of our forthcoming live events programme, and Omid is the perfect addition to this.
“We have more exciting announcement coming up and we cannot wait to be able to bring our audiences some incredible live shows once again.”
Newly in the PAC diary for 2022 are two more comedy shows: Mark Watson on February 12 and Gary Delaney on May 26 on his newly extended Gary In Punderland tour.
Bristol stand-up comedian, novelist and sports pundit Watson, 41, will be completing a hattrick of Pock appearances, prompting Janet to say: “It will be an absolute joy to welcome Mark Watson back to the venue, having had him perform live here in 2016 and again in 2019.
“After the year we’ve just had, I think we could all do with some laughter, so Mark is the perfect addition to our forthcoming programme of live comedy.”
In the ever-innovative Watson’s latest show, spiritual enquiry will meet high-octane observational comedy as the Taskmaster survivor and No More Jockeys cult leader attempts to cram a couple of years of pathological overthinking into an evening of stand-up.
Watson has made his Mark not only on Taskmaster but also on Never Mind The Buzzcocks and Have I Got News For You and emerged safely from his Celebrity Island experience with Bear Grylls.
During the first lockdown last year, Watson was part of the first double bill for Your Place Comedy, the virtual comedy club set up to support independent venues across the Yorkshire and Humber region, including PAC.
On April 19 2020, a pyjama-clad Watson and Hull humorist Lucy Beaumont performed live online from their homes, in his case, in the living room, in hers, down the pub, The Dog And B**tard, that she and fellow comedian husband Jon Richardson have set up in their Hebden Bridge garden.
In Gary In Punterland, longstanding Mock The Week guest Gary Delaney will “dive into a rabbit hole of the best jokes in the world”.
Delaney’s last tour was extended four times, eventually playing more than 200 venues. For the follow-up, apparently Delaney has been through the laughing glass, re-emerging to deliver a new show tooled with punch after punch of knock-out one-liners.
Janet says: “We’re delighted to announce that Gary Delaney will be bringing his new show to our stage next year as part of our live events programme that we can’t wait to resume, welcoming everyone back and having our auditorium filled with laughter once again.”
Tickets for Watson and Delaney’s 8pm shows each cost £20 at pocklingtonartscentre.co.uk; seetickets.co.uk are selling Watson tickets too.
FIERY gypsy folk’n’rollers Holy Moly & The Crackers will return to Pocklington Arts Centre on October 16 as the East Yorkshire venue “excitedly resumes its live events”.
The North Yorkshire and Newcastle band are noted for sparking up a raucous, feelgood party atmosphere at their blazing live shows, built on soul, rock indie and Balkan folk.
Pocklington Arts Centre director Janet Farmer says: “Holy Moly & The Crackers always put on such an energetic, vivacious show, featuring their unique sound that has our audiences foot stomping and dancing in the aisles, so we can’t wait to welcome them back after their sold-out show back in February 2019.”
The band formed in 2011 almost by mistake, when singer, guitarist and trumpet player Conrad Bird, fellow singer and violinist Ruth Patterson and costume designer and accordion player Rosie Bristow met at a house party in Leamington Spa, of all places, in their late teens.
Enamoured by Rosie’s party-prop accordion, the three decided to start playing music together, mainly stomping Irish, American and Balkan folk and drinking songs at open mics and dive bars, as an alternative to Smack, Leamington’s main student club that provided the only other option for a night out.
After moving north, the founders were joined by jazz/funk bass player Jamie Shields and drummer Tommy Evans in 2015, when they released the single A Punk Called Peter, a “sort of New Orleans funeral march mixed with some fine and highly danceable reggae”.
Second album Salem marked the 2017 launch of their own label, Pink Lane Records, and a heightened profile for the band after lead single Cold Comfort Lane was picked up by Hollywood producers to turbo-boost the stick-it-to-the-man comedy crime caper Ocean’s 8 in 2018.
Classically trained but psychedelic and DIY punk-inspired guitarist Nick Tyler came on board that year to add to The Crackers’ grunt and diesel power.
Reuniting with Salem producer Matt Terry, they recorded swaggering third album Take A Bite in 2019, once again at Vada Studios, built in a 1260 chapel near Alcester on the Warwickshire /Worcestershire border.
“Apparently it’s called Vada Studios because the owner is obsessed with Star Wars’ Darth Vader,” says Conrad, whose band stayed in one of the outhouses.
Teaming up with Terry for a second time proved fruitful. “He’s worked with bands like The Prodigy and The Enemy and he has really good ideas for pop sensibilities,” says Conrad. “I was always against ‘pop’, but there’s a real skill to it. There was a chance for us to go with another producer, but we felt we could do more with Matt to develop our sound.”
Whereupon The Crackers hit the road in full throttle, joining shanty punks Skinny Lister on tour around Europe, before appearing at more than 30 festivals and undertaking a victorious headline lap of the UK, culminating in selling out their biggest show to date at Sage Gateshead on the banks of the Tyne. Ruth and Conrad tied the knot that busy year too.
2020 saw the band blasting out of the blocks with the single Road To You, “a shot of espresso that comes loaded and ready to work in a short, sharp shock”. Twenty-seven dates across ten countries should have added up to their biggest European tour to date, to go with support slots for fan Frank Turner across France and Germany and a return to Glastonbury for its 50th anniversary, but we all know what happened next.
Tickets for Holy Moly & The Crackers’ 8pm gig cost £20 at pocklingtonartscentre.co.uk.
POCKLINGTON Arts Centre (PAC) has been closed to the public since March 17 2020, curtailing that year’s 20th anniversary celebrations after comedian Tom Rosenthal’s Manhood show on March 14, but the venue will “hopefully be re-opening our doors this summer”.
Watch this space for further updates, but already director Janet Farmer and venue manager James Duffy have confirmed that the PAC-programmed Platform Festival at the Old Station, Pocklington, has been called off for a second successive summer.
Festival shows by the likes of comedian Omid Djalili, Richard Thompson and Shed Seven duo Rick Witter and Paul Banks in acoustic mode initially had been moved from 2020 to 2021, although former Led Zeppelin lead singer Robert Plant’s Saving Grace acoustic gig with fellow vocalist Suzi Dian never had a new Platform date set in place.
“Robert hasn’t rescheduled any of his 2020 shows, originally because he was recording with Alison Krauss in Nashville,” says James.
“We looked into moving Richard Thompson’s date too, but he’s cancelled his plans because amid the continuing uncertainty over Covid, he’s not sure where he would stand, what with being based in the United States.”
More details are yet to be confirmed, but Pocklington Arts Centre is contemplating reopening with a film programme from July 2, followed by the full reopening in September, with greater clarity once the Government roadmap is rubber-stamped.
“It will be a slow re-start at first to restore audience confidence in coming to PAC, and film is a good way of doing that,” says Janet. “With films, you naturally socially distance to get the best view.
“But that’s why we couldn’t go ahead with the Platform Festival, because there are still uncertainties and it made sense to call it off.”
Plans are afoot instead for Primrose Wood Acoustic, a short series of outdoor shows in a 60 to 70-capacity woodland setting at Primrose Wood, Pocklington, in early July. Two shows are pencilled in for PAC in July too, subject to the Government’s Covid statements. Again, watch this space for more info as and when.
Within PAC, the lavatories have been refurbished and upgraded; air-purifying units to increase air flow are being installed around the building; a Covid-secure screen is in place at the box office, and such Covid measures as an app for ordering drinks, anti-bacteria spray “foggers” and hand-sanitising stations will be the way forward.
The frustrating year of lockdown x 3 has kept Janet and James busy rearranging concerts by, for example, The Felice Brothers and Courtney Marie Andrews three times and New Yorker Jesse Malin twice.
The management duo have been working their way through 20 years of paper work in the attics and have set up a beehive on the flat roof as part of a PAC environmentally friendly package.
So, now there is a buzz about the place in more ways than one, and on the Pocklington horizon is a theatrical ghost-walk promenade, commissioned from Magic Carpet Theatre founder Jon Marshall for the dark nights of November before the December dazzle of glam cabaret supreme in the company of York drag diva deluxe Velma Celli (date TBC).
SHED Seven are to release a live album on December 4 after a frustrating summer of Covid-cancelled gigs.
Specially curated by the York Britpop luminaries and available exclusively through the Sheds’ store, Another Night, Another Town “captures their dynamic live performances and anthemic songs over 21 tracks”.
As trailed on the shedseven.com website, Shed followers can pick up a limited-edition coloured gatefold vinyl edition, a special double CD set, a 180g heavyweight triple vinyl version and a download, plus a selection of new merchandise.
From this week, you can pre-order a signed copy to download album opener Room In My House and Ocean Pie now.
“A few words” from frontman Rick Witter accompany the announcement: “When it became clear virtually no live events would be taking place this year and with no Shedcember [December tour] to look forward to, we thought it was a good time to go through recordings from our 2019 [Shedcember] tour and 2018 Castlefield Bowl show [in Manchester] to curate the best live album we could.
“From 10,000 people singing along to Chasing Rainbows at Leeds Arena to playing the classic outro of I Am The Resurrection in the home of the Stone Roses, this 21-track album features the best from our live shows over the last couple of years.”
The live album has been mixed by Chris Sheldon, who produced the Sheds’ 1996 album A Maximum High and 1999 single Disco Down (whose lyrics have been raided for the ‘Another Night, Another Town’ title).
“We’re delighted with the results, which we think are as close as we can get to capturing the Shed Seven live experience on record,” continues Rick, 47. “We haven’t released a live album since we returned as a five-piece in 2007 and we certainly haven’t released one as good as this!
“We hope this album provides just a little bit of the live experience we’re all missing before we return in 2021.”
Another Night, Another Town will be Shed Seven’s fifth “live” album after Where Have You Been Tonight? Live, in 2003; Live At The BBC, in 2007; See Youse At The Barras: Live In Concert, 2009, and Live At Leeds 2007, digital download only, in 2009.
The track listing will be: Room In My House; Mark; Where Have You Been Tonight?; People Will Talk; Devil In Your Shoes; Butterfly On A Wheel; She Left Me On Friday/I Am The Resurrection; Better Days; On Standby; It’s Not Easy; Getting Better; Enemies And Friends; Ocean Pie; Dolphin; High Hopes; Disco Down; Bully Boy; Going For Gold; Parallel Lines; Invincible and Chasing Rainbows.
The Sheds should have been playing in the open air at The Piece Hall, Halifax, on September 19, but as with this summer’s post-racing concert at Doncaster Racecourse on August 15, preceded by Witter and guitarist Paul Banks’s acoustic set at Pocklington Arts Centre’s Platform Festival at The Old Station on July 11, Covid-19 intervened.
However, Shed Seven’s diary for outdoor engagements in 2021 is taking shape: Don 21 Music Live, Doncaster Racecourse, May 15; Neighbourhood Festival, London, May 29; Isle of Wight Festival, Newport, June 18; The Piece Hall, Halifax, June 26; Corbridge Festival, July 3; Belladrum Tartan Heart Festival, Beaufort, July 31, and Watchet Music Festival, Somerset, August 29.
Meanwhile, The Piece Hall has added Nile Rodgers & Chic to next summer’s concert list, booked in for June 18 with Liverpool soul singer Rebecca Ferguson as the support act. Tickets will go on sale at 10am on Friday at www.seetickets.com and www.lunatickets.co.uk