Cupid, draw back your bow and let your beer flow on York Theatre Royal’s patio

Cupid’s Bar this way: A new poster points to York Theatre Royal’s outdoor space for for residents and visitors to socialise safely. Picture: Livy Potter

LOVE is in the Step 2 air, and soon will be on the York Theatre Royal stage too for The Love Season from May 17.

What better time to launch Cupid’s Bar on the Theatre Royal patio, open from tomorrow (14/4/2021) for five weeks.

The bar will run from midday to 9.30pm every Thursday to Sunday, providing an outdoor space in the heart of the city for residents and visitors to socialise safely. Working with regional suppliers, Cupid’s Bar will offer a range of drink options, such as draught beer from Black Sheep Brewery, Masham, and York Gin from, er, York.

York Theatre Royal’s new patio bar

Freshly spruce after an eight-hour wait for a lockdown-easement haircut on Monday, Theatre Royal chief executive Tom Bird says: “We’re thrilled to be opening Cupid’s Bar on our patio. It’s the perfect space to enjoy the picturesque delights of the city with family and friends, just a stone’s throw from York Minster and the Museum Gardens.

“We think it’s important to offer our community a chance to visit us ahead of our full reopening for live performances on 17 May with The Love Season. And we’re delighted that we can work with some of York’s best independent businesses and suppliers, so our customers can enjoy a range of great drinks.”

The bar will be socially distanced, with table service and card payments only. Tables will be available on a first-come, first-served basis.

Hannah Sibai’s terrace design for last summer’s Pop-Up On The Patio festival at York Theatre Royal

The Theatre Royal patio was last used for the Pop-Up On The Patio festival from August 14 to 29 last year in a Covid-secure summer season of outdoor performances by “Yorkshire’s finest theatre and dance makers”, presented on a terrace stage designed by Yorkshire theatre designer Hannah Sibai.

Taking part were York Dance Space; Mud Pie Arts; Crafty Tales; Fool(ish) Improv; The Flanagan Collective and Gobbledigook Theatre; puppeteer Freddie Hayes; Cosmic Collective Theatre; performance poet Henry Raby; Say Owt, the York outlet for slam poets, word-weavers and “gobheads”; magician, juggler and children’s entertainer Josh Benson and singer Jess Gardham.

York Theatre Royal whistles up a couple of extra Hansel And Gretel shows on the patio

Keep on running: Jennifer Clark as Gretel, with Claire Pascoe as Mother behind her, in the opening performance of Whistle Stop Opera: Hansel And Gretel at Slung Low, The Holbeck, Leeds. Picture: Tom Arber

ALL three Saturday performances of Whistle Stop Opera: Hansel And Gretel at the National Centre for Early Music, York, have sold out, but now the bewitching open-air show will pop up on York Theatre Royal’s Pop-Up Patio tomorrow too.

Touring from August 18 to September 5 as part of Opera North’s Switch ON autumn programme of outdoor events and digital projects, the 40-minute production is devised and directed by John Savournin for four singers and accordion and provides an introduction to opera for families, as well as being suitable for adults.

The Whistle Stop mini-opera uses excerpts from Engelbert Humperdinck’s magical 1893 opera to retell the fairy tale of two hungry children, lost in the woods, and a gingerbread cottage that hides a scary secret.

Every witch way: Claire Pascoe’s Witch in shocking pink in Hansel And Gretel

“Journey through the woods and gorge yourself on the exciting twists and turns of the plot as you meet the characters along the way,” says Opera North. “Just beware of the evil witch and don’t stray too far from your tour guide – you never know what trickery you may encounter along the way.”

Whistle Stop Opera: Hansel And Gretel has been performed in outdoor settings across the North in August and September, with social distancing in place for audience members and performers and limited numbers of tickets available, in accordance with Covid-19 guidelines, for “pods” of up to five people, although exact seating arrangements have varied from venue to venue.

In the Hansel And Gretel company are Laura Kelly-McInroy (Jennie Hildebrand in Street Scene, 2020) as Hansel; Jennifer Clark (Flora, The Turn Of The Screw, 2020) as Gretel; Claire Pascoe (Emma Jones, Street Scene, 2020; Witch, Into the Woods, 2016) as Mother/Witch, and director John Savournin (Carl Olsen, Street Scene, 2020; Priest Fotis, The Greek Passion, 2019) as Narrator/Sandman. Miloš Milivojević will play accordion.

Clasped hands at the double: Jennifer Clark’s Gretel and Laura Kelly-McInroy’s Hansel in Whistle Stop Opera: Hansel And Gretel

In the initial announcement, Hansel And Gretel was to have played Pontefract Castle, Pontefract, tomorrow at 4.30pm, but that performance no longer appears on the Opera North listings.

Instead, York Theatre Royal’s patio will play host to shows at 1pm and 3pm with a maximum audience of 35 at each one. Given the speedy uptake of tickets for Saturday’s 11.30am, 1pm and 3pm performances in the NCEM garden, do not delay a moment longer in booking for tomorrow at yorktheatreroyal.co.uk, tickets costing a fiver. Please note, access to Pop-Up On The Patio events is restricted to paid ticket holders only.

The Theatre Royal also advises: “As we all know, the weather in England can be unpredictable, so we recommend dressing for the weather and bringing waterproofs just in case.”

The Pop-Up On The Patio stage at York Theatre Royal with deck-chair seating

This short-notice addition to the Pop-Up programme comes on the back of the Pop-Up On The Patio festival that ran on three Fridays and Saturdays from August 14 to 29, co-ordinated by Theatre Royal producer Thom Freeth.

Taking part in a Covid-secure summer season of outdoor performances, on a terrace stage designed by Yorkshire theatre designer Hannah Sibai, were “Yorkshire’s finest theatre and dance makers”.

Step forward York Dance Space; Mud Pie Arts; Crafty Tales; Fool(ish) Improv; The Flanagan Collective and Gobbledigook Theatre; puppeteer Freddie Hayes; Cosmic Collective Theatre; performance poet Henry Raby; Say Owt Showcase, the York outlet for slam poets, word-weavers and “gobheads”; magician, juggler and children’s entertainer Josh Benson and singer Jess Gardham.

York Theatre Royal’s artwork for the inaugural Pop-Up On The Patio festival

Looking back on the weather-defying patio parade of shows, executive director Tom Bird says: “It’s been brilliant to do a patio season; we’re totally over the moon with how it went. It’s just been terrific to give local artists the chance to perform, even if it’s only to 35 people each show.

“Now we’re announcing the Whistle Stop Opera performances and we’re looking to do more outdoor shows.”

More Things To Do in York and beyond or at home, in or hopefully out of the rain, courtesy of The Press, York. List No. 13

Benched: Lisa Howard as grief-stricken Cathy, coming out of isolation on Easter Sunday 2020 in Matt Aston’s lockdown play, Every Time A Bell Rings, presented by Park Bench Theatre. Picture: Northedge Photography

A BANK Holiday on Monday, the return to schools drawing ever closer, masked or unmasked, the summer calendar is speeding by.

Make the most of the outdoors before the crepuscular Covid uncertainty of autumn and beyond arrives for theatres, concert halls and gig venues alike.

Charles Hutchinson pops outside, then quickly head back indoors in the rain with these recommendations.

Comedy for your living room…from theirs: Your Place Comedy presents Paul Sinha and Angela Barnes, Sunday, 8pm

Paul Sinha and Angela Barnes: The stream team for Your Place Comedy, performing in their living rooms on Sunday night

YORKSHIRE virtual comedy project Your Place Comedy returns after a summer break to deliver a second series of live streamed shows over the next three months, re-starting with The Chase star Paul Sinha and  BBC Radio 4 News Quiz guest host Angela Barnes this weekend.

Corralled by Selby Town Council arts officer Chris Jones, ten small, independent theatres and arts centres from God’s Own Country and the Humber are coming together again, amid continued unease for the industry, to provide entertainment from national touring acts.

Sunday’s show will be broadcast live to viewers’ homes for free, with full details on how to watch on YouTube and Twitch at yourplacecomedy.co.uk. “As before, viewers will have an option to make a donation to the venues if they have enjoyed the broadcast,” says Chris.

Mucking around: Cassie Vallance enjoying herself in Teddy Bears’ Picnic in the Friends’ Garden, Rowntree Park,
York. Picture: Northedge Photography

Garden theatre part three: Park Bench Theatre in Every Time A Bell Rings, Friends Garden, Rowntree Park, York, until September 5

SAMUEL Beckett’s First Love has left the bench for good. Children’s show Teddy Bears’ Picnic, starring Cassie Vallance, resumes daytime residence from today.  From this week, the premiere of Engine House Theatre artistic director Matt Aston’s lockdown monologue Every Time A Bell Rings occupies the same bench on evenings until September 5.

Performed by Slung Low and Northern Broadsides regular Lisa Howard and directed by Tom Bellerby on his return to York from London, Aston’s 50-minute play is set in Lockdown on Easter Sunday 2020, when isolated, grief-stricken Cathy searches for solace on her favourite park bench in her favourite park in this funny and poignant look at how the world is changing through these extraordinary times.

Tickets for performances in the Covid-secure Friends Garden must be bought in advance at parkbenchtheatre.com or yorktheatreroyal.co.uk. Bring picnics, blankets and headphones to tune in to shows delivered on receivers. 

Decked out: Hannah Sibai’s design for the Pop-Up On The Patio festival at York Theatre Royal

Deckchairs will be provided: Pop-Up On The Patio, week three at York Theatre Royal, August 28 and  29

YORK Theatre Royal’s Covid-secure summer festival of outdoor performances on Hannah Sibai’s terrace stage climaxes with five more shows, three tomorrow, two on Saturday.

First up, tomorrow at 4pm, is York company Cosmic Collective Theatre’s cult show Heaven’s Gate, an intergalactic pitch-black comedy starring  satirical writer Joe Feeney, Anna Soden, Lewes Roberts and Kate Cresswell as they imagine the final hour of four fictionalised members of a real-life UFO-theistic group.

York performance poet Henry Raby puts the word into sword to slice up the past decade in Apps & Austerity at 6.30pm; Say Owt, the York outlet for slam poets, word-weavers and “gobheads”, follows at 8pm. On Saturday, York magician, juggler and children’s entertainer Josh Benson is unstoppable in Just Josh at 1pm before York pop, soul and blues singer Jess Gardham closes up the patio at 4pm.

Jo Walton: Rust on show at Pyramid Gallery

York exhibition of the week and beyond: Jo Walton, Paintings and Rust Prints, Pyramid Gallery, Stonegate, York, until September 30

YORK artist Jo Walton uses rust and rusted metal sheet in innovative ways to create her artworks. Iron filings are applied as ‘paint’ and as they rust, reactions occur, resulting in every painting being unique and unrepeatable.

“Jo’s work is abstract, inspired by horizons,” says Pyramid Gallery owner Terry Brett. “Her work features enhanced rust-prints on plaster surfaces, combinations of rusted sheet metal with oil painting and painting seascapes on gold-metal leaf.”

The poster for Christopher Nolan’s Tenet

First blockbuster of the summer…at last: Christopher Nolan’s Tenet, at York cinemas

THE wait is over. This summer has been more blankbuster than blockbuster, thanks to the stultifying impact of the Covid lockdown and the big film companies’ reluctance to take a chance on a major release in the slow-burn, socially distanced reopening of cinemas.

Step forward Christopher Nolan, director of Memento, Inception, three Dark Knight/Batman movies and Dunkirk to grasp the nettle by releasing the 151-minute psychological thriller/action movie Tenet.

John David Washington (yes, Denzel’s son), Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, Michael Caine and Kenneth Branagh ride a rollercoaster plot that follows a secret agent who must manipulate time in order to prevent the Third World War. Apparently, Tenet is a “film to feel, not necessarily understand”, like a Scarborough fairground ride, then.

Bella Gaffney expresses her enthusiasm for taking part in Songs Under Skies in the National Centre for Early Music churchyard garden

Double bills galore outside a church: Songs Under Skies, National Centre for Early Music, St Margaret’s Church, Walmgate, York, between September 2 and 17

SONGS Under Skies will bring together the National Centre for Early Music, The Crescent, The Fulford Arms and the Music Venues Alliance for an open-air series of acoustic concerts next month in York.

Dates for the diary are: September 2, Amy May Ellis and Luke Saxton; September 3, Dan Webster and Bella Gaffney; September 9,  Kitty VR and Boss Caine; September 10, Wolf Solent and Rosalind; September 16, Polly Bolton and Henry Parker; September 17, Elkyn and Fawn.

Gates will open at the NCEM’s Walmgate home, St Margaret’s Church, at 6.30pm for each 7pm start; acts will perform either side of a 30-minute interval with a finishing time of 8.30pm. 

The artwork for the new album by perennial York Barbican favourites The Waterboys

And what about…

Discovering The Waterboys’ new album, Good Luck, Seeker, Mike Scott’s latest soulful blast, met with universal thumbs-up reviews. Or bunking down with 1981 Ashes-winning captain turned psychoanalyst Mike Brearley’s new book for the end of summer, Spirit Of Cricket.

Review: Teddy Bears’ Picnic…One sandwich short of a picnic or a top banana drama?

One sandwich short of a picnic: Cassie Vallance’s Jo clowns around on her Friends Garden park bench in a scene from Teddy Bears’ Picnic. Picture: Northedge Photography

REVIEW: Teddy Bears’ Picnic, Park Bench Theatre, Engine House Theatre, Friends Garden, Rowntree Park, York until September 5. ****

THROUGH stealth and goofy coming timing, Cassie Vallance had stolen Twelfth Night, the Jazz Age hit of last summer’s Shakespeare’s Rose Theatre in York before the rest of Joyce Branagh’s superb cast could do anything about it.

After that Pop-Up Elizabethan theatre season on the Castle car park, Vallance has popped up again at York Theatre Royal’s Pop-Up On The Patio festival, presenting Crafty Tales with her Story Craft Theatre cohort Janet Bruce last Saturday lunchtime.

She would have done so again this Saturday too at 1pm but for the fact she needs to be at Rowntree Park for the 1.30pm performance of Teddy Bears’ Picnic, her solo performance for this summer’s Park Bench Theatre season.

For all her oodles of comic energy, not even Vallance can be in two places at once and so Janet Bruce will be bringing a picture-book story to life on her own on the patio this weekend.

Any good at the hurdles? Cassie Vallance tries to negotiate the gate to enter the Friends Garden. Picture: Northedge Photography

In between Twelfth Night and Teddy Bears’ Picnic came Vallance’s starring role in director Matt Aston’s adaptation of Benji Davies’s The Storm Whale stories for the York Theatre Royal Studio’s Christmas show for children.

Now, Aston, artistic director of Engine House Theatre, resumes his creative partnership with Vallance for this season’s Park Bench Theatre resurrection of outdoor theatre for the post-lockdown age.

Together, they have co-created a new version of the Teddy Bears’ Picnic story spun from the threads of the popular children’s ditty and an original idea by musical director Julian Butler; Aston directing, Vallance performing with all that impish clowning, physical comedy and pathos that has marked the York actor’s performances over the past year.

If you go down in the Covid-secure Friends Garden tomorrow, or on various dates until September 5, you are in for a children’s show to delight three year olds and upwards. Take a picnic, take a child or two, or more, within a family bubble to sit in socially distanced pods marked out by chalk circles, with room to accommodate your favourite teddy bear too.

Juggling tea cups: Cassie Vallance keeps her balance in Teddy Bears’ Picnic. Picture: Northedge Photography

On arrival, you will pick up the necessary equipment to listen on a head set to the feed of Vallance’s storytelling, sound effects (from lasers to a send-up of The Six Million Dollar Man intro for the adults present) and reprises of the familiar song, complemented by Julian Butler’s incidental music.

Vallance is playing Jo, struggling with her big case as she tries to negotiate her way through the not very high gates to the Friends Garden on a sunny Thursday afternoon.

Eventually, she does so, taking up residence on and around the park bench beneath the linden tree in the garden corner, as a squirrel looks on, front paws in that distinctive squirrel position where they look to be on the cusp of bursting into applause.

Vallance’s Jo is in three quarter-length dungarees with yellow buttons and matching head band and anything but matching pumps (purple instead), her bravura attire denoting a funny woman has just entered the garden.

Who would name a teddy after a beach? Cassie Vallance’s Jo does, holding Filey aloft in Teddy Bears’ Picnic. Picture: Northedge Photography

Jo begins to unpack the case, taking out case after smaller case, as if opening up a Russian doll. She puts up bunting, does a spot of juggling. Vallance has said nothing, as much mime artist or silent movie actor to this point, but once she puts on a pair of spectacles, she “realises” she has an audience and starts talking…excitedly.

She seeks to give this re-telling a context for Covid-19 2020, as Jo talks to the children about the experience of coming out to play again, to see friends again, to be outdoors again, to be enjoying a Teddy Bears’ Picnic again, after being stuck inside in lockdown for an eternity.

“It’s a bit weird,” she says, and who would disagree. “There’s been lots of Zooming,” she notes. “For a word that sounds so fast, it seems to take so long!”

Picking a banana from her picnic, Vallance’s Jo bounces around the audience, revelling in “just being”, “feeling happy”, “enjoying stuff”, but then her thoughts turn to memories. “All memories are important. They may not be happy, but that’s OK, they can help us learn,” she says.

A show with bite…a horsefly bite for Teddy Bears’ Picnic director Matt Aston

At this juncture, Jo transforms into her younger self, recalling childhood Teddy Bears’ Picnics in Rowntree Park, surrounded by her teddies, all except her favourite, Kelly, who came off worst in an unfortunate encounter with her father’s Flymo mower.

Vallance’s crestfallen pathos at this juncture is a joy, so too are the Scottish and Welsh accents she adopts for Jo’s mum and dad (even though they are from Welwyn Garden and Fulford!).

Aston and Vallance’s charming short story ends on a positive and reassuring note in these strange times for children and adults alike, Jo saying that things can and always will change…and “change can be really, really good”.

Ironically, the only sting in this tale was, well, not a sting but a horsefly bite suffered by director Matt Aston pre-show. Kelly went to hospital in the story, Aston to A&E with his arm swollen. Is ted not dead? Did both have a happy ending? That would be telling!

Performances: August 21 and 22, 27 to 29 and 31; September 1 to 5; 11.30am and 1.30pm. Box office: parkbenchtheatre.com

REVIEW: The Flanagan Collective and Gobbledigook Theatre, At The Mill ****

Trouble at the Mill: Musician Phil Grainger and writer/storyteller Alexander Flanagan-Wright presenting Orpheus and Eurydice at Stillington Mill. Picture: Charlotte Graham

REVIEW: The Flanagan Collective and Gobbledigook Theatre, in At The Mill, Stillington Mill, and beyond

ALEXANDER Flanagan-Wright and Phil Grainger should have been in Edinburgh right now. Instead they will be popping up at the Pop-Up On The Patio festival at York Theatre Royal tomorrow.

On The Fringe up further north, they were all set to perform the North Yorkshire double act’s British premiere of The Gods The Gods The Gods, episode three of their spoken-word and soulful-song 21st century twist on ancient Greek tragedies in the year 2020BC…Before Covid.

The duo had been touring The Gods x 3 and its “brother and sister” predecessors, Orpheus and Eurydice, in Australia, with New Zealand next, when Covid-19 dropped in its unwelcome calling card, sending Alex back to Stillington Mill, his family’s converted 17th century corn mill, and Phil to Easingwold.

Eighteen months of UK and international tour plans have gone into the pending file, but Alex and Phil are not of the “so far, so furlough” lockdown mentality. Alex took to ‘writing’ while walking the dog, recording his rhythmic thoughts; Phil penned new songs on his unruly guitar, as well as shaping up on shifts in his father’s picture-framing business.

“You have to try to find round pegs to fit round holes,” said Alex, as he and Phil and their respective companies, The Flanagan Collective and Gobbledigook Theatre, set about launching their five-pronged art attack, I’ll Try And See You Sometimes, seeking new horizons in the year 2020BC. Beyond Covid and its killjoy claw in this new age of “Use your hand sanitiser but try not to lose your sanity”.

Definitely not Yorkshire! Alexander Flanagan-Wright and Phil Grainger on their global travels

Among this summer’s outward-thinking projects has been the Hyper Local Tour of Orpheus, taking the two-hander to people’s socially distanced back gardens at their invitation.

A small step, for small audience numbers, maybe, but nevertheless adding back gardens to Orpheus’s list of 325 shows in Oz, NZ, New York, Bali, let alone a boat on the River Ouse and a shoes-off night in the magnificence of Castle Howard.

Alex and Phil then decided to go even more Hyper Local for “six days of work” in Alex’s own back garden at Stillington Mill, 11 miles north of York.

This is no ordinary back garden with its mill pond, fairy-lit woodland, shepherd’s hut for holidays lets and open-air marquee for weddings and performances on what appears to have been a disused tennis court. Game on, nevertheless, for the artship enterprise.

Entering this magical arts hub is like leaving behind the Athenian court for Titania and Oberon’s woods in A Midsummer Night’s Dream, with Alex perhaps in the sprightly sprite role of Puck and big Phil as a keen-to-do-everything Nick Bottom but never quite making an ass of himself!

At The Mill ran for six shows in six nights with Covid-secure, social distancing measures in place, picnics optional, as the globe-trotting, back-home gents played to a maximum audience of 30 per 7pm gig from August 2 to 7. Total attendance: 175 out of a possible 180, making the low-key run a palpable hit, like the shows, whether old, nearly new or hot of the book and songbook presses.

Oh…you are Orpheus. The poster for The Flanagan Collective and Gobbledigook Theatre two-hander

“We’re doing some Orpheus, some Eurydice, and one night of New Stuff We Haven’t Done Before,” the duo had announced online, with the aid of an Instagram poll to decide whether Orpheus or Eurydice would win out on the Tuesday.

Eurydice had her day and her say that evening beneath the trees as Alex and Phil took on roles that had been shaped by Serena Manteghi and Casey Jay Andrews on overseas duty. Alex had a book in his hand, not because he couldn’t be bothered with learning the lines, but because he loves the feel of the book in which he wrote those lines.

It as if by touching the book, he connects directly to his heart, because his heart bleeds in these words. Without dwelling here too much on his own circumstances, it hurts…and this time it’s personal, cathartic, but beyond the dates he mentions, it is universal too.

Add Phil’s songwriting, guitar and electronica to Alex’s lyrics, and Eurydice’s torrid yet beautifully nuanced tale of love and loss, a bee tattoo and a bee sting, hits you with the force of a Bill Withers or Otis Redding song.

If Eurydice pulls off the trick of being both formal in structure yet informal, then Wednesday night’s New Stuff We Haven’t Done Before in the marquee was very much the latter.

Alex once more in jaunty trilby, jeans and T-shirt, Phil in baggy clown’s pantaloons, they introduced crossfire works from The Gods The Gods The Gods before Alex premiered his new piece penned in lockdown, This Story Is For You.

One guitar + one book + two hats + six shows = Phil Grainger and Alexander Wright’s At The Mill festival of two-handers at Stillington Mill. Picture: Charlotte Graham

Already available in assorted print forms decorated by guest illustrators for I’ll Try And See You Sometimes, now it tripped off the lucid tongue, as poetic, as timely, as insistent and surprising as a Kae Tempest (formerly Kate Tempest) album, as Alex recounted a female love story gone so right, then so wrong. Throughout, Phil accompanied on gentle waves of guitar, the tide coming in on the key of E.

The second half was given over to Phil, a storyteller without a script or book, as much as a soul-mining singer and songwriter, encouraged by Alex to grow more confident in his own candid, humorous, touching lyric-writing to match his ever-affecting way with a tune.

He even covered a teenage lament by a former Easingwold school colleague called Josh, who has long deserted his list-making song. Wrong, Josh, it’s a curio beauty, worthy of The Undertones’ first album.

Phil calls himself Clive, his middle name, his father’s name too, when performing solo (with occasional vocals and drum patterns from Alex), but this is Phil talking, this is the Phil sound, and it really is time he made an album.

And so, Orpheus and Eurydice, Alex and Phil, move on to the Theatre Royal patio for tomorrow’s double bill: another day, another garden.  

What comes next for the ever-busy double act? Wood has arrived at Stillington Mill for Alex and Phil to start work on converting the marquee into an outdoor theatre. If they build it, we will come.

In the swing of it: Phil Grainger and Alexander Flanagan-Wright at the outset of their six-pack of At The Mill shows at Stillington Mill. Now they switch to the more compact Pop-Up On The Patio garden at York Theatre Royal. Picture: Charlotte Graham

Orpheus, The Flanagan Collective and Gobbledigook Theatre in Orpheus, Pop-Up On The Patio, York Theatre Royal, tomorrow, August 21, 6pm

WRITTEN by Alexander Flanagan-Wright, with incidental music and songs by Phil Grainger, Orpheus is a thoroughly modern, beautifully poetic re-telling of an ancient Greek myth.

Dave is single, stood at the bar; Eurydice is a tree nymph…and Bruce Springsteen is on the juke box in this tale of impossible, death-defying love told through hair-raising spoken word and soaring soul music, where Alex and Phil weave a world of dive bars, side streets and ancient gods.

Eurydice, The Flanagan Collective and Gobbledigook Theatre, Pop-Up On The Patio, August 21, 8pm

LENI is five years old, holding a Superman costume for her first day at school. Eurydice is five years into the rest of her life, sporting a bee tattoo on her wrist, in Alexander Flanagan-Wright’s story of someone defined by someone else’s myth.

This tale of making changes, taking leaps and being a daily superhero is billed as “a story about a woman told by women”. That was the case when performed by Alex and Phil Grainger’s co-creators, Serena Manteghi and Casey Jane Andrews, to 2019 Adelaide Fringe Best Theatre award-winning success.

Now, Alex and Phil take over to weave a world of day-to-day power and beauty and goddesses, relayed through heart-stopping spoken word and live electronica. Watch out for the sting in the tale.

Tickets are on sale at yorktheatreroyal.co.uk and MUST be bought in advance.

Pop-Up On The Patio heralds return of live shows at York Theatre Royal…outdoors

Top of the Pop-ups: Musician Phil Grainger and writer Alexander Flanagan-Wright in Alex’s back garden at Stillington Mill when performing Orpheus in a week of At The Mill shows. Now they head to Pop-Up On The Patio. Picture: Charlotte Graham

WHO will be popping up at York Theatre Royal’s Pop-Up On The Patio festival from August 14 to 29?

Taking part in a Covid-secure summer season of outdoor performances, on a terrace stage designed by Yorkshire theatre designer Hannah Sibai, will be “Yorkshire’s finest theatre and dance makers”.

Step forward York Dance Space; Mud Pie Arts; Crafty Tales; Fool(ish) Improv; The Flanagan Collective and Gobbledigook Theatre; puppeteer Freddie Hayes; Cosmic Collective Theatre; performance poet Henry Raby; Say Owt, the York outlet for slam poets, word-weavers and “gobheads”; magician, juggler and children’s entertainer Josh Benson and singer Jess Gardham.

They will perform at one end of the patio, decorated with “Glastonbury-style bunting”, performing to audiences of a maximum of 35 in demarcated bubbles.

“We’re so excited to have been able to bring live theatre back to our city this summer,” says Theatre Royal producer Thom Freeth, who has co-ordinated the festival programme of theatre, dance, music, magic, puppetry, improvised comedy, storytelling and slam poetry.

“Our building may still be closed, but we didn’t want that to stand in the way of entertaining the people of York during this difficult time. Pop-Up On The Patio gives us the opportunity to showcase the work of brilliant home-grown performers, many of whom are part of our freelance family, who have been disproportionally affected by this pandemic.”

“We wanted to go hyper-local with the festival to give a platform to York artists,” says York Theatre Royal executive director Tom Bird

Looking forward to staging the first shows on the Theatre Royal premises since March 17, executive director Tom Bird says: “It’s been a short but intense preparation period: we wanted to go hyper-local with the festival, to give a platform to York artists, and we’re absolutely delighted at getting a very local, highly skilled bunch across so many genres.”

Explaining the decision to focus the festival on Friday evenings and Saturdays, Bird says: “We are easing our way back from a total stop, turning everything off in March, so we’re feeling our way in, and we want to make sure that everything is safe, for the audience, performers and staff.

“The world is changing all the time, so we wanted to give ourselves breathing space in what we’re doing by restricting ourselves to three weekends for the festival, but  who’s to say we won’t do more patio shows.”

The Theatre Royal management has implemented extra safety measures to keep visitors and staff safe during the three festival weekends, reconfiguring the patio to allow for a socially distanced audience and stage. These measures will be under constant review and apply to all the performances.

Tickets are on sale at yorktheatreroyal.co.uk and must be bought in advance.

THE FESTIVAL PROGRAMME:

Dance steps: Dance // Shorts launches the Pop-Up On The Patio festival

Dance // Shorts, August 14, 7pm

CURATED by York Dance Space, this evening of live contemporary dance theatre in an outdoor, intimate setting will be a compilation of bite-size solos and duets from “some of the most interesting and exciting young artists from across Yorkshire and the Humber”.

Performances include solo work from Alethia Antonia, from the James Wilton Dance Company; Coalesce Dance Theatre; Daisy Howell, from Brink Dance Company, and Namiuki Dance.

Look out too for a selection of Doorstep Dances from Hull artists Tamar and Jo, spanning contemporary, Northern Soul, jazz dance and physical theatre styles. Suitable for age 12 upwards.

Mud, glorious Mud: Mud Pie Arts duo Nicolette Hobson, left, and Jenna Drury

Mud Pie Arts, August 15, 22 and 29, 11am, for age 4 to 11

“WHAT is easy to get into but hard to get out of?” askMud Pie Arts drama practitioners Jenna Drury and Nicolette Hobson. “The answer? Trouble, of course!

“So, join us for Saturday elevenses in our Silly Summer Stories show. There’ll be interactive storytelling, riddles, games and all kinds of family tomfoolery.”

Have you heard the one about the old woman who lived in a vinegar bottle, or the farmer who fished for sausages? Now is the chance to enjoy those stories. “Come and find us on the patio every Saturday this month to celebrate all things daft,” say Jenna and Nicolette.

Crafty: Story Craft Theatre’s Janet Bruce, left, and Cassie Vallance

Crafty Tales, August 15 and 22, 1pm, for two to six year olds

YORK Theatre Royal’s Story Craft Theatre return with an outdoor version of Crafty Tales, presented by Cassie Vallance and Janet Bruce.

“As always, there’ll be a story to tell plus songs, games and dancing, all designed around a brilliant picture book with interactive and imaginative play,” they say. “Although Crafty Tales is aimed at two to six year olds, all children are welcome.”

Made up: Fool(ish) Improv’s poster since 1793

Fool(ish) Improv, August 15, 4pm 

FOOL(ISH) Improv is a bite-sized comedy show with absolutely no plan or permission, created by York writer and director Paul Birch.

Strap in for 60 minutes of improvised mayhem where you, the audience, provide the suggestions for the actors to make stuff happen. Instantly.

“Taking nothing seriously – and everything for granted – our merry band of charlatans and misfits will bring music, comedy and appalling levels of acting to give you a delightful hour of spontaneous comedy,” says Paul.

“You bring the ideas, we’ll bring the performance, and together we’ll make a joyous family show that has no business being indoors. Now, you have to come. We couldn’t do it without you.”

The poster for The Flanagan Collective and Gobbledigook Theatre’s Orpheus

Orpheus, The Flanagan Collective and Gobbledigook Theatre in Orpheus, August 21, 6pm

ALEXANDER Flanagan-Wright and Phil Grainger should have been heading up to the Edinburgh Fringe to present the British premiere of The Gods, The Gods, The Gods this month after its Antipodean premiere before Covid-19 intervened.

Instead, they have been presenting Orpheus in socially distanced performances in back gardens and a week of At The Mill shows in Alex’s own back garden at Stillington Mill, near York, last week.

Written by Alex, with incidental music and songs by Phil, the international award-winning Orpheus is a thoroughly modern, beautifully poetic re-telling of an ancient Greek myth.

Dave is single, stood at the bar; Eurydice is a tree nymph, and Bruce Springsteen is on the juke box in this tale of impossible, death-defying love told through hair-raising spoken word and soaring soul music, where Alex and Phil weave a world of dive bars, side streets and ancient gods.

Eurydice: “A story about a woman” with a Superman costume, a bee tattoo and a sting in the tale

Eurydice, The Flanagan Collective and Gobbledigook Theatre, August 21, 8pm

LENI is five years old, holding a Superman costume for her first day at school. Eurydice is five years into the rest of her life, sporting a bee tattoo on her wrist, in Alexander Flanagan-Wright’s story of someone defined by someone else’s myth.

This tale of making changes, taking leaps and being a daily superhero is billed as “a story about a woman told by women”.

That was the case when performed by Alex and Phil Grainger’s co-creators, Serena Manteghi and Casey Jane Andrews, to 2019 Adelaide Fringe Best Theatre award-winning success. Now, Alex and Phil take over to weave a world of day-to-day power and beauty and goddesses, told through heart-stopping spoken word and live electronica.

Flat caps at the double: Freddie Does Puppets puppeteer Freddie Hayes with grumpy pub landlord Fred in Fred’s Microbrewery

Freddie Does Puppets in Fred’s Microbrewery, August 22, 4pm

FRED’S Microbrewery is the world’s first Puppet-in-a-Pub theatrical experience, a modern-day Punch and Judy story courtesy of York puppeteer Freddie Hayes.

Grouchy Fred and his bitter and twisted wife Sharon are two very grumpy Yorkshire puppets cum pub landlord and landlady of the Fred’s Microbrewery, where the frank, fractious duo serve beer-infused banter to adult audiences in an afternoon of debauchery and puppet profanities. 

Fred and Sharon have sparred at York’s Great Yorkshire Fringe and had plenty to say at the Edinburgh Fringe, Shambala Festival, Moving Parts Festival and Folkestone Puppet Festival too.  

In lockdown and beyond, Fred and Sharon have been living inside a laundry bag in Freddie’s attic. Now, bag unzipped, she is ready to unleash them once more in a show with an age guide of 15-plus on account of the strong language and adult themes.

Heaven’s above: Anna Soden, Joe Feeney, Lewes Roberts and Kate Cresswell in Cosmic Collective Theatre’s Heaven’s Gate

Heaven’s Gate, Cosmic Collective Theatre, August 28, 4pm

FOUR cups of apple sauce. Four canvas camp beds. One comet. Heaven’s Gate is closing and the Away Team are ready for graduation, but whatever you do, don’t say the C-word.  ‘C’ for ‘cult’, that is.

Presented by the new York company Cosmic Collective Theatre – satirical writer Joe Feeney, Anna Soden, Lewes Roberts and Kate Cresswell – Heaven’s Gate imagines the final hour of four fictionalised members of the real-life UFO-theistic group.

As they prepare for their “graduation” to the “Kingdom of Heaven”, the excitement is palpable, but all too soon the cracks appear. Is the Heavenly Father really waiting for them on a Spaceship? Is Planet Earth soon to be recycled? Is castration compulsory? Isn’t Turkey Potpie an underwhelming last supper?

Cosmic Collective Theatre’s intergalactic pitch-black comedy comes with adult themes and strong language – but no C-word, of course – to give it a 15-plus age guide

Taking the mic: York punk performance poet Henry Raby

Henry Raby: Apps & Austerity, August 28, 6.30pm

“2010-2019. What was going on?” asks York-grown punk performance poet, activist and Say Owt artistic director Henry Raby as puts the word into sword to slice up the past decade.

From the memes and scenes, from riots to Royal Weddings to Referendums, Henry sums up a decade of technology and austerity with attitude, humour and insight.

Slam champ and Deer Shed resident poet Henry has performed across the UK, from festivals front rooms. “This is my fifth solo show, so I must have got something right by now,” he says.

Say Owt Showcase, August 28, 8pm

YORK’S lovable and raucous poetry gang proudly present an assortment of noisy slam-winning performance poets, word-weavers, and gobheads. “Spice up your Friday night with a glass-raising toast to the spoken word,” says host Henry Raby.

Say Owt word-warriors have delighted in ripping up stages at the Great Yorkshire Fringe and the Arts Barge in York, the Edinburgh Fringe and the Ilkley Literature Festival.

Manic magic: All-action York magician Just Josh

Josh Benson in Just Josh’s Ultimate Family Show, August 29, 1pm

CALLING all families! Just Josh is “hugely excited” to be back performing live with his family magic, juggling and balloon show!

If you have encountered Josh Benson previously, you will know that he is one of Yorkshire and indeed the UK’s “biggest kids”, noted for his boundless energy and shameless attempts to do absolutely anything in pursuit of a laugh from a crowd.

Josh, Corntroller of Entertainments at York Maze and regular pantomime silly billy, has taken his magic all over the UK and beyond, returning home from his P&O Cruises stint in February.

“My show is suitable for kids from four to 104, with laughs and, all being well, amazement for the whole family” says Josh.

All roads lead Jess Gardham to…the Pop-Up On The Patio stage at York Theatre Royal

Jess Gardham, August 29, 4pm

YORK pop, soul, blues and acoustic singer-songwriter, musical actress and 2018 MasterChef quarter finalist Jess Gardham closes Pop-Up On The Patio with an afternoon set.

Jess has performed all over Britain, the United States, Europe and Canada and supported the likes of Paul Carrack, KT Tunstall, The Shires, Wilko Johnson and Martin Simpson.

Her songs have been played regularly on BBC Introducing and her debut album, Beyond Belief, was picked up by BBC Radio 2.

Jess has taken lead roles in theatre productions such as Hairspray, Ghost The Musical and Rock Of Ages. “I hope to perform in theatre again when they’re open again,” she says.

SAFETY MEASURES

Arriving
YORK Theatre Royal will open the entrance to the Pop-Up patio a quarter of an hour before every performance starts.

“There will likely be some queueing, but we will do everything we can to keep this to a minimum,” says the festival website. “Please arrive in good time for any performance.”

All tickets will be digital and checked without contact at a social distance at the entrance to the patio area, where refreshments will be available.

Departing
STAFF will be managing the departure from the performance area “so that we don’t have large crowds all leaving at the same time”.

Loos
THE loos in De Grey House next to the patio will be open throughout. All loos will be stocked with anti-bacterial hand soap and stringent hand-washing guidelines are in place.

Social distancing
EACH household or social bubble will be seated at a safe distance from other households or social bubbles, in line with Government guidance at the time of the performance.

“You will be directed to a designated ‘social bubble spot’ by our staff,” says the website. “Please be patient with them and sit where they direct – they know best!”

Food and refreshments
A LIMITED range of soft and alcoholic drinks will be on sale, alongside ice creams and chocolate.

Ticketing policy
IF you have any symptoms of COVID-19, have been diagnosed with the virus or have been in direct contact with a diagnosed individual in the past 14 days, you must not attend the event.

If you are unable to attend as a result of illness, please email boxoffice@yorktheatreroyal.co.uk and a ticket transfer can be arranged. Tickets can only be refunded if the booked performance has sold out.

Additional cleaning
THE patio area will be thoroughly cleaned between each performance. “Our already high cleaning standards have been enhanced by a cleaning programme designed to clean and sanitise the high touch points,” assures the website.

More information can be found at: yorktheatreroyal.co.uk/be-part-of-it/collective-acts/pop-up-on-the-patio/. 

Garden of delights: Hannah Sibai’s design for Pop-Up On The Patio at York Theatre Royal