WEST End smash Shrek The Musical is on its jaunty way to the Grand Opera House, York, from November 27 to December 2…NEXT year.
After that long wait, join unlikely hero Shrek and his noble steed Donkey, beloved Princess Fiona and the evil Lord Farquaad as they embark on a big, bright, musical adventure that reimagines the Oscar-winning DreamWorks film and William Steig’s book for the stage.
After Broadway and London success, the producers of Hairspray and Priscilla Queen Of The Desert have joined forces with directors Sam Holmes and Nick Winston and designer Philip Witcomb for the touring production.
Full of unexpected friendships and surprising romance, this fun-filled musical comedy promises a cast of vibrant, magical fairytale characters and a “Shrektacular” score by composer Jeanine Tesori and lyricist David Lindsay-Abaire, topped off by Neil Diamond’s I’m A Believer.
DreamWorks’ animated film Shrek celebrated its 20th anniversary last year. Shrek The Musical was first performed on Broadway in 2008, produced by DreamWorks Theatricals and Neal Street Productions en route to receiving eight Tony nominations and the award for Best Costume and Set Design.
The original West End production was nominated for Best New Musical at the 2012 Olivier awards, where Nigel Harman received the award for Best Supporting Actor for his role as Lord Farquaad.
Shrek The Musical was staged previously at the Grand Opera House by York Stage Musicals in September 2019.
Tickets are on sale on 0844 871 7615 or at atgtickets.com.
AWAY from all that football, Charles Hutchinson finds plenty of cause for cheer beyond chasing an inflated pig’s bladder, from a late-change comedy bill to Ayckbourn on film, York artists to a park bench premiere.
Late substitution of the week: Byrne out, Jones in, for Live At The Theatre Royal comedy night, York Theatre Royal, tonight, 7.30pm
ED Byrne will not top the Live At The Theatre Royal comedy bill tonight after all. “We are sorry to announce that due to circumstances beyond our control, Ed is now unable to appear,” says the official statement.
The whimsical Irish comedian subsequently has tweeted his “You Need To Self-Isolate” notification, running until 23.59pm on July 7.
Well equipped to take over at short notice is the quip-witted pun-slinger Milton Jones, joining Rhys James, Maisie Adam and host Arthur Smith. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
“Film of the week”: Alan Ayckburn’s The Girl Next Door, from Stephen Joseph Theatre, Scarborough, until Sunday
THE SJT’s film of Alan Ayckbourn’s latest premiere, The Girl Next Door, is available on the Scarborough theatre’s website, sjt.uk.com.
Directed by Ayckbourn, his 85th play can be seen on stage in The Round until Saturday and now in a filmed recording in front of a live audience until midnight on Sunday.
One day in 2020 lockdown, veteran actor Rob spots a stranger hanging out the washing in the adjoining garden, but his neighbours have not been around for months. Who is the mysterious girl next door? And why is she wearing 1940s’ clothing?
Musical of the week ahead: Priscilla Queen Of The Desert, Leeds Grand Theatre, July 6 to 10
PRISCILLA Queen Of The Desert returns to Leeds for seven socially distanced performances in a new production produced by Mark Goucher and, for the first time, Jason Donovan, star of the original West End show and two UK tours.
Loaded up with glorious costumes, fabulous feathers and dance-floor classics, three friends hop aboard a battered old bus bound for Alice Springs to put on the show of a lifetime.
Miles Western plays Bernadette, Nick Hayes, Adam/Felicia and Edwin Ray, Tick/Mitzi, in this heart-warming story of self-discovery, sassiness and acceptance. Box office: 0113 243 0808 or at leedsgrandtheatre.com.
Gig of the week outside York: Clive, alias Phil Grainger, At The Mill, Stillington, near York, tomorrow, 7.30pm
CLIVE is the solo music project of Easingwold singer, songwriter, musician, sound engineer, magician, actor, Gobbledigook Theatre director and event promoter Phil Grainger.
As the voice and the soul behind Orpheus, Eurydice and The Gods The Gods The Gods, Clive finds the globe-trotting Grainger back home, turning his hand to a song-writing project marked by soaring vocal and soulful musicianship. Expect a magical evening wending through new work and old classics in two sets, one acoustic, the other electric. Box office: tickettailor.com/events/atthemill/512182.
Open-air theatre event of the weekend: A Resurrection For York, Residents Garden, Minster Library, Dean’s Park, York, Saturday and Sunday, 11am, 2pm, 4pm
THE wagons are in place for A Resurrection For York, presented by York Mystery Plays Supporters Trust, York Festival Trust and York Minster.
Philip Parr, artistic director of Parrabbola, directs a community cast in an hour-long outdoor performance, scripted by Parr and 2018 York Mystery Plays director Tom Straszewski from the York Mystery Plays cycle of the crucifixion and the events that followed. Tickets are on sale at ticketsource.co.uk/whats-on/york/residents-garden-deans-park/a-resurrection-for-york/.
Exhibition of the week and beyond: Momentum Summer Show, Westside Artists, Blossom Street Gallery, by Micklegate Bar, York, until September 26
YORK art group Westside Artists, a coterie of artists from the city’s Holgate and West areas, are exhibiting paintings, portraits, photomontage, photography, metalwork, textiles, ceramics and mixed-media art at Blossom Street Gallery.
Taking part are Adele Karmazyn; Carolyn Coles; Donna Maria Taylor; Ealish Wilson; Fran Brammer; Jane Dignum; Jill Tattersall; Kate Akrill and Lucy McElroy. So too are Lucie Wake; Marc Godfrey-Murphy; Mark Druery; Michelle Hughes; Rich Rhodes; Robin Grover-Jaques, Sharon McDonagh and Simon Palmour.
Theatre premiere of the week ahead: Park Bench Theatre in The Park Keeper, The Friends’ Garden, Rowntree Park, York, July 7 to 17 (except July 11)
AFTER last summer’s trilogy of solo shows, Matt Aston’s Park Bench Theatre return to Rowntree Park with Olivier Award-winning York writer Mike Kenny’s new monologue to mark the park’s centenary.
Performed by Sean McKenzie, The Park Keeper is set in York in the summer of 1945, when Rowntree Park’s first, and so far only, park keeper, ‘Parky’ Bell, is about to retire. That can mean only one thing, a speech, but what can he say? How can he close this chapter on his life? Will he be able to lock the gates to his kingdom one last time? Box office: 01904 623568, at yorktheatreroyal.co.uk or via parkbenchtheatre.com.
Gig announcement of the week outside York: Andy Fairweather Low, Pocklington Arts Centre, February 11 2022
ANDY Fairweather Low, the veteran Welsh guitarist, songwriter, vocalist and producer, will return to Pocklington next February.
Founder and cornerstone of Sixties’ hitmakers Amen Corner and later part of Eric Clapton and Roger Waters’ bands, Cardiff-born Fairweather Low, 72, will perform with The Low Riders: drummer Paul Beavis, bassist Dave Bronze and saxophonist Nick Pentelow. Box office: pocklingtonartscentre.co.uk.
Rearranged gig announcement of the week in York: Jane McDonald, York Barbican, July 22 2022
WAKEFIELD cabaret singer and television personality Jane McDonald’s Let The Light In show is on the move to next summer.
For so long booked in as the chance to “Get The Lights Back On” at York Barbican on July 4, the Government’s postponement of “Freedom Day” from June 21 to July 19 at the earliest has enforced the date change for a show first booked in for 2020. Tickets remain valid; box office: yorkbarbican.co.uk.
ALEX Weatherhill took a call from York Stage artistic director Nik Briggs in the quietude of September.
“How do you fancy getting your dame on this Christmas,” asked Nik, having decided he would stage a pantomime at Theatre @ 41 Monkgate to close out a year blighted by the Coronavirus pandemic.
The sight of Alex in full dame attire and face paint at the October 30 photocall to launch Jack And The Beanstalk provided the answer to that request.
“Right now, I would normally be in Spain, as quite often I do a guest musical-directing spot for the Institute of Arts in Barcelona,” he said that autumn day. “I very luckily have managed to get on board to do projects there three times with their second and third-year students, then flying back to go straight into working on pantos.”
Alas, this accursed year has been different, however. No musical directing in Barcelona, nor his usual pantomime commitments for Paul Holman Associates. “I’ve been a musical director for Paul, including for pantomimes at The Carriageworks in Leeds, and then, four years ago, I made the move across to director,” says Alex.
“I directed the panto [at the Spotlight] in Hoddesdon, in Hertfordshire, for three years and I was due to direct Sleeping Beauty at The Harlequin Theatre in Redhill, Surrey, this winter until it was cancelled.”
Hence the September call from Nik Briggs, inviting him to make the journey from his home in Speeton, the easternmost village in North Yorkshire, on the cliff top between Filey and Bridlington, to be Dame Trott in Jack And The Beanstalk.
“I would last have been on a York stage for York Stage Musicals in Priscilla, Queen Of The Desert,” says Alex, recalling his drag-queen role as Bernadette at the Grand Opera House. “It was so much fun to do, but very intense.”
He is no stranger to wearing women’s clothing on stage. “I’ve played a lot of middle-aged ladies: the number is probably running into double figures by now, so I suppose it was inevitable I would play dame one day,” says Alex.
“But I’d shied away from it, as it’s a role unto itself, particularly here in York, with all the history of Berwick Kaler’s shows, but now I’m looking forward to it, my first time as the dame, and any trepidation will go during rehearsals.”
Reflecting on past roles, Alex says: “Everything that I’ve done has been character acting, almost trying to fool the audience so they don’t know they’re watching a man playing a woman, starting with Mary Sunshine in Chicago, where there’s no drag element to it. You are there to trick the audience. The way of becoming a woman for that role is very different from playing the pantomime dame.”
Alex has been settling on his brand of dame “who happens to be in Jack And The Beanstalk this year”. “I’m drawing on Patricia Routledge, Maureen Lipman and Julie Walters as my influences, so Nik has been writing with those influences and mannerisms in mind, and they’ll come out in my voice and movements,” he says.
Routledge crossed with Lipman and Walters? What fabulous fun awaits!
York Stage presents Jack And The Beanstalk at Theatre @41 Monkgate, York, from December 11 to January 3; show times, Monday to Saturday, 2pm and 7pm; Sundays, 1pm and 6pm; Christmas Eve, 12 noon and 5pm; New Year’s Eve, 12 noon. Box office: online only at yorkstagepanto.com. Please note, audiences will be seated in household/support bubble groupings only.
Jacob Husband, as Adam, front, Alex Weatherhill, as Bernadette, and Joe Wawrzyniak, as Tick, in York Stage Musicals’ Priscilla Queen Of The Desert, The Musical, at the Grand Opera House, York. Picture: Benedict Tomlinson. September 2017