Tag: Pyramid Gallery York

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‘No more war,’ pleads York obituary cartoonist Bertt deBaldock as he launches Good Rabbits Gone 4 book at Golden Ball

Good Rabbits Gone 4’s final catwalk for fashion designer Mary Quant, by Bertt deBaldock

TERRY Brett will launch the fourth volume of his cartoon rabbit tributes to celebrities and remarkable individuals at a charity event at the Golden Ball pub, in Cromwell Road, Bishophill Senior, York, on October 15.

Publishing costs are met by Terry’s gallery, Pyramid Gallery, in Stonegate, enabling copies to be given away from there, but “if they enjoy the book”, voluntary donations are encouraged in aid of St Leonard’s Hospice, York, in memory of Terry’s father, who died of prostate cancer.

The same applies at next Wednesday’s 4pm to 7pm event, where Terry/artist alter ego Bertt deBaldock will sign copies. Donations can be made to https://www.justgiving.com/page/terry-brett-8.

Terry Brett/Bertt deBaldock holds a copy of Good Rabbits Gone 4, No More War!, plus drawings of John Lennon and Amy Winehouse that will be for sale at the Golden Ball book launch, along with 15 other original works (£20 each, unframed, for this size)

The 104-page fourth compendium of death notices, entitled Good Rabbits Gone 4, No More War! covers the fallen from the spring of 2023 to the demise of  2024, with Mary Quant, Norman Ackroyd, Hairy Bikers’ Dave Myers, Melanie Safka, Shane MacGowan and Terry’s fellow cartoonist Bill Tidy among his favourite portraits this time.

Entertainers Barry Humphries, Paul O’Grady, Mike Yarwood and Len Goodman feature too. So do writers Benjamin Zephaniah, Martin Amis and Fay Weldon. Actors Dame Maggie Smith, Glenda Jackson and Bernard Hill. Musicians Burt Bacharach, Sinead O’Connor, David Crosby, Jeff Beck and Tina Turner. Footballers Bobby Charlton and Pele. Politicians Jimmy Carter and John Prescott. Artist Frank Auerbach. Even the Slender Billed Curlew, the first mainland bird to become extinct in West Asia, Europe and Northern Africa.

The cartoon drawings by “the Scribbler” Bertt deBaldock, the nom d’art of gallery owner, colour-blind artist, ukulele player and long-ago chartered surveyor Terry are each drawn in response to an individual’s death and then assembled in a book with Terry’s own witty tributes or poignant memories of the person.

Terry Brett/Bertt deBaldock’s first Good Rabbit Gone, David Bowie, January 10 2026

Why use rabbits, Terry? “It started from my two daughters wanting a pet to replace our cat, back in 1995. I became carer for their pet rabbit and drew the cartoon, which then appeared on a Christmas card every year,” he says.

“Upset when David Bowie died in January 2016, I drew the rabbit shape with an Aladdin Sane-style red-and-blue lightning flash. Then Terry Wogan with a ‘Pudsey Bear ‘ bandage. Eventually I had so many scribbles that I put them in a book.

“Though a better answer is: the rabbit is the most peaceful and least destructive creature on the planet, yet also, potentially, one of the most successful. I like it that individuals, when they die, are reduced back to a persona that is not powerful, not celebrated and not destructive. It’s a leveller.”

The Scribbler’s call for No More War! on the inside sleeve of Good Rabbits Gone 4 

Terry introduces the latest volume with the sentiment “The world has gone bonkers”, then adds: “While scribbling this collection of remarkable individuals as rabbits, there has been war in Ukraine; the Hamas attack on Israel and Israel’s retaliatory destruction of Gaza; the Iranian regime has been cruel to Iranian women; Houthis have been bombed by the USA for sinking ships in the Gulf and China are poised to attack Taiwan. Hence the tag line is the cry ‘NO MORE WAR!’.”

Expanding on this thought, Terry says: “It seems to me that the disparity between rich and poor has become wider, nationally and individually. But the rich no longer have all the power and developing nations or marginalised groups are finding ways to steal something back from the powerful nations.

“Leaders of all nations seem to be prepared to risk everything in order to strengthen their own position, even though this will destroy the very thing that has allowed them to have such power.

Good Rabbits Gone 4 raises a last glass to Shane MacGowan, by Bertt de Baldock 

“I do not know what to make of it. It’s nothing new, but we can all see what is happening, thanks to technology!   It just needs one person to make them (leaders of the big nations) and us all see sense: someone like Ghandi or Mother Theresa, or Mikhail Gorbachev – he could sort it.”

Summarising what qualities make someone quality to be a Good Rabbit Gone, Terry suggests: “Some of these ‘rabbits’ have been exceptional at one thing, either through talent or endeavour, and have become famous. But I’m really more interested in the effect that those individuals have had on others. I think ‘good’ means that the person has followed a path which has made a positive impact on others, or on the wider world which we need to conserve.”

Last month at the Stephen Joseph Theatre, Scarborough, Alan Ayckbourn introduced his new play Earth Angel with this thought: “We have to remember there are still good things floating about in the world today, though it’s often hard to see them. But the good is still there if we look for it.”

Russell Richardson’s Gerald Mallett, left, and Iskandar Eaton’s Daniel in the Stephen Joseph Theatre, Scarborough premiere of Alan Ayckbourn’s Earth Angel: “The good is still there if we look for it,” says Sir Alan. Picture: Tony Bartholomew

Asked to refract that philanthropic philosophy through the ethos of Good Rabbits Gone, Terry says: “I am constantly looking for those good things when researching the life stories of the deceased. And there are many good stories to tell.

“Fame or power is not enough for me, I need to find some evidence that the individual has either focused on some endeavour or creative expression, or has acted for the benefit of other people or the environment. If I cannot find some form of selfless intention in their character, then I lose interest.”

Terry highlights the “interesting story” of  Camilla Batmanghelidjh (who died on January 1 2024). “She got into trouble with the media over poor book-keeping and alleged misuse of charity funds. The Kids Company, which had helped thousands of children, was forced to shut down due to false allegations that were dismissed in the high court,” he recalls.

Good Rabbits Gone 4’s exit stage left to Dame Maggie Smith

“But from what I can read about her, she was very successful at assisting 36,000 marginalised children. She is said to have helped 96 per cent of them to return to full-time education and had a massive impact with respect to reduction of crime.

“There are many really good people in the world, devoting their lives to helping others, and their stories need to be celebrated.”

 How would Terry define ‘good’ in 2025? “It’s a bit of a woolly word!” he says. “Some people in this world are so selfishly focused on their ambition, power or money, that they will never be ‘good’ in my eyes. I think ‘good’ means to have acted with the intention of making an improvement to the lives of others, or to the state of the world itself.”

Good Rabbits Gone 4’s hair-flapping farewell to footballer Sir Bobby Charlton, by Bertt deBaldock

One more question…

How long does it take to construct each Rabbit obituary?

“I would say about a day of thinking, three hours’ reading and between 30 minutes and four hours drawing,” says Terry.

Oh, and one more thing…

How does Good Rabbits Gone 4 differ from past Good Rabbits Gone?

“I spent more time on this volume,” says Terry. “I have become fussier about the look of the scribbles and about who goes in. It’s maybe more serious, which sounds ridiculous when I say it!”

Good Rabbits Gone 4’s painterly dark goodnight to School of London artist Frank Auerbach, by Bertt deBaldock

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26 Contemporary Glass Society makers draw inspiration from Vivaldi for The Four Seasons exhibition at Pyramid Gallery

The poster for The Four Seasons, the Contemporary Glass Society’s exhibition at Pyramid Gallery, York

THE Four Seasons – A Celebration of Contemporary Glass Art Inspired by Vivaldi opens at Pyramid Gallery, Stonegate, York, on Saturday.

On show until November 1, this autumn’s vibrant celebration of glass and the seasons is presented in partnership with the Contemporary Glass Society (CGS),  bringing together the work of 26 glass artists from across Great Britain, each exploring the enduring beauty and drama of Vivaldi’s iconic concertos, 300 years after they were first composed.

“This inspiring showcase offers a unique opportunity to experience the changing moods and colours of the seasons through the expressive possibilities of contemporary glass,” says gallery owner and curator Terry Brett.

“Using an array of traditional and modern techniques – from glassblowing, kiln forming and fusing, to mosaic, stained glass, casting and pâte de verre – the exhibition demonstrates the incredible diversity and innovation within today’s glass-making community.

“Whether you’re an art collector, a lover of glass, or simply intrigued by how sound and seasonality can inspire visual art, The Four Seasons promises to be a rich and resonant experience.”

To mark the launch of The Four Seasons, a free artist talk will be held on Friday from 4pm to 5pm at The Belfry Hall, Stonegate, where four of the exhibiting artists, Priya Laxmi, Helen Bower, Suzie Smith and Dr Helen Slater Stokes, will discuss their creative processes and seasonal inspirations. To book a ticket, go to: https://www.eventbrite.com/e/1594594056749?aff=oddtdtcreator.

Before the talk, guests are invited to preview the exhibition from 2:30pm, with drinks and nibbles provided.

In addition, a private view will take place at Pyramid Gallery on Saturday from 11am to 3pm, offering buyers and collectors the first opportunity to purchase works from the exhibition. Drinks and nibbles will be provided.

“The Contemporary Glass Society is delighted to return to the Pyramid Gallery for an exhibition this year,” says chair Sarah Brown. “I’m so pleased that we can bring a variety of work from some of our members to York.

“Sharing a snapshot of the breadth of creativity within glass making to the general public and providing platforms for makers to sell their work is a key part of our mission in supporting makers at all stages of their careers and promoting glass as a creative material and preserving the history of working in glass.”

Glass makers featured in The Four Seasons will be: Ali Robertson, Alison Vincent, Caroline Reed, Cathryn Shilling, Deborah Timperley, Elizabeth Sinkova, Frans Wesselman, Gail Turbutt, Helen Bower, Helen Restorick, Dr Helen Slater Stokes, Janette Garthwaite, Jane Yarnell, Kate Pasvol, Kerry Roffe, Layne Rowe, Lydia Swann, Nour El Huda Awad, Pamela Fyvie, Pascale Penfold, Priya Laxmi, Rosie Deegan, Stephanie Else, Suzie Smith, Valerie Bernardini and Wendy Newhoffer.

The Four Seasons, A Celebration of Contemporary Glass Art Inspired by Vivaldi, Pyramid Gallery, Stonegate, York, September 6 to November 1. Opening hours:  Monday to Saturday, 10am to 5pm.

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More Things To Do in York beyond as the Vikings reveal power-base life skills. Here’s Hutch’s List No. 31, from The York Press

Dr Adam Parker, curator of archaeology at York Museums Trust, holding the Thor’s Hammer Pendant at the Viking North exhibition at the Yorkshire Museum, York

VIKING treasures, street art moved indoors, Fringe comedy previews and Ryedale Festival’s classical lustre bring out the summer smiles in Charles Hutchinson.

Museum launch of the week: Viking North, Yorkshire Museum, York

VIKING North is filled with magnificent objects, many unseen for generations and others that have never been on public display, adding up to “the best collection of Viking finds to be shown outside London” as these Viking treasures reveal the North’s power base, wealth and skills.

Telling the story of the Viking Age in the North of England from AD866 to 1066, the exhibition is underpinned by new archaeological research and cutting-edge technology and features objects from Yorkshire Museum’s own collection, the Vale of York hoard, co-owned with the British Museum, and specially loaned national and regional items, including from the Viking Army Camp at Aldwark, North Yorkshire.

Sea, Swell, Scribe: Jo Walton, Ruth King and Nicky Kippax combine in Pyramid Gallery’s exhibition of paintings, pottery and poetry

Exhibition launch of the week: Sea, Swell, Scribe, Jo Walton, Ruth King and Nicky Kippax, Pyramid Gallery, Stonegate, York, from today, 11am, to August 31, open 10am to 5pm, Monday to Saturday

WHAT happens when you let a poet loose in an art gallery with a piece of charcoal? If the juxtaposition of sumptuous curvy and pointy pots against a backdrop of textured metallic atmospheric paintings is inspiring her, then she will scribble words and phrases all over the plinths.

Artist Jo Walton, left, potter Ruth King and poet Nicky Kippax

York artist Jo Walton, from Rogues Atelier, potter Ruth King, from the Craft Potters Association, and poet Nicky Kippax, from Bluebird Bakery, combine in a show planned and organised by Pyramid  gallery manager Fiona Macfarlane and curated by Walton. Kippax has written Eksphratic verse in response to the paintings and pots.

Here is one of Nicky Kippax’s poems form the exhibition, The First:

The first
creature to climb
from the sea had the logger
head of a turtle and nothing more
yet to unfold to body but unbeaten
in its lug to land, brow thrust against
the fret and neck amok. Look now –
as the suggestion of an arm
is beginning to break
free of itself.

Street artist Al Murphy in his Naughty Corner at VandalFest at 2, Low Ousegate, York

Street art takeover of the summer: Vandals At Work present VandalFest, today and tomorrow, July 18 to 20 and July 25 to 27, 11am to 6pm

VANDALS At Work reunite with youth homelessness charity Safe and Sound Homes (SASH) for VandalFest, the immersive street art takeover of a disused office block at 2 Low Ousegate, York, with a 2025 theme of the playful, cheeky, witty and mischievous.

The stripped-out interior provides four floors of blank canvas for bold, site-specific “intervention” that cover walls, floors and ceilings, complemented by live DJ sets.  Among more than 30 artists from the UK and beyond are Bristol graffiti pioneer Inkie, subversive stencilist Dotmasters, inflatable prankster Filthy Luker, master of optical illusions Chu, rooftop renegade Rowdy and York’s own Sharon McDonagh, Lincoln Lightfoot and Boxxhead. Entry is free, with a suggested £3 donation to SASH. Visitors can support the cause by buying limited-edition artworks and merchandise.

Ryedale Festival artist in residence and soprano Claire Booth

Festival of the week; Ryedale Festival 2025, until July 27

THIS North Yorkshire festival of delights will be led off by 2025’s artists in residence, saxophonist Jess Gillam, soprano Claire Booth and viola player Timothy Ridout, along with Quatuor Mosaiques, VOCES8 and composer Eric Whitacre.

Pianists Sir Stephen Hough and Dame Imogen Cooper, organist Thomas Trotter, Arcangelo, York countertenor Iestyn Davies and the Royal Liverpool Philharmonic’s festival debut are further highlights. Jazz, folk and literature weave into the programme too: reeds player Pete Long and vocalist Sara Oschlag salute Duke Ellington; Barnsley’s Kate Rusby showcases her new album, When They All Looked Up, and Dame Harriet Walter channels Jane Austen’s wit in Pride And Prejudice. Full details and tickets at: ryedalefestival.com. Box office: 01751 475777.

McFly: Heading to the Scarborough seaside today

Coastal gig of the week: McFly, TK Maxx Presents Scarborough Open Air Theatre, today; gates open at 6pm

MCFLY’S Tom Fletcher, Danny Jones, Dougie Poynter and Harry Judd head to the Yorkshire coast to perform 5 Colours In Her Hair, Obviously, All About You, You’ve Got A Friend, I’ll Be OK, Star Girl, Don’t Stop Me Now, Obviously et al. Twin Atlantic and Devon complete the bill. Box office: scarboroughopenairtheatre.com.

Josie Long: Opening Theatre@41’s week of Edinburgh Fringe previews and comedy nights. Picture: Matt Crockett

Comedy event of the week: Halfway To Edinburgh, Theatre@41, Monkgate, York, July 13 to 19

A WEEK of Edinburgh Fringe previews and comedy nights takes over Theatre@41, Monkgate, kicking off with comedian, writer, podcaster and filmmaker Josie Long’s Work In Progress on July 13 at 2pm, followed by two Mark Watson selections, Sam Nicoresti and Lulu Popplewell’s Fresh For The Fringe double bill at 7.30pm.

Molly McGuinness and Phil Ellis are in preview mode on July 14 (8pm); Nina Gilligan discusses memory loss, health anxiety and goldfish-related trauma in Goldfish on July 16 (8pm), and Hayley Ellis navigates middle age in Silly Mare (Work in Progress) on July 17 (8pm). Susan Riddell and Kate Dolan, on July 18 (7.30pm), and Barmby Moor surrealist Rob Auton and Chloe Petts, on July 19 (7.30pm), round off the festival previews. Box office: tickets.41monkgate.co.uk.

Phil Grainger, left, and Alexander Flanagan Wright. Picture; Charlotte Graham


News just in: Wright & Grainger in The Gods The Gods The Gods, Theatre@41, Monkgate, York, July 15, 7.30pm

IN a very late addition to Theatre@41’s packed programme for next week, Easingwold duo Wright & Grainger return their Edinburgh Fringe gig theatre hit The Gods The Gods The Gods to North Yorkshire soil for one night only.

Combining 12 tracks, four stories, three performers and one exhilarating experience, Alexander Flanagan Wright and Phil Grainger mix big beats, heavy basslines, soaring melodies and heart-stopping spoken word into a show that has headlined festivals and sold out venues from Wānaka Festival of Colour in New Zealand to the Sydney Opera House in Australia, the National Centre for the Performing Arts in Mumbai, India, to Stillington Mill. Please note: this event is standing room only; chairs will be available for those unable to stand. Box office: tickets.41monkgate.co.uk.

Georgi Mottram: Classical BRIT Award nominee performing at Voices United concert in aid of St Leonard’s Hospice

Charity event of the week: Ian Stroughair presents Voices United: Rubies For Our Angel, Grand Opera House, York, July 18, 7.30pm

YORK cabaret artiste and West End musical actor Ian Stroughair co-hosts this fundraiser to mark St Leonard’s Hospice’s 40th anniversary with radio presenters Joanita Musisi and Laura Castle, introducing a night of musical theatre and rock and pop classics.

On the bill will be Stroughair in Velma Celli drag diva regalia; York singer Jessica Steel and guitarist Stuart Allan; York musical theatre actress Joanne Theaker; retro party band Jonny And The Dunebugs; The Voice UK 2024 semi-finalist Lois Morgan Gay and West End classical singer Georgi Mottram. Box office: https://shorturl.at/G3qhV or atgtickets.com/york.

Dance is SO embracing: Dancefloor double act Anton & Giovanni reunite for Together Again at York Barbican

Dance show of the week: Anton Du Beke and Giovanni Pernice in Together Again, York Barbican, July 18, 7.30pm

STRICTLY Come Dancing alumni Anton Du Beke and Giovanni Pernice promise “more fun, more dance, more song and even more entertainment than ever before” in the terpsichorean double act’s new show Together Again, full of breathtaking routines, stunning choreography and a seamless blend of Ballroom, Latin and musical theatre. Box office: yorkbarbican.co.uk.

Ancient Hostility: Harmony singing and drones at YO Underground 4 in The Basement

Navigators Art presents YO Underground 4, The Basement, City Screen, York, July 18, 7.30pm to 10.30pm

YORK arts collective Navigators Art plays host to a night of live, local and left-field folk song, electronica and film at The Basement. On the adventurous bill of York and regional acts will be: Andrew Metheven’s lo-fi folk music from the hills and the concrete; Ancient Hostility’s harmony singing and drones from members of Dawn Ray’d and All In Vain, and transdisciplinary artist Hannah-May Batley’s traveller ballads, storytelling, writing, performance and pigments.

Participating too will be: Mark Hanslip, who has a “PhD in shoving saxophones through computers” (possibly not literally); Namke Communications’ electronics and echoes, and multidisciplinary artist Things Found And Made, rummaging in zines, films, music, storytelling, pop-culture, esoterica and folklore. Box office: bit.ly/nav-events

The Wedding Present’s David Gedge, right, walking in Leeds with Reception writer-director Matt Aston

Gig announcement of the week: An Evening of Conversation and Music with David Gedge from The Wedding Present, Rise@Bluebird Bakery, Acomb Road, Acomb, York, July 20, 8pm, doors 7pm

DAVID Gedge, long-time leader of The Wedding Present, discusses his “semi-legendary” Leeds indie band’s 40-year-career and his life in the music industry, in conversation with Amanda Cook. York writer/director Matt Aston join him too on the eve of rehearsals for Reception – The Wedding Present Musical, ahead of its premiere at Slung Low, The Warehouse, Holbeck, Leeds, from August 22 to September 6.  

Next Sunday’s event concludes with Gedge’s 20-minute acoustic set drawn from The Wedding Present’s cornucopia of arch, romantic yet perennially disappointed songs of love, life’s high hopes and woes, chance and no chance. Box office: https://www.eventbrite.com/e/an-evening-with-david-gedge-from-the-wedding-present-tickets-1472506409309?aff=oddtdtcreator.

Listen to David Gedge discuss 40 years Of The Wedding Present, the Reception musical and his Rise@Bluebird Bakery show with Two Big Egos In A Small Car podcasters Charles Hutchinson and Graham Chalmers at:

https://www.buzzsprout.com/1187561/episodes/17507606-episode-233-interview-special-with-david-gedge-from-the-wedding-present

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Why Christmas is a ‘strange time’ for Pyramid Gallery owner Terry Brett. But good news, the work is ‘astonishing’

Gallery owner Terry Brett holding an artwork by Alan Stokes, part of the Deck The Halls 30th anniversary Christmas exhibition at Pyramid Gallery, York

CHRISTMAS may be a time of joy and festivities, but for Terry Brett, curator and owner of Pyramid Gallery in, Stonegate, York, the season is a “strange time”.

“We prepare for it throughout the year from March,” he writes in his latest blog. “By the time we eventually get to the first week of December I am totally washed out by the whole thing.”

Terry goes on to outline the challenges of mounting Pyramid’s 30th anniversary Christmas exhibition, Deck The Halls, featuring minimalist lithographs by Alan Stones, from Cumbria; metal boxes by Marcus Steel, from the North York Moors; hares and foxes by Blandine Anderson, from Bude; ceramics by Craig Underhill, from St Ives, and  paintings by Frans Wesselman, from Worcester.

On show too is glass sculpture by David Reekie, from Dickleburgh, Norfolk; ceramics by Ben Arnup, from York; prints by Mychael Barratt, from London, and portrait art by John Wheeler, from Middlesbrough.

Those challenges vary from a lorry hitting the National Trust-owned building on Monday, to the impact of the York Christmas Market, to the vagaries of the artists who exhibit at Pyramid.

Ceramicist Ben Arnup in his York studio

The lorry first. “I came in at 9.30am to see a large gouge in the render under the overhanging bay and Sarah sweeping the pavement,” writes Terry. “The lorry had mounted the pavement in an attempt to get past a van that was parked opposite our building.

“For me, it was a complete waste of half a day, with more time wasted on Tuesday and probably for the next two months.

“The landlord is the National Trust and they are responsible for the structure, but I need to talk to them about it and provide photographs and videos etc, so that they can assess the damage and make a claim from the truck company’s insurance. They have sent two people to inspect. They are very good, but it all takes time!”

Next, York Christmas Market. “I would like to say that the Christmas Market benefits York, but I have nothing but negative thoughts about it,” writes Terry. “Saturdays are ruined. Except for Saturday 7 December, when York was blasted by Storm Darragh. Thank you Storm Darragh for closing down York Christmas Market.

“The closure for one day was announced on the media and in Pyramid Gallery we had our best trading day since the day we sold a large Paul Smith bronze fox in February 2024. For me this just proves my worst fears about having a Christmas Market in York.”

Windswept Oak, lithograph, by Alan Stokes

Terry continues: “It used to be a nice event – a single weekend when everyone dressed up for the Victorian Christmas Fair. Now it is just a calamity with people coming in droves and queuing for sausages or mulled wine, then realising that they need a toilet, so they now have to queue for a cafe (because there are not enough public toilets in York).

“My customers prefer not to come into the city centre on a Saturday afternoon. It’s a disaster. Except when there is a storm – Storm Darragh I Love You! P.S. Sundays are much more pleasant in the city centre and Pyramid will be open between 11am and 5pm this Sunday.”

Thirdly, the artists and makers.  “We know certain things will sell well, but we always want to offer something fresh,” writes Terry. “It’s very difficult to know what will work, so we tend to ask too many makers for too many things – and if everything arrives, it is a logistical nightmare!

“The artists may or may not be able to get the work to us in time – for various reasons (e.g. equipment failures, health issues, family issues, production issues due to trying something new), so again we tend to ask for work from more makers than we really need.”

Certain things could be sold over and over again, if Terry were able to acquire them. “Here is an example: Gin Durham,” he writes. “She lives in High Wycombe and in a studio in her house she produces the most delightful ceramic hares and foxes with highlights to the ears in gold lustre.

Paintings by Frans Wesselman and ceramics by Craig Underhill

“This year she had some health issues and needed to take things easy. She wanted to get work to us, but the task of packing it all up for posting was just too much. When she does send it, there is sometimes a casualty or two and this is a massive ‘downer’ for any artist.

“So, even though we have been talking to her since spring, the work was not going to be arriving. So I said, ‘what if I drive down to High Wycombe? Can I collect?’ And that is how I spent a day last week.”

Terry arose at 6am and arrived back home at 8.30pm, having driven 540 miles. “The hares and foxes have nearly all sold within a week,” he writes. “But this is needing a huge amount of my time…

“Even though I managed to also see the brilliant sculptor Jeremy James in Derbyshire (he let me take away 26 pieces which are now part of the Christmas show) and also Alison Vincent, who makes those astonishing waves and icebergs in glass, when she is not diving with sharks or swimming with Orcas! I absolutely love visiting artists and collecting work, but it takes it out of me and prevents me updating the website.”

Terry, nevertheless, ends on a high note: “The gallery is looking its very best. The work that artists have given us is astonishing and I thank everyone who has said this to me over the last four weeks. Thank you!.”

Pyramid Gallery, Stonegate, York,  is open every weekday, 10am to 5pm; Saturday, 10am to 5pm; Sunday, 11am to 5pm; Christmas Eve, 10am to 3.30pm or 4pm; closed Christmas Day and Boxing Day; December 27, 11am to 4pm; closed New Year’s Day.

The poster for Deck The Halls at Pyramid Gallery, York
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Last Chance To See: The Wednesday Four at Pyramid Gallery, York, ends Monday

Lindsey Tyson: Switched from textile designer to full-time painter

THE Wednesday Four, a group of four artist friends who gather in Scarborough each week – busy schedules permitting – are exhibiting at Pyramid Gallery, Stonegate, York, until November 11.

Shirley Vauvelle (ceramic sculpture and paintings), Gillian Martin (paintings and prints), Katie Braida (ceramics) and Lindsey Tyson (paintings) have been meeting for three years but have known each other much longer.

“Our aim is to discuss art in progress, offer constructive criticism and encouragement, exchange ideas and generally share art inspiration whilst having a good catch-up,” they say in their artist statement.

“It is a great privilege to be amongst such supportive artist friends. This is the first time the four of us have exhibited together.”

Stones Throw, by Shirley Vauvelle

Shirley has made things since childhood, sewing dolls clothes or making pieces from found natural forms such as sea shells. She has been a designer, educator, gallery owner and, over the past decade, a maker and artist, showing work in galleries around the UUK.

“I feel painting and ceramics overlap in the way I treat the surfaces and that search for depth and a sense of self,” says Shirley. “My practice has tended to produce playful component pieces combined with found materials, assemblages inspired by creatures, birds and plants. It is now developing into larger-scale, semi-abstract, hand-built sculptural ceramic forms and paintings.

Shirley’s art education background and initial design career was in textile/surface decoration, studying at Chester College on a foundation course and Leicester Polytechnic for a BA Hons, graduating in 1987.

Self taught in ceramics, she works from a light-filled studio in her home, situated near the seaside town of Filey and featured in publications.

Fish Cairn, ceramic, by Shirley Vauvelle

“An important part of my surroundings is the coast and my garden, which is continuously being developed and evolving, full of many interesting plants selected for form, texture rather than prettiness, many of them being used within my work,” says Shirley.

“The work has evolved over a long period of time, in the background of my more commercial work. After the experience of lockdown, with more time to experiment and freedom to think about ideas, this has led to hand-built sculptures and assemblages in stoneware clay, with found materials.

“With the luxury of more time to appreciate peace and nature, allowing thinking space to the stages of development, it is very much reflected in how the pieces have evolved.”

The work is now moving forward with more personal expression, still taking inspiration from her surroundings, focusing on shape, form, colour and moods.

The poster for The Wednesday Four’s first group exhibition at Pyramid Gallery, York

“I’m exploring surfaces, playing with found materials, different clays and paint, all with the emphasis on looking at the different relationships of form and shapes,” says Shirley. “I’m also thinking about the wider context of nature on our planet, the strength and fragility of nature.”

Shirley’s art is in private collections in the UK, the United States of America, Canada, Australia and Germany. Her work has been selected regularly to show at Oxford and York Ceramic Fair with the Craft Potters
Association.

In April this year, she was invited to exhibit alongside studio work by John Maltby at the Yew Tree Gallery on the west coast of Cornwall, at Keigwin, between St Ives and St Just. in April. In September, she was selected to show at the 20th anniversary Brighton Art Fair.

Gillian Martin has worked professionally as an illustrator and designer for many years, originally in London while working at the Tate Gallery too. She now lives in Scarborough.

Contemplation, painting, by Gillian Martin

She has collaborated with a wide range of clients, publishers and design agencies, with her work appearing in many publications, on licensed products and also sold as prints.

Clients include Sony, Universal Records, Oxford and Cambridge University Presses, BBC Books, Macmillan and many others.

Alongside her illustrations, Gillian is an abstract artist, taking inspiration from modernism and colour field painting.

 “My illustrations and paintings are primarily rooted in my love of mid-century art and design,” she says. “My paintings focus on the drama between line, shape and colour and aim to create a pleasing balance between these elements.”

Katie Braida: maker of sculptural vessels

She is delighted to have had a painting included in the Ferens Art Gallery 2024 Open Exhibition in Hull.

Katie Braida makes sculptural vessels and forms using a variety of hand-building techniques.  Working with soft clay coils and slabs and allowing the material to move and suggest direction for development, the forms grow during this process.

“Once the forms are refined, the surfaces can be layered with pattern and texture inspired by discovering the rhythms and patterns within the natural and man-made environment,” says Katie.  “The development of texture and pattern helps to create an invitingly tactile surface to the work.”

Having started pottery at school, Katie studied ceramics as part of her degree and became a teacher specialising in ceramics in secondary education. She has taken part in national ceramics fairs and her work features in private collections.

Drifting, oil painting, by Lindsey Tyson

Lindsey Tyson draws inspiration from her upbringing in rural North Yorkshire by the coast, where she developed a deep connection to the dramatic weather and elemental energy of her surroundings.

After more than 30 years as a textile designer, Lindsey has transitioned into a full-time painter. Last year, she won the Women in Art/ Hampstead School of Art Abstract Painting Prize, marking a significant milestone in her burgeoning career.

“Driven by intuition and a desire to create something original, a limited palette guides my work – delighting in muted, unsaturated colours, punctuated by strategic bursts of brightness,” says Lindsey. “Process, mark-making and the mixing of media are essential to my art, where I create numerous layers and seductive surfaces, drawing you in to take a closer look.”

The Wednesday Four, Pyramid Gallery, Stonegate, York, until November 11. Opening hours: Monday to Saturday, 10am to 5pm.

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What’s On in Ryedale, York and beyond in the wild, on stage, canvas and dancefloor. Hutch’s List No 20, from Gazette & Herald

What’s All The Fuss About?, Will Palmer’s photo of Arctic walrus Thor on the Scarborough harbour slipway, from the British Wildlife Photography Awards exhibition at Nunnington Hall. Courtesy of National Trust

WILDLIFE photography, Rodgers and Hammerstein romance, a Strictly couple and a Scottish double bill send June into full bloom for Charles Hutchinson.

Ryedale exhibition of the week: British Wildlife Photography Awards, Nunnington Hall, Nunnington, near Helmsley, until July 7

CELEBRATING the diversity of British wildlife and wild spaces, this exhibition aims to raise awareness of British biodiversity, species and habitats. On display are award-winning images selected from 14,000 entries in more than a dozen categories, including film and three for juniors.

Look out for What’s All The Fuss About?, taken by Scarborough photographer Will Palmer, who captured the headline-making Arctic walrus, Thor, when resting ashore on the harbour slipway cobbles on December 31 2022. Opening hours: Tuesday to Sunday, 10.30am to 5pm; last entry at 4.15pm. Tickets: nationaltrust.org.uk/nunnington-hall.

Courtney Broan’s Ado Annie in Pickering Musical Society’s Oklahoma! at the Kirk Theatre, Pickering

American classic of the week: Pickering Musical Society in Oklahoma!, Kirk Theatre, Pickering, running until Saturday, 7.30pm and 2.30pm Saturday matinee

LUKE Arnold directs Pickering Musical Society in Rodgers and Hammerstein’s 1943 love story of Curly (Marcus Burnside) and Laurie (Rachel Anderson), set in the sweeping landscapes of the American heartland. 

Further roles go to Courtney Broan as Ado Annie, Stephen Temple as Will Parker, Michael O’Brien as Mr Carnes and Rick Switzer-Green as Ali Hakim, joined by dancers from the Sarah Louise Ashworth School of Dance. Box office: 01751 474833 or kirktheatre.co.uk.

Nadiya & Kai: Strictly dancers venture Behind The Magic at York Barbican

Dance show of the week: Nadiya & Kai , Behind The Magic, York Barbican, Friday, 7.30pm

STRICTLY Come Dancing professionals Nadiya Bychkova and Kai  Widdrington go Behind The Magic on a journey through the world of dance, from childhood memories and competition days, to dancing on Strictly and beyond.

The Ukraine-Southampton couple and their cast will be highlighting the influence of 20th century dance legends, creatives and artists alike. Expect “fabulous outfits, wonderful music and sensational dancing”. Box office: yorkbarbican.co.uk.

Ceramicist Emily Stubbs: Exhibiting with sister Amy and father Christopher in Stubbs3 – Canvas, Clay and Cloth at Pyramid Gallery, York

Family exhibition of the week: Stubbs3 – Canvas, Clay and Cloth, Pyramid Gallery, Stonegate, York, June 15 to August 3

FAMILY artistry unites in Stubbs3 – Canvas, Clay and Cloth, a unique exhibition featuring works by sisters Emily Stubbs and Amy Stubbs, regular participants in York Open Studios, alongside their father, Christopher Stubbs, from Hepworth, West Yorkshire.

Their first-ever joint showcase brings together diverse artistic media in a celebration of family creativity. Contemporary ceramicist Emily Stubbs works from PICA Studios, in Grape Lane; Amy specialises in textile and surface pattern design in a range of homeware and wearable art; Christopher will be exhibiting framed paintings and sketches. All three will attend Saturday’s launch in a Meet The Artists session from 12 noon to 2pm.

Amy Stubbs: Homeware and wearable art

Vintage gig of the week: Ben Beattie’s After Midnight Band, Helmsley Arts Centre, Saturday, 8pm

BEN Beattie’s After Midnight Band celebrate the greats and the lesser known, from honking jump blues to hypnotic Latin beats, joyous African township sounds to the smoky jazz normally to be found in a Chicago speakeasy at 3am. Box office: 01439 771700 or helmsleyarts.co.uk.

Ben Beattie: Heading to Helmsley with the After Midnight Band

Film music of the week: A Tribute To Hans Zimmer and Film Favourites Illuminated, Grand Opera House, York, Sunday, 3.30pm and 7pm

EXPERIENCE cinema’s most iconic soundtracks performed by the London Film Music Orchestra in an immersive tribute to Hans Zimmer and more besides in an immersive illuminated setting.

The chamber orchestra will be performing music from Harry Potter, Star Wars, Jurassic Park, Gladiator, E.T., Pirates Of The Caribbean, Jaws, Interstellar, Indiana Jones, Schindler’s List and Inception. Box office: atgtickets.com/york.

Simple Minds in Scarborough: Charlie Burchill, left, and Jim Kerr are off to the Yorkshire coast on Tuesday. Picture: Dean Chalkley

Coastal gig of the week: Simple Minds and special guests Del Amitri, Scarborough Open Air Theatre, June 18; gates open at 6pm

SOMEONE somewhere in summertime, namely Simple Minds in Scarborough on Tuesday, finds Jim Kerr and Charlie Burchill’s band revisiting such hits as Promised You A Miracle, Glittering Prize, Alive And Kicking, Sanctify Yourself, Don’t You Forget About Me and, aptly for Scarborough, Waterfront.

Opening the Scottish double bill will be fellow Glaswegians Del Amitri, led as ever by Justin Currie. Box office: scarboroughopenairtheatre.com/simpleminds.

Wannabe: Spicing up the Grand Opera House, York

York tribute show of the week: Wannabe – The Spice Girls Musical, Grand Opera House, York, June 20, 7.30pm

WANNABE, the “world’s longest-running” Spice Girls tribute stage production, celebrates three decades of girl power in a nostalgic journey through the Spice World.

The show charts the English girl group’s meteoric rise, from July 1996’s debut number one, Wannabe, to Scary, Sporty, Baby, Ginger and Posh’s reunion at the 2012 London Olympics Opening Ceremony. Expect “meticulously crafted costumes, unique vocal and musical arrangements exclusive to Wannabe, iconic dance routines and stunning visual flair”. Box office: atgtickets.com/york.

Tim Ainslie: Leading his three-piece band in Malton

Blues gig of the month: Ryedale Blues Club, Tim Ainslie and The Vibes, Milton Rooms, Malton, June 27, 8pm

TIM Ainslie and The Vibes head up to Malton from Suffolk for a night of blues, jazz and funk, crossing over into country and rock too, making it hard to pigeonhole his three-piece’s style.

Ainslie, who turned professional in 1997, will be showcasing his original material and guitar-playing prowess that has seen him tour home and abroad with Steamboat To Chicago, Steel Street, Swagger, Groove Doctors, Delta Groove and American guitaristsBuddy WhittingtonandLightnin’ Willie. Box office: 01653 696240 or themiltonrooms.com.

The poster artwork for Rick Witter and Paul Banks’s acoustic Shed Seven gigs at Huntington Working Men’s Club in December

Show announcement of the week: Shed Seven’s Rick Witter and Paul Banks, Huntington Working Men’s Club, York, December 21 and 22

RENASCENT York band Shed Seven will end their 30th anniversary celebrations with a brace of intimate acoustic concerts by frontman Rick Witter and guitarist Paul Banks at Huntington WMC, supported by a DJ set by Sheds’ bassist Tom Gladwin.

Tickets will go on sale at 9am today (12/6/2024) for these homecoming gigs: the York postscript to the Sheds’ 23-date 30th Anniversary Tour, their biggest ever “Shedcember” itinerary from November 14 to December 14. Box office: store.shedseven.com.

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Christopher, Emily and Amy Stubbs exhibit together for first time at Pyramid Gallery

“Coming together now to showcase our work as a family is incredibly special,” says PICA Studios cereamicist Emily Stubbs

FAMILY artistry unites in Stubbs3 – Canvas, Clay and Cloth, a unique exhibition by sisters Emily Stubbs and Amy Stubbs, regular participants in York Open Studios, and their West Yorkshireman father, Christopher Stubbs, at Pyramid Gallery, York, from June 15 to August 3.

All three will attend Saturday’s launch at Terry Brett’s gallery in Stonegate in a Meet The Artists reception from 12 noon to 2pm.

Their first-ever joint showcase brings together diverse artistic media in a celebration of family creativity. Contemporary ceramicist Emily Stubbs works from PICA Studios, in Grape Lane; Amy specialises in textile and surface pattern design in a range of homeware and wearable art; Christopher, from Hepworth, will be exhibiting framed paintings and sketches.

Vessels, by Emily Stubbs, at Pyramid Gallery, York, from Saturday

“It’s incredibly rewarding to see my daughters continuing our family’s creative tradition,” says Christopher. “Exhibiting together is a wonderful experience, and it fills me with pride.”

Emily, who studied ceramics at Cardiff University, creates contemporary ceramic vessels that explore the relationship between colour, form and texture. Her work is characterised by the juxtaposition of contrasting elements, which she achieves through a process of sketching, drawing and collaging.

Emily’s ceramics are exhibited in galleries and events across Great Britain. In her latest exhibition, she will be showing a selection of abstract vessels.

Throughout the years, our work has clearly inspired one another,” says Amy Stubbs

“This exhibition is an exciting milestone for us,” she says. “Growing up immersed in Dad’s artwork profoundly inspired my creative journey. Studying an art foundation degree in Dewsbury, I realised my passion for ceramics.

“Amy, too, pursued her creative calling in textiles. Coming together now to showcase our work as a family is incredibly special.”

Amy, who studied at Falmouth University, combines manual print-making techniques with digital manipulation to create intricate surface patterns. Her work includes lampshades, cushions, silk scarves, other home furnishings and fashion accessories.

Cushions, by Amy Stubbs, on show at Pyramid Gallery from Saturday

Her designs are influenced by nostalgia and family heritage, reflecting a blend of traditional and contemporary style in her homeware and wearable art.

“Throughout the years, our work has clearly inspired one another,” says Amy. “We share a common language of mark-making and shapes, with a vibrant love of colour that resonates across all our pieces.”

Christopher is a seasoned artist with a multifaceted career since leaving school at 15 and working in engineering and textiles before transitioning to psychiatric nursing. He later studied fine art at Huddersfield College of Art, where he was influenced by the great masters and the importance of observation under the tutelage of William Cowper.

“Exhibiting together is a wonderful experience, and it fills me with pride,” says Christopher Stubbs

Further honing his skills in printmaking at Leeds Polytechnic, he drew inspiration from renowned artists such as Henri Matisse, Picasso and Willem de Kooning.

Over his career, Christopher has created works for such clients as J P Morgan, Royal Mail and British Steel and he has been the director of his own design company, alongside wife Joy, for more than 30 years.

Stubbs3 – Canvas, Clay and Cloth, Pyramid Gallery, Stonegate, York, June 15 to August 3. Opening hours: Monday to Friday, 10am to 5pm; Saturdays, 10am to 5.30pm.

Untitled, by Christopher Stubbs, from Stubbs3 – Canvas, Clay and Cloth
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Terry Brett to raise funds for St Leonard’s Hospice at book event at Pyramid Gallery

Terry Brett at the counter at the Pyramid Gallery

YORK gallery curator Terry Brett will mark the publication of his third volume of cartoon rabbit tributes to celebrities and remarkable individuals at a charity event at Pyramid Gallery, Stonegate, on Friday (8/3/2024).

Publishing costs are met by the gallery, enabling copies to be given away from there, but voluntary donations to www.justgiving.com/page/terry-brett will be encouraged in aid of St Leonard’s Hospice, in memory of Terry’s father, who died of prostate cancer.

Terry will be on hand to sign copies from 5.30pm to 7pm outside the gallery, with the books displayed on a table. Inside, visitors can enjoy a glass of wine and buy the original drawings.

Terry Brett puts his stamp on his valedictory to Her Majesty The Queen Elizabeth II. Cartoon: Bertt deBaldock

The 108-page third compendium of death notices, entitled Good Rabbits Gone Volume Three 4 Equality, spans September 2021 to December 2022 with a fourth volume covering the fallen of 2023 on its way.

Among those featured are Queen Elizabeth II (Delivered: 21 April 1926, Post: 8 September 2022); Leslie Phillips (‘Hello-o-o’: 20 April 1924, ‘Ding Dong!’: 7 November 2022); Terry Hall (Special : 19 March 1959, Much Too Young : 18 December 2022), and Kathleen Booth, British computer scientist and mathematician, (Ticking: 9 July 1922, Ticker stopped: 29 September 2022).

The cartoon drawings by “the Scribbler” Bertt deBaldock, the nom d’art of the Pyramid Gallery owner, colour-blind artist, ukulele player and long-ago chartered surveyor, are each drawn in response to an individual’s death and then assembled in a book with Terry’s own witty tributes or poignant memories.

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Terry Brett launches third volume of Good Rabbits Gone cartoon tributes with Refugee Action York event at Pyramid

The cover artwork for Good Rabbits Gone 3: cartoons by Bertt deBaldock, words by Terry Brett

TERRY Brett launches his third volume of cartoon rabbit tributes to celebrities and remarkable individuals at a charity event at Pyramid Gallery, Stonegate, York, tomorrow (16/1/204).

Publishing costs are met by the gallery, enabling copies to be given away from there, but voluntary donations are encouraged in aid of Refugee Action York at the 4.30pm to 7pm event, where Terry/artist Bertt deBaldock will sign copies.

“From my experience with the first and second volumes, people enjoy being given the book,” says Terry. “Most of those people have then offered a donation, which can be done through the Just Giving website,  www.justgiving.com/page/terry-brett.”

RIP Lee Scratch Perry: Bertt deBaldock’s cartoon valedictory to the innovative Jamaican record producer and composer

The 108-page third compendium of death notices, entitled Good Rabbits Gone Volume Three 4 Equality, spans September 2021 to December 2022 with a fourth volume covering the fallen of 2023 on its way.

Among those featured are Queen Elizabeth II (Delivered: 21 April 1926, Post: 8 September 2022); Leslie Phillips (‘Hello-o-o’: 20 April 1924, ‘Ding Dong!’: 7 November 2022); June Brown (Year Dot : 16 February 1927, Bless Her Cotton Socks: 3 April 2022); Ruth Madoc (Hi-de-Hi! : 16 April 1943, Bye-de-bye: 9 December 2022); Terry Hall (Special : 19 March 1959, Much Too Young : 18 December 2022), and Kathleen Booth, British computer scientist and mathematician, (Ticking: 9 July 1922, Ticker stopped: 29 September 2022).

The cartoon drawings by “the Scribbler” Bertt deBaldock, the nom d’art of Pyramid Gallery owner, colour-blind artist, ukulele player and long-ago chartered surveyor Terry Brett, are each drawn in response to an individual’s death and then assembled in a book with Terry’s own witty tributes or poignant memories.

The qualifications for inclusion have changed for Volume Three’s memorial works. “The first volume was just about musicians, actors and comedians who had made an impact on my life,” says Terry.

“The second featured more scientists because I’m fascinated with technology and science. For the third one, I became interested in people who had made a difference with respect to social matters.

“The work celebrates a period in which prejudice and inequality has not only been challenged, but also has been noticed and the individuals rewarded,” says Terry Brett of Good Rabbits Gone 3

“I realised there was a social record evolving that is interesting to me because the order in which a narrative unfolds is dictated purely by the date on which a person died.

“But their story tells much about society in decades that have gone past. So I got interested in individuals who had made some sort of impact on society in the 1960s, 1970s and 1980s.”

Gradually, a collective theme for the latest volume emerged, hence the title of Good Rabbits Gone Volume Three 4 Equality. “It came to me as I was collecting names,” says Terry. “I noticed that many of the individuals chosen for the book were noted for their involvement with campaigns that fought against inequality or prejudice or misogyny.

“I didn’t go looking for these subjects but found them when listening to the BBC Radio 4 programme Last Words, which has given much quality airtime to great, quiet people who have decided to stand up to prejudice or do some good. These individuals are not massively wealthy, not famous as a media personality, but had perhaps been awarded a CBE or OBE for their campaigning activities.

Bertt deBaldock’s rabbit cartoon tribute to The Ronettes’ Ronnie Spector

“A good example is Ma Smith, who was awarded the Pride of Britain award for setting up a soup kitchen in Oxford. and another is Avtar Singh Jouhl, who was made an OBE for fighting racial inequality in Birmingham. Jouhl had persuaded Malcolm X to visit the factory in Smethwick just a few days before he was assassinated.”

Such dedicated individuals, numbering 18 “if we include women who have excelled in careers that used to be dominated by men”, add interest and substance to the book, says Terry.

“In this way, the work celebrates a period in which prejudice and inequality has not only been challenged, but also has been noticed and the individuals rewarded. Though many would say that there is still some way to go!

“I think the media now gives more coverage relating to the #metoo movement and the horrible Windrush scandal, whereby the Government pushed forward a policy of deliberately being cruel to immigrants and also legitimate citizens who had come to Britain on the Windrush ship from the Caribbean, to the point of extraditing some of them back to the West Indies, even though they may have been born in the UK. 

Farewell fashion designer Vivienne Westwood, from Good Rabbits Gone 3

“Many great women feature in this book after battling against prejudice in the workplace, just getting on with their jobs, and at last they’re being recognised for what they did.”

The broader focus has had an impact on the creative process too. “The pictures are not drawn straight away anymore and there’s a huge backlog,” says Terry. “It’s become quite time consuming. Much of the work has been done with me sitting in a beach hut in Goa for eight weeks in January 2023 and three more last October. It’s the only way I can find enough time to do them.”

A theme is yet to strike Terry for the next volume. “But looking through the list, there are so many actors, musicians and television personalities to consider, as well as footballers,” he says. “I will search for more designers and artists to join Mary Quant, Paco Rabanne and Phylida Barlow and cartoonist Bill Tidy.

“I’m also keen to include icons such as Barry Humphries, Paul O’Grady, Mike Yarwood, Len Goodman and writers Benjamin Zephaniah, Martin Amis, Fay Wheldon and Burt Bacharach. So many big names that reflect the impact of television in the 1970s, ’80s and ’90s. Two of my favourite scribbles so far are those of David Crosby and Tina Turner, both very pleasing to draw.”

Queen Final: Bertt deBaldock’s drawing to mark the death of Queen Elizabeth II

Explaining the latest book’s support for Refugee Action York, Terry says: “I started fundraising for them when asked to draw a rabbit for Jean Moss, who was involved with the charity before she died in 2020. Donations for the second volume raised £2,400 for Refugee Action York in memory of Jean.

“They provide support to refugees by giving advice, helping fill out forms and providing necessities such as school uniforms. They aim to change the narrative about refugees and help them become useful members of society.

“Refugee Action York assists refugees and asylum seekers by means of a weekly meeting every Wednesday at York St John’s University and a monthly Sunday meeting, called The Hub, at Clifton Green Primary School.

A second charity event will be held at Pyramid Gallery on March 9 from 4.30pm to 7pm, when donations will go to St Leonard’s Hospice, in memory of Terry’s father, who died of prostate cancer.

Terry Brett/Bertt deBaldock’s first Good Rabbit Gone: David Bowie, January 10 2016

Terry’s Good Rabbits Gone series began on January 10 2016. “Upset that David Bowie had suddenly left us, I decided to draw him as a rabbit, using a shape that I’d first drawn on stencils for wall hangings and a comic-style Christmas card in 1994.

More rabbits followed (Terry Wogan, Glen Campbell Ken Dodd, Keith Flint, Judith Kerr) and deaths of loved celebrities became an obsession, first publishing them on Twitter and Facebook at #GoodRabbitsGone,” he says.

“During a spell of Covid confinement in 2020, I put them into a book, Good Rabbits Gone and made the decision to offer the books only for donations to charity. As of July 1 2023, charitable donations of the books and other means of collecting money in Pyramid Gallery have amounted to £8,000 for St Leonard’s Hospice as well as £2,400 for Refugee Action York.”

Why depict rabbits, Terry? “It might seem weird to be creating memorials to people by representing them as a rabbit, but I don’t see the need to question it too much,” he says. “I find the act of drawing helps relieve the sense of loss and my own anxiety about mortality. The process of reading about the individual’s life and trying to capture a tiny segment of their character in a simple drawing is a little bit cathartic. 

Terry Brett, as depicted by alter ego Bertt deBaldock, when compiling the first volume of Good Rabbits Gone under the Covid cloud

“The rabbit body and ears create a limitation in the final drawing, preventing each portrait from being too complicated or serious. All the individuals become united by the addition of rabbit ears!”

Or, in a nutshell…? “There’s a long-held belief in the Bertt/Brett household that if you have lived a good life, well, let’s say a mostly good life, i.e. if you have been nice or have achieved something for the benefit of others, then when you die you will become a rabbit.”

Contemplating what gravestone humour may lie in store for Terry himself, he suggests: “He was hoppiest when scribbling a rabbit”.

Terry Brett/Bertt deBaldock launches Good Rabbits Gone Volume Three 4 Equality at Pyramid Gallery, Stonegate, York, tomorrow (16/1/2024) with a book-signing session and charity fundraiser for Refugee Action York from 4.30pm to 7pm.

Why use the name Bertt deBaldock?

Terry Brett/Bertt deBaldock at Pyramid Gallery, York

“A PARTICULAR friend in my youth always called me ‘Bertt’ and I was born in Baldock, well, a mile away in a tiny hamlet called Bygrave, in north Hertfordshire,” explains Terry.

“I use the French preposition ‘de’ in the same way that it is used in the name ‘DeBrett’s’, which is basically a list of the most influential people, many of whom are deceased or about to be.”