Pocklington Arts Centre confirms July 21 reopening and first film show in 491 days

Open welcome: Pocklington Arts Centre director Janet Farmer looks forward to reopening on July 20

POCKLINGTON Arts Centre will reopen to the public on July 20 and film screenings will re-start on July 23, 491 days since the last performance.

Director Janet Farmer and venue manager James Duffy have chosen this date to ensure the safety of customers and volunteers.

“Over the past few months, our main focus has been planning the safe reopening of the building, ensuring all staff are trained appropriately and making sure the venue has all its new systems, resources and processes in place and working well,” says Janet. 

“We have sought feedback from staff, volunteers and customers and this will be vital to the success of this process. Our main aim is to ensure the visitor experience at Pocklington Arts Centre (PAC) is safe, secure and enjoyable.”

In late-March 2020, the East Yorkshire venue launched a crowdfunding page, raising more than £18,000 in under a month, followed by successful funding applications to the Smile Foundation’s I Am Fund and the Government’s Culture Recovery Fund. 

Spiers & Boden: October 20 booking at Pocklington Arts Centre

Janet says: “I would like to thank our customers, in addition to Pocklington Town Council, the Friends of PAC, the Smile Foundation, Arts Council England and the Music Venue Trust for their collective support over the past year. 

“It has been a very difficult time for everyone, but their kind words, financial support and continued interest in all things PAC has meant a great deal and helped carry the venue through these extraordinary times.”

Staff have rescheduled forthcoming events for the autumn and winter, transferring more than 4,000 tickets and refunding customers for 20-plus cancelled events. 

“Throughout the closure period, we have stated our determination to emerge from the situation more vibrant than ever and our autumn and winter programme is a testament to that,” says Janet. 

“2021/22 will see a fantastic range of live events being staged here, alongside our trademark diverse mix of film screenings, live broadcasts, exhibitions, community events and private hires.” 

Velma Celli: York’s queen of vocal drag will make Pocklington debut on December 3. Picture: Kirkpatrick Photography

In the diary are Grammy Award winner Loudon Wainwright III, September 24; Northumberland Theatre Company (NTC) in Oscar Wilde’s “trivial comedy for serious people”, The Importance Of Being Earnest, September 30; North Eastern gypsy folk-rockers Holy Moly & The Crackers, October 16; Oxford singer-songwriter Thea Gilmore, October 7, and Irish jazz/blues chanteuse Mary Coughlan, October 19.

Bellowhead alumni and BBC Radio Folk Award winners Spiers & Boden are booked in for October 20; Red Ladder Theatre Company, from Leeds, in Nana-Kofi Kufuor’s My Voice Was Heard But Was Ignored, for November 25; television and radio broadcaster and author Jeremy Vine, November 26; Welsh singer-songwriter Martyn Joseph, December 2, and York drag diva deluxe Velma Celli, December 3.

Confirmed for 2022 are An Evening With Julian Norton, from Channel 5’s The Yorkshire Vet, January 18; singer-songwriter Teddy Thompson, January 22;Welsh guitarist, songwriter, vocalist and former Amen Corner cornerstone Andy Fairweather Low, February 11, and Eighties’ pop singer and actress Toyah Willcox, March 3.

PAC’s two open-air acoustic concerts in Primrose Wood, Pocklington, with Martin Simpson and Katie Spencer on July 1 and The Dunwells and Rachel Croft on July 8 will go ahead despite the Government’s Step 4 roadmap delay, but now under social-distancing restrictions. Both 7pm shows have sold out.

Janet says: “We always knew this was a possibility when the shows were first planned and there’s sufficient space for people to enjoy the event safely, while experiencing the atmospheric setting of Primrose Wood.”

Martin Simpson: Headlining at a sold-out Primrose Woods on July 1

PAC increased its online artistic output during the pandemic, staging 18 events to more than 9,000 audience members. 

In addition, a series of outdoor exhibitions has been held by PAC across the region. York artists Sue Clayton and Karen Winship have shown work at All Saints’ Church, Pocklington, and Sue will be following Karen into Hull Waterside and Marina. Those attending the York Vaccination Centre at Askham Bar can see her Down Syndrome portraits in the Tent of Hope. 

“We felt it was vitally important to have continued customer engagement throughout the prolonged closure period and the public response to these events and exhibitions has been very positive,” says Janet. 

“We’re also very much aware there’s no substitute to watching a live performance, in person, and sharing this experience with fellow audience members. 

“Everyone at PAC is now counting down the days until the doors can reopen and we can welcome customers back. It’s been a very long interval and we can’t wait for the second half to begin.”

For full event listings and ticket details, go to: pocklingtonartscentre.co.uk.

York artist Karen Winship at the launch of her NHS Heroes exhibition at Hull Waterside and Marina

More Things To Do in York and beyond and online as Step 3 tiptoes into the light. List No. 33, courtesy of The Press, York

Minster Men: The Howl & The Hum to play livestreamed concert at York Minster on Tuesday

THE Indian Variant may be dampening down hopes for June 21, but Charles Hutchinson’s diary is still filled with hope, concerts, festivals, exhibitions and a Minster livestreaming.

Livestreaming of the week ahead: The Howl & The Hum, Live At York Minster, Tuesday, 8pm   to 9.30pm

YORK rock band The Howl & The Hum are performing a one-off streamed concert in the Nave of York Minster on Tuesday, with tickets available via Brudenell.ticketco.events/.

The 8.15pm setlist will be built around last year’s debut album, Human Contact, whose prescient title chimed with pandemic times as such contact became more restricted, even barred. New material may well feature too. “I reckon it will,” says frontman Sam Griffiths.

Rachel Croft: York singer-songwriter to perform on Songs Under Skies acoustic double bill with Wounded Bear at the NCEM. Picture: Amy D’Agorne

A fistful of outdoor gigs: Songs Under Skies, National Centre for Early Music, York, in June  

SONGS Under Skies will return to the NCEM’s churchyard gardens at St Margaret’s Church, Walmgate, York, next month.

Five outdoor acoustic double bills from 6.30pm to 8.30pm will comprise Wounded Bear and Rachel Croft on June 1; Kell Chambers and Nadedja, June 2; Katie Spencer and Joshua Burnell, June 14; Zak Ford and Alice Simmons, June 15, and Epilogues and Sunflower Thieves, June 16.

As with last September’s debut series, the socially distanced, Covid-safe season two will be presented in association with The Crescent community venue, The Fulford Arms and the Music Venues Alliance. Box office: at tickets.ncem.co.uk.

Hope Is The New Hero, by Jake T, from Rawcliffe and Clifton Without, for the Hope display at the According To McGee gallery in York

Children’s art show of the week in York: Hope projections, According To McGee, York, tonight, tomorrow, then Wednesday to Friday for the next two weeks, 6pm to 9pm nightly

HOPE springs nocturnal in a collaboration between primary school artists from York and around the world at York gallery According To McGee.

Under the title of Hope, the artwork will be on display in light projections in the window of the Tower Street gallery in a creative response to the pandemic.

Digital artists Nick Walters is overseeing evenings featuring projections of 350 artworks selected from 3,000 images from cities in 33 countries.

York artist Sue Clayton, second from right, with NHS York Vaccination Centre site manager Will McEvoy, Nimbuscare director of quality and patient experience Michelle Phillips and Pocklington Arts Centre director Janet Farmer at the unveiling – but not unmasking! – of the 21 exhibition at Askham Bar

Jab in the arm for art: Sue Clayton’s 21 exhibition, NHS York Vaccination Centre, Askham Bar, York, until June 13

WHAT a captive audience for Sue Clayton’s portrait exhibition of children and young adults with Down Syndrome, presented in association with Pocklington Arts Centre (PAC).

As many as 3,000 people a day are attending the Askham Bar vaccination centre to receive a jab in the “Tent Of Hope”, where biodegradable prints of Sue’s paintings are in place.

The theme of 21 symbolises the extra 21st chromosome that people with Down Syndrome have, Sue’s energetic son James among them. 

Manic Street Preachers: New tour, new album…oh, and a new single called…Orwellian

Gig announcement of the week in York: Manic Street Preachers, York Barbican, October 4

WELSH rock band Manic Street Preachers’ 14-date autumn itinerary will showcase the September 3 release of their 14th studio album, The Ultra Vivid Lament, on Columbia/Sony.

In a departure from 2018’s Resistance Is Futile, the new record is the first Manics’ studio set to be conceived initially on piano rather than guitar.

James Dean Bradfield, Nicky Wire and Sean Moore last played York Barbican in May 2019. Their support will be The Anchoress, the Welsh-born multi-instrumentalist, songwriter and author Catherine Anne Davies. Tickets sales go live tomorrow (21/5/2021) at 10am at yorkbarbican.co.uk.

Mad about the Boy: Boy George and Culture Club perennial members Roy Hay and Mikey Craig are off to the Yorkshire seaside

Gig announcement of the week outside York: Culture Club, Scarborough Open Air Theatre, August 14

EIGHTIES’ icon Boy George and Culture Club are off to the Yorkshire seaside in a new addition to the packed Scarborough Open Air Theatre programme.

Bexleyheath-born frontman and fashion innovator George O’Dowd, who turns 60 on June 14, will perform alongside original band members Roy Hay and Mikey Craig in a “stunning live band”. Tickets go on sale for the 8,000-capacity show via scarboroughopenairtheatre.com tomorrow (21/5/2021) at 9am.

Rachel Podger: The Violinist Speaks concert at York Early Music Festival 2021. Picture: Theresa Pewal

Festival launch of the week: York Early Music Festival 2021, July 12 to 16

PRESENTED by the National Centre of Early Music, the classical York Early Music Festival 2021 will have the theme of Encounters, most vitally between audience and artists after lockdown loosening.

Among the guest artists will be violinist Rachel Podger; lutenist Jacob Heringman; bass Matthew Brook; the Monteverdi String Band; harpsichordist Steven Devine; The Society Of Strange & Ancient Instruments; La Vaghezza and Ensemble Clement Janequin.

Taking part too will be vocal ensemble Stile Antico and Spanish Baroque ensemble L’Apothéose. Tickets are on sale at ncem.co.uk. Upcoming too will be YEMF 21 Online, from July 15 to 18, featuring festival concerts and commissioned highlights.

Bull in a field: York alt.rock band booked for Deer Shed: Base Camp Plus festival

No Deer Shed 11 festival, but here comes Deer Shed: Base Camp Plus, Baldersby Park, Topcliffe, Thirsk, July 30 to August 1

AFTER last summer’s Base Camp, Deer Shed Festival co-directors Oliver Jones and Kate Webster have created Base Camp Plus with a female-headlined main stage, live music, DJ sets, comedy and shows. As with last year’s event, each camping pitch will contain its own Portaloo and washing facilities.

Jane Weaver, Dream Wife and Porridge Radio are the headliners; York bands Bull and New York Brass Band will be playing too; John Shuttleworth, Mark Watson and Angelos Epithemiou lead the comedy.

The organisers will adhere to the Step 3 restrictions in place since Monday, limiting the capacity, with social distancing and face coverings in covered areas. For tickets, go to: deershedfestival.com/basecampplus.

And what about?

Brief encounter: York drag diva Velma Celli in Love Is Love: A Brief History Of Drag at York Theatre Royal

Velma Celli in Love Is Love: A Brief History Of Drag, York Theatre Royal, May 29, 8pm

YORK drag diva deluxe Velma Celli’s fabulous contribution to York Theatre Royal’s reopening Love Season will be one of Velma’s regular cabaret shows, re-titled Love Is Love: A Brief Of History Of Drag specially to meet the love brief.

Joining Velma – the creation of York musical actor Ian Stroughair – will be two guest acts, Jordan Fox, Ian’s co-star in Jack And The Beanstalk, and Jessica Steel, together with backing singers Kimberley Ensor and Grace Lancaster, musical director Ben Papworth, drummer Clark Howard and guitarist Al Morrison.

Ian last appeared on the Theatre Royal in Kes at the age of 14, all of 24 years ago.

Martin Simpson and The Dunwells to enter twilight zone for Primrose Wood Acoustics. Katie Spencer and Rachel Croft to support

Martin Simpson: Headlining Primrose Wood Acoustics in Pocklington on July 1. Picture: Geoff Trinder

POCKLINGTON Arts Centre will go down in the woods on July 1 and 8 to present Primrose Wood Acoustics, two outdoor concerts at twilight in a beautiful Pocklington sylvian setting.

Virtuoso Scunthorpe-born guitarist and singer-songwriter Martin Simpson will headline the first 7pm event at Primrose Wood, supported by Yorkshire singer-songwriter Katie Spencer.

A week later, the second twilight session will feature Leeds indie-folk/Americana band The Dunwells and opening act Rachel Croft, the York singer-songwriter.

The acoustic concerts are being staged by Pocklington Arts Centre (PAC) after a series of online events and outdoor exhibitions by York artists Karen Winship and Sue Clayton held during the pandemic. 

Primrose Wood Acoustics not only will mark the first time PAC has taken concerts into the outdoors – giving audiences a chance to experience live music within a unique and Covid-secure setting – but also will be the first concerts to be hosted by the East Yorkshire venue since the first lockdown last March. 

Katie Spencer: Deeply personal songs of nostalgia, loss and love. Picture: Tom Arran

PAC director Janet Farmer says: “During the pandemic, we’ve been doing a lot of walking in the Pocklington area including Primrose Wood. With its natural clearings and proximity to the town centre, we immediately thought it would provide the perfect outdoor stage with a difference, so the idea of Primrose Wood Acoustics was born. 

“As we prepare to re-open the venue, we’re very much looking forward to being able to bring some truly unique events to our audiences. This is going to be something quite special.”

Martin Simpson travels the length and breadth of Britain and beyond to give intimate solo performances full of passion, sorrow, love, beauty, tragedy and majestic fingerstyle guitar playing.

Simpson, 68, who recorded his first album, Golden Vanity, in 1976, is equally at home playing English traditional folk, American folk and blues and his own compositions on acoustic and slide guitar and banjo to boot.

Support act Katie Spencer writes songs imbued with the northern landscapes of her Yorkshire home and the warmth and idealism of the early 1970s’ folk and songwriter movements. Originally from Hull, she draws on the grainy imagery of the industrial docks and sea-fronts in her deeply personal songs of nostalgia, loss and love. 

The boys Dunwell: Brothers Joseph and David of Leeds band The Dunwells

The Dunwells, formed by brothers Joseph and David Dunwell in Leeds in 2009, combine heartfelt lyrics with American-influenced indie-folk song structures, as heard on their 2012 debut album, Blind Sighted Faith, and six subsequent albums and EPs.

The Dunwells have performed at both PAC and Platform Festival, at Pocklington’s Old Station, and have toured the United States extensively, not least appearing at SXSW music festival in Austin, Texas. They last released a studio album, Something In The Water, in September 2019, followed by the live recording Live At Aire Street last December.

Support act Rachel Croft’s song-writing is cinematic, moody and classic, wherein atmospheric backdrops frame her vocals as she blends folk, rock and soul styles.

Rachel’s new EP, Reap What You Sow, will drop this summer, exploring a more potent, bluesy style.

Concertgoers can access the location from both main entrances to Primrose Wood via Burnby Lane and The Balk, with the concerts being staged close to the Burnby Lane (YO42 2QB) entrance.

Tickets cost £15 for July 1 and £12.50 for July 8 at pocklingtonartscentre.co.uk.

Rachel Croft: Exploring a “more potent, bluesy style” on her summer EP. Picture: Amy D’Agorne

CharlesHutchPress puts questions to York singer-songwriter Rachel Croft as she prepares for the twilight hour in Primrose Wood.

Where and when did you last play a gig?

“The last real gig was at Highfield House in Driffield, back in October 2020 – a lone event I was lucky enough to share with Blair Dunlop and Gary Stewart. Before that, I think it was last March, sharing the night with Joe Shepard at the NCEM in York.” 

Have you played in woodland previously? 

“I haven’t played a gig as such in a woodland but I’ve recorded and performed in a few woodlands for music videos. Really atmospheric! 

“Only Dreams had woodland in it, and the new video for Reap What You Sow, directed by James Buck, will have a part shot in woodland too.”

What do you feel about playing at the twilight hour: a magical time of day or a harbinger of the dark night to come?!

“Playing outdoors in the twilight hour sounds just right for some of my songs. I like to write atmospheric music, and I think this will be the perfect setting to finally share them with people!

“I think sunset can be a nostalgic time in a way, thinking about the day that’s done and the start of night. Certainly, it could add to the moodiness of some of my songs too.” 

Playing outdoors in the twilight hour sounds just right for some of my songs,” says Rachel. Picture: Amy D’Agorne

You have a new EP on the way, Reap What You Sow. When and how will you release it?

“The EP is due this summer. I’ll stagger a single and then the rest of the songs later on in the season, along with videos and live performances hopefully. We’re still finishing them, so once we have them completed, I can set a date and get cracking. I’m really excited to share these songs; they’re my best work so far. Stay tuned!” 

Where and when was the EP recorded?

“It was recorded here in York, at Young Thugs Studios [in South Bank Social Club, Ovington Terrace], and has been ongoing for probably six months now, what with so much uncertainty and all my usual funding methods gone, which made things interesting!

“All the musicians on the tracks are from around here and I’m really lucky to know so many talented people.” 

What are the song titles and themes and were any influenced by pandemic times?

“I’m keeping the song titles on the down-low for now, except Reap What You Sow, the title track and first single. There are five songs, though, and as a collection they represent a storm, sort of. The build-up, the energy, the wreckage left behind, and then the rebuild, leaving it behind. 

“All the songs are from the lockdown, and I think they helped me to release a lot of pent-up frustration and emotion. I’ve never felt that, until this point, I’ve really released anything that shows the most of me, not just one side.

“It feels really liberating; I’ve always loved music like this but never before felt like I could be that artist. And then, well, it was the pandemic, so I thought I might as well have a go.”

“I’ve also started using my lower voice more in the songs, which I think really suits this change of sound,” says Rachel

The EP will “explore a more potent, bluesy style”: how will that manifest itself and what has drawn you to the blues?

“The bluesy style is mainly in two of the songs, where I was playing with some different chord variations and was influenced a lot by cinema, film music, and the jazz music I play with the Croft Mullen Band here in York [in a residency at The Phoenix Inn, George Street], alongside writing my own music.

“It’s been really nice to bridge that gap between styles. It’s got a lot of electric sounds in it too, but I love the vintage Nancy Sinatra feel of parts of the songs, how that weirdly works with quite fierce guitars at points.

“I’ve also started using my lower voice more in the songs, which I think really suits this change of sound. I can’t wait for everyone to hear it.”

What have you discovered about yourself in lockdown?

“I have learned that by having all the joyful distraction taken away, I can be more productive with song-writing. I can choose to sit down, and write, if I try. I never thought I could do that before lockdown. It’s been a great time for my music; I’ve never written so much, but maybe that’s because music seems to come easiest when you’re not totally happy.” 

What else is in the diary for you for 2021? Hopefully more shows?

“I’ll be playing at Wickham Festival [Hampshire], Lindisfarne Festival [Northumberland], Northern Kin Festival [Stanhope, Bishop Auckland] and Beverley Fringe, all going well, and I’ve got a few concerts booked here in York and further afield that I’m looking forward to announcing to my socials soon! I’m just happy to get to play to real actual humans again!” 

NEWS JUST IN: 14/5/2021

RACHEL Croft will open series two of the acoustic Songs Under Skies concerts in a double bill with Wounded Bear in the National Centre for Early Music gardens at St Margaret’s Church, Walmgate, York, on June 1. Gates, 6.30pm; socially distanced concert, 7pm to 8.30pm. Box office: tickets.ncem.co.uk.

York singer Rachel Croft is in Deep Water with new single for long evening drives

Rachel Croft: “Imagery of long, chilled summer evening drives and warm, dusty coastal paths” on new single Deep Water

YORK folk and jazz chanteuse, guitarist and illustrator Rachel Croft releases her new single, Deep Water, today as the third pick from her February 2019 debut album, Hours Awake.

“It’s about the delicate part earlier on in a relationship where you’re on the cusp of trusting someone and you know it could be serious,” says Rachel, 26, who has instilled fresh indie and contemporary production choices into the recording.

“The whole song comes together to effortlessly sit under imagery of long, chilled summer evening drives and warm, dusty coastal paths.”

Released on her Black Ink label, Deep Water signifies a lighter turn away from such Croft landmarks as 2017’s Only Dreams and We Are earlier this year.

Rachel Croft’s watercolour artwork for Deep Water

“Generally acoustic in its feel, lacings of torn Telecaster riffs nod towards influences of Phoebe Bridgers,” says Rachel, who made Hours Awake with co-producer and fellow York musician Dan Webster at his Paper Plane Records studio from early 2018 onwards.

There she worked with such musicians as drummer Neil Scott, bass and double bass player Emlyn Vaughan, cellist Rachel Brown, keyboard player Karl Mullen, violinist Emily Lawler and Chinese synths player Dian Yu.

Rachel is instrumental in all parts of her music, from production to media, both social and old-school, everything down to the cover art, calling on her skills as a self-taught illustrator. “I painted it myself with watercolour, using paint gifted to me from the person the song is about,” she reveals.  

Nottingham-born Rachel, who gained a first in environmental geography at the University of York, has built up a strong online presence, whether chalking up 148,000 views for some of her YouTube videos, attaining 5,000 followers on Facebook or building up a fast-growing subscription on YouTube.

“As a result, I’ve been able to almost entirely crowd-fund each of my releases, documenting my progress through vlogs for donators,” she says.

“I’m now working on my song-writing and rebuilding plans for 2021,” says Rachel

As an emerging artist on the folk festival circuit, Rachel has played Moseley Folk Festival, Costa Del Folk Portugal and Meadowfest. Until Covid-19 intervened, she was set to play Cambridge, Lindisfarne, Moonbeams and Wickham festivals, among others, after acquiring Apex International as her agent in late 2019.  

Making her mark abroad too, Rachel has embarked on five solo tours of the Netherlands since November 2018, appeared on the Noardewyn Live TV show to boot. In July 2019, she debuted in Germany, playing in Cologne and further afield.  

Looking ahead in the face of the pandemic’s stultifying impact on her 2020 diary, she says: “I’m now working on my song-writing and rebuilding plans for 2021. I hope to release at least a further two singles in 2021 and continue my European tours and UK festival appearances on their promising trajectory.”

To keep up with Rachel’s progress, visit: rachelcroftmusic.com. To chill out to Deep Water, go to: https://soundcloud.com/rachelcroft/deep-water/s-NzizC2CLQw7.