NOVELIST Ian Rankin is contemplating killing someone. Not surprising, perhaps, as his business is crime in general and murder in particular.
What does come as a shock is the identity of the person he would like to bump off: his best-selling creation, Scottish detective John Rebus.
However, with a new play, Rebus: A Game Called Malice, heading to York Theatre Royal from October 15 to 19, the six-part BBC television series that aired in May and June, and a new book out next Thursday, Rebus is very much alive and investigating.
“I have tried to bump him off or get rid of him several times,” confesses the Fife-born crime writer and philanthropist, who was knighted for services to literature and charity in June 2023.
“But he seems to want to stick around. He refuses to leave my head.” Indeed so. Earlier attempts to rid himself of Rebus, including the detective’s retirement, have ended in failure.
“With the previous novel, I thought this is the end because at the end of the book he’s in court charged with murder and in the dock waiting to be sentenced,” Rankin explains.
“I thought, ‘what a great way to finish the Rebus series,’ then fans disagreed. They said, ‘we need to know what happened in court. Was he found guilty or not guilty?’, so I’ve written this latest book to explain that and answer the question.
“The end of this new book is, I think, a very good end to the series, so let’s wait and see. It’s up to him, not up to me. It’s up to Rebus. He’ll tell me when he’s had enough of me.”
The latest Rebus thriller, Midnight And Blue, will be sending Rankin out and about to do interviews and head to Yorkshire on a book tour to discuss the landmark novel, meet readers and sign copies.
His 7.30pm visit to The Cat Club, Pontefract, on November 21 has sold out, but tickets are still available for his Farsley Book Festival appearance at the Old Woollen, Sunnybank Mills, Town Street, Farsley, Leeds, on November 22, hosted by Truman Books from 12.30pm to 3pm. To boo tickets, go to: trumanbooks.co.uk/event/an-afternoon-with-sir-ian-rankin or ring 0113 805 6019.
Before then, at York Theatre Royal, he will take part in the post-show discussion with members of the Rebus: A Game Called Malice company after the October 18 performance of his new play, co-written with Simon Reade.
The plot? A splendid dinner party in an Edinburgh mansion concludes with a murder mystery game, wherein a murder needs to be solved. However, the guests have secrets of their own, threatened by the very game they are playing.
Among them is Inspector John Rebu, but is he playing an alternative game, one where only he knows the rules? Cue suspects, clues and danger with every twist and turn and a shocking discovery – a yes, a real-life murder – that sends this game called Malice hurtling towards a gasp-inducing conclusion.
After mentioning his Yorkshire connections – Rankin’s mother grew up in Bradford and he still has family around there and Leeds, whom he hopes will attend the play in York – he enthuses about his upcoming train journey from Edinburgh to York.
“I like taking the train,” he says. “It’s a joy with Durham, Newcastle and the coast. A beautiful part of the world to do by train. And you get to go into the railway station bar – The Tap, isn’t it? – and have a pint.”
Tickets are selling well for the Theatre Royal run of Rebus: A Game Called Malice, testament to the public appetite for whodunnit, detective and crime stories. “It’s a very popular genre and producers know it will put bums on seats. It’s a good night out,” says Rankin.
“You’re working hard mentally in a fun way, there’s an interval when you can get a drink and discuss with your friends and family what you think is going on, what happens next. And you’re in and out of the theatre in two hours. As far as I’m concerned, I want to be home and in bed by ten o’clock.”
Rebus has been a hit on stage from the start. Rankin recalls being told by the manager of the King’s Theatre, where the first play, Rebus: Long Shadows, premiered in Edinburgh, that “he’d never seen takings like it”. “So they were very happy because they were selling more drinks at the interval,” says Rankin.
He wrote the first draft of the latest Rebus play during lockdown, “basically to entertain myself”. “It was written without anyone knowing I was doing it,” he says. “When I read it I thought, ‘it’s short but I like it’, so I showed it to Simon Reade, who is a professional playwright with whom I’d worked previously. He picked it apart and put it together again – and that’s what we’ve got.”
Writing a play and a book present differing challenges. “You have to get in a completely different mindset. In a novel, you can be inside a character’s head, you can have a huge cast of characters, you can range widely over geography and time,” says Rankin. “A play is a much more succinct entity and the actors have to speak your ideas.
“The challenge for me is in how different it is. You have to tell a story through voices in a way that I don’t when writing a novel. Very early in my writing career I was writing radio plays for the BBC. They were a lot of fun to do and I enjoyed working with the director and actors. Sometimes the actors came up with much better lines than mine. But the writer gets the credit when it’s broadcast, so it’s terrific from my point of view.
“Writing a novel is not collective. You sit there in splendid isolation for six months to a year. With a play, from quite early on it is collaborative, especially when the actors and director get involved.
“It changes shape because the intonation of each actor is different to the way I imagined the lines being spoken. The way they move around the stage is not how I imagined it might be. And every night in the theatre is, of course, subtly different from the night before.”
Assorted actors have played John Rebus both on stage and television, among them John Michie, who appeared in a try-out of A Game Called Malice but could not commit to a long tour this year.
Gray O’Brien, familiar to TV viewers through Casualty, Coronation Street and Peak Practice, takes on the role on the road, and Rankin is confident he will do the character justice.
Not protective of Rebus, he says each actor adds something to the role: “Every actor is going to give me a slightly different interpretation. Every actor that has played him on television, on radio, on stage has brought something new to the performance and my understanding of this complex character.
“I’ve been writing about this guy Rebus since 1985, and the first book was published in 1987. I’ve spent more than half my life with him. I still don’t quite know what makes him tick. I keep writing about him to get to the core of his identity. And so each actor helps me understand the character a little bit better.”
He missed the first week’s run of Rebus: A Game Of Malice at the Cambridge Arts Theatre on account of a pre-arranged holiday in Greece. He will turn 65 on April 28 next year and his wife has suggested that he might consider slowing down work-wise to enable them to go travelling.
It should be noted that this is a big ask of a writer who could not resist doing some work during a recent year-long sabbatical. His wife has been booking holidays aplenty, but will she be more successful at encouraging him to take things easy than he has been so far at killing off Rebus?
Rebus: A Game Called Malice runs at York Theatre Royal, October 15 to 19, 7.30pm plus 2pm Wednesday and Thursday and 2.30pm Saturday matinees.. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Ian Rankin’s new Rebus book, Midnight And Blue, will be published by Orion Books on October 10.
Did you know?
GRAY O’Brien will be appearing at a York theatre for the second time in 2024. His role as John Rebus in Rebus: A Game Called Malice at the Theatre Royal follows his performance as Juror 10 in Twelve Angry Men at the Grand Opera House from May 13 to 18.