Louise Jones: Tutor for Beginners Improv course at Theatre@41, Monkgate, York
EVER wanted to learn improv comedy? Whether you are a seasoned performer or have never stepped on a stage, Louise Jones’s improv course at Theatre@41, Monkgate, York, is for you.
“Please note this beginners’ course is for performers and non-performers who identify as female, non-binary or trans,” says comedy tutor Louise.
“The six to eight-week course has been designed to welcome people with any experience, including no experience whatsoever, to learn improvised comedy. From spontaneity to building outrageous characters, exploring unknown rooms, and working with others, it’s guaranteed to put a huge smile on your face and increase your confidence on stage.
The poster for Beginners Improv, now beginning on April 15
“There’ll be a showcase at the end of the course for you to show the world your new fantastic skills and enjoy the fun of performing with your fellow improvisers.”
After running a free workshop during York International Women’s Week, Louise will roll out the course from April 15 on Monday evenings, excluding May 20, from 7pm to 9pm.
Sessions cost £10 each or £64 for the full course. If you are interested, please email louiseasimprov@gmail.com promptly. “We’d love to see you there,” she says.
Louise Jones performing with Any Suggestions Improv
Louise is an improviser and co-founder of Any Suggestions Improv, the team behind Any Suggestions, Doctor?, An Improvised Adventure in Space and Time, a show nominated for Best Improv Show at Leicester Comedy Festival 2023.
Latest show Suggestions Of The Unexpected will be heading to the Edinburgh Fringe this summer.
Louise also has appeared in The Silliad and performs with Right Here Right Now, Riding Lights Theatre Company’s short-form improv night at Friargate Theatre, York.
RIDING Lights Theatre Company is launching The Word Bank, a new writing fund in memory of co-founder and artistic director Paul Burbridge.
The fund was announced by Paul’s widow, Bernadette, at the conclusion to his two-hour service of service and thanksgiving, held on June 10 at St Michael-le-Belfrey, the church they attended regularly.
Further details can be found in Riding Lights’ June newsletter. “Paul believed that Riding Lights is called to make kingdom-centred theatre that is responsive, urgent, visionary, insightful and prophetic, and that in order to do that we need new plays,” Bernadette says.
“Paul was genuinely excited when a first draft dropped into his inbox. A skilful wordsmith himself, he became an excellent commissioner and dramaturg: a midwife of new work and encourager of writers.”
The Word Bank will support the commission and production of new writing, ensuring that it remains at the heart of Riding Lights’ work.
“When Paul died, he was – as ever – full of plans for Riding Lights. But underpinning plans, Paul always had a vision of theatre that was abundant and generous, because it was a response to the abundance and generosity of God,” says Bernadette.
“He was very amused, in the early days of the company, when a stern critic accused him of employing ‘unnecessary humour’. Years later, he described the work that Riding Lights makes as a precious outpouring, like Mary’s jar of perfume poured over Jesus’s feet: an apparently unnecessary, costly offering; an act of witness, and an expression of the abundance of the kingdom.”
The Word Bank will remain open for donations until the end of July 2024. For full details of how to make a regular or one-off donation, along with information on increasing the gift’s value through Gift Aid, go to: ridinglights.org/TheWordBank.
“As we invite you to give to The Word Bank in Paul’s memory, we hope that you will do so with that spirit of abundance, no matter how much or how little you can give…to nurture the creation and presentation of new work as Riding Lights moves into the future,” says Bernadette.
Introduced by the Reverend Iain Lothian, Paul’s memorial service was packed to the rafters for tributes by Riding Lights luminary Murray Watts and regular designer Sean Kavanagh, a reflection by Geoffrey Stevenson and contributions by daughters Erin Burbridge and Caitlin Harland and son Patrick Burbridge, plus playwright and co-writer Bridget Foreman.
Paul Burbridge: Artistic director of Riding Lights Theatre Company for more than 40 years
A SERVICE of thanksgiving and celebration for the life of Riding Lights Theatre Company artistic director Paul Burbridge (1953-2023) will be held at St Michael le Belfrey, High Petergate, York, on June 10 at 2pm. All are welcome.
Paul, who ran the Christian theatre company and Friargate Theatre artistic programme in Lower Friargate, York, died on April 19 after a short illness.
A statement from the board and staff on the Riding Lights website reads: “Paul, along with Nigel Forde and Murray Watts, founded Riding Lights in 1977, and led the company for over 40 years with unwavering vision and extraordinary creativity.
“His commitment to the company and to all who encountered it in any way was inspiring and infectious, as were his kindness, warmth and humour.
“He was an encourager, guide, mentor and friend to many, whose faith and faithfulness to God flowed into the lives of others. Riding Lights was his life’s work, his calling, and a source of deep joy to him.
“We know that this will come as a great shock and sadness to many, and that you may wish to be in touch with the company. Any messages can be sent to info@rltc.org , and we will do our best to respond in due course.”
The statement concludes: “There will be an opportunity to make donations to Riding Lights in memory of Paul, in order to continue the work he loved. In the meantime, we value your prayers of thanksgiving for Paul’s life, for all of us at Riding Lights, and most of all for Bernadette [Paul’s wife], Patrick, Caitlin and Erin, that they may be comforted and surrounded by the love of God.”
Here CharlesHutchPress reflects on Paul Burbridge’s contribution to York’s theatre world with Damian Cruden, artistic director of York Theatre Royal from 1997 to 2019.
“WHEN I started, we met up, and right from the word go, Paul was one of those people who was always very welcoming and very easy to have a conversation with and always very constructive too,” remembers Damian, now CEO and artistic director of Alnwick Playhouse in Northumberland.
“The first major piece we did together was the Riding Lights/Theatre Royal collaboration on African Snow [Murray Watts’s play about slave ship captain John Newton, of Amazing Grace fame], directed by Paul in 2007. We then did Three Men In A Boat, directed by Paul at the Theatre Royal in April 2008.”
Paul had first adapted Jerome K Jerome’s late-Victorian tale of a trip up the Thames 18 years earlier for Riding Lights, reuniting with his original designer, Sean Cavanagh, for his Theatre Royal version of Jerome’s riparian mishaps and ineptitudes.
A community production of Anthony Minghella’s Two Planks And A Passion, co-directed by Paul and Theatre Royal associate director Juliet Forster in the round at the Theatre Royal in July 2011, was to be the precursor to the zenith of the Theatre Royal and Riding Lights creative partnership: the 2012 York Mystery Plays in the Museum Gardens.
“Paul was just very easy to work with because he always gave space,” says Damian, his co-director for that unforgettable open-air production. “He didn’t have an ego about himself. Instead, his artistic ego connected with the work of the community that he inspired. Above all, he was just really good fun to be with.
“For years, around the time of the opening of the panto, we cooked a Christmas dinner in two sittings, one for the panto cast in the afternoon and then everyone else from the two companies in the evening, with the executives of the Theatre Royal and Riding Lights doing all the cooking.
“Afterwards, Paul would usually arrange a cabaret of some sort, with music and Paul doing some sketches as he was very amusing. Very Pythonesque, with a real sense of the absurdity of the world.”
Damian recalls how Paul’s faith was his bedrock. “We talked about it in depth when we were doing the Mystery Plays together; Paul as someone of faith, me as someone not of faith, wondering whether that would be difficult, and what it would mean in terms of creating the work, which I saw primarily as a big story, but for him it had a very different resonance,” he says.
“It was very important to have that mix, people who have faith, people who were agnostic, with me and Mike [writer Mike Kenny] as non-believers, Paul and Sean (designer Sean Cavanagh) as believers. It never got in the way at all. It was always very much about focusing on the telling of the story, and I think that faith was an important aspect in how we discussed it.
“I don’t think the production would have been as meaningful without that balance. The community cast that told that story was of a similar diversity of belief and non-belief, who discovered respect for each other’s position, and that was testament to Paul’s ability as an artist and leader to be magnanimous, to allow space, to be so highly inspirational in that way.
“He always wore his faith lightly but with an incredible depth of belief. I would say his faith was unshakeable, and his perception of the world found him working with faith groups in Palestine, stretching across faiths and the barriers that had been created.”
Paul was instrumental in Riding Lights establishing its headquarters in Lower Friargate in May 2000, taking over the 19th century building that previously had housed the Friargate Wax Museum until its closure in 1996.
Aptly, the opening production in the 100-seat studio theatre was Ben Jonson’s satire, The Alchemist, Paul having converted the base metals of a redundant museum into the universal elixir of theatrical gold.
“He was a very good leader, very intelligent, very knowledgeable, very talented,” says Damian. “He wasn’t self-obsessed and always knew why he was doing what he was.
“Riding Lights has been very successful in terms of its shows but also in terms of fulfilling its purpose. It’s a really important venue in York with a really strong commitment to youth theatre and a very clear sense of the community around it, which all theatres need to have.
“While its mission revolves around faith, you don’t feel like you’re going to have a religious diatribe when you go to a show. In many ways, Paul’s work has been superbly humanist, focusing on humanity. Very grounded, very connected.”
Reflecting further on Pauls’ leadership prowess, Damian says: “He would be one of the first people to say Riding Lights wasn’t just about him. He chose people around him that were good at what they did and that let Riding Lights become a potent organisation.”
Assessing Paul’s legacy, Damian starts by saying: “If you just think about the number of people who got up and strutted their stuff because Paul made it possible: whether through the youth theatre, summer projects, presenting work by community theatre companies and welcoming touring performers, on top of putting on all those Riding Lights productions.
“He made all that possible within York, and I can’t imagine how many people he’s influenced. All those people who started out at Riding Lights, it’s a huge list, all inspired by Paul and what the company stands for.”
Looking at Paul’s wider legacy, Damian says. “I hope that York continues to be a place that is absolutely engaged in presenting work that is there for the community and the creativity of that community, and that it remains something that is valued and given proper support.
“In a way, that’s the thing that would most upset Paul: if community creativity were left to wither on the vine. Community theatre, and the broad spectrum it covers, requires constant nurturing: the way Paul did it.
“He was a theatre gardener, knowing how to make sure the garden of theatre could survive in straitened time and be rich and productive in good times.”
God bless you, Paul, and thank you, guiding light of Riding Lights and Friargate Theatre.
Finding his feet: Jared More’s Fizzy Finn with Meg Blowey’s Tink the Cobbler in Riding Lights Theatre Company’s “crackling new Christmas adventure”
PLAN B may need its own Plan B amid the Omicron surge, but Charles Hutchinson seeks to be positive – in Christmas spirit only – until otherwise informed.
Children’s show of the week: Riding Lights Theatre Company in Fizzy Finn Finds His Feet, Friargate Theatre, York, today to December 23
JON Boustead’s “crackling new Christmas adventure” addresses children’s mental health problems arising from lockdowns and separation from family and friends.
Finn is a fidget whose brain is ablaze with an unbreakable buzz that fizzes to his fingers and tickles his toes, or it would do if he could only find his feet in a 50-minute story of fear and bravery suitable for children aged five to 11.
The show’s magical blend of vivid storytelling, original music by Patrick Burbridge and creative puppetry is presented by Jared More’s Fizzy Finn and Meg Blowey’s Tink the Cobbler. Box office: 01904 613000 or at ridinglights.org/fizzy-finn.
Christmas Eve would not be complete in York without…City Screen showing It’s A Wonderful Life
Christmas film tradition of the week: It’s A Wonderful Life (U) at City Screen, York, today, Tuesday, Wednesday, Thursday, Christmas Eve
AN elderly angel is sent from Heaven to help desperately frustrated businessman George Bailey (James Stewart) as he contemplates suicide.
Taking George back through his life to point out what good he has done, the angel shows him what life would have been like if he had never existed.
Frank Capra’s classic from 1946 is a Christmas Eve big-screen staple: City Screen has shows that day at 3pm and 6pm. Box office: 0871 902 5747 or at picturehouses.com.
Joe Alexander Shepherd: York pianist returns to the NCEM tonight
Pianist of the week: Joe Alexander Shepherd, National Centre for Early Music, York, tonight, 7.30pm
YORK pianist and composer Joe Alexander Shepherd combines beautiful contemporary and classical music with a Christmas ambience tonight, complemented by special guest appearances by singer-songwriter Wounded Bear and singer Amelia Saleh on his return to the NCEM. Expect new compositions, by the way.
Shepherd composed the music for UEFA’s First World War Truce video, starring footballers Sir Bobby Charlton, Wayne Rooney and Gareth Bale, and for a UK Women’s Rugby Football Union advert.
Concert proceeds will go to the Charlie Gard Foundation to support families affected by mitochondrial disease. Box office: 01904 658338 or at ncem.co.uk.
Art attack: Replete’s mural Shark at Piccadilly Pop Up, Piccadilly, York
Finale of the week: Uthink Piccadilly Pop Up art studios and gallery, 23 Piccadilly, York, today and tomorrow
THE Uthink Piccadilly Pop Up art studios and gallery must vacate their temporary premises by the end of the month after being served notice by the re-developers.
Since August 2020, the studios opened to the public on Saturdays to showcase work by 15 artists, ranging from painting, drawing, abstract art and collages to photography, sculpture, installation and poetry.
Today, public opening will be from 12 noon to 6pm; on Sunday, a festive market and extended art exhibition will run from 11am. Admission is free.
Shed Seven: Two “Shedcember” nights in Leeds on the Another Night, Another Town tour
Gigs of the week outside York: Shed Seven, Another Night, Another Town – Greatest Hits Live Tour, Leeds O2 Academy, Monday and Tuesday
SHED Seven have restarted their Covid-stalled tour after calling off December 10 to 16’s run of shows to next March when a member of the touring party tested positive.
Earlier this week, the York band tweeted: “Excited to confirm that the tour will resume this Friday [December 17] in London – let’s finish what we started!! New dates for the shows that were postponed will be announced next week. Shed Seven ride again. See you down the front. X.”
Tickets are still available for both Leeds gigs atticketmaster.co.uk/shed-seven-leeds. Doors open at 7pm each night.
Head’s up: Michael Head to play The Crescent on Tuesday
Cult gig of the week: Michael Head & The Red Elastic Band, The Crescent, York, Tuesday, 7.30pm
IN the wake of Adios Señor Pussycat in 2017, Michael Head & The Red Elastic Band are working on a new album, nearing completion.
Devotees of the 60-year-old Liverpudlian’s gilded songwriting brio can expect to hear new songs as well as much-loved nuggets from his days in Shack and The Pale Fountains. Pet Snakes support at this standing-only gig. Box office: thecrescentyork.seetickets.com/event/michael-head
Car Park Panto’s Horrible Christmas: Parking up at Elvington Airfield on January 2
Pantomime in a car park? Oh yes it is, in Car Park Panto’s Horrible Christmas, Elvington Airfield, near York, January 2, 11am, 2pm and 5pm
BIRMINGHAM Stage Company’s Horrible Histories franchise teams up with Coalition Presents for Car Park Panto’s 14-date tour of Horrible Christmas to racecourses, airfields, stadiums and a motor-racing circuit.
In writer-director Neal Foster’s adaptation of Terry Deary’s story, when Christmas comes under threat from a jolly man dressed in red, one young boy must save the day as a cast of eight sets off on a hair-raising adventure through the history of Christmas.
At this car-centred, Covid-secure experience, children and adults can jump up and down in their car seats and make as much noise as they like, tuning in to the live show on stage and screen. Box office: carparkparty.com.
Rachel and Becky Unthank: York Barbican concert on Sorrows Away tour
Looking ahead to 2022: The Unthanks, Sorrows Away, York Barbican, May 31; doors 7pm
NORTHUMBRIAN folk sisters Rachel and Becky Unthank will perform forthcoming new album Sorrows Away and Unthanks favourites with an 11-piece ensemble in a co-promotion by York’s Please Please You, The Crescent and Black Swan Folk Club and Brudenell Presents from Leeds.
As the album title suggests, Sorrows Away promises to be a blues-belter and a step into the light for sisters known more for melancholia and, well, sorrow. For tickets for The Unthanks’ return to touring after a two-year hiatus, go to: yorkbarbican.co.uk.
Jared More’s Fizzy Finn and a puppet in Riding Lights Theatre Company’s Fizzy Finn Finds His Feet
RIDING Lights Theatre Company’s “crackling new Christmas adventure”, Fizzy Finn Finds His Feet, will hit the ground running from Saturday at Friargate Theatre, York.
Written by Jon Boustead for primary-school children, the topical play addresses children’s mental health problems arising from lockdowns and separation from family and friends.
Finn is a fidget whose brain is ablaze with an unbreakable buzz that fizzes to his fingers and tickles his toes, or it would do so if he could only find his feet, in a Christmas adventure full of fear and bravery in a stormy world.
“Christmas brings surprises and not all of them are nice,” says Boustead. “It’s a crackling mix of hopes and fears and they’re definitely getting closer. Finn is on the run. Can stories help to untangle things?
“If only someone would listen to Suzy Pettiskew before she bursts. Or stop Barney Box’s dog from growing bigger night by night. And can anyone really ‘blotzsh the Glim’?”
Jared More’s Fizzy Finn and Meg Blowey’s Tink the Cobbler in her amazing story-telling Shoe Shop
Directed by Erin Burbridge and designed by Anna Gooch, Fizzy Finn Finds His Feet features a magical blend of vivid storytelling, original music by Patrick Burbridge and creative puppetry, presented by Jared More’s Fizzy Finn and Meg Blowey’s Tink the Cobbler.
Suitable for five to 11-year-old children, the show has been available to schools this term either for live performances or in a film version, accompanied by a teachers’ pack, prepared by a primary school teacher, overseen by a child psychologist and approved by Ebor Psychology. “There’s really useful stuff in there for teachers and children,” says says acting general manager Bernadette Burbridge.
This is the second such Riding Lights film. “We learned last year, with a very charming filmed production of Oscar Wilde’s The Selfish Giant, that film offered a very successful way of supporting schools coping with lockdowns,” says Bernadette.
“We provided a link that they could forward to children at home and in some cases, the giants zoomed into schools, by agreement, to interact with the children.
Finding his feet: Jared More’s Fizzy Finn in a scene with Meg Blowey’s Tink the Cobbler
“Sadly, in November, we were receiving at least one call a day from a school to say they had Covid and didn’t want us to come into their buildings, so we had to cancel a number of Fizzy Finn performances.
“We offered them the film and a virtual visit from Tink the Cobbler and Fizzy Finn instead – and the advantage of having a filmed version is that we can make this available to audiences right across the UK and beyond.”
Now, Fizzy Finn Finds His Feet does exactly that from December 18 to 23 in 50-minute performances at 10am, 1pm and 3pm on Saturday and next Wednesday and 11am and 2pm next Monday, Tuesday and Thursday at Friargate Theatre, Lower Friargate.
“The film is a good alternative but there’s nothing like a live show!” says Bernadette, who sums up Fizzy Fiin’s tale this way: “Jon’s play isn’t about Christmas although it’s set at this time of year. It’s about learning to understand one’s fears and anxieties and finding good ways to deal with them.”
Jon concludes: “Shoes are very good storytellers. You experience a lot by stepping into someone else’s shoes. So fasten your laces! Tie them up tight and join Finn as he discovers Tink the Cobbler and her amazing story-telling Shoe Shop.”
Tickets are on sale on 01904 613000 or at ridinglights.org/fizzy-finn.
So frustrated: Paul Chowdhry has his say on Covid, fame, England’s football team and Tom Cruise’s chopper at the Grand Opera House, York, tonight
IMAGINE if you could have a busy week ahead? Let Charles Hutchinson fill your diary.
Angriest comedy gig of the week: Paul Chowdhry, Grand Opera House, York, tonight, 8pm
AFTER barely surviving the pandemic, British-Asian stand-up Paul Chowdhry tackles the UK’s handling of the Coronavirus crisis and why the rules of six only worked for white people in Family-Friendly Comedian (No Children).
Two years of pent-up frustration go into this new tour show, where Londoner Chowdhry also discusses fame, England football fans and Tom Cruise landing his helicopter in someone’s garden. Box office: 0844 871 7615 or at atgtickets.com/york.
Chesca Cholewa: Writer of Imagine If Theatre Company’s My Old Man
Studio play of the week: Imagine If Theatre Company in My Old Man, York Theatre Royal Studio, tonight, 8pm
IMAGINE If Theatre Company, from Leeds, is touring a part-theatre, part-film production of Chesca Cholewa’s humorous and heartfelt play My Old Man.
When Michal Piwowarski’s granddaughter, Tasha (played by Cholewa), finally moves out, his whole world changes. The school dinner-lady becomes his favourite person, a new neighbour moves on to the street, and Michal (Paul Shelley) has to face his biggest battle yet as My Old Man follows the trials and tribulations of this old, blind Polish soldier. Box office: 01904 623568 or at yorkthreatreroyal.co.uk.
Songs and Stables’ leadership: Kate Stables brings her band This Is The Kit to The Citadel tomorrow night
Experimental gig of the week: This Is The Kit, The Citadel, Gillygate, York, tomorrow, 7.30pm
KATE Stables’ experimental folk quartet This Is The Kit return to York for a special show at The Citadel, the former Salvation Army HQ, presented by Please Please You, The Crescent and Brudenell Presents. Support comes from Nuala Honan and Pavey Ark. Box office: brudenellsocialclub.seetickets.com.
York artist Karen Winship, taking part in the Inspired Christmas event at York Cemetery Chapel
Christmas shopping? Opportunity presents itself at Inspired, York Cemetery Chapel, Saturday and Sunday, 10am to 5pm.
INSPIRED, the annual Christmas show by York artist and designer makers, will be held at York Cemetery Chapel, in Cemetery Road, York, this weekend.
Taking part will be Jo Bagshaw and Richard Whitelegg, jewellery; Catherine Boyne-Whitelegg, pottery; Petra Bradley, textiles; Sally Clarke, collage printmaking; Angela Newdick, collage and surface pattern design; Adi French and Karen Winship, painting, and John Watts and Wilf Williams, furniture.
PQA York’s poster for Disney’s The Little Mermaid Jr at the JoRo
Children’s show of the week: PQA Productions in Disney’s The Little Mermaid Jr, Joseph Rowntree Theatre, York, tomorrow and Saturday, 7.30pm
PAULINE Quirke Academy (PQA) York journeys under the sea with Ariel and her aquatic friends in Disney’s The Little Mermaid Jr, adapted from Disney’s Broadway show and film, based on Hans Christian Andersen’s story of sacrifices made for love and acceptance.
Young mermaid Ariel longs to leave her magical ocean home and fins behind for the world above. First, however, she must defy her father, King Triton, make a deal with evil sea witch Ursula and convince Prince Eric she is the girl whose enchanting voice he has been seeking. Separate casts perform the two shows. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.
Adam Sowter, Florence Poskitt, Alexandra Mather and Andrew Roberts in rehearsal for Saturday’s Fladam and Friends’ Musical Comedy Hootenanny
Witty and warm songs of the week: Fladam and Friends’ Musical Comedy Hootenanny, Theatre@41, Monkgate, York, Saturday, 2.30pm and 7.30pm
FLADAM duo Florence Poskitt and pianist Adam Sowter take to the Theatre@41 stage with thespian friends Alexandra Mather, Andrew Roberts and Andrew Isherwood for two shows of musical comedy joy.
Fladam’s own topical witty ditties will be complemented by a celebration of Morecambe & Wise, Bernard Cribbins, Victoria Wood and more. Box office: tickets.41monkgate.co.uk.
Scarlett Waugh, left, and Libby Anderson: Sharing the role of Dorothy in NE Musicals York’s production of The Wizard Of Oz
Sparkling slippers of the week: NE Musicals York in The Wizard Of Oz, Joseph Rowntree Theatre, York, Tuesday (23/11/2021) to Saturday
DIRECTOR Steve Tearle has assembled a cast of 60 for NE Musicals York’s energetic staging of The Wizard Of Oz, led by Libby Anderson and Scarlett Waugh, who will alternate the role of Dorothy.
Further roles go to Maia Stroud as Glinda; YO1 presenter Chris Marsden, the Wizard of Oz; Perri Ann Barley, Wicked Witch of the West; Finley Butler, the Scarecrow; Kristian Barley, the Tin Man, and Tearle himself as the Cowardly Lion.
Expect an all-singing, all-dancing production with special effects by Adam Moore’s team at Tech247. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.
Phoenix rising again: Phoenix Dance Theatre celebrate their 40th anniversary this autumn, opening their tour at York Theatre Royal
Dance celebration of the week: Phoenix Dance Theatre in 40 Years Of Phoenix, York Theatre Royal, Tuesday and Wednesday, 7.30pm
PHOENIX Dance Theatre launch their milestone 40th birthday programme at York Theatre Royal, bringing together highlights from the Leeds company’s groundbreaking history.
Phoenix will combine celebration and reflection in a show featuring Lost Dog duo Ben Duke and Raquel Meseguer’s Pave Up Paradise; former artistic director Darshan Singh Bhuller’s Heart Of Chaos; Henri Oguike’s Signal; Shapiro and Smith’s satirical piece Family and Jane Dudley’s 1938 masterpiece Harmonica Breakdown. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Director Nik Briggs, left, choreographer Emily Taylor and lead actors Sophie Hammond and Damien Poole at the launch of York Stage Musicals’ festive show, Elf! The Musical
Christmas musical of the week: York Stage Musicals in Elf! The Musical, Grand Opera House, York, November 25 to December 3
YORK Stage Musicals present the York premiere of Matthew Sklar, Chad Beguelin, Thomas Meehan and Bob Martin’s Elf! The Musical, directed by artistic director Nik Briggs.
Based on Will Ferrell’s 2003 film, Elf! follows orphan child Buddy to Santa’s North Pole abode, where, unaware he is human, his enormous size and poor toy-making abilities cause him to face the truth.
Given Santa’s permission, Buddy (Damien Poole) heads to New York City to find his birth father, discover his true identity and help the Big Apple to remember the true meaning of Christmas. Box office: atgtickets.com/york.
Amaka Okafor: Taking part in the staged readings of Lucy Kirkwood’s Maryland at Friargate Theatre, York
Play readings of the week: Riding Lights Theatre Company presents Maryland, Friargate Theatre, York, November 26, 6.30pm and 8.30pm
TWO staged readings of Lucy Kirkwood’s 30-minute protest play will feature Amaka Okafor, from the original Royal Court Theatre cast, Laura Pyper, Mark Holgate, Cassie Vallance, Kesiah Joseph, Patricia Jones and Meg Blowey.
Kirkwood wrote Maryland as a “passionate and furious act of resistance to draw attention to the shocking numbers of women who repeatedly suffer violent abuse throughout Britain. The play is not specific; it addresses issues of police behaviour and a culture of violence against women and girls”.
After sold-out performances in London, the Royal Court offered Maryland for free for theatre companies to perform in solidarity and protest. York company Riding Lights has taken up that opportunity, with associate director Bridget Foreman directing the readings. Box office: 01904 613000.
James: Teaming up with Happy Mondays for a Manchester night out in Leeds
Gig of the week ahead outside York: James and special guests Happy Mondays, Leeds First Direct Arena, November 25, doors, 6pm
ALL of 33 years ago, Factory label mates James and Happy Mondays first toured together. Now, two of Manchester’s champion bands reunite for a November and December arena tour.
“Last played with them in 1988, hopefully this time they won’t steal our rider or try and spike my drink,” tweeted Tim Booth, James’s Clifford-born frontman, when announcing the dates with rapscallion rascals Shaun Ryder, Bez and co.
James, who played Scarborough Open Air Theatre this summer, will be showcasing their “sweet 16th” album, All The Colours Of You, released in June. Box office: firstdirectarena.com. Stage times: Happy Mondays, 7.30pm; James, 9pm.
Amaka Okafor, from the Royal Court premiere, will join the Riding Lights company for staged readings of Lucy Kirkwood’s Maryland in York
YORK’S Riding Lights Theatre Company will present two staged readings of Lucy Kirkwood’s Maryland, a 30-minute “howl” of a protest play, written in response to sexual violence against women.
Amaka Okafor, from the original Royal Court Theatre cast, will be joined in associate director Bridget Foreman’s cast by Laura Pyper, Mark Holgate, Cassie Vallance, Kesiah Joseph, Patricia Jones and Meg Blowey at Friargate Theatre, Lower Friargate, York, rehearsing for two days for script-in-hand performances at 6.30pm and 8.30pm on November 26.
In the immediate aftermath of the September 17 murder of Sabine Nessa and the sentencing of policeman Wayne Couzens for Sarah Everard’s kidnap, rape and murder, Kirkwood decided that a “provocative” play “had to happen now”, as she told the Guardian.
The Skins screenwriter and Chimerica and The Children playwright duly wrote the agit-prop Maryland “very quickly” as a “passionate and furious act of resistance to draw attention to the shocking numbers of women who repeatedly suffer violent abuse throughout Britain. The play is not specific; it addresses issues of police behaviour and a culture of violence against women and girls”.
Director Bridget Foreman
“I hesitate to even call it a play when it is simply a howl, a way of expressing what I feel about a culture of violence against women,” Kirkwood said in a quote she gave to the Royal Court. “But I am sharing it because I wonder if it might express a little of what other people feel about it too.”
After sold-out performances in London, the Royal Court offered Maryland copyright-free for theatre companies to perform in solidarity and protest until November 27. York company Riding Lights was quick to take up that opportunity.
“It is not our intention to make a particular link with any of the women in York whose stories have achieved a terrible notoriety,” stresses Riding Lights’ acting general manager, Bernadette Burbridge.
“We don’t wish in any way to add to the pain of families and friends whose suffering will never resolve.
Riding Lights cast member Cassie Vallance
“Violence against women is a persistent canker in society and this is a moment in which Riding Lights can seize the offer from the Royal Court to speak loudly through art.
“To amplify this cry of protest as loudly as possible, we hope these performances will be sold out and that audiences will include as many men as women.”
Welcoming Riding Lights mounting Maryland at short notice, administrative co-producer Professor Gweno Williams says: “It’s an issue that I’m passionate about and I’m delighted that Lucy’s play is being put on in York after the writer and Royal Court decided it should be released to theatres for a month. My goal in co-producing these readings is not just do some good by publicising what’s happening but also to bring about change.
“How extraordinary it is that this brand-new script by an outstanding contemporary playwright has been made available UK-wide for copyright-free performance by any professional theatre company for a limited number of weeks after the Royal Court run ended on October 23.
Laura Pyper: Maryland cast memberfor the November 26 staged readings
“Maryland expresses passionate outrage about current repeated patterns of random violence against women, including women of colour.”
Describing Maryland as “an overview rather than a specific case”, Gweno says: “It was written by Lucy in two days and it’s incredibly strong piece that’s been called a howl of rage.
“The cast comprises six women and one man, and the play is structured partly as a Greek drama with six Furies, with the drama alternating between the ancient Furies and a contemporary scene in the aftermath of a rape.”
Tickets cost £5 on 01904 613000. The two audiences will be invited to make a recommended donation of £7 or more to Survive, a York charity that supports survivors of sexual abuse. Donations also can be made via survive-northyorks.org.uk.
In suspense: Ockham’s Razor go aerial for This Time at York Theatre Royal
FROM circus at York Theatre Royal, to Moby Dock on a Hull dry dock, Benedetti in Pickering to Riding Lights on film, Charles Hutchinson enjoys his ever busier perch to spot what’s happening.
Circus in town: Ockham’s Razor in This Time, The Love Season, York Theatre Royal, June 8 and 9, 8pm
CIRCUS theatre company Ockham’s Razor’s This Time is a show about time, age and the stories we tell ourselves, presented by a cast ranging in age from 13 to 60.
Circus and aerial skills, autobiographical storytelling and original equipment combine in a visual theatre piece that looks at love, support and struggle in families, alongside perceptions of strength and ability: how we are strong in different ways at different times in our lives.
Nicola Benedetti: Live and In Person for Ryedale Festival. Watch out for Martin Dreyer’s review for CharlesHutchPress
Festival residency of the summer: Nicola Benedetti: Live and In Person, Ryedale Festival 40th Anniversary Launch Concert, Pickering Parish Church, tomorrow (4/6/2021), 4pm and 8pm
TOMORROW, in-person music making returns to Ryedale Festival at Pickering Parish Church, when Scottish-Italian violinist Nicola Benedetti opens her 2021 festival residency by launching the Live and In Person series.
She will join her regular chamber music partners, cellist Leonard Elschenbroich and pianist Alexei Grynyuk, to perform one of Beethoven’s wittiest and most loveable works and an inspired piano trio by Brahms.
May Tether: Last seen in York as Jill in York Stage’s pantomime , Jack And The Beanstalk; now the Goole actor will appear as Lily in John Godber Company’s Moby Dick on Hull dry dock. Picture: Ant Robling
Outdoor play of the month: Moby Dick, John Godber Company, Stage@The Dock, next to The Deep, Hull, until June 12
JOHN Godber and Nick Lane’s radical reworking of Herman Melville’s epic novel, Moby Dick, is being staged in Hull’s dry dock amphitheatre by an East Yorkshire cast of eight from the John Godber Company
Adhering to Covid-safe rules, and with a playing time of 70 minutes and no interval, this fast-paced physical production transports socially distanced audiences to the deck of Captain Ahab’s ship the Pequod in his catastrophic battle with the monster white whale, Moby Dick.
Godber’s production references Hull’s global importance as a port, its former prowess as a whaling centre and contemporary conservation issues of conservation.
Riding Lights’ poster for the York International Shakespeare Festival stream of the York’s company’s theatre-on-film performance of Pericles
“Film” of the week: Riding Lights Theatre Company in Pericles, York International Shakespeare Festival, online, tomorrow (4/6/2021) to Sunday
YORK company Riding Lights present their sparkling, streamlined, 80-minute theatre-on-film performance of a lesser-known but still gripping Shakespeare work, Pericles, The Prince Of Tyre, online.
In a “perilous voyage through the storms of life”, brave adventurer Pericles sets off to win the girl on everyone’s lips. Uncovering a sinister truth, he plunges into a rolling surge of events that leaves him broken, gasping for life.
Topical themes of abuse of power, desperate crossings of the Mediterranean and sex trafficking ensure this extraordinary saga sails uncomfortably close to home. For tickets, go to ridinglights.org/pericles.
Roger Taylor: New solo album, “surprise” solo tour, for Queen drummer. Picture: Lola Leng Taylor
York gig announcement of the week: Roger Taylor, Outsider Tour, York Barbican, October 5.
QUEEN legend Roget Taylor will play York Barbican as the only Yorkshire show of his “modest” 14-date Outsider tour this autumn.
In a “surprise announcement”, rock drummer Taylor, 71, confirmed he would be on the road from October 2 to 22. “This is my modest tour,” he says. “I just want it to be lots of fun, very good musically, and I want everybody to enjoy it. I’m really looking forward to it. Will I be playing Queen songs too? Absolutely!”
Outsider, his first solo album since 2013’s Fun On Earth, will be released on October 1 on Universal, dedicated to “all the outsiders, those who feel left on the sidelines”.
Put back in the Summer Of ’22: Bryan Adams moves his Scarborough Open Air Theatre and Harewood House concerts to July 2022
On the move: Changes afoot at Scarborough Open Air Theatre for 2021 and 2022
CANADIAN rocker Bryan Adams is moving his entire ten-date UK outdoor tour from 2021 to the summer of ’22, now playing Scarborough Open Air Theatre on July 1 and Harewood House, near Leeds, on July 10. Tickets remain valid for the new shows.
In further OAT changes, Kaiser Chiefs have moved to August 8; Keane, August 21; Olly Murs, August 27; UB40 featuring Ali Campbell and Astro, August 28; Snow Patrol, September 10, and Duran Duran, September 17. Westlife stick with August 17; Nile Rodgers & Chic with August 20.
For next summer’s line-up, Ru Paul’s Drag Race: Werq The World has changed to May 29 2022; Crowded House, June 11; Lionel Richie, July 2, and Lewis Capaldi, July 7.
Quiet Beech Wood, mixed media, by Janine Baldwin at Blue Tree Gallery, York
Exhibition of the week: Summer Eclectic, Blue Tree Gallery, Bootham, York, until July 3
SUMMER Eclectic marks the reopening of Blue Tree Gallery after a run of online shows.
“It’s good to see York open again for all to visit and enjoy, as we help to keep York culturally alive, safe and well,” say Gordon and Maria Giarchi and their gallery team. “We’ll be open to the public with this show and it’s available online too.”
On view are original paintings by Yorkshire artists Janine Baldwin, Colin Cook, Deborah Grice and Karen Turner.
Director Emilie Knight: Holding auditions for York Shakespeare Project’s Sonnets At The Bar. Here she is pictured playing Covid Nurse in 2020’s Sit-Down Sonnets at Holy Trinity churchyard, Gillygate, York
Auditions of the week: York Shakespeare Project’s Sonnets At The Bar, Bar Convent, York, Friday and Saturday
YORK Shakespeare Project has a not-so-secret new location for its latest sonnet adventures, the secret garden of the Bar Convent Living Heritage Centre, in Blossom Street, York, for Sonnets At the Bar 2021 from July 30 to August 7.
Open-to-all auditions will be held at the Bar Convent tomorrow (4/6/2021) from 5pm and on Saturday from 10am. Those wanting to arrange an audition time should contact director Emilie Knight at emknight65@aol.com, putting ‘Sonnets’ in the heading and indicating a preference of day and time day and time.
“I will provide details of everything you need to prepare when confirming your audition time,” says Emilie, who performed in last year’s Sit-down Sonnets.
Adam Sowter, Florence Poskitt, Alexandra Mather and Andrew Roberts in rehearsal for Saturday’s Fladam and Friends’ Musical Comedy Hootenanny
