More Things To Do in York and beyond as Carol concerts burst into festive song. Hutch’s List No. 52, from The York Press

Next Door But One movement director Bailey Dowler, left, with writer-director Matt Harper-Hardcastle and cast members Ceridwen Smith, centre, Annie Rae Donaghy and Emily Chattle rehearsing for their Explore York library tour of When Robins Appear

CAROL concerts, festive shows and a musical aboard a Christmas steamer fill Charles Hutchinson’s in-box for December delights.

A different kind of Christmas show of the week: Next Door But One in When Robins Appear, York Explore, today and tomorrow, 11am and 2pm; Tang Hall Explore, December 15, 5.30pm; Clifton Explore, December 18, 5.30pm; York Explore, December 20 and 21, 11am and 2pm

WRITTEN and directed by Next Door But One artistic director Matt Harper-Hardcastle, When Robins Appear follows two friends as they face the big changes of moving house, starting new schools and a first Christmas without Grandma, when the festive sparkle seems to be missing.

Equipped with the help of a magical Robin (played by Ceridwen Smith), 12-year-old Ellis (Annie Rae Donaghy) and Lowen (Emily Chattle) are whisked away on a heart-warming journey through their favourite wintery memories to find the magic again. Soon they discover that the real sparkle of Christmas will not be found under the tree, but in the laughter, love and unforgettable moments we share together and that can live forever in our hearts. Tickets update: Sold out. For returns only, go to: www.nextdoorbutone.co.uk.

Adrian Cook’s Captain, top, Alexandra Mather’s Reno Sweeney and Leo Portal’s Ship’s Purser in Pick Me Up Theatre’s Anything Goes

Full steamer ahead of the week: Pick Me Up Theatre in Anything Goes, Theatre@41, Monkgate, York, until December 21, then December 27 to 30

DITCH York’s December chills and climb aboard the S.S. American as it sets sail in Andrew Isherwood’s all-singing, all-dancing staging of Anything Goes, Cole Porter’s swish musical, charting the madcap antics of a motley crew leaving New York for London on a Christmas-themed steamer.

Meet nightclub singer/evangelist Reno Sweeney (Alexandra Mather) and lovelorn Wall Street broker Billy Crocker (Adam Price), who has stowed away on board in pursuit of his beloved Hope Harcourt (Claire Gordon-Brown). Alas, Hope is engaged to fellow passenger Sir Evelyn Oakleigh (Neil Foster). Enter second-rate conman Moonface Martin (Fergus Powell) to join Reno in trying to help Billy win the love of his life. Box office: tickets.41monkgate.co.uk.

Freida Nipples: Hosting tonight’s Baps & Buns Burlesque at Rise@Bluebird Bakery, Acomb

Dr Lara McClure: Weird and wonderful storytelling in Christmas Presence

Cabaret night of the week: Baps & Buns Burlesque, Rise@Bluebird Bakery, Acomb, York, tonight, 7pm

YORK burlesque artiste Freida Nipples hosts her last Baps And Buns Burlesque of 2025 at Bluebird Bakery, joined by drag queens and acrobatic acts for a night of debauched and glamorous cabaret in Acomb. Sorry to raise hopes, but this one is waiting list only at bluebirdbakery.co.uk.

You may have better luck for Christmas Presence, Dr Lara McClure’s weird and wonderful stories for the festive season, on December 17 at 8.30pm. Tickets: bluebirdbakery.co.uk.

Jingle All The Way cast members Emilio Encinoso-Gil and Hannah Christina in rehearsal with musical director Dylan Allcock for Elizabeth Godber’s Christmas play at Pocklington Arts Centre

Deer double act of the week: Jingle All The Way, Pocklington Arts Centre, until December 23; relaxed performance on December 14, 1.30pm

FROM the team behind The Elves And The Shoemaker Save Christmas and Jack Frost’s Christmas Wish comes Elizabeth Godber’s latest Christmas family adventure, co-directed by Jane Thornton with musical direction by Dylan Allcock.

Reindeer siblings Rex (Emilio Encinoso-Gil) and Rosie(Hannah Christina) are reluctant to start at a new school just before Christmas, especially when that school is the East Riding Reindeer Academy, home of supreme athletes. Santa has a position free on his sleigh squad; could this be Rex’s big chance? Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Eve Lorian: Conducting Prima Choral Artists in Christmas concerts at St Olave’s Church, Marygate, York tonight and next Saturday

Choral concerts of the week: Prima Choral Artists, Family Christmas Concerts, St Olave’s Church, Marygate, York, today and December 20, 4pm to 5pm; Choirs At Christmas, Joseph Rowntree Theatre, York, December 16 to 18, 7.30pm

PRODUCED and conducted by Prima Choral Artists director Eve Lorian, these concerts combine her choir with the New World String Quartet, organist James Webb and pianist Greg Birch in reflective and cheerful Christmas celebrations. Here come high-spirited festive classics, modern choral arrangements and string and organ repertoire, including works by Tchaikovsky and Rawsthorne. Box office: primachoral.com and on the door.

The Joseph Rowntree Theatre plays hosts to three magical fundraising evenings of Christmas classics from Tuesday to Thursday. The Shepherd Brass Band’s brace of Gala Christmas Concerts on December 19 and 20 at 7.30pm are fully booked. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Christmas Carols composer Don Pears, left, York Guildhall Orchestra leader Fiona Love, producer Bob Whitney and conductor Simon Wright

Album launch of the week: A Christmas Selection Box, A Music Night Production with Don Pears and Singphonia Singers, Joseph Rowntree Theatre, York, tomorrow, 7pm

THE Singphonia Singers, a group of talented performers formed by York composer Don Pears, showcases Don and Jo Pears’ festive album Christmas Carols in A Christmas Selection Box. The album will be on sale at Sunday’s concert or can be downloaded from Spotify, Apple iTunes and Amazon Music. Box office: 01904 501935, josephrowntreetheatre.co.uk or on the door.

Steve Cassidy: Performing at York’s Annual Community Carol Concert at York Barbican

Family festive fun of the week: York’s Annual Community Carol Concert, York Barbican, tomorrow, 2pm  

SUNDAY is the time to don Christmas jumpers and Santa hats for York’s Annual Community Carol Concert, where Shepherd Brass Band, St Paul’s CE Primary School Choir, All Saints RC School Choir andAmber Ford join special guest Ken Humphreys for an afternoon of Christmas cheer.

Carol concert regular Steve Cassidy sings with the ensemble, while the community singing will be led by musical director Mike Pratt.  The Reverend Andrew Foster and Adam Tomlinson will be on hosting duty. Box office: yorkbarbican.co.uk.

The poster for The Bootleg Beatles’ Monday concert at York Barbican, focusing on the Fab Four’s five biggest-selling studio albums

Tribute show of the week: The Bootle Beatles, 5: The Concert, York Barbican, December 15, 7.30pm

THE Bootleg Beatles follow up their celebration of songs from The Beatles’ quintet of films with another Famous Five. This time, the focus is on the Fab Four’s top five-selling albums, the Bob Dylan-influenced Rubber Soul, the experimental Revolver, Sgt. Pepper’s Lonely Hearts Club Band, heralding the Summer of Love and psychedelia, The White Album, with its glorious mish-mash of styles, and their grand finale, Abbey Road. Box office: yorkbarbican.co.uk.

Recommended but sold out already: Jools Holland and His Rhythm & Blues Orchestra with special guests Imelda May, Ruby Turner, Louise Marshall and Sumudu Jayatilaka, at York Barbican on December 17, 7.3pm

Jools Holland: Sold-out return to York Barbican on December 17

REVIEW: Paul Rhodes’s verdict on Ellie Gowers, with Gary Stewart, Rise@Bluebird Bakery, Acomb, York, November 30

Ellie Gowers at Rise: “Brightening even the most colourless winter evenings”. All pictures: Paul Rhodes

LIKE sundew on her beloved Dartmoor, Ellie Gowers’ music can brighten even the most colourless winter evenings.

Gowers is a regular in York (she was last here as one of the Magpies at the NCEM on November 1). This time around she had found time for glider ducking at Sutton Bank and, before that, a recording session with this evening’s opener Gary Stewart.

Hearing Stewart sing is always a treat, his light Scottish burr and mellow finger-picking guitar beaming directly from that halcyon 1970s’ era of singer-songwriters.

Gary Stewart: Opening November 30’s gig at Rise

It wasn’t his finest hour, in truth, but even in ruffled form there were gems. Use It Or Lose It (recorded that very day with Gowers) was the best of them, somehow combining Paul Simon wisdom with a love of Hornsea mugs. Nothing, sadly, from his wonderful lockdown creation, Lost, Now Found.

As a performer and impresario, Gowers’ confidence on stage has come on apace. She was totally in control of her surroundings, very comfortable talking and tuning (while not standing on her tiptoes). The 50-minute, eight-song set was just right for showcasing her new EP You, The Passenger before the rapt crowd.

Ellie Gowers defending the right to roam in The Stars Are Ours at Rise

The EP takes a different direction from her full album, Dwelling By The Weir’s set of folk songs from her native Warwickshire. No cuts from that; instead, we found Gowers in singer-songwriter mode.

While using Joni Mitchell as a comparison is normally far-fetched, there were echoes of the Canadian’s For The Roses album. It’s a personal record (not Blue personal), in part inspired by her visits to Nova Scotia. A Moment was a more muscular performance, while I Can Be Right For You was beautifully sung and plaintive.

The brightest moment in the set was her anthem to defend the right to roam, The Stars Are Ours, a stellar clarion call for freedom, which sees Gowers transcend her influences. Definitely a name to watch as her star ascends.

Review by Paul Rhodes

The Magpies’ Ellie Gowers performing solo at Rise@Bluebird Bakery

More Things To Do in York and beyond as snow blanket covers JORVIK. Here’s Hutch’s List No. 51, from The York Press

The deep freeze: Snow goes underground in A Winter Wonderland at JORVIK Viking Centre

A FESTIVE trail, treasured exhibition and snow reboot, pantomime and A Christmas Carol spell out that winter staples aplenty are up and running, as Charles Hutchinson reports.  

Time travel of the week: A Winter Adventure at JORVIK Viking Centre, York, until February 22 2026

A WINTER Adventure brings a new wintery experience to the underground York visitor attraction, where the 10th century Vikings are preparing to celebrate Yule with natural decorations hung on their houses. For the first time, visitors can peer through Bright White’s time portal into the blacksmith’s house excavated on this site in the 1970s, seeing what it would have been like to live there.

They will then board a time sleigh to travel back in time around the backstreets, transformed for winter by Wetherby set dressers EPH Creative, who have covered streets and houses in a thick blanket of snow, bathed in cold blue lighting. Pre-booking is essential for all visits to JORVIK at jorvikvikingcentre.co.uk.

Christmas at The Bar Convent. Illustration by Nick Ellwood

Activity trail of the week: Christmas At The Convent, The Bar Convent Living Heritage Centre, Blossom Street, York, until December 22, Monday to Saturday, 10am to 5pm, last admission 4pm

DECEMBER visitors to The Bar Convent can uncover fascinating festive traditions through the centuries in a family-friendly activity trail through the exhibition that combines the convent’s history with the Advent season.

Families can enjoy finding clues, making decorations, dressing up, discovering traditions from Christmas past and much more. Look out for the traditional crib scene in the chapel. Tickets: barconvent.co.uk.

Garlands galore at An Inspired Christmas at Treasurer’s House, York. Picture: National Trust, Anthony Chappel-Ross

Festive exhibition of the week: An Inspired Christmas at Fairfax House, York, until December 21, open Saturday to Wednesday, 11am to 4pm, last entry 3.30pm

TREASURER’S House has undergone a winter transformation, where stories of its past residents come to life through handcrafted decoration as rooms are re-imagined by the National Trust with festive flair, inspired by the 17th-century house’s rich history.

Each room is styled to reflect the personalities and tales of those who once called Treasurer’s House home, from last occupant Frank Green, the visionary industrialist who gifted the property to the National Trust, to the Young family, Jane Squire, Ann Eliza Morritt, Elizabeth Montague, Sarah Scott, John Goodricke and Royal visitor Queen Alexandra, wife to King Edward VII. No booking is required, with free entry for National Trust members and under-fives.

Guy Masterson’s Ebenezer Scrooge in A Christmas Carol, on tour at Theatre@41, Monkgate, York

Festive ghostly return of the week: Guy Masterson in A Christmas Carol, Theatre@41, Monkgate, York, today, 2pm 7.30pm

HEADING back to Theatre@41 for the fourth time, Olivier Award winner Guy Masterson presents Charles Dickens’s Christmas fable anew, bringing multiple characters to vivid life as ever, from Scrooge and Marley to the Cratchits and the Ghosts of Christmas Past, Present and Yet To Come. 

Be dazzled, be enchanted by a performance destined to linger long in the memory. “It’s guaranteed to get you into the Christmas Spirit – in many  more ways than one,” says Masters. Box office: tickets.41monkgate.co.uk.

Ellie Gowers: Songs exploring distance, longing and identity at Rise@Bluebird Bakery

Ecological songs of the week: Ellie Gowers, Rise@Bluebird Bakery, Acomb, York, Sunday, 8pm, doors 7.30pm

WARWICKSHIRE singer-songwriter – and Morris dancer to boot – Ellie Gowers blends contemporary acoustic sounds with the storytelling traditions of folk. Her 2022 debut album Dwelling By The Weir addressed ecological themes and her 2024 EP You The Passenger received airplay on Mark Radcliffe and Stuart Maconie’s BBC 6Music show.

Her influences range from Mipso to Jeff Buckley is songs that explore distance, longing and identity. An extended version of the EP arrives this autumn 2025. Easingwold singer-songwriter Gary Stewart supports. Box office: bluebirdbakery.co.uk/rise.

St Agnes Fountain: Promoting new Christmas album Flakes & Flurries at NCEM, York

Folk gig of the week: Black Swan Folk Club presents St Agnes Fountain, National Centre for Early Music, York, December 1, 7.30pm

AFFECTIONATELY known as “the Aggies”, Chris While, Julie Matthews and Chris Leslie bring their Christmas cheer to the NCEM, presenting carols with a curve. They celebrate 25 years together with material from new festive album Flakes & Flurries (Fat Cat Records), old Aggie classics and a doff of the fedora to founder member David Hughes, who died in 2021. Box office: 01904 658338 or ncem.co.uk.

Name of the dame: Robin Simpson will be playing Nurse Nellie in Sleeping Beauty at York Theatre Royal

Pantomime opening of the week: Sleeping Beauty, York Theatre Royal, December 2 to January 4 2026

THEATRE Royal creative director Juliet Forster directs returnee dame Robin Simpson’s Nurse Nellie, Jocasta Almgill’s Carabosse, Tommy Carmichael’s Jangles, CBeebies star Jennie Dale’s Fairy Moonbeam, Aoife Kenny’s Aurora and Harrogate actor Christian Mortimer’s Prince Michael in Sleeping Beauty.

Written once more by Paul Hendy, the Theatre Royal’s festive extravaganza is co-produced with award-winning Evolution Productions, the same team behind All New Adventures Of Peter Pan, Jack And The Beanstalk and last winter’s Aladdin. Box office: 01904 623568 or yorktheatreroyal.co.uk. 

Mark Thomas in Ed Edwards’s play Ordinary Decent Criminal at York Theatre Royal Studio. Picture: Pamela Raith Photography

Recommended but sold out already: Paines Plough presents Mark Thomas in Ordinary Decent Criminal, York Theatre Royal Studio, December 2 and 3, 7.30pm

MEET recovering addict Frankie, played by political comedian Mark Thomas in his second acting role for playwright Ed Edwards after England & Son in 2023. In Ordinary Decent Criminal’s tale of freedom, revolution and messy love, Frankie has been sentenced to three and a half years in jail for dealing drugs. 

On his arrival, none of his fellow convicts are what they seem, but with his typewriter, activist soul and sore lack of a right hook, he somehow finds his way into their troubled hearts, and they into his. In the most unexpected of places, Frankie discovers that the revolution is not dead, only sleeping. Box office for returns only: 01904 623568 or yorktheatreroyal.co.uk.

The Jeremiahs: Irish folk band play York for the first time on December 3. Picture: Tony Gavin

York debut craic of the week: The Jeremiahs, National Centre for Early Music, York, December 3, 7.30pm

IRISH band The Jeremiahs have travelled extensively, including playing 26 states in the USA, performing rousing new songs and tunes in the folk genre, peppered with picks from the trad folk catalogue. Lead vocalist and occasional whistle player Joe Gibney, from County Dublin, is joined by his fellow founder,  Dublin guitarist James Ryan, New York-born fiddler Matt Mancuso and County Clare flautist Conor Crimmins. Box office: 01904 658338 or ncem.co.uk.

The one and only Jesca Hoop: Playing NCEM on December 4

Singer-songwriter of the week: Brudenell Presents and Please Please You present Jesca Hoop, National Centre for Early Music, York, December 4, 7.30pm

DISCOVERED by Tom Waits, invited on tour by Peter Gabriel and encouraged to relocate to the UK by Elbow’s Guy Garvey, Jesca Hoop left California for Manchester to carve out a singular path across six albums of original material. Collaborations with producers John Parish (PJ Harvey), Blake Mills (Feist), and Tony Berg (Phoebe Bridgers) have only sharpened the intricacy of her craft.

Now she has released Selective Memory, an unplugged reworking of 2017’s Memories Are Now, recorded live at home with bandmates Chloe Foy and Rachel Rimmer for Last Laugh Records. Box office: thecrescentyork.com/events/jesca-hoop-at-the-ncem-york/.

In Focus: York Mystery Plays Supporters Trust in A Nativity For York, on tour, November 29 to December 10

A Nativity For York director Paul Toy

YORK Mystery Plays Supporters Trust is touring A Nativity For York to Acomb, Fulford, Nether Poppleton and All Saints Church, North Street, bringing the Christmas story to York neighbourhoods from November 29 to December 10.

Directed by Paul Toy, this new and unique interpretation of the Nativity dramatises events surrounding the birth of Jesus Christ from the York Cycle of Mystery Plays, presented by a community cast and production team with music in candlelight.

Using medieval scripts from the York Cycle of Mystery Plays and music both medieval and folk in style, A Nativity For York “tells a familiar story of a marvellous birth, threaded with humour, reverence and, sadly, hatred”.

The candlelight emphasises the constant struggle of the light against the darkness in Toy’s production, set in a time of threat when a homeless couple and their newborn baby are driven from home by oppressors.  

“My vision is that of an underground, secret activity; clandestine performances of a play promoting banned religious doctrine in a time of oppression,” he says. “It mirrors both history and our current world situation, but it’s also a time of great hope.”

The York Mystery Plays were written in medieval times: 48 plays, once performed in the streets by the city’s Guilds, telling the Biblical story from Creation to Judgement Day, including the life of Jesus Christ.  

York Mystery Plays Supporters Trust is a registered charity whose group of volunteers aims to keep the story of the York Mystery Plays alive at the forefront of York’s cultural heritage.

Performances will take place at St Hilda’s Church, Tang Hall Lane, York, on November 29 at 1pm and 4pm; St Mary Bishophill Junior, York, December 2 and 4, 7.30pm; St Mary’s Church, The Village, Haxby, December 6, 1pm and 4pm, and All Saints Church, North Street, York, December 10, 7.30pm

Tickets are on sale at https://ympst.co.uk/nativitytickets or on 0333 666 3366. The performance lasts 60 minutes with no interval. Festive refreshments will be available.

More Things To Do in York and beyond when a snowstorm spells theatrical joy. Hutch’s List No. 49, from The York Press

Slava’s SnowShow: Bringing joy to children and drawing out the inner child in adults at Grand Opera House, York

SNOW storms and Count Arthur Strong’s Scrooge; dancing full of Momentum and Jon Ronson’s latest psychopath tests put the ‘yes’ into November for Charles Hutchinson.

Weather forecast of the week: Slava’s SnowShow, Grand Opera House, York, November 19 to 23, 7.30pm, Wednesday to Saturday; 2.30pm, Thursday and Saturday; Sunday, 2pm and 6pm

ENTER an absurd and surrealistic world of “fools on the loose” in Slava Polunin’s  work of clown art, wherein each scene paints a picture: an unlikely shark swimming in a misty sea; clowns and the audience tangled up in a gigantic spider’s web; heart-breaking goodbyes with a coat rack on a railway platform, and audience members being hypnotised by giant balloons. The finale is an “out-of-this-world snowstorm”. Box office: atgtickets.com/york.

London City Ballet in Alexei Ratmansky’s Pictures At An Exhibition at York Theatre Royal

Dance show of the week: London City Ballet: Momentum, York Theatre Royal, today, 2.30pm and 7.30pm

LONDON City Ballet, former resident company of Sadler’s Wells, returns to York Theatre Royal with Momentum, a new repertoire that showcases artists and works rarely seen in the UK.

Here come George Balanchine’s Haieff Divertimento; New York City Ballets artist-in-residence Alexei Ratmansky’s Pictures At An Exhibition; Liam Scarlett’s Consolations & Liebestraum and Paris Opera Ballet premier danseur and emerging choreographer Florent Melac’s new work. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jason Manford’s show poster for A Manford All Seasons, returning to York Theatre Royal this weekend

Comedy gig of the week: Jason Manford in A Manford All Seasons, York Barbican, tonight, 7.30pm

SALFORD comedian, writer, actor, singer and radio and television presenter Jason Manford makes his second York in his 2025 stand-up show. He cites Billy Connolly as his first inspiration and he cherishes such family-friendly entertainers as Eric Morecambe, Tommy Cooper and Les Dawson. Box office: yorkbarbican.co.uk.

Pictish Trail: Expect psychedelic goo at Rise@Bluebird Bakery on Monday

Rising to the occasion: Blair Dunlop, Rise@Bluebird Bakery, Acomb, York, tonight, 7.30pm; Pictish Trail, Rise@Bluebird Bakery, November 17, 7pm

CHESTERFIELD folk musician, singer, songwriter, storyteller and actor Blair Dunlop performs traditional and contemporary songs from his five albums, released between 2012 and 2024, this weekend.

Known for his wildly inventive electro-acoustic pysch-pop, crafted on the Isle of Eigg in the Scottish Hebrides, Pictish Trail, alias Johnny Lynch, has completed work on his new album, a sticky, shimmering swirl of sound and slime. To celebrate, he previews songs at Monday’s intimate show, performing in raw, exploratory mode, armed with acoustic guitar, sampler and his warped imagination. Expect tenderness, weirdness and generous dollops of goo. Box office: bluebirdbakery.co.uk/rise. 

Chris Wood: Seeking the truth in song at the NCEM

Folk gig of the week: Chris Wood, National Centre for Early Music, York, Sunday, 6.30pm 

REFLECTIONS on minor league football, empty nest syndrome, learning to swim and the Gecko as a metaphor for contemporary society add up to a typically wise and soulful Chris Wood set. Tom Robinson and Squeeze’s Chris Difford are fans, while The Unthanks look to him as an influence, and he has played with the Royal Shakespeare Company and in The Imagined Village project with Billy Bragg and Eliza Carthy.

In a world of soundbites and distractions, six-time BBC Folk Awards winner Wood is a truth seeker, whose uplifting and challenging writing is permeated with love and wry intelligence as he celebrates “the sheer one-thing-after-anotherness of life”. Box office: 01904 658338 or ncem.co.uk.

King For A Day: Paying tribute to Nat King Cole at York Theatre Royal

Nostalgia of  the week: King For A Day: The Nat King Cole Story, York Theatre Royal, November 17, 7.30pm

VOCALIST Atila and world-class musicians take a fresh, thoughtful and entertaining look at the life and work of Alabama pianist, singer and actor Nat King Cole, whose jazz and pop vocal styling in songs such as Nature Boy, Unforgettable and When I Fall In Love define a golden era of 20th century American music.

Cole’s most celebrated songs and stylish re-workings of his lesser-known gems are complemented by projections of rare archive images and footage, weaved together by narration. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Kerry Godliman: Welcome to the life of a middle-aged woman who has outsourced her memory to her phone in Bandwidth. Picture: Aemen Sukka, of Jiksaw

Straight talker of the week: Kerry Godliman: Bandwidth, York Theatre Royal, November 19, 7.30pm

WHILE parenting teenagers, bogged down with knicker admin and considering dealing HRT on the black market, Kerry Godliman can’t remember what was in her lost mum bag after outsourcing her memory to her phone. Welcome to the life of a middle-aged woman who lacks the bandwidth ​for any of this.

Godliman, comedian, actor, writer, podcaster and broadcaster, from Afterlife, Taskmaster and Trigger Point, builds her new stand-up show on straight-talking charm and quick wit. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jon Ronson: Hosting Psychopath Night at York Barbican, where he will welcome questions from the audience

Mind-bending insights of the week: Jon Ronson: Psychopath Night, York Barbican, November 18, 7.30pm

WHAT happens when a psychopath is in power? Could you learn to spot a psychopath? Are you working for a psychopath? Is there a little bit of psychopath in all of us? Sixteen years since journalist, filmmaker and author Jon Ronson embarked on The Psychopath Test, he reopens the case.

Expect exclusive anecdotes and fresh reflections in Ronson’s exploration of madness and the elusive psychopathic mind, re-booted with mystery special guests whose tales were not in the original book. Box office: yorkbarbican.co.uk.

Recommended but sold out already at York Barbican: Adam Ant  in Ant Music, November 19, doors 7pm.

Count Arthur Strong: Telling Ebenezer Scrooge’s tale in Charles Dickens guise at York Barbican

Dickens of a good show: Count Arthur Strong Is Charles Dickens in A Christmas Carol, York Barbican, November 20, 8pm; Whitby Pavilion Theatre, November 23, 7.30pm; Scarborough Spa Theatre, November 27, 8pm  

IN response to public pressure, doyen of light entertainment and raconteur Count Arthur Strong is extending his fond farewell with new dates aplenty for his one-man interpretation of A Christmas Carol, performing his own festive adaptation in the guise of literary great and travelling showman performer Charles Dickens. Box office: York, yorkbarbican.co.uk; Whitby, whitbypavilion.co.uk; Scarborough, scarboroughspa.co.uk.

Pianist Robert Gammon

Dementia Friendly Tea Concert: Maria Marshall, Jill Shepherd and Robert Gammon, St Chad’s Church, Campleshon Road, York, November 20, 2.30pm

IN a change to the advertised programme, unfortunately Billy Marshall is unable to play, prompting cellist Maria Marshall and flautist Jill Shepherd to agree at short notice to join pianist Robert Gammon for Thursday’s concert. Plans are afoot for Billy to play next year instead.

The programme includes music by Mozart, Elgar’s Salut d’Amour, the charming Liebesleid by Fritz Kreisler, an attractive Berceuse by Edward German and a lovely baroque trio sonata by Boismortier. As usual, 45 minutes of music will be followed by tea, coffee and homemade cakes in the church hall. Seating is unreserved and there is no charge although donations are welcome.

Mexborough poet Ian Parks holding a copy of his new book The Sons Of Darkness And The Sons Of Light

Word-and-song gathering of the week: Navigators Art presents An Evening with Ian Parks and Friends, The Basement, City Screen Picturehouse, York, November 21, 7.30pm

YORK arts collective Navigators Art plays host to An Evening with Ian Parks and Friends, where Parks reads from his new collection, The Sons Of Darkness And The Sons Of Light, and will be in conversation with Crooked Spire Press publisher Tim Fellows.

Joining Parks will be award-winning York novelist and poet Janet Dean, poet and critic Matthew Paul and singer-songwriter Jane Stockdale, from York alt-folk trio White Sail. Tickets: £5 in advance at bit.ly/nav-events or £8 on the door from 7pm.

In Focus: Lesley Birch: Flower Power and Jacqui Atkin: Ceramics, Pyramid Gallery, Stonegate, York, until mid-January 2026, Monday to Saturday, 10am to 5pm  

Lesley Birch at her Flower Power exhibition opening with Pyramid Gallery owner and curator Terry Brett

YORK artist Lesley Birch is showing 22 paintings from her Flower Power series in an exhibition at Pyramid Gallery that coincides with the blooming of her small art book of the same title.

The book is published by Overt Books, the independent York publisher set up by York Creatives creator Ben Porter.

“I’ve always meant to publish an art book and never quite got around to it, but with Ben’s help, I was able to pull together this small volume,” says Lesley. “There are beautiful photographs of my home studio from Esme Mai Photography, more photos by Eloise Ross, and some of my free verse musings to accompany photographs of the paintings.

Lesley Birch in her studio. Picture: Esme Mai Photography

“There are only 50 copies available at this time. I’m thrilled to say that there is a foreword from my generous PICA Studios studio mate Mark Hearld

Lesley is sharing space at Pyramid Gallery with ceramicist Jacqui Atkin, who works with The Pottery Showdown programme. “I love the combination of my flower paintings with Jacqui’s ceramics,” she says.  “They sit beautifully together and it was lovely to hear her details about making these exquisite pieces.”

Lesley’s Flower Power paintings were painted in response to abundant summer blooms in her garden and from Shambles Market in York.

Lesley Birch’s book cover for Flower Power

Sunflowers, from Lesley Birch’s Sunflower series

“I’m often keen on certain pots and vases too and I like to set up lots of bouquets here and there, playing with colour, texture and shape,” she says.

“I find myself immersed in a world of pure discovery and concentration.  These works I’ve been developing for the past ten months and they’re now finally ready to go out on show.”

The Flower Power book is priced at £12 plus £3 postage and packaging. Contact Lesley via lesleybirch@icloud.com for a copy.

Lesley Birch with summer blooms in her garden

In Focus: Introducing Constance Peel, Service Please, Aesthetica Fringe, Rise@Bluebird Bakery, Acomb, York, November 7, 8.30pm; Micklegate Social, York, November 9, 2pm and 8pm

Constance Peel: Writer, director, performer…and waitress, serving up Service Please at inaugural Aesthetica Fringe

CONSTANCE (Connie) Peel, York-born director, producer, writer and performer, will present her debut one-woman show Service Please as part of the inaugural Aesthetica Fringe.

“I’ve been working as an assistant director and performer in theatre professionally for the past two years, since graduating from the University of York,” says Connie, 24. “This show explores the reality of working in hospitality, including the harassment and sexism you can face as a young woman.”

Service Please is billed as “a relatable and comedic monologue that follows Lara, a creative writing graduate, who hopes to write the next best-selling fantasy romance novel. There’s only one thing standing in her way, her casual waitressing job that keeps the money coming in.”

“We’ve all been there, but Lara wasn’t ready for the stressful and chaotic reality of working in the service industry,” says Connie, introducing her monodrama. “Can Lara keep her sanity and get her big writing break or will she crumble under the pressure of understaffed shifts, creepy comments and customers who say their only food allergies are ‘women’?”

Constance Peel’s poster for this week’s performances of Service Please at Rise@Bluebird Bakery and Micklegate Social

Hospitality is the fastest-growing economic sector, worth £93 billion to the UK economy. “But it’s under severe pressure with more than 100,000 job losses predicted by the time of this month’s Budget, due to National Insurance rises (according to UK Hospitality),” says Connie.

“It’s evident working in the sector that to continue profits and keep up with the cost of living, food prices and discounts both need to increase while labour hours decrease. Being a server has never been more stressful and unpredictable and this experience (as other working-class experiences) is so often overlooked by theatre.” 

Sexual harassment is an epidemic in the hospitality industry too, says Connie. “As many as 47 per cent of workers having experienced it – and 69 per cent witnessed it in 2021 (Culture Shift).

“These statistics, though informative, mask the personal cost to the individuals harassed and abused. My play presents interpretations of my own personal experiences, including those with harassment, and they’re an unfortunate part of the job when working as a waitress.

“I wanted to show the emotional toll of struggling as an artist, especially as in the past five years there has been one third fewer arts jobs,” says Connie

“They shouldn’t be, and awareness of this experience even in Fringe-scale theatre is always beneficial to the cause.” 

Lastly, says Connie, Service Please tells the story of an artist with no clear way into her industry. “This is the most personally accurate part of my script. I wrote and performed the 50-minute monologue while producing and marketing it alone for its six-day debut run at the world-famous Edinburgh Fringe, where it won plaudits from critics and top reviews.

“Though this is hopeful for creatives, both in the execution of the play and my own story behind it, I wanted to show the emotional toll of struggling as an artist, especially as in the past five years there has been one third fewer arts jobs (directly impacting my career).

“It was important that I brought this show back to where my career started, in York where I graduated from the University of York and where I’ve been working for the past three years between York and Leeds. I hope this production and my story makes people see the importance of a small-scale play like this in today’s society.” 

For tickets, go to: ticketsource.co.uk.

More Things To Do in York and beyond the Halloween spooks and ghost train rides. Hutch’s List No. 48, from The York Press

Film critic Mark Kermode: Book talk and gig with his band Dodge Brothers at York Theatre Royal in the Beyond the Frame strand of Aesthetica Short Film Festival 2025. Picture: Julie Edwards Visuals

THE 15th Aesthetica Short Film Festival tops the bill in a week when Sir Gareth Southgate and David Walliams are keen to talk too,  as Charles Hutchinson highlights.

Festival of the week: Aesthetica Short Film Festival, all over York, November 5 to 9

NOT so much a film festival as a “screen and media event”, in its 15th year, York’s Aesthetica Short Film Festival is bigger and broader than ever. Not only more than 300 shorts, features, documentaries, animations and experimental films, but also the VR & Games Lab; masterclasses and panels; workshops and roundtables; networking and pitching; Listening Pitch premieres; the inaugural New Music Stage and Aesthetica Fringe shows; Beyond the Frame events at York Theatre Royal; the UNESCO City of Media Arts EXPO and the Podcasting strand. For the full programme and tickets, go to: asff.co.uk.

Joseph Egan’s club boss Fat Sam from the Team Bugsy cast for Pick Me Up Theatre’s Bugsy Malone

Young swells of the week: Pick Me Up Theatre in Bugsy Malone, Grand Opera House, York, until November 8, 7.30pm, except Sunday and Monday; 2.30pm, both Saturdays and Sunday

LESLEY Hill directs and choreographs York company Pick Me Up Theatre’s cast of more than 40 young performers in Alan Parker and Paul Williams’s Jazz Age musical, replete with the film songs You Give A Little Love,  My Name Is Tallulah, So You Wanna Be A Boxer?, Fat Sam’s Grand Slam and Bugsy Malone.

In Prohibition-era New York, rival gangsters Fat Sam and Dandy Dan are at loggerheads. As custard pies fly and Dan’s splurge guns wreak havoc, penniless ex-boxer and all-round nice guy Bugsy Malone falls for aspiring singer Blousey Brown. Can Bugsy resist seductive songstress Tallulah, Fat Sam’s moll and Bugsy’s old flame, and stay out of trouble while helping Fat Sam to defend his business? Box office: atgtickets.com/york.

Mark Steel: Addressing the leopard in his house at York Theatre Royal tonight

“Leftie, working-class, BBC Radio 4 favourite” comedy gig of the week: Mark Steel: The Leopard In My House, York Theatre Royal, tonight, 7.30pm

COMEDIAN, nation-travelling radio presenter and writer Mark Steel has not so much an elephant in the room as The Leopard In My House. Under discussion is his battle with throat cancer, one that he is winning (thankfully) and that has spawned his new comedy tour show. Cancer, by the way, has done nothing to dull the edge of Steel’s trademark acute political and cultural observations.

“This show is the story of my year, of wonderful characters and often tricky but bafflingly positive experiences,” says Steel. “Doing the show doesn’t quite make me glad that it happened, but it definitely makes up for it quite a bit”. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The Magpies: Launching new EP at the NCEM

Folk gig of the week: The Magpies, National Centre for Early Music, York, tonight, 7.30pm

THE Magpies, the folk trio that hosts The Magpies Festival at Sutton House, near York, every summer, combine rich harmonies with fiddle-led fire and lyrical storytelling, wherein Bella Gaffney (banjo, vocals), Holly Brandon (fiddle, vocals) and Ellie Gowers (guitar, vocals) meld Anglo and American traditions.

Tonight’s intimate gig marks the launch of this autumn’s EP, The One Thing That I Know. Lead single Painted Pony is a stirring tribute to the St John and St Lawrence rivers of Canada: a song that flows with memory, movement and the quiet majesty of nature’s imprint. Box office for returns only: 01904 658338 or ncem.co.uk.

George Stagnell in the short film Bomb Happy, part of an Everwitch Theatre double bill

Theatre and film memorial of the week: Everwitch Theatre in Bomb Happy VE Day double bill, Milton Rooms, Malton, Sunday, 3pm

PRESENTED in the lead-up to Remembrance Sunday, whose focus this year falls on 80th anniversary of VE Day, Bomb Happy has been created by writer-performer Helena Fox and actor-vocalist Natasha Jones, of Everwitch Theatre.

From D-Day to VE Day, this powerful one-hour double bill of live performance (30 minutes) and short film (30 minutes) brings to life the verbatim accounts of two working-class Yorkshire Normandy veterans, highlighting the lifelong impact of post-traumatic stress disorder and sleep trauma, not only on war veterans but on their families too. Box office: 01653 696240 or themiltonrooms.com.

Leading light Mad Alice: Welcoming passengers to her Ghost Train on the North Yorkshire Moors Railway

Train ride of the week: Mad Alice’s Ghost Train, North Yorkshire Moors Railway, Pickering Station, Sunday, 6.15pm and 8pm

JOIN York ghost walk hostess Mad Alice as she takes a spine-tingling ghost-train ride through the haunted heart of the North York Moors from Pickering to Levisham and back again in an hour-long eerie adventure. “I’ll be joined by Jonny Holbek, from York Light Opera Company, and professional actor Joe Standerline to help me tell stories in the carriage,” says Mad Alice. “Plus a few extra ‘ghosts’, who are actually either NYMR volunteers or York Light members – and even my own niece!”

All on board to learn of the mysterious ghosts that still haunt the carriages and stations; hear of supernatural tales and folklore of the land, and enjoy a special retelling of Charles Dickens’s ghost story, The Signal Man, all while sipping Mini Mad Alice’s Bloody Orange Gin & Tonic from York Gin (age 18 upwards). Box office for waiting list only: nymr.co.uk/Event/ghosttrain.

Sir Gareth Southgate: Discussing his new book Dear England at York Barbican…and the subject of James Graham’s play of that title at Leeds Grand Theatre

Ex-England manager at the double: In Conversation with Gareth Southgate, Lessons In Leadership, York Barbican, November 3, 7.30pm;  National Theatre in Dear England, Leeds Grand Theatre, November 4 to 8, kick-off at 7.30pm plus 2pm Wednesday, Thursday and Saturday matinees

SIR Gareth Southgate, of Swinsty Hall, Fewston, Harrogate, makes the comparatively short trip to York Barbican to discuss his eight years of leading England’s footballers on the world stage with a revolutionary management style that combined calm empathy with mental resilience, courageous integrity with strong accountability.

David Sturzaker’s Gareth Southgate, in trademark waistcoat, in James Graham’s play Dear England, on tour at Leeds Grand Theatre. Picture: Mark Brenner

He will discuss his new book Dear England: Lessons In Leadership, a title shared with James Graham’s Olivier Award-winning play (and forthcoming television drama) that takes its name from Southgate’s open letter during the Covid-19 pandemic.

David Sturzaker plays Southgate, Samantha Womack, team psychologist Pippa Grange, in this “inspiring, at times heart-breaking and ultimately uplifting story” of England, penalties, lost finals and a new-found national identity. Box office: York, yorkbarbican.co.uk; Leeds, 0113 243 0808 or leedsheritagetheatres.com.

David Walliams: An evening of frank chat and outrageous anecdotes at York Barbican. Picture: Charlie Clift

Candid comedic conversation of the week: An Evening With David Walliams, York Barbican, November 4, 7.30pm

SKETCH comedian, prolific author, talent show judge and English Channel swimmer David Walliams presents an evening of laughter, storytelling and surprises, discussing his Little Britain breakthrough,  Come Fly With Me and his days on Britain’s Got Talent.

Expect the stories behind legendary TV sketches and reflections on his myriad books and the highs and lows of a career. Prepare for candid conversation and outrageous anecdotes, topped off with the chance to put questions to Walliams in the Q&A. Box office: yorkbarbican.co.uk.

Ben Rosenfield and Laura McKeller in The Wetwang Hauntings Live. Picture: Emma Warley

Halloween horrors and jump scares of the week: Neon Crypt & The Deathly Dark Tours present The Wetwang Hauntings – Live!, Theatre@41, Monkgate, York, November 4 to 8, 7.30pm plus 2.30pm Saturday matinee

BETWEEN 1986 and 1993, a series of often violent hauntings rocked the small Yorkshire town of Wetwang. The cases went cold and all the records were lost…until now! Join York ghost walk guide Dr Dorian Deathly as the Neon Crypt and The Deathly Dark Tours team digs into the history and horrors of these cases. “This show is not for the faint of heart,” he forewarns. Suitable for age 13 upwards. Box office: tickets.41monkgate.co.uk.

Nik Briggs: York Stage director back on stage to play a contestant in The Great British Bake Off Musical

York musical premiere of the week: York Stage in The Great British Bake Off Musical, Joseph Rowntree Theatre, York, November 5 to 8, 7.30pm plus 2.30pm Saturday matinee

BAKING battles, singing sponges and a sprinkling of hilarity is the recipe for York Stage’s York premiere of The Great British Bake Off Musical, rising to the occasion under the direction of Nik Briggs, who also makes a rare stage appearance as one of the Bake Off contestants.

Expect a sweet and savoury symphony of British wit and oven mitts, propelled by a menu of  jazz hands and jubilant original songs that capture the essence of the Bake Off tent, from nerve-wracking technical challenges to triumphant showstoppers. Be prepared for an emotional rollercoaster ride, where cakes crumble, friendships form and dreams become fruitful reality. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Katie Leckey: Directing Griffonage Theatre’s three nights of Kafka’ strangest short stories in the House of Trembling Madness cellar in Lendal

Deliciously disturbing stories of the week: Griffonage Theatre, Kafka By Candlelight, The House Of Trembling Madness, Lendal, York, November 5 to 7. 6.30pm and 8.30pm  

“NO rest for the week,” say Griffonage Theatre, York’s purveyors of the madcap and the macabre, who are performing Kafka By Candlelight in the cavernous belly of the House Of Trembling Madness cellar as part of Aesthetica Short Film Festival’s debut  Aesthetica Fringe, featuring 25 shows across the city.

This one showcases five of Franz Kafka’s strangest short stories, told disturbingly in the darkness with the audience in masks (optional). “Dare to join us?” they tease. Box office: eventbrite.com/e/kafka-by-candlelight-tickets-1815618316259.

York actor, writer and director Constance Peel: Presenting Service Please at Aesthetica Fringe 2025

In Focus: Introducing Constance Peel, Service Please, Aesthetica Fringe, Rise@Bluebird Bakery, Acomb Road, Acomb, York, November 4 and 7, 8.30pm; Micklegate Social, Micklegate, York, November 9, 2pm and 8pm

CONSTANCE (Connie) Peel, York-born director, producer, writer and performer, will present her debut one-woman show Service Please as part of the inaugural Aesthetica Fringe.

“I’ve been working as an assistant director and performer in theatre professionally for the past two years, since graduating from the University of York,” says Connie, 24. “This show explores the reality of working in hospitality, including the harassment and sexism you can face as a young woman.”

Service Please is billed as “a relatable and comedic monologue that follows Lara, a creative writing graduate, who hopes to write the next best-selling fantasy romance novel. There’s only one thing standing in her way, her casual waitressing job that keeps the money coming in.”

“We’ve all been there, but Lara wasn’t ready for the stressful and chaotic reality of working in the service industry,” says Connie, introducing her monodrama. “Can Lara keep her sanity and get her big writing break or will she crumble under the pressure of understaffed shifts, creepy comments and customers who say their only food allergies are ‘women’?”

Hospitality is the fastest-growing economic sector, worth £93 billion to the UK economy. “But it’s under severe pressure with more than 100,000 job losses predicted by the time of this month’s Budget, due to National Insurance rises (according to UK Hospitality),” says Connie.

“It’s evident working in the sector that to continue profits and keep up with the cost of living, food prices and discounts both need to increase while labour hours decrease. Being a server has never been more stressful and unpredictable and this experience (as other working-class experiences) is so often overlooked by theatre.” 

Sexual harassment is an epidemic in the hospitality industry too, says Connie. “As many as 47 per cent of workers having experienced it – and 69 per cent witnessed it in 2021 (Culture Shift).

“These statistics, though informative, mask the personal cost to the individuals harassed and abused. My play presents interpretations of my own personal experiences, including those with harassment, and they’re an unfortunate part of the job when working as a waitress.

“They shouldn’t be, and awareness of this experience even in Fringe-scale theatre is always beneficial to the cause.” 

Lastly, says Connie, Service Please tells the story of an artist with no clear way into her industry. “This is the most personally accurate part of my script. I wrote and performed the 50-minute monologue while producing and marketing it alone for its six-day debut run at the world-famous Edinburgh Fringe, where it won plaudits from critics and top reviews.

“Though this is hopeful for creatives, both in the execution of the play and my own story behind it, I wanted to show the emotional toll of struggling as an artist, especially as in the past five years there has been one third fewer art jobs (directly impacting my career).

“It was important that I brought this show back to where my career started, in York where I graduated from the University of York and where I’ve been working for the past three years between York and Leeds. I hope this production and my story makes people see the importance of a small-scale play like this in today’s society.” 

For tickets, go to: ticketsource.co.uk.

Di Gomery’s uplifting Floresce artworks on show at Rise@Bluebird Bakery in Acomb

Di Gomery in her South Bank Studios studio in York

YORK artist Di Gomery’s Floresce exhibition will be on show at Rise@Bluebird Bakery, Acomb Road, Acomb, York, until December18.

In the wake of Di’s springtime display of paintings at York Hospital, she has created a series of colourful and uplifting artworks informed by her sketchbook drawings.

“I really hope these paintings will once again be a wall of flowing, joyful energy that sits alongside viewers as they enjoy a Rise event or visit Bluebird Bakery,” she says.

“It’s a terrific venue to show large-scale paintings and it’s been a delight to work with bakery co-owner and poet Nicky Kippax and Bluebird’s creative curator and artist Jo Walton to bring together this display of predominantly new work.”

Di Gomery’s poster for her Floresce exhibition at Rise@Bluebird Bakery, Acomb

Co-owner Nicky says: “Our evening venue, Rise, has just celebrated its second birthday and art exhibitions are a really important element of what we offer there. It’s fantastic to work with York artists.

“The art they display is inspiring and stimulating for everyone: our customers, our team and the artists who take part.”

In recognition of the work undertaken by Médecins Sans Frontières, Di plans to donate 25 per cent of painting sales to the international organisation.

Di Gomery at the National Coal Mining Museum for England at Overton in December 2024

Di Gomery: back story

STUDIED Art and Design at Manchester Polytechnic, followed by an MA at Birmingham Polytechnic. Gained her Doctorate from UCL Institute of Education, London.

She has taught at Bretton Hall College, Batley School of Art, Huddersfield University and Loughborough University.

Now lives in York, dedicating herself full time to oil painting in her South Bank Studios studio at Southlands Methodist Church, Bishopthorpe Road, York.

Last year, she took part in the Gomery & Braganza joint exhibition with ceramicist Loretta Braganza at Pyramid Gallery, York, from January 27 to March 10. She also exhibited at Hartlaw Solicitors,  St James’s Street, Wetherby, from October 7 2024 to October 1 2025.

Last December, Di had her work chosen for display at the National Coal Mining Museum for England (NCMME) at Caphouse Colliery, Overton, Wakefield, West Yorkshire, until March 2025.

Naming The Creation, by Di Gomery, on show at the National Coal Mining Museum for England

While on a visit there earlier in 2024, she was reminded of the textile artwork she had created in 1988 while living in Edinburgh, when she researched ideas of female identity and received a Scottish Arts Council Award and an exhibition.

On seeing her work Naming the Creation, the NCMME invited Di to display the artwork there and to reflect on her upbringing in a Yorkshire pit village in the museum’s general exhibition during the 40th year since the Miners’ Strike of 1984.

To her surprise, coal once again inspired her, this time to write her first-ever poem. “My inspiration for this artwork was to express the changes taking place for women at that time (1980s) as their self-confidence grew and their empowerment expanded,” she says.

For Di, coal had to be included in the journey that she and many young women like her were taking. “Coal formed me into the person I am today and was central to my upbringing,” she says.

Di’s relationship with coal goes back to her birth in a National Coal Board house in South Kirkby. As a pit deputy, her father was entitled to a substantial delivery of coal that was proudly dropped at the top of their garden for her and her sister to “get in” by shovelling it first into the wheelbarrow, then down the garden path, and then shovel by shovel into the coal house at the back of the house.

Di Gomery pictured on March 26 2025 with two of her artworks on display in a York Hospital corridor

It was this fuel that provided warmth, hot water for washing and a source of heat to cook on a coal-burning stove. “Throughout my childhood coal was everything,” says Di. “It sustained us.

“While climate change may have altered our perception of coal, and coal is not often thought of as a thing of beauty, to me, those black, blue-back, dark green and purple, irregularly shape and dusty-to-the-touch lumps were ‘jewels of fuel’.”

From April to June 2025, she exhibited a series of paintings on a main corridor at York Hospital, including some of the largest paintings by a York artist ever to be displayed there.

While on a visit to the hospital in 2024 to determine the theme, scale and range of the paintings she would create specifically for this space, Di was reminded of how important it would be to bring a boost of energy to what is essentially a thoroughfare.

Di says: “It was a delight working with the Arts Team, supported by York & Scarborough Hospitals Charity, whose mission it is to improve the experience of their hospitals for patients, visitors and staff through a programme of music and art workshops, inspiring exhibitions and artwork within wards and departments.”

A montage of Di Gomery’s paintings on display at York Hospital earlier this year

The inspiration for these paintings was gleaned from Di’s sketchbooks, including one that was created daily between December 2024 and February 2025 to celebrate the life of a dear friend who had passed away.

“Hospital staff are very busy moving from one station to the next, and therefore I decided to employ the use of vibrant colour, create a sense of growth and renewal through the subject matter, and celebrate the gestures and mark-making that oil paint makes possible,” says Di.

“Hopefully those paintings were a wall of flowing, joyful energy that metaphorically walked alongside the viewer for a short while.”

Di opened her South Bank Studios studio for North Yorkshire Open Studios on June 7, 8, 14 and 15. She will do so again for the NYOS Winter show on November 1 and 2, 11am to 4pm.

You can view her paintings at www.digomery.com and @digomery.

More Things To Do in York and beyond monsters, ghosts, banjos and bratwurst. Hutch’s List No. 45, from The York Press

Anna Soden: No bum deal, bum steer or bum’s rush, for that would be a bummer at tonight’s hour of comedy, It Comes Out You Bum, at The Old Paint Shop

FROM royal history re-told to Dickens’ ghost stories, magical monsters to banjo brilliance, Charles Hutchinson delights in October’s diversity.

Homecoming of the week: Anna Soden, It Comes Out Your Bum, The Old Paint Shop, York Theatre Royal Studio, tonight, 8pm

NOW based in Brighton but very much shaped in York, comedian, actor, writer, TikTok sensation and award-nominated Theatre Royal pantomime cow in Jack And The Beanstalk, Anna Soden delivers her debut hour of madcap comedy, full of brainwaves, songs, revenge and talking out your ass. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Robin Simpson: Monster storyteller and York Theatre Royal pantomime dame, performing at Rise@Bluebird Bakery

Spooky entertainment of the week: Robin Simpson’s Magic, Monsters And Mayhem!, Rise at Bluebird Bakery, Acomb, York, Sunday, doors 4pm

YORK Theatre Royal pantomime dame Robin Simpson – soon to give his Nurse Nellie in Sleeping Beauty this winter – celebrates witches, wizards, ghosts and goblins in his storytelling show.

“The audience is in charge in this interactive performance, ideal for fans of spooky stories and silly songs,” says Robin. “The show is perfect for Years 5 and upwards, but smaller siblings and their grown-ups are very welcome too.” Tickets: bluebirdbakery.co.uk/rise.

Out for revenge: Henry VIII’s wives turn the tables in SIX The Musical, returning to the Grand Opera House, York, from Tuesday. Picture: Pamela Raith

Recommended but sold-out already: SIX The Musical, Grand Opera House, York, October 14 to 18; Tuesday & Thursday, 8pm; Wednesday & Friday, 6pm and 8.30pm; Saturday, 4pm and 8pm

FROM Tudor queens to pop princesses, the six wives of Henry VIII take to the mic to tell their tales, remixing 500 years of historical heartbreak into an 80-minute celebration of 21st century girl power. Think you know the rhyme? Think again. Divorced. Beheaded. LIVE!

Lucy Moss and Toby Marlow’s hit show is making its third visit to York, but it’s third time unlucky if you haven’t booked yet. Like Anne Boleyn’s head, every seat has gone.

Eddi Reader: Performing with her full band at The Citadel

Seven-year itch of the week: Hurricane Promotions presents Eddi Reader, The Citadel, York City Church, Gillygate, York, October 15, 7.30pm

EDDI Reader, the Glasgow-born singer who fronted Fairground Attraction, topping the charts with Perfect, also has ten solo albums, three BRIT awards and an MBE for Outstanding Contributions to the Arts to her name.

Straddling differing musical styles and making them her own, from the traditional to the contemporary, and interpreting the songs of Robert Burns to boot, she brings romanticism to her joyful performances, this time with her full band in her first show in York for seven years. Eilidh Patterson supports. Box office: ticketsource.co.uk.

Damien O’Kane and Ron Block: Banjovial partnership at the NCEM

Banjo at the double: Damien O’Kane and Ron Block Band, The Banjovial Tour, National Centre for Early Music, York, October 15, 7.30pm

GROUNDBREAKING  banjo  players Damien O’Kane and Ron Block follow up their Banjophony and Banjophonics albums with this month’s Banjovial and an accompanying tour.

O’Kane, renowned for his work with Barnsley songstress Kate Rusby, is a maestro of Irish traditional music, here expressed on his Irish tenor banjo; Block, a key component of Alison Krauss & Union Station, infuses his signature five-string bluegrass banjo with soulful depth and rhythmic innovation. Together, their styles intertwine in an exhilarating dance of technical mastery. Box office: 01904 658338 or ncem.co.uk.

Francis Rossi: Solo show of song and chat at York Barbican. Picture: Jodiphotography

Hits and titbits aplenty: An Evening of Francis Rossi’s Songs from the Status Quo Songbook and More, York Barbican, October 16, 7.30pm

IN his one-man show, Status Quo frontman Francis Rossi performs signature Quo hits, plus personal favourites and deeper cuts, while telling first-hand backstage tales of appearing more than 100 times on Top Of The Pops, why they went on first at Live Aid, life with Rick Parfitt, notching 57 hits, fellow stars and misadventures across the world. Box office: yorkbarbican.co.uk.

James Swanton: Halloween beckons, so here comes his double bill of Dickens’ ghost stories at York Medical Society. Picture: Jtu Photography

Ghost stories of the week: James Swanton presents The Signal-Man, York Medical Society, Stonegate, York, October 16, 17, 20 to 23, 7pm; October 27 and 28, 5.30pm and 7.30pm

A RED light. A black tunnel. A waving figure. A warning beyond understanding. Here comes the fear that  someone, that something, is drawing closer. Gothic York storyteller James Swanton returns to York Medical Society with The Signal-Man, “one of the most powerful ghost stories of all time and certainly the most frightening ever written by Charles Dickens”.

Swanton pairs it with The Trial For Murder, wherein Dickens treats the supernatural with just as much terrifying gravity. Tickets update: all ten performances bar October 21 have sold out. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Natnael Dawitin in Shobana Jeyasingh Dance’s We Caliban, on tour at York Theatre Royal. Picture: Foteini Christofilopoulou

Dance show of the week: Shobana Jeyasingh Dance in We Caliban, York Theatre Royal, October 17, 7.30pm (with post-show discussion) and October 18, 2pm and 7.30pm

SHOBANA Jeyasingh turns her sharp creative eye to Shakespeare’s final play The Tempest in a new co-production with Sadler’s Wells. A tale of power lost and regained, the play is the starting point for Jeyasingh’s dramatic and contemporary reckoning, We Caliban.

Written as Europe was taking its first step towards colonialism, The Tempest is Prospero’s story. We Caliban is Caliban’s untold story that started and continued long after Prospero’s brief stay. Performed by eight dancers, complemented by Will Duke’s projections and Thierry Pécou’s music, this impressionistic work draws on present-day parallels and the international and intercultural discourse around colonialism, as well as Jeyasingh’s personal experiences. Box office: 01904 623568 or yorktheatreroyal.co.uk.

John Bramwell: Playing solo in Pocklington

As recommended by Cate Blanchett: John Bramwell, Pocklington Arts Centre, October 17, 8pm

HYDE singer, song-spinner and sage John Bramwell, leading light of Mercury Prize nominees I Am Kloot from 1999 to 2014 and screen goddess Cate Blachett’s “favourite songwriter of all time”, has been on a never-ending rolling adventure since his workings away from his cherished Mancunian band.

His sophomore solo album, February 2024’s The Light Fantastic, will be at the heart of his Pocklington one-man show. . “After both my mum and dad died, I started writing these songs to cheer myself up,” Bramwell admits with trademark candour. “The themes are taken from my dreams at the time. Wake up and take whatever impression I had from what I could remember of my dream and write that.” He promises new material and Kloot songs too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Velma Celli: York drag diva lighting up Yorktoberfest at York Racecourse. Picture: Sophie Eleanor

Festival of the week: Yorktoberfest, Clocktower Enclosure, York Racecourse, Knavesmire, York, October 18, 1pm to 5pm and 7pm to 11pm; October 24, 7pm to 11pm; October 25, 1pm to 5pm and 7pm to 11pm

MAKING its debut in 2021, Yorktoberfest returns for its fifth anniversary with beer, bratwurst and all things Bavarian. Step inside the giant marquee, fill your stein at the Bavarian Bar with beer from Brew York and grab a bite from the German-inspired Dog Haus food stall.

The Bavarian Strollers oompah band will perform thigh-slapping music and drinking songs; York drag diva Velma Celli will add to the party atmosphere with powerhouse songs and saucy patter. Doors open at 6.30pm and 12.30pm. Tickets: ticketsource.co.uk/yorktoberfest.

In Focus: Charlie Higson and Jim Moir: A Very Short But Epic History Of The Monarchy, York Theatre Royal, Oct 13, 7.30pm

In the frame: Author Charlie Higson and artist Jim Moir discuss royalty and comedy at York Theatre Royal on Monday

36 kings. Five queens. Two comedy legends. Join Charlie Higson and Jim Moir (alias Vic Reeves) for the rip-roaring story of every English ruler since Harold was shot in the eye at the Battle of Hastings.

Higson has always been interested in the story of the fabled English monarchy: from the b*stardly to the benevolent,the brilliant to the brutal. “Far from being a nice, colourful pageant of men and women in funny hats waving to adoring crowds, it’s a story of regicide, fratricide, patricide, uxoricide and mariticide (you might have to look those last two up),” he says.

Launched for the coronation of his namesake King Charles III, Charlie’s podcast Willie, Willie, Harry, Stee takes a deep dive into the murky lives of our monarchs. Now, his new book of the show features illustrations by artist Jim Moir, his compadre in comedy.

On Monday, Charlie and Jim will first share stories from their comic collaborations over 30 years, including Shooting Stars, Randell And Hopkirk Deceased and The Smell Of Reeves and Mortimer. Then they will take the plunge into the storied history of this most treasured of institutions. Bloody treachery? Check. Unruly incest? Check. Short parliaments? Check. A couple of Cromwells? Check.

Their rip-roaring journey takes in the Normans, Tudors and Stuarts, not to mention the infamous Blois (how can we forget them?), tin an “utterly engrossing and grossly entertaining primer on who ruled when and why – with never-before-seen illustrations”!

A signed copy of Higson & Moir’s book Willie, Willie, Harry, Stee: An Epically Short History Of Our Kings and Queens (RRP £22) is included when purchasing Band 1 (£55) tickets, available for collection on the night. Box office: 01904 623568 or yorktheatreroyal.co.uk.

New dad Joshua Burnell plays Rise at Bluebird Bakery with full band as he revisits debut album Lend An Ear for book version

York musician Joshua Burnell in the woods. Picture: Frances Sladen

JOSHUA Burnell makes retro folk-pop-rock for the modern world.

Next up for the York keyboard player, guitarist, singer and songwriter – and teacher and cafe pianist to boot – is a sold-out gig with his full band at Rise@Bluebird Bakery, Acomb, on Saturday night.

Joining Joshua (piano, Hammond organ, guitar and vocals) in the bakery will be Nathan Greaves (electric guitar), Ed Simpson (drums), Olly Whitehouse (bass), Kat Hurdley (violin) and, hopefully, Frances Sladen (vocals). 

Expect hooky melodies drenched in warm, retro-synth textures, reverbing guitars, lush harmonies and words that make you think. Imagine The War On Drugs meets Peter Gabriel-era Genesis as 1970s’ glam makes peace with psychedelia.

Through his intricately crafted lyrics, Joshua creates a multiverse of settings, from apocalyptic love songs to re-imagined fairy tales, and introduces otherworldly characters, such as the Glass Knight, resurrected from an old English folk tale to reflect the foibles of today.

“This one’s for fans of Stranger Things, Seventies’ art rock and everything in between,” says Joshua as he answers CharlesHutchPress’s questions ahead of Friday’s gig.

What form will the Rise gig take, Joshua? 

“Full band! 🤘 It’s sold out so should be a great night. We sold out over a year ago so I want to give a huge shout-out to everyone who bought a ticket.”

What is the story behind your decision to revisit your debut album Lend An Ear with an upcoming new audio and book edition?

“In 2013, I recorded an album in a student bedroom with a broken MacBook and a guitar I barely knew how to tune. The songs were strong; the execution wasn’t. I’ve been gradually correcting my mistakes ever since.

“This new album is the story of finishing unfinished business. Of doing something again for the sake of doing it properly. The album contains completely re-arranged and re-imagined versions of the songs, to the standard I’d always intended, now re-recorded partly at Young Thugs Studios [at South Bank Social Club, Ovington Terrace, York] and partly in a cottage in rural Wales.

“At one point last year, everything just got a bit too much and I found myself unable to focus properly. I always loved the mythology of Robert Plant and Jimmy Page hiding away in a cottage in Wales to write Led Zeppelin III, so I decided I should do the same. It was exactly what I needed and most of the album took shape during that time. 

“In a quiet rebellion against streaming platforms who have successfully managed to devalue music, I’m releasing this one exclusively on CD. It’ll be heard by fewer people, but if it makes it sustainable, that’s enough for me.

“To make it extra special for those people who do choose to support the project and buy a copy, it will come as a hardback book with the full story behind the album and songs.”

What have you been up to in 2025? 

One of the highlights of my life: my daughter Lyra was born! I’ve become a dad, which is the most beautiful thing but also makes you ask yourself some pretty serious questions.

“I knew I couldn’t sustain teaching and music and be a dad, so I’ve taken a year away from teaching to have a go at supporting my family with music. It’s difficult, but I feel very supported by my friends, family and fans.

“This is also part of the reasoning behind ditching streaming platforms – it seems reckless to release music that way when the stakes are so high.”

Have you ever snuck one of your own songs into your piano playing at Bettys cafe?!

“I actually wrote a song about Bettys – or, rather, a love story that takes place there – so I play that one every time! It’s called The Snow On St Helen’s Square. Lucy and 59 occasionally sneak in there too.” 

The long hair has gone… why?!

“I wish there was a more profound explanation… it was for a music video! The song is called 59 and is about the last second in a minute; the last minute in an hour; the moment before something new begins.

“It was released just before Lyra was born and was part of that excitement in the unknown. I wanted it to look quite sharp and Eighties-inspired, and I think the short hair suited it well. Here it is: https://www.youtube.com/watch?v=JMsziLvQ_BI .

“I’m growing it long again now. I’m an elf at heart.”

How has your songwriting changed down the years?

“I would like to think I’ve started to consider why I am writing a song more: what problem will my songs solve or who will they serve? I’ve also learned to arrange my songs better, which is a difficult skill.

“Because I write in the studio a lot of the time, the arrangement can happen simultaneously. It’s about having the foresight to hear what the finished song will sound like, and making choices accordingly. There was a time I used to throw in everything and the kitchen sink – now I only use the kitchen sink if there needs to be a kitchen sink.”

How is the Road to the Royal Albert Hall campaign progressing, as highlighted on your website?

“It’s always been my dream to perform a headline show there, so shall we try to make it happen? We’ll need at least 4,000 people to sign up, and we’ll have to prove we mean business at the venues we play along the way.

“There are 2,534 more subscribers to go. If people want to come along, they just have to sign up at https://www.joshuaburnell.co.uk/roadtotheroyalalberthall.

“I’ll keep updating on our progress. Emails will go out on the first day of each month. Be sure to check your junk folder!”

Joshua Burnell with full band, Rise@Bluebird Bakery, Acomb Road, Acomb, York, October 11, doors, 7.30pm. SOLD OUT. Also playing Howden Live gig at Shire Hall, Howden, with full band, October 18, 8pm. Tickets still available at howden-live.com.

The album cover artwork for Joshua Burnell’s Lend An Ear

Lend An Ear revisited: the back story

“THIS album will only be heard by a finite group of people,” says Joshua. “I’m starting a small, musical rebellion: the album will not be released on streaming platforms. Instead, this album will be limited to a small number of physical copies, beautifully packaged in a hard-back book because I believe the context and stories are as important as the songs themselves. 

“To keep the music coming, this needs to be sustainable. A small number of people will own and hear this music. It will be special for them and more than rewarding enough for me. 

“The album contains the re-recorded versions followed by the original versions. I hope you enjoy the depth and lived experience in the music and sense of adventure hidden in each layer of every song.”

Lend An Ear (Revisited) contains:

*Re-recorded version of Joshua Burnell’s debut  album

*All tracks from the original 2013 release

*Hardback book(lette!) of extensive sleeve notes and stories behind the songs

*7x ‘deep dive’ posters, breaking down the tracks 

*The warm feeling that you supported an independent artist to continue making music!

Lend An Ear can be pre-ordered at https://www.joshuaburnell.co.uk/product-page/lend-an-ear-revisited-cd-book.

Melbourne singer-songwriter Riley Catherall plays at Rise@Bluebird Bakery tonight. Jodie Nicholson next up

Australian singer-songwriter Riley Catherall. Picture: Riley Catherall website

MELBOURNE singer-songwriter Riley Catherall brings his poetic sincerity and alluring live show to Rise@Bluebird Bakery, Acomb Road, Acomb, York, tonight at 7.30pm.

In mid-2024 he released his sophomore album, The Light, The Beautiful Liar, whose singles Bark At The Moon and Coming Down, Coming Over highlighted a collection of songs focused on the kind of love that desperately tries to endure the unwelcoming stark light of the morning.

This followed his 2021 debut When I Go, whose songs, such as the singles Mother Please, Vacant Lot and Leave Me Out To Dry, addressed themes of leaving, losing love and finding somewhere to settle down.

He has accompanied and collaborated with Kasey Chambers, Charm Of Finches, Alan Fletcher, Imogen Clark and Loretta Miller. Now he returns to the UK and Europe with band in tow to promote his newest collection of songs, From A Borrowed Room, featuring B-sides for The Light, The Beautiful Liar.

Jodie Nicholson: Songs of escapism, nostalgia, self-reflection and changes of heart at Rise on Saturday. Picture: Jodie Nicholson website

On Saturday, Under The Influence presents the “powerfully intimate, achingly human” songs of Hurworth-on-Tees musician and producer Jodie Nicholson. Doors open at 7.30pm for the 8.30pm gig.

Drawing inspiration from Daughter, Lucy Rose, Warpaint, The National and Laura Marling, Nicholson combines introspective lyricism, brooding piano, subtle electronics and delicate guitars to explore themes of escapism, nostalgia, self-reflection and changes of heart.

“I use brooding chamber-pop and synth-laden alt-pop to navigate many of the different relationships we have in our lives: friends, family, relationships with ourselves and, more personally, my changing relationship with music,” she says.

North Easterner Nicholson, who studied Printed Textile Design at Leeds Arts University, has performed at All Points East, Wilderness, Y Not, Liverpool Sound City, Cambridge Folk Festival, Focus Wales and Live at Leeds, as well as sharing stages with Emeli Sandé, Bernard Butler, Nerina Pallot, The Howl & The Hum, Luke Sital-Singh, Tom Rosenthal and Siv Jakobsen.

Box office: bluebirdbakery.co.uk/rise.