Countering the winter blues: Doubletake Projections’ Colour and Light illumination at York Minster
DARKNESS and light, American and Scottish singers, Yorkshire brass players and a York comedian will draw the crowds in the week ahead, advises Charles Hutchinson.
Light show of the week: Doubletake Projections’ Colour and Light, York Minster, 6pm to 9pm nightly until February 23
DOUBLETAKE Projections are using projection mapping to re-imagine the facade of York Minster’s South Transept in a free public show visible from the South Piazza.
Brought to the city by the York BID (Business Improvement District) to illuminate the cathedral during winter’s dark nights, this immersive digital experience is running on an eight-minute loop. Viewers are invited to stay for as many showings as they wish. No booking is required.
In addition to paying homage to the cathedral’s construction and incorporating nods to local history, York Minster’s medieval stained glass is in the spotlight. Collaged compositions of biblical stories told through the glass is being animated and beamed onto the towering transept walls, shining a new light on the medieval window illustrations.
Using animation techniques and styles, the after-dark projection show showcases elements of the rich historical archives in a new way while emphasising the grandeur and ornate detail of York Minster’s architecture.
Chop chop! Demon barber Sweeney Todd (Neil Wood) and resourceful pie-maker Mrs Lovett ( Julie-Anne Smith) make a fast buck from their tasty venture in a cutthroat world in York Light’s Sweeney Todd. Picture: Matthew Kitchen
Dark show of the week: York Light Opera Company in Sweeney Todd, The Demon Barber Of Fleet Street, York Theatre Royal, Wednesday to March 4, 7.30pm, except February 26; 2.30pm, February 25 and March 4
YORK Light return to York Theatre Royal for a 70th anniversary production of “one of the darkest musicals ever written”, Stephen Sondheim’s noir thriller Sweeney Todd, directed by Martyn Knight with musical direction by Paul Laidlaw.
Neil Wood plays the Georgian-era misanthropic barber who returns home to London after 15 years in exile, seeking vengeance on the corrupt judge (Craig Kirby) who ruined his life. The road to revenge leads him to open new tonsorial premises above the failing pie shop run by Mrs Lovett (Julie-Anne Smith). Cue a very tasty meaty new ingredient to boost sales in this now cutthroat business. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Shepherd Group Brass Band: Performing with the Black Dyke Band at Grand Opera House, York
Fundraiser of the week: York Brass Against Cancer 2, Grand Opera House, York, Sunday, 2.30pm
YORK’S Shepherd Group Brass Band joins up with West Yorkshire’s world famous Black Dyke Band for a charity collaboration in aid of York Against Cancer. BBC Radio Leeds presenter David Hoyle hosts this two-hour concert. Box office: atgtickets.com/york
Belinda Carlisle: Revisiting her decades of hits at York Barbican
California calling: Belinda Carlisle, The Decades Tour, York Barbican, Monday, 7.30pm
NOW living in Bangkok and once the lead vocalist of The Go-Gos, “the most successful all-female rock band of all time”, Los Angelean Belinda Carlisle, 64, has enjoyed chart-topping solo success too with Heaven Is A Place On Earth.
At a gig rearranged from October 2021, hopefully The Decades Tour set list will be taking in Runaway Horses, I Get Weak, Circle In The Sand, Leave A Light On, Summer Rain, (We Want) The Same Thing, Live Your Life Be Free, In Too Deep and Always Breaking My Heart from her eight studio albums. Box office: yorkbarbican.co.uk.
Suzanne Vega: Songs and stories from New York in York on Wednesday night
Storyteller of the week: Suzanne Vega, An Intimate Evening Of Songs And Stories, York Barbican, Wednesday, 7.30pm
2022 Glastonbury acoustic stage headliner Suzanne Vega, 63, plays York Barbican as the only Yorkshire show of the New York singer-songwriter’s 14-date tour.
Emerging from the Greenwich Village folk revival scene of the 1980s, Vega has brought succinct, insightful storytelling to songs of city life, ordinary people and social culture. Her support act will be Tufnell Park folk singer and traditional song archivist Sam Lee. Box office: yorkbarbican.co.uk.
Rob Auton: Send in the crowds in York, Pocklington and Leeds
Crowd pleaser: Rob Auton, The Crowd Show, Theatre@41, Monkgate, York, February 24 (Burning Duck Comedy Club) , 8pm, sold out; Pocklington Arts Centre, May 27, 8pm; Hyde Park Book Club, Leeds, June 5, 7.30pm
CHARMINGLY offbeat York poet, stand-up comedian, actor and podcaster Rob Auton returns home from London on his 2023 leg of The Crowd Show tour. Next Friday’s show is crowded out already but space is available at his Pocklington and Leeds gigs.
After his philosophical observations on the colour yellow, the sky, faces, water, sleep, hair, talking and time, now he discusses crowds, people and connection in a night of comedy and theatre “suitable for anyone who wants to be in the crowd for this show”. Box office: Pocklington, 01759 301547 or pocklingtonartscentre.co.uk; Leeds, hydeparkbookclub.co.uk.
KT Tunstall: A nut in every soundbite on her latest album, showcased at York Barbican on Friday
Doing her Nut: KT Tunstall, York Barbican, February 24, 8pm
SCOTTISH singer-songwriter KT Tunstall returns to York on Friday for the first time since she lit up the Barbican on Bonfire Night in 2016. In her line-up will be Razorlight’s Andy Burrows, on drum duty after opening the gig with his own set.
The BRIT Award winner and Grammy nominee from Edinburgh will be showcasing songs from her seventh studio album, last September’s Nut, the conclusion to her “soul, body and mind” trilogy after 2016’s Kin and 2018’s Wax. Box office: kttunstall.com and yorkbarbican.co.uk.
A tale of love: Will Parsons as Davy and Kayla Vicente as Yvonne in Central Hall Musical Society’s Sunshine On Leith at the JoRo Theatre. Picture: Joly Black (jolyblack4@gmail.com)
You should walk 500 miles for: Central Hall Musical Society in Sunshine On Leith, Joseph Rowntree Theatre, York, February 23 to 25, 7.30pm plus 2.30pm Saturday matinee
SUNSINE On Leith, aka “the Proclaimers’ musical”, is a tale of love; love for family, love for friends, love for romantic partners and love for our homes, as one tight-knit family, and the three couples bound to it, experience the joys and heartache that punctuate all relationships.
Secrets will be revealed, relationships made and lost and broken hearts mended once more, all while singing the songs of Charlie and Craig Reid in this student production by the University of York’s musical theatre society, directed by Romilly Swingler. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Getting mighty crowded: Rob Auton’s artwork for The Crowd Show
CHARMINGLY offbeat, inspiring, poetic writer, comedian, actor and podcaster Rob Auton returns home to York on February 24 on the 2023 leg of The Crowd Show tour.
After his philosophical observations in abstractly themed shows on the colour yellow, the sky, faces, water, sleep, hair, talking and time, now he discusses crowds, people and connection in a night of comedy and theatre “suitable for anyone who wants to be in the crowd for this show”, structured around internet instructions on how to give a speech.
Ironically, he had started writing material for a show about crowds only a few weeks before the Covid lockdowns silenced them.
His 8pm homecoming has sold out already – York’s in-crowd for that night – but further Yorkshire gigs follow at Hebden Bridge Trades Club, April 16 (01422 845265 or thetradesclub.com); Sheffield Leadmill, April 30, 7.30pm (leadmill.co.uk); Pocklington Arts Centre, May 27, 8pm (01759 301547 or pocklingtonartscentre.co.uk) and Hyde Park Book Club, Leeds, June 5, 7.30pm (hydeparkbookclub.co.uk).
Tunnel vision: Rob Auton deep in thought at the Innocent Railway during the Edinburgh Fringe
In a crowded calendar, Rob Auton finds time to talk about The Crowd Show with CharlesHutchPress
How do you interpret the proverb “If two’s company, three’s a crowd”?
“I guess it’s different if you’re doing a show and there’s two people watching, I’m there too, so there’s three of us in the room but only two in the crowd and two isn’t a crowd. Maybe I’d sit down with them so there’s definitely a crowd.”
What’s the difference between an audience and a crowd?
“An audience all face in the same direction.”
Do you ever go crowd surfing, James’s Tim Booth or Peter Gabriel style?
“I went crowd surfing once when I was at a festival but that was only because it was the quickest way to get out of the hell that was that moshpit. I’ve never done it in one of my own gigs; I don’t think it works at comedy/spoken word shows.
“People are sitting down so it would put a lot of stress on their arms. I think if I went up to the front row and said ‘I’m going to Crowd surf now’, they would just look at me and remain seated.”
Can being with a crowd (of strangers) ever feel lonely when you are performing?
“I guess it’s a clear illustration of feeling like you don’t really fit in, everybody facing one way and you’re facing the other way. Sometimes I’m on stage and wish I was there in the crowd with my mates watching.
“One of the main objectives for me is making everyone in the room feel like we are all part of something together. I don’t feel lonely when I feel a connection with the crowd, so I really focus on that connection.”
Can being in a crowd ever feel lonely?
“In 2014 I was lucky enough to get the gig as the Glastonbury Festival Poet in Residence. I didn’t get a plus one and none of my mates were going that year so I was there on my own. Being around all those people having the time of their lives with their mates made me feel really lonely. I was pleased for them but also I felt cut off from the human side of the festival somehow.”
Do you prefer being in a football crowd or a concert crowd?
“I’ve had good times at both but I’ve had better times in music crowds.”
What is the smallest ever crowd you have played to?
“It depends on the room. If you have five people in a small room, it can feel like a decent crowd but the crowd that felt smallest was probably when I was on tour in 2015 doing my show about water. I’d been put in a 300-seater room and I think seven people were there, sitting quite far apart from each other. All character building, I guess.”
Owls of laughter: Rob Auton being an absolute hoot in his avian T-shirt
What is the largest ever crowd you have played to?
“The one with the most people in it? Some of the gigs at festivals I have done have had some biggish crowds. I did one at Bestival where people had climbed up trees to watch my set. That was surreal; I think it was because the person on after me was an influencer who was doing a talk on tree climbing. I love it when there’s a big crowd and the laughter kind of crowd surfs around.”
As essentially social creatures, crowd experiences are important to us. Discuss…
“Yes certainly, I think, especially after the last few years we’ve had. Isolation brought the importance of other people into focus for sure. That’s not really me discussing it is it? I certainly feel better when I’ve been around people. Touring can be quite isolating so I have to really make the most of being around people in the show.”
Do you like to stand out in a crowd?
“Absolutely not. I think that’s why I’ve put myself on stage, out of the crowd. When I’m in a crowd, I’m constantly afraid that I’m in people’s way because I’m quite tall [Rob is 6ft 2].
What do you enjoy most about performing to a crowd?
The fact that the energy is different every night. The crowd really keeps me on my toes; I can never get complacent or think ‘oh this will work’. The act of just trying to be honest instead of trying to be clever, the crowd don’t want to see someone show off really, so walking that tightrope is what I love. The unpredictability of it.”
What do you enjoy least about performing to a crowd?
“I wish it could be just slightly more predictable.”
How do you control a crowd when performing? Indeed, do you need to control a crowd?
“There’s certain tools you can develop, eye contact, level and tone of voice, speed at which you talk, etc. It’s spinning plates really, trying to keep everyone engaged, but I often remind myself that the people who have come to see me have got a lot going on in their lives and might drift off and think about something more important for a bit.
“Trying to take control of one person’s brain for an hour is difficult, never mind a crowd of people. There needs to be a certain amount of playful authority or it can descend into chaos.”
When it comes to events, from gigs to football matches, rallies to festivals, most of us only ever experience the feeling of being in the crowd. What does it feel like being the performer playing to that crowd?
“I think ‘playing’ is the right word. It feels like I’ve given myself an opportunity to be in front of people by working hard, so I just have to share what I’ve made and trust my process and work. It feels like, ‘right, let’s give this to these people, they’ve paid me to give them the best side of me, so let’s give it everything I can while I’ve still got the chance.”
The tour poster for Rob Auton’s The Crowd Show
When do you feel you are going against the tide of a crowd?
“Mainly on weekends when I’m going to do shows and other people are making plans to be with their mates. I feel like I’m swimming away from the party a bit then, but I’m very thankful that I get to do what I do so I’m not complaining one bit.”
How do you use the crowd in The Crowd Show?
“I use them by attempting to get them to surrender to the moment and give themselves fully to the space we’re sharing. I might not do that directly in the show but that’s my goal.”
Did the enforced absence of crowds in the pandemic make both you and audiences appreciate the importance of crowds in our lives even more?
“Definitely, that period made me realise how important people are in my life and my work. Without people we are absolutely done.”
What do you prefer: noise/crowds or silence/solitude?
“Both are important, but they can be quite jarring when put right next to each other. When I’m on tour and doing my show about crowds and connection and there’s lots of noise and fun and then I go back to the dressing room and it’s just me, back to the Travelodge and it’s just me, it’s quite a lot for the brain and body to take on.”
E M Forster could not have put it better than in his epigraph for Howards End: “Only connect”. Agree?
“Oh yeah, it’s all about connection, isn’t it. That’s all we have really, connecting with the moment and what’s in it. If I connect with the moment and there’s people in the moment as well and we conjure up a connection, then that’s it.”
So, why is disconnection – and division – on the increase?
“I’m not qualified to answer that.”
After talk, time and now crowds, what will you be looking at in your next show, opening at the 2023 Edinburgh Fringe this summer?
“I’m doing a show about me called The Rob Auton Show. A show about me. It will be my tenth show on a specific theme, so I thought I should mark it with a theme I haven’t really explored very much.”
Rob Auton in The Hair Show: He grew his hair from September 2016 to the tour’s closing night in May 2018
Crowd pleaser: Rob Auton Fact File
Born: Fulford Hospital, York; son of a plumber.
Raised: Barmby Moor.
Lives: London.
Education: Woldgate School, Pocklington; York College, art foundation course; Newcastle University, graphic design.“Each term I had to stand in front of the class and give a presentation and I’d try to make mine funny,” he says.
Occupation: Stand-up comedian, writer, poet, illustrator, artist, actor and podcaster. Named the “Brian Cox of comedy” by the Guardian.
First job: In London, writing adverts for the House of Fraser. “But I got really frustrated because I just wanted to make things entertaining and started filling notebooks with ideas I had.”
Bright idea: Rob Auton in his Fringe debut, The Yellow Show
What happened next? “The creative director said he was holding a firework night with poetry, and that’s when I read my poems for the first time.”
And then? Began performing with Bang Said The Gun, stand-up poetry collective founded by Dan Cockrill and Martin Galton, in London in 2007.
First solo comedy performance: 2008. “I started saying things aloud to groups of people without wanting them to respond verbally. Some call this ‘stand-up comedy’, some call it ‘stand-up poetry’,” he says.
Edinburgh Fringe debut: The Yellow Show, 2012.
Subsequent Edinburgh shows: All on specific themes, The Sky Show, 2013; The Face Show, 2014; The Water Show, 2015; The Sleep Show, 2016; The Hair Show, 2017; The Talk Show, 2018; The Time Show, 2019; The Crowd Show, 2022. Subsequently toured shows nationwide.
Award: Won the Dave Funniest Joke of the Edinburgh Fring’ award in 2013 for “I heard a rumour that Cadbury is bringing out an oriental chocolate bar. Could be a Chinese Wispa”.
Post: Poet-in-residence at 2014 Glastonbury Festival.
The cover for Rob Auton’s 2021 book, I Strongly Believe In Incredible Things
Books: Poet and illustrator for Bang Said The Gun’s Mud Wrestling With Words (2013) and solo works In Heaven The Onions Make You Laugh (2013), Petrol Honey (2014) and Take Hair (2017), all published by Burning Eye Books, and I Strongly Believe In Incredible Things: A Creative Journey Through The Everyday Wonders Of Our World (2021), featuring poetic prose, short stories and biro drawings, published by Mudlark/Harper Collins.
Television appearances: BBC1, BBC 2, Channel 4 and Netflix; The Russell Howard Hour and Stand Up Central.
Radio: His work has been played on Jarvis Cocker, Cerys Matthews and Scroobius Pip’s shows.
TV acting roles: Cold Feet, 2018, playing a bad spoken-word poet at a music festival; The End Of The F***ing World, 2019, as chef Tommy; Miracle Workers, 2019, as Hank.
Podcast: In 2020, he started The Rob Auton Daily Podcast, posting a new episode every day, as it says on the tin. Amassed two million listens and won gold award for Best Daily Podcast at the 2020 British Podcast Awards.
Likes: Musician Joe Strummer; artist Francis Bacon; author Richard Brautigan.
Auton on Auton: “I am a man who likes the sky and the ground in equal measures. Sometimes I like the sky more than the ground.”
Performing philosophy: “You have to throw it to the wind, that’s when a show starts to really cook and the audience goes with it. It’s trial and error; that’s what all my shows have been.”
John Ledger: Back To Normalism artist at Micklegate Social and Fossgate Social
IT’S time for back-to-normal service to resume as Charles Hutchinson wipes the sleep from the eyes of his diary for 2023.
Exhibition launch of the week: Back To Normalism, by John Ledger, Micklegate Social, Micklegate, and Fossgate Social, Fossgate, York, January 13 to March 13
ON the portentous Friday the 13th, the preview of Barnsley artist John Ledger’s solo show Back To Normalism begins at 7pm at Micklegate Social.
Ledger looks at the uncanny reality that has unfolded since the pandemic started, along with the underlying weirdness of trying to patch up the black holes in our collective experience of time, in a show about cultures uprooted and disjointed by a series of disasters and distorted by the consequences of trying to repeatedly return to a “before” moment.
Baaaaaarrrrgggghhhhhhbican frustration! Ricky Gervais’s brace of Armageddon dates at York Barbican sold out in 27 minutes
Apocalypse very soon: Ricky Gervais, Armageddon, York Barbican, Tuesday and Wednesday 7.30pm precisely
ARMAGEDDON is not the end of the world as we know it but the name of grouchy comedian, actor, screenwriter, director, singer, podcaster and awards ceremony host Ricky Gervais’s new tour show.
Gervais, 61, will be torching “woke over-earnestness and the contradictions of modern political correctness while imagining how it all might end for our ‘one species of narcissistic ape’,” according to the Guardian review of his Manchester Apollo gig. Box office? Oh dear, you’re too late for Armageddon; both nights have sold out.
Chris Helme: Revisiting his days in The Seahorses
Love Is The Law unto himself: Chris Helme, solo Do It Yourself 25th Anniversary Tour, Pocklington Arts Centre, January 14, 8pm
YORK singer-songwriter Chris Helme is marking the 25th anniversary of The Seahorses’ only album, Do It Yourself, released on May 26 1997 in guitarist John Squire’s short-lived post-Stone Roses project with Helme and fellow York musician Stuart Fletcher on bass.
Recorded in North Hollywood, California, the album was pipped to the number one spot by Gary Barlow while debut single Love Is The Law reached number three. A further highlight of Helme’s solo acoustic set will be Love Me And Leave Me, Liam Gallagher’s first songwriting credit, no less. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
The Lonesome Ace Stringband: Turning bluegrass bluer and grassier at Selby Town Hall
Better late than never: The Lonesome Ace Stringband, Selby Town Hall, January 18, 8pm
RE-SCHEDULED from January 20 2022, The Lonesome Ace Stringband’s gig features righteous folk and country music, played by an old-time band with bluegrass chops and a feel for deep grooves.
Band members Chris Coole, banjo, John Showman, fiddle, and Max Heineman, bass, are three Canadians lost in the weird and wonderful traditional country music of the American South, having served their time in New Country Rehab, The David Francey Band, The Foggy Hogtown Boys and Fiver. Box office: 01757 708449 or selbytownhall.co.uk.
Robert Gammon: Relaxed concert of piano music at St Chad’s
Afternoon entertainment: Robert Gammon, Dementia Friendly Tea Concert, St Chad’s Church, Campleshon Road, York, January 19, 2.30pm
AT the first Dementia Friendly Tea Concert of 2023, pianist Robert Gammon plays J S Bach’s Prelude and Fugue in B flat major from The Well-Tempered Clavier Book 2, Mozart’s Piano Sonata in B flat major K. 570 and Schubert’s serene Impromptu in A flat major, D. 935 No. 2.
As usual, 45 minutes of music will be followed by tea and homemade cakes in the church hall. Next up will be University of York Students (violin and piano) on February 16. No charge, but donations welcome for church funds and Alzheimer’s charities.
Tales From Acorn Wood: Julia Donaldson and Axel Scheffler’s stories take to the York Theatre Royal stage
Children’s show of the month: Tales From Acorn Wood, York Theatre Royal, January 26, 4pm; January 27, 11am and 2pm
NLP’s world premiere staging of Tales From Acorn Wood is based on favourite stories from Julia Donaldson and Axel Scheffler’s lift-the flap books for pre-school children, featuring the sock-losing old Fox, the tired Rabbit, Postman Bear’s special surprise and Pig and Hen’s game of hide-and-seek.
Suitable for one-year-olds and upwards or anyone who loves books, this 50-minute touring show is full of songs, puppetry, projection and flap-lifting technology. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Rob Auton: Getting mighty Crowded in his new stand-up show
Crowd pleaser: Rob Auton, The Crowd Show, Theatre@41, Monkgate, York, February 24, 8pm; Hyde Park Book Club, Leeds, February 25, 7.30pm
CHARMINGLY eccentric, uplifting and poetic writer, comedian, actor and podcaster Rob Auton returns home to York on the 2023 leg of The Crowd Show tour.
After his philosophical observations on the colour yellow, the sky, faces, water, sleep, hair, talking and time, now he discusses crowds, people and connection in a night of comedy and theatre “suitable for anyone who wants to be in the crowd for this show”. Box office: York, tickets.41monkgate.co.uk; Leeds, hydeparkbookclub.co.uk.
Stewart Lee: Three nights, fully booked already, at York Theatre Royal in March
Too late for tickets already:Stewart Lee, Basic Lee, York Theatre Royal, March 20 to 22, 7.30pm
AFTER filming last May’s three-night run of his Snowflake/Tornado double bill for broadcast on the BBC, spiky comedian Stewart Lee returns to York with his back-to-basics new show.
Following a decade of ground-breaking high-concept gigs involving overarched interlinked narratives, Lee enters the post-pandemic era in streamlined solo stand-up mode: one man, one microphone, and one microphone in the wings in case the one on stage breaks. Tickets update: Sold out, basically.
Hands up who’s starring in Heathers: The black comedy musical to die for is heading to the Grand Opera House
Too cool for school: Heathers The Musical, Grand Opera House, York, May 9 to 13
WELCOME to Westerberg High, where Veronica Sawyer is just another nobody dreaming of a better day. When she joins the beautiful and impossibly cruel Heathers, however, her craving for popularity may finally come true, whereupon mysterious teen rebel JD teaches her that it might kill to be a nobody, but it is murder being a somebody.
Winner of the What’sOnStage Award for Best New Musical, Kevin Murphy and Laurence O’Keefe’s black comedy rock musical, based on the 1988 cult film, makes its York debut, produced by Bill Kenwright and Paul Taylor-Mills, directed by Andy Fickman and choreographed by Gary Lloyd. Box office: atgtickets.com/York.
