Theatre@41 combines the new and familiar in autumn and winter of theatre, music, comedy, cinema and pantomime rehearsals

Burning Duck Comedy Club presents Helen Bauer in Madam Good Tit at Theatre@41 in October

NEW partnerships, returning performers, comedy acts aplenty and community theatre regulars make up the autumn and winter season at Theatre@41, Monkgate, York.

One year on from throwing open its doors post-pandemic, the black-box studio will play host to Yorkshire and national companies and artists alike.

“We’re doing all right, whether by chance or design!” says chair Alan Park.  “In the year since we took over the programming, there’s been a nice balance between comedy, music and theatre, with a focus on new writing, as well as continuing our relationships with York Stage, Pick Me Up Theatre, White Rose Theatre, York Settlement Community Players and York Musical Theatre Company.

“The mailing list has gone up from 40 to 2,000 and we feel that people are invested in the building, our charity status, the work we present, and want us to do well. There are plenty of people who run theatres, but we want to run a ‘movement’ and we think we’re getting there.”

Colin Hoult in The Death Of Anna Mann. Picture: Linda Blacker

Looking ahead to the new season, one new partnership finds Theatre@41 linking up with York promoter Al Greaves’s well-established Burning Duck Comedy Club, complementing his programme at The Crescent (and previously at The Basement at City Screen Picturehouse).

“Maggie Smales, one of our trustees, reached out to Al,” says Alan.  “Initially, comedy promoters were contacting us directly, and we were doing maybe two comedy shows a season, but we got in touch with Al to say ‘we don’t want to tread on your toes, but we’d love to work with you’, and so now we have six shows this autumn through linking up with Al.”

Among those shows will be Lauren Pattinson’s It Is What It Is on September 16; Colin Hoult, from the Netflix series After Life, presenting The Death Of Anna Mann  on October 8; the returning Olga Koch, star of her own BBC Radio 4 series, in Just Friends on October 15 and fellow Edinburgh Festival Fringe Best Newcomer nominee Helen Bauer’s Madam Good Tit, on October 22. Look out too for Taskmaster winner Sophie Duker next April.

Returning to Theatre@41 will be Dyad Productions, following up the sold-out I, Elizabeth with Christmas Gothic, adapted and performed by Rebecca Vaughan, on November 26 and 27, and  Sarah-Louise Young, building on the sold-out success of Alan’s favourite show so far, An Evening Without Kate Bush, by presenting her charming yet cheeky West End and Off-Broadway cabaret hit Julie Madly Deeply, a tribute to Julie Andrews.

Sarah-Louise Young in her Julie Andrews tribute, Julie Madly Deeply. Picture: Steve Ullathorne

Further returnees will be East Riding company Other Lives Theatre Productions in Landmarks, Nick Darke’s environmentally topical story of a farming family feud, and Nunkie Theatre’s Robert Lloyd Parry with two more gripping MR James ghost stories by candlelight in Oh, Whistle on November 25.

“We’ve had a lot of good feedback from artists, such as Olga Koch’s agent,” says Alan. “We know there’s paint peeling off walls, the roof is leaking, but we believe in making the artists welcome, like giving them a little York Gin pack on arrival. We try to be a friendly venue where everyone will want to come back.”

Endorsements for Theatre@41 are spreading, leading to debut visits by Mark Farrelly in his Quentin Crisp show, Naked Hope, on September 7 and Olivier Award-winning actor and director Guy Masterson, staging his one-man adaptation of Charles Dickens’s A Christmas Carol on November 24.

Seven York companies and performers are booked in. Robert Readman’s Pick Me Up Theatre will stage Roald Dahl’s Matilda The Musical Jr from September 23 to October 2 and The Sound Of Music from December 16 to 30 in the Christmas slot. York Settlement Community Players will perform Christopher Durang’s Tony Award-winning Broadway comedy Vanya And Sonia And Masha And Spike from November 3 to 5.

Rebecca Vaughan in Dyad Productions’ Christmas Gothic. Picture: Ben Guest

White Rose Theatre will deliver The Last Five Years, an emotionally charged musical full of upbeat numbers and beautiful ballads by Jason Robert Brown that tells the story of two lovers over the course of five years, with Cathy starting her tale at the end of the relationship and Jamie telling his story from the beginning. Directed by Claire Pulpher, it will run from November 9 to 12.

Barnstorming country-rock band The Rusty Pegs will play Rumours (Again!) in a 45th anniversary celebration of the Fleetwood Mac nugget on October 9, after giving Theatre@41’s re-launch gig post-Covid; Jessa Liversidge will sing Some Enchanted Sondheim on October 9, and York Musical Theatre Company will mark their 120th anniversary with A Musical Celebration on October 13 and 14.

Spookologist and ghost-botherer Doctor Dorian Deathly, a winner in the 2022 Visit York Tourism Awards, will make his Theatre@41 debut with his Halloween show, A Night Of Face Melting Horror!, from October 26 to 31.

“Each night, Dorian will be hot-footing over here after doing his Deathly Dark ghost tour for a cabaret evening with a bar of the dead and cocktails,” says Alan. “He came to us with the idea, and we thought, ‘yeah, let’s do it’. He has a huge following, so we’re delighted he wanted to come here.”

The horror! The horror” The poster for Doctor Dorian Deathly’s Halloween show, A Night Of Face Melting Horror!

Paul Birch, one of the stand-outs in York Theatre Royal’s Green Shoots showcase for new work in June, will bring his improv group, Foolish, to Theatre@41 for the third time. On September 15, he will host a night of ad-hoc comedy improvised from suggestions written in chalk on the stage floor under the title of Cobbled Together.

Seeking to foster a growing relationship with The Groves community, Theatre@41 will play host to the inaugural Groves Community Cinema: a weekend of classic films old and new right on residents’ doorsteps when visitors will be invited to “pay what you feel”, with support from an ARG Events and Festivals Grant in partnership with Make It York and City of York Council.

“Historically, we’re on the edge of The Groves, and maybe The Groves has never quite felt this is The Groves’ theatre, but we hope that putting on a community cinema weekend will make it feel more like it’s part of their community, rather than people just walking past our doors,” says Alan.

Olga Koch: Returning to Theatre@41 to present Just Friends

September 10 will offer Encanto Singalong at 2.30pm and Close Encounters Of The Third Kind at 6pm; September 11, Kes at 2.30pm and Nomadland at 6.30pm.

Three more new additions add to the sense of momentum at Theatre@41. Firstly, £5,000 funding from City of York Council and the Liz and Terry Bramall Foundation will ensure the lighting rig “no longer wobbles”; secondly, the theatre will resume being a polling station for elections.

Last, but not least, the Monkgate building will be turned into the rehearsal rooms for veteran dame Berwick Kaler’s Grand Opera House pantomime, Old Granny Goose. “We’re giving them multiple rooms, including the dance studio,” says Alan. “They’ll have the run of the building basically.”

For performance times and to book tickets for the new season, head to: tickets.41monkgate.co.uk.

Copyright of The Press, York

Pantomime dame Berwick Kaler and daft-lad sidekick Martin Barrass will be rehearsing Old Granny Goose at Theatre@41 ahead of its run at the Grand Opera House, York

More Things To Do in York and beyond as something wickedly funny this way comes. List No. 64, courtesy of The Press, York

When shall we three meet again? When the hurlyburly’s done in The HandleBards’ Macbeth at York Theatre Royal

AS the pantomime season draws to a close, Charles Hutchinson turns his focus to new seasons and new reasons to venture out.

The skittish play: The HandleBards in Macbeth, York Theatre Royal, January 25, 7.30pm; January 26, 2pm and 7.30pm

THE HandleBards were the first professional company to play York Theatre Royal after Lockdown 3, lifting the long gloom with a ridiculously funny Romeo And Juliet. Now the three-pronged troupe opens the Spring! Season with an all-female, bewitching, unhinged, bicycle-powered, dead funny take on Macbeth, starring Kathryn Perkins, Natalie Simone and Jenny Smith.

Expect music, mayhem, murders, unusual applications of cycling paraphernalia and more costume changes “than you can Shake a spear at” in this irreverent, skittish romp through Shakespeare’s tragic “Scottish play”. Box office: 01904 623568 or at yorktheatreroyal.co.uk.

Charles Court Opera in The Mikado, visiting Harrogate Royal Hall on Sunday. Picture: Bill Knight

Oh, Vienna: International Gilbert and Sullivan Festival’s New Year celebration, Harrogate Royal Hall, today and tomorrow, 7.30pm.

ENCHANTMENT awaits in the Magic Of Vienna New Year Gala Concert today when the National Festival Orchestra, conducted by Aidan Faughey, presents works by Johann Strauss, Mozart and Lehar. International opera stars James Cleverton and Rebecca Bottone will be the soloists.

Charles Court Opera’s London production of G&S’s The Mikado will be performed on Sunday night, accompanied by the National Festival Orchestra. Box office: 01422 323352 or at gsfestivals.co.uk.

One Iota: Debut album launch at the JoRo

York album launch of the month: One Iota, supported by Odin Dragonfly, Joseph Rowntree Theatre, York, January 21, 7.15pm

YORK band One Iota are launching their debut album, More Than You Take, recorded at the venerable Abbey Road studios, in London, and Fairview Studios, Willerby.

Adam Dawson, James Brown, Andy Bowen and Phil Everard’s alt-pop group grew out of their three-piece tribute to The Beatles – The Threetles, of course – when they acquired a taste for writing their own songs in lockdown.

One Iota’s debut live show promises a full line-up, featuring live string arrangements for the Fab Four-influenced songs marked by rich vocal harmonies, innovative melodies and “more hooks than a cloakroom”. Box office: josephrowntreetheatre.co.uk.

Jacob George: Soloist for Schumann’s Violin Concerto at the Academy of St Olave’s January concert

By George, he’s back: Academy of St Olave’s Winter Concert, St Olave’s Church, Marygate, York, January 22, 8pm

THE Academy of St Olave’s Winter Concert features Jacob George, son of musical director Alan George, as soloist for Schumann’s Violin Concerto. He returns to solo duty for the York chamber orchestra after performing the Sibelius Violin Concerto in 2019.

The ASO’s first concert since last September’s sold-out resumption also includes two works inspired by Italy: Schubert’s Overture in the Italian Style, and Mendelssohn’s “Italian” Symphony No. 4. Box office: academyofstolaves.org.uk.

Nunkie Theatre Company’s artwork for the third instalment of their M R James Project, A Warning To The Curious

Ghosts at play: Nunkie Theatre Company in M R James’s A Warning To The Curious, Theatre@41 Monkgate, York, January 28, 7.30pm

NUNKIE Theatre Company bring two of M R James’s eeriest and most entertaining ghost stories back to life in Robert Lloyd Parry’s candlelit one-man show. Lost Hearts, an early work, is constructed around one of his most memorable villains, the predatory scholar Mr Abney.

Lloyd Parry pairs it with perhaps James’s most poignant and personal story, inspired by his holidays in Aldeburgh: A Warning To The Curious’s account of a young archaeologist being haunted and hunted by the guardian of an ancient treasure. Has the English seaside ever looked so menacing? Box office: tickets.41monkgate.co.uk.

Yvette Stone’s life-size puppet of The Creature, as first seen in Blackeyed Theatre’s Frankenstein in 2016. The new tour visits Scarborough next month. Picture: Alex Harvey-Brown

Monster smash: Blackeyed Theatre in Frankenstein, Stephen Joseph Theatre, Scarborough, February 9 to 12

NICK Lane has reinterpreted John Ginman’s original 2016 script for Blackeyed Theatre, built around Mary Shelley’s Gothic novel, wherein nothing can prepare Victor Frankenstein for what he creates in pursuit of the elixir of life.

Eliot Giuralarocca’s highly theatrical production combines live music and ensemble storytelling with Bunraku-style puppetry to portray The Creature, in the life-size form of Yvonne Stone’s 6ft 4inch puppet, operated by up to three actors at once. Box office: 01723 370541 or at sjt.uk.com.

Four decades of topical songs and glamour: Fascinating Aida’s Liza Pulman, left, Dillie Keane and Adèle Anderson. Picture: Johnny Boylan

Never tire of satire: Fascinating Aida, York Barbican, February 12, 7.30pm

DILLIE Keane, Adèle Anderson and Liza Pulman’s latest Fascinating Aida tour show features old favourites, songs you haven’t heard before and some you wish you’d never heard in the first place.

“But the songs are mostly topical and the glamour remains unstoppable,” say the satirists, who have been capturing the political and social fixations of our times for nigh on 40 years, from 1984’s Sweet FA to 2012’s Cheap Flights and beyond. All tickets remain valid from the postponed May 5 2021 date. Box office: yorkbarbican.co.uk.

Marc Almond fronting The Loveless, headliners at late-October’s Tomorrow’s Ghosts Festival in Whitby

Looking ahead to Halloween: Marc Almond’s The Loveless, headlining the Saturday bill at Tomorrow’s Ghosts Festival 2022, Whitby Pavilion, October 29

THE Loveless make their Tomorrow’s Ghosts debut with a headline set of their devilishly dark arts at Whitby Pavilion next Halloween.

In a project designed to take its constituent parts back to where they all began, Soft Cell singer Almond, Sigue Sigue Sputnik axeman Neal X, Iggy Pop’s touring rhythm section of Mat Hector and Ben Ellis and haunting Hammond organist James Beaumont “pledge themselves to the pulp appeal of garage rock in its rawest, most gripping guise”.

The Loveless draw material from Almond’s expansive back catalogue, Lou Reed and David Bowie’s canons, warped 1960s’ R&B staples and lost garage-rock gems. Box office: ticketweb.uk/event/tomorrows-ghosts-festival.

Artist Stephen Todd in his Sheffield studio

Weekend opening: Kentmere House Gallery, Scarcroft Hill, York, today and tomorrow

NEW year, New Beginnings and a website “going live again at last” adds up to the start of 2022 for Ann Petherick’s gallery in her home at Kentmere House, York.

Among the works on show today and tomorrow from 11am to 5pm are Allotments In Autumn paintings by featured artist Stephen Todd, from Sheffield.

Kentmere House Gallery also will be open for the York Residents Residents’ Weekend on January 29 and 30, 11am to 6pm each day.