Lady Bunny: Vividly vulgar in The Greatest Ho On Earth at the SJT
FABULOUSLY filthy American drag queen Lady Bunny brings her comic debauchery to Scarborough’s Stephen Joseph Theatre on July 23.
The “good-time Sally of salacious song and story will tantalise, titillate and may even traumatise you” in her riotously risqué, vividly vulgar 7.30pm show, The Greatest Ho On Earth.
Accompanied by a retro groovy soundtrack, a Lady Bunny performance finds her shimmying between racy rapid-fire jokes, stinging social commentary, one-line zingers, self-deprecating snorts and her trademark potty-mouthed pop song parodies.
“My humour is outrageous, my look is over the top, and my politics are in your face. That’s just the way I am,” she says.
Born Jon Ingle on August 13 1962 in Wilmington, North Carolina, she performed originally as Bunny Hickory Dickory Dock.
At 60, this New York City drag icon, jet-set DJ, actor, comedian, recording artist, podcaster and event organiser is as famous for her bouffant style and naughty wit as for her ability to get a dancefloor jumping.
In “frosted lips, double false eyelashes and pounds of paint beneath a thunderhead of blonde wigs”, she is a familiar face from RuPaul’s Drag Race – RuPaul was once her roommate – and her MC duties at the LGBT prom in an episode of Sex And The City.
A Manhattan gal since the early 1980s, Lady Bunny co-founded and hosted Wigstock, the annual New York City Labor Day outdoor drag festival that ran for nearly 20 years.
She tours constantly, from Cincinnati to Los Angeles, Buenos Aires to Sydney, Marrakesh to Scarborough. She has shared the stage or screen with Joan Rivers, Bea Arthur, Chaka Khan, Grace Jones and Christina Aguilera.
After such one-woman shows as That Ain’t No Lady!, Trans-Jester, Pig In A Wig and Clowns Syndrome, here comes The Greatest Ho On Earth.
After her Scarborough performance, she will host an exclusive Meet & Greet with Lady Bunny in the SJT bar. Show tickets cost £25; post-show tickets, an additional £20, on 01723 370541 or at sjt.uk.com.
“Whatever happens, Lady Bunny’s here to show you a good time and you’ll be happy you came,” the show publicity promises.
Six facts about Lady Bunny
Lady Bunny: “Good-time Sally of salacious song and story”. Picture: Steven Menendez
Recorded two duets with RuPaul, Throw Ya Hands Up and Lick it Lollipop.
In New York City, she DJs the Disco Sundays tea dance at The Monster.
Performed original music and commentary in The Tyranny Of Consciousness (The Waning Of Justice), an installation by pioneering video artist Charles Atlas at the 2017 Venice Biennale.
New York City home décor guru Jonathan Adler designed a Lady Bunny pitcher. “My mug’s on a jug!” she says.
Photographed by Andy Warhol and fashion photographers Francesco Scavullo, Mario Testino, Ellen Von Unwerth and Inez van Lamsweerde & Vinoodh Matadin.
Interviewed Scarlett Johansson, Marc Jacobs, Anohni (of Antony And The Johnsons) and Leigh Bowery for bygone gay fanzine Pansy Beat.
New face in town: Ryan Addyman in his York Stage debut as Jamie New in Everybody’s Talking About Jamie, Teen Edition. All pictures: Matthew Kitchen
MADE in Yorkshire, “the hit musical for today” began life at Sheffield Crucible Theatre in 2017. Now comes its York premiere in the Teen Version with a cast of 13 to 19-year-olds led by Ryan Addyman, 17, from Knaresborough, in his York Stage debut.
Inspired by the Firecracker documentary Jamie: Drag Queen At 16, composer Dan Gillespie Sells (from Horsham’s finest pop practitioners The Feeling) and writer/lyricist Tom MacRae worked their magic from an original idea by director and co-writer Jonathan Butterell.
What emerged was the completion of a populist trilogy of Sheffield comedy dramas: the defiant spirit and sheer balls of The Full Monty, the classroom politics and fledgling frustrations of Alan Bennett’s The History Boys, and now Everybody’s Talking About Jamie, the unapologetic story of the boy who sometimes to be wants to be a girl, wear a dress to the school prom and be a drag queen.
Since Jamie’s blossoming, two on-topic television shows have had a stellar impact: the couture and coiffeur catwalk and cat-talk contests of RuPaul’s Drag Race on the Beeb and the sass, too-cool-for-school dress sense and multi-cultural diversity of Sex Education, the Netflix binge-watch through lockdowns.
Sex Education shares Everybody’s Talking About Jamie’s bold humour, jagged wit and spot-on social awareness as a barometer of our changing times and attitudes towards gender, bigotry, bullying, homophobia, absentee fathers and the right to self-expression.
Jaia Howland’s teacher Miss Hedge
Meet the Year 11 pupils of Mayfield School, a typical comprehensive classroom of 16-year-olds full of hopes and aspirations, filtered through the realities of life in a northern town.
Among them is Addyman’s Jamie New, from a Sheffield council estate, but feeling out of place, so restless at sweet 16 to be “something and someone fabulous”. After Billy Liar’s Billy Fisher and Kes’s Billy Casper, here is another young Yorkshire dreamer in need of escape from the grey grime, this time in a classic teen rebel story, told from the teen perspective, but rooted in kitchen-sink northern drama rather than the white-toothed gleam of an American high-school musical.
It does nevertheless share one characteristic with the all-American Hairspray, for example, by giving the adult viewpoint in spades. Step forward Jamie’s world-weary, self-sacrificial, ever supportive mum Margaret (Maggie Wakeling, in terrific voice in her heartfelt ballads, If I Met Myself Again and especially He’s My Boy, the show’s most powerful vocal performance).
Always on the lookout for a bargain and ready with a comforting word or a putdown for authority is Margaret’s no-nonsense, cheery best friend Ray (an amusing Eve Clark), and further support comes from dress-shop boss Hugo/veteran drag act Loco Chanelle (resolute Sam Roberts).
Giving Jamie grief are his stay-away, mullet-haired Dad (Tyler Costello) and narrow-minded teacher Miss Hedge (Jaia Rowland).
Maggie Wakeling’s Margaret, Jamie’s mum
The Teen Edition necessitates giving these adult roles to young actors but all respond with performances that convey the age gap, not least in their singing performances.
As for the teens playing teens, not only Addyman’s Jamie scores high marks among the classroom performers, so too do Jack Hambleton, outstanding yet again on a York stage as the everybody-hating, self-loathing bully Dean Paxton, the big fish soon to lose his small pond, and Erin Childs’ quietly impressive, self-assured doctor-in-waiting Pritti Pasha, whose solo number It Means Beautiful is an Act II highlight.
Above all else, everyone will be talking about Addyman’s Jamie. A new face to York audiences, he is Jamie to the manner born: high of voice and heels, a shaker and a heartbreaker, a lippy kid in lip gloss, confident on the swan surface but naïve and vulnerable, wanting to strut before he can walk. Ugly In This Ugly World is his best number, almost matched by his kitchen duet with Wakeling’s Margaret, My Man, Your Boy.
Serious points are made in MacRae’s book, where the multiple confrontations carry both poignancy and punch, and you will love the Yorkshireness of it all: the blunt, knowing humour and the rough-rouge glamour of drag queens Sandra Bollock (George Hopwood), Tray Sophistacay (George Connell) and Laika Virgin (Harvey Jardine), Sheffield’s answer to the travelling trio in The Adventures Of Priscilla, Queen Of The Desert.
Gillespie Sells’ tunes and MacRae’s lyrics are a delight too, led off by the immediately infectious And You Don’t Even Know It, through the irresistible title number to the show-closing defining statement of Out Of The Darkness (A Place Where We Belong).
Sam Roberts’s dress-shop owner Hugo recalling Loco Chanelle’s days as a drag diva
Musical director Jessica Viner works with a recorded score, but never sits back, always in view of the hugely energetic cast from the mezzanine level. Emily Taylor’s choreography is as vigorous and fun as ever, relished by leads, supports and ensemble alike.
Jo Street’s wardrobe and Phoebe Kilvington’s make-up and hair add to the spectacle, while the design combines glamour with grit: the John Cooper Studio is bedecked in shiny tinfoil and gold leaf with room for Margaret’s kitchen, the classroom and Hugo’s shop to glide on and off.
Nik Briggs’s direction goes to the top of the class, capturing the spirit of a show that “celebrates being yourself and finding a place where you belong”. Individuality and teamwork in tandem, the place where everyone here belongs is on stage, once more emphasising why the arts should never be undervalued in young lives, why there should always be a place for the Jamies of this world to express themselves.
How apt that this thrilling, uplifting production’s weekend climax should coincide with York Pride.
York Stage in Everybody’s Talking About Jamie, Teen Edition, Theatre@41, Monkgate, York, tonight and tomorrow, 7.30pm, sold out; Saturday, 2.30pm (last few tickets) and 7.30pm, sold out. Box office: tickets.41monkgate.co.uk.
CANADIAN rocker Bryan Adams is moving his entire ten-date UK outdoor tour from 2021 to the Summer of ’22.
Next year, he will play Scarborough Open Air Theatre on July 1 and Harewood House, near Leeds, on July 10. Tickets remain valid for the new shows.
Adams, 61, will be making his second appearance at the Scarborough arena after his sold-out debut on August 8 2016. Once more, he will do Run To You, Cuts Like A Knife, Summer Of ’69, I Do It For You et al for you.
Prompted by Cuffe and Taylor, this summer’s Scarborough OAT programme bears a much-changed look, with some shows moving to later in the summer, others being put back to 2022, and late additions at the back end of the 2021 season too.
Boy George and Culture Club: Playing Scarborough Open Air Theatre on August 14
For this year’s diary, UB40 featuring Ali Campbell and Astro, have switched from June 19 to August 28; Snow Patrol, from July 3 to September 10; Duran Duran, from July 7 to September 17; Keane, from July 9 to August 21; Olly Murs, July 10 to August 27, and Kaiser Chiefs, July 11 to August 8.
Westlife’s sold-out show retains its August 17 date; likewise, Nile Rodgers & Chic stick with August 20.
Crowded House, the Australian band re-formed by New Zealander Neil Finn, move from June 8 2021 to June 11 2022; Lionel Richie, from June 12 2021 to July 2 next summer; Ru Paul’s Drag Race: Werq The World, from June 20 to May 29; Lewis Capaldi, from July 25 to July 7. The Beach Boys’ June 20 concert this summer is yet to be rearranged.
Additions to the 2021 calendar are: Stereophonics, July 28; Culture Club, August 14; Anne-Marie, August 2, and James, September 9.
Tickets are on sale at: scarboroughopenairtheatre.com.
