Ruth King Archives - charleshutchpress

*York ceramicist Emily Stubbs: Taking part in the 2023 York Ceramics Fair, where she will demonstrate her skills in a 3.30pm session on March 5*

FOR next weekend’s York Ceramics Fair, the Craft Potters Association has curated artworks from 60 prominent British ceramicists and potters, hailing from Cornwall to Scotland.

Returning after a short break, the 2023 fair – the fourth so far – will be held in a “bigger and better space” indoors at York Racecourse, Knavesmire Road, York, on March 4 and 5 from 10am to 5pm each day.

Among the Yorkshire makers will be Ruth King, Loretta Braganza and Emily Stubbs, from York, Katie Braida, from Scarborough, and Penny Withers, from Sheffield.

*Anna Lambert: Exhibitor and York Ceramics Fair chair, at work in her studio. Picture: Ben Boswell, copyright of Craft Potters Association*

York Ceramics Fair is selected and run by and for the makers, who aim to provide an affordable platform that nonetheless showcases the finest makers working in clay today, all seeking to attract seasoned collectors, enthusiasts and home ornament seekers alike.

From porcelain to earthenware, vivacious to tranquil, minimal to complex, abstract to realism, traditional pots to contemporary designs, these hand-crafted artefacts come in all forms, media, shapes and sizes. No commission is taken on sales in this chance to buy directly from the maker.

Anna Lambert, Keighley ceramicist and fair chair, says: “We’re very happy to welcome new and returning visitors and collectors to our new larger venue, with more than 60 selected potters and ceramic artists from across the UK.

*RAMP creative collaborators Roop Johnstone and Alice Hartford: Demonstration at 1.30pm on March 4*

“York Ceramics Fair outgrew its original home in the Hospitium [Museum Gardens], and after spending some time looking for the right space, we’re happy to say it will be hosted at the iconic York Racecourse. This bright and open venue ticks all the boxes, with a broad range of ceramic artwork at all prices, ease of access and plenty of space for exciting demos, activities and trade stands to browse. Plus for the first time we can offer parking to guests.”

The exhibitors will be: Kirsty Adams; Justine Allison; Julie Ayton; Dee Barnes; Natalie Bell; Steve Booton; Fiona Booy; Loretta Braganza; Katie Braida; Ben Brierley; Jane Cairns; Rebecca Callis; Roger Cockram; Johanne Coker; Dianne Cross; Anthony Dix; Dennis Farrell; Lesley Farrell; Doug Fitch; Miche Follano; Laura Gibbs; Sharon Griffin; James Hake; Jaroslav Hrustalenko; Ruth King; Anna Lambert; Tony Laverick; Roger Lewis and Francis Lloyd-Jones.

Taking part too are: Sophie MacArthy; Juliet Macleod; Hannah McAndrew; Colin Milnes; Sara Moorhouse; Jenny Morten; Eric Moss; Sue Mundy; Stephen Murfitt; Jeremy Nichols; Patrick O’Donohue; Simon Olley; Rachel Peters; Adela Powell; RAMP; Elizabeth Renton; Micaela Schoop; Yuta Segawa; Tokes Sharif; Emily Stubbs; Hiro Takahashi; Joanna Terry; Iona Crawford Topp; Carolyn Tripp; Shirley Vauvelle; Josie Walter; Paul Wearing; Andrea Welsh; Douglas White; Richard Wilson; Penny Withers and Rachel Wood.

*Katie Braida: Demonstrating hand-building techniques at 11.30am on March 4*

Over the weekend, in the centre of the fair space, informal demonstrations will be held by exhibitors, showing techniques important to their work. On Saturday, at 11.30am, Katie Braida will demonstrate the hand-building techniques she uses for creating her sculptural vessels, as well as how she refines and textures the forms.

At 1.30pm, the slip-decorated earthenware and porcelain-making collaboration of RAMP duo Alice Hartford and Roop Johnstone will work on making and decorating their taller forms to become lamp bases.

Alice will demonstrate her slip decorating techniques, painting thin layers of slip, application of paper stencils and scraffito work. Roop will demonstrate making taller forms on the wheel, using a combination of assembling separate forms and throwing large coils to build a form.

*Steve Beeton: Demonstrating how to facet a large moon jar on March 5 at 11.30am*

At 3.30pm, Lake District ceramicist James Hake will show how to make a square vase on the wheel. His stoneware is embellished with oriental glazes made using natural materials gathered from the Cumbrian landscape. The firing process creates fluid and dynamic surfaces that draw together his experiments with colour and texture.

Steve Booton will open the Sunday sessions in an 11.30am demonstration that will cover texture and faceting small pots and a large moon jar. At 1.30pm, Hannah McAndrew will show how she slip-trails a piece of flatware while discussing her slip trailers and the way she lays out her designs.

The demonstrations will conclude at 3.30pm with York ceramicist Emily Stubbs, who draws inspiration from her 2D paper collages and sketches. She will demonstrate how she translates these into clay, building up layer upon layer of slips and glazes, using various decorating techniques in clay, such as under-glazing, sgraffito, mono-printing and mark making.

*York ceramicist Ruth King: Dedicated more than 40 years to the art and process of making ceramic vessels*

Her finished vessels have a similar graphic quality to them, with bold colour, strong line and intuitive mark making. Make a note to visit Emily’s studio in Ambrose Street during the 2023 York Open Studios, open on April 15, 16, 22 and 23, from 10am to 5pm.

Throughout the York Ceramics Fair weekend, a free shuttle bus service will run every 40 minutes from the Memorial Gardens coach stand on Leeman Road, close to the railway station, from 9.30am each day.

Tickets cost £5, under 16s free, at eventbrite.co.uk/e/york-ceramics-fair-2023-tickets-474142331477. For a full list of exhibitors and further details, head to: yorkceramicsfair.com.

*Loretta Braganza: York hand-built sculptural potter*

YORK Open Studios 2020, the chance to meet 144 artists at 100 locations over two April weekends, has been cancelled in the wake of the Covid-19 pandemic.

However, with doors sadly shut for the April 17 to 19 and April 25 to 26 event, CharlesHutchPress wants to champion the creativity of York’s artists and makers, who would have been showcasing their ceramics, collage, digital, illustration, jewellery, mixed media, painting, print, photography, sculpture and textiles skills.

Each day, in brochure order, five artists who now miss out on the exposure of Open Studios will be given a pen portrait on these pages, because so much art and craft will have been created for the event and still needs a new home. Addresses will not be included at this time.

Meanwhile, York Open Studios artists are finding their own way to respond to the shutdown by filling their windows with their work instead. Look for #openwindowsyork2020 to locate them. “If you see one in your area while taking your daily exercise, take a picture and let us know,” they say.

Caroline Utterson, textiles

CAROLINE combines her two great loves, photography and fabric, in creating one-off embroidered, appliquéd and felted artworks influenced as much by her imagination as by the landscape around her.

After graduating from university with a degree in textiles, she worked for North Yorkshire Police for eight years before travelling to Thailand to teach English.

On her return, using the tools she had to hand, Caroline taught herself freehand machine embroidery, a craft she likens to drawing with a sewing machine.

“The environment is important to me, so I use many recycled fabrics in my work,” says Caroline Utterson

“I’m greatly inspired by animals, nature, my northern roots and my love of travel and photography,” she says. “Forever taking photos of anything that catches my eye, I then convert my pictures into textile artworks, using fabrics, buttons, beads and bits that I have collected over the years. The environment is important to me, so I use many recycled fabrics in my work.”

Caroline launched her It’s Cute textile shop in September 2013. “The name was coined as a result of a happy acronym of my name and what I do: Caroline Utterson Textiles and Embroidery,” she says.

She would have been participating in York Open Studios for the first time this month. Contact her via itscuteshop@yahoo.com.

Marcus Jacka, wood

MARCUS specialises in furniture and objects in wood, usually practical, sometimes only for contemplation.

After many years studying, teaching and researching in Physics, he has, for the past decade, been a full-time woodworker.

The common thread is design and experimentation, in thought, process and materials, as Marcus tries to achieve a spare lightness in what he creates. For more info, go to marcusjacka.com.

“Structure, containment, balance”: Ruth King’s pots

Ruth King, ceramics

RUTH’S slab-built pots explore structure, containment and balance, articulated and enhanced by the passage of vapours in the final salt-glaze firing.

Trained at Camberwell School of Arts and Craft, she moved to York after four years living and working in London. A leading figure in York’s art world, with books to her name too, she is a member of the York Art Workers Association and a Fellow of the Craft Potters Association.

Unexpected yet hauntingly familiar, Ruth’s distinctive ceramic vessels have been exhibited widely and are represented in the collections of York Art Gallery; the Victoria and Albert Museum, London; Royal Museum of Scotland, Edinburgh; Royal Ulster Museum, Belfast; Nottingham Castle Museum and the Potteries Museum and Art Gallery, Stoke-on-Trent.

Her work is available by commission, through exhibitions, at onlineceramics.com and the Contemporary Ceramics Centre, London. More details can be found at ruthkingceramics.com.

Elaine Hughes, collage

ELAINE creates stitched collages using vintage papers and ephemera to depict scenes from an imaginary, whimsical world she calls “Oh Golly Gosh”.

The paper is first coloured and manipulated with a variety of techniques to then illustrate an imaginary patchwork scene.

The text and graphics of old printed papers, along with a love of the character of old buildings and boats, provide inspiration.

“I have a love of the quirky vernacular buildings found in market and seaside towns, as well as ancient cities such as York,” Elaine says. “The charms of bygone eras of the 1930s, 1940s and 1950s also play an important part in the aesthetic language of the work.

“Creating patina and pattern”: Elaine Hughes’s collage work

“I use text, fonts and graphics from vintage ephemera, such as old tram tickets, maps and dress-making patterns, to create patina and patterns.”

Elaine, a graduate in embroidery from Manchester Metropolitan University in 2001, has exhibited in galleries across Britain and since launching her Oh Golly Gosh label in 2009, her work has made its way to homes around the world, as well as finding a permanent home in The Written Gallery in York. Take a look at ohgollygosh.co.uk.

Mick Leach’s paintings take inspiration from Russian artists El Lissitzky and Maleyich

Mick Leach, painting

AS a self-taught artist and full-time worker, Mick’s side-career in painting has been taking shape steadily since early 2016.

He works mainly with acrylic paint and chalk powder, along with other media, that he applies to MDF board to achieve a layered, industrial aesthetic in his abstract paintings.

He draws inspiration from El Lissitzky, the Russian artist, designer, photographer, typographer, polemicist and architect, and Kazemir Malevich, the pioneering fellow Russian avant-garde artist and art theorist.

“My work aims to abstract the modern, decaying landscape with textures and geometric composition,” says Mick, who won the 2019 Art& York Best Raw Talent award.

Last May to July, he took part in Pyramid Gallery’s Abstract Paintings exhibition; this month would have seen his York Open Studios debut. Check out mickleach.art.

TOMORROW: Fiona Kemp; Chris Whittaker; Laura Masheder, Sarah Papps and Henry Steele.

Tag: Ruth King

York Ceramics Fair returns in ‘bigger and better’ space for 60 exhibitors at York Racecourse on March 4 and 5

No York Open Studios in April, but all that art still needs a new home, so look here…DAY TWELVE