Sam Lee connects with nature against the tide on songdreaming album and tour, playing The Old Woollen tonight

Sam Lee at Stonehenge. Picture: Andre Pattenden

FOLK renovator and innovator Sam Lee showcases his fourth studio album, songdreaming, at The Old Woollen, Farsley, Leeds, tonight, on his 17-date tour.

Released on March 15 on Cooking Vinyl, songdreaming represents the latest stage in the development of Londoner Lee’s music, from its roots in curating ancient song to a new way of imagining and performing reworked old songs, making them relevant anew.

The follow-up to 2020’s Old Wow was recorded throughout 2023, when Sam continued his work with producer Bernard Butler and long-term collaborator, arranger, and composer James Keay in creating an album rich in musicality and invention.

In taking songs directly related to the nature of the British Isles, he reinvents and contemporises a tradition of communion with the land through song. “songdreaming is a mosaic of the emotions felt in my time outdoors, that artistically emerge in reflective moments when I’m permitted to recount and articulate the complexity of all I witness and thus feel responsible for,” he says.

Explaining the album title, Sam says: “’songdreaming is a neogilism [a newly coined word or expression], that came out of the work that I do rooted in nature, through the idea of how we can connect with the land, and our relationship with nature through music. It goes back to the Aboriginal idea of songlines…”

…Songlines, Sam? “The short answer is I will never truly understand it, as you have to live in that culture, but from my time spent with Aborogines and from reading [English travel writer] Bruce Chatin’s book [Songlines], it’s to do with map orientation to our sense of not just place but ancestry, identity, sovereignty, all wrapped in feelings of adoration and commitment,” he says.

“That’s something we’ve had in this country, working with the landscape to chart who we are, but our experiences have severed that relationship. The concept of this album is to reinvigorate that idea, hence I’ve borrowed old folk songs, our ancient narratives, reworking them to tell of our beautiful relationship, our enchantment, our illicit joy, in nature.”

Illicit joy, Sam? “I’m so involved with the Right To Roam movement, but I didn’t want to make a protest album. I wanted to create a vision,” he says.

“Music can be such a bridge builder into a new sense of possibilities. I don’t think what we have in this age, unlike what we had for thousands of years, is an adoration of nature. Music was inspired by nature for so many years, and yet we’ve now become like a barren land in our attitude.

“How have we ended up with poisoned rivers, barren lands that are so depleted? Most important to that is the severance of connection to nature in our children, who find it more difficult to make that connection because of the urban lives we live.”

Sam regrets the loss of stewardship, grandparents no longer passing on knowledge of nature to grandchildren. “We don’t know the names of our rivers, our fungi, our flowers, anymore,” he says. “Nature has become an exiled realm. What we see is a war of attrition and nature is not winning that war.”

What role can music play to change that? “Where we are completely cut off, music can conjure the emotion of what it’s like to walk in a field, to be in a canoe, and that’s always been the purpose of music: to connect with the visceral sense of place. In my case, to distil all my work in nature to be something that is shared.”

Across songdreaming’s ten tracks, Sam delivers an album that ranges from acoustic songs to drone soundscapes through to the electric guitar and gospel choir-propelled lead single Meeting Is A Pleasant Place, featuring the recording debut of transgender London choir Trans Voices.

songdreaming incorporates the balladry of Sweet Girl McRee alongside the gospel tinges of Leaves Of Life, while also housing the whiteout noise of Bushes And Briars, a song that details Sam’s rage at the treatment and condition of the natural world.

Summing up his bond with nature in song, Sam says: “Those people who are and were singing the old songs here at home were also looking after the land. When we stop singing to the land, the land stops singing back.”

Sam Lee’s songdreaming tour visits  plays The Old Woollen, Sunny Bank Mills, Town Street, Farsley, Leeds, tonight (24/3/2024), 8pm; doors, 7pm. Box office: samleesong.co.uk or oldwoollen.co.uk. songdreaming is available on Cooking Vinyl on  vinyl, CD and digital download.

Sam Lee to play three Yorkshire gigs as he goes back to nature on songdreaming album, out on Cooking Vinyl on March 15

Folk musician Sam Lee at Stonehenge. Picture: Andre Pattenden

FOLK renovator Sam Lee will showcase his fourth studio album, songdreaming, on a 17-date tour with Yorkshire gigs at Hebden Bridge Trades Club on March 17, Crookes Social Club, Sheffield, on March 20 and Old Woollen, Farsley, on March 24.

Released on March 15 on Cooking Vinyl, songdreaming represents the latest stage in the development of Londoner Lee’s music, from its roots in curating ancient song to a new way of imagining and performing reworked old songs, making them relevant for a modern audience.

The follow-up to 2020’s Old Wow was recorded throughout 2023, when Lee continued his work with producer Bernard Butler and long-term collaborator, arranger, and composer James Keay in creating an album rich in musicality and invention.

songdreaming may be built on the backbone of double bass, percussion, and violin but is infused with pan-global instrumentation, taking in the Arabic Qanun, Swedish Nyckelharpa, small pipes and more.

Across the ten tracks, Lee delivers an album that ranges from more immediately identifiable acoustic songs to drone soundscapes through to the electric guitar and gospel choir-propelled lead single Meeting Is A Pleasant Place, featuring the recording debut of transgender London choir Trans Voices.

The cover artwork for Sam Lee’s new album, songdreaming

songdreaming incorporates the balladry of Sweet Girl McRee alongside the gospel tinges of Leaves Of Life, while also housing the whiteout noise of Bushes And Briars, a song that details Lee’s rage at the treatment and condition of the natural world.

In taking songs directly related to the nature of the British Isles, he continues to reinvent and contemporise a tradition of communion with the land through song. He duly characterises songdreaming as: “A mosaic of the emotions felt in my time outdoors, that artistically emerge in reflective moments when I’m permitted to recount and articulate the complexity of all I witness and thus feel responsible for”.

Taking an “evocative journey through the complex emotions created for Sam by his engagement with nature and his deep-felt affinity for it”, the album draws on sources as diverse as the sacred music of European and global mystic traditions, the work of neo-classical contemporary composers and the simple effectiveness of a well-delivered vocal melody.

Summing up his connection with nature in song, Lee says: “Those people who are and were singing the old songs here at home were also looking after the land. When we stop singing to the land, the land stops singing back.”

Tour tickets are on sale samleesong.co.uk. songdreaming will be released on Cooking Vinyl on March 15 on vinyl, CD and digital download. Pre-order link: https://SLee.lnk.to/songdreamingPR

More Things To Do in York and beyond in the rave new world of bingo and festivals à gogo. List No. 96, courtesy of The Press

Wynne Evans: Vocal power amid the Pomp and Circumstance at tonight’s Castle Howard Proms

FROM Proms fireworks to rave bingo, prog-rock veterans to village-green art, Charles Hutchinson seeks variety for the diary.  

Pomp and circumstance concert of the week: Castle Howard Proms, Castle Howard, near York, this evening; gates open at 5pm 

OPERA star, insurance advert institution beyond compare and BBC Radio Wales presenter Wynne Evans returns to the Castle Howard Proms this weekend.

West End singer Marisha Wallace will be his fellow soloist at tonight’s classical concert, where the London Gala Orchestra will be conducted by Stephen Bell. Expect picnics, Prom classics, songs from the musicals, flag-waving favourites, a Spitfire flyover, laser displays and a firework finale. Box office: lphconcertsandevents.co.uk/events/castle-howard-proms-2022.

Life of Bryan: Roxy Magic pay tribute to the Ferry man

Tribute show of the week: Roxy Magic, Joseph Rowntree Theatre, York, tonight, 7.30pm

AHEAD of reunited art-rock legends Roxy Music playing Glasgow, Manchester and London in October on their 50th anniversary tour, here comes Roxy Magic’s tribute in York.

Led by Bryan Ferry doppelganger Kevin Hackett since 2004, the show lovingly recreates four decades of Roxy music, from art-school retro-futurism, to classic standards via sophisticated, adult-oriented rock. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Abba Symphonic: All the hits, with a bigger band, at Castle Howard

Does your mother know this is happening? Abba Symphonic, Castle Howard, near York, Sunday; gates open at 5pm

ROB Fowler and Sharon Sexton will be among the star performers from the West End production of Mamma Mia! at Sunday’s Abba Symphonic concert.

They will be backed by a full rock band, together with the Heart of England Orchestra, in a greatest hits concert conducted by Grammy Award winner Steve Sidwell. Irish singer-songwriter, performer, raconteur Jack Lukeman will be the support act. Again, take a picnic. Box office: lphconcertsandevents.co.uk/events/abba-symphonic-castle-howard/.

Sam Lee: Not-so-ordinary folk amid the chamber music programme at Welburn Manor. Picture: Andre Pattenden

Folk event of the week: Sam Lee, Songlines, at North York Moors Chamber Music Festival, Welburn Manor marquee, near Kirkbymoorside, Monday, 7pm

FOLK pioneer Sam Lee brings a new perspective to this summer’s North York Moors Chamber Music Festival when performing his Songlines set on Monday.

The festival is built around world-class classical musicians, performing repertoire on the theme of Soundscapes. This year, however, singer, song collector and conservationist Lee and his band will be broadening the focus after he met festival director Jamie Walton at the new Ayriel Studios, in Westerdale, near Whitby, late last year. Box office: 07722 038990 or northyorkmoorsfestival.com.

Spot the difference: The 1975 replace Rage Against The Machine as Leeds Festival headliners. Picture: Samuel Bradley

Last big gathering of the summer: Leeds Festival, Bramham Park, near Wetherby, August 26 to 28

OUT go Friday’s American headliners Rage Against The Machine (leg injury to frontman Zack de la Rocha), Italy’s 2021 Eurovision winners, Maneskin, and American rapper Jack Harlow (both preferring to play at MTV’s Video Music Awards ceremony in America instead). In come English indie combo The 1975, for their first gig in two years, and pop star Charli XCX on Friday and London rapper AJ Tracey on the Sunday.

Friday offers Halsey, Run The Jewels and Bastille; Saturday,  Dave, Megan Thee Stallion, Little Simz, Glass Animals and Joy Crookes; Sunday, Arctic Monkeys, Bring Me Horizons, Wolf Alice and Fontaines DC. Box office: leedsfestival.com.

Re-building Colosseum: Prog-rockers parade their latest line-up at The Crescent

Re-formed legends of the week: Colosseum, The Crescent, York, August 27; doors, 7.30pm

PROG rock giants Colosseum have reunited, fronted by legendary lead singer Chris “Out Of Time” Farlowe, who is joined by fellow long-time members Clem Clempson, on lead guitar, and Mark Clarke, on bass and vocals.

In the line-up too will be new recruits Nick Steed, keyboards, Kim Nishikawara, saxophones, and Malcolm Mortimore, drums, in a gig staged by TV’s Over, York promoters with a flair for the retro.

Colosseum date back to, if not Roman times, but still long-ago 1969, when debut album Those Who Are About To Die Salute You established their compound of rock, jazz and classical music. Box office: thecrescent.com.

Taking shape: Making pots at Fangfest in Fangfoss

Art, not Dracula: Fangfest, Fangfoss Festival of Practical Arts, Fangfoss, near Pocklington, September 3 and 4, 10am to 4pm

MORE than 20 jewellery designers, potters, glass artists, sculptors, felters, handbag makers, painters, photographers, illustrators, printmakers, candle makers, willow weavers and wood carvers are taking part in Fangfest on its return after a pandemic-enforced two-year hiatus.

Look out too for Forest Craft and Play’s drop-in craft activities; acoustic musicians; archery; classic cars; a scarecrow trail and the St Martin’s Church flower festival with the theme of Our Queen. Admission to this outdoor event is free.

John Bramwell: Heading to Ellerton Priory next month. Picture: Ian Percival

If you book for one low-key gig, make it: John Bramwell, Ellerton Priory, near York, September 24; doors, 7pm

FROM the team behind shows by Super Furry Animals’ Gruff Rhys and The Beta Band’s Steve Mason in Stockton on the Forest Village Hall comes a “super-intimate” gig by I Am Kloot’s John Bramwell.

Ellerton Priory, should you be wondering, is the Parish Church of St Mary, a beautiful, small, 16th century church in the East Riding village of Ellerton, between York, Selby and Pocklington. Tickets are on sale via thecrescentyork.com.

Rave on! Welcome to the new age of bingo in Bongo’s Bingo at York Barbican

House music with a difference: Bongo’s Bingo, York Barbican, October 8; doors, 6pm; last entry, 7:30pm; first game of bingo, 8pm

MAKING its York debut this autumn in the shadow of the demolished Mecca Bingo, Bongo’s Bingo “rejuvenates a quintessentially quaint British pastime with an immersive live show featuring rave rounds, nostalgia-soaked revelry, dance-offs, audience participation and crazy prizes in a night of pure and unadulterated escapism”.

Looking for a full house, promoter Jonny Bongo says: “We’ve been waiting to come to York for a long time, so this is really special for us. We’ve heard the locals are really up for a party, so this is going to be a lot of fun.”

Magic and music, mischief and mayhem combine in this bingo rave experience. Box office: bongosbingo.co.uk.

REVIEW: Martin Dreyer’s verdict on Daybreak, North York Moors Chamber Music Festival, 13/8/2022

Violinist Charlotte Scott

REVIEW: Martin Dreyer’s verdict on Daybreak, North York Moors Chamber Music Festival

North York Moors Chamber Music Festival: Daybreak, Welburn Manor marquee, August 13

THE 2022 North York Moors Chamber Music Festival got off to a cracking start with this afternoon concert, a Beethoven piano trio followed by a Dvořák piano quartet.

The festival’s umbrella title is Soundscapes, with the various subtitles moving gradually through the day and the seasons. Appropriately, this was Daybreak.

For anyone new to this wonderful festival – one of the best-kept secrets of the chamber music world anywhere in this country, let alone in Yorkshire – the names of the musicians taking part are only revealed at the event.

All you know ahead of time are the works on the programme. But have no fear. Nobody makes it onto the Welburn stage without the highest pedigree: concerto soloists, orchestra leaders, competition winners, from all over Europe, all with a shared love of chamber music which their careers normally prevent them playing.

So, they come here on holiday, often with families in tow, and indulge themselves for our delight. The results are often astounding – and at £15 a pop, extraordinarily good value.

Beethoven’s Piano Trio, Op 11 in B flat, dates from the late 1790s when he was fairly new on the Vienna scene and still trying to make an impression. Wisely he based his writing on ‘Papa’ Haydn’s example. In these works you find Beethoven at his most witty, which did not escape our threesome here, violinist Charlotte Scott, cellist Rebecca Gilliver and pianist Christian Chamorel.

The opening Allegro was extremely light on its feet, with the downward part of the theme given a keen staccato. The semiquavers in the development section were particularly energetic.

The centre of the slow movement, which involves cello and piano alone (because its remote keys were inaccessible at the time by the clarinet for which the violin role was originally written), was soulful indeed.

The finale, nine variations on a wildly popular song by Joseph Weigl (Before I Start Work, I Need Something To Eat! – one knows the feeling) were sombre, dramatic and martial in turn. They are followed by a crazy little piano cadenza that goes off at a tangent, which Chamorel relished to the full, before his colleagues were allowed back to restore order.

The second of Dvořák’s two piano quartets, Op 87 in E flat, brought in a completely new group of players – something that ordinary economics would not normally make feasible – violinist Benjamin Baker, viola player Meghan Cassidy, cellist Jamie Walton and pianist Daniel Lebhardt. All are regulars at the festival, while Baker and Lebhardt are also frequent collaborators which undoubtedly helped cohesion.

Its dramatic opening was made more so by Lebhardt’s insistent piano, which drove his colleagues a little harder than they might have wished. It did however make the calm appearance of the second theme during the development especially beautiful.

Walton’s cello gave an ultra-lyrical start to the slow movement, so that the arrival of its stormy centre came almost as a shock. The return of the cello’s theme was almost remorseful, as if the disturbance had been too much, and it came to a serene, penitent close.

There was a pleasing sense of dance to the scherzo – almost an old-fashioned minuet – and the finale’s main theme matched the forthright opening of the whole work. The ensemble seemed particularly to savour the moments of repose that Dvořák throws in strategically. The enthusiasm of both ensembles was infectious: it bodes well for the rest of the festival.                                                                                                

Review by Martin Dreyer

Folk musician Sam Lee’s band to play at North York Moors Chamber Music Festival

Sam Lee: Ground-breaking concert at North York Moors Chamber Music Festival. Picture: Andre Pattenden

FOLK pioneer Sam Lee will bring a new perspective to this summer’s North York Moors Chamber Music Festival when performing his Songlines set of folk songs in the Welburn Manor marquee on August 22 at 7pm.

Now in its 14th consecutive year – it was one of the very few arts festivals to go ahead during the pandemic in both 2020 and 2021 – the 2022 festival runs from August 13 to 27, when its roster of world-class classical musicians gathers to perform dazzling repertoire around the theme of Soundscapes.

This year they will be joined by folk singer, song collector and conservationist Sam Lee and his band. Lee met the festival’s director,  cellist Jamie Walton, when he spent time at the newly opened Ayriel Studios in Westerdale, near Whitby, late last year.

Walton, a founder and artistic director of this new state-of-the-art facility, explains: “Sam spent time up at Ayriel Studios writing songs, and we got on so well that I joined him back in May to perform live with nightingales as part of his Nest Collective project.

“This year’s festival theme, Soundscapes, takes inspiration from the landscape and music inspired by nature.  Sam’s song set will fit in perfectly, as he is a conservationist, collector of songs and a real champion of nature.”

Ayriel Studios is also serving as a rehearsal space for many of this year’s other festival artists, which includes international musicians such as violinists Charlotte Scott, Benjamin Baker, Rachel Kolly, Victoria Sayles, Irena Simon-Renes and Irene Duval; cellists Alice Neary, Rebecca Gilliver, Tim Posner and Jamie Walton and pianists Katya Apekisheva, James Baillieu; Daniel Lebhardt, Christian Chamorel and Anna Tilbrook.

Taking part too are Ben Goldscheider (French horn); Matthew Hunt (clarinet); James Gilchrist (tenor); Alison Buchanan (soprano, Matthew Wadsworth (lute and theorbo) and young artists The Jubilee String Quartet and Cristian Grainer de Sa.

They will perform works by composers including Beethoven, Debussy, Fauré, Dvořák, Elgar, Mozart, Schubert, Schumann, Strauss, Chausson and many others.

All the main festival concerts will take place once more in an acoustically adapted marquee in the grounds of Welburn Manor Farm, near Kirkbymoorside. This is likely to be the last time the festival utilises this format before returning to churches, three of which – at Coxwold, Egton Bridge, and Danby – are featuring as part of this year’s festival.

Tickets for each main festival concert cost £15; free for under-30s. A season ticket for all 15 concerts costs £150.

To book, email bookings@northyorkmoorsfestival.com, call 07722 038990 or visit northyorkmoorsfestival.com.

North York Moors Chamber Music Festival director Jamie Walton. Picture: Matthew Johnson