IF you have acquired a ticket, you’re cushty. If not, ouch, bad luck, like a visit from the Driscolls, except you might be the one hitting yourself for missing out.
Only Fools And Horses The Musical’s first visit north to York after four years in the West End has all but sold out. Lovely jubbly news for the Grand Opera House at the start of a run of four musicals in four weeks: next up Jason Donovan in The Rocky Horror Show, followed by Hairspray and 101 Dalmatians, starring Hear’Say singer and Coronation Street soap star Kym March as Cruella De Vil.
North-South divide? What North-South divide, on the evidence of the York audience’s affection for the Trotters, from Peckham, south-east London. Or Britain’s best-loved TV comedy, as Only Fools And Horses is commonly known.
Based on John Sullivan’s long-running, oft-repeated BBC One series, this musical spin-off is co-written by John’s son Jim and comedy treasure Paul Whitehouse (who will play Grandad when the tour visits Leeds Grand Theatre from February 24 to March 1 and Sheffield City Hall and Memorial Hall from May 26 to 31 next year).
All your favourite characters, and I do mean all, from 64 episodes in 22 years will make an appearance, just like when Whitehouse appeared in An Evening With The Fast Show at the Grand Opera House in March, incidentally.
However, Only Fools And Horses The Musical is not merely a greatest hits nostalgia trip, even if such roles as Uncle Albert (uncredited) and the Scouser, Denzil (Bradley John), are reduced to butterfly-brief cameos over the two hours.
What’s the story? “Join Del Boy, Rodney, Grandad, Cassandra, Raquel, Boycie, Marlene, Trigger and more as we take a trip back in time to 1989, where it’s all kicking off in Peckham,” reads the tour publicity invitation (although the year mentioned on stage was 1988).
“While the yuppie invasion of London is in full swing, love is in the air as Del Boy sets out on the rocky road to find his soul mate, Rodney and Cassandra prepare to say ‘I do’, and even Trigger is gearing up for a date (with a person!).
“Meanwhile, Boycie and Marlene give parenthood one final shot and Grandad takes stock of his life and decides the time has finally arrived to get his piles sorted.”
It all flows with the greatest of ease on a tide of slick direction and knees-up-Mother-Brown choreography by Caroline Jay Ranger on Alice Power’s comfy, familiar set of pub and Trotter household, complemented by Leo Flint’s animations and video designs of the Nags Head frontage and Rodney and Cassandra’s honeymoon.
Liz Ascroft’s costume designs evoke all the stylings, from Del Boy’s love of yellow and red, braces and car coats, to smug Boycie’s snug camel coat.
What about the music in the musical? Imagine rockney duo Chas & Dave, Ian Dury, Madness and the cast of Oliver! hosting a party, with Rachel Murphy’s band in as-lively-as-New-Year’s Eve form.
John Sullivan’s Only Fools And Horses/Hooky Street theme tune makes more than one appearance; Chas & Dave contribute the typically chirpy pub singalong numbers That’s What I Like, Margate and This Time Next Year; Whitehouse and Jim Sullivan have penned Cockney tunes aplenty, sometimes together, sometimes on their own, but all working a treat, thanks in part to the singing being in character.
Whitehouse and Chas Hodges’s Where Have All Cockneys Gone? is particularly affecting, while Bill Withers’ Lovely Day is seen in a new light and Gloria Acquaah-Harrison’s Mrs Obooko brings such poignancy to Simply Red’s Holding Back The Years, it may well have you not holding back the tears.
Such pathos is as key to a sitcom as the lighter laughs, especially in the company of such fallible characters in this “feel-good family celebration of traditional working-class London life and the aspirations we all share”. Trying to make a living, in whatever way – and maybe that is where there is no North-South divide in Only Fools And Horses’ appeal.
Ranger’s cast capture their characters like tickling a fish: uncannily like the TV originals but not just doppelganger tribute acts. Sam Lupton’s wheeler-dealer Del Boy brings down the house, not least in his closing pratfall; Craig Berry’s Boycie has the laugh, the upwardly mobile manner, and Tom Major’s Rodney bonds delightfully with Nicola Munns’s Cassandra;
Lee VG’s Trigger, with the inevitable treasured broom and deadpan delivery, is a scene stealer; Georgina Hagen’s Raquel is all heart, while Philip Childs’s Grandad harks back to the old days, the good old days, just like this show in fact.
Only Fools And Horses The Musical, Grand Opera House, York, until October 19, 7.30pm plus 2.30pm Wednesday and Saturday matinees. Box office: atgtickets.com/york. Age guidance: Six upwards.
