More Things To Do in York and beyond when taking Steps to entertainment. Hutch’s List No. 5, from The York Press

Robin Simpson in The Last Picture at York Theatre Royal Studio, Picture: S R Taylor Photography

MUSICALS aplenty and a posthumous debut exhibition for two York artists are among Charles Hutchinson’s favourites for February fulfilment.

Solo show of the week: The Last Picture, York Theatre Royal Studio, until February 14, 7.45pm except Sunday,  plus Wednesday and Saturday 2pm matinees

ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s anti-Fascist monodrama The Last Picture, directed by associate artist John R Wilkinson.

Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school museum trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character) will be by your side in a play about empathy – its power and limits and what it asks of us – built around a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Colour & Light turns the spotlight on Viking invader Eric Bloodaxe among York’s rogues, scoundrels and historical figures in Double Take Productions’ light installation at York Castle Museum and Clifford’s Tower. Picture: David Harrison

Illumination of the week: Colour & Light, York Castle Museum and Clifford’s Tower, York, until February 22, 6pm to 9pm

YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings are illuminated together when York Castle Museum and Clifford’s Tower become the combined canvas for Double Take Projections’ fully choreographed projection show, transforming the Eye of York.

Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show bring York’s historic rogues, scoundrels, miscreants, mischief makers and mythical characters to life in a family-friendly projection open to all for free; no ticket required.

    Suede: Showcasing Antidepressants album on York Barbican return

    Recommended but sold out already: Suede, York Barbican, tonight, doors 7pm

    AFTER playing York Barbican for the first time in more than 25 years in March 2023, Suede make a rather hastier return on their 17-date Antidepressants UK Tour when Brett Anderson’s London band promote their tenth studio album.

    “If [2022’s] Autofiction was our punk record, Antidepressants is our post-punk record,” says Anderson. “It’s about the tensions of modern life, the paranoia, the anxiety, the neurosis. We are all striving for connection in a disconnected world. This was the feel I wanted the songs to have. This is broken music for broken people.” Box office for returns only: yorkbarbican.co.uk.

    Sara Pascoe: Contemplating smart and astute nocturnal thoughts in I Am A Strange Gloop

    Comedy gig of the week: Sara Pascoe, I Am A Strange Gloop, York Theatre Royal, tonight, 7.30pm

    HAVE you ever been awake in the middle of the night and thought something so smart and astute that you could not wait for the world to wake up for you to tell them? “This show is that thought, in that it doesn’t make much sense and is a bit weird on reflection,” says Dagenham comedian, actress, presenter and writer Sara Pascoe.

    In I Am A Strange Gloop, Sara & Cariad’s Weirdos Book Club podcaster and former The Great British Sewing Bee host Pascoe reveals how her children don’t sleep, her kitchen won’t clean itself and her husband “doesn’t want to be in it”. Box office: 01904 623568 or yorktheatreroyal.co.uk.

    Sally Ann Matthews’ supermarket boss Patricia in Here & Now The Steps Musical. Picture: Danny Kaan

    Comedy and Tragedy show of the week: Here & Now, The Steps Musical, Grand Opera House, York, February 10 to 15, Tuesday to Saturday, 7.30pm; Wednesday and Saturday, 2.30pm; Sunday, 3pm

    PRODUCED by Steps, ROYO and Pete Waterman, Here & Now weaves multiple dance-pop hits by the London group into Shaun Kitchener’s story of supermarket worker Caz and her fabulous friends dreaming of the perfect summer of love.

    However, when Caz discovers her “happy ever after” is a lie, and the gang’s attempts at romance are a total tragedy, they wonder whether love will ever get a hold on their hearts? Or should they all just take a chance on a happy ending? Look out for Coronation Street star Sally Ann Matthews as supermarket boss Patricia. Box office: atgtickets.com/york.

    Gi Vasey’s Annas and Joseph Hayes’ Caiaphas in Inspired By Theatre’s Jesus Christ Superstar. Picture: Dan Crawfurd-Porter

    Boundary-pushing theatre show of the week: Inspired By Theatre in Jesus Christ Superstar, Joseph Rowntree Theatre, York, February 11 to 14, 7.30pm plus 2.30pm Saturday matinee

    YORK company Inspired By Theatre’s gritty, cinematic and unapologetically powerful staging of Jesus Christ Superstar presents director Dan Crawfurd-Porter’s radical new vision of Andrew Lloyd Webber and Tim Rice’s 1971 musical.

    On Gi Vasey’s shifting building-block set design, part temple, part battleground, the story unfolds through visceral movement, haunting imagery and a pulsating live score, capturing Jesus’s final days as loyalties fracture, followers demand revolution and rulers fear rebellion. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

    Annie at the double: Hope Day, left, and Harriet Wells will be sharing the title role in York Light Opera Company’s musical. Picture: Matthew Kitchen Photography

    The sun’ll come out, not tomorrow, but from Thursday at: Annie, York Light Opera Company, York Theatre Royal, until February 21, 7.30pm, except February 15 and 16; matinees on February 14, 15 and 21, 2.30pm; February 19, 2pm

    MARTYN Knight directs York Light Opera Company  for the last time in the company’s first staging of Charles Strouse, Martin Charnin and Thomas Meehan’s Annie in 25 years.

    This heart-warming tale of hope, family, and second chances, packed with such knockout songs as Tomorrow, Hard Knock Life and You’re Never Fully Dressed Without A Smile, stars  Annabel van Griethuysen as Miss Hannigan, Neil Wood as Daddy Warbucks and  Hope Day and Harriet Wells, sharing the role of Annie. Box office: 01904 623568 or yorktheatreroyal.co.uk.

    Liz Foster: Exploring memory, landscape and the childhood feeling of being immersed in wild places in Deep Among The Grasses

    Exhibition launch of the week: Liz Foster, Deep Among The Grasses, Rise:@Bluebird Bakery, Acomb, York, February 12 to April 10

    YORK artist Liz Foster’s new series of abstract paintings, Deep Among The Grasses, invites you into rich, expansive imagined spaces where she explores memory, landscape and the childhood feeling of being immersed in wild places.

    Full of colour, feeling and atmosphere, this body of work is being shown together for the first time. Everyone is welcome at the 6pm to 9pm preview on February 12 when Leeds-born painter, teacher and mentor Liz will be in attendance.

    Craig David: Performing his TS5 DJ set at York Racecourse Music Showcase weekend

    Gig announcement of the week: Craig David presents TS5, York Racecourse Music Showcase Weekend, Knavesmire, York, July 24

    SOUTHAMPTON singer-songwriter and DJ Craig David will complete this summer’s music line-up at York Racecourse after earlier announcements of Becky Hill’s June 27 show and Tom Grennan’s July 25 concert.

    David, 44, will present his TS5 DJ set on Music Showcase Friday’s double bill of racing and old-skool anthems, from R&B to Swing Beat, Garage to Bashment , plus current  House hits, when he combines his singing and MC skills. Tickets: yorkracecourse.co.uk; no booking fees; free parking on race day.

    Ice amid the January rain: York Ice Trail 2026

    Festival of the week: Make It York presents York Ice Trail, An Enchanted City, York city centre, today and tomorrow, 10.30am to 4pm

    THE streets of York will be transformed into An Enchanted City, where a spell has been cast, as ice sculptures, alive with enchantment, appear across the city’s cobbled and narrow streets.

    Created by Icebox, 36 sculptures inspired by magic, mystery, the weird and wonderful will make an extraordinary trail, but who cast the spell and why? Follow the trail to uncover the truth. Pick up a trail map from the Visit York Visitor Information Centre to tick off all the sculptures; collect a special sticker on completion. 

    The sculptures will be: Ice Ice Baby (neon photo opportunity), provided by Make It York; Igloo 360 Photobooth, Party Octopus; The Ice Village (curated market); All Aboard for Railway Stories, National Railway Museum; Bertie the Shambles Dragon, Shambles Market Traders; The Wizard of Ouse!, City Cruises York and Mr Chippy; The Enchanted Chocolate Bar, York’s Chocolate Story.

    Drake’s Spellbound Catch, provided by Drake’s Fish and Chips; Sword in the Stone, York BID; The Yorkshire Rose by Kay Bradley, Bradley’s Jewellers; Saint William’s Poisoned Chalice, York Minster; Toadstool House, York BID; York Park & Brrr-ide, First Bus; Wizard Teddy Bear, Stonegate Teddy Bears; Bettys Bern Bears, Bettys; The Magic of Connection, Grand Central Rail.

    Lord of the Lodging, provided by The Judge’s Lodging; The Ice Wall (photo opportunity), Make It York; Spellbound Train Ticket, The Milner York; From Grand Roots, Magic Blooms, The Grand, York; Hobgoblin, York BID; Enchanted, Icebox; Wade The Giant, North York Moors National Park; Let It Sew, Gillies Fabrics; The Hungry Dragon, Ate O’clock; Barghest, York BID.  

    The Prophet Hen, provided by SPARK: York; Jack Frost, York BID; Wings of Ice, Merchant Adventurers’ Hall; Magic Mixie Monster, York Mix; Mjolnir – The Bringer of Lightning, Murton Park; Beaky Blinder the Puffin, RSPB; Food and Drink Area; Ice Masterclass (paid experience); The Snow Block (photo opportunity), Make It York, and Live Ice Carving (from 12 noon each day).

    In Focus: Navigators Art performance & exhibition, The Basement, City Screen Picturehouse, York, Sunday, 5pm

    Penesthilia, by Penny Marrows

    TO mark the opening of Penny Marrows and J P Warriner’s posthumous exhibition at City Screen Pictiurehouse, Penny and artist Timothy Morrison’s son, London jazz guitarist Billy Marrows, performs tomorrow with Portuguese Young Musician of the Year 2025 Teresa Macedo Ferreira, supported by lutenist Simon Nesbitt. Admission is free.

    The exhibition launch follows at 6pm, celebrating two late York artists whose paintings were never exhibited in their lifetimes.

    Born in 1951, Penny grew up in Tockwith, west of York, and attended Mill Mount Grammar School for Girls before studying 2D and 3D art at York College, training as a sculptor, then taught art in prisons and adult education in London.

    On returning to Yorkshire, she painted and drew trees, landscapes and portraits for 30 years, including her self-portrait as an heroic winged figure.

    Her exhibition is curated by husband Timothy Morrison, York artist and teacher, who says: “I met her in a printmaking evening class in Brixton, where Penny made linocuts and engravings of alarmingly aggressive-looking mythical beasts.

    “Billy came along…and as a teenager fell in love with the guitar and jazz, and went on to study at Royal Academy of Music.

    “Fast forward to early 2023 when Penny was diagnosed with pancreatic cancer, Billy started sending little video recordings of his music to cheer her up (and me). New compositions, and duets with Teresa [Macedo Ferreira].

    Penny Marrows in her garden

    “The Beech Tree had its premiere at Penny’s funeral, and some of these pieces became Billy’s first album, Penelope, released soon after in her memory. So far it’s raised almost £7,000 for World Child Cancer.”

    In 2025, Penelope was shortlisted in the category of Best New Album in the Parliamentary Jazz Awards. “Penny doesn’t know about all this, nor that thanks to Billy’s music her paintings have had an extraordinary resurrection.

    “The trauma of the illness, combined with major retro-refit work in the house, meant that the paintings were buried in the chaos. We found them at the back of a huge pile. First exhibited at the funeral, they’ve since gone round the world beautifully emblazoned on Billy’s album covers.”

    Penny loved trees, especially walking through woods. “The paintings seemed to burst from nowhere at the time, almost with a secretive devil-may-care diffidence, but are actually distillations of detailed observational sketchbook drawings done in the Howardian Hills while we collected wood for our stove,” says Timothy.

    “Her early notebooks tenderly catch details of family life in Tockwith with an almost Bonnard-like natural draughtsmanship. My garden is a beautiful sculpture garden.

    “If Penny is anywhere, she’s in the trees, both in the paintings and out there. Her work inspires my own drawings; I think of her as Daphne and I often depict her as a bird perched humorously and enquiringly on her very own branch.

    “I would like to thank Richard Kitchen, who greatly encouraged me to curate this show of Penny’s work, and for making it possible.”

    J P Warriner’s work Untitled, featuring in Navigators Art’s exhibition

    BORN in Ireland in 1935, J P (John)Warriner lived most of his life in York, where he died in 2019 aged 84. “He has no surviving family or partner,” says Navigators Art’s Richard Kitchen. “Research indicates he was a brilliant and kind man, and a grandfather figure to troubled local youth.”

    John was a contemporary figurative painter whose style spanned surrealism, post pop, erotic and neo-mythic genres. Married to Effie, the couple had two children, Ronald and Nigel, who both died tragically young.

    “John seemed to have taken to painting to heal from the losses he and Effie endured,” says his exhibition curator, Cath Dickinson, of Notions Vintage. “He remains somewhat of an enigma, with little recorded about his life or artistic endeavours.

    “We know that he was a retired Nestle employee, living in Acomb, suspected to have hailed from Omagh, County Tyrone. With no social media or websites to dissect, no records of known influences or potential drivers, the journey of discovery about JP is just beginning.”

    Local accounts reveal that he was a much loved go-to grandfather figure to all the children in his street in Foxwood, Acomb, never missing a birthday or Christmas, delivering shortbread and fixing many broken bikes.

    In a strange encounter, curator Cath Dickinson, who has been collecting paintings by John for five years, met someone who knew a friend and neighbour of John by chance.

    “I discovered that John had been more than a friendly neighbour but amentor to troubled local adolescents and young people who were struggling with the temptations of life in the hedonistic 1990s and 2000s,” says Cath.

    Artist J P Warriner with “our Amy”

    “John had a particularly close friend, mentee and muse in ‘Our Amy’, a wonderful young mum who was full of life, and had a fantastic sense of humour. John became Amy’s mentor and confidante and tried to not only guide but also record many of the pivotal moments in her tragically shortened life.”

    Exhibition visitors hopefully will be able to discover and share more of the  history of John’s painting and subjects. “The main part is in tribute and memory to Amy and John and their bond which transcended generations and societal norms,” says Cath. “John’s works have been likened to Alasdair Gray and Grayson Perry. They span decades and observe war, tragedy, comedy, temptation, love and loss.

    After the exhibition in memory of John, Effie and Amy ends on March 6, some of John’s works will be available to buy from notionsvintageyork.com at 6 Aldwark Mews, York, YO1 7PJ.

    “This joint exhibition has been both a labour of love and a voyage of discovery for its two curators,” says Richard. “Come and discover the work of two wonderful creative artists and their vibrant contrasting styles and subject matter.”

    Penny Marrows & J P Warriner, City Screen Picturehouse, York, on show until March 6, open daily from 10.30am until closing time.

    Did you know?

    BILLY Marrows also played at The Basement, City Screen Picturehouse, on February 5 with Di-Cysgodion, a contemporary jazz quartet making waves in the capital and touring the north following their appearance at London’s Vortex Jazz Club. 

    Billy will return to The Basement with the Billy Marrows Band on March 26 in a 7.30pm concert promoted by Jazztones at 7.30pm. Tickets: TicketSource booking at bit.ly/nav-events.

    The quartet brings together exciting London jazz scene improvisers to present York-born Billy’s boundary-pushing compositions, where they explore the relationship between improvisation and composition, incorporating grooves from across the globe and taking inspiration from many genres, including contemporary jazz, funk, progressive jazz and classical.

    Penny Marrows’ artwork for Billy Marrows’ album Penelope, which received a four-star review in Jazzwise

    Joining Billy, electric guitar and compositions, will be Chris Williams,  alto sax (Led Bib, Sarathy Korwar, Grande Familia, Let Spin), Huw V Williams, double bass (Gruff Rhys, Ivo Neame, Chris Batchelor, Di-Cysgodion) and Jay Davis, drums (Mark Lockheart, Eddie Parker, Elliot Galvin, Di-Cysgodion).

    Their debut album, Dancing On Bentwood Chairs, will be released on February 13, and this concert forms part of the accompanying tour,

    Billy, who grew up in Sheriff Hutton, near York, studied jazz guitar at the Royal Academy of Music. He also leads the chamber-jazz project Grande Família, whose appearances have taken in top British venues, Scarborough Jazz Festival and a sold-out residency at Pizza Express Jazz Club, Soho.

    In addition, Billy performs with Docklands Sinfonia, Tom Ridout Quintet, Chelsea Carmichael, Patchwork Jazz Orchestra and Di-Cysgodion. For more details, go to:
    billymarrows.com.

    Looking for More Things To Do in York and beyond? Success will be found inside this story. Hutch’s List No. 106, from The Press

    What is success, ponders Sara Pascoe, comedian, presenter, actress, writer and mum, at York Barbican

    A COMEDIAN’S quest, a musical Nativity, winter storytelling, open studios, folk luminaries and supreme songwriters put a spring in Charles Hutchinson’s step as the season for scarves arrives

    Comedy gig of the week: Sara Pascoe: Success Story, York Barbican, Thursday, 7.30pm

    EXPECT “name-dropping, personal stories and anecdotes” from comedian Sara Pascoe, who will be mulling over status, celebrities, her new fancy lifestyle versus infertility, her multiple therapists and career failures in Success Story.

    “What I want to explore is how do we define success and when do we define it,” she says. “Does it change with age? Do we only want things we can’t have? When we attain our goals, do we move the goal posts and become unsatisfied with what we’ve got and want something else instead?” Box office: yorkbarbican.co.uk.

    Mayhem incoming: Pick Me Up Theatre’s cast for Nativity The Musical

    Christmas musical of the week: Pick Me Up Theatre in Nativity! The Musical, Grand Opera House, York, November 24 to 26, 29 and 30, December 2, 7.30pm; November 26, 2.30pm; November 27, 3pm; December 1, 2pm, 7pm; December 3, 12pm, 4pm

    ROBERT Readman directs York company Pick Me Up Theatre in Debbie Isitt and Nicky Ager’s humorous musical, built around St Bernadette’s School’s calamitous attempt to mountain a musical Nativity play.

    Unfortunately, teacher Mr Maddens has promised that a Hollywood producer will attend the show to turn it into a film. 

    Join him, his crazy teaching assistant Mr Poppy and the unruly children as they struggle to make everyone’s Christmas wish come true to the songsheet of Sparkle And Shine, Nazareth, One Night One Moment, She’s The Brightest Star and a heap of new Yuletide songs. Box office: 0844 871 7615 or atgtickts.com/york.

    Ye Wretched Strangers Storybook: Tales from North America and Britain at York Mansion House

    Promenade theatre event of the week: Ye Wretched Strangers Storybook, York Mansion House,  St Helen’s Square, York, tonight, 7.30pm

    YE Company of Wretched Strangers, a transatlantic community theatre troupe of performers and storytellers from Yorkshire and Wisconsin, present sometimes comic, sometimes serious, always intimate and often poignant tales from Britain and North America, spanning 1799 to 1942, in the refurbished home to the Lord Mayor of York.

    Laughter, smiles and a tear or two will be elicited by A Christmas Eve Ghost Story, the Creation Myth of the Ojibwe Tribe of Native Americans, A York World War Two Tale and other stories of ordinary people often forgotten by history on both sides of the Atlantic. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/ye-wretched-strangers-storybook/

    Wizard, photographic collage, by Claire Morris, on show at the Winter Artists Open House

    Christmas shopportunity of the week: Winter Artists Open House, South Bank, York, today, 11am to 4pm

    FIVE York artists are opening studios today in South Bank with an eye to the Christmas market. At Kay Dower’s Corner Gallery, at 2 Telford Terrace, her acrylic paintings and prints of corners of York, the Yorkshire coast and quirky still-life objects will be complemented by photographic collages by Claire Morris, inspired by vintage books.

    Kate Buckley’s “origami meets porcelain” sculptural ceramics and Marie Murphy’s modern, geometric paintings, prints and illustrations of urban landscapes can be found at 31 Wentworth Road. Mixed-media artist Jill Tattersall’s vivid, dreamlike artworks in paints, inks and dyes on handmade paper await at the Wolf At The Door studio, 15 Cygnet Street.

    Saxon: Seize a ticket for their Seize The Day date at York Barbican

    Heavy metal gig of the week: Saxon, Seize The Day World Tour, Hull City Hall, Tuesday; York Barbican, Wednesday, 7.30pm

    BARNSLEY heavy metal veterans Saxon bring their 23rd studio album, February’s Carpe Diem, to stage life, led as ever by Biff Byford. “Can’t wait to get out on a real tour again, it’s gonna be monumental!” he says. “See you all out there. Seize the day!” Special guests will be Diamond Head. Box office: Hull, hulltheatres.co.uk;  York, yorkbarbican.co.uk.

    Jane Weaver: Purveyor of an eco-friendly hum and pop for post-new-normal times

    Songwriters of the week: Mary Gauthier & Jaimee Harris, Wednesday; Jane Weaver & Jake Mehew, Thursday, both at The Crescent, York, 7.30pm

    NEW Orleans roots singer-songwriter Mary Gauthier is backing up June’s release of Dark Enough To See The Stars with a rare UK tour this month. The album mourns the loss of dear friends John Prine, Nanci Griffith and David Olney, but the optimistic side to Gauthier bursts through songs of new love and personal contentment.

    Her seated show is followed the next night by Jane Weaver’s standing gig. An unshakable leading light of Britain’s experimental pop music landscape, this Manchester musician released her latest album, Flock, last year with its eco-friendly hum and pop for post-new-normal times. Box office: thecrescentyork.com.

    Oysterband: Bound for Pocklington Arts Centre

    Rare sighting of the week: Oysterband, Pocklington Arts Centre, Thursday, 8pm

    OYSTERBAND play Pocklington as the only northern gig in their 2022 autumn diary. Formed in Canterbury in 1976, the veteran six-piece still perform with the spirit a punk ceilidh band but with depth and sensitivity to their songwriting, coupled with the strength of John Jones’s voice.

    Songs from the five-time BBC Folk Award winners’ March album, Read The Sky, are sure to feature. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

    Bellowhead: Reuniting for first tour in six years

    Folk event of the year: Bellowhead’s Broadside Tenth Anniversary Tour, Harrogate Convention Centre, Friday, doors 7pm for 8pm start

    FOLK big band Bellowhead are reuniting for a “special one-off” tenth anniversary tour of their fourth album, 2012’s Broadside, their first Top 20 entry in the UK Official Album Charts, fuelled by such favourites as Roll The Woodpile Down and 10,000 Miles Away.

    Support comes from Stroud fiddler Sam Sweeney, who served in Bellowhead from 2008 to their last tour in 2016 and is now back on the front line alongside Jon Boden and John Spiers. Tickets update: Sold out; for returns only, contact 01423 502116 or harrogatetheatre.co.uk.

    Que sera, Sara, whatever will be will be for comedian, writer, TV presenter and mum Pascoe in pursuit of defining Success

    “The rule should be, if the audience stops laughing, you have to try something different,” says Sara Pascoe. That’s the beauty of comedy: it’s not pressure, it’s liberating”

    HOW does comedian, actor, playwright, author, TV presenter and new mum Sara Pascoe quantify success?

    She seeks to provide the answer in her biggest tour yet, Success Story, whose 50 dates in two blocks from November 10 to December 3 2022 and January 26 to April 22 next year take in four Yorkshire gigs: York Barbican on November 24 (7.30pm); Sheffield Octagon, the next night; Hull City Hall, March 17, and Harrogate Royal Hall, April 21.

    She is delighted to be returning to the road for the first time since her LadsLadsLads tour of 2018-2019, the one where she contemplated the positive aspects of self-imposed celibacy, exploring love, sex and doing both alone.  ­

    This time, expect “name-dropping, personal stories and anecdotes,” says Sara, who will deliver jokes about status, celebrities, plus her new fancy lifestyle versus infertility, her multiple therapists and career failures.

    “What I want to explore is how do we define success and when do we define it. Does it change with age? Do we only want things we can’t have? When we attain our goals, do we move the goal posts and become unsatisfied with what we’ve got and want something else instead?

    “I’m 41 now and it’s a reflective time; it feels like a very adult age. Looking back on my life to when I was 14, I really wanted to be on television. That’s where I work now but is it what I imagined it to be?”

    The trigger for Success Story were her experiences when undergoing IVF after a miscarriage. “When I was going through that with my partner [Australian comedian  Steen Raskopoulos], they kept talking about it in terms of success,” says Sara, who became a mum on Valentine’s Day this year at the age of 40.

    “I started thinking about success, what I wanted as a child, and then thinking about what makes you happy, or if you’ve set out on a certain path that makes you unhappy, should you do something else?”

    “If you’ve set out on a certain path that makes you unhappy, should you do something else?” ponders Sara Pascoe in Success Story

    Deciding she wanted to be famous at 14, Dagenham-born Sara would go on to audition for Barrymore, scare Dead Or Alive’s Pete Burns and ruin Hugh Grant’s birthday, but she would also notch a decade in stand-up comedy and pen the feminist Animal: The Autobiography Of A Female Body in 2016 and her exploration of sex through the medium of evolutionary psychology, sex work, and the role of money in modern heterosexual relationships in Sex Power Money in 2019, spawning an accompanying podcast.

    Her “big, bold and funny” stage adaptation of Jane Austen’s Pride And Prejudice played York Theatre Royal in October 2017 and she wrote and starred in the October 2020 sitcom Out Of Her Mind on BBC Two. She has presented television shows too, hosting Comedians Giving Lectures on Dave, Guessable on Comedy Central, BBC Two’s Last Woman On Earth and this year’s BBC One series of The Great British Sewing Bee.

    “What quite often happens with stand-up comedy, it doesn’t take up a lot of your time, when it’s your main job. You have a lot of time on your hands, when that main job only takes up an evening five times a week.

    “You can do other things, like writing a book, where they aren’t looking for gags, whereas you can’t go half an hour without a joke in a stand-up show,” says Sara.

    Hence her diversification. “It’s more about thinking, ‘oh, that would be good to have a go at that’, rather than worrying about being found out at one thing,” she reasons.

    How do you judge success in comedy? “I’ve noted that some people, once they get to the top, they then plateau, and that can be hard, as not everyone can be a stadium comic,” says Sara.

    She enjoys the expectation of having to come up with fresh material for every new tour, whereas the success of a band’s gig is often judged on which hits they played, which they chose to leave out.

    “It’s horrible when a gig becomes dead behind the eyes,” says Sara, outlining what to avoid when seeking comedy success

    “That’s the added benefit of doing comedy. I was thinking how boring it must be to always have to play songs from 20 years ago when the bands probably hate them by now, whereas comedians have to move on, just as people do when they can’t keep talking about a divorce or an old girlfriend,” says Sara, who switched from the repetition of performing theatre to the freshly squeezed juice of comedy.

    “You’re quite often in a different place by the end of a tour and your set reflects that. It’s horrible when a gig becomes dead behind the eyes.

    “I remember being told very early in my career how Bill Bailey always had five minutes of new material each night, working it into shape for the next tour, and it’s true that if you try out new bits after the interval, you’re never dead behind the eyes.”

    Sara continues: “The rule should be, if the audience stops laughing, you have to try something different. That’s the beauty of comedy: it’s not pressure, it’s liberating. If you have three nights in a row where people aren’t connecting, throw that material in the bin. Actors can’t do that!

    “At the end of a show, you don’t want a crowd going ‘yeah, that was fine’. You want them to say, ‘oh god, do you remember that bit?’. You want an audience to be engaged in what you’re saying.”

    At the time of this phone interview, Sara was busy writing a book and filming the latest series of The Great British Sewing Bee. She could reveal that those shows would be broadcast on BBC One next spring; she could say rather less, however, about her next venture into print.

    “We’ve not done a proper release yet,” she says. “Put something vague… ‘I’m moving into fiction’. It’s a chance to make some things up for a change.” Watch this space.

    Tickets for Sara Pascoe’s Success Story tour are on sale at sarapascoe.co.uk/sara-on-tour; for York Barbican at yorkbarbican.co.uk; Harrogate, 01423 502116 or harrogatetheatre.co.uk.

    What amounts to success for comedian Sara Pascoe? It’s time to reflect on tour

    In pursuit of success: Sara Pascoe in her new tour show

    HOW does comedian, actor, playwright, author, podcaster and TV presenter Sara Pascoe quantify success?

    She will seek to provide the answer in her biggest tour yet, Success Story, whose 50 dates in two blocks from November 10 to December 3 2022 and January 26 to April 22 next year will take in four Yorkshire gigs: York Barbican on November 24; Sheffield Octagon, November 25; Hull City Hall, March 17, and Harrogate Royal Hall, April 21.

    Expect jokes about status, celebrities, plus Sara’s new fancy lifestyle versus infertility, her multiple therapists and career failures, she forewarns.

    “What I want to explore is how do we define success and when do we define it,” she says. “Does it change with age; do we only want things we can’t have? When we attain our goals, do we move the goal posts and become unsatisfied with what we’ve got and want something else instead?

    “I’m 41 now and it’s a reflective time; it feels like a very adult age. Looking back on my life to when I was 14, I really wanted to be on television. That’s where I work now but is it what I imagined it to be?”

    Deciding she wanted to be famous at 14, Dagenham-born Sara would go on to audition for Barrymore, scare Dead Or Alive’s Pete Burns and ruin Hugh Grant’s birthday, but she would also notch a decade in stand-up comedy and pen the feminist Animal: The Autobiography Of A Female Body in 2016 and her exploration of sex through the medium of evolutionary psychology, sex work, and the role of money in modern heterosexual relationships in Sex Power Money in 2019, spawning an accompanying podcast.

    Her “big, bold and funny” stage adaptation of Jane Austen’s Pride And Prejudice played York Theatre Royal in October 2017 and she wrote and starred in the October 2020 sitcom Out Of Her Mind on BBC Two. She has presented television shows too, hosting Comedians Giving Lectures on Dave, Guessable on Comedy Central,  BBC Two’s Last Woman On Earth and this year’s BBC One series of The Great British Sewing Bee.

    “What I want to explore is how do we define success and when do we define it,” says Sara Pascoe

    For all those diverse achievements, she underwent a fraught personal chapter that would be deemed contrary to that vision of success. “I was having years of infertility and when we were going through IVF, the word ‘success’ was used a lot about the process,” says Sara, (who does now have a beautiful baby son).

    “So, I wanted to contrast that with these other things that are seen as representing successful lives, such as finding someone we love and having a family. There are a lot of areas being covered.”

    If this sounds a tad heavy, as a counterbalance, Sara will reach for her raft of daft stories to flesh out her central thesis. Such as the time she terrified Pete Burns, the late figurehead of 1980s’chart-toppers Dead Or Alive and later reality TV star.

    “He did a reality show where he was looking for a PA and I was told I would get £50 in cash in an envelope if I kept accosting him in the street. So, outside a coffee shop in Soho, I had to pretend to be a superfan and hug and kiss him and say how much I loved him and see how all these potential Pas would deal with this crazy, neurotic fangirl,” she recalls.

    “At the end of that day, he said that I scared him, which just showed how good my acting was. That show is sometimes repeated on an MTV channel, and I’ll get a text or a tweet saying, ‘oh my god, I had no idea you were such a Pete Burns fan’.”

    TV exposure on Comedians Giving Lectures and The Great British Sewing Bee has lifted Sara’s profile and given her a fresh perspective on her life in comedy. “Comedians Giving Lectures can be like hosting a stand-up show, and I love it because these very high-status experienced comics are often doing brand new material because they’ve written a lecture for the TV show. For me, it feels like a gig rather than a TV programme,” she says.

    “No-one likes to do a mediocre gig, or worse, a flat gig,” says Success-driven Sara

    “In Sewing Bee, I occasionally write jokes for the links, but you’re doing a joke for eight people who are really thinking about sewing; they’re not thinking about your pun on the wrap dress.”

    Her Success Story travels are still more than five months away, but especially after the mothballing impact of the pandemic lockdowns, Sara is desperate to return to the road for the first time since her LadsLadsLads tour of 2018-2019 – the one where she contemplated the positive aspects of self-imposed celibacy, exploring love, sex and doing both alone.  ­

    “Touring can be tiring but when you’re in the dressing room before a show and you hear the hubbub of a busy room, you feel very lucky that people will come and see you at all, never mind in their hundreds or thousands,” she says.

    “There’s a description in Alan Davies’s book about how walking out on stage as a comedian is the closest you can get to being a toddler taking your first steps towards your excited parents. That’s the feeling comedians are trying to recreate by getting this huge round of applause from people who like you and are pleased you are there. That’s the side of it that’s addictive and compulsive.”

    Sara will not let her own success story go to her head, instead always striving to raise the bar for her comedy hit-rate.  “No-one likes to do a mediocre gig, or worse, a flat gig,” she says. “Especially when you’ve earned an audience from TV work, the idea that they might come to see you for the first time and leave disappointed really keeps you going.

    “At the end of a show, you don’t want a crowd going ‘yeah, that was fine’. You want them to say ‘oh god, do you remember that bit?’ You want an audience to be engaged in what you’re saying.”

    Tickets for Sara Pascoe’s Success Story tour are on sale at sarapascoe.co.uk/sara-on-tour; for York Barbican at yorkbarbican.co.uk.

    Sara Pascoe to examine what it is to be successful in tour show at York Barbican

    Success Story-teller: Sara Pascoe

    COMEDIAN Sara Pascoe will play York Barbican on November 24 on her 50-date Success Story tour.

    Further Yorkshire performances will follow at Sheffield Octagon on November 25, Hull City Hall on March 17 2023 and Harrogate Royal Hall on April 21. Tickets are on sale at sarapascoe.co.uk/sara-on-tour.

    Pascoe, now 40, decided she wanted to be famous at 14 years old. Since then, she has auditioned for Barrymore, scared Dead Or Alive’s Pete Burns and ruined Hugh Grant’s birthday, but look at her now, she says.

    Please look, she needs you to look. And clap. And laugh. And then clap again…on her “biggest and best tour of her life, where she will be playing in parts of the UK and Ireland that she hasn’t performed at before”.

    Dagenham-born Pascoe’s last nationwide tour, LadsLadsLads, culminated in two London Palladium shows, filmed for a BBC Two  stand-up special, Sara Pascoe: LadsLadsLads.

    Sara Pascoe: “Examining what it is to be successful, how we define it and how it feels when what we want eludes us” in Success Story

    Since then, things have most certainly changed for Pascoe, she says. After contemplating the positive aspects of self-imposed celibacy in LadsLadsLads, Success Story finds Sara, a few years later, happily married with a beautiful baby son.

    In her new show, she will examine what it is to be successful, how we define it and how it feels when what we want eludes us. Expect jokes about status, celebrities, plus Sara’s new fancy lifestyle versus infertility, her multiple therapists and career failures.

    Comedian, writer and actor Pascoe wrote and starred in the BBC2 sitcom Out Of Her Mind and hosts BBC One’s The Great British Sewing Bee, BBC Two’s Last Woman On Earth, Dave’s Comedians Giving Lectures and Comedy Central’s Guessable.

    She has hosted the BBC’s Festival Of Funny and Live At The Apollo’s Christmas Special and appeared as a panellist on Mock The Week, Have I Got News For You and Would I Lie To You?.  Later this year, she can be seen in the new Amazon series Katherine Ryan Backstage.

    Pascoe has written and performed in the BBC Radio 4 series Modern Monkey and BBC Two’s Sara Pascoe vs Monogamy, a short inspired by her first book, Animal. Her second book, Sex Power Money, was accompanied by a podcast that garnered millions of listens and multiple award nominations.

    “Please look. Sara Pascoe needs you to look. And clap. And laugh. And then clap again”