Remember, remember to visit The Gunpowder Plot: York’s Untold Story at Bar Convent as Bonfire Night crackles anew

Bar Convent special collections manager Dr Hannah Thomas with the ‘Middleton Vestment’ at the centre of new Gunpowder Plot research. Alongside is York artist Sarah Hall Baqai’s sculpture A Man For All Treasons. Picture: Simon Dew

NEW research into the Gunpowder Plot has uncovered previously unexplored motives behind the involvement of Guy Fawkes and his fellow York conspirators. Find out more at The Gunpowder Plot: York’s Untold Story exhibition at the Bar Convent Living Heritage Centre in York.

The infamous failed plot to blow up the Houses of Parliament in 1605 sparked the Bonfire Night tradition that lights up skies across Great Britain on November 5 each year.

On show until December 5, the exhibition at the Bar Convent, in Blossom Street, is  an exploration of the context, conspiracy and consequences surrounding that fateful day.

Gunpowder Plotters Guy Fawkes, Christopher and John Wright and Thomas Percy were all either from York or connected to the city. What was happening in York at that time? What led this group of young men to plan such an extreme act to overthrow King James I? What connects these men?

Research into the ‘Middleton Vestment’, a priest’s vestment donated to the convent by the Middleton family of Ilkley, has confirmed that it once belonged to the family of Margaret Clitherow, whose maiden name was Middleton.

Historians have theorised that Guy Fawkes and Christopher and John Wright may have witnessed, or certainly been aware of, Margaret Clitherow’s execution in York in 1586.

Accused of harbouring Catholic priests, but refusing to plead guilty to the charges, she was pressed to death at the Toolbooth on Ouse Bridge on March 25. Stripped to a linen shift, she was laid out with a sharp stone under her back, whereupon her own front door was placed over her and loaded with up to eight  hundredweight of stones. The Bar Convent houses a sacred relic of her hand.

Further research has uncovered that the connection between Margaret Clitherow’s family and the Gunpowder Plotters was likely to be far closer than anyone realised.

Bar Convent special collections manager and research fellow Dr Hannah Thomas says: “Guy Fawkes, John and Christopher Wright were pupils at St Peter’s School in York. At the time of Margaret Clitherow’s death, Fawkes and Christopher Wright were 16, while John Wright was 18.

“Margaret Clitherow was accused of sheltering Catholic priests and was executed by pressing, which was exceptionally brutal, even by Elizabethan standards, and shocked the entire Catholic community.

“This alone would have had a profound effect on the plotters, but now imagine if they personally knew Margaret Clitherow. We believe this could very well be the case.”

“The ‘Middleton Vestment’ is likely to have belonged to Robert Middleton, and we now think it is quite likely that he was in fact Margaret Clitherow’s nephew. He was the same age as Guy Fawkes and living in York at the time. Additionally, both her stepson and son were close in age to Fawkes and the Wright brothers.”

Hannah continues: “Robert Middleton, along with Henry and William Clitherow, Margaret’s son and stepson, all joined the priesthood, and the details of their entrance records reveal that all three had received a high level of education as boys.

Special collections manager Dr Hannah Thomas Hannah Thomas holding the 15th century vestment that once belonged to a schoolfellow of the Gunpowder Plotters. In the foreground in the hidden chapel at Bar Convent is Sarah Hall Baqai’s sculpture A Man For All Seasons. Picture: Simon Dew

“At the time, the only place in York to receive an education of this standard was St Peter’s, a known Anglican School. Given that the school was small, with large numbers of children in mixed-age classrooms, these boys from local underground Catholic families would almost certainly have known each other and likely been friends due to the tight knit community their families were part of.

“Guy Fawkes’s contemporary, Robert Middleton, was executed for being a priest in 1601, just four years prior to the Gunpowder Plot, probably reinforcing Guy’s strong feelings against state-sanctioned persecution of Catholics, and perhaps encouraging him to start thinking about retaliation.

“Although very few official records survive from this period, through our extensive Catholic archives and knowledge of York Catholic networks through the post-reformation period, we have been able to fill these historical gaps.”

Dr Thomas has unfolded further fascinating connections and narratives too. On his journey to London from Edinburgh to claim the throne in 1603, King James I travelled through Yorkshire and even stayed with prominent Catholics, such as Sir William Ingleby at Ripley Castle, who was knighted in thanks for his hospitality.

Francis Ingleby, Sir William Ingleby’s uncle, was, in fact, the priest that Margaret Clitherow was hiding and he was executed following the raid on her house. Only months later, despite promises of religious tolerance, King James brought in new and even stricter laws against Catholics.

Interestingly, Sir William Ingleby is also the first cousin of plotters Robert and Thomas Winter, and, additionally, is a second cousin of Thomas Gascoigne, who lent the money to Sr Frances Bedingfield to purchase the house that became the Bar Convent. Conclusion: all these stories are connected in an intricate web.

The Gunpowder Plot: York’s Untold Story, Bar Convent Living Heritage Centre, York, until December 5, open Monday to Saturday, 10am to 5pm; last admission to exhibition at 4pm. Bookings: barconvent.co.uk.

Special events at Bar Convent

The Gunpowder Plot: After Hours, November 3, 6pm, presented in partnership with York Dungeon

THIS is an evening to remember, remember as you uncover the real history behind Bonfire Night. Experience the Bar Convent after-hours, where you will gather by candlelight in the hidden chapel and come face-to-face with York’s most infamous son. Discover the man behind the barrels as Guy Fawkes awaits his fate in the final hour before his execution.

The evening continues in the exhibition with a retelling of one of the most dramatic events in British history. Set against the turbulent backdrop of post-Reformation York, explore the context, conspiracy and consequences of the event surrounding November 5 1605.

Through rare objects, new interpretation and storytelling, the exhibition reveals how the plot echoed across the country, left its mark on York, and shaped the lives of the courageous women who founded this house in its wake.
To book, go to barconvent.co.uk;alcoholic or soft drink included.

Lunchtime talk: The Gunpowder Crucifix, November 5, 1pm

DELVE deeper into the story behind Edward Oldcorne’s crucifix, the only surviving sacred object of the raids on Catholic properties after The Gunpowder Plot. Discover how and why its owner was hanged, drawn and quartered despite his innocence, how it came to be in the convent’s collections and more. Included in admission to the exhibition (barconvent.co.uk); allow 20 to 30 minutes.

The Gunpowder Plot Walking Trail

WALK in the footsteps of the Gunpowder Plotters on this fascinating self-guided trail through the historic streets of York. Visit key locations and iconic landmarks that give context to one of the most dramatic events in British history. Self-guided, free; more information at barconvent.co.uk.

Roll up! Roll up! Sarah Hall Baqai spins the art of razzle-dazzle “distraction” in Bread & Circuses show at Rise@Bluebird Bakery

Bread & Circuses, board, house paint, acrylic and metal leaf on plywood, the title piece from Sarah Hall Baqai’s exhibition. Note the harlequin balancing the letter ‘S’ on his foot

IN the words of Juvenal, the Roman poet circa 100AD, “give them bread and circuses and they will never revolt”.

Roll forward to Autumn 2026AD when York mixed-media, multi-disciplinary artist Sarah Hall Baqai adapted that title for her Bread & Circuses exhibition at where else but the Bluebird Bakery in Acomb Lane, Acomb, York.

As chance had it, Russells International Circus  pitched up on Knavesmire in the week when  she launched her show.

Sarah Hall Baqai assembling her Bread & Circuses exhibition at Bluebird Bakery, Acomb

“My work is inspired by traditional folk art and popular art forms, which include theatre and street performance, stories and decorative arts,” says Sarah, whose playful artworks draw on exuberant festivals and fiestas that bring people together with the aim of “delighting the senses and adding colour to life”.

Noted for her papier-mâché sculptures, paintings, collage and illuminated willow lanterns, Sarah has a particular interest in circus and fairground and folk traditions from around the world.

This has led to her, making lanterns and installations for Giffords Circus in Gloucestershire, as well as the Royal Botanic Gardens Kew (Wakehurst), and making props and developing her sign-writing skills, along with behind-the-scenes painting and drawing the performers, at Fools Delight Circus, Lil Rice and Dave Cross’s dinner cabaret circus at Ham Court, Bampton, Oxfordshire.

Roll Up Roll Up…for Sarah Hall Baqai’s Bread & Circuses exhibition at Bluebird Bakery

 “The slim format of many of the paintings echoes the traditional circus poster format,” says Sarah of her Bread & Circuses works, created at her home studio in Main Street, Fulford. “Also, the paintings are done on plywood, cut to size and then prepped for painting. I hand-build the boards on the workmate outside – part of my set-building skill set.”

Lettering echoing the Art Deco and Jazz Age of the Twenties and Thirties, graphic work celebrating York Minster and large willow lanterns in the shape of jugglers’ sticks are prominent in the new show too.

Raised in North Yorkshire, Sarah completed an art foundation course at Harrogate College of Art before training as a graphic designer at London College of Printing, graduating in 1989.

TA-DA!, by Sarah Hall Baqai, house paint and metal leaf on MDF

Composition, design, typography and letter forms have always significant in much of her work, but after a period of working in Andalucia, Spain, in the 1990s she began experimenting with working in papier-mâché to create sculptural forms inspired by the many fiestas held throughout the year.

Her years of working in Shoreditch and Amsterdam, along with travel to far-off places, inspired her work too, where paper, wire, found objects and other things, together with folklore and a desire to make you smile at the familiar or ordinary made different, have been central to her creativity.

Exhibitions and major commissions for large-scale installations in London and Paris fashion stores came her way, while her work has been commissioned widely and exhibited in the UK, France, the Netherlands and the United States.

Artist Sarah Hall Baqai, in harlequinesque attire, stands beneath her willow lantern juggling sticks as she raises a glass to the launch of her Bread & Circuses exhibition

Sarah, who moved back to Yorkshire in 2010 and last took part in York Open Studios in 2025, is exhibiting at Rise@Bluebird Bakery for the first time. Among the exhibits is the Cabaret series. “Recent travels to Berlin gave me food for thought,” says Sarah.”I’ve included a four-part Cabaret series which relates to the themes of escapism in challenging times.

“The opening lyrics of the musical Cabaret welcome an international audience to the Kit Kat Klub with signs in three languages, Wilkommen, Bienvenue, Welcome and  Fremde, Etranger, Stranger, painted in waxed gesso – a very opaque chalk point – on grey board, which mirror the Bauhaus designs.”

Look out for Box Act (acrylic on plywood). “It’s based on a contemporary contortionist performer, Bendy Em, from Australia, who squeezes herself into a tiny 40cm Perspex cube, the same dimensions as my painting,”  says Sarah.

Box Act, by Sarah Hall Baqai, compressing Australian contortionist Bendy Em into a 40cm by 40cm painting, replicating the dimensions of the box into which she squeezes in her act

Twin Towers Of Human Endeavour (Anniversary Edition) is available in a limited edition of ten pairs. “In 2027 York Minster celebrates the 1,400th anniversary of its founding, dating back to the baptism of King Edwin of Northumbria in 627AD,” says Sarah.

“Inspired by the mass-produced ‘New York’ poster, I took ten of the posters, cut up and collaged, to create one ‘York’ poster. The similarities in the name and the architectural status and function of the buildings reflect the shift from religious to commercial power over the 450 years which separate their construction.

“Both cities are impressive, historic monuments of human endeavour in different ways and both are magnets of mass tourism, defined by their iconic buildings.”

Twin Towers Of Human Endeavour (Anniversary Edition), by Sarah Hall Baqai, available in a limited edition of ten

Sarah has printed an unlimited anniversary edition of Blue York too. “It’s a nod to Bluebird Bakery and Blue Note Records,which gave musicians complete artistic autonomy to rehearse, experiment and play what they wanted,” she says.

Summing up an exhibition rooted in Juvenal’s assertion that bread and circuses would provide distraction from more grave matters to prevent unrest and revolution, Sarah says: “Bread & Circuses represents glamour laced with all sorts of other elements, seeking escapism while Rome burns, which is where we are now.”

Fellow Yorkshire artist David Hockney passed away [on June 11], while Sarah was working on the title work, Bread & Circuses. “I was painting the legs when I heard the news, and I wanted to do an homage, so I painted the harlequin figure, without being too specific,” she says.

Wilkommen, waxed gesso on board, from Sarah Hall Baqai’s four-part Cabaret series on show at Bluebird Bakery

As for her love of circus and festivals, Sarah says: “There’s something about being in a muddy field, with the lights and the sequins, or watching a village pilgrimage in Spain or a fire festival in Valencia, where it’s all over in a blink of an eye. I’m  so absorbed by it. Rather like ballet, circus skills can make something look effortless despite all the hours that go into it.”

Sarah concludes:  “The circus theme is a fixture with me now. The day this exhibition comes down I’m back at the circus, at Giffords’ winter show at Fennells Farm, Lypiatt, just outside Stroud.”

Sarah Hall Baqai, Bread & Circuses, Rise@Bluebird Bakery, Acomb Road, Acomb, York, until November 19

Circus Dogs, by Sarah Hall Baqai, enamel on steel

What’s On in Ryedale, York and beyond. Hutch’s List No. 40, from Gazette & Herald

Bread & Circuses, by Sarah Hall Baqai, from her exhibition at Rise@Bluebird Bakery, Acomb, York

FROM the terrors of Paranormal Activity to circus art, York’s four-day jazz festival to Brian Bilston’s egg-laying poetry, Charles Hutchinson looks ahead to October cultural opportunities.

Exhibition opening of the week: Sarah Hall Baqai, Bread & Circuses, Rise@Bluebird Bakery, Acomb Road, Acomb, York, until November 19

YORK artist Sarah Hall Baqai’s new collection of artworks has the theme of Bread & Circuses, a phrase taken from Roman poet Juvenal’s work Satire X, written in 100AD. In a nutshell, “give them bread and circuses and they will never revolt”, on account of being distracted.

Distraction does not come brighter and more entertaining visually than Sarah’s paintings inspired by life behind the scenes at the circus (from her work with Gifford’s Circus and Fools Delight Circus at Ham Court, Bampton), complemented by lettering and graphic work celebrating York Minster and willow lanterns in the shape of jugglers’ sticks.

James Bye’s James arms himself with a baseball bat in Paranormal Activity. Picture: Credit: Johan Persson

Psychological thriller of the week: Paranormal Activity, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Wednesday and Saturday matinees

IN a new story inspired by the worldwide horror phenomenon, Paranormal Activity is directed by immersive theatre pioneer and Punchdrunk artistic director Felix Barrett and written by Levi Holloway, the playwright behind Broadway hit Grey House.

When James (James Bye) and Lou (Hannah Sinclair Robinson) move from Chicago to London to escape their past, soon they discover that places are not haunted, but people are. Can you hold your nerve in the face of this chilling production on its first British and Irish tour? Box office: atgtickets.com/york.

Roham Bayat’s poster for the inaugural YorkJazzFest

Festival of the week: YorkJazzFest, tomorrow to Sunday

BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinicria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural YorkJazzFest with funding from York and North Yorkshire Combined Authority Mayor David Skaith.

Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale on Sunday, topped off by sets by Dennis Rollins’ Funky-Funk and Ian Chalk. For full listings and tickets, go to: yorkjazzfestival.com.

Masked up: Pop Yer Clogs Theatre in Doctor Faustus. Picture supplied

Devil in the detail of the week: Pop Yer Clogs Theatre in Doctor Faustus, Theatre@41, Monkgate, York , tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

YORK company Pop Yer Clogs Theatre delivers a devilishly clever new twist on Doctor Faustus, placing a woman, Doctor Joan Faustus, at the epicentre of Christopher Marlowe’s late-16th century cautionary tale of ambition, temptation and damnation.

Director Lydia McCudden plays Faustus, who strikes a terrible deal by selling her soul to Lucifer in exchange for knowledge, power and worldly pleasures, only to encounter the Seven Deadly Sins.  Cue masks, commedia dell’arte, dark comedy and gothic tragedy as Hell awaits. Box office: tickets.41monkgate.co.uk.

Ben Portsmouth: Performing Presley’s pearls with his Taking Care Of Elvis Band at York Barbican

King of The King tribute shows: Ben Portsmouth: This Is Elvis, York Barbican, Friday, 7.30pm

REGARDED as the “closest living performer to the legendary Elvis Presley”, Ben Portsmouth has enjoyed success in more than 20 countries and became the first European to be crowned by Elvis Presley Enterprises as the Worldwide Ultimate Elvis Tribute Artist in Memphis in 2012.

This Is Elvis takes an immersive journey through Presley’s greatest hits from his rockabilly roots to the dazzling Las Vegas years in the company of Portsmouth and the Taking Care Of Elvis Band.  Box office: yorkbarbican.co.uk.

The Bar-Steward Sons Of Val Doonican: Satirical comedy lyrics on folk instruments from Barnsley

“Sexy knitwear” gig of the week: The Bar-Steward Sons Of Val Doonican, Milton Rooms, Malton, Friday, 7.30pm

FOUNDED in Barnsley Rock City in 2006 by their outspoken and energetic ringleader Scott Doonican, The Bar-Steward Sons Of Val Doonican are on a mission.

Anything but a typical folk ensemble, this collective of like-minded knitwear enthusiasts – Scott, Mo-Jo Doonican, Dave Doonican and the Reight Reverend Jeremiah Rickenbacker III – are determined to follow in their spiritual father’s immortal footsteps, keeping his legacy alive while Bar-Stewardising other famous people’s songs with satirical comedy lyrics on folk instruments, from Jump Ararnd to Goat Yoga. Box office: 01653 696240 or themiltonrooms.com.

Mark Harrison Band: Songs and stories at Helmsley Arts Centre

Where folk meets the blues: Mark Harrison Band, Helmsley Arts Centre, Saturday, 7.30pm

MARK Harrison writes original songs for today in the spirit of the great troubadours, coupled with stories to make you smile, move and think in a world where blues, roots and folk collide.

Finger-picking and slide guitarist Harrison is joined by Charles Benfield on double bass and Ben Welburn on drums and percussion to create a rhythm section that defies convention, as heard on eight albums to date. Box office: 01439 771700 or helmsleyarts.co.uk.

Alchemy Live: Performing the songs of Dire Straits at Kirk Theatre, Pickering

In Dire Straits: Alchemy Live, Kirk Theatre, Pickering, Saturday, 7.30pm

ALCHEMY Live were formed in 2020 by life-long Mark Knopfler fans and full-time musicians Martin Ledger and Neil Scott, who used the Covid pandemic and resultant lockdowns to put their Dire Straits tribute project in motion. Rehearsals started in 2021 after the worst of the pandemic was over, their first show being scheduled in York for Friday the 13th of May 2022 (what could possibly go wrong)?

They have never looked back, progressing to playing theatres since 2023. “It’s always been our ethos to concentrate on getting the music and sound right, rather than just putting on headbands and shiny jackets,” says frontman Ledger. Box office: 01751 474833 or kirktheatre.co.uk.

Brian Bilston: Showcasing his latest poetry collection at Milton Rooms, Malton

Poet of the week: Brian Bilston, How To Lay An Egg With A Horse Inside, Milton Rooms, Malton, Sunday, 7.30pm

BRIAN Bilston, a poet with more than 500,000 followers on social media, returns to the stage this autumn with his latest book, How To Lay An Egg With A Horse Inside, as he takes a journey through the hows, whys and whats of reading, writing and enjoying poetry every day.

Bilston has published such collections as You Took The Last Bus Home, Alexa, What Is There To Know About Love? and Days Like These, along with debut novel Diary Of A Somebody, poetry for younger readers and his 2025 album of poetry set to music, Sounds Made By Humans, recorded in collaboration with The Catenary Wires. Box office: 01653 696240 or themiltonrooms.com.

Olly Murs: Enjoying a Knees Up at Live At York Museum Gardens next July

Gig announcement of the week: Futuresound presents Olly Murs, Live At York Museum Gardens, July 9 2027

ESSEX singer-songwriter and The Voice UK coach Olly Murs is the first headline act to be confirmed for next summer’s Live At York Museum Gardens 2027 season, when the event will be expanded to two weekends for the first time. Special guests for that day’s bill are still to be announced.

Murs, 42, returns to the York outdoors after his hat trick of appearances at York Racecourse in 2010, 2017 and 2024. He rose to fame on The X Factor in 2009, since when he has released eight studio albums of pop, indie, ska and disco, the latest being last November’s Knees Up. Box office: York postcode pre-sale from today at https://futuresound.seetickets.com/event/olly-murs/york-museum-gardens/3730256?pre=postcode; general sale from Friday, 10am, at https://futuresound.seetickets.com/event/olly-murs/york-museum-gardens/3730256.

In Focus: Carlos Acosta’s Acosta Danza in Cuban Baroque, York Theatre Royal, October 1, 7.30pm, October 2, 2pm, and October 3, 2.30pm and 7.30pm

Acosta Danza in Cuban Baroque. Picture: Johan Persson

IN this new double bill from Acosta Danza, the lush artistry of the Baroque period intersects with the energy, creativity and vibrancy of Cuban dance.  Emerging from the 17th and 18th centuries, the creative movement was characterised by deep colour, elaborate detail and intricate decoration.

Produced by Valid Productions in collaboration with York Theatre Royal, Cuban Baroque opens with the world premiere of Andonis Foniadakis’s new work Pearls, a journey to the rhythmic heart of Baroque, followed by choreographer and set designer Goyo Montero’s 2011 work Chacona.

Artistic director Carlos Acosta says: “I am very excited about this programme which will encapsulate the essence of Acosta Danza, fusing as it will, classical, Cuban and contemporary vocabularies and styles.

“I am, of course, a big fan of both choreographers and am delighted that Andonis will create a brand-new piece on my dancers. I look forward to seeing how that develops over the coming months.

“The flavour of the evening is summarised neatly by the title Cuban Baroque, but essentially this is a programme that anyone interested in any kind of dance can enjoy. I look forward, as always, to seeing how audiences react to the atmosphere this programme will create at its premiere in our first-ever visit to the wonderful York Theatre Royal.”

Theatre Royal chief executive Paul Crewes says: “It is truly wonderful that York audiences will be the first to experience this phenomenally exciting dance programme on our stage and we are really looking forward to working in collaboration with Carlos Acosta and his company on the show.”

Set to Esteban Sallas’s Salve Regina, the work explores the classic chaconne-looping structure that circles through phases of acceleration, fracture and rebound. As the score shifts from Baroque lyricism toward Cuban drive, Foniadakis showcases the fusion between memory and contemporary.

Andonis Foniadakis says: “The piece is being built as a chaconne in the broadest sense: a looping architecture that keeps circling back to the same theme like a mantra, each return opening a new variation in colour, density and impulse.

Cuban rhythmic principles will seep into the texture (clave, layered pulses, dance-derived momentum) and begin to tilt the baroque theme from within — bringing Sallas’s music fully into the present.

“In this dialogue, contrast becomes fusion: baroque memory meets Cuban propulsion; choral breath meets percussive drive; live sound meets a discreet electronic halo — shaping a single energetic trajectory that stays clear, intense, and emotionally resonant.”

Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.

Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”

A Q&A with the company will follow tomorrow’s performance. In addition, Acosta Danza will hold an Open Class on Saturday at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.  

The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.

Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.

Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”

A post-show discussion with the company will follow Thursday’s 7.30pm show. In addition, Acosta Danza will hold an Open Class on Saturday (3/10/2026) at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.  

The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.

More Things To Do in York and beyond when circuses at the double pitch up. Here’s Hutch’s List No. 39 from The York Press

Bread & Circuses, by Sarah Hall Baqai, from her exhibition at Rise@Bluebird Bakery, Acomb

FROM the terrors of Paranormal Activity to circus art and entertainment, Tony Blackburn’s Sixties’ celebration to the debut York Jazz Fest, Charles Hutchinson heads into a fruitful autumn.

Exhibition opening of the week: Sarah Hall Baqai, Bread & Circuses, Rise@Bluebird Bakery, Acomb Road, Acomb, York, until November 19

YORK artist Sarah Hall Baqai’s new collection of artworks has the theme of Bread & Circuses, a phrase taken from Roman poet Juvenal’s work Satire X, written in 100AD. In a nutshell, “give them bread and circuses and they will never revolt”, on account of being distracted.

Distraction does not come brighter and more entertaining visually than Sarah’s paintings inspired by life behind the scenes at the circus (from her work with Gifford’s Circus and Fools Delight Circus at Ham Court, Bampton), complemented by lettering and graphic work celebrating York Minster and willow lanterns in the shape of jugglers’ sticks.

Russells International Circus: Intent on delivering in-tent entertainment on Knavesmire this weekend

While on the subject of circuses: Russells International Circus, Knavesmire, York, today, 3pm and 6pm, and tomorrow, 12 noon

ROLL up, roll up, as Russells International Circus, voted Britain’s best circus six years running, brings its new show for 2026 to York. Each two-hour performance is jam-packed with mesmerising aerial displays, jaw-dropping stunts, comedy and more besides. Box office: russellscircus.co.uk.

The Jake Leg Jug Band: Songs of murder, betrayal, gambling, liquor and redemption at Kirk Theatre, Pickering 

Ragtime gig of the week: The Jake Leg Jug Band, Kirk Theatre, Pickering, tonight, 7.30pm 

THE Jake Leg Jug Band delivers the authentic sounds of 1920s and 1930s’ America – jazz, blues, ragtime and gospel – in songs of murder, betrayal, gambling, liquor and redemption.

Since self-releasing debut album Cotton Mouth, Duncan Wilcox, vocals and double bass, and Warren James,  vocals, guitar and banjo, have released a further eight albums in 12 years, among them Next Stop!, Everythin’s Jake, Break A Leg, Fifth Avenue, Goodbye Booze, Hello Central and 2024’s spirituals collection Some Glad Morning. Box office: kirktheatre.co.uk.

Thompson Twins’ Tom Bailey: Heading to York Barbican tonight

Eighties’ double bill of the week: Thompson Twins’ Tom Bailey and Blancmange, York Barbican, tonight, doors 6.30pm

REMEMBER the Thompson Twins, makers of such 1980s’ hits as Hold Me Now, Doctor Doctor, In the Name Of Love, Love On Your Side, If You Were Here, Lies, Lay Your Hands On Me and King For A Day? Tom Bailey, the Sheffield-founded group’s lead vocalist and instrumentalist, now performs under the name Thompson Twins’ Tom Bailey, revisiting his past and showcasing debut solo album Science Fiction.

Tonight he closes his autumn tour at York Barbican, the only Yorkshire location on his 14-date itinerary, when fellow 1980s’ chart act Blancmange support. Box office: yorkbarbican.co.uk.

Hannah Sinclair Robinson’s Lou and James Bye’s James on terror alert on the stairs in Paranormal Activity, on tour at Grand Opera House, York. Picture: Johan Persson Credit: Johan Persson

Psychological thriller of the week: Paranormal Activity, Grand Opera House, York, September 29 to October 3, 7.30pm plus 2.30pm Wednesday and Saturday matinees

IN a new story inspired by the worldwide horror phenomenon, Paranormal Activity is directed by immersive theatre pioneer and Punchdrunk artistic director Felix Barrett and written by Levi Holloway, the playwright behind Broadway hit Grey House.

When James (James Bye) and Lou (Hannah Sinclair Robinson) move from Chicago to London to escape their past, soon they discover that places are not haunted, but people are. Can you hold your nerve in the face of this chilling production on its first British and Irish tour? Box office: atgtickets.com/york.

Sounds Of The 60’s Live: Sensational Sixties show at York Barbican

Sixties’ celebration of the week: Sounds Of The 60’s Live, hosted by Tony Blackburn, York Barbican, September 29, 7.30pm

BBC Radio 2 presenter Tony Blackburn hosts an evening of stories and songs from “perhaps the most iconic ten years in music, fashion and popular culture” on the Sounds Of The 60’s tour, 62 years since his first broadcast on pirate radio station Radio Caroline South in 1964.

The Sounds Of The 60’s All Star Band and Singers perform hits by The Everly Brothers, Elvis Presley, The Drifters, Marvin Gaye, a Rolling Stones medley, The Walker Brothers, Diana Ross & The Supremes, The Beatles, The Beach Boys, Stevie Wonder and more besides. Box office: yorkbarbican.co.uk.

Roham Bayat’s poster design for the four-day York Jazz Fest

Festival of the week: York Jazz Fest, October 1 to 4

BEPPE Lombardo, soprano saxophone player in his Italian teenage days and supremo of Trinicria Sicilian Ristorante in Bishopthorpe Road for 15 years, is running the inaugural York Jazz Fest with funding from York and North Yorkshire Combined Authority Mayor David Skaith.

Angel On The Green, York Arts Barge, Young Thugs Studio, the Phoenix Inn and The Winning Post play host to concerts on the first three days, culminating in the Bishopthorpe Road Car Park Finale next Sunday, topped off by sets by Dennis Rollins’ Funky-Funk and Ian Chalk. For full listings and tickets, go to: yorkjazzfestival.com.

Katy Cawkwell in the poster for Lilith at Rise@Bluebird Bakery

“Shocking, seductive and entertaining” show of the week: Katy Cawkwell in Lilith, Rise@Bluebird Bakery, Acomb, York, October 1, 8.30pm

BEFORE Eve, there was Lilith, as revealed in Katy Cawkwell’s uplifting one-woman storytelling showin an exploration and celebration of female power through the mythological figure of Adam’s first wife.

Lilith was not prepared to lie down and accept what was given to her. Thrown out of Eden, she slithered back in to take her revenge and wake up Eve to what her body could do.

“Viewed as a demon, worshipped as a goddess, adored as the Queen of Sheba, Lilith slips out of the Bible, reclaims the narrative and is dancing with us still, forever free,” says Cawkwell, who mixes myth from Arabia, Ethiopia, Mesopotamia and Jewish tradition with a dash of feminist flavouring and a large dollop of her own wild dreaming. Box office: bluebirdbakery.co.uk/rise.

Ben Portsmouth: Presenting This Is Elvis with the Taking Care Of Elvis Band at York Barbican

Tribute gig of the week: Ben Portsmouth: This Is Elvis, York Barbican,  October 2, 7.30pm

REGARDED as the “closest living performer to the legendary Elvis Presley”, Ben Portsmouth has enjoyed success in more than 20 countries and became the first European to be crowned by Elvis Presley Enterprises as the Worldwide Ultimate Elvis Tribute Artist in Memphis in 2012.

This Is Elvis takes an immersive journey through Presley’s greatest hits from his rockabilly roots to the dazzling Las Vegas years in the company of Portsmouth and the Taking Care Of Elvis Band.  Box office: yorkbarbican.co.uk.

In Focus: Say Owt Slam, featuring Kirsty Taylor and KG, The Crescent, York, tonight, 7.30pm to 10pm

Bradford writer and educator Kirsty Taylor. Picture: Carolyn Mendelsohn

SAY Owt, York’s loveable gang of loveable gang of performance poets, brings the best working-class poets and rappers from Bradford tonight to complement the Say Owt Slam clash of the verbals.

“Since 2014, we’ve hosted high-energy nights of words and verse, bringing together poets, musicians, spoken-word artists, rappers and anyone with a story to tell,” says artistic director Henry Raby.

“We’re always proud of our line-ups, but this could be our most exciting parade of poets yet. It wouldn’t be possible without buzzy audiences showing up and being loud and demanding more and more shows! And it wouldn’t be a Say Owt season without a poetry slam!”

Henry continues: “Say Owt Slam is an energetic battle of words where judges in the audience score the poets and the top-scoring poet is crowned Say Owt Slam champion at the end of the night. Tonight, as well as a top crop of York poets, we have slammers from Glasgow, Manchester and Halifax hoping to win the competition.”

Kemmi Gill: Rapper, poet and youth worker

Tonight’s bill also features  two guests from guests from  Bradford, Kirsty Taylor and KG (Kemmi Gill). “Kirsty is a writer and educator inspired by her beloved home city of Bradford,” says Henry. “She is passionate about storytelling through poetry and has performed all over the country telling tales about people, class and the realities of Broken Britain.”

Taylor was a BBC Verb New Voice in 2017 and was awarded the Apples and Snakes & Jerwood Arts Poetry in Performance award in 2020. She is the creator of Front Room Poetry, which takes nanna-style living rooms and world-class poets to unusual settings such as car parks and housing estates.

Kirsty opened Bradford’s year as UK City of Culture 2025 in January last year when she performed her words to 20,000 people over the first weekend.

KG (Kemmi Gill) is a Bradford-born rapper, poet and youth worker, hailed by Wordplay Magazine as “one of the sharpest lyricists” in the UK rap scene. “Kemmi combines lyrical storytelling and wordplay to explore themes of struggle and hope and has contributed writing and performance work to major civic projects, such as  the open-air spectacular Rise and Common/Wealth’s sell-out show Public Interest,” says Henry.

To book tickets, go to: sayowt.co.uk

In Focus Too: Carlos Acosta’s Acosta Danza in Cuban Baroque, York Theatre Royal, October 1, 7.30pm, October 2, 2pm, and October 3, 2.30pm and 7.30pm

Acosta Danza in Cuban Baroque. Picture: Johan Persson

IN this new double bill from Acosta Danza, the lush artistry of the Baroque period intersects with the energy, creativity and vibrancy of Cuban dance.  Emerging from the 17th and 18th centuries, the creative movement was characterised by deep colour, elaborate detail and intricate decoration.

Produced by Valid Productions in collaboration with York Theatre Royal, Cuban Baroque opens with the world premiere of Andonis Foniadakis’s new work Pearls, a journey to the rhythmic heart of Baroque, followed by choreographer and set designer Goyo Montero’s 2011 work Chacona.

Artistic director Carlos Acosta says: “I am very excited about this programme which will encapsulate the essence of Acosta Danza, fusing as it will, classical, Cuban and contemporary vocabularies and styles.

“I am, of course, a big fan of both choreographers and am delighted that Andonis will create a brand-new piece on my dancers. I look forward to seeing how that develops over the coming months.

“The flavour of the evening is summarised neatly by the title Cuban Baroque, but essentially this is a programme that anyone interested in any kind of dance can enjoy. I look forward, as always, to seeing how audiences react to the atmosphere this programme will create at its premiere in our first ever visit to the wonderful York Theatre Royal.”

Theatre Royal chief executive Paul Crewes says: “It is truly wonderful that York audiences will be the first to experience this phenomenally exciting dance programme on our stage and we are really looking forward to working in collaboration with Carlos Acosta and his company on the show.”

Set to Esteban Sallas’s Salve Regina, the work explores the classic chaconne-looping structure that circles through phases of acceleration, fracture and rebound. As the score shifts from Baroque lyricism toward Cuban drive, Foniadakis showcases the fusion between memory and contemporary.

Andonis Foniadakis says: “The piece is being built as a chaconne in the broadest sense: a looping architecture that keeps circling back to the same theme like a mantra, each return opening a new variation in colour, density and impulse.

Cuban rhythmic principles will seep into the texture (clave, layered pulses, dance-derived momentum) and begin to tilt the baroque theme from within — bringing Sallas’s music fully into the present.

“In this dialogue, contrast becomes fusion: baroque memory meets Cuban propulsion; choral breath meets percussive drive; live sound meets a discreet electronic halo — shaping a single energetic trajectory that stays clear, intense, and emotionally resonant.”

Closing the 1hr 20 min programme is Goyo Montero’s powerful Chacona, a piece that originally was created for the Staatstheater Nürnberg Ballett during Montero’s 17-year tenure as director. Chacona is the final movement of Bach’s masterwork Partita No.2 in D Minor for violin, accompanied in this performance by guitar and piano. Physically and musically demanding, classical in sound and contemporary in heart, it requires total cohesion from the ensemble of 16 dancers.

Goyo Montero says: “This is going to be my fourth collaboration with Acosta Danza since 2015. To bring this work to them and adapt it to their fearless and exceptional dancers is something I am looking forward to very much. To restage this early work and revisit it for them will develop the work further and keep it alive, relevant and ever changing, a choreographer’s dream!”

A post-show discussion with the company will follow Thursday’s 7.30pm show. In addition, Acosta Danza will hold an Open Class next Saturday (3/10/2026) at 10am on the Theatre Royal stage in an exclusive opportunity to watch how the dancers warm up and prepare ahead of a performance. This non-participatory event is open to all ages.  

The York Theatre Royal premiere of Cuban Baroque will be followed by performances at Sadler’s Wells in London and Norwich Theatre Royal with further 2027 dates to be added. Box office for shows and Open Class: 01904 623568 or yorktheatreroyal.co.uk.

Acosta Danza in Cuban Baroque: the intersection of Baroque lush artistry with the energy, creativity and vibrancy of Cuban dance. Picture: Johan Persson
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