Tag: Selby Abbey

Posted on

More Things To Do in York and beyond. Hutch’s List No. 32, from The York Press

Donna Maria Taylor in her South Bank Studios studio

GEORGIAN celebrations, a brace of art fairs, Shakespeare sonnets on the tennis court and The Magpies’ folk festival should outshine Wednesday’s solar eclipse, reckons Charles Hutchinson.

Artists in situ: South Bank Studios’ Summer Artists Open Doors, Southlands Methodist Church, Bishopthorpe Road, York, today, 10am to 4pm

MEET the South Bank artists and makers who work in a broad range of disciplines, from textile art, painting, drawing and photography, to mixed media, letterpress and linocut printmaking.

Visit their studios to see their creative processes in a day of art to buy, art demonstrations and activities, including the loft studios, not usually on view to the public. The cafe will be open for refreshments. Entry is free; all welcome.  

Masquerade Ball at the 2026 York Georgian Festival tonight

York festival of the week: York Georgian Festival, until August 10

HIGHLIGHTING the sights and sounds of 18th century life, York Mansion House and beyond plays host to the fourth York Georgian Festival in a festival programme that ranges from free displays of dancing and military drills in St Helen’s Square to the York Georgian Masquerade Ball at the Grand Assembly Rooms tonight. Talk, tours, performances and workshops feature too. For full listings and booking details, go to: yorkgeorgianfestival.co.uk.

Carlton Main Colliery Band: Brass At The Proms at Selby Abbey

Rousing concert of the week: Brass At The Proms, Carlton Main Colliery Band, Selby Abbey, tonight, 7pm

JOIN Carlton Main Frickley Colliery Band on its return to the former coalfield town of Selby for a Last Night of the Proms brass concert featuring a vibrant mix of rousing favourites. Seating in the Main Nave will be allocated, with seat and row numbers; Rear Nave seating will be filled on a first-come, first-served basis. Box office: selbytownhall.co.uk.

Futureproof’s logo for a night of poetry, drag, monologues and comedy

Art and science bonding exercise of the week: Futureproof presents Opposites Attract Scratch Night, York Theatre Royal Studio, tonight, 7.30pm

EIGHT acts perform a mixture of poetry, drag, monologues and comedy. Expect biochemistry, molecular biology, sewing, chalk stream-inspired dance and more tonight.

The theme, Opposites Attract, derives from the idea that many things will give people joy, purpose, belonging and entertainment — such as maths and science — that seem to be mutually exclusive to theatre. Futureproof invites creatives to consider these ostensible contrasts, alongside the concept that theatre is meant to reflect our world and/or be a tool to create new ones. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Comedy event of the week: Kevin Bridges: Warm Up, Grand Opera House, York, today and tomorrow, 8pm

CLYDEBANK comedian Kevin Bridges performs two warm-up shows in York ahead of his UK stand-up tour Here If You Need Me. Tonight’s gig has sold out but tickets are still available for tomorrow, as well as for his Leeds First Direct Bank Arena tour show on November 19. Box office: York, atgtickets.com/york; Leeds, axs.com/uk/events/1240964/kevin-bridges-tickets?skin=leeds.

On the stretch: Jamie McKeller’s Lionel, left, and Stuart Lindsay’s Charles limbering up for the doubles in York Shakespeare Project’s Summer Sonnets: What the Deuce? Picture: John Saunders

New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, until August 15, except August 11, 6pm & 7.30pm, plus 4.30pm Saturday shows

SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?

Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part will be James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.

The poster fort York River Art Market 2026. Illustration by Elliot Harrison (@York360)

Open-air art event of the month: York River Art Market, Dame Judi Dench Walk, York, today and tomorrow, then August 15 & 16, 10am to 5.30pm

YORK River Art Market returns for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day, this year presenting art and design market stalls on both sides of the pathway.

Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.

York River Art Market 2026 organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway

Tribute gig of the week: SWT presents Pulp’d vs Blur 2, Milton Rooms, Malton, today, 8pm

PULP’D and Blur2 team up for a double-header of Britpop royalty tonight. Born and raised in Sheffield, passionate Pulp fans Pulp’d came together to re-create the hits, passion and Jarvis Cocker moves.

Blur2 bring the very best of Blur to every show: the energy, the fun, the sound, the looks and the musicianship of Damon Albarn, Graham Coxon, Alex James and co. Box office: 01653 696240 or themiltonrooms.com.

Scissor Sisters: Heading to the Scarborough coast tonight

Coastal gigs of the week: Scarborough Open Air Theatre presents Scissor Sisters, today; Holly Johnson, ABC and Heaven 17, August 14,  gates 6pm

AFTER their 2025 UK arena reunion tour and that summer’s Saturday night Glastonbury set, Scissor Sisters bring their trademark blend of glam, grit and glorious to Scarborough Open Air Theatre this weekend. Jake Shears, Babydaddy, Del Marquis and co will be rolling out such favourites as Take Your Mama, Laura, I Don’t Feel Like Dancin, Let’s Have A Kiki, Only The Horses and Filthy/Gorgeous.

Holly Johnson: Frankie says Relax in Scarborough

Flamboyant, unapologetically bold Frankie Goes To Hollywood lead vocalist and lyricist Holly Johnson tops the 1980s’ triple bill next Friday, when he performs the chart-topping trio of  Relax, Two Tribes and The Power Of Love, further Frankie smashes Welcome To The Pleasure Dome and Rage Hard and solo hits Love Train, Americanos and Atomic City. Sheffield bands ABC and Heaven 17 support. Box office: scarboroughopenairtheatre.com.

The Magpies: Hosting their folk festival at Sutton Park

Folk festival of the month: The Magpies Festival, Sutton Park, near York, August 14 and 15

RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents next Friday’s Main Stage bill of Daraa Tribes (6pm), The Magpies (8pm) and headliners Manran (10pm) and Brass Castle Stage bill of True Foxes (5pm), Elizabeth Davidson-Blythe & Daniel Quayle (7pm), SupaLung (9pm) and New York Brass Band (11pm).

Next Saturday’s line-up on the Main Stage comprises Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm). The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office: themagpiesfestival.co.uk/tickets.

Composer Thomas Adès: Presenting new composition at Creation-themed North York Moors Chamber Music Festival. Picture: Marco Borggreve

In Focus: North York Moors Chamber Music Festival, August 8 to 22

THE North York Moors Chamber Music Festival celebrates its 18th consecutive year with the premieres of six works by contemporary British composers.

Aptly named Creation, the 2026 festival will run from August 8 to 22, featuring new compositions by Thomas Adès, Huw Watkins (both of whom will perform at the festival), Charlotte Bray, Tom Coult, Isabella Gellis and Helen Grime.

“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation, woven through the festival theme, by six of our country’s very finest composers,” says festival director and cellist Jamie Walton.

Charlotte Bray: Premiering That Which You Wove Of Lightest Thread, I Wear To Honour Stone at North York Moors Chamber Music Festival. Picture: David Beecroft

“As part of this narrative, the Sabbath (Sunday) remains a day of rest – and each concert includes works that were themselves groundbreaking or innovative in their time, reflecting music’s timeless power to create, to renew, and to tell a universal story through sound.”

Jamie continues: “Thomas Adès is widely regarded as one of the world’s greatest living composers, so it’s a real coup to have him both write for us and come to premiere the piece, Flower Variations [in the Landspeak concert on August 14 at 7pm at Welburn Manor].

“We’re really proud of the fact that, alongside these six outstanding composers, we have such a stellar line-up of international artists.

Helen Grime: Premiering Time Be Brief. Picture: Benjamin Ealovega

“We’re also continuing to champion visual artists from the moors in the brochure, pairing their work with concert titles. We’ve done this for the past two years and it’s a wonderful way to cross-pollinate and collaborate with more artists.”

Charlotte Bray’s piece for horn and string quartet, That Which You Wove Of Lightest Thread, I Wear To Honour Stone,  will be accompanied by a collaborative artwork by Caroline Burraway, exhibited on stage at St Hedda’s, Egton Bridge during The Dividing Line performance on August 13 at 2pm.

Isabella Gellis’s Creation will be premiered in August 11’s Dialogue concert at St Hilda’s, Danby, at 2pm; Helen Grime’s Time Be Brief, at Metamorphoses concert, Welburn Abbey, August 15, 7pm; Huw Watkins’s Oboe Quartet, The Architect’s Hand concert, St Mary’s, Lastingham, August  18, 2pm, and Tom Coult’s Two Nocturnes and A Maze, in its UK premiere, Nightfall concert, Welburn Abbey, August 20, 7pm.

Huw Watkins: Premiering his Oboe Quartet in festival appearance. Picture: Benjamin Ealovega

The festival will take place in four historic moorland churches – St Hilda’s, Danby, St Hedda’s, Egton Bridge, St Michael’s, Coxwold, and St Mary’s, Lastingham – along with the majority of concerts being staged in the grounds of Welburn Manor, near Kirkbymoorside, where the acoustically-treated venue has been enlarged this year to reflect the festival’s increasing popularity.  

The festival was named a Best of British Fund Winner 2026 by Airbnb, representing Yorkshire as part of the North York Moors Beacon for the Arts.

Jamie says: “Our festival celebrates the art of collaboration in an awe-inspiring setting, taking our audience on a musical quest each year through interwoven themes within a central storyline.

Isabella Gellis: Premiering Creation in August 11’s Dialogue concert at St Hilda’s, Danby. Picture: Ella Pavlides

“Over 18 years, we have built a reputation for breaking down barriers to make exceptional music accessible to all, fostering community and cultural connection through friendship and trust. Uncompromising even amid pandemic challenges, our festival was one of the few to present full, live performances in 2020 and 2021.

“August, when the heather is in full bloom, brings the North York Moors to life. Artists are immersed in the National Park, rehearsing and living in a deeply holistic environment, while audiences are welcome to enjoy picnics on the grounds of Welburn Manor, attend concerts, and explore the region’s historic churches and priories.”

The event continues to attract international artists, 28 this year, many of them committing to the entire fortnight by taking up residencies in a festival of 13 concerts featuring 58 chamber works from 32 composers spanning 300 years to the present day. 

Tom Coult: Premiering Two Nocturnes and A Maze on August 20. Picture: Matthew Johnson

This year, these include Alena Baeva, Benjamin Baker, Oliver Cave, Oliver Heath, Alessandro Ruisi and Charlotte Scott (violin); Sascha Bota, Meghan Cassidy,  Emma Wernig and Simone van der Giessen (viola); Rebecca Gilliver, Tim Posner and Jamie Walton (cello) and Will Duerden (double bass).

Taking part too are: Thomas Adès, Katya Apekisheva, Joseph Havlat, Roman Kosyakov, Daniel Lebhardt and Huw Watkins (piano); Ben Goldscheider (French horn); Nicholas Daniel (oboe); Matthew Hunt (clarinet); Jonathan Davies (bassoon) and James Gilchrist (tenor). Completing the line-up will be the festival’s award-winning Young Artists ensemble, The Davidoff Trio.

Tickets for individual concerts are £18; a season ticket for all 13 costs £190. As ever, under-30s gain free entry to any of the concerts. To book, email bookings@northyorkmoorsfestival.com, call 07722 038990 or visit www.northyorkmoorsfestival.com. The full programme can be downloaded via https://www.northyorkmoorsfestival.com/.

“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation,” says North York Moors Chamber Music Festival director Jamie Walton. Picture: Matthew Johnson

Posted on

What’s On in Ryedale, York and beyond. Hutch’s List No. 29, from Gazette & Herald

Eliza Carthy: Performing with The Restitution at Ryedale Festival

A MYTHICAL tale of a goddess, a near-future re-spinning of the selkie myth, an Arthurian quest of a lifetime, a bothersome briefcase in a love story and  a nostalgia trip to variety’s golden days keep Charles Hutchinson  entertained.

Folk gig of the week: Eliza Carthy and The Restitution, Ryedale Festival, Selby Abbey, tonight, 7pm

FLAMBOYANT Robin Hood’s Bay fiddler and singer Eliza Carthy continues to re-imagine traditional music with fiery imagination and fearless individuality. The daughter of Martin Carthy and Norma Waterson, she grew up immersed in the folk world, and here she performs with her powerhouse touring band in one of Yorkshire’s most atmospheric and beautiful settings. For the full festival programme and tickets, go to: ryedalefestival.com.

Megan Drury in Wright & Grainger’s SELENE at Theatre@41, Monkgate, York

Radical myth revamp of the week: Wright & Grainger and Theatre@41 present Megan Drury in SELENE, Halfway To Edinburgh Season, Theatre@41, Monkgate, York, tonight, 7pm, and tomorrow, 8.30pm

AUSTRALIAN actor Megan Drury stars in Easingwold duo Phil Grainger and Alexander Flanagan Wright’s tale of the goddess and the dark side of the moon in a radical explosion of an ancient myth.

A young girl watches the moon landings on repeat. A teenager makes a list of all the things they are not. A young adult starts to discover who they are. Expect a story addressing the light sides of us, the dark sides of us, the things orbiting around us as we grow up and not least the wild stuff inside us. Box office: tickets.41monkgate.co.uk.

The Three Inch Fools: Epic tale of Arthurian adventure and medieval mayhem at Helmsley Walled Garden

Outdoor theatre show of the week: The Three Inch Fools in King Arthur And The Holy Fail, Helmsley Walled Garden, tomorrow, 7pm

FOUNDED by Cumbrian brothers James and Stephen Hyde, The Three Inch Fools present an epic tale of Arthurian adventure and medieval mayhem, set in a land of daring quests, dashing knights and endless jousting.

Waiting in the wings is a would-be hero, by the name of Arthur, but when Camelot is rocked to its core by a tragic – and frankly improbable – incident involving a large table of an undisclosed shape, Arthur is thrust into the quest of a lifetime, Destiny awaits, chivalry calls and the quest to end all quests begins. Bring chairs, blankets and cushions. Picnics welcome. Box office: 01439 771700 or helmsleyarts.co.uk.

Rowan Armitt-Brewster’s introverted Thomas and Lennie Longworth’s equally shy Daisy in A Brief Case Of Crazy

Silent love story of the week: Skedaddle Theatre & Shoddy Theatre present A Brief Case Of Crazy, York Theatre Royal Studio, tomorrow to Saturday, 7pm plus 2pm Saturday matinee

INSPIRED by the timeless genius of Charlie Chaplin, Buster Keaton and Mr Bean,Rowan Armitt-Brewster, Samuel Cunningham and Lennie Longworth’s physical comedy A Brief Case Of Crazy is a silent love story with a very loud heart, told through slick choreography, mime, clowning and puppetry.

Meet Thomas, an awkward, introverted office worker with a quiet crush on his equally shy colleague, Daisy. His quest for love must contend with a boisterous boss named Simon and a rather bothersome briefcase that drags an awkward introvert into extraordinary events. Will his quest for love fail? Or will he discover that what’s on the inside counts most? Box office: 01904 623568 or yorktheatreroyal.co.uk. Age guidance: Five upwards.

Hannah Davies & Jack Woods: Re-imagining selkie myth in a not-too-distant future

Dystopian vision of the week: Hannah Davies & Jack Woods in The Ballad of Blea Wyke, Helmsley Arts Centre, Friday, 7.30pm

IN North Yorkshire writer and storyteller Hannah Davies and musician Jack Woods’ dystopian re-imagining of the selkie myth in a not-too-distant future, a young woman wants to see the sea. A stranger stands on a cliff. The last grey seal swims towards the shore. 

On her 18th birthday, tough care-leaver Cerys breaks the city’s lockdown and travels to the coastal cliffs that birthed her, the crumbling landscape drawing her back to her mythic past. Cue a haunting interweaving of story, music, poetry and song. Box office: 01439 771700 or helmsleyarts.co.uk.

Elf Lyons, the woman on the edge at Theatre@41, Monkgate, York

Comedy gig of the week: Halfway To Edinburgh Season presents Elf Lyons Is The Woman On The Edge (Work In Progress), Theatre@41, Monkgate, York, Friday, 7.30pm

LET London comedian, classically trained clown and Sky Arts Award winner Elf Lyons introduce this Work In Progress preview of her Edinburgh Fringe-bound show Elf Lyons Is The Woman On The Edge: “I’m sorry, I’ve said too much…”

She does, however, go on to say it will be “a completely normal, autobiographical (and in no way complex) observational stand-up show about love. A perfect show to take yourself to. Inspired by Vertigo, Apollo 13 the opera Pagliacci.  Directed by Ingmar Bergman.” Box office: tickets.41monkgate.co.uk.

Dominic Goodwin in a triptych of his myriad roles in Twice Nightly

Recalling variety’s golden days: Pyramus and Thisbe Productions present Dominic Goodwin in Twice Nightly, Friargate Theatre, York, Friday and Saturday, 7.30pm

RYEDALE writer, performer and pantomime dame Dominic Goodwin is touring his first one-man comedy show, directed by York director and actor Thomas Frere.

Twice Nightly follows the story of struggling comedian Freddie Francis in 1956 as the final curtain hovers over variety. Many acts of the time are highlighted, including Norman “Over The Garden Wall” Evans (said to be an influence on Les Dawson) Stockton comic Jimmy James, wartime star Robb Wilton and the iconic Max Miller. Box office: York, 01904 655317 or ridinglights.org/friargatetheatre.

Tommy Banks; Turning up the heat at York Theatre Royal

Culinary event of the week:  An Evening with Tommy Banks: Spinning Plates: Live, York Theatre Royal, Friday, 7.30pm

MICHELIN-STARRED chef and entrepreneur Tommy Banks makes the trip from his Oldstead family farm to York Theatre Royal to bring his extraordinary story to the stage for the first and only time. Told across three intersecting timelines – the past 25 years, the defining 12 months and the opening night for his latest pub —each moment teeters on a knife-edge.

Banks runs the Black Swan at Oldstead, Roots York, in Marygate, York, and the Abbey Inn at Byland, as well as co-founding Jeopardy Hospitality, whose first venture is the General Tarleton at Ferrensby, Knaresborough. For one night only, he combines storytelling and immersive cinema to lift the lid on hospitality service at its most intense. Box office: 01904 623568 or yorktheatreroyal.co.uk.

CMAT: Songs of identity, grief and beauty standards at Scarborough Open Air Theatre

Coastal gig of the week: CMAT, Scarborough Open Air Theatre, Saturday, gates 6pm

CMAT, alias Ciara Mary-Alice Thompson, burst on to the music scene six years ago with her debut single Another Day (KFC). The Dublin-born, County Meath-raised singer and songwriter has since released three bitingly humorous, emotionally honest albums, 2022’s If My Wife New I’d Be Dead, 2023’s Crazymad, For Me and 2025’s  Mercury Prize-nominated Euro-Country, her exploration of identity, grief and beauty standards, exemplified by Take A Sexy Picture Of Me. Box office: scarboroughopenairtheatre.co.uk.

Danger on T-Rex Mountain in Dinosaur Adventure Live at York Theatre Royal

Children’s show of the week: Dinosaur Adventure Live, Danger On T-Rex Mountain, York Theatre Royal, Saturday,  2.30pm

SIXTY-FIVE million years in the making, Dinosaur Adventure Live brings a fusion of family-friendly storytelling, puppetry, and roarsome science to the stage as the ancient world of dinosaurs crashes back to life for gasps, giggles and occasional jump-scares.

From a shadowy raptor on the loose to baby dinosaurs that you can feed (carefully!), Mike Newman’s show blends humour, thrills and hands-on learning into an interactive stage experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Matt Ford: In full swing at Milton Rooms, Malton

In the swing of things: Ryedale Festival presents Matt Ford and The Swing Legends Band, Milton Rooms, Malton, Sunday, 7pm

BRITISH singer and BBC Proms regular Matt Ford is joined by a full band to celebrate the songs of Frank Sinatra and fellow crooning legends Dean Martin, Tony Bennett and Michael Bublé. From late-night ballads to high-octane numbers shaped by elegance and irresistible wit, this is music that still knows exactly how to swing. Box office: 01653 696240 or themiltonrooms.com.

Posted on

York Beethoven Project confirms last two symphony concert dates. What will follow?

York Beethoven Project performing at Selby Abbey under conductor John Atkin. The Grand Finale, Symphony No 9, will be held there next March

YORK Beethoven Project is entering its concluding year with plans for the last two symphonies to be played during the next 12 months.

Symphony No 8 at Millthorpe School, York, on Saturday, September 26 will be followed by Symphony No 9 at Selby Abbey on March 13 2027.

The project to play all of Ludwig van B’s symphonies was conceived in a conversation under the stage of Harrogate Theatre and was launched with Beethoven’s Symphony No 1 in September 2023.

“The first event at Acomb Methodist Church was a huge success,” recalls founder, organiser and conductor John Atkin, the York musical director and White Rose Theatre stalwart. “Fifty-six musicians put themselves forward to take part in the come-and-play workshop, so we closed registration in advance.

York Beethoven Project founder and conductor John Atkin

“Those players came from a variety of musical organisations in York, as well as further afield, which was the aim, and 54 attended on the day, hosted by York Light Orchestra. They rehearsed Symphony No 1 in C major Op. 2, and it was then performed to an audience, where there was standing room only.”

Since then, the orchestra has averaged 60 players in performing the first seven symphonies as one-day Come & Play sessions in such venues as the Sir Jack Lyons Concert Hall (University of York), Joseph Rowntree Theatre and Selby Abbey.

John says: “We cannot believe it’s nearly over but it’s not all over. What started as a personal target has snowballed into a regular biannual slot for many local musicians, who all share the same passion for orchestral music.  

“Since the first event, we have worked with more than 100 local – and some not so local – musicians aged between 17 and much more(!) in some lovely venues. Among the highlights for me must be the ‘Eroica’ (No 3) in Joseph Rowntree Theatre and the ‘Pastoral’ (No 6) in Selby Abbey, but they have all been great days, and to now complete the entire cycle will be a wonderful experience for all involved.”

Symphony No 9 next March at Selby Abbey will be the Grande Finalé in a full concert programme that will include Handel’s Zadok The Priest and the world premiere of Augury, commissioned from Cameron McArthur with the same orchestration as No 9. Cameron is a composer, performer, trumpet player, researcher and educator, who has completed his studies for a PhD in Music Composition at the University of York.

John adds: “We are recruiting a choir and soloists for No 9.  Working with local choirs, including Cantores, South Bank Singers and York Opera, we have 52 singers signed up so far but we expect to have around 100 in total by next year for this community event, open to all who can read music and sing in German.” 

The Selby Abbey concert will commemorate the 200th anniversary of Beethoven’s death at the age of 56 in Vienna on March 26 1827.

“After No 9, the orchestra will continue to meet twice a year and play varied symphonic repertoire under the name of York Occasional Orchestra,” reveals John.

For more information or to take part in any of these events, please email yorkbeethovenproject@gmail.com.

Posted on

What’s On in Ryedale, York and beyond. Hutch’s List No. 8, from Gazette & Herald

Mark Simmons: Expertly crafted one-liners and off-the-cuff jinks with the audience at Pocklington Arts Centre

FISHING community memories, an abbey light installation and an exhibition addressing loneliness make for a diverse week ahead in Charles Hutchinson’s recommendations. 

One-liners of the week: Mark Simmons, Jest To Impress, Pocklington Arts Centre, tonight, 7.30pm

CANTERBURY jester Mark Simmons won Dave’s Joke of the Edinburgh Fringe in 2024 with this gag: “I was going to sail around the globe in the world’s smallest ship but I bottled it”. Now he follows up his 200-date Quip Off The Mark two-year UK, Ireland, Australia, and New Zealand tour with Jest To Impress, a new show packed with one-liners, alongside his trademark off-the-cuff jokes based on random audience suggestions.

Simmons also hosts the Jokes With Mark Simmons podcast, where he invites fellow comics, such as Gary Delaney, Sarah Millican and Milton Jones, to discuss jokes that, for whatever reason, would not work. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

The poster for What The Sea Saw’s fishing stories at Helmsley Arts Centre

Rehearsed reading of the week: 1812 Theatre Company presents What The Sea Saw, Helmsley Arts Centre, Jean Kershaw Auditorium, tonight and tomorrow, 7.30pm

SET in Scarborough’s Bottom End and capturing the verbatim first-hand testimonies of remaining members of the fishing families, Helena Fox’s new play recounts the tragic events of the 1954 Lifeboat Disaster through the eyes of witnesses, as well as capturing the lost cultures and working practices of the coastal community, including the role of women in skeining and baiting.

Directed by Heather Findlay, the fundraising event for Scarborough RNLI features Stamford Bridge’s Big Shanty Crew’s performance of Scarborough 54. Box office: 01439 771700 or helmsleyarts.co.uk.

Imitating The Dog light up Selby Abbey for three days of Selby Light 2026

Installation of the week: Selby Light 2026, Selby Abbey, tomorrow to Saturday, 6pm to 9pm

SELBY Abbey will be the setting for Homeward, Leeds company Imitating The Dog’s large-scale installation celebrating our different stories and the unified feeling of finding home, framed by the question How Did You Get Here?

Inside, the installation continues as a walk-through experience, complemented by Jazmin Morris’s Through The Liquid Crystal Display, a series of visual code illustrations inspired by Selby Abbey. The trail then extends into the town centre with works by Selby College students. Admission is free.

The 20ft Squid Blues Band: Combining 1950s’ Chicago style with 1960s’ blues explosion at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents The 20ft Squid Blues Band, Milton Rooms, Malton, tomorrow, 8pm

THE 20ft Squid Blues Band, from Sheffield, play upbeat, fast, irreverent blues, combining elements of the 1950s’ Chicago style with the more wayward aspects of the 1960s’ blues explosion.

They mix self-penned songs with numbers made famous by Howling Wolf and Little Walter, while throwing in artists not so obviously from the blues tradition, such as Tom Waits and Prince. Expect eye-popping harmonica, thundering bass, intricate beats and choice guitar. Box office: 01653 696240 or themiltonrooms.com.

Nick Doody: Topping Hilarity Bites Comedy Club line-up at Milton Rooms, Malton

Comedy bill of the week: Hilarity Bites Comedy Club, Nick Doody, Ed Purnell and Will Duggan, Milton Rooms, Malton, Friday, 8pm

IN the first Hilarity Bites bill of 2026, Nick Doody will be joined by Ed Purnell and Will Duggan. Doody first performed as a student in the 1990s when he supported Bill Hicks at Hicks’ request, since when he has performed all over the world and written for Joan Rivers, Lenny Henry, Dame Edna Everage and Mock The Week regulars aplenty.

In a clever spin, Purnell, Ecuador’s numero uno comedian, delivers his set in Spanish with a sprinkling of English, whereupon audiences realise they can understand him without speaking his mother tongue. Duggan is a quick and witty host. Box office: 01653 696240 or themiltonrooms.com.

Phoenix Dance: Presenting world premiere of Interplay at York Theatre Royal. Picture: Drew Forsyth

Dance show of the week: Phoenix Dance Theatre, Interplay, York Theatre Royal, Friday, 7.30pm; Saturday, 2pm, 7.30pm

LEEDS company Phoenix Dance Theatre’s world premiere tour of Interplay opens at York Theatre Royal, featuring dynamic works by Travis Knight and James Pett (Small Talk), Ed Myhill (Why Are People Clapping?!) Yusha-Marie Sorzano & Phoenix artistic director Marcus Jarrell Willis (Suite Release) and Willis’s Next Of Kin. 

Across duet and ensemble works, Interplay explores themes of duality and shared authorship, revealing how distinct artistic voices can intersect to create something greater than the sum of their parts. Each piece offers a unique perspective, united by a bold physicality and a deep curiosity about human relationships, rhythm and collective experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Holly Taymar: Performing the best of Eva Cassidy’s back catalogue at Milton Rooms, Malton

Tribute gig of the week: Holly Taymar Sings Eva Cassidy, Milton Rooms, Malton, Sunday, 8pm

YORK singer-songwriter Holly Taymar turns the spotlight on Eva Cassidy, one of the most beloved voices of the 20th century. Revelling in Cassidy’s blend of folk, jazz and blues, she performs renditions of Fields Of Gold, Songbird, Over The Rainbow and Autumn Leaves.

“My show show is not an impersonation,” says Taymar. “It’s a heartfelt homage to an artist who left a lasting impact on my development as an artist and on the world of music.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Loneliness Is Not A Dirty Word: Exhibition collaboration between Hannah Turlington and local and wider community at Helmsley Arts Centre

Exhibition launch of the week: Hannah Turlington, Loneliness Is Not A Dirty Word, Helmsley Arts Centre, March 3 to May 1

LONELINESS Is Not A Dirty Word is a collaboration between artist Hannah Turlington and the local and wider community, involving sessions where participants were invited to share their own experiences of loneliness by creating pieces of visual art in a variety of mediums.

The resulting exhibition aims to create space for the viewer to consider their own narratives of loneliness and reduce the stigma associated with being lonely.

Del Amitri’s Justin Currie, left, and Iain Harvie: Cherry-picking from four decades of songs at York Barbican in November

Gig announcement of the week: Del Amitri, Past To Present UK Tour 2026, November 16

GLASGOW band Del Amitri will open their 17-date Past To Present autumn tour at York Barbican, where core members Justin Currie and Iain Harvie will mark four decades of songs, stories and live shows. Ticket will go on general sale on Friday at 9.30am at www.gigsandtours.com, www.ticketmaster.co.uk and www.delamitri.info.

The career-spanning set list will chart their early breakthroughs, classic singles such as Nothing Ever Happens, Always The Last To Know and Roll To Me, fan favourites and recording renaissance after an 18-year hiatus with 2021’s Fatal Mistakes.

Posted on

More Things To Do in York & beyond as greatest showman shows up & abbey lights up. Hutch’s List No. 7, from The York Press

Child’s play: Andrew Renn, Jon Cook and Jess Murray, back row, with Mark Simmonds and Victoria Delaney in York Settlement Community Players’ Blue Remembered Hills. Picture: John Saunders

FROM Dennis Potter to Stephen Sondheim, showman  P.T. Barnum to Selby Abbey’s light installation, Charles Hutchinson is spoilt for cultural choice.

Play of the week: York Settlement Community Players in Blue Remembered Hills, York Theatre Royal Studio, until February 28, 7.45pm nightly, except Sunday and Monday, plus 2pm Saturday matinees

FLEUR Hebditch, former Stephen Joseph Theatre dramaturg for a decade, makes her Settlement Players directorial debut with Dennis Potter’s stage adaptation of his 1979 BBC Play For Today drama.

Seven children are playing in the Forest of Dean countryside on a hot summer’s day in 1943. Each aged seven, they mimic and reflect the adult world at war around them, but their innocence is short lived as reality hits. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Cole Stacey’s social media posting for his Rise@Bluebird Bakery gig

Folk gig of the week: Cole Stacey, Rise@Bluebird Bakery, Acomb, York tonight, doors 7.30pm

VISCERAL singer-songwriter Cole Stacey weaves together British folk, 1980s’ pop, spoken word and ambient electronics, as heard on last February’s debut album with its symbiosis of “lost” places and forgotten words, stretching back to the 13th century, paired with his lyrical songwriting and field recordings.

“I’d like to invite you to come along with me on the next chapter as I head out to share Postcards From Lost Places in some unique and inspiring settings, beginning in York tonight,” says Stacey. “I loved my time and bread last year playing at Bluebird Bakery, so I’m very delighted to be invited back for an intimate gig in their fully working bakery. It’s a special setting and one I’m thoroughly looking forward to!” Box office: bluebirdbakery.co.uk.

Dnipro Opera in Carmen, on tour at York Barbican

Opera of the week: Dnipro Opera (Ukrainian National Opera) in Carmen, York Barbican, Sunday, 7.30pm

THE Dnipro Opera, from Ukraine, performs Georges Bizet’s Carmen in French with English surtitles, accompanied by an orchestra numbering more than 30 musicians. 

Feel the thrill of fiery passion, jealousy, and violence of 19th century Seville in Carmen’s story of the downfall of naive soldier Don José,  who falls head over heels in love with seductive, free-spirited femme fatale Carmen. Whereupon he abandons his childhood sweetheart and neglects his military duties, only to lose the fickle Carmen to the glamorous toreador Escamillo. Box office: yorkbarbican.co.uk.

Showman extraordinaire: Lee Mead’s P. T. Barnum in Barnum: The Circus Musical at Grand Opera House, York. Picture: Pamela Raith

Touring musical of the week: Bill Kenwright Ltd in Barnum: The Circus Musical, Grand Opera House, York, February 24 to 28, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees

MUSICALS leading man Lee Mead plays the most challenging role of his career, stepping into P. T. Barnum’s shoes and on to the tightrope as the legendary circus showman, businessman and politician in Jonathan O’Boyle’s touring production of the Broadway musical.

Mead leads the cast of more than 20 actor-musicians (playing 150 instruments), acrobats and international circus acts as, hand in hand with wife Charity, Barnum finds his life and career twisting and turning the more he schemes and dreams his way to headier heights. Box office: atgtickets.com/york.

Alexandra Mather’s Anne Egerman and Jason Weightman’s Fredrick Egerman in rehearsal for Wharfemede Productions’ A Little Night Music

Sondheim show of the week: Wharfemede Productions in A Little Night Music, Theatre@41, Monkgate, York, February 24 to 28, 7.30pm plus 2.30pm Saturday matinee

SET in turn-of-the-20th century Sweden, A Little Night Music explores the tangled web of love, desire, and regret through Stephen Sondheim’s signature blend of sophistication, humour and hauntingly beautiful music, not least the timeless Send In The Clowns.

Directed by Helen “Bells” Spencer, Wharfemede Productions’ show combines the North Yorkshire company’s hallmark attention to emotional depth, musical high quality and character-driven ensemble storytelling. Box office: tickets.41monkgate.co.uk.

Disney In Concert: The Sound Of Magic, celebrating music from Walt Disney’s animated films at York Barbican

Movie music of the week: Disney In Concert: The Sound Of Magic, York Barbican, February 25, 7.30pm

THE Novello Orchestra’s Disney In Concert: The Sound Of Magic performance is a symphonic celebration of Disney music, animation and memories, a century in the making, under the direction of creative director Amy Tinkham, music director Giles Martin and arranger and orchestrator Ben Foster. 

Favourite characters and music from across the Walt Disney Animation Studios catalogue come to life on the concert hall stage and screen in new medleys and suites on a magic carpet ride through Snow White And The Seven Dwarfs, Moana, Alice In Wonderland, Aladdin, The Jungle Book, Frozen, The Lion King, Fantasia, Encanto, Beauty And The Beast and more. Box office: yorkbarbican.co.uk.

Homeward bound for Selby Abbey: Imitating The Dog’s large-scale installation

Installation of the week: Selby Light 2026, Selby Abbey, February 26 to 28, 6pm to 9pm

SELBY Abbey will be the setting for Homeward, Leeds company Imitating The Dog’s  large-scale installation celebrating our different stories and the unified feeling of finding home, framed by the question How Did You Get Here?

Inside, the installation continues as a walk-through experience, complemented by Jazmin Morris’s Through The Liquid Crystal Display, a series of visual code illustrations inspired by Selby Abbey. The trail then extends into the town centre with works by Selby College students. Admission is free.

Phoenix Dance Theatre in Interplay: World premiere opens at York Theatre Royal next Friday and Saturday. Picture: Drew Forsyth

Dance show of the week: Phoenix Dance Theatre, Interplay, York Theatre Royal, February 27, 7.30pm; February 28, 2pm, 7.30pm

LEEDS company Phoenix Dance Theatre’s world premiere tour of Interplay opens at York Theatre Royal next Friday and Saturday, featuring dynamic works by Travis Knight and James Pett (Small Talk), Ed Myhill (Why Are People Clapping?!), Yusha-Marie Sorzano & Phoenix artistic director Marcus Jarrell Willis (Suite Release) and Willis’s Next Of Kin. 

Across duet and ensemble works, Interplay explores themes of duality and shared authorship, revealing how distinct artistic voices can intersect to create something greater than the sum of their parts. Each piece offers a unique perspective, united by a bold physicality and a deep curiosity about human relationships, rhythm and collective experience. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Levellers: Levelling The Land anew at York Barbican this autumn

Gig announcement of the week: Levellers, York Barbican, October 29

BRIGHTON folk-rockers Levellers have been among Britain’s most enduring and best-loved bands for nearly 40 years, their success in part built on the anthems that comprised their platinum-selling second album Levelling The Land, whose 35th anniversary falls on October 7.

To mark the occasion, Levellers will head out on a UK and European tour from October 16 to November 21, playing many songs from that album, alongside fan favourites from their extensive catalogue. Hotly tipped Essex punk duo The Meffs will support. Box office: https://www.yorkbarbican.co.uk/whats-on/levellers-2026/.

Posted on

More Things To Do in York & beyond when the air turns blue and the skies glower. Hutch’s List No. 44, from The York Press

Roy Chubby Brown: No offence, but it’s simply comedy, reckons Britain’s stalwart potty-mouthed joker at York Barbican

FROM sacre bleu comedy to a French silent  film,  Graham Nash and Al Stewart  on vintage form to Grayson Perry on good and evil,  love’s vicissitudes to the Hunchback musical, October is brewing up a storm of culture, reports Charles Hutchinson. 

Blue humour of the week: Roy Chubby Brown, It’s Simply Comedy, York Barbican, tonight, 7.30pm

GRANGETOWN gag veteran Roy Chubby Brown, now 80, forewarns: “Not meant to offend, it’s simply a comedy tour”. After more than 50 years of spicy one-liners and putdowns, he continues to tackle the subjects of sex, celebrities, politics and British culture with a high profanity count and contempt for political correctness. Box office: yorkbarbican.co.uk.

Gemma Curry in Hoglets Theatre’s The Tale Of The Loneliest Whale at York Theatre Royal Studio

Children’s show of the week: Hoglets Theatre in The Tale Of The Loneliest Whale, York Theatre Royal Studio, today, 11am and 2pm

FRESH from an award-winning Edinburgh Fringe run, York company Hoglets Theatre invite primary-age children and families to an exciting adventure packed with beautiful handmade puppets, sea creatures, original songs and audience interaction aplenty.

Performed, crafted and directed by Gemma Curry, The Tale Of The Loneliest Whale celebrates friendship, difference and the beauty of being yourself in Andy Curry’s tale of Whale singing his heart out into the deep blue sea, but nobody singing back until…a mysterious voice echoes through the waves, whereupon Whale embarks on an unforgettable adventure. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Graham Nash: Sixty years of song at York Barbican. Picture: Ralf Louis

Vintage gigs of the week: Graham Nash, An Evening Of Songs And Stories, York Barbican, Sunday, 7.30pm; Al Stewart, The Farewell Tour, York Barbican, October 7, 7.45pm

GRAHAM Nash, 83-year-old two-time Rock & Roll Hall of Fame inductee and Grammy award winner, performs songs spanning his 60-year career fromThe Hollies to Crosby, Stills andNash, CSNY (Crosby, Stills, Nash & Young) to his solo career, joined by Todd Caldwell (keyboards and vocals), Adam Minkoff(bass, drums, guitars and vocals) and Zach Djanikian (guitars, mandolin, drums and vocals). Long-time friend Peter Asher supports.

The poster for Al Stewart’s farewell tour, visiting York Barbican on Tuesday

Glasgow-born folk-rock singer-songwriter Al Stewart marks his 80th birthday (born 5/9/1945) with his UK farewell tour. After relocating to Chandler Arizona from Los Angeles, his home for the past 45 years, he is winding down his touring schedule with his long-running time band The Empty Pockets. Time for the last Year Of The Cat. Box office: yorkbarbican.co.uk.

Jonny Best: Leading Frame Ensemble’s improvised score for The Divine Voyager at the NCEM. Picture: Chris Payne

Film event of the week: Northern Silents presents The Divine Voyager with Frame Ensemble, National Centre for Early Music, York, Monday, 7.30pm

FRAME Ensemble’s spontaneous musicians Jonny Best (piano), Susannah Simmons (violin), Liz Hanks (cello) and Trevor Bartlett (percussion) accompany Julien Duvivier’s lushly photographed, beautifully poetic 1929 French silent film The Divine Voyage with an improvised live score.

In a tale of faith and hope, rapacious businessman Claude Ferjac sends his ship, La Cordillere, on a long trading journey, knowing it is likely to sink after poor repairs. An entire village of sailors, desperate to support their families, has no choice but to set sail. Box office: 01904 658338 or ncem.co.uk.

James Lee, left, Helen Clarke, front, Wilf Tomlinson, back, and Katie Leckey rehearsing for Griffonage Theatre’s FourTold. Picture: John Stead

Time to discover: Griffonage Theatre in FourTold, Theatre@41, Monkgate, York, October 6 to 11, 7.30pm plus 2.30pm Saturday matinee

YORK devotees of the madcap, the macabre and making the familiar strange and the strange familiar, Griffonage Theatre transport audiences to the quirky rural town of Baile Aighneas – The Town of Dispute – for FourTold, a quartet of comedies by early 20th century Irish playwright Lady Augusta Gregory, never presented together in the UK until now under Northern Irish director Katie Leckey.

Encounter the bustling market and all its gossip in Spreading The News; the restaurant where newspaper editors wine, dine and mix up their Coats; the post office, where the splendid Hyacinth Halvey has sent word he is coming to town, and the bus stop where strangers such as The Bogie Men can quickly become friends! Box office: tickets.41monkgate.co.uk.

Hannah Sinclair Robinson’s Jess and Joe Layton’s Robbie in Frantic Assembly’s Lost Atoms, on tour at York Theatre Royal next week. Picture: Tristram Kenton

Relationship drama of the week: Frantic Assembly in Lost Atoms, York Theatre Royal, October 7 to 11, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

FRANTIC Assembly follow up York Theatre Royal visits of Othello and Metamorphosis with their 30th anniversary production, a two-hander memory play by Anna Jordan, directed by physical theatre specialist Scott Graham.

Joe Layton and Hannah Sinclair Robinson play Robbie and Jess, whose chance meeting, disastrous dates and extraordinary transformative love is the stuff of fairy tales. Or is it? Lost Atoms is a wild ride through a life-changing relationship, or Robbie and Jess’s clashing recollections as they relive the beats of connection, the moments of loss, but  are their stories the same and can their memories be trusted? Box office: 01904 623568 or yorktheatreroyal.co.uk.

Grayson Perry: “Finding out if you really are thoroughly good or maybe quite evil, but in a fun way” at the Grand Opera House

Question of the week: Grayson Perry: Are You Good?, Grand Opera House, October 7, 7.30pm

AFTER A Show For Normal People And A Show All About You, artist, iconoclast, television presenter and Knight Bachelor Grayson Perry asks Are You Good? A question that he thinks is “fundamental to our humanity”.

“In this show I will be helping you, the audience, find out if you really are thoroughly good or maybe quite evil, but in a fun way,” says Sir Grayson. “I always start out with the assumption that people are born good and then life happens. So, let’s pull back the curtain and see where your morals truly lie.” Add audience participation and silly songs, and expect to come out with core values completely in tatters. “Is it more important to be good or to be right? It’s time to update what is a virtue and what is a sin. No biggie.” Box office: atgtickets.com/york.

Lightning Seeds’ Ian Broudie: Pure entertainment at York Barbican on Thursday

Oh, lucky you gig of the week: Lightning Seeds, Tomorrow’s Here Today, 35 Years Greatest Hits Tour, York Barbican, October 9, 8pm

NOW in his 36th year of leading Liverpool’s Lightning Seeds, Ian Broudie heads to York on his extended Tomorrow’s Here Today tour. Cue Pure, The Life Of Riley, Change, Lucky You, Sense, All I Want, Sugar Coated Iceberg, You Showed Me, Emily Smiles, Three Lions et al. Casino support. Box office: yorkbarbican.co.uk.

Jack Fry’s Quasimodo and Ayana Beatrice Poblete at Black Sheep Theatre Productions’s Selby Abbey photoshoot for The Hunchback Of Notre Dame, opening next week at the JoRo

Musical of the week: Black Sheep Theatre Productions in The Hunchback Of Notre Dame, Joseph Rowntree Theatre, York, October 10, 11 and 14 to 18, 7.30pm and 2.30pm Saturday matinees

BLACK Sheep Theatre Productions bring a cast of five leads, seven ensemble actors and a 23-strong choir to the York company’s larger-than-life staging of Alan Menken & Stephen Schwartz’s musical rooted in Disney’s 1996 musical film and Victor Hugo’s 1831 novel.

Combining powerful themes of love, acceptance and the nature of good and evil with a sweeping score, Matthew Peter Clare’s show will be “like nothing you’ve seen before”. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

In Focus: Prima Choral Artists in Prima XV, Selby Abbey, October 11, 7.30pm

Eva Lorian, artistic director of Prima Choral Artists

ARTISTIC director and producer Eve Lorian is marking 15 years as the visionary force behind Prima Choral Artists, the forward-thinking mixed voice choir that sets standards for diversity and innovation in the choral scene across York and beyond.

Even during the challenges of the pandemic years, Eve has crafted multiple bespoke programmes annually, both in Yorkshire and internationally.

Each concert reflects her distinctive musician’s insight, anticipating trends, celebrating diversity, honouring renowned choral names and championing the work of contemporary composers.

“It’s little wonder that such a portfolio can scarcely be captured in one individual concert, and so Prima have dedicated the entirety of 2025 to recognise these 15 years of musical creativity,” says Eve.

In this autumn’s pinnacle of those celebrations, Eve and Prima Choral Artists will return to Selby Abbey on October 11, where they will be joined once again by Greg Birch on piano.

The guest performers, the New World String Quartet, have a long history of high-level professional engagements across the region and their collaborations with Eve and Prima stretch back almost ten years.

“It’s impossible to express in words what this choir represents and what it has meant to people over these past 15 years,” Eve explains. “In much the same way, it’s nearly impossible to express our entire musical landscape in one single concert – the varied and diverse styles, the collaborations and the opportunity to embrace the new music of living composers.

“Our celebrations at Selby Abbey will, we hope, offer a glimpse of the multitude of genres and techniques that the choir has mastered over this time.”

Such musical diversity demands expertise. As an accomplished instrumentalist, vocal coach and performance mentor, Eve brings a wealth of experience, with her list of qualifications ensuring a steady and skilled hand to guide the singers through the ambitious programme planned for Selby Abbey.

Curated carefully to appeal to all tastes, Eve’s hand-picked selection will provide a glimpse into the breadth and versatility of her choir. The evening will feature the very best of choral music from across the decades, balancing timeless works by Handel and operatic master Verdi with contemporary highlights from Karl Jenkins, John Rutter and the genre-defying Christopher Tin.

In true Prima style, the choir also will celebrate linguistic diversity through its repertoire, performing in Italian, English, Hebrew and Xhosa, alongside the evocative, phonetic pseudo-language of Karl Jenkins.

This rich tapestry of vocal traditions reflects Eve’s long-standing commitment to global music expression, honouring voices and cultures from around the world and inviting audiences to connect through the shared experience of song.

Bridging the gap between classical masters and mid-century Broadway, Leonard Bernstein provides a natural link in the programme, with Stephen Sondheim bringing this genre firmly into the modern era.

The eclectic nature of the evening is enhanced further with music by female choral composers and arrangements of well-known songs by popular artists. Even a touch of “Girl Power” will be given a unique choral treatment.

Eve is in no doubt that this evening is for everyone: “Selby Abbey is a very special place for me and the choir and I am delighted to share this celebration of the choral world in all its wonderful variety, together with familiar and new faces at this most stunning location,” she says.

Prima’s year of anniversary celebrations will continues with two Family Christmas Concerts in St Olave’s Church, Marygate, York, on December 13 and 20 at 4pm.

Tickets for Prima XV are selling fast at https://www.primachoral.com/ or in person from the Selby Abbey Gift Shop, open daily 10am to 4pm. Alternatively, buy on the door from 7pm. A bar will be available on the night. For more information on concerts and all things Prima, visit www.primachoral.com.

Posted on

York Beethoven Project Orchestra to perform Symphony No. 5 at St Mary’s Church, Hemingbrough, on June 9. French horn and bassoon players still needed

Conductor John Atkin, front, centre, with York Beethoven Project musicians

YORK Beethoven Project Orchestra is approaching the half way point in its aim to play a complete cycle of all nine Beethoven symphonies before his bi-centenary in 2027. 

Next up will be “probably the best known of all”, Symphony No. 5 Op 67 in C minor, at St Mary’s Church in Hemingbrough on Saturday, June 28,  concluding with an informal, free public performance at 4pm.

Founder and  conductor John Atkin says: “To reach the half way point is a great milestone. It’s come around so quickly since the first discussion to set up the project took place under the stage in Harrogate Theatre in 2023.

“We have played the first four symphonies with an average of 52 musicians and the format works well for us. Registrations take place up to six months in advance, with music being distributed electronically, then we meet and rehearse the whole work throughout the day, finishing with the free concert.”

Some musicians have done all four days, others only one. “We have played with more than 80 musicians in total so far,” says John.

“Symphony No. 6 is coming up in September at Selby Abbey with Symphonies No. 7, 8 and 9 planned over the next 18 months. We are always interested in hearing from new players, especially an extra bassoon and French horn, but we are not short of  players.

“The problem we are having is finding venues big enough for us all to fit in but I think we are now sorted for the next three. Details are to be announced soon.”

The York Beethoven Project aims to use “local players in local venues” and hopes to continue after No. 9 with similar occasional days, two or three times a year, playing some more varied repertoire.  

“By the time we performed the Eroica (No. 3) at the Joseph Rowntree Theatre last year, we were getting invitations to  work with a number of venues and questions about what we will do next,” says John.

“To be honest, I’d not thought beyond No.9, as it was set up as part of my bucket list to complete a cycle I started at university 35 years ago. We’ve discussed the York Puccini Projector the York Sondheim Project, but I think we’ll just keep it open for now, complete the nine symphonies and see where we are in 2027.

Anyone interested in playing with the orchestra should email yorkbeethovenproject@gmail.com. Anyone wanting to attend Symphony No. 5 on June 28  should turn up at around 3.45pm.

Posted on

REVIEW: Red Ladder Theatre Company in Sanctuary, Selby Abbey, 7/10/2024 ***

Ingrid Bolton-Gabrielsen’s Molly clashes with Ravneet Sehra’s police officer, Uzma, as Emily Chattle’s vicar, Fiona, tends to the injured Alland (Aein Nasseri) in Sanctuary. Picture: Robling Photography

RED Ladder’s first touring production under the direction of new artistic director Cheryl Martin asks: “What kind of society do we want to live in?”

One where the arts can thrive, one where the medium’s message of co-operation, collaboration, freedom of expression, communion, connection, compassion and shared humanity spreads its wings to society at large.

One where there would be an understanding of why asylum-seeking young Iranian journalist Alland (played by Aein Nasseri) is seeking sanctuary at a church in northern England in this topical new musical by Boff Whalley (music and lyrics) and Sarah Woods (book).

Pioneering Leeds agit-prop theatre company Red Ladder has united with Wakefield Theatre Royal and CAPA College, Wakefield, for a tour of theatres, community venues and, significantly, churches from September 19 to November 9. Everyone is pulling in one direction, unlike the protagonists in this fraught drama, the different forces at play within a fractured State and Church at war with itself.

In prayer: Emily Chattle’s vicar, Fiona, in Sanctuary. Picture: Robling Photography

The programme cover takes the form of an Order of Service, on account of what will happen at the climax, but it also further pushes the Church to the fore of the debate that plays out contentiously.

Word has it that the script has been toned down, but it still packs a punch, and where better to watch the sparks fly than in a church, Selby Abbey, for all the familiar frustrations of imperfect sight lines, lighting and sound not being on a par with theatre facilities. (Faces were not well lit; some lines were lost to the acoustics of a vertiginous stone building.)

There is nothing rose-tinted about Red Ladder here. Tellingly, Sanctuary tells its story from all sides. It does not shy away from Alland being an illegal immigrant, already told to leave but pleading to stay for fear of what would ensue if he were to return to Iran, where his courageous journalism had challenged the authorities on their treatment of women.

Church worker Molly (Ingrid Bolton-Gabrielsen) and all-inclusive vicar Fiona (York actress, singer and clown Emily Chattle) support him.

CAPA College performing arts students in the Greek chorus role of Vox in Sanctuary. Picture: Robling Photography

Stone-hearted higher church authority Peter (York actor and keyboard player Richard Kay) plays it by the book, (the law of the land, not the spirit of the Good Book). So does police officer Uzma (Ravneet Sehra), a third-generation British Asian woman who attends the Christian church. The difference between Alland and her immigrant grandparents, she says, is that he came here illegally whereas they were invited to work here.

Sanctuary is billed as a musical, rather than a play with music, but the greater weight of the piece, the drama, lies in the confrontations, the differences of opinion, red tape versus blue sky thinking, the moments of confession and contemplation, albeit that protagonists burst into song in the tradition of song being the ultimate form of emotional expression when mere words won’t suffice.

There is a second musical force at play too: the CAPA College performing arts students that serve as Sanctuary’s Greek chorus, Vox, commenting in song on what is unfolding (and joining Kay in his second role as a vigilante by playing protestors too at one point). In white, they have the presence of protective angels; in dark hoods, they become symbols of the devil, in Caitlin Mawhinney’s costume design.

At times, the chorus songs feel more like the stuff of a school musical, but musical director Jennifer Pugh pulls powerful vocal performances out of Nasseri, Kay, Bolton-Gabrielsen and especially Chattle, often in tandem with Vox. Sehra’s singing of Uzma’s Lament needed better amplification to have had its desired impact.

Ravneet Sehra singing Uzma’s Lament in Sanctuary. Picture: Robling Photography

On a night of so much debate, one more came to mind: would Sanctuary have had more dramatic impetus if there had been fewer songs? Certainly, it would have cranked up the hostile environment still more in this bitter pill of a modern-day riff on Brechtian musical theatre.

Whalley posits that “music can cross divides, it can patch up differences between people, which is what Sanctuary will hope to do”, but the wound here – a nation in turmoil over immigration – appears to be growing deeper, beyond music’s healing, bonding powers.

In a nutshell, Sanctuary asks, “Do we want safety and freedom for only ourselves, or for us all?” There should be only one answer, but that would require reform, not Reform.

“I hope this musical helps open up this conversation because it’s one that goes to the heart of who we are and the kind of society we want to live in,” says director Martin. In the best of worlds, the arts can lead that progression, but right now it feels like a voice in the wilderness.

Red Ladder Theatre Company in Sanctuary, Wesley Centre, Harrogate, October 12, 7.30pm. Box office: Harrogate, 01423 502116 or harrogatetheatre.co.uk. Age guidance: 13 upwards.

Did you know?

SANCTUARY is supported by the Mayor of West Yorkshire’s Safer Communities Fund.

Posted on

‘What kind of society do we want to live in?’, asks Red Ladder in new musical Sanctuary

Aein Nasseri (Alland) and the CAPA College Chorus (Vox) in Red Ladder Theatre Company’s Sanctuary. Picture: Robling Photography

RED Ladder Theatre Company’s powerful and moving new musical, Sanctuary, asks “What kind of society do we want to live in?”

Presented in collaboration with the Theatre Royal, Wakefield, and CAPA College, Wakefield, composer-lyricist Boff Whalley and award-winning playwright Sarah Woods’ topical political drama is directed by artistic director Cheryl Martin in her first production since taking over the Leeds company.

Sanctuary opened at the Wakefield theatre on September before setting off on an eight-week tour of theatres, community venues and churches that visits Selby Abbey tonight; Hull Truck Theatre tomorrow and the Welsey Centre, Harrogate, on Saturday.

Red Ladder’s musical premiere charts one man’s plea for help and refuge at a time when not all strangers are welcomed. When young Iranian Alland (Aein Nasseri) begs to be given sanctuary at a church in northern England, sparking a community to react in all the ways each member believes to be right, young church worker Molly (Ingrid Bolton-Gabrielsen) joins forces with vicar Fiona (York actress Emily Chattle) to resist both the angry vigilantes and the hard-hearted authorities beyond the church walls to try to protect him.

Holding a special community service where voices on all sides sing their songs of redemption and condemnation, Fiona asks the question to everyone present: “Do we give Alland over to the State or live up to our well-versed ideals of compassion?”

The creative team has worked closely with people hoping to call the UK home, shaping Alland’s story. Writers Whalley and Woods spent the past six years collaborating on projects for Welsh National Opera, in partnership with the Oasis Centre for refugees and asylum seekers, to co-create original operas for a more diverse audience. Director Martin spent eight years directing women refugees and asylum seekers in shows for Manchester’s Community Arts Northwest.

Earlier this year, Leeds-based Mafwa Theatre ran sessions with the team and CAPA College students, who then created their own workshops for secondary school pupils, supported by asylum seekers, that have helped shape the production.

This unique collaboration between Red Ladder, Theatre Royal Wakefield and CAPA College, featuring a chorus of  performing arts students, mixes hard-hitting ideas with memorable melodic tunes and harmonies.

Martin says: “Sanctuary comes at a critical moment in the conversation about immigration, refugees and asylum seekers. I hope this musical helps open up this conversation because it’s one that goes to the heart of who we are and the kind of society we want to live in.”

Co-creator Woods says: “Boff and I have been collaborating for a number of years, including co-creating work with people seeking refuge and asylum, and this is a story that we both feel needed to be told.

“There is a lot of hostility in the media when it comes to immigration, and we want to counter this narrative by offering audiences different viewpoints. I believe the stories we tell can really affect change in the world.

“A lot of people who come to the UK seeking asylum are here because they’ve stood up against oppression, doing things that many of us might not have the strength to do. We can learn a lot from them and the stories they share with us.”

Co-writer Whalley says: “Working with refugees and asylum seekers over the past handful of years has been an education. A steep learning curve in understanding how both Theresa May’s ‘hostile environment’ and the non-stop onslaught of the trash media has impacted Britain.

“We’re a nation in turmoil over immigration. A country at war with itself over small boats – whilst at the heart of it all are desperate people fleeing war and imprisonment, searching for hope and a place to call home.

“And that’s why Sanctuary is important right now. Which all sounds a bit grim, doesn’t it? And grim isn’t a great starting point for good musical theatre! So the idea is to make this big subject entertaining as well as poignant and educational.”

Whalley continues: “It’s my job with the music to use melody and harmony to draw people in, to create shared moments, to give the audience a helping hand into this story of a young asylum-seeker looking for sanctuary.

“Music is such a powerful tool, and it can cross divides, it can patch up differences between people. Which is what Sanctuary will hope to do.”

Sanctuary welcomes everyone in, challenging audiences to consider: “Do we want safety and freedom for only ourselves, or for us all?” “Come on in – the service is about to begin,” reads the invitation.

Did you know?

SANCTUARY is supported by the Mayor of West Yorkshire’s Safer Communities Fund.

Did you know too?

ALL performances will be captioned via The Difference Engine, a tool that enables deaf and hard-of-hearing people to read performance captions on their phone. 

Red Ladder Theatre in Sanctuary, Selby Abbey, October 7, 7.30pm; Hull Truck Theatre, Hull, October 8, 7.30pm; Wesley Centre, Harrogate, October 12, 7.30pm. Box office: Selby, 01757 708449 or selbytownhall.co.uk; Hull, 01482 323638 or hulltruck.co.uk; Harrogate, 01423 502116 or harrogatetheatre.co.uk. Age guidance: 13 upwards.

Posted on

More Things To Do in York & beyond when doors open and cabaret nights launch. Hutch’s List No. 41, from The Press, York

YORK unlocks for the weekend. Charles Hutchinson unlocks the door to multiple other delights too.

Festival of the week: York Unlocked 2024, today and tomorrow from 10am

IN its third year, York Unlocked welcomes residents and visitors to experience York’s architecture and open spaces with the chance to discover, explore and enjoy around 50 sites.

This year’s new addition is a children’s trail book; families can pick up a free copy from York Explore Library, All Saints’ Church, North Street, or The Guildhall. Full details of the participating locations, from Spark: York to City Screen Picturehouse, Terry’s Factory Clock Tower to Bishopthorpe Palace, Holgate Windmill to York Railway Station, can be found at york-unlocked.org.uk. Entry is free, including those requiring booking.

Rachel Croft: Heading back to York to play The Crescent

Return of the week: Black Deer Live in association with TalentBanq presents Rachel Croft Live, supported by Tom Sheldon Trio, The Crescent, York, tonight, doors 7.30pm

AFTER relocating to London almost three years ago, thunderous alt-rock singer-songwriter Rachel Croft returns to York for an explosive hometown show, backed by a full band.

Caffe Nero Artist of the Month in February 2024, she has performed at The O2 Arena Blue Room, Bush Hall and Camden Assembly in London, the Bitter End in New York and Bluebird Cafe in Nashville and such festivals as Cambridge Folk Festival, Secret Garden Party and Black Deer. Her cinematic songs have featured on Netflix, the BBC and in rotation in Tesco, Waterstones and Centre Parcs stores. Box office: thecrescentyork.com. 

Much more than stripping assets: York’s queen of burlesque, Freida Nipples, hosts The Exhibionists in The Old Paint Shop

Cabaret night of the week: Freida Nipples presents…The Exhibitionists, The Old Paint Shop, York Theatre Royal Studio, tonight, 8pm; Halloween Edition, October 26, 6pm and 9pm

YORK’S award-winning burlesque artiste Freida Nipples launches the Theatre Royal’s new Old Paint Shop cabaret season with some of her favourite fabulous performance artists from across Great Britain.

“From burlesque to drag and beyond, be sure to expect the unexpected,” she says. “Get ready to be dazzled, shocked and in awe. Only a few things are guaranteed: glamour, gags and giggles.” Tickets update: all three shows have sold out. For returns only, call 01904 623568.

Frankenstein (On A Budget): One man, one monster, one glorious dream at Friargate Theatre, York

“Comedy musical Hammer Horror homage you didn’t know you needed”: Frankenstein (On a Budget), Friargate Theatre, York, tonight, 7.30pm

ONE man, one monster, one glorious dream to singlehandedly tell the most famous cult horror story of all time on absolutely no budget whatsoever. What could possibly go wrong?  Inspired by Mary Shelley and Boris Karloff, Frankenstein (On a Budget) features one actor, some decidedly dodgy backdrops, new music, weather-based based puns, cardboard props, gore and flashing lights. 

Can the ill-fated doctor build his monstrous creation, play 25 characters, sing songs aplenty, attempt accents from across the world, perform a dance routine, and ultimately save the day in only 60 minutes? Find out tonight. Age guidance: 14 upwards. Box office: ridinglights.org/friargatetheatre.

The Shires: Playing York on intimate acoustic tour

Country gig of the week: The Shires: The Two Of Us Tour, Grand Opera House, York, tomorrow, 7.30pm

GREAT Britain’s biggest country music export, The Shires, return to York on their intimate acoustic tour, where Ben Earle and Crissie Rhodes play songs from 2015 debut, 2016’s My Universe, 2018’s Accidentally On Purpose, 2020’s Good Years and 2022’s 10 Year Plan.

The Shires have achieved three consecutive UK Top Three albums, four UK Country album chart toppers, more than 100 million streams, two gold-certified records and two CMA Awards, headlining the Royal Albert Hall too. Box office: atgtickets.com/york.

Aein Nasseri (Alland) and the CAPA College Chorus (Vox) in Red Ladder Theatre Company’s Sanctuary. Picture: Robling Photography

Play of the week: Red Ladder Theatre Company in Sanctuary, Selby Abbey, October 7, 7.30pm; Hull Truck Theatre, Hull, October 8, 7.30pm; Wesley Centre, Harrogate, October 12, 7.30pm

DIRECTED by new Red Ladder artistic director Cheryl Martin, this timely premiere by Sarah Woods and musician Boff Whalley tells the vital story of Alland, a young Iranian man who begs to be given sanctuary at St Mary’s Church in a northern town, sparking a community to react in all the ways each member believes to be right.

Featuring a chorus of Wakefield’s CAPA College students, Sanctuary mixes hard-hitting ideas with melodic tunes and harmonies, asking the question: do we want safety and freedom for only ourselves, or for us all? Box office: Selby, 01757 708449 or selbytownhall.co.uk; Hull, 01482 323638 or hulltruck.co.uk; Harrogate, 01423 502116 or harrogatetheatre.co.uk.

Carrie Hope Fletcher: Love Letters in song form at York Barbican

Musical theatre revue of the week: Carrie Hope Fletcher, Love Letters, York Barbican, October 8, doors 7pm

WEST End musical theatre actress, author and vlogger Carrie Hope Fletcher explores all forms of love, from romantic to maternal, unrequited to obsessive, all told through a concert of musical theatre favourites, accompanied by specially written letters about each song by Carrie.

She is best known for playing Éponine and Fantine in Les Misérables, Veronica in Heathers, Wednesday in The Addams Family, Cinderella in Andrew Lloyd Webber’s Cinderella on the London stage. Her special guest will be Bradley Jaden, her West End co-star in Les Miserables. Box office: yorkbarbican.co.uk.

Ed Gamble: Not discussing hot dogs in Hot Diggity Dog at the Grand Opera House. Picture: Matt Crockett

Comedy gig of the week: Ed Gamble, Hot Diggity Dog, Grand Opera House, York, October 9, 7.30pm

ED Gamble is promising “all your classicGamble ranting, raving and spluttering, but he’s doing fine mentally. Promise”. After all, he co-hosts the award-winning podcast Off Menuwith James Acaster, is a judge on Great British Menu and Taskmaster champion, hosts Taskmaster The Podcast and The Traitors: Uncloaked and has his own special, Blood Sugar, available on Amazon Prime. Box office: atgtickets.com/york.

Not Gonna Lie: Fool(ish) Improv use audience true stories to improvise “unbelievable comedy”

Improv gig of the week: Fool(ish) Improv present Not Gonna Lie, The Old Paint Shop, York Theatre Royal Studio, October 10, 8pm

PAUL Birch and co will take the truth to task by using real stories from the audience to improvise “unbelievable comedy”. Not so much Who’s Line Is It Anyway but more Who’s Lie Is It Anyway, Fool(ish) welcome you to a playful night of joy, nonsense and completely making things up.

“Come confess and unburden yourselves of some silly secrets, tales of the office and childhood memories and we will shape them into surreal sketches and sensational scenes,” say the Yorkshire improvisers trained by the best in Chicago Long-Form improv. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Sharleen Spiteri: Leading Texas at Scarborough Open Air Theatre next summer

Gig announcement of the week: Texas, Scarborough Open Air Theatre, July 26 2025

SCOTTISH band Texas, fronted as ever by Sharleen Spiteri, will return to Scarborough Open Air Theatre for the first time since July 2018 to showcase five decades of songs, from I Don’t Want A Lover, Say What You Want and Summer Son to Inner Smile, Mr Haze and Keep On Talking next summer. Irish rock band The Script are confirmed already for July 5. Box office: scarboroughopenairtheatre.co.uk and ticketmaster.co.uk.