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Beer, bratwurst, Bavarian dress code, brass band and funfairs bound for Yorktoberfest

BEER, bratwurst and all things Bavarian are on course for York Racecourse this autumn at the debut Yorktoberfest.

Mounted by James Cundall’s Jamboree Entertainment and Johnny Cooper’s Coopers Marquees, the October 28 to 31 event will follow the traditions of the first Oktoberfest, staged in Munich in 1810, where citizens were encouraged to eat, drink and be merry at the wedding of Crown Prince Ludwig of Bavaria and his princess bride.  

So much fun was had that an annual tradition was born…and now residents of York and beyond will be invited to “eat, drink and be merry-go-round” at the Clocktower Enclosure on Knavesmire, where a giant Bavarian-styled beer tent and traditional funfair will set a festive scene.

Inside the marquee, authentic German beer and a range of German-inspired food will be served at an array of tables and benches, while York’s own Oompah Brass Band will add to the hearty fun with their “thigh-slapping, foot-stomping, feel-good music”.  

Dancing is encouraged, as it has been at such gatherings for more than 200 years, as is the wearing of Lederhosen [traditional Bavarian men’s short trousers], Dirndls [Bavarian women’s rural domestic clothing, made from grey or coloured linen, sometimes with leather bodice and trim] or any other fancy dress, with nightly competitions and prizes for the best dressed.

Prost! Friends drinking together Bavarian beer in national costume or Dirndl at Oktoberfest. Likewise, fancy dressing German-style will be encouraged at Yorktoberfest

The Bavarian Bar also will serve wines, prosecco, spirits and soft drinks for those who prefer not to ‘hop’. A variety of food stalls will provide such essential favourites as sausages, schnitzels and pretzels, as well as vegan and vegetarian options.

Funfairs are integral to German Oktoberfests, and so Yorktoberfest will have its own traditional funfair, with Dodgems, Twister, Speedway and Chair-o-Plane delivering thrills

Yorktoberfest will have a limited capacity, with specific opening times: October 28 and 29,  7pm to 11pm; two sittings on October 30, 1pm to 5pm and 7pm to 11pm, and one sitting on October 31, 1pm to 5pm.

Tickets for Yorktoberfest are newly on sale at ticketsource.co.uk/yorktoberfest, priced at £15 per person for unreserved seating; £90 for a reserved table of six, and £135 for a VIP table of six, situated closest to the stage and with table service. An Early Beer(d) offer of £5 off per person is available on all ticket categories until July 31. Tickets will be on sale at the entrance too, subject to availability.

Yorktoberfest is produced by CMJ Events, a joint venture between the two York family-owned companies of Jamboree Entertainment and Coopers Marquees. CMJ Events will be bringing the York Spring Fair & Food Festival to the Clocktower Enclosure at York Racecourse from May 28 to June 6, as well as Sounds In The Grounds concerts by Beyond The Barricade, Abba Mania and A Country Night In Nashville from June 25 to 27, again at the Clocktower Enclosure.  

Super troupers: Abba Mania will play at the Sounds In The Grounds concert at York Racecourse on June 26

Welburn producer James Cundall’s Jamboree Entertainment team brings 25 years of experience in producing live entertainment worldwide, and closer to home produces Yorkshire’s Winter Wonderland ice rink and funfair, Sounds In The Grounds concerts at five venues around England and The Great Ryedale Maze at Sherburn.

Cundall also presented Shakespeare’s Rose Theatre on the Castle car park pop-up Elizabethan theatre site in York in 2018 and 2019.

Coopers Marquees was established in the 1990s and is now the tenth largest marquee company in Great Britain, supplying a range of structures to events large and small.

Co-producer Cundall, chief executive of Jamboree Entertainment says: “We’re determined to bring events to York that people can enjoy after the long months of Covid restrictions. Yorktoberfest promises to be an evening of jollity, with beer, bands, and bratwurst. Dust off the fancy-dress outfits and come along!”

Co-producer  Cooper, CEO of Coopers Marquees, says: “We’re looking forward to seeing one of our biggest marquees, at 160m long, installed on Knavesmire and themed with all things Bavarian, including a stage, bespoke thatched wooden barns, flags galore and generally everything needed for a great night out.”

Yorktoberfest will conform to all prevailing Government guidelines regarding Covid-19.


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Romeo and Juliet Forster as York Theatre Royal creative director makes Shakespeare show with Justin Fletcher for CBeebies

From Mr Tumble to…Peter the Clown in Romeo And Juliet: Justin Fletcher does Shakespeare for CBeebies. Picture: CBeebies Presents: Romeo And Juliet

JULIET Forster has cut it as a director of Romeo And Juliet many times. Now she has sliced Shakespeare’s “two the two hours’ traffic of our stage” to 45 minutes, maybe 50, for CBeebies’ show tomorrow morning.

“I did joke about that at rehearsals because my previous production, at Blenheim Palace, ran to three hours and 15 minutes,” says Juliet, York Theatre Royal’s creative director.

She had been lined up for the children’s television production as long ago as December 2019. “Anna Perowne, who has produced the performance, had newly taken over BBC Shakespeare, having worked previously for the Royal Shakespeare Company,” says Juliet.

“It was partly that thing of a new producer looking at it in a new way, wanting to work with a director who would allow more input from the actors.

Evie Pickerill as Juliet in CBeebies’ Romeo And Juliet, Picture: CBeebies Presents: Romeo And Juliet

“She’d found the Shakespeare’s Rose Theatre production of Romeo And Juliet I’d just done at Blenheim that summer, and when we met, we got on immediately. Then, put that together with the fact I’ve done a lot of children’s theatre and plenty of Shakespeare.”

The list runs deep for Romeo And Juliet alone. “In 2005, I did a Family Day at the RSC with children and parents taking part in a Shakespeare workshop,” says Juliet. “I’ve done an interactive version of Romeo And Juliet with some very young children and a youth theatre version at York Theatre Royal.

“I’ve adapted it for five to seven year olds in a way for them to tell the story; I adapted it for a Pilot Theatre production and I’ve directed it with a teenage cast in a play-in-a-week school project I ran with my old company years and years ago in the Midlands.”

Who better, then, to direct yet another variation on Shakespeare’s tragic story of young love and feuding families than Juliet? “We were supposed to record it last May, but the pandemic delayed it until we could kick off working on it again in December,” she says.

Zach Wyatt as Romeo in CBeebies’ Romeo And Juliet. Picture: CBeebies Presents: Romeo And Juliet

CBeebies’ Romeo And Juliet combines Shakespeare’s characters with the additional roles of William Shakespeare himself and a librarian. “What the producer wanted was a good cohort of recognised CBeebies faces and actors, so I watched the other two CBeebies’ Shakespeare shows, A Midsummer Night’s Dream and The Tempest, to see how they were done,” says Juliet.

“We talked about ‘why do a complicated play for such little ones?’, but then we talked about the positive messages in there: the families putting an end to their feud and the importance of not giving in to bad things too easily, instead looking to live in peace and to put a stop to the fighting.

“That made it a show very much for the CBeebies audience, in this case for two to seven year olds…though lots of older children watch it too; they just don’t admit it!”

Juliet worked with Nathan Cockerill on the script, calling on her past experiences of adapting the text. “I looked back at what I’d left in and taken out for the five to seven-year-olds’ script I wrote and fleshed it out from there, also looking at my Pilot Theatre script to see how I’d edited it down for that show,” she says.

Juliet Forster: York Theatre Royal creative director and director of CBeebies Presents: Romeo And Juliet

“Nathan was someone who’d worked with CBeebies before, and we worked on a script knowing that Shakespeare and a companion or companions always feature in a CBeebies Shakespeare show. This time Shakespeare is much more involved.”

Juliet has directed a cast of 15, featuring such CBeebies names as Andy Day, Chris Jarvis, Jennie Dale, Gemma Hunt, Rebecca Keatley and Justin Fletcher, of Mr Tumble fame, as Peter the Clown. Zach Wyatt, from Shakespeare’s Globe, will play Romeo; Evie Pickerill, Juliet.

“We rehearsed it and filmed it at Leeds Playhouse, all done and dusted two weeks ago, with just one day of filming with three runs of the show, making it like a piece of live theatre, though we couldn’t have an audience, of course,” says Juliet.

Joining Forster in the production team were designer Rhys Jarman, renewing their creative partnership from A View From The Bridge and The Machine Stops at York Theatre Royal, choreographer Hayley Del Harrison, lighting designer Will Evans and costume designer Mary Lamb.

The Librarian and William Shakespeare in CBeebies’ Romeo And Juliet. Picture: CBeebies Presents: Romeo And Juliet

“We then rehearsed from March 9, five days, then four days of tech and rehearsals, then filming,” says Juliet. “It was absolutely joyful because we were always keeping the young television audience in mind, how to carry them through such a tricky story.

“To have those experienced CBeebies performers and Shakespeare actors was invaluable. They set the tone. That was part of what was interesting for me as I’ve never made anything specifically for the telly before, but at the same time thinking about making something for a live audience, though that wasn’t the case!

“What we had to do was to get the best ‘blocking’ [the cast’s positions on stage], trying to make it as right as possible for the camera, but still making it very theatrical as Shakespeare is theatre.”

CBeebies Presents: Romeo And Juliet will be shown on CBeebies tomorrow (2/4/2021) at 9.30am and soon after on BBC iPlayer.

Copyright of The Press, York

Jennie Dale as the Nurse in CBeebies’ Romeo And Juliet. Picture: CBeebies Presents: Romeo And Juliet
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Review: Teddy Bears’ Picnic…One sandwich short of a picnic or a top banana drama?

One sandwich short of a picnic: Cassie Vallance’s Jo clowns around on her Friends Garden park bench in a scene from Teddy Bears’ Picnic. Picture: Northedge Photography

REVIEW: Teddy Bears’ Picnic, Park Bench Theatre, Engine House Theatre, Friends Garden, Rowntree Park, York until September 5. ****

THROUGH stealth and goofy coming timing, Cassie Vallance had stolen Twelfth Night, the Jazz Age hit of last summer’s Shakespeare’s Rose Theatre in York before the rest of Joyce Branagh’s superb cast could do anything about it.

After that Pop-Up Elizabethan theatre season on the Castle car park, Vallance has popped up again at York Theatre Royal’s Pop-Up On The Patio festival, presenting Crafty Tales with her Story Craft Theatre cohort Janet Bruce last Saturday lunchtime.

She would have done so again this Saturday too at 1pm but for the fact she needs to be at Rowntree Park for the 1.30pm performance of Teddy Bears’ Picnic, her solo performance for this summer’s Park Bench Theatre season.

For all her oodles of comic energy, not even Vallance can be in two places at once and so Janet Bruce will be bringing a picture-book story to life on her own on the patio this weekend.

Any good at the hurdles? Cassie Vallance tries to negotiate the gate to enter the Friends Garden. Picture: Northedge Photography

In between Twelfth Night and Teddy Bears’ Picnic came Vallance’s starring role in director Matt Aston’s adaptation of Benji Davies’s The Storm Whale stories for the York Theatre Royal Studio’s Christmas show for children.

Now, Aston, artistic director of Engine House Theatre, resumes his creative partnership with Vallance for this season’s Park Bench Theatre resurrection of outdoor theatre for the post-lockdown age.

Together, they have co-created a new version of the Teddy Bears’ Picnic story spun from the threads of the popular children’s ditty and an original idea by musical director Julian Butler; Aston directing, Vallance performing with all that impish clowning, physical comedy and pathos that has marked the York actor’s performances over the past year.

If you go down in the Covid-secure Friends Garden tomorrow, or on various dates until September 5, you are in for a children’s show to delight three year olds and upwards. Take a picnic, take a child or two, or more, within a family bubble to sit in socially distanced pods marked out by chalk circles, with room to accommodate your favourite teddy bear too.

Juggling tea cups: Cassie Vallance keeps her balance in Teddy Bears’ Picnic. Picture: Northedge Photography

On arrival, you will pick up the necessary equipment to listen on a head set to the feed of Vallance’s storytelling, sound effects (from lasers to a send-up of The Six Million Dollar Man intro for the adults present) and reprises of the familiar song, complemented by Julian Butler’s incidental music.

Vallance is playing Jo, struggling with her big case as she tries to negotiate her way through the not very high gates to the Friends Garden on a sunny Thursday afternoon.

Eventually, she does so, taking up residence on and around the park bench beneath the linden tree in the garden corner, as a squirrel looks on, front paws in that distinctive squirrel position where they look to be on the cusp of bursting into applause.

Vallance’s Jo is in three quarter-length dungarees with yellow buttons and matching head band and anything but matching pumps (purple instead), her bravura attire denoting a funny woman has just entered the garden.

Who would name a teddy after a beach? Cassie Vallance’s Jo does, holding Filey aloft in Teddy Bears’ Picnic. Picture: Northedge Photography

Jo begins to unpack the case, taking out case after smaller case, as if opening up a Russian doll. She puts up bunting, does a spot of juggling. Vallance has said nothing, as much mime artist or silent movie actor to this point, but once she puts on a pair of spectacles, she “realises” she has an audience and starts talking…excitedly.

She seeks to give this re-telling a context for Covid-19 2020, as Jo talks to the children about the experience of coming out to play again, to see friends again, to be outdoors again, to be enjoying a Teddy Bears’ Picnic again, after being stuck inside in lockdown for an eternity.

“It’s a bit weird,” she says, and who would disagree. “There’s been lots of Zooming,” she notes. “For a word that sounds so fast, it seems to take so long!”

Picking a banana from her picnic, Vallance’s Jo bounces around the audience, revelling in “just being”, “feeling happy”, “enjoying stuff”, but then her thoughts turn to memories. “All memories are important. They may not be happy, but that’s OK, they can help us learn,” she says.

A show with bite…a horsefly bite for Teddy Bears’ Picnic director Matt Aston

At this juncture, Jo transforms into her younger self, recalling childhood Teddy Bears’ Picnics in Rowntree Park, surrounded by her teddies, all except her favourite, Kelly, who came off worst in an unfortunate encounter with her father’s Flymo mower.

Vallance’s crestfallen pathos at this juncture is a joy, so too are the Scottish and Welsh accents she adopts for Jo’s mum and dad (even though they are from Welwyn Garden and Fulford!).

Aston and Vallance’s charming short story ends on a positive and reassuring note in these strange times for children and adults alike, Jo saying that things can and always will change…and “change can be really, really good”.

Ironically, the only sting in this tale was, well, not a sting but a horsefly bite suffered by director Matt Aston pre-show. Kelly went to hospital in the story, Aston to A&E with his arm swollen. Is ted not dead? Did both have a happy ending? That would be telling!

Performances: August 21 and 22, 27 to 29 and 31; September 1 to 5; 11.30am and 1.30pm. Box office: parkbenchtheatre.com