In the red: Brothers AJ, right, and Curtis Pritchard team up for Come What May this autumn
AJ and Curtis Pritchard bring the sultry, mysterious atmosphere of Paris to York Barbican on September 29 on the 24-date of Come What May.
A cast of West End performers will join the terpsichorean Stoke-on-Trent brothers in a song-and-dance show inspired by Baz Luhrmann’s 2001 jukebox musical romantic drama Moulin Rouge.
“Come What May is going to get myself and Curtis back on stage performing together and that’s exactly what we love doing,” says Strictly Come Dancing alumnus AJ, the elder sibling at 29.
“This show embodies the big musical numbers we have all come to love with the dance routines that I love to watch, but I much prefer being on stage, which is exactly where I’ll be.”
2019 Love Island contestant, Dancing With The Stars dancer, choreographer and actor Curtis, 28, enthuses: “I’ve loved performing and entertaining an audience since my Ballroom and Latin dancing days, so this is the perfect tour for me: singing and dancing!”
“We’re ‘Irish twins’! Born 15 months apart. Everything done together,” says AJ Pritchard
Ahead of rehearsals starting in London on Sunday, he adds: “Having gone through the full show I know that you will be entertained start to finish. Come What May is going to blow you away, I guarantee it.”
In the week when sibling rivalry has been all the rage with the feuding Gallagher brothers announcing “the guns have fallen silent. The stars have aligned” for the return of Oasis next summer, how do the Pritchard brothers rub along?
“To be honest, Curtis and myself always perform together, having been brought up together,” says AJ. “We’re ‘Irish twins’! Born 15 months apart. Everything done together.
“When we’re performing, Curtis is more like controlled chaos, milking a number for two hours, whereas I’ll be saying, ‘Come on, we have to go on to the next number’, and that contrast works really well because we can play to each other’s strengths.
“Myself and Curtis competed all over the world, both training to the highest levels in Latin and ballroom, representing our country. We’ve always had a competitive relationship, doing extreme, high-adrenaline sports, and also to get the best audience reaction.
“We’ve always got each other’s back,” says Curtis Pritchard. “When working, be as competitive as you like, but when you are out and about, look after each other”
“Anything fun and dangerous we like to do, both of us breaking our arms. Curtis once broke his arm and leg at the same time.”
Curtis chips in: “We’ve always got each other’s back. When working, be as competitive as you like, but when you are out and about, look after each other.”
The brothers look forward to being on the road, away from the prying lens of the television camera that has charted their deeds, whether on Strictly or Love Island, Celebrity SAS or Dancing With The Stars.
“Doing a show like this with a different audience every night, you can always tweak things, and every night it should be slightly different,” says Curtis. “I love performing on stage and the competitive side of that is so stimulating…feeding off the adrenaline of a live audience.
“Though they say, ‘never break the fourth wall’, let’s be honest: you can break that wall if the audience gives you something.”
The tour poster for Come What May, featuring AJ and Curtis Pritchard
The spirit of Moulin Rouge, a Luhrmann film the brothers love for its dancing and costumes, will be evoked in Come What May, capturing the “sexy and disreputable underbelly of the city to the glamour and glitz of the Moulin Rouge, where you’ll be transported back in time to a place of dreams, adventure, and most importantly, love”.
Expect such songs as Come What May, Lady Marmalde, Your Song and Diamonds Are a Girl’s Best Friend from the film soundtrack, together with hits from other modern movie musicals, such as The Greatest Show, Like A Virgin and The Show Must Go On.
“I will not be singing,” says AJ, “It’s not my forte! But we’ve got a fantastic band and singers. Fundamentally, Curtis and I will do what you see on the big numbers on Strictly.”
Now come the rehearsals and the tour run from September 20 to October 24, with the need to stay in tip-top condition. “If you have the best technique and really high-quality dancers, with lifts or without lifts, if you’re physically and mentally fit, the injuries don’t come,” says AJ. “You always have to be fit and ready”…come what may!
Sisco Entertainment, Cuffe & Taylor and Live Nation present AJ and Curtis Pritchard in Come What May, York Barbican, September 29, 7.30pm. Box office: yorkbarbican.co.uk. Also: Sheffield City Hall, September 26, 7.30pm. Box office: sheffieldcityhall.co.uk.
Shirt alert: Which bright idea will Milton Jones try out next on tour?
MILTON Jones, the shock-haired master of the one-liner, has been toying with using his latest tour title for a while.
Cue Ha!Milton, heading for the Grand Opera House, York, on September 7 on his September 3 to December 15 itinerary. “To be honest, people have been encouraging me to use my name in a title for a long time. This one’s been around for seven/eight years,” he says.
“This is not a musical,” he clarifies, wanting to “make it clear that it’s not a spoof of Hamilton”, Lin-Manuel Miranda’s multi award-winning Broadway and West End hit. “I am tone deaf and have no sense of rhythm, but at least I don’t make a song and dance about it.”
In his “whole new show of daftness”, the 59-year-old Kew comedian from BBC Radio 4 solo series and TV panel shows has “more important things to discuss. “Like giraffes…and there’s a bit about tomatoes,” he says.
Giraffes and tomatoes, Milton? “You know what it’s like. You don’t want to be painted into corner when you’re asked for a title and some details a year ahead of a tour without making a rod for your back,” he says.
“I have 200 new jokes, but if it has a story, it’s about my life being tone deaf, starting with a Nativity play, with me playing Angel A and everyone else calling me ‘Angela’.
“I’m also including an AI machine, something called an ‘overhead projector’! It’s nice when you uncover it and you release observational gizmo nostalgia.”
Whereas music fans want bands to play the old hits, comedy audiences demand fresh material. “People want similar, but not the same jokes, and as long as you can provide that, that’s OK,” says Milton.
“To some degree I’m fortunate because I travel at such speed in my shows that people don’t always remember the jokes, but for my own sanity I don’t want to go dead behind the eyes by sticking to the same lines throughout the tour.
“Apparently, I go around the house muttering words, constantly looking at words and images and turning them upside down and then coming up with new things. In fact, soon I’ll be going out for a jog because physical exercise is one of the few things that turns my brain off by putting my body under stress.”
The poster for Milton Jones’s Ha!Milton tour, bound for York Barbican on September 7
Putting a show together, built around quickfire gags and puns, is “not just a case of whether a joke is good or bad, but of how you package it so they don’t see it coming,” says Milton.
“What I like doing is putting something in someone’s head, where they think of one punchline but then it veers off into another one.”
What’s more, Milton does not merely rattle off pun after pun. “You have to try to pace the show overall because, after 15 minutes, people can’t take more of the same,” he says.
“So you have to change the angle of attack, whether it’s with the overhead projector, or with a narrative story or a cartoon, to pace the show and find ways to keep it fresh. That’s why you do work-in-progress shows to do that.
“What you don’t want is for the audience to be ahead of you, so you have to keep making the formula different for the next joke.”
Milton tours regularly and favours long itineraries when doing so. Why? “Possibly because I enjoy it! That’s rather a basic answer, but one of things about Covid, when all of us were at home, we were thinking, ‘how are we going to get out of it, if we are going to get out it?’, and I really missed touring,” he says.
“It takes so long to put together a tour that I might as well do as many dates as possible before doing another one.”
What happens when a new idea pops into that punning cranium? “I can hold about three things in my head, and if I think of something and don’t write it down, normally I’ll run into it again,” he says.
“You think you have brilliant ideas in the night, but then when you look at them in the cold light of day, often they’re not so good. Or sometimes you have a bad idea but you improvise something from it, and you wouldn’t have got to that point without coming up with the first thought. The point is to try something out so at least you’re one step up the ladder to something working.”
Come September 7, let’s see what has become of Milton’s first thoughts on discussing giraffes and tomatoes…
Milton Jones: Ha!Milton, Grand Opera House, York, September 7, 7.30pm. Box office: atgtickets.com/york.Also Sheffield City Hall, December 4, sheffieldcityhall.co.uk; King’s Hall, Ilkley, December 8, bradford-theatres.co.uk.
Leg power: Riverdance celebrates 30 years with The New Generation tour in 2025, playing York, Sheffield and Hull among 30 UK venues
RIVERDANCE 30: The New Generation will visit York Barbican for five performances from October 24 to 26 2025 on the Irish dance troupe’s 30th anniversary tour.
The British leg of next year’s global travels will take in 30 venues – one for each year of Riverdance’s history – from August to December, including further Yorkshire performances at Sheffield City Hall from August 16 to 18 and Hull Connexin Live on October 7.
For the 30th anniversary, Riverdance will welcome a new generation of performers who were not born when the show began. Those beginnings were as an eight-minute interval act in the 1994 Eurovision Song Contest at The Point in Dublin, where Michael Flatley was among the original dancers.
Directed by John McColgan, produced by Moya Doherty and featuring compositions by Bill Whelen, Riverdance 30 will “rejuvenate the original show with new innovative choreography and costumes and state-of-the-art lighting, projection and motion graphics” in a performance by dancers, musicians and singers that will blend the traditional with the contemporary.
McColgan says: “It is both a privilege and a delight to celebrate 30 years of Riverdance and the unique journey it has taken us on. In those 30 years, the show has transformed from a spectacle into a global cultural phenomenon – continuously evolving yet remaining true to its Irish roots.
“On this upcoming tour we look forward to welcoming ‘The New Generation’ of artists while paying tribute to the talented performers, creators, dedicated crew and the millions of fans who have made Riverdance a worldwide celebration of music and dance.”
Irish green: Anniversary celebrations in Riverdance 30: The New Generation
Principal dancer and dance captain Fergus Fitzpatrick says: “Being part of Riverdance’s journey is an absolute honour. It’s truly a dream come true to get to perform the principal role in this phenomenon.
“As we approach our 30th anniversary, the excitement for the incredible work our team and creative talents are about to unveil is palpable.
“I can’t wait to see what they will produce and feel the excited pulse of the audience’s response. This milestone is not just a celebration of Riverdance’s past but a light that inspires the new generation of performers all around the world.”
Fellow principal dancer and dance captain Amy Mae Dolan adds: “I am fascinated to see how Riverdance continues to grow and evolve over the next decade. I have no doubt that it will continue to surpass our expectations, move audiences and inspire new generations for dancers to come.”
Riverdance 30: The New Generation, York Barbican, October 24 to 26 2025, 7.30pm plus 2.30pm Saturday and Sunday matinees. Box office: axs.com/york.
Sheffield City Hall, August 16 to 18 2025, 7.30pm plus 2.30pm Saturday and Sunday matinees; sheffieldcityhall.co.uk. Hull Connexin Live, October 7 2025, 7.30pm; connexinlivehull.com.
Jools Holland: Returning to York Barbican in December
BOOGIE WOOGIE pianist Jools Holland will make his annual trip to York Barbican with his Rhythm & Blues Orchestra on his autumn/winter 2024 tour.
Joining Jools on December 11 will be two special guests: Soft Cell and Marc & The Mambas singer Marc Almond and blues guitar prodigy Toby Lee.
Starting on October 31, the tour will take in 30 shows, including further Yorkshire gigs at Sheffield City Hall on November 23 and Leeds First Direct Arena on December 20. Tickets will go on sale on Friday (2/2/2024) at 10am at ticketmaster.co.uk.
Marc Almond: Special guest. Picture: Mike Owen
Holland last appeared at York Barbican on December 20 2023; Almond previously joined him on that stage in November 2018.
Guitarist Lee, described by Joe Bonamassa as a “future superstar of the blues”, first came to public attention aged ten when he posted a Get Well Soon jam for BB King that went viral with five million views in one week.
Since then, Lee has performed in West End productions, winning Olivier and UK Blues Awards and showcasing his skills in television and live performances around the world.
Blues guitarist Toby Lee
Once more, Holland’s autumn and winter shows will feature vocal solo spots for blues queen Ruby Turner, Louise Marshall and Sumudu Jayatilaka.
More immediately, Holland’s collaboration with Rod Stewart, Swing Fever, will be released on East West Records on February 23. Recorded with his Rhythm & Blues Orchestra at Jools’s Greenwich studio, this new partnership in swing revels in a 13-track salute to songs of the big band era.
The track listing will be: Lullaby Of Broadway; Oh Marie; Sentimental Journey; Pennies From Heaven; Night Train; Love Is The Sweetest Thing; Them There Eyes; Good Rockin’ Tonight; Ain’t Misbehavin’; Frankie And Johnny; Walkin’ My Baby Back Home; Almost Like Being In Love and Tennessee Waltz.
The cover artwork for Swing Fever, the February 23 album by Rod Stewart with Jools Holland and his Rhythm & Blues Orchestra
The tour poster for An Evening With The Fast Show, booked into the Grand Opera House, York, this spring
THE Fast Show stars are reunitingfor a 30th anniversary tour. The Grand Opera House, York, awaits Charlie Higson, Paul Whitehouse, Simon Day, John Thomson, Arabella Weir and Mark Williams on March 19 at 7.30pm.
Tickets go on sale at 10am tomorrow atatgtickets.com/york for An Evening With The Fast Show, whose 15-date itinerary takes in a second Yorkshire gig at Sheffield City Hall on March 25 (tickets: sheffieldcityhall.co.uk) .
The quickfire sketch show first aired on BBC Two on September 27 1994 and ran for three series until 1997 with the late Caroline Aherne as part of the cast. Special editions ensued, such as the three-part The Last Fast Show Ever in 2000, and tours were staged in 1998 and 2002.
An Evening With The Fast Show will provide a behind-the-scenes insight into the award-winning comedy’s favourite characters and catchphrases as they come alive anew on stage.
The cast will discuss how it all began, how they made the TV show and created the characters, and the fun they had doing it. This will be interspersed with performances of some of their best-loved sketches, monologues and songs, with on-screen inserts and a moment to remember former collaborator Aherne, who died in 2016.
Fans can expect the return of such favourites as Ted & Ralph, Jesse, Swiss Toni, Does My Bum Look Big In This?, Dave Angel, Jazz Club, The Suit You Tailors, Ron Manager, The Mad Painter, Rowley Birkin, Bob Fleming, Competitive Dad, Professor Denzil Dexter and The Girl Who Boys Can’t Hear.
Looking forward to reassembling on stage for the first time in 20 years, Higson says: “Taking The Fast Show out on tour is very much like making love to a beautiful woman.”
The Never Ending Spring tour poster for Robert Plant’s Saving Grace
ROBERT Plant’s Saving Grace will play Harrogate Royal Hall on April 30 on their 15-date spring and summer tour.
The erstwhile Led Zeppelin singer and lyricist, now 75, will lead the folk, Americana and blues co-operative featuring Suzi Dian (vocals), Oli Jefferson (percussion), Tony Kelsey (mandolin, baritone, acoustic guitar, and Matt Worley (banjo, acoustic/baritone guitars, cuatro).
On the road from March 13 to July 24, Saving Grace’s Never Ending Spring itinerary will take in a second Yorkshire show at Sheffield City Hall on March 27. Tour tickets go on sale on Friday (19/1/2024) at 10am at gigsandtours.com and ticketmaster.co.uk; Harrogate, 01423 502116 or harrogatetheatre.co.uk; Sheffield, sheffieldcityhall.co.uk.
Premiered by Plant in February 2019 in a gig near the English-Welsh border, Saving Grace’s repertoire is “inspired by the dreamscape of the Welsh Marches”
Robert Plant and Suzi Dian up front performing with Saving Grace
Plant and co had been booked to headline the Platform Festival at The Old Station, Pocklington, in July 2020 until the pandemic intervened. They did, however, perform at the Grand Opera House, York, on April 16 2022.
Joining the 2024 tour, as he did on Saving Grace’s sold-out November 2023 travels, will be special guest Taylor McCall. The completely self-taught South Carolina be singer, songwriter and musician has garnered nearly 30 million plays to with his songs Jericho Rose, Quartermaster and Waccamaw Drive.
Building on his 2021 debut album Black Powder Soul, McCall’s follow-up, Mellow War, will be released on February 2.
Robert Plant’s Saving Grace will appear at the Royal Albert Hall, London, as part of Ovation – A Celebration of 24 Years of Gigs for Teenage Cancer Trust on March 24, alongside Roger Daltrey, Pete Townshend, Kelly Jones, Eddie Vedder and Paul Weller. Tickets are available at www.teenagecancertrust.org/gigs.
Kate Rusby: Playing Yorkshire concerts in York, Bradford and Sheffield on her Christmas tour. Picture: David Angel
BARNSLEY folk nightingale Kate Rusby marks turning 50 on Monday with the release of her seventh Christmas album, Light Years, and an accompanying tour that opens at York Barbican on Thursday (7/12/2023).
In the company of her regular band, coupled with the added warmth of “the Brass Boys”, Kate combines carols still sung in South Yorkshire pubs with her winter songs and favourite Christmas chestnuts, whether It’s The Most Wonderful Time Of The Year or a seamless mash-up of Rockin’ Around The Christmas Tree and Sleigh Ride. As ever, look out for the festive fancy dress finale.
Here Kate shines a light on Light Years, Yorkshire pub carols and Christmas festivities in discussion with CharlesHutchPress.
How did you approach making your seventh Christmas album, Kate? Were you looking to add new elements to your successful format?
“Light Years has the sound and feel of my last two ‘normal’ albums, Hand Me Down (August 2020) and 30: Happy Returns (May 2022). I’m loving experimenting with sounds, Moogs, layered banjos, low subs, effects etc, all things we have to hand these days as I’m blessed to have the most brilliant musicians around me.
“Produced by superbly talented Damien O’Kane [Kate’s husband, by the way], whose stunning playing also grounds each track musically. These are sounds I have wanted to achieve for so many years of my recording/touring career and finally at the age of 50 we’ve achieved that sound on a Christmas album. Happy birthday to me!”
How come you have made so many Christmas albums, whereas Michael Buble keeps re-releasing one?!
“Ha! I have the whole treasure chest of South Yorkshire carols to delve into! There are so, so many to go at, with over 30 different versions of just While Shepherds Watched sung in pubs every winter. Don’t tell Michael though!”
What were the circumstances behind writing Glorious, perhaps the most glorious title you could give a winter song?
“Glorious was written by me one cold February evening, after standing in my garden, snow-laden trees and warm glow of the evening sun illuminating only half of the world. While it was so still and beautiful, I was longing for spring and for the daylight to return.
“As I stood there an image of a lost and broken angel appeared in my head, just sitting there in one of the trees, wandering and waiting to heal and return from where he came. And so the song was born. I can’t wait to do this song live!”
Happy 50th birthday on Monday, Kate. You must have been delighted at having the early birthday present of Alison Krauss and Ron Block working with you on The Moon Shines Bright. How did that recording come to fruition and why that choice of song?
“Thank you! I’ve been celebrating all week and intend to for the rest of the month! The Moon Shines Bright features Alison’s gorgeous singing and Ron’s singing and string banjo; they’re both musical heroes of mine.
“I first sung it back when I was 15 as part of a theatre production of The Mystery Plays, and the song stayed with me all these years. The year after, when I was 16, my dad was a sound engineer working at Edale Bluegrass Festival.
“I was sat beside him when on to the stage came Alison Krauss and Union Station, including Ron Block, who still plays banjo, guitar and sings with Alison after all these years. I was completely blown away and my love of bluegrass began there.
“I’ve been a fan of Alison and Ron for all these years and Ron has become a dear friend and recorded on my last few albums, so it feels like we’ve completed a circle somehow, and needless to say, it’s such an honour and a dream come true to have Alison sing with us. Again, happy birthday me!”
What drew you to A Spaceman Came Travelling: Chris de Burgh’s 1975 gem of a Christmas song that failed to chart in the UK but topped the Irish chart?
“I went on a little road trip with my older cousin (now a brilliant artist called Marie Mills, check her out!). She had Chris de Burgh cassettes in her car, so we listened to his music all weekend. It was the first time I’d heard his music and really loved it.
“Since the first of my Christmas albums I’ve wanted to do a version of Spaceman but it never quite fitted in with the rest of the album…until now.”
The snowy cover for Kate Rusby’s seventh Christmas album, Light Years. Artwork design by Martin Roswell at Simply Marvellous
Where did you discover the Chris Sugden (aka Sid Kipper) parody Arrest These Merry Gentlemen?
“Chris was one half of a folk comedy duo called The Kipper Family, a parody in itself of the famous folk family The Copper Family. They were absolutely hilarious! They wrote parodies of famous folk songs so everyone in the audience at festivals got the jokes.
“Chris later went on to do solo gigs as Sid Kipper, again, totally hilarious. I was brought up at folk festivals as my dad was a sound engineer so we went to many every summer. I’d heard Arrest These Merry Gentlemen way back then, and also The Ivy And The Holly, which we covered on an earlier album. I love them both and love to be introducing his songs to people who’ve never heard them. He’s a proper genius!”
Always room for another version of While Shepherds Watched! What’s the story behind Rusby Shepherds on the new album?
“There has been at least one version on each one of my Christmas albums. I was deciding which version to put on this one when I accidentally wrote a new tune for it! So I called it Rusby Shepherds, so there’s one more now!”
Aside from songs and Carols from Light Years, what will be new in the latest round of Kate Rusby At Christmas concerts?
“We have a new set design this year, I can’t wait to see it all on stage for the first gig in York. I know what it is and have seen elements of it, so I’m really excited to see it in situ. It’s going to be so beautiful.”
What will be the band line-up for this winter’s tour?
“My lovely, brilliant gang of band, brass and crew! Damien O’Kane, guitars, electric guitars, tenor guitar, electric tenor, banjo and vocals. Duncan Lyall, double bass and Moog synthesiser. Nick Cooke, accordions and electric guitar. Josh Clark, percussion and drums.
“Sam Kelly is with us for Christmas for the first time; he’s been in my regular band for a couple of years and we’re pleased to have him along for the Christmas tour this year on bouzouki, guitar, electric guitar and vocals. And of course my lovely brass lads, Gary Wyatt, Mike Levis, Chris Howlings, Robin Taylor and Lee Clayson.
“The most amazing crew is behind us all making sure it all sounds and looks beautiful and that it all happens as smoothly as it can. Alison Povey, Pete Sharman, Zak Nicholson, Harry Le Masurier, David Bower and Asa Duke. I’m blessed to have each and every one of these marvellous humans with me on tour.”
Roast turkey or goose for the Rusby-O’Kane household on Christmas Day?
“Ooh, now then, we’ve had a goose for so many years but last year we went back to having a turkey from a local farmer, as was the goose, but we loved it so much we’re going turkey again this year. With all the trimmings, including Yorkshire puds gravies, bread sauce etc.”
Which album would you recommend giving as a Christmas present this year?
“Damien O’Kane and Ron Block’s latest album, Banjophonics. I may be a little biased but it’s sunshine in a bottle music. Just what we need in these murky winter days!”
Kate Rusby: Light Years Christmas Tour, York Barbican, Thursday (7/12/2023), 7.30pm. Box office: yorkbarbican.co.uk.Also playingSt George’s Hall, Bradford, December 8 (01274 432000or bradford-theatres.co.uk) and Sheffield City Hall, December 14 (0114 256 5593 or sheffieldcityhall.co.uk) . Light Years is out now on Pure Records.
Track listing for Light Years: 1. Spean; 2. Glorious; 3. It’s The Most Wonderful Time Of The Year; 4. Rusby Shepherds; 5. The Moon Shines Bright (feat. Alison Krauss & Ron Block); 6. Rockin’ Around The Christmas Tree/Sleigh Ride; 7. Nowell, Nowell; 8. Arrest These Merry Gentlemen; 9. A Spaceman Came Travelling; 10. Nothin’ For Christmas; 11. Joseph.
Holly Head: Kate Rusby in Christmas headgear on the cover of her 2019 album of South Yorkshire pub carols and winter songs
South Yorkshire pub carols: the back story
FOR Kate Rusby, abiding memories of childhood at Christmas are full of carols in the tap room of many a Yorkshire pub, surrounded by family, community, warmth, happiness, colouring books and crisps.
The tradition of singing carols in South Yorkshire pubs grew out of the original versions being banished from churches by the pious Victorians, their “happier tunes deemed too raucous for choirs”. Instead, they moved to pubs to accompany the beer, the banter and the bunting.
Carols are sung from the weekend after Armistice Day to New Year’s Day. Colloquially known as the Sheffield Carols, they will be sung in the Steel City this winter at The Sportsman, Redmires Road, on Mondays; the Crown and Glove, Stannington, Tuesdays; The Stocks, Ecclesfield, Thursdays; The Travellers Rest, Oughtibridge, Saturdays; and The Royal, Dungworth, The Blue Ball, Worrall, and The Wharncliffe Arms, Wharncliffe Side, on Sundays.
In his natural habitat: Ross Noble looks forward to a Jibber Jabber Jamboree night of improvised comedy at the Grand Opera House, York, on Wednesday
FREEWHEELING Geordie comic Ross Noble will spin his web of nonsensical improvised comedy on his return to the Grand Opera House, York, on Wednesday (15/11/2023).
“It will be a playful experience for young and old,” he says. “Imagine watching someone create a magic carpet on an enchanted loom. Oh, hang on… magic carpets fly, that would smash the loom as it took flight. I haven’t thought that through…That’s what people can expect. Razor-sharp observations on things I haven’t thought through.”
Ross, who cut his teenage comedy teeth in York compering Comedy Shack gigs at the Bonding Warehouse, is settling into his 21st stand-up tour, talking genial Geordie gibberish on his Jibber Jabber Jamboree itinerary from October 25 to March 17 2024.
“I’ve got significantly better hotel accommodation,” says the Newcastle surrealist, reflecting on the contrast with his first tour. “That’s the main thing. Also, there are people coming to see me now who came with their parents when they were kids. That messes with your head a little bit.
“I still think of myself as being like 22 or 23 years old, and now I’ve got grown men going, ‘I saw you when I was 15. And now I’m a professional comedian’. Not even people going, ‘I want to be a comedian’ – like actual, established performers.”
Does that make Ross an elder statesman of comedy at 47? “I wouldn’t go that far! The people that get described as ‘elder statesman’…some of them are a little bit too confident in their opinions, you know? They start going: ‘Well, the thing about comedy…’. No! Shut up!”
Just as Bob Dylan sang “All I’ve got is a red guitar, three chords and the truth” in All Along The Watchtower, so Ross Noble once said his plans for a show ran to “about four words on a scrap of paper”. “That was actually taken slightly out of context,” he clarifies. “What I would do is go on and improvise, and then afterwards, I would write down things I could do again.
“I didn’t sit down to plan, think of four things and write them down. It’s the same today, really. Except I just don’t write them down – I feel like I should be able to remember four things!”
As ever, Ross will have no support (no, not even a chair) as he tucks into two hour-long sets on Wednesday. “The thing that gets me is comics who sit down,” he says. “Whenever I see a comic with a chair on stage, I just think ‘If you need that chair, do a shorter show! Get up and put some effort in’.”
How does Ross on stage contrast with Ross off stage? “The difference is that when I’m on stage I show my working out. As I’m talking, my brain is constantly interrupting itself, so I’ll be saying something and then that’ll spark another thing, and then something else will come in – and I explain all that as it happens,” he says.
What can people expect in Jibber Jabber Jamboree, Ross? “Razor-sharp observations on things I haven’t thought through,” he forewarns
“Those thoughts still happen when I’m off stage, but I don’t say them all out loud, so if you meet me in the street, I can seem kind of distracted. I’ll often get halfway through a sentence and just stop. It drives my wife up the wall.”
Come the interval on Wednesday, as is customary at a Noble gig, audience members will leave items on stage for Ross to weave into his wild imaginings in the second half.
“Somebody once left a pin from a ten-pin bowling alley and then a few nights later, somebody left another one. So, I tweeted about it, and over the course of the tour, I got all ten and we set up a bowling alley in the dressing room,” he recalls.
“Somebody did an oil painting of me as a centaur: full horse body, long flowing hair, rippling muscles like Fabio. Then above my head, there’s a Mr Kipling French Fancy with a rainbow coming out of it, and wings like a snitch from Harry Potter. That blew my mind.”
Before Wednesday, check out Ross’s YouTube channel, where he presents a spoof nature documentary series, The Unnatural History Show With Ross Noble, as a rather riskier retort to the Beeb’s Winterwatch.
“I love Winterwatch and Countryfile, but there’s a very British, very cosy way that people like Michaela Strachan and John Craven present,” he says. “It’s all people in jumpers and Berghaus jackets sitting around being very ‘Well, isn’t this marvellous seeing these mating chaffinches?’! I just thought: ‘This would be a lot better if some of these animals could kill you’.”
Back on stage, you may have seen Ross’s Igor in Mel Brooks’s musical Young Frankenstein on tour at Leeds Grand Theatre. What did he learn from his musical theatre experience that he could apply to stand-up? “Previously I thought the best thing about stand-up was that you didn’t have to deal with other people messing up what you want to do,” he says.
“But then you do something likeYoung Frankenstein, with the greatest comedy legend of all time, and the best Broadway director that’s working and you go: ‘Oh, no, it’s not that I don’t like working with other people. I just want to work with the absolute best people’.”
Now, solo once more, Ross will turn his stream-of-consciousnonsense tap on in York at 8pm on Wednesday. Box office: atgtickets.com/york.
Further Yorkshire dates on Ross Noble’s Jibber Jabber Jamboree tour in 2024: Sheffield City Hall, February 28, CAST, Doncaster, March 3; Leeds Grand Theatre, March 17. Box office: Sheffield, sheffieldcityhall.co.uk; Doncaster, 01302 303959 or castindoncaster.com; Leeds, 0113 243 0808 or leedsheritage theatres.com.
Ross Noble on the road in Yorkshire on his 21st solo stand-up tour: Already played Harrogate Royal Hallon October 26, now heading for York next week and Leeds, Doncaster and Sheffield next year
Paloma Faith: New single today, new album and tour in 2024
PALOMA Faith will play York Barbican on May 12 on next year’s The Glorification Of Sadness Tour 2024 in support of her sixth album of the same title.
The Stoke Newington-born soul singer, songwriter and actress will take in two more Yorkshire gigs on next spring’s 26-date itinerary: Sheffield City Hall on April 9 and Hull Bonus Arena on May 3.
The Glorification Of Sadness will be released on RCA on February 16, preceded by today’s new single, How You Leave A Man, produced by award-winning producer and composer Martin Wave and co-written with JKash, Andrew Wells, Ellie King and Charlie Puth.
Billed as being more than an album about relationships, The Glorification Of Sadness “celebrates finding your way back after leaving a long-term relationship, being empowered even in your failures and taking responsibility for your own happiness”.
Paloma, 42, draws on her own experiences, having split from her husband, French artist Leyman Lachine, last year. She acts as the anchor to direct a deeply personal narrative on her follow-up to November 2020’s Infinite Things, with Divorce among the new track titles.
Executive producing an album for the first time, she has recorded collaborations with Chase & Status, Kojey Radical, Maverick Sabre, Lapsley, MJ Cole, Fred Cox, Amy Wadge, Liam Bailey and Jaycen Joshua.
Swedish-born, Los Angeles-based Martin Wave first worked with Paloma on one track, and she so enjoyed his cinematic style of production that he became a cornerstone of the recording sessions.
Away from the recording studio, Paloma is building a flourishing acting career with roles as Bet Sykes in the Batman prequel series Pennyworth and Florence De Regnier in Lionsgate’s Dangerous Liaisons, She is an ambassador for Greenpeace and Oxfam and has launched her own interior brand, Paloma Home.
Paloma last played York on a York Racecourse race day in June 2018. Her 2024tour tickets go on sale at 10am on October 20 via ticketmaster.co.uk and seetickets.com.
Elio Pace at the piano performing The Billy Joel Songbook
ELIO Pace and his band will present “the greatest love letter ever to the genius that is Billy Joel” at York Barbican on March 27 2024.
Further Yorkshire performances of The Billy Joel Songbook tribute show are booked into Sheffield City Hall for March 26 and Hull City Hall for April 4 on the 18-date British and Irish tour.
Tour tickets will go on sale at 10am on Friday at eliopace.com/tours; York, yorkbarbican.co.uk; Sheffield, sheffieldcityhall.co.uk or 0114 256 5593; Hull, hulltheatres.co.uk or 01482 300306.
Devised by piano-playing Southampton singer-songwriter, producer and arranger Pace and Matt Daniel-Baker, this homage rounds up more than 30 of Joel’s songs, including The Longest Time, She’s Always A Woman, An Innocent Man, Uptown Girl, Tell Her About It, The River Of Dreams, We Didn’t Start The Fire and Piano Man.
After two sold-out tours, Pace enthuses about next year’s return: “We all get such a buzz touring this show so we absolutely cannot wait to get back out on the road. We have an amazing tour in place, returning to theatres while also visiting some for the first time, and to be starting in my hometown and then ending in London’s West End is going to be pretty incredible.
“The music of Billy Joel is timeless. He is a genius composer and, in my humble opinion, the greatest singer/songwriter of all time. I really do feel humbled that so many people want to see us perform his music.
“We can’t wait to celebrate this incredible music once again and we’ll now look forward to travelling across the country next spring.”
In 2010 Pace was the musical director for BBC Radio 2’s Weekend Wogan, playing as the featured artist on all 35 shows broadcast that year.
He has performed with Brian May, Huey Lewis, Glen Campbell, Gilbert O’Sullivan, Lulu, Mike Rutherford, Don McLean, Tom Chaplin, Debbie Reynolds and Martha Reeves.
His performing skills have taken him to Elstree Studios, the Queen Elizabeth Hall, BBC Radio 2’s Elvis Forever, Proms In The Park, The Bitter End in New York and BBC Radio Theatre in London.
In 2013 and 2014 he was invited to “‘fill Billy Joel’s shoes” by appearing in five reunion concerts in the United States with Joel’s original 1971-72 touring band, whereupon Pace embarked on the debut tour of The Billy Joel Songbook.
In 2018 he released the double CD and DVD The Billy Joel Songbook Live; in June 2019 his concert film of The Billy Joel Songbook Live won an award at the 17th Annual Independent Music Awards for Best Overall Long Form Music Video in New York City.
In 2019 he released his second live double CD album and DVD within a year, Elio Pace Presents Elvis Presley: The World Premiere, 16 August 2017.
Did you know?
ELIO Pace featured in Sky Sports’ coverage of the 2015 Ashes cricket series between England and Australia with two specially re-written versions of Billy Joel’s We Didn’t Start The Fire.
Did you know too?
ELIO Pace has appeared on the BBC children’s show ZingZillas as “the greatest boogie woogie player in the land”, turning him into a household name…“well, at least to every CBeebies-loving under five-year-old and their parents”.
