Richard Hawley concludes tour at Scarborough Spa on Thursday after In This City They Call You Love goes top five

Richard Hawley: Made in Sheffield, performing in Scarborough on Thursday. Picture: Dean Chalkley

RICHARD Hawley concludes his 13-date tour with the only Yorkshire gig at Scarborough Spa on Thursday night.

On the heels of his Olivier Award-winning Sheffield musical Standing At The Sky’s Edge opening a six-month West End run at the Gillian Lynne Theatre, the South Yorkshireman will be showcasing his May 31 album, In This City They Call You Love.

Released on BMG, the track listing is Two For His Heels; Have Love; Prism In Jeans; Heavy Rain; People; Hear That Lonesome Whistle Blow; Deep Space; Deep Waters; I’ll Never Get Over You; Do I Really Need To Know?; When The Lights Go Out and ‘Tis Night.

Latest single Two For His Heels is a blues rumble reminiscent of Link Wray and Duane Eddy: a sparse, atmospheric and cinematic song about a deal that goes wrong.

The album title is derived from the lyrics for People, a hymn to his beloved home of Sheffield, the steel city’s proud industrial past and the enduring determination of its citizens.

Summing up his new material, Hawley, 57, says: “I’ve made three albums where I had the title before I’d even begun to record, where I had an agenda. One was Truelove’s Gutter. Another was Standing At The Sky’s Edge, when I wanted to turn everything up and make the music a lot more aggressive, and then this one.

“I wanted it to be multi-coloured in a way…focusing on the voice and what voices can do together. I deliberately only played a handful of guitar solos, to keep it focused on voices, the song and space.”

Two decades have elapsed since Hawley abandoned band life full-time, first withThe Longpigs  and then as  Pulp’s guitarist. Nine studio albums have ensued, along with film scores, a self-titled mini album and the 2023 compilation Now Then: The Very Best Of Richard Hawley, his fourth Top Ten album.

The cover artwork for Richard Hawley’s new album, In This City They Call You Love

In addition, he has worked with such collaborators asArctic Monkeys, Manic Street Preachers, Elbow, Paul Weller, Duane Eddy (co-producing his 2011 album Road Trip), Nancy Sinatra and English folk royalty Martin Carthy and Norma Waterson on 2013’s Bright Phoebus Revisited tour.

In 2002, he co-wrote Clean for Robbie Williams’ debut solo album, Life Thru A Lens; in 2009, he wrote the smouldering ballad After The Rain for Shirley Bassey, and down the years he has performed with All Saints and Texas.

His song Tonight The Streets Are Ourswas featured inThe Simpsonsand Exit Through The Gift Shop: A Banksy Film and Hawley numbers have featured in television dramas Peaky Blinders, The Full Monty and Hijack.

Dear Alien (Who Art In Heaven), co-written with Jarvis Cocker and Wes Anderson for Anderson’s film Asteroid City, was shortlisted for Best Original Song in this year’s Oscars.

Premiered at Sheffield’s Crucible Theatre, the musical Standing At The Sky’s Edge combines 20 Hawley songs with a book by University of York-educated Chris Bush. Winner of Best New Musical and Best Original Score at the 2023 Olivier Awards, the show has moved to the Gillian Lynne Theatre after sold-out Crucible and National Theatre runs.

In 2023, Hawley played five shows with American musician John Grant, former frontman of The Czars, performing the songs of country legend Patsy Cline. 

In This City They Call You Love has become his sixth Top Ten album in a row, available on digipack CD, standard black vinyl, limited-edition transparent blue vinyl exclusive to HMV and indie stores and transparent yellow vinyl, on sale exclusively from the official store, richardhawley.co.uk. 

Richard Hawley, supported by James Bagshaw, Scarborough Spa, June 20, 7.30pm. Also plays Don Valley Bowl, Sheffield, with The Coral and The Divine Comedy, on August 29. Box office: Scarborough, scarboroughspa.co.uk; Sheffield, richardhawley.co.uk.

Sarah Beth Briggs to play Variations Plus at Sheffield Crucible’s Playhouse in Music in the Round piano recital on November 4

York pianist Sarah Beth Briggs

YORK classical pianist Sarah Beth Briggs will perform her Variations Plus recital at Sheffield Crucible Theatre’s Playhouse on November 4 at 2.30pm.

Everyone will be able to “see the pianist” in action at this Music In The Round event because the piano will be rotated 180 degrees at the interval in the Crucible’s former Studio theatre.

“I’m delighted to be returning to the Crucible to present my Variations Plus programme,” says Sarah. “This series offers a wonderful opportunity to de-formalise classical music. The idea of having the audience all around me and offering accessible spoken introductions to make everyone feel they can really relate to what they’re listening to is so refreshing.”

In her two-hour Piano Masterpieces recital, Sarah will play works from her 2023 album, Variations, released on AVIE Records this spring.

At the heart of the programme will be Hans Gál’s tightly structured four-movement Sonata from 1927, with a set of variations as its rather haunting third movement. Sarah was invited to perform this work by the Hans Gál Society at a Gál Celebration Concert at Queen’s Hall, Edinburgh, following plaudits for her recordings of Gal’s Piano Concerto (Gramophone Critic’s Choice) and Piano Trio (Gramophone Editor’s Choice.)

The first half will place Gál between Mozart’s late Duport variations and Mendelssohn’s virtuosic Variations Sérieuses, regarded by many as his most significant piano work, while in the second half Beethoven’s Variations on God Save The King will preface Schubert’s classic theme and five variations that comprise his much-loved B flat impromptu, D935 No. 3.

The poster for Sarah Beth Briggs’s Variations Plus programme in Sheffield

The programme will conclude with two works by Chopin. Firstly, his Berceuse, originally offered to its publishers with the title Variantes, later changed to Berceuse, perhaps to represent the rocking of the cradle depicted by the ostinato bass that runs throughout the piece.

Finally, Chopin’s Fourth Ballade, effectively a set of variations on a rather tragic theme with contrasting interludes building up to a dramatic coda: a work that the late John Ogdon said “contained the experience of a lifetime”.

“Most of my programme will be well known and loved by regular concert goers, but it would be great to think that it might attract less frequent classical music attendees too,” says Sarah.

“Alongside familiar repertoire, I’m excited to present Hans Gál’s 1927 Sonata, with its haunting Variations 3rd movement, as a centrepiece. Having been proud to play a part in a major Gál revival on disc, it’s good to introduce this fascinating composer to live audiences.”

Box office: 0114 249 6000 or sheffieldtheatres.co.uk. For Sarah’s introduction to her Playhouse programme, here is her home video: https://www.youtube.com/watch?v=WqvONlLvSSw

SARAHh Beth Briggs will perform Hans Gál’s Piano Concerto in Germany in December with the Hofer Symphoniker, having made the world premiere recording with the Royal Northern Sinfonia in 2016.