Play announcement of the week: The Housemaid, Grand Opera House, York. When do tickets go on sale?

Keyhole urgency: Psychological thrills in The Housemaid: The Play

EVERY house has its secrets. The question is: who holds the keys? Find out the answer in The Housemaid: The Play, whose debut tour will visit the Grand Opera House, York, from November 23 to 27…NEXT year.

ATG+ pre-sale opens at 10am on November 5; general sales follow from 10am on November 6 at atgtickets.com/york/.

Based on Freida McFadden’s best-selling novel, the psychological thriller makes its stage bow in Melting Pot’s gripping new production, led by Simon Friend and Hanna Osmolska (Life Of Pi; Paranormal Activity), to be mounted in collaboration with Lionsgate,

Adapted by stage and screen writer Bekah Brunstetter (Tony Award nominee for The Notebook; The Five-Star Weekend) and directed by Tony Award and Olivier Award nominee Matthew Dunster (2:22 A Ghost Story; The Hunger Games: On Stage), the show will be based on both the Lionsgate film, released last December en route to grossing $400 million at the box office, and McFadden’s literary phenomenon.

Directed by Paul Feig from a screenplay by Rebecca Sonnenshine rooted in McFadden’s book, the film was produced by Todd Lieberman, Laura Fischer and Feig.

Opening at the Richmond Theatre, London, on September 14 2027, the stage production marks the latest step in the studio’s continued expansion of The Housemaid franchise, where the film sequel, The Housemaid’s Secret, is in production already, set for a global theatrical release on December 17 2027.  

Bekah Brunstetter will write the play. She earned a Tony Award nomination for her work on the book for the Broadway musical The Notebook. Last year, her play Mother’s Day debuted as part of the DNA New Works Program at La Jolla Playhouse, University of California, San Diego. Her play The Cake has been produced more than 100 times globally.

Brunstetter also created the television series The Five-Star Weekend, starring Jennifer Garner and Regina Hall, and her television work includes American Gods, This Is Us and Maid, for which she won a Writers Guild of America Award.  

Matthew Dunster is a theatre and film director and writer. Previously an actor, he has directed or written more than 60 theatre shows, often with major companies, such as the Royal Shakespeare Company, National Theatre, Royal Court, Young Vic, Royal Exchange, Shakespeare’s Globe and The Bridge, as well as directing on the West End, Broadway and internationally. He has been the associate director of The Young Vic and Shakespeare’s Globe Theatre.

His theatre credits include: 2:22 A Ghost Story, which ran in the West End for 694 performances; Shirley Valentine and The Pillowman (The Duke of York’s); The Homecoming (Young Vic); Dealer’s Choice (The Donmar) and The Hunger Games: On Stage (Troubadour Canary Wharf Theatre).

Dunster has been nominated for four Olivier Awards and his Broadway production of Hangmen was nominated for five Tony Awards. 

American author Freida McFadden is known for her psychological thrillers and medical-themed suspense novels. She gained widespread recognition with The Housemaid (2022), which became a viral sensation, leading to two sequels: The Housemaid’s Secret (2023) and The Housemaid Is Watching (2024).  

McFadden’s work has been selected as one of Amazon Editors’ best books of the year; she has won the International Thriller Writers Award for Best Paperback and she is a Goodreads Choice Award winner.

Beyond her literary successes, McFadden has been lauded for her contributions to literature, with her novels consistently appearing as #1 on bestseller lists (The New York Times, Amazon Charts, USA Today, The Wall Street Journal, The Washington Post, The Sunday Times and Publishers Weekly). To date, her novels have been translated into more than 45 languages. 

“With the stage play debuting next year and our sequel film in production, the momentum behind The Housemaid franchise continues to grow,” says Jenefer Brown, Lionsgate’s president for Global Products & Experiences.

“We’re thrilled to work with Simon, Hanna, Bekah and Matthew to bring this story to the stage in an entirely new way, giving audiences the chance to experience its suspense, twists and turns live.”

Melting Pot producer Simon Friend says: “Bekah’s adaptation of The Housemaid is exactly what we’d hoped for – a fresh and uniquely theatrical take on this wildly popular story – and made with Matthew Dunster’s vision, it will certainly bring a thrilling new dimension to the franchise.”  

Code breaker! The Da Vinci Code world premiere called off at Grand Opera House ‘due to unforeseen circumstances’

Danny John-Jules, left, Christopher Harper and Hannah Rose Caton in The Da Vinci Code

THE world-premiere stage adaptation of Dan Brown’s thriller The Da Vinci Code will NOT be playing the Grand Opera House, York, from May 30 to June 4 after all.

Blame theatre’s perennial enemy – “unforeseen circumstances”- for the cancellation. “Grand Opera House, York, is sorry for any inconvenience,” the Cumberland Street theatre’s statement concludes.

Directed by Luke Sheppard, who was at the helm of the award-winning West End musical & Juliet, the debut tour was in the diary for January 10 to November 12.

However, the producers have decided: “Due to the current challenges of touring, we have made the difficult decision to conclude The Da Vinci Code earlier than expected. We are extremely proud of the work done by the cast and creative team who made this wonderful show, and we hope that it will be seen again before long.

“We apologise for any disappointment caused and ask that audiences continue to support theatre as the industry continues to recover.”

When announcing the tour, producer Simon Friend had said: “We have a truly stellar cast and creative team bringing The Da Vinci Code to life on stage for the first time, and with Dan Brown’s full endorsement of the show and the talented director Luke Sheppard at the helm, we’re confident that we’ll please devoted fans as well as newcomers to this magnificent story.”

Juilliard School’s Drama Division graduate Hannah Rose Caton in her British stage debut as Sophie Neveu in The Da Vinci Code. Picture: Oliver Rosser

Should you need a quick refresher course on what now will not be unfolding in Rachel Wagstaff and Duncan Abel’s stage adaptation in York, the curator of the Louvre, in Paris, has been brutally murdered. Alongside his body is a series of baffling codes.

Professor Robert Langdon and fellow cryptologist Sophie Neveu attempt to solve the riddles, leading to the works of Leonardo Da Vinci and beyond as they delve deep into the vault of history. In a breathless race through the streets of Europe, Langdon and Neveu must decipher the labyrinthine code before a shocking historical secret is lost forever.

Director Sheppard said of the stage adaptation: “Cracking The Da Vinci Code open for the stage reveals an epic thriller steeped in theatrical potential, rich in suspense and surprising at every turn.

“Rachel Wagstaff and Duncan Abel’s brilliant adaptation leaps off the page and demands us to push the limits of our imagination, creating a production that champions dynamic theatrical storytelling and places the audience up close in the heat of this gripping mystery.”

In York, Coronation Street star Chris Harper would have played Robert Langdon alongside Danny John-Jules as Sir Leigh Teabing, Hannah Rose Caton, in her British stage debut as Sophie Neveu, and Joshua Lacey as Silas.

The Grand Opera House is contacting ticket holders.

The film flopped but can Rachel Wagstaff’s play crack The Da Vinci Code? Find out at Grand Opera House, York, this spring

Hannah Rose Caton, in character as Sophie Neveu in The Da Vinci Code, at The Temple Church, London,  a location featured in Dan Brown’s story. Picture: Oliver Rosser

THE world-premiere stage adaptation of Dan Brown’s thriller The Da Vinci Code will play the Grand Opera House, York, from May 30 to June 4.

Directed by Luke Sheppard, who was at the helm of the award-winning West End musical & Juliet, the debut tour from January 10 to November 12 will take in further Yorkshire dates in Sheffield, Hull, Leeds and Bradford.

Producer Simon Friend says: “We have a truly stellar cast and creative team bringing The Da Vinci Code to life on stage for the first time, and with Dan Brown’s full endorsement of the show and the talented director Luke Sheppard at the helm, we’re confident that we’ll please devoted fans as well as newcomers to this magnificent story.

“Dan Brown’s epic thriller has been read by millions worldwide and seen by millions worldwide on the big screen, and we’re all looking forward to taking our brand-new stage version to audiences all over the UK.”

Writer Dan Brown says: “I’m thrilled that The Da Vinci Code is being adapted for the stage and excited to see the unique potential of live theatre enhance this story.

Hannah Rose Caton’s Sophie Neveu, Nigel Harman’s Robert Langdon and Danny John-Jules’s Sir Leigh Teabing in The Da Vinci Code. Picture: Oliver Rosser

“The team making the production has been faithful to the book, but will also bring something new for the audience, in what is certain to be a gripping, fast-paced stage thriller and a thoroughly entertaining show.”

Nigel Harman and Danny John-Jules will be performing the roles of Robert Langdon and Sir Leigh Teabing up to April 16 in Newcastle, taking in Sheffield Lyceum Theatre from January 25 to 29 and Hull New Theatre from March 1 to 5.

Harman will re-join the tour from the August 30 to September 3 dates at Leeds Grand Theatre until the Swindon run in late-October.

The casting for Robert Langdon and Sir Leigh Teabing for the York performances and Bradford’s Alhambra Theatre from November 8 to 12 is yet to be announced.

Other roles go to Hannah Rose Caton, in her British theatre debut, as Sophie Neveu; Joshua Lacy, Silas; Basienka Blake, Vernet; Alasdair Buchan, Remy; Alpha Kargbo, Fache; Leigh Lothian, Collet; Andrew Lewis, Saunière, and Debra Michaels, Sister Sandrine/Marie.

Nigel Harman in character as Robert Langdon: Appearing in Sheffield, Hull and Leeds, but not York and Bradford, in The Da Vinci Code

Should you need a quick refresher course on The Da Vinci Code’s plot, the curator of the Louvre, in Paris, has been brutally murdered. Alongside his body is a series of baffling codes.

Professor Robert Langdon and fellow cryptologist Sophie Neveu attempt to solve the riddles, leading to the works of Leonardo Da Vinci and beyond as they delve deep into the vault of history. In a breathless race through the streets of Europe, Langdon and Neveu must decipher the labyrinthine code before a shocking historical secret is lost forever.

The Da Vinci Code has been adapted for the stage by Rachel Wagstaff (Flowers For Mrs Harris, Birdsong) and Duncan Abel (The Girl On The Train). Director Luke Sheppard, who directed What’s New Pussycatat Birmingham Rep, is joined in the creative team by set and costume designer David Woodhead, video designer Andrzej Goulding,the composition and sound design team of Ben and Max Ringham and lighting designer Lizzie Powell.

Sheppard says: “Cracking The Da Vinci Code open for the stage reveals an epic thriller steeped in theatrical potential, rich in suspense and surprising at every turn. Rachel Wagstaff and Duncan Abel’s brilliant adaptation leaps off the page and demands us to push the limits of our imagination, creating a production that champions dynamic theatrical storytelling and places the audience up close in the heat of this gripping mystery.”

York tickets are on sale at atgtickets.com/york; Sheffield, sheffieldtheatres.co.uk; Hull, hulltheatres.co.uk; Leeds, leedsheritagetheatres.com; Bradford, bradford-theatres.co.uk.

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