Jessa Liversidge leading April’s Musical Bridges session in Easingwold. Picture: David Harrison
SINGERS are building musical bridges in Easingwold in a community project.
In the latest session, on April 3, singer Jessa Liversidge kicked off the school Easter holidays in style with an uplifting movie musicals gathering as part of the Musical Bridges project, whose aim is to build bridges through song.
Previous sessions have included a “looping around” session with Jessa; a raucous sea shanties afternoon with Chris Bartram, and a moving Ukrainian songs workshop with Svetlana Ryadchenko. This time, Easingwold singer, singing group leader and #fieldsing creator Jessa recruited more than 60 singers, ranging in age from 18 months to 95 years, to sing at Easingwold Methodist Church.
“A fun time was had by all as the singers sang their hearts out and enjoyed the company of friends old and new,” she says.
“The day started with an ‘Under 16s only’ only session, where around 20 young people, aged three to 15, enjoyed singing songs from Matilda, The Greatest Showman, Mary Poppins and Oliver.
“The youngsters hailed from York and Thirsk, as well as Easingwold and the surrounding villages, and they made a beautiful sound together and had a few laughs too. It was great for the young people to have some attention on their own – and great for some of the parents to be able to go off and explore some of Easingwold’s fine cafés and shops!”
Three generations taking part in the Musical Bridges singing session at Easingwold Methodist Church earlier this month. Picture: David Harrison
At 11am, the adults were allowed to join the session. “What a fabulously varied range of adults there were,” says Jessa. “Some families ended up with three generations taking part, and some adults without families were able to enjoy the company of young people, as well as revelling in the experience of singing together.”
The most senior singer, 95-year-old Barbara Tildesley, a resident of Easingwold and a regular member of Jessa’s Singing For All group, remarked: “I just love to hear children sing. They are marvellous!”
The musical movie magic continued as the young singers sang to the adults and they then sang more songs together from Mamma Mia! and The Sound of Music.
“The whole group then learned a new song from Seussical: The Musical, How Lucky You Are, which had some appropriate lyrics to lift spirits,” says Jessa. “My style of leading is positive and encouraging, enabling everyone to feel good about themselves and join in with confidence.”
A Musical Bridges session would not be complete without refreshments. “The whole group were treated to delicious home baking by Singing For All star-baker Linda Crisp to accompany their tea, coffee and juice,” says Jessa.
“A fun time was had by all as the singers sang their hearts out and enjoyed the company of friends old and new,” says Musical Bridges sesson leader Jessa Liversidge.Picture: David Harrison
“One of the main aims of Musical Bridges is to get people together to chat as well as sing – and the break gave the opportunity for people from different walks of life, people of different ages, abilities and life experiences, people with a range of health conditions or none, to chat about their favourite musicals and songs, as well as how singing made them feel.
“At Singing For All events too, everyone is welcomed and all contributions are valued and celebrated, leading to a relaxed, positive atmosphere and happy singers.”
Feedback after the session was fantastic, says Jessa: “Many participants reported how uplifted they felt and what fun they had had. One participant said they had ‘a renewed zest for life’, while another said the session ‘ignited the little girl in me’. ‘Awesome’, ‘happy’, ‘energised’, ‘amazing’, ‘best time ever’… were just a few of the other phrases used as singers left.
“Singers with a range of needs said how simple adaptations to the running of the session made them feel included and part of the group.”
The next session, Songs Of Zimbabwe, will be led by Bruce Ncube on May 7, with some free spaces still available. More Musical Bridges sessions will be forthcoming, all funded by the Co-op Community Fund, as the project continues in its quest to bring people together through song.
Anyone wanting to find out more about the project or book a place on a future session should email Jessa at jessaliversidge@googlemail.com.
Master of ceremonies Big Ian Donaghy pays tribute to Her Majesty The Queen at the start of A Night To Remember. Picture: Karen Boyes
THE wait had been all too long. 922 days since the last blast of A Night To Remember, Big Ian Donaghy’s fundraising concerts for York charities at York Barbican.
Then, suddenly, Thursday afternoon’s focus turned northwards to Balmoral as the nation waited for updates on The Queen’s health, BBC news presenter Huw Edwards already in black tie.
Her Majesty’s passing was announced shortly after 6.30pm. “We’d had a day of chaos, setting up such a big show, uncertain what would happen,” said Big Ian post-show. “Would the show go on? Would it be pulled? Thankfully…the show must go on.”
A Night To Remember would be unthinkable without Jess Steel: Picture: Dave Kessell
Indeed it did, albeit with a few seats now empty as some ticket holders preferred to stay at home to take in the news. Out went the planned opening, a Boris Johnson satirical routine et al . Instead, a photograph of The Queen, against the backdrop of the Union Flag, filled the screen as a sombre Big Ian took to the stage to join the band, 12-strong brass section and multitude of singers.
“Right, I don’t care if you are a monarchist; I don’t care if you are an anarchist, I care that she was someone’s mam,” pronounced Ian, adding “grandmam” and “great grandmam” as he called on his conference-honed public-speaking skills to be the people’s laureate in that moment.
A minute’s silence and a spontaneous round of applause followed. Then, exit the regal elephant in the room, last respects paid, for one Queen to be succeeded so soon by another: Mercury’s Queen. What else could master of ceremonies Big Ian declaim but The Show Must Go On. Right song, right time, right note struck.
Annie Donaghy and Graham Hodge in tandem for Time After Time. Picture: David Harrison
The way these fast-moving nights work, songs are covered, if not in glory, then often spectacularly, affectionately, surprisingly, humorously, always heartily, and invariably with a wall of harmony from participants readily guesting on everyone else’s songs. As many as 30 can be performing at one time, never better than when the young players of the York Music Forum join Huge’s brass section.
In between come Big Ian’s rallying calls for donations, bonny lad bon-mots, quips and jests, and expressions of appreciation for the work of the night’s backers, Nimbuscare, and good causes, St Leonard’s Hospice, Bereaved Children Support York and Accessible Arts and Media.
Raising dementia awareness is another driving force, after the death of both Big Ian’s mother-in-law and father, his own work for this cause highlighted in a series of shorts films, two featuring women with dementia, one being introduced to playing pool, the other singing Yesterday with Ian as she was having her hair done.
Las Vegas Ken becomes York Barbican Ken. Picture: David Harrison
Later, he dug out a video clip of daughter Annie, then aged nine, paying lyrical tribute to her grandma at an earlier A Night To Remember at York Theatre Royal.
York’s very own best football commentator bar none, Guy Mowbray, popped up on screen from Old Trafford with a message of support, signing off with “dementia is a team game”. Lovely touch, Guy.
The hits kept on coming: Jess Steel, blowing away any remaining cobwebs with Ironic; Dan (Boss Caine) Lucas’s country take on Dire Straits’ Walk Of Life; Graham Hodge, Annie Donaghy and a saxophone solo for Time After Time; Big Ian leading the audience finger clicks and hand claps for Wham’s Edge Of Heaven.
Jessa Liversidge and Singing For All lap up the applause. Picture: David Harrison
First-half favourite? How about Heather Findlay, Jess Steel, Annie Donaghy and Beth McCarthy’s rendition of Abba’s Dancing Queen, the one song title of the night with resonance anew. Next, Las Vegas Ken brought the house down, as comprehensively as that Mecca Bingo demolition job across the road.
Kate Bush was an in-vogue choice after her Stranger Things resurrection, but rather than Running Up That Hill, Heather Findlay brought a shawl, fan flicks and theatricality to Babooshka. Musical director George Hall’s keyboard then brought out the crooner in Big Ian in Elton’s Your Song.
Such is the all-inclusive philosophy of these joyous concerts that performers’ ages range from 13 to 96, heralded at the start to the second half by Big Ian introducing Jessa Liversidge’s Singing For All choir, a breath of fresh air in song, with Jessa on keyboard and neighbour Gary Stewart on guitar for You’ve Got A Friend and Lean On Me.
Heather Findlay performing Babooshka. Picture: Dave Kessell
Gary, playing percussion throughout the night as he does for Hope & Social, later took the microphone with sweet-voiced swagger for Paul Simon’s 50 Ways To Leave Your Lover, and Lean On Me made an unexpected comeback as George Hall’s party piece at the impromptu invitation of Big Ian.
The Y Street Band turned Shania Twain’s Man! I Feel Like A Woman on its head; Simon Snaize stepped out of the band to front Rod Stewart’s Maggie May, accompanied by Kieran O’Malley’s violin, whose beauteous impact on a song rivals The Waterboys’ Steve Wickham.
Hodge, O’Malley and The Y Street Band bonded over Stuck In The Middle With You; Findlay’s 13-year-old son, Harlan, took over the keyboard for her rendition of Fleetwood Mac’s Dreams.
Having a blast: Young musicians from York Music Forum playing in the 12-piece brass section
Into the final straight, Beth McCarthy pulled off yet another costume change for Tina Turner’s Simply The Best; Big Ian busted out his Travolta moves for Stayin’ Alive; Jess Steel celebrated seeing Diana Ross in Leeds with a supreme Chain Reaction, and Beth hurriedly found one more pink number for the Lulu part in the finale, Relight My Fire, alongside cheerleader Big Ian.
September 8 re-lit the fire for A Night To Remember in the most challenging circumstances. “How we did that, I’ve no idea. Less than an hour after The Queen’s death was announced. Making a silk purse out of a sow’s ear,” said Big Ian the next morning.
“A lifetime of standing up in front of people came to my rescue for a night to remember that no-one will ever forget.
Beth McCarthy giving it her all in Simply The Best. Picture: Dave Kessell
“I know some people love the monarchy and others do not. Yet I was given 1,400 people and a minute’s silence. I needed an angle to make it not about that.”
Big Ian found one; the audience, band and singers alike responded. The show did go on and how! Watch this space to learn the funding total raised for the three charities.
“The only thing local about this show is the postcode,” concluded Big Ian. “The talent on stage and the generosity they show to one another is something quite unique.”
“How we did that, I’ve no idea,” reflected organiser and host Big Ian Donaghy in the aftermath of going ahead with A Night To Remember only an hour after The Queen’s passing was announced . Picture: David Harrison
Unforgettable York Barbican night raises £24,000. Big Ian Donaghy says Thank You
“WHEN money is at its tightest and families are struggling to make ends meet, our community and some of the finest musicians with the kindest hearts came together on September 8 at A Night To Remember to raise money for local causes,” says Big Ian.
“The final figure raised was a staggering £24,311. Not bad for a gang show and a big raffle with a group of mates!
“The night, now in its eighth year, has shone the spotlight on local causes and groups to not only provide much needed funds but also raise their profiles.
“The show featured a 30-piece house band made up of Huge, Kieran O’Malley, Gary Stewart and Simon Snaize and musicians from York Music Forum as they accompanied the likes of Jess Steel, Heather Findlay, Beth McCarthy and Graham Hodge.
“The night saw an 80-year age range of performers on stage as Singing for All -a fully inclusive singing group – had the auditorium sing with one voice.
“Who will benefit from this? St.Leonards Hospice, Bereaved Children’s Support York and Accessible Arts and Media, of which the Hands & Voices Choir are part.
“Rather than give money to larger charities, A Night To Remember supports smaller, local, bespoke projects that help people living with dementia and combatting loneliness.
“These include the gardening project York Hull Road Park Volunteers; bespoke dementia-friendly side-by- side art classes for people living with dementia and their carers, run by York artist Sue Clayton; Singing for All and Xmas Presence, giving older people who live alone a family Christmas and delivering lunches and hampers.
“We were uncertain if the show would even happen as it fell on the day the Queen died, but after having to make the official announcement, we opened with The Show Must Go On.
“This is York helping York. Thank-you to Nimbuscare for their invaluable support and to everyone on stage, back stage, front of house and in the audience.
A Night To Remember will return to York Barbican on Thursday, September 14 2023.
Light show: Big Ian Donaghy surveys the crowd’s torch display at A Night To Remember. Picture: Karen Boyes
WHEN Big Ian Donaghy shouted “See you next year!”, as he and the team took their final bow to a standing ovation at A Night To Remember on February 29 2020, they could never have envisaged what was just around the corner.
“A total lockdown. Schools closed. The only place to get a beer was your fridge and theatres stood in darkness because apparently ‘The show mustn’t go on’,” he laments. “Guitars were forbidden to come out of their cases for more than 500 day as crowds at gigs were deemed far more ‘dangerous’ than those watching sport.”
Roll on to 7.30pm, September 8 2022 and, thankfully, the return of A Night To Remember, the charity fundraising concert at York Barbican.
Banding together: Every musician and singer on stage at the finale to A Night To Remember. Picture: Duncan Lomax
“It will be 922 days since this unique group of performers has shared a stage to bring the community together and they promise to live up the name A Night To Remember more than ever,” vows organiser and master of ceremonies Big Ian, whose skills as a speaker and host are in demand at such venues as Birmingham NEC and ExCel, London.
“Over the years, these nights have taken community charity gigs to another level as every detail is focused on giving the York audience a night they deserve. No corner is cut for this unique event, from brilliant sound from Craig Rothery, through thought-provoking films on huge video walls, to a 30-piece band.
“On top of that, this year’s concert has been sponsored by Nimbuscare, who have provided invaluable support in putting on this event.”
On song: Another belter from Jess Steel. Picture: Duncan Lomax
The format is “unlike others shows”, says Big Ian, as it requires “everyone to guest on everyone else’s songs with a wall of harmony”.
“No other show has an 83-year age range in performers from 13 to 96 year olds. Previous years saw the line-up take on the near impossible and succeed with Queen’s Bohemian Rhapsody, despite never playing it together beforehand. Somehow it came together!
“A Night To Remember is like Avengers Assemble as the unlikely bunch have now become more like family after eight years together.”
The A Night To Remember crowd having an unforgettable night at York Barbican
In the 30-piece house band will be members of York party band Huge; Jess Steel; Heather Findlay; Beth McCarthy, on her return to her home city from London; Simon Snaize; Gary Stewart; Graham Hodge; The Y Street Band; Boss Caine; Las Vegas Ken; Kieran O’Malley and young musicians from York Music Forum, all led by George Hall and Ian Chalk.
Singer and choir director Jessa Liversidge will present her inclusive singing group, Singing For All, who previously took part in 2020.
The setlist will take in songs by Kate Bush, Queen, Paul Simon, Wham, Elton John, Fleetwood Mac, Rod Stewart, The Bee Gees, Elvis Presley, Bill Withers, Take That, Tina Turner, Diana Ross and Alanis Morisette.
Heading home: Beth McCarthy at A Night To Remember. Picture: Duncan Lomax
“Now in its eighth outing, A Night To Remember promises to be an evening of singalongs as the city sings with one voice to raise much-needed funds for St Leonard’s Hospice, Bereaved Children Support York and Accessible Arts and Media, who get people with learning difficulties into performing,” says Big Ian.
“This has become the UK’s largest live concert to raise dementia awareness and will be funding some bespoke dementia projects in York, including art classes with York artist Sue Clayton and singing and gardening groups to combat loneliness.”
Big Ian Donaghy with Annie Donaghy, left, Beth McCarthy, Heather Findlay and Jess Steel at A Night To Remember. Picture: Karen Boyes
Two weeks ago, Big Ian took the challenge with four friends to sell 1,000 tickets for the show in one day. “Somehow we achieved it,” he says. “Now we can’t wait to get everyone back together. Expect a night filled with emotion and fantastic music.
“There are some tickets left but be quick to book at www.yorkbarbican.co.uk, and we ask everyone to bring a raffle prize, if possible, and some money for raffle tickets. Who knows how much we can add to the £150,000 we’ve raised since we started these concerts?
“Remember, remember, the 8th of September, not just a night, but A Night To Remember!”
Field work: Actor Mick Liversidge and singer Jessa Liversidge take the country air
EASINGWOLD singer Jessa Liversidge and husband actor Mick Liversidge will present the Fields & Lanes Livestream show from Helmsley Arts Centre tomorrow night (13/3/2021).
“Mick and I have been working on a collaborative project with the arts centre all about engaging communities creatively,” says community singing leader and music tutor Jessa. “Now, we’ve recruited some more field singers and outdoor performers to join us virtually for our performance at 7.30pm.”
Since the first Coronavirus pandemic lockdown in March 2020, Jessa and Mick have taken to performing outside to lift spirits and cheer those stuck inside. While Jessa sings in fields, Mick recites poetry down country lanes, and together they have devised Fields & Lanes, a celebration of poetry and song as well a celebration of the great outdoors.
Mick and Jessa perform with no accompaniment, their sincere and heartfelt delivery letting the poems and songs speak for themselves.
Last Saturday, Jessa notched her 50th “field sing”: a Saturday morning routine for the past 50 weeks wherein she “gets up and performs a song outdoors”.
“I might delay the field sing a bit if it’s snowing or raining, or I’ll shelter under a tree, but I find doing these songs really beneficial for me; doing it every week, having that fixed in my diary, knowing I need to do it on a Saturday morning,” Jessa says.
Mick, a professional actor on stage and screen for six years, and Jessa also performed a socially distanced Fields & Lanes Under The Willow Tree at Easingwold Community Library on a September Sunday afternoon and for Joseph Rowntree Theatre volunteers when testing the York theatre’s Covid-safety regime last October.
Mick LIversidge recording one of his Fields & Lanes poems in lockdown
Buoyed by the response to their outdoor pursuits, Jessa and Mick teamed up with Helmsley Arts Centre (HAC) to offer the Ryedale and wider community the chance to join the Fields & Lanes family in remote workshops.
“You will have the chance to develop singing or recitation skills and work towards your own pre-recorded performance, which will be featured in the livestream Fields & Lanes show on March 13,” read the invitation to recruits on the HAC website.
Places were strictly limited, enabling Jessa and Mick to work with both small groups and individuals on February 27 and March 6. Participants also received support, feedback and guidance from Jessa or Mick in between sessions and they are entitled to a gratis ticket for tomorrow’s livestream.
“We’ve found that singing and performing poetry outside has been both therapeutic and uplifting during these challenging times,” says Jessa. “We’ve enjoyed everything that comes with performing in the open air: the bird song, the fields, the winds, and we wanted to help others take part and feel the benefits.
“We’re thrilled to be working with Helmsley Arts Centre, who have provided the funding for a project to demonstrate how music and poetry can connect the community through creativity, and we’re delighted with the wide range of performers who have joined us, from seasoned professional performers to hobby singers and poets.
“In the workshops and individual sessions over the two weekends, we’ve worked on field singing and outdoor recitation techniques and created some collaborative performances. As a result, members of these groups will be appearing with us in the livestream via pre-recorded video.”
Tomorrow’s livestream viewers can expect a wide-ranging show featuring poetry from William Wordsworth to Spike Milligan, Lord Byron to D H Lawrence, and songs from folk standards to pop favourites and gospel classics, The Beatles to Bill Withers, Cilla Black to Carole King.
Poetry collaborators in tomorrow’s livestream are Bill Laverick, Helen Wilson and Maurice Crichton, from York Shakespeare Project and York Settlement Community Players, and Ted Naisbitt, from Sowerby, near Thirsk, performing one of his own poems, My Lakes, inspired by Wordsworth.
Helen Wilson, performing at last summer’s Sitdown Sonnets, presented by York Shakespeare Project at Holy Trinity Church, Goodramgate, York. Tomorrow she is taking part in the Fields & Lanes livestream
Mick worked with Bill, Helen, Maurice and Ted, each taking a verse from Wordsworth’s Daffodils and Sir John Betjeman’s Business Girls, reciting both on Zoom and in the open air.
New field singers taking part are Sinead Livingston, Mary Bourne, Madeleine Cordes, Gary Cordes, Cat Ellis, Caitlin Ellis, Sarah Boyle and Bill Laverick.
“They’re spread across the country from Essex to the North East,” says Jessa. “One of the positives of these times has been being able to work with people from all over the place!
“Sinead, Mary and Madeleine are all singing leaders, who I’ve been liaising with over the past year, all liking the idea of singing outside, and it’s been really great to have such high-quality people to work with.
“Mary runs choirs in Kingston and writes songs, and she’s been a friend for a couple of years. We’ve recorded a duet called My Call, where I recorded my part outside and as she’s ‘Choir Leader In A Kayak’, she’s done her part from a kayak.”
Introducing more of tomorrow’s remote singers, Jessa says: “Cat and Caitlin are a mother and daughter from Easingwold; Cat is in one of my choirs and I teach Caitlin. Sarah Boyle is a ‘hobby singer’ from York who’s joined one of my choirs, and Madeleine and Gary Cordes run a talent agency in Essex.
“In the first workshop, we did Stand By Me and The Water Is Wide, with me editing the virtual performances together and then last Saturday we worked on individual song choices.”
For tomorrow’s livestream, “bubble couple” Mick and Jessa will be performing live and alone in Helmsley Arts Centre, where the pre-recorded songs and poems will be projected on a screen.
“We’ve found that singing and performing poetry outside has been both therapeutic and uplifting during these challenging times,” says Jessa
The 7.30pm show marks a return to Helmsley Arts Centre for Jessa, after performing three of her one-woman shows there: ’Til The Boys Come Home, Some Enchanted Sondheim and Songbirds.
She has been a freelance singer and singing leader for the past 12 years, completing high-level training on performance, singing teaching and musical direction with Vocal Process and qualifying as a Vocal Health First Aider.
“From youth choirs and dementia-friendly groups to community choirs and private lessons, my sessions all have an encouraging atmosphere and a positive, inclusive ethos,” she says.
“I’m continuing to run my singing groups online – Singing For All and Community Singers Online, as well as the live YMHSing sessions for the York Music Hub – and I’m always looking for more singers of all abilities to join in.
“One new singer recently said, ‘you fill the screen with fun and enjoyment’ and I’d love to reach a few more of these people.”
As testament to her teaching skills, Jessa has been nominated for two 2021 Music and Drama Education awards on March 24 for her inspiring work with singers of all ages in the Covid-19 pandemic.
“Quite an honour and a big surprise!” she says. “I’ve no expectations of winning but will glam up and tune into the ceremony on the 24th anyway!”
Jessa is shortlisted for the #goldstars Award, for any teacher who has shown particular flair, creativity or compassion during this past year, and the Francesca Honley Inspiration Award, which honours an individual who has had a hugely inspirational impact on students of any age in their music-making.
Outdoor pursuits: Mick Liversidge and Jessa Liversidge head out for a song and a poem in the Yorkshire air
“The person who nominated me mentioned the wide range of ways I have adapted and created different ways of inspiring people of all ages through singing, including the live sings and Zoom choirs for York Music Hub, song and music videos, live singing for all and field sings,” says Jessa, as she looks forward to listening to the 6pm online ceremony at https://www.musicdramaedawards.com/.
Looking ahead, Jessa says: “I’m definitely going to continue with the choirs online. I even have participants from Milton Keynes, Rochdale, Bedfordshire, and I’ve been able to engage in various ways, along with continuing my ‘real’ groups.
“I feel loyal to them all, so when lockdown eases under the Government ‘roadmap’, I’ll do hybrid ‘Room and Zoom’ sessions. I did one in October, which I enjoyed, though it is quite exhausting trying to do two things at once!”
Reflecting on 12 months under the pandemic cloud, Jessa says: “I’m really happy with the way I’ve managed to grow and create this past year despite everything, or actually out of necessity due to everything.
“I’ve developed a lot of skills, like a lot of people like me have. I’ve really enjoyed it, picking up technical skills, such as learning how to synch up people singing separately for streaming. It’s quite time consuming but I think it’s worth it, recording people standing alone in a field but then seeing themselves in a group online.”
Jessa is proof positive that singing is good for the soul, for physical health, for mental wellbeing. “Singing just lifts you and takes you somewhere else,” she says in her break from her online “three hat day” for this interview.
“Singing keeps me going. Today [8/3/2021] I’m running a Singing For All session; teaching a couple of pupils and doing a York Music Hub session at four o’clock, so I’ll be buoyant all day!”
All the Fields & Lanes poems and songs performed by Mick and Jessa outdoors can be found at the Fields & Lanes Facebook page, https://www.facebook.com/fieldsandlanes/.
Jessa Liversidge: Sunday celebration of female icons in her Songbirds concert at the Joseph Rowntree Theatre
YORK’S unstoppable force for the joy of singing, Jessa Liversidge, will present Songbirds, her celebration of female icons through the decades, at the reopened Joseph Rowntree Theatre on Sunday.
She will be accompanied at the 7.30pm concert by Malcolm Maddock on piano. “Malcolm and I launched the show a year ago in Tollerton, then performed it at Helmsley Arts Centre in January,” says Jessa.
“Both shows received a fantastic response from audiences and we were all set for an April performance at the Rowntree Theatre, but it was not to be.
“However, we were able to put together a live-stream highlights version at the end of July, but we can’t wait to perform to a live theatre audience together again this weekend.”
Jessa has devised such one-woman shows as her tribute to wartime women, ‘Til The Boys Come Home, and a musical theatre compilation, Some Enchanted Sondheim. Songbirds, her late-2019 addition, is an eclectic mix of vintage pop, musical theatre and comedy from the 1960s, ’70s and ’80s.
“The show came about as I wanted to pay tribute to some of my favourite female musical icons, even though they come from a wide range of styles,” she says.
“So, one minute I may be in full, high-energy Victoria Wood flow, performing some of her most well-known songs, like Barry And Freda, with all the verses…moments later, I could be totally still, lost in a Kate Bush or Karen Carpenter song, and then I’ll go straight into theatrical mode for Sondheim’s Send In The Clowns.”
Jessa Liversidge performing with Michael Maddock: “We have a wonderful collaborative relationship, and Malcolm is such a sensitive and responsive accompanist,” she says.
In the past few years, Dundee-born Jessa has become a huge fan of Carole King. “Through the lockdowns of the summer, I collaborated with Gary Stewart, a fantastic solo musician, as well as a member of Hope & Social and his own Graceland band – who happens to be our neighbour – to create some socially distanced Carole King and James Taylor collaborations,” says Jessa.
“Now, there are five Carole King songs featured in Songbirds and so many more I would like to do. Maybe a full tribute show is on the cards next.”
Songs by musical heroes from her teenage days, fellow Scot Annie Lennox and Alison Moyet, will feature too.
“I haven’t abandoned musical theatre completely,” says the York Musical Theatre Company regular. “I’ve included Julie Andrews and Barbra Streisand in my list of icons, and songs such as Feed The Birds and The Way We Were are featured, as well as The Sound Of Music and On A Clear Day.”
Looking forward to playing once more with Malcolm Maddock, Jessa says: “Having worked together so much, we have a wonderful collaborative relationship, and Malcolm is such a sensitive and responsive accompanist.
“We’ve performed live together for the filming of the St Leonard’s Hospice Light Up A Life service – now available on YouTube at https://youtu.be/xkWheW34xB8 – and that was such a special moment, especially in the beautiful setting and acoustic of Selby Abbey.”
Sunday’s stage at the JoRo will be very simple and intimate. “The stars of this show are the songs,” says Jessa. “I will not be doing impressions of these legends or presenting tribute acts.
Out in the country: Mick and Jessa Liversidge taking in a breath of fresh Yorkshire when working on their Fields And Lanes recordings in lockdown
“What I aim to do is perform this massive range of songs in a way that is loyal to the original but also true to my own style. Every single song in this programme I love performing for different reasons, and I hope that passion comes across to the audience too.
“But unusually for December 20, this will not be a festive show, though Malcolm and I have found a way of including at least one festive-themed song in the evening while staying true to the Songbirds theme.”
Jessa and her husband, fellow performer Mick, have played their part in the reopening of the JoRo theatre in Haxby Road, York. “In September, Mick and I performed our Fields And Lanes show there as a test for their Covid safety procedures,” she reveals.
“We were really pleased to be able to help the theatre in this way, and it has allowed the theatre to finalise their procedures and guidelines, enabling them to reopen and make the theatre visit as safe as possible for all guests and performers.
“It also allowed us to test out our outdoor poetry and song-based show in an indoor setting and it worked really well.
“So, in 2021, we’re excited to be working together on a Fields And Lanes project for Helmsley Arts Centre, involving members of the community in workshops, leading up to a performance in March.”
Jessa advises: “There’ll be very limited places on these workshops as we hope to work very closely with people on their singing and poetry interpretation skills – and the final performance will be available both as a live theatre show and a live stream. Details will be on the Helmsley Arts Centre website from January.”
Jessa Liversidge in a still moment from one of her daily Singing For All Advent Singalongs throughout December
Meanwhile, this ever-busy people’s champion has been trying to keep all her singing groups going online amid the strictures of the pandemic. “This has been a particular challenge for my Singing For All group,” she says.
“I set up the group as a Community Interest Company in the summer – something I’d been meaning to do for a while – and, after nine months of drastically reduced participation due to the Covid situation, with so many of my members not being online, Singing For All is struggling to keep going.”
Aware that the “magic of Christmas would have to be a bit different for everyone this year”, Jessa decided to do a daily Singing For All Advent Singalong throughout December.
“Every day, I go live on Facebook and sing a festive song or two, while saying a little about how special Singing For All is, with a virtual busking hat so that people can help if they are able to. The Advent Singalongs can be found on my Facebook page and YouTube.”
On Saturdays throughout this month, Advent Singalong and Field Sing are being combined, with the festive songs being sung outside despite the inclement weather. Take a look at December 12’s results at https://youtu.be/lMUKkR7RR9s and at Jessa’s website blog on her busy festive diary at https://jessaliversidge.com/index.php/news/
Turning to 2021’s diary, Jessa says: “My hopes for next year are that I can somehow continue to keep singing and helping others find the singing joy, however I can. With any luck, at least some of that may be with live audiences and choirs.”
Tickets for Sunday’s show are on sale at josephrowntreetheatre.co.uk/whats-on/
MIck and Jessa Liversidge in the Yorkshire open air during their Fields And Lanes lockdown project
JESSA and Mick Liversidge are to perform Fields And Lanes Under The Willow Tree, an uplifting hour of timeless songs and poetry, in the open air at Easingwold Community Library on Sunday afternoon.
“Fields And Lanes is a joint project for Mick and me, inspired by the wonderful reaction we’ve had to our outdoor poetry and songs in lockdown,” says Jessa, the song half of the creative Easingwold couple, whose performances can be viewed at https://www.facebook.com/fieldsandlanes/.
“It’s been a great structure for us through the weird and difficult times we’ve all been going through: a way of expressing ourselves creatively, choosing and learning the songs and poems, and we’ve had such warm responses from a wide range of people.
Mick Liversidge performing one of the 82 outdoor poems he recited online once lockdown began
“To begin with, when lockdown started, it was great for those who couldn’t get out – and a nice way to see the countryside as well.”
Actor Mick chalked up 82 outdoor poetry readings before calling a temporary halt to his regular routine on September 9 when learning dialogue for acting work demanded his attention.
“It all began at the beginning of lockdown,” he recalls. “I was due to appear in a play at the end of March: it was a two-hander, so lots of dialogue learned and lots of work put in by all involved, for nothing.
“We are delighted to have the opportunity to share a selection of our songs and poems with an actual live audience,” says Jessa Liversidge, looking forward to Sunday afternoon’s performance. Picture: Rebecca Rowan
“So, I was feeling a bit lost and down, but we saw Sir Patrick Stewart had decided to recite a Shakespeare sonnet a day to keep him active, which prompted Jessa to suggest I should do the same with passages of Dickens.”
Mick took that advice on board but decided that his love of poetry should lead him to recite his favourite poems instead. “So, what I did was find a poem, learn it and go out into the beautiful countryside around here the following day and recite it,” he says.
“That’s what I did during lockdown, one day looking for a suitable poem, making sure it wasn’t too long, learning it during the evening, ready for ‘outdoor poem’ recital the following day.
Mick Liversidge as Malvolio in York Shakespeare Project’s Sit-down Sonnets at Holy Trinity, Goodramgate, York, in September
“It became harder as the weeks progressed as I had to find new poems that I’d not heard before. The positive side of that is I’ve found some real gems. I’ve loved doing this and it really has kept my brain active and ready for the next job when it comes along.”
Mick wrote on Facebook on September 9: “After 8I ‘outdoor poems’, today’s No. 82 will be my last…for now. I’ve loved reciting them so much and many of the poems have genuinely moved me to tears, so I’ve decided I’m going to continue reciting one a week for the foreseeable future. I’m looking forward to getting out into the countryside as the seasons change and finding new poems.”
Meanwhile, Easingwold Community Library has been running socially distanced, Covid-secure events under its beautiful willow tree, the latest being Sunday’s all-seated show starring Jessa and Mick at 2pm.
“It’s a beautiful space, under an amazing willow tree, and the forecast looks promising,” says Jessa
“We are delighted to have the opportunity to share a selection of our songs and poems with an actual live audience, after months of performing to our phones and laptops,” says Jessa, whose diary is invariably busy with teaching and choir-leading sessions for Singing For All, the York Military Wives Choir, youth choirs and more singing groups besides.
“On Sunday, Mick will include some of the most well-known poems such as John Masefield’s Sea Fever and W H Davies’s Leisure and even some Spike Milligan.
“The songs, from pop classics by Carole King and The Beatles to gentle folk songs, and even my own take on a Harry Lauder classic, will all be sung unaccompanied, apart from my new performing friends, the real songbirds.”
Back for more: Mick and Jessa hope to do more Fields And Lanes shows
Places for Fields And Lanes Under The Willow Tree must be booked in advance on 07526 107448 or via ecl.generalenquiries@gmail.com to ensure that everyone is aware of and agrees to the safety procedures. Tickets are free, with a pay-as-you-feel collection on the day.
“It’s a beautiful space, under an amazing willow tree, and the forecast looks promising,” says Jessa, who is keen to do further performances.
“With both of our busy schedules during normal times, it has been so lovely to work on this project together, and we hope to roll it out to other suitable venues in the next year. So, if anyone involved with an outdoor space would like us to bring Fields And Lanes to them, it can be arranged. You can send a message via https://www.facebook.com/fieldsandlanes/.”
AFTER her Singing For All choir had everyone singing I’d Like To Teach The World To Sing at A Night To Remember at York Barbican, now Jessa Liversidge wants to reach the world to sing online.
The York singer, entertainer and singing group tutor, leader and inspiration
is going virtual in response to these Coronavirus lockdown days.
“Going from running seven different singing groups a week, plus other sporadic ones, to having to cancel them all, I was faced with a big challenge,” says Jessa. “But I’ve been buzzing with ideas to keep people singing and to keep their spirits up in these strange times and I have a lot planned.”
Not only planned but coming to fruition already too. “I held my first
virtual choir session on March 18, mainly Easingwold folks but some extras,
including some singing leaders from all over, who came along to check out a
session from a singer’s perspective,” says Jessa.
“We did it again last night, building an online community choir with people
from Easingwold, Helmsley, York, and even other parts of the country – people who
knew me from elsewhere.”
Jessa Liversidge leading her Singing For All choir at Big Ian’s A Night To Remember charity concert at York Barbican on February 29. Picture: David Harrison.
How does it feel, performing together across the ether in our new social-distancing,
stay-at-home world? “It is, of course, very different to a real in-person
choir, but very uplifting and great fun,” says Jessa. “The good news is that
everything is on screen, so you don’t need to provide the lyrics!
“I’ve had some fantastic feedback from people too; the best quotes being
‘A wonderfully positive hour’ and ‘On a challenging day, when it felt hard to
be bright and cheerful, this was just a perfect end to the day. It was great to
let someone with a really joyful personality take you on a different type of
musical journey, a real sharing of community spirit’”
Jessa intends to run these sessions weekly on Wednesday evenings at 7pm. “People will need to contact me on 07740 596869 or email me at jessaliversidge@googlemail.com to find out how to join,” she advises.
She has started up York Military Wives Choir sessions too online, the
first one being held on March 19 for one of 70 such choirs across the country.
“I’m also setting up some free open-to-anyone sessions, starting with a live stream Singing For All session on YouTube that I held on Monday morning this week at 11am: the time the Easingwold Singing For All usually meets,” Jessa says.
“It was great to let someone with a really joyful personality take you on a different type of musical journey,” said one participant in response to joining Jessa Liversidge’s virtual choir session
“I’m so worried about some of the group as Singing For All has been a
lifeline to so many, and lots of them are now isolated in more than one way, so
this is important for them.”
Not only Easingwold Singing For All took part this Monday morning. “We had people joining in from their living rooms, again from across the country, and that singing session is now available on You Tube,” says Jessa. “Hundreds of people have watched it already, and we had people joining in as families and even with three generations. Hopefully these sessions will now happen every Monday morning.”
A further Singing For All virtual session will be running on Tuesday mornings at 11am, this one on Zoom, set in motion last Tuesday. To take part in these interactive sessions, you will need to ring or email Jessa.
She hatched one other project, abruptly halted by the Covid-19 lockdown’s
dictum on social distancing, banning gatherings of more than two people. “I was
going to try out some very spread-out, non-contact park sings,” says Jessa.
“Inspired by the Italians singing from their balconies, I thought this
was the nearest we could get to it, but that has had to fall by the wayside.
Instead I’m going to record myself singing outdoors, put that on social media
and then people can sing along to that.”
Anything else still to come, Jessa? “Yes, youth choirs.” Watch this space…and keep watching your space too, two metres apart; you know the drill by now.
