Tag: Sir Alan Ayckbourn

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More Things To Do in York and beyond when ghosts take over gardens. Here’s Hutch’s List No. 43, from The York Press

Sir Alan Ayckbourn: Marking 60th anniversary of his comedy Relatively Speaking with rehearsed reading and Q&A at the SJT tomorrow. Picture: Tony Bartholomew

FROM garden ghosts to Friends parody, Ayckbourn anniversary celebrations to Toussaint’s saxophone, Charles Hutchinson finds joy both outdoors and indoors.

Anniversary landmark of the week: Alan Ayckbourn’s Relatively Speaking, Stephen Joseph Theatre, Scarborough, Sunday, 2.30pm

AS part of the SJT’s fundraising weekend with Director Emeritus Sir Alan Ayckbourn, Sunday’s 60th anniversary rehearsed reading of Ayckbourn’s Relatively Speaking will be followed by a Q&A with Sir Alan.

Greg and Ginny are living together, but Greg suspects he is not the only man in her life. Prompted by Ginny’s plan to “visit her parents”, he decides to follow her. Ginny is in fact going to see a considerably older lover, but only to break up with him. Greg mistakes the ex-lover and his wife for Ginny’s parents, a situation only compounded by Ginny’s arrival. Antony Eden directs a cast of Hayden Wood, Gina Burnell, Liza Goddard and Russell Richardson. Box office:  01723 370541 or sjt.uk.com.

Ghosts In The Garden: York’s haunted history told in 58 wire-mesh sculptures

Spectral trail of the season: Ghosts In The Garden, across York, until November 2

ORGANISED by York BID (Business Improvement District), the Ghosts In The Gardens sculpture trail has returned to York’s public gardens, ruins, hidden corners and green spaces in a free family event featuring 58 3D wire-mesh figures inspired by York’s haunted history.

Crafted in partnership with York creative team Unconventional Design, the translucent figures range from soldiers to monks, with ten new spectral sculptures to “ensure fresh surprises for returning visitors”.

Dave Johns: Playing Laugh Out Loud Comedy Club tonight in rare York outing

Comedy gig of the week: Dave Johns, Paul Pirie, Josh Sedman and Damion Larkin, Laugh Out Loud Comedy Club, YO1 Live Lounge, York Barbican, today, 8pm

I, DANIEL Blake actor and comedian Dave Johns has appeared on the stand-up circuit since 1989. Now highly selective about where and when he performs, tonight’s show is a rare chance to catch him in York.

Scotsman Paul Pirie specialises in blurring the lines between real-life anecdotes and flight of fancy, jumping from bitchy to silly. Yorkshire comedian Josh Sedman is equipped with quips, “Wetherby Teeth” and a lovely head of hair. Promoter Damion Larkin hosts as ever. Doors open at 7:30pm. Box office: yorkbarbican.co.uk.

Dame Imogen Cooper: Piano concert at Helmsley Arts Centre tonight. Picture: Sussie Ahlburg

Classical concert of the week: Dame Imogen Cooper, Helmsley Arts Centre, today, 7.30pm

AFTER playing St Peter’s Church, Norton, at July’s Ryedale Festival, pianist Dame Imogen Cooper returns to Ryedale this weekend to play Bach’s Nun Freut Euch, Lieben Christen G’mein, arranged by Kempff;  Bach’s chorale-prelude Nun Komm’ der Heiden Heiland, arranged by Busoni and Schubert’s Four Impromptus, D. 899. Post-interval, her programme continues with Beethoven’s Seven Bagatelles and Schubert’s Four Impromptus, D. 935. Box office: 01439 771700 or helmsleyarts.co.uk.

Alicia Belgarde (Monica), left, Daniel Parkinson (Chandler), Enzo Benvenuti (Ross), Eva Hope (Rachel), Amelia Atherton (Phoebe) and Ronnie Burden (Joey) in Friends! The Musical Parody, on tour at Grand Opera House, York. Picture: Pamela Raith

The one where they sing: Friends! The Musical Parody, Grand Opera House, York, September 30 to October 4, Tuesday to Thursday, 7.30pm; Friday, 5.30pm and 8.30pm; Saturday, 2.30pm and 7.30pm

NEW York and Las Vegas hit Friends! The Musical Parody is a musical comedy packed with iconic moments from all ten seasons of the beloved television series, complemented by an original musical score. Join Rachel, Ross, Monica, Chandler, Joey, and Phoebe, the world’s most famous group of twenty-somethings, as they navigate love, friendship and life’s ups and downs in 1990s’ New York City.

“Whether you’re in a love triangle, trying to make it as an actor, or just can’t quit your day job, you’ll be laughing, crying, and quoting your favourite lines all night long,” the show promises. Box office: atgtickets.com/york.

Saxophonist Jean Toussaint: Opening autumn season at National Centre for Early Music on Wednesday

Jazz gig of the week: Jean Toussaint, National Centre for Early Music, Walmgate, York, October 1, 7.20pm

THE Jean Toussaint Quintet – saxophonist, composer and bandleader Toussaint, pianist Emile Hinton, bassist Conor Murray, drummer Ben Brown and trumpet player Joti – showcases his JT5 project’s latest album, recorded at London’s Vortex jazz club in 2024.

York Music Forum students will be working with Toussaint earlier in the day to share their work on stage from 7.20pm to 7.40pm. Box office: 01904 658338 or ncem.co.uk.

Sue Ryding, left, recalling her 40-year comedy partnership with the late Maggie Fox (inset) in LipService in Funny Stuff at Pocklington Arts Centre

Reflections on grief: LipService in Funny Stuff, Pocklington Arts Centre, October 2, 7.30pm

SUE Ryding is one half of legendary satirical duo LipService. In March 2022, her comedy partner, York actress and writer Maggie Fox, died  leaving Sue with a shipping container full of 40 years of stage props, costumes, wigs, hats, shoes, sheep, you name it.

This show looks at all the “stuff” we accumulate, hoard and hate to let go in her humorous and creative response to grief, wherein Sue struggles to part with a life-sized stuffed sheep, a badger onesie, some ruby slippers, a sinking bog, Charlotte Bronte’s knickers and a host of soft toys. Touring anecdotes are combined with archive footage from LipService shows. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Tom Smith: Editors’ frontman, playing solo show at Stockton on the Forest Village Hall

Indie rock gig of the week: Tom Smith, Stockton on the Forest Village Hall, near York, October 3, 7.45pm

TOM Smith, frontman of Birmingham indie rock band Editors since 2022, heads north to play a seated village hall gig in North Yorkshire, hosted by Off The Beaten Track and The Crescent, York. Expect a selection of new solo work alongside Editors’ favourites. Box office for returns only: thecrescentyork.com.

Cooper Robson: Say Owt Slam special guest at The Crescent, York

Sizzling spoken words of the week: Say Owt Slam with special guest Cooper Robson, The Crescent, York, October 3, 7.30pm

HEATON slam champion and left-wing, left-field loudmouth Cooper Robson returns to York for a special-guest full set of hard-hitting poetry, raucous comedy and outlandish at The Crescent. Robson sports “more meter than Mo Farrah, more nonsense than a sapling touching Tolkien-tree”, while spouting more trash than a government coastal policy. Box office: thecrescentyork.com or on the door.

Pixies: Playing York for first time in 40-year career next May

Gig announcement of the week: The Pixies, York Barbican, May 20 2026

CELEBRATING  40 years since their 1986 formation in Boston, Massachusetts, Pixies will head out on their Pixies 40 worldwide tour next year. The British and European leg will open with their long-overdue York debut on May 20 at York Barbican.

Founding members Black Francis, Joey Santiago and David Lovering will be touring with bassist Emma Richardson as they head to the UK, Ireland, Germany, Italy and the Netherlands. Tickets for their only Yorkshire concert are on sale at bnds.us/ziwfqx or yorkbarbican.co.uk/whats-on/pixies.

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‘The good is still there if we look for it,’ says Alan Ayckbourn as 91st comedy Earth Angel lands at Stephen Joseph Theatre

Iskander Eaton, left, and Hayden Wood in rehearsal for Alan Ayckbourn’s Earth Angel. Picture: Tony Bartholomew

“WE have to remember there are still good things floating about in the world today, though it’s often hard to see them,” says Alan Ayckbourn. “But the good is still there if we look for it.”

You can do that in the Scarborough knight’s 91st play, Earth Angel, premiering from September 13 to October 11 at his regular seedbed of the Stephen Joseph Theatre, where he directs a cast of Elizabeth Boag, Iskandar Eaton, Stuart Fox, Liza Goddard, Russell Richardson and Hayden Wood.

Ayckbourn’s comedy digs deep into one of life’s greatest mysteries: what makes someone a good person, and in this day and age, can you ever really be sure?

Meet Gerald, who has lost his wife of many years. Amy was the light of his life, almost heaven-sent, and while it can be tricky thinking of life without her, he must put on a brave face, accept help from fussy neighbours and muddle along as best he can.

Elizabeth Boag rehearsing Alan Ayckbourn’s Earth Angel, opening at the SJT on September 13. Picture: Tony Bartholomew

However, a mysterious stranger turns up at Amy’s wake, who seems a nice enough chap, washing the dishes and offering to shop for Gerald, but is he all that he appears? Cue conspiracy theories. Could he be a killer or a man from Mars maybe?

“I invite people to join in the conjecturing in this play because most of us are now conditioned by watching streamed dramas on Netflix and Amazon Prime to look for the bad guys from the start,” says Sir Alan.

“I think that the good sometimes might just fall through the floorboards because it might be mistrusted. No-one is safe now from this intense scrutiny.

“We used to live in a world where we admired someone and thought we could leave the world in their hands because we trusted them, but now, when someone introduces themselves as a politician, we think ‘liar’. It tends to be pillocks that rise to the top and make themselves appallingly visible, though there are still some ‘nice people’ in politics. But we’ve lived through strange times, like Covid, where some people are now saying it was a total con.”

Cup in hand: Liza Goddard in the rehearsal room for Earth Angel. Picture: Tony Bartholomew

Amy, once a folk singer, is depicted in the show poster in stained glass, with a microphone, and is described as an “Earth Angel” in the vicar’s eulogy. “One of the guests at the funeral wake says he thought Gerald’s wife was too nice, but when they’re ‘too nice’, you support them, don’t you?” says Sir Alan.

Now 86, he has completed his next play already and is in the process of writing play number 93. “I have trained as a sprinter, but I’m now presented with a marathon course. I’m now restricted to one production a year, directing one play a year, after a year’s worth of preparation, and at last being allowed to breathe life into it in the rehearsal room, hearing it read for the first time by the cast on August 11. I like to hear it, like hearing a bar of music, and you can’t tell if it works until you hear the whole thing.”

After more than 90 plays, Sir Alan says: “I try not to repeat themes, though I do repeat structures – and the next one is totally different: my first venture into a courtroom drama, but not a conventional courtroom drama as it takes place 100 years hence. It’s one of my futuristic plays with a lot of AI in there.

“The concept that androids are inbuilt with the ability to destroy humanity is built into most science fiction, and here an android is being put on trial for the murder of a 13-year-old girl, and on this case all sorts of legal precedence depends.”

Earth Angel writer-director Alan Ayckbourn in his Scarborough garden. Picture: Tony Bartholomew

These days, Ayckbourn tends to write of the past and the future, less so of the present, but Earth Angel bucks that trend. “I once said that, at the age I am, my view has to be either backwards or forwards, but very rarely do I stare straight out of the window, but that’s what I’ve done for Earth Angel,” he says.

“Last year I was looking back [in Show And Tell, his ‘love letter to theatre’]; in next year’s play, I’m looking forward. I’m fascinated by the fact that we’re within a stone’s throw of creating images of ourselves in artificial form but with a totally different outlook, with no sense of life expectancy.”

As for his cast, three – Iskandar Eaton, Russell Richardson and Haydon Wood – are working with Ayckbourn for the first time. “I still contend that 80 per cent of a successful production is the casting,” he says.

“I always try to keep at least a third of the cast for any play new to me. If you go into the rehearsal room each time with the same old faces time after time, there can be a tendency towards complacency and taking it for granted.”

Alan Ayckbourn’s Earth Angel runs at Stephen Joseph Theatre, Scarborough, from September 13 to October 11, then on tour until November 8. Scarborough box office: 01723 370541 or sjt.uk.com.  

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More Things To Do in York and beyond when truth will out for tips for trips on days ahead. Hutch’s List No. 38, from The Press

Dawn French: Frank confessions of a comedian at York Barbican

FRENCH comedy, a very English murder thriller, state-of-the-nation politics and police procedures stir Charles Hutchinson into action for the week ahead.

Comedy gigs of the week: Dawn French Is A Huge Twat, York Barbican, tonight and tomorrow, 7.30pm

HER show is so named because, unfortunately, it is horribly accurate, says self-mocking comedian and actress Dawn French. “There have been far too many times I have made stupid mistakes or misunderstood something vital or jumped the gun in a spectacular display of twattery,” she explains. 

“I thought I might tell some of these buttock-clenching embarrassing stories to give the audience a peek behind the scenes of my work life.” Tickets update: Limited availability at yorkbarbican.co.uk.

Tonight, meanwhile, Sarah Millican plays a Work In Progress gig at Pocklington Arts Centre at 8pm. Sold out already alas.

A scene from Original Theatre Company’s touring production of Torben Betts’s new play, Murder In The Dark, starring Tom Chambers and Susie Blake. Picture: Pamela Raith

Thriller of the week: Original Theatre Company in Murder In The Dark, York Theatre Royal, Tuesday to Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees

TOM Chambers and Susie Blake star in Torben Betts’s new ghost story chiller cum psychological thriller, set on New Year’s Eve, when a crash on a deserted road brings washed-up singer Danny Sierra and his dysfunctional family to an isolated holiday cottage in rural England.

From the moment they arrive, inexplicable events begin to occur…and then the lights go out, whereupon deeply buried secrets come to light. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Robin Simpson: Pantomime dame and storyteller, bringing Magic, Monsters and Mayhem to York tomorrow afternoon. Picture: Joel Rowbottom

Children’s show of the week: Magic, Monsters and Mayhem with Robin Simpson, Bluebird Bakery, Acomb Road, Acomb, tomorrow, 4.30pm

YORK Theatre Royal pantomime dame Robin Simpson – he will be playing Dame Trott in Jack And The Beanstalk this winter – switches to storyteller mode to journey back to magic school on Sunday afternoon.

He will be telling stories of wonderful creatures, exciting adventures and “more magic than you can wave a wand” as he places the audience in charge of an interactive show ideal for Harry Potter fans.  Suitable for Key Stage 2, but smaller siblings are welcome too, along with Potter-potty grown-ups. Box office: bluebirdbakery.co.uk.

Hannah Baker, left, Harvey Badger, Eddie Ahrens and Rachel Hammond in Mikron Theatre’s A Force To Be Reckoned With. Picture: Anthony Robling

Police spotted operating in the vicinity: Mikron Theatre in A Force To Be Reckoned With, Clements Hall, Nunthorpe Road, York, tomorrow, 4pm

IN Amanda Whittington’s new play for Marsden travelling players Mikron Theatre, fresh from police training school, WPC Iris Armstrong is ready for whatever the mean streets of a 1950s’ northern market town can throw at her.

Joining forces with fellow WPC Ruby Weston, they make an unlikely partnership, a two-woman department, called to any case involving women and children, from troublesome teens to fraudulent fortune tellers. Box office: 07974 867301 or 01904 466086, or in person from Pextons, Bishopthorpe Road, York.

Kathryn Williams and Polly Paulusma: Songwriters at the double at Pocklington Arts Centre

Songwriting bond of the week: Kathryn Williams & Polly Paulusma: The Big Sky Tour, Pocklington Arts Centre, Tuesday, 8pm

AS label buddies on One Little Independent Records, Kathryn Williams and Polly Paulusma met on a song-writing retreat. They wrote songs together and tutored courses at Arvon Foundation and as their friendship developed and strengthened, they supported each other over lockdown.

It seemed a foregone conclusion that they would tour together at some point. Finally, those Thelma and Louise dreams – hopefully without the killing or the cliff finale – come true on a month-long itinerary, playing solo sets and uniting for a few songs. Box office: pocklingtonartscentre.co.uk.

Mike Skinner: The Streets’ composer-turned-filmmaker discusses his debut film in Q&A appearances at Everyman Leeds and Everyman York

Streets ahead: Mike Skinner’s film The Darker The Shadow The Brighter The Light and Q&A, Everyman Leeds, September 21, 8pm; Everyman York, September 25, 7pm

THE Streets’ Mike Skinner presents his debut feature film, the “neo-noir” clubland thriller The Darker The Shadow The Brighter The Light, in an exclusive Q&A tour to Everyman cinemas.

Birmingham multi-instrumentalist and vocalist Skinner funded, wrote, directed, filmed, edited and scored his cinematic account of the seemingly mundane life of a DJ whose journey through London’s nightclubs turns into a tripped-out modern-day murder mystery. Each screening will be followed by a live question-and-answer session with Skinner, giving an insight into the music and story behind the film. Box office: thestreets.co.uk.

Mark Thomas: Comedian stars in Ed Edwards’s one-man play England And Son at York Theatre Royal Studio

Political drama of the week: Mark Thomas in England And Son, York Theatre Royal Studio, September 22, 7.45pm; September 23, 2pm and 7.45pm

POLITICAL comedian Mark Thomas stars in this one-man play, set when The Great Devouring comes home: the first he has performed not written by the polemicist himself but by playwright Ed Edwards.

Edinburgh Fringe award winner England And Son has emerged from characters Thomas knew in his childhood and from Edwards’s lived experience in jail. Promising deep, dark laughs and deep, dark love, Thomas undertakes a kaleidoscopic odyssey where disaster capitalism, Thatcherite politics and stolen wealth merge into the simple tale of a working-class boy who just wants his dad to smile at him. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Rowntree Park, by Jo Rodwell, one of 26 printmakers taking part in the York Printmakers Autumn Fair

Print deadline: York Printmakers Autumn Fair, York Cemetery Chapel and Harriet Room, September 23 and 24, 10am to 5pm

IN its sixth year, the York Printmakers Autumn Fair features work by 26 members, exhibiting and selling hand-printed original prints, including Russell Hughes, Rachel Holborow, Michelle Hughes, Harriette Rymer and Jo Rodwell.

On display will be a variety of printmaking techniques, such as linocut, collagraphs, woodcut, screen printing, stencilling and etching. Artists will be on hand to discuss their working methods and to show the blocks, plates and tools they use.

Sir Alan Ayckbourn: The truth will out when he takes to the SJT stage tomorrow afternoon. Picture: Tony Bartholomew

In Focus: Theatre event of the week: Alan Ayckbourn’s Truth Will Out, Stephen Joseph Theatre, Scarborough, tomorrow, 2.30pm

IN a rare stage appearance, Sir Alan Ayckbourn plays Jim in a rehearsed reading of his Covic-crocked 2020 SJT premiere Truth Will Out, joined by John Branwell, Frances Marshall and the cast of his 89th play, Constant Companions.

Truth Will Out is an up-to-the-minute satire on family, relationships, politics and the state of the nation, wherein everyone has secrets. Certainly former shop steward George, his right-wing MP daughter Janet, investigative journalist Peggy and senior civil servant Sefton do.

Enter a tech-savvy, chippy teenager with a mind of his own and time on his hands to bring their worlds tumbling down, and maybe everyone else’s along with them, in Ayckbourn’s own “virus” storyline, written before Coronavirus stopped play.

“It’s ‘the one that got away’, with most of the cast in place, and we even did a season launch,” says Sir Alan. “The play was one of my ‘What ifs’: what if a teenager invented a virus that brought the whole thing down. A ‘virus’ play, like Covid, with the virus escaping and the play ending in the dark, waiting till dawn.”

Racism, trade unionism and infidelity all play their part in Truth Will Out too. “It’s a melting pot of wrongdoings,” says Sir Alan. Tickets update: limited availability on 01723 370541 or sjt.uk.com.

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What will Mark Stratton uncover in Esk Valley Theatre premiere of debut moorland ‘thriller drama’ Deals And Deceptions?

Clara Darcy’s Jen Stevens in Esk Valley Theatre’s premiere of Mark Stratton’s Deals And Deceptions. Picture: Tony Bartholomew

IN artistic director Mark Stratton’s first play for Esk Valley Theatre, Danny and Jen leave London and head to an isolated cottage in the North York Moors. City clashes with country, dark forces are at work and humorous situations arise.

“We may think we know the person we are married to, but do we?” asks Stratton, who is joined in the cast by Clara Darcy, Dominic Rye and late addition Elizabeth Boag at the Robinson Institute, Glaisdale, near Whitby. “What someone chooses to show the world is not always who they are. If they trade in deals and deceptions, then a day of reckoning will surely come.”

Here Mark discusses triple threats, London versus Yorkshire, debut plays and the impact of making a house move with CharlesHutchPress.

What prompted you to write a play for Esk Valley Theatre and why now, Mark?

“Ever since Esk Valley Theatre was formed, we’ve looked for a contemporary play that reflected something of life in the North York Moors and haven’t discovered anything suitable in nearly 20 years! So, I thought it was time for me to have a go at writing one and Deals And Deceptions is the result.”

Does your experience as a director and actor help you to write a play?

“Certainly. Actors and directors probably absorb more knowledge of play writing than they realise. I think it was Stephen Joseph who thought that all actors should have a go at writing. It definitely makes you appreciate the craft and gives a greater understanding of what makes a play work.”

A Rye look: Dominic Rye as investment company boss Danny Stevens in Deals And Deceptions. Picture: Tony Bartholomew


What inspired you to write Deals And Deceptions?

“Over the years I’ve had a growing fascination with the way people manipulate their personality to suit a particular situation.  Deals And Deceptions looks at some of the ways people shift personality and that is the driving force behind the play.”

What is the style of the piece?

“Good question. I personally find it difficult to put a label on it, but some people have described it as a thriller drama. Having said that, it generates good amounts of laughter and if you have any knowledge of farming and life in the Moors then I think it reflects something of the dry Yorkshire humour that exists in our communities.”

What is the tone? Gravely serious or darkly humorous or both?

“A bit of both, although the tone is lighter to begin with and gradually shifts to a darker place as the narrative unfolds.”

Leaving London for the North York Moors…dare CharlesHutchPress mention American Werewolf In London?!

“I guess leaving London for the North York Moors is where the similarities end and there are no attacking wolves!”

Mark Stratton as North York Moors farmer Wink Towson in Deals And Deceptions. “He’s an amalgamation of a number of farmers that I’ve met over the years,” says Mark. “He’s got a twinkle in his eye and a wry sense of humour”. Picture: Tony Bartholomew


Why do people learn more about themselves when they change their living environment?

“I’m pleased you’ve asked that, because one of the central themes is about the journey of self-discovery that Jen goes on. She’s forced to adapt to a new way of life and finds joy and enlightenment through leaving her past behind.”

How much does the isolated North York Moors setting add an extra character to the play?

“The North York Moors is definitely an additional character and the presence of the Moors looms large throughout the play.”

What attracts people to move from London to Yorkshire?

“The dream of a better way of life with cleaner air to breathe? A romantic vision of country life? I guess there are many reasons, but in Deals And Deceptions Danny and Jen leave because they have to. They are on the run, but only Danny knows why.”

Elizabeth Boag: Answering the late call to return to Esk Valley Theatre for summer 2023


Describe the characters of Danny and Jen Stevens…

“When we first meet them, they appear as a thirty-something city couple who’ve done well for themselves, and it seems that Danny runs some kind of investment company. But is Danny speaking the truth? They have to leave London in a hurry… and I can’t give away any more than that!”

Why pick Dominic Rye and Clara Darcy for these roles?

“We held our usual round of auditions and Dominic had all the attributes we were looking for. They are tremendous.

“We also had a late addition to the cast with Elizabeth Boag stepping in at the last minute to play ‘The Woman’. Liz is a phenomenal actor who was in our production of Same Time Next Year and luckily for us, she was able to join the company at a moment’s notice.”

How much does the isolated North York Moors setting add a fifth character to the piece?

“The North York Moors is definitely an additional character and the presence of the Moors looms large throughout the play.”

Esk Valley Theatre’s poster for the premiere of Mark Stratton’s debut play Deals And Deceptions

Writing, directing and performing the role of farmer Wink Towson: the triple threat, Mark Stratton style! Discuss…

“It’s something I always said I would never do! I guess I always thought it would signify an out-of-control ego. However, I wrote the play initially with two actors in mind to play five characters and we’ve now ended up with four actors. Because Wink is older than the others it made sense for me to take it on. It’s very much a cameo and I hope the ego remains firmly in control.”

Have you sought any advice on writing a play from esteemed Esk Valley Theatre supporter Sir Alan Ayckbourn?

“Not directly, but I have had the great pleasure of working with Alan as an actor and also working with him as an assistant director last year. I’ve seen a huge number of his plays over the years and he remains the foremost influence on everything I do in the theatre. He is a giant in the industry and a master of his craft. It would be a fool who couldn’t learn something from him.”

Esk Valley Theatre in Deals And Deceptions, Robinson Institute, Glaisdale, Whitby, until August 26; Monday to Saturday, 7.30pm; 2.30pm matinees on August 10, 12, 15, 17, 22 and 24. Box office: 01947 897587, 10.30am to 1pm; 3.30pm to 7.15pm, or eskvalleytheatre.co.uk.

Cast: Clara Darcy asJen Stevens; Dominic Rye as Danny Stevens and gardener Jed Winter; Elizabeth Boag, The Woman; Mark Stratton, Wink Towson. Writer and director: Mark Stratton.