Something wicked this way comes…at last as York Shakespeare Project’s delayed Macbeth takes a bewitched cyberpunk turn

Vaulting ambition: Emma Scott in rehearsal for her lead role as Macbeth in York Shakespeare Project’s Macbeth. Picture: John Saunders

THE curse of Macbeth combined with Lockdown 1’s imposition to put a stop to York Shakespeare Project’s Scottish Play just one week before its March 2020 opening.

Rising like the ghost of Banquo, but sure to be better received, Leo Doulton’s resurrected production will run at Theatre@41, Monkgate, from October 26 to 30 as the 37th play in the York charity’s mission to perform all Shakespeare’s known plays in a 20-year span.

Doulton is casting Macbeth into a dystopian cyberpunk future, using a dramatic new staging to bring to life this dark tale of ambition, murder and supernatural forces.

“This production has had an unusually long journey, and I’m grateful to everyone involved for their wonderful creativity and resilience over the years, whether they’re a veteran of the original production or a newcomer,” he says.

Nell Frampton as The Lady in the York Shakespeare Project rehearsal room. Picture: John Saunders

“It would be impossible to present Macbeth in the same way as when we started work on it before the pandemic. We’ve moved from a world where we fear quite specific things to one where we fear more pervasive, invisible ones, such as the pandemic and the climate crisis. 

“Cyberpunk is an exciting genre for Macbeth, allowing us to explore Shakespeare’s ideas of lurking corruption, a disintegrating reality, and the search for some moral certainty. It is a magnificent play, and I look forward to sharing this production at long last.”

YSP secretary Tony Froud says: “We were all disappointed not to see Macbeth take place last year, when we were so close to the finish line, especially after the hard work of Leo and the cast and crew.

“During lockdowns and restrictions on performance, we’ve done our best to stay engaged with our community with online play readings and two successful outdoor productions of Sit Down Sonnets, but we’ve always been planning to return to this play and the resumption of our 20-year mission.

Tony Froud’s Ross, with Emma Scott’s Macbeth, left, and Elizabeth Elsworth’s Duncan, rehearsing a scene for Leo Doulton’s Macbeth production. Picture: John Saunders

“We’re really pleased that Leo and so many of the cast have been able to return, and we can’t wait to share this production with a wider audience.” 

York Shakespeare Project in Macbeth, Theatre@41, Monkgate, York, October 26 to 30, 7.30pm and 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.

Tickets cost £15; £5 for students, means-tested benefit recipients and under-18s. The October 26 performance is an open dress rehearsal with tickets at £5.

YSP’s plot summary

MACBETH receives a prophecy from a trio of witches that one day he will become king. Torn between duty and the chance of greatness, Macbeth and his devoted wife murder King Duncan and take the throne for themselves. Macbeth slowly turns into a tyrant, as corrupt as the strange witches. Meanwhile, the forces of virtue realise what Macbeth has become and a civil war begins.

Clive Lyons as Banquo in York Shakespeare Project’s Macbeth. Picture: John Saunders

Cast

Macbeth: Emma Scott

The Lady: Nell Frampton

Banquo, Siward: Clive Lyons

Fleance, Donalbain, Son, Young Siward: Meredith Stewart

Macduff: Frank Brogan

Duncan, Lady Macduff, Menteith: Elizabeth Elsworth

Malcolm: Rhiannon Griffiths

Lennox: Andrea Mitchell

Ross: Tony Froud

Angus: Sarah-Jane Strong

First Witch, First Murderer, Doctor: Joy Warner

Second Witch, Second Murderer, Gentlewoman: Diana Wyatt

Third Witch, Third Murderer, Caithness, Seyton: Xandra Logan

That clinches it: Emma Scott’s Macbeth and Nell Frampton’s The Lady embrace. Picture: John Saunders

Creative crew

Director: Leo Doulton

Set and costume designer: Charley Ipsen

Lighting designer: Neil Wood

Sound designer: Jim Paterson

Poster design: Charles Keusters

Company back story

YORK Shakespeare Project (YSP) was established in 2001 with a commitment to perform all of Shakespeare’s known plays in York over 20 years.

Debut production Richard III took place in 2002, since when YSP has staged 35 productions, covering 36 of Shakespeare’s plays. Despite the pandemic-enforced delays, YSP still plans to complete the project in 2022.

For more information, go to: yorkshakespeareproject.org.

Macbeth director Leo Doulton

Coming up at CharlesHutchPress: Director Leo Doulton discusses his dystopian, cyberpunk Macbeth.

Wanted: Director for York Shakespeare Project’s open-air sonnets production

Talking tartan: Helen Wilson performing at York Shakespeare Project’s socially distanced Sit-down Sonnets in the churchyard at Holy Trinity Church, Goodramgate, York, last September

YORK Shakespeare Project is issuing a call-out for a director for this year’s outdoor sonnet performances.

“We would like to hear from people interested in directing Sonnet Walks/Sit-down Sonnets 2021, our annual open-air production incorporating selections from Shakespeare’s sonnets in a devised framework,” says YSP’s Tony Froud. 

Masked up: The poster for last September’s graveyard smash, Sit-down Sonnets

“Last September, our Sit-down Sonnets, staged by director Mick Taylor at a socially distanced Holy Trinity Church, Goodramgate, were welcomed by performers and audiences alike. Now, in these continuing uncertain times, we would like to mount a new production of the sonnets.”

When and where that can happen remains to be seen, says Tony. “No dates have been set but we expect this to be later in the summer, and we want to appoint someone with a strong idea for this year’s production so that we can begin work on making it happen.”

The director’s role is not a professional appointment. If you are interested, please contact Tony Froud at yorkshakespeareproject@gmail.com to receive more details.

Picture this: Mick Liversidge performing at York Shakespeare Project’s Sit-down Sonnets in 2020