Who’s who in Beauty And The Beast: from left, Phil Atkinson’s Hugo Pompidou, Jen Caldwell’s Belle, Dani Harmer’s Fairy Bon Bon, Leon Craig’s Polly la Plonk, Samuel Wyn-Morris’s The Beast and Phil Reid’s Louis La Plonk
WHO will play the lead roles – the last to be announced – in the Grand Opera House pantomime, Beauty And The Beast, in York?
Producers UK Productions have confirmed that SIX The Musical star Jen Caldwell will be heading back to the Cumberland Street theatre after her fun-loving Yorkshire-voiced minx Anne Boleyn was head and shoulders the stand-out in Toby Marlow and Lucy Moss’s pop concert musical in October 2022.
“I am so excited to be returning to York and the beautiful Grand Opera House after having a wonderful time there with SIX back in 2022,” says Jen. “I can’t wait to meet all the wonderful panto audiences and spread some festive joy.”
Welsh actor Samuel Wyn-Morris, whose role as Enjolras in Les Miserables brought him to Leeds Grand Theatre in November 2022, will be The Beast in the December 7 to January 5 2025 run.
New addition: Jen Caldwell’s Belle in Beauty And The Beast
“I am thrilled to be returning to Beauty And The Beast and to pantoland this Christmas,” says Samuel, who starred in the Sunderland Empire’s version last winter. “To be in beautiful York over the festive period is exciting and I’m looking forward to it greatly.”
Caldwell and Wyn-Morris will be joining the previously announced Tracy Beaker star Dani Harmer’s Fairy Bon Bon, Phil Atkinson’s villainous Hugo Pompidou, Leon Craig’s dame, Polly la Plonk, comedian Phil Reid’s Louis la Plonk and David Alcock’s Clement, the villain’s sidekick.
Martin Dodd, UK Productions’ managing director and producer, says: “We are absolutely delighted to welcome Samuel and Jen to the company of Beauty And The Beast. Both are amazing West End musical theatre talents and bring a wealth of experience to what we can promise will be the most musical, and magical, of all pantomimes.”
Heading for a beheading: Jen Caldwell’s Anne Boleyn in SIX The Musical, on tour at the Grand Opera House, York, in October 2022. Picture: Pamela Raith
What lies in store in the first pantomime since the final curtain for Dame Berwick Kaler’s three-year residency at the Grand Opera House? “This year’s panto brings a larger-than-life range of characters together with side-splitting comedy, stunning sets and costumes, and with an award-winning script by Jon Monie, this will be a magnificent must-see musical adventure,” says the publicity machine.
“With additional morning performances for schools and suitable for all ages, this is not to be missed, with tickets from just £15.”
Laura McMillan, the Grand Opera House theatre director, says: “From the West End to York, this year our pantomime is set to be like nothing seen before at the Grand Opera House. We can’t wait to welcome families and friends to join us for this festive spectacular and I know the talented cast will wow our audiences and create memories for years to come.”
Credits include: Cover/resident director in Kathy & Stella Solve A Murder (West End); Emmeline Pankhurst in Fantastically Great Women Who Changed the World (UK tour); Anne Boleyn in Six The Musical (UK, Ireland & Korea tour & West End); alternate Anne Boleyn & Katherine Howard in Six The Musical (UK & Ireland tour),
Swing/cover Heather/resident director in Green Day’s American Idiot (UK and Ireland tour); swing/cover Emily in Knights Of The Rose, (Arts Theatre); Flick in The Rhythm Method workshop, (The Bush Theatre and The Landor Space); Dyanne in Million Dollar Quartet (Indian tour); cover Dyanne/resident director/resident choreographer in Million Dollar Quartet (UK and Ireland tour); cover Princess Fiona in Shrek The Musical (UK and Ireland tour) and cover Sophie and Ali in Mamma Mia! (Prince of Wales and Novello Theatres).
Samuel Wyn-Morris: the back story
Samuel Wyn-Morris in his role as The Beast
TRAINED at Guildford School of Acting.
Best known for his role as Enjolras in Cameron Mackintosh’s Les Miserables.
Theatre credits include: Beauty & The Beast (Sunderland Empire); Frederick Fleet in Titanic The Musical (China tour); Enjolras in Les Misérables (UK tour); Feuilly/Understudy Jean Valjean & Enjolras in Les Misérables (Sondheim Theatre); Feuilly/Understudy Enjolras in Les Misérables – The Staged Concert (Sondheim Theatre); Ensemble in Alan Ayckbourn’s The Divide (Old Vic Theatre).
The 2023 tour cast for SIX The Musical. Picture: Pamela Raith
SIX times three equals another chance to see Toby Marlow and Lucy Moss’s “Spouse Girls” revenge musical at the Grand Opera House,York, from October 14 to 18.
Tickets go on sale on Wednesday morning at atgtickets.com/york for the royal return of the West End and Broadway hit that enjoyed sold-out runs at the Cumberland Street theatre in October 2022 and June 2023.
Remixing 500 years of historical heartbreak into an 80-minute celebration of 21st century girl power, Marlow and Moss’s all-female show for the millennial age reactivates the lives of the six wives of Henry VIII in modern mode, with attitude. Call it gig theatre, call it a pop concert, wherein the Queens tell their story in song in chronological order to decide who suffered most at Henry’s hands once he put a ring on that wedding finger.
Premiered by the Cambridge University Musical Theatre Society in a 100-seat room at the 2017 Edinburgh Fringe, SIX The Musical has grown into a global phenomenon. Productions are playing on Broadway at the Brooks Atkinson Theatre, New York, and across the United States on tour, while the West End production continues its third royal residence at the Vaudeville Theatre and the UK tour is booking through to 2025, selling out wherever it goes.
The 2022 tour cast for SIX The Musical
Winner of the 2022 Tony Award for Best Original Score and Best Costume Design on Broadway, the 2022 and 2023 Whatsonstage Award for Best West End Show and 2020 BBC Radio 2 Audience Award for Best Musical, SIXalso was nominated for five Olivier awards, including Best New Musical.
The SIX cast has performed on the results show of ITV’s Britain’s Got Talent and BBC’s Children in Need Appeal Show; the show’s songs have attracted 300 million streams and three billion views on TikTok, and the original studio album has achieved gold status, marking 100,000 sales in the UK.
SIX is co-directed by Lucy Moss and Jamie Armitage, choreographed by Carrie-Anne Ingrouille and designed by Emma Bailey (set), Gabriella Slade (costumes), Tim Deiling(lighting) and Paul Gatehouse (sound).
The score features orchestrations by Tom Curran, with music supervision and vocal arrangements by Joe Beighton, working in tandem withmusical director Jennifer Deacon and UK musical supervisorKaty Richardson.
Alex Cardall’s Eeyore, left, Robbie Noonan’s Tigger, Benjamin Durham’s Winnie the Pooh and Lottie Gregan’s Tigger in Disney’s musical adventure Winnie The Pooh. Picture: Pamela Raith
GEORGIAN glories, Forties’ swing bombshells, the joy of SIX, storytelling with pizza and Pooh and Tigger adventures bring a bounce to Charles Hutchinson’s step.
Children’s show of the week: Disney’s Winnie The Pooh, Grand Opera House, York, Tuesday, 5pm; Wednesday, 11am and 2pm
DEEP in the Hundred Acre Wood, a new musical adventure unfolds for A A Milne’s beloved characters Winnie the Pooh, Christopher Robin and their best friends Piglet, Eeyore, Kanga, Roo, Rabbit, Owl and Tigger.
Accompanying the modern narrative and life-size puppetry in Jonathan Rockefeller’s show will be Nate Edmondson’s score, featuring Grammy Award-winning songs by the Sherman Brothers, such as The Blustery Day, The Wonderful Thing About Tiggers and Whoop-De-Dooper Bounce, plus Milne’s The More It Snows (with music by Carly Simon) and Sing Ho in a new arrangement. Box office: atgtickets.com/york.
7 Days at the races: Craig David at York Racecourse Music Showcase weekend, today
SOUTHAMPTON soul singer Craig David, of 7 Days romancing fame, performs hits galore after today’s racing on Knavesmire. Fill Me In, Walkaway, Rise & Fall, All The Way and I Know You are likely to feature in his early evening set with a finishing time of 7.30pm.
Gates open at 11.15am for the 2.05pm start to the seven-race card. Best bet for a ticket, as the County Stand and Grandstand & Paddock are full already, will be the more informal Clocktower Enclosure. Buy on the gate.
Alexander Flanagan Wright, left, and Phil Grainger: Premiering Helios at the Stilly Fringe tomorrow night
Stilly Fringe storytelling: James Rowland in Piece Of Work, tomorrow, 7.15pm; Wright & Grainger in Helios, tomorrow, 8.45pm, At The Mill, Stillington, near York
AHEAD of his Edinburgh Fringe run, James Rowland opens the Stilly Fringe 2023 storytelling double bill with Piece Of Work, his follow-up to Learning To Fly. Combining story, comedy and music, Piece Of Work takes the form of a road trip searching for the writer of a letter that exploded Rowland’s life. Will he find a sense of home and maybe save a life too?
Edinburgh-bound Alexander Flanagan Wright and Phil Grainger introduce Helios, their latest instalment of stories and songs rooted in Greek myths, in the wake of Orpheus, Eurydice and The Gods The Gods The Gods. Any Stilly Fringe benefits? 1. Pizzas are on the menu from 6.30pm. 2. One ticket covers both shows at tickettailor.com/events/atthemill/957195.
The poster for Spark Comedy Fringe
Funday Sunday: Burning Duck Comedy Club presents Spark Comedy Fringe, Events Space @ Spark:York, York, tomorrow, 4pm
FOUR acts in one day are on the Burning Duck bill of Edinburgh Fringe previews, kicking off at 4pm with comedian, animator and computer programmer Neil Harris’s Codebreaker show about the Enigma machine, Alan Turing and Bletchley Park, followed by Stanley Brooks’s I Can Make Me Rich, an inspirational, interactive seminar to change your life and bring you cash at 5.30pm.
In Eryn Tett Finds Her Audience at 7pm, this absurdist stand-up misfit combines surreal storytelling with odd observations and wordplay; Tom Lawrinson concludes the cornucopia of comedy with weird, wonderful and completely unexpected punchlines in Hubba Hubba at 8.30pm. Each show costs £5 in advance for guaranteed entry or you can Pay What You Want post-show. A £15 ticket gives entry to all four performances. Box office: wegottickets.com/spark-comedy-fringe.
SIX of the best: Henry VIII’s Queens hit back in song at Leeds Grand Theatre. Picture: Pamela Raith
Musical of the week: SIX The Musical, Leeds Grand Theatre, Tuesday to Sunday
TOBY Marlow and Lucy Moss’s Spouse Girls musical/pop concert wowed York in late-June. Now Leeds awaits the dancing queens with attitude who tell their story in song to decide who suffered most at Henry VIII’s hands once he put a ring on that wedding finger.
Look out for Knaresborough actress Lou Henry in the role of the apparently not-so-squeaky-clean Catherine Howard, short-lived wife number five. Box office (probably for frustration only): 0113 243 0808 or leedsheritagetheatres.com.
In the swing of things: Alice McKenna, left, and Gleanne Purcell-Brown in Alan Plater’s Blonde Bombshells Of 1943 at the SJT. Picture: Pamela Raith
Forties’ flavour of the week: Blonde Bombshells Of 1943, Stephen Joseph Theatre, Scarborough, Wednesday to August 26
ZOE Waterman directs a cast of eight actor-musicians in the SJT, Bolton Octagon and Keswick Theatre by the Lake’s lavish, lively co-production of Hull playwright Alan Plater’s warm and witty musical play.
Meet The Blonde Bombshells, the most glamorous all-girl swing band in the north, whose membership goes down every time they play a GI camp. Now an important BBC job is in the offing and Betty needs to find new musicians fast. Expect Glenn Miller, George Formby, Fats Waller and Andrews Sisters classics aplenty. Box office: 01723 370541 or sjt.uk.com.
Castle Howard, egg tempera on gesso on canvas, by Amy Dennis, on show in the Northern Prospects exhibition at Janette Ray Rare Books
Exhibition of the week: Northern Prospects, Janette Ray Rare Books, Bootham, York, Wednesday to Friday, 10am to 5pm, until August 19
LOTTE Inch Gallery’s pop-up show of York and northern paintings, prints and ceramics at Janette Ray’s bookshop is being expanded with ceramics by York artists Ben Arnup, Mark Hearld and Ruth King among the new additions.
As Lotte turns her hand once more to creating artistic showcases in non-traditional exhibition spaces, after her hiatus from curating, she presents works by Tom Wood, Marie Walker Last, David Lloyd Jones, Amy Dennis, Nicky Hirst, Kelly Jayne, Robert H Lee, Isabella Maclure, Geoff Morten and Malcolm Whittaker in “unusual corners” amid the shop’s treasure trove of books on the visual arts.
Who will be in Mad Alice’s Georgian Rogues Gallery? Find out each day at the York Georgian Festival
Festival of the week: York Georgian Festival, Thursday to Sunday
DUST off your petticoat and powder your best wig for a plethora of engagements at York Mansion House, Fairfax House, Bar Convent Living Heritage Centre and elsewhere at the inaugural York Georgian Festival.
Learn to dance the minuet; discover Georgian family life with Horrible Histories writer Terry Deary; revel in Mad Alice’s Georgian Rogues Gallery; solve the mystery of tricky Dick Turpin’s missing corpse in an immersive murder mystery night and take a peep behind-the-scenes with York’s curators. For full festival details and tickets, head to: mansionhouseyork.com/yorkgeorgianfestival.
Katie Melia: From starring in Sweet Charity to hosting the Life Is A Cabaret fundraiser at Theatre@41, Monkgate
Fundraiser of the week: Life Is A Cabaret, Theatre@41, Monkgate, York, Friday, 7.30pm
KATIE Melia returns to Theatre@41 after her February lead role in York Stage’s Sweet Charity to present a concert in aid of Reflect: Pregnancy Loss Support, looking to surpass the £3,000 raised at her first fundraiser for this North Yorkshire charity.
Alexa Chaplin, Jack Hooper and Dale Vaughan sing stage and screen hits from Wicked, Spamalot, Dreamgirls and Grease; West End star and director Damien Poole goes Eurovision with Rise Like A Phoenix; Emily Ramsden and Elf The Musical leading lady Sophie Hammond perform too. Tickets update: sold out. For returns only, tickets.41monkgate.co.uk.
Chesney Hawkes: Meadowfest headliner. Picture: Axel Muench
In Focus: Meadowfest, Malton’s Boutique Midsummer Music Festival, today, 10am to 10pm
MALTON’S boutique music festival takes place within the riverside meadows and gardens of the Talbot Hotel, Yorkersgate.
Anticipate a relaxed, joyful, family festival of uplifting sunshine bands, all-day feasting and dancing like no one’s watching.
Grab a hay bale, street food and something to sip and enjoy a mix of live music over two stages with Yorkshire bands to the fore.
Be Amazing Arts hosts the pop-up venue The Creativitent, a hive of activity with creative arts workshops, performances and storytelling, arts and craft zones and facepainting!
The Creativitent gives the opportunity for children, young people and their families to “discover their inner creativity, take to the stage, get crafty”.
This House We Built: Playing the Hay Bale Stage at 5pm. Picture: Ben Audsley
Music line-up
10am, Malton School Soul Band, Meadow Stage; 10.30am, Graeme Hargreaves, Hay Bale Stage; 11am, Gary Stewart, Hay Bale Stage; 12 noon, The Caleb Murray Band, Meadow Stage; 1pm, Alchemy Live, tribute to Dire Straits, Hay Bale Stage; 2pm, The Alex Hamilton Band, Meadow Stage; 3pm, Arrival, The Hits of Abba, Hay Bale Stage; 4pm, Alistair Griffin & Band, Meadow Stage; 5pm, This House We Built, Hay Bale Stage; 6pm, Huge, York party band, Meadow Stage; 7.15pm, The Y Street Band, Hay Bale Stage; Chesney Hawkes, Meadow Stage headliner, 8.45pm.
Sam Thorpe-Spinks looks forward to performing Sovereign – “a crime drama in situ” – at King’s Manor. Picture: Alex Holland
SAM Thorpe-Spinks first made his mark on the York stage scene in student productions while reading History and Politics at the University of York.
He later trained at Guildhall School of Music and Drama and now returns to the city as one of two professional actors leading a 100-strong community cast and choir in York playwright Mike Kenny’s adaptation of C J Sansom’s Tudor-set thriller, Sovereign.
PlayingJewish sidekick Jack Barak to Irish actor Fergus Rattigan’s disabled lawyer Matthew Shardlake in the York Theatre Royal co-production with the University of York, Sam’s role just happens to combine history and politics, as well as murder and mystery, in a story to be staged outdoors at King’s Manor, one of the key locations in Sansom’s novel, from Saturday (15/7/2023) to July 30.
“That’s why doing this play is interesting, having studied History and Politics at university here from 2011 to 2014. I remember being at Clifford’s Tower one night from three till five in the morning and not realising its historical significance at the time,” he recalls.
“My Jewishness is something I’ve only rediscovered in the past five years. My mother’s side of the family escaped the pogrom in the early 20th century, went to Belfast and set up a synagogue there.
“When I was at drama school, I was aware of antisemitism in the theatre world. Before that, my grandmother, Gillian Freeman, wrote the novel The Leather Boys [1961] and the screenplay [for Sidney J Furie’s 1964 film], writing the book based on her Jewish history.
“I got in touch with my Jewishness culturally, rather than through faith, and last year I set up Emanate with my friend Dan Wolff [his fellow actor-producer] to champion new Jewish writing. Last August, we sold out a two-night run of six short scenes by Jewish writers at the Kiln Theatre (formerly the Tricycle Theatre), and we’ll be going to the Soho Theatre (London) in August for two weeks with three new plays by Alexis Zegerman, Ryan Craig and Amy Rosenthal, exploring birth, marriage and death.
Sam Thorpe-Spinks playing a soldier in Quicksand at York Theatre Royal’s TakeOver festival in his University of York days
”So, my Jewish curiosity has filtered its way into my work. Once I finish Sovereign on the Sunday (30/7/20230), I’ll start rehearsals on the Monday for Alexis’s play, The Arc, the one that looks at marriage.”
Since June 14, his focus has been on rehearsals for Sovereign, linking up with Theatre Royal creative director Juliet Forster and co-directors John R Wilkinson and Mingyu Lin’s community cast, whose rehearsal schedule for this summer’s world premiere had begun in March.
“Jack Barak is the Dr Watson role, the assistant, and there’s been a lot of fun acting alongside Fergus’s detective. Barak is certainly more the lovable rogue character of the detective duo. He’s not a strong man but he’s lot more equipped to sniff out trouble and deal with it – and he has a charming propensity to find women for himself,” says the six-foot tall, blue/green-eyed, black-haired Sam.
“He has a little love interest in the play that leads him into trouble, but the book series concludes with him marrying and having children, so he does learn about love!”
Kenny’s adaptation focuses on Sansom’s story of lawyer Shardlake and Barak being sent from London to York to await the arrival of Henry VIII at King’s Manor, only to be plunged into a mystery that could threaten the future of the crown when a York glazier is murdered.
“It’s such a privilege to be performing at King’s Manor,” says Sam. “Normally you have to use your imagination, but I don’t have to use any for this! York is steeped in Tudor times, and to be appearing in a play performed where the story happened is quite rare.
“The Minster is a constant reminder of the city’s history, so you can never escape the play, and that’s a good thing.”
Lead actors Fergus Rattigan, left, and Sam Thorpe-Spinks at King’s Manor, York, where Mike Kenny’s adaptation of C J Sansom’s best seller will be staged from Saturday. Picture: Alex Holland
As for Henry VIII, already given a hard time in SIX The Musical at the Grand Opera House in late June, “they hate Henry in York, or certainly they do in this play,” says Sam. “He’s a southerner trying to exert his southern ways on the north, and both Shardlake and Barak are from the south too, so they’re treated with suspicion as well.”
Sovereign is Sam’s third play since leaving drama school, in the wake of Emanate and Peter Gill’s Something In The Air (Jermyn Street Theatre, London). “It’s the first one I’ve done on this scale, with so many cast members,” he says.
“The way Mike Kenny has adapted such a vast novel, bringing the characters into a palatable play that you can follow easily, he’s done an amazing job, keeping it really lean to the bone, and it feels like a play that was born to be performed by a community cast.
“You should see it because it’s a rich and colourful portrait of York in the 16th century, with murders, blood, treason and romance, and a cast of 100-plus performing in the actual location where the story took place. A crime drama in situ!”
No need for a sales pitch: Sovereign has sold out already.
York Theatre Royal and University of York present Sovereign outdoors at King’s Manor, Exhibition Square, York, from July 15 to 30. Tickets update: Sold out. Box office, for returns only, 01904 623568 or at yorktheatreroyal.co.uk.
Copyright of The Press, York
Sam Thorpe-Spinks
What’s in a name? Sam Thorpe-Spinks
Sam: Hebrew origin, meaning “told by God”and “God hears”.
Thorpe: Derived from Old Norse or Old English, denoting a hamlet or village. Many place names in England have the suffix “thorp” or “thorpe”. Those of Old Norse origin abound in Yorkshire, Northumberland, County Durham, Yorkshire, Lincolnshire, Cambridgeshire, Norfolk and Suffolk.
Spinks: ‘Spink’ (noun) denotes a finch or the sound of a particular bird cry. ‘Spink’ (verb) denotes a finch calling or chirping or making a characteristic sound.
The horror, the horrror: Doctor Dorian Deathly swaps ghost walks for ghost talks at Theatre@41, Monkgate
AS the New Year fast approaches, Charles Hutchinson starts to fill the blank pages of a diary in need of cultural counters to so much front-page gloom.
From ghost walk to ghost talk: Doctor Dorian Deathly: A Night Of Face Melting Horror (or The Complete History Of Ghosts), Theatre@41, Monkgate, York, January 24 to 28, 8.30pm
COVID crocked York spookologist and ghost botherer Doctor Dorian Deathly’s Halloween season of macabre stories, paranormal sciences, theatrical trickery, horror, original music and perhaps the odd unexpected guest (with the emphasis on ‘odd’?) at Theatre@41.
The Visit York Tourism Awards winner has rearranged his five fright nights for late-January, when he will explore spine-chilling tales of hauntings, both local and further afield, dissemble horrors captured on film and trace the ghost story from its origins to Victorian classics and modern-day frights. Box office: tickets.41monkgate.co.uk.
Ukrainian National Opera: First visit to York with Carmen
Ukrainians in York: Dnipro Opera inCarmen, York Barbican, February 12, 7pm
DNIPRO Opera, from Ukraine, perform Georges Bizet’s opera of fiery passion, jealousy and violence in 19th century Seville in French with English surtitles, to the accompaniment of a 30-strong orchestra.
Carmen charts the downfall of Don José, a naïve soldier who falls head over heels in love with Carmen, a seductive, free-spirited femme fatale, abandoning his childhood sweetheart and neglecting his military duties, only to lose the fickle firebrand to the glamorous toreador Escamillo. Box office: yorkbarbican.co.uk
Robert Forster: New album to showcase at The Crescent
York’s Australian gig of the year: Robert Forster, The Crescent, York, March 14, 7.30pm
BRISBANE singer, songwriter, guitarist, music critic and author Robert Forster, co-founder of The Go-Betweens with the late Grant McLennan, plays a rearranged date in York, now in support of the February 3 release of his eighth solo album, The Candle And The Flame.
Made an honorary Doctor of Letters at Queensland University in 2015, Forster, 65, is writing a novel, overseeing the upcoming Volume 3 of The Go-Betweens’ boxset series, G Stands For Go-Betweens, and touring the UK, Europe and Australia in the first half of 2023. Box office: thecrescentyork.com.
Tommy Cannon: Comedian in conversation at the Joseph Rowntree Theatre
Rock on, Tommy, for charity: An Evening With Tommy Cannon, Joseph Rowntree Theatre, York, April 15, 7.30pm
KELFIELD comedian Tommy Cannon, 84, takes to the JoRo stage for an evening of songs, stories, anecdotes and conversation, reflecting on his double act on television and the boards with the late Bobby Ball.
Cannon – real name Thomas Derbyshire – will take questions from the audience at this fundraising event in aid of The Snappy Trust, the York charity that seeks to maximise the personal development of children and young people with wide-ranging disabilities. The Boro Blues Brothers will be the support act. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Composer Gus Gowland: Premiering new musical Mayflies at York Theatre Royal
New musical of the year: Gus Gowland’s Mayflies, York Theatre Royal, April 28 to May 13
GUS Gowland, an award-winning London composer, lyricist and playwright now living in York, presents the world premiere of Mayflies, the story of a romantic relationship from its first flourish to its final goodbye.
First making his mark with debut full-length musical Pieces Of String in 2018, Gowland now charts May and Fly’s progress from dating apps to tentative conversations and blossoming romance…and then they meet! Box office: 01904 623568 or yorktheatreroyal.co.uk.
The joy of SIX: Henry VIII’s wives weave their woes through Toby Marlow and Lucy Moss’s revenge musical on its return to the Grand Opera House, York. Picture: Pamela Raith
Quickfire return of the year: SIX The Musical, Grand Opera House, York, June 27 to July 2, 8pm, Tuesday to Thursday; 6pm and 8.30pm, Friday; 4pm and 8pm, Saturday, and 2pm, Sunday
HERE come the Spouse Girls again. After the history and hysteria of October’s sold-out debut run in York, the SIX pop queens make a regal return next summer in Toby Marlow and Lucy Moss’s all-female show for the millennial age.
In a pop concert with diva attitude, Henry VIII’s trouble-and-strife sextet air their grievances in song in chronological order to decide who suffered most at Henry’s hands once he put a ring on the wedding finger. From this talent-and-talons contest will emerge the group’s lead singer. Book early at atgtickets.com/York.
Miriam Margolyes: Booked into York Barbican for her Oh Miriam! musings
Outspoken national treasure speaks out: Miriam Margolyes, Oh Miriam! Live, York Barbican, October 16, 7.30pm
BAFTA-WINNING actress, chat-show regular and travel show presenter Miriam Margolyes, 81, will be telling tales from her new book, Oh Miriam!, “something that has been said to me a lot over the years, often in tones of strong disapproval,” she says.
“Reliably outrageous” Margolyes promises a riotous evening full of life and surprises, her conversation spanning revelations, stories and discoveries that she cannot wait to share. Box office: yorkbarbican.co.uk.
Ross Noble: Geordie Jibber Jabber Jamboree joviality in Harrogate and York
Stream-of-consciousnonsense on tap: Ross Noble, Jibber Jabber Jamboree, Harrogate Royal Hall, October 26, 7.30pm; Grand Opera House, York, November 15, 8pm
GEORDIE surrealist Ross Noble ventures out on his 53-date Jibber Jabber Jamboree itinerary, his 21st solo tour, from October 2023 to March 2024. Expect inspired nonsense in his freewheeling stand-up.
“Imagine watching someone create a magic carpet on an enchanted loom,” says Noble, 46. “Oh, hang on… magic carpets fly; that would smash the loom as it took flight. I haven’t thought that through… That’s what people can expect. Razor-sharp observations on things I haven’t thought through.” Box office: atgtickets.com/York.
Double the fun: Graham Smith’s Dame Harmony Humperdinck and Gemma McDonald’s Kurt Jester in Babes In The Wood
Babes In The Wood, Rowntree Players, Joseph Rowntree Theatre, York, tonight until Friday, 7.30pm (last few tickets for first three, limited availability for Friday); Saturday, 2pm (last few) and 7.30pm (limited). Box office: 01904 501935 or at josephrowntreetheatre.co.uk.
HOWARD Ella reckons this is the best of the 13 Rowntree Players pantomimes under his writer-directorship. Well, he would say that, wouldn’t he, but he does have a point. This is a case of 13th time, luckier still, for family audiences at the York community theatre.
For a start, Babes In The Wood is two shows for the price of one: weaving Robin Hood and his merry band, Sherwood Forest and the Sheriff into the fairy tale of those two poor orphans abandoned in woodland by their wicked uncle.
Don’t be hood-winked by the show title. It is rather more Robin’s story and characters that dominate,including distaff variations on a theme, while accommodating the misfortunes of Hansel (Henry Cullen/Fergus Green) and Gretel (Maddie Chalk/Ayda Mooney) in their Gingerbread House, cooked sweeter and cuter than in the dark fable of yore.
Now, Robin (Hannah King) takes on not only a rescue mission to free Maid Marion (Marie-Louise Surgenor) from the tower and the clutches of the Sheriff of Nottingham (Jamie McKeller) and sidekick Will Snatchell (Joe Marucci), but also vows to find Hansel and Gretel.
Double the trouble: Joe Marucci’s Will Snatchell and Jamie McKeller’s Sheriff of Nottingham
For Friar Tuck, read Freya Tuck (Meg Badrick), and so on through the Merry Band of Alana Dale (Keelie Newbold) Georgie Green (Erin Willis), Jill Scarlett (Mollie Surgenor/Eva Howe) and Little Joan (Libby Roe/Charla Banks).
Put them together with King’s traditional, thigh-slapping yet somehow girl-power principal boy Robin Hood and suddenly they are aping SIX The Musical in Six, a musical number that makes great play of the sisterhood buzz musical of the decade (already booked in for June 27 to July 2 return to the Grand Opera House next summer, by the way).
Musicals are a running theme to the song-and-dance numbers in Ella and musical director Jessica Viner fast-moving show, from the opening Hairspray ensemble routine (Good Morning Sherwood Town) to Dirty Rotten’s echo of Something Rotten.
Best of all is Musical, all singing, all dancing and all seven minutes of it, led by Gemma McDonald’s cheeky, chipper, cartoonesque Kurt Jester, who lost her voice at Friday’s dress rehearsal but thankfully called on Doctor Theatre to see her through two shows on Saturday.
Howard Ella: Rowntree Players’ pantomime writer-director
The comic (bubble-haired McDonald) and the dame (Graham Smith’s slightly grumpy but lovable ‘Humpy’, alias Dame Harmony Humperdinck) are no longer chained to working in the Sheriff’s castle, but freelance travelling actors instead.
One is the greatest Shakespearean actor of her age, with an ego to match; the other is a comic extraordinaire in the daft jester tradition. Both have a licence to be loose cannons and pretty much run the show in their unruly way.
King’s Robin and Surgenor’s Maid Marion deliver a knockout Without Love in the tower by the No Exit sign, after Marion knocks back Robin’s demand to do a Rapunzel with her hair, whereupon Robin recourses to a ladder entry through the open window. Physical comedy in the classic English tradition.
Ella loves a pun, a political dig (for example, “Party?”. Correction: “Work gathering”) and partnerships too: not only the regular double act of Smith & McDonald and principal boy and girl King and Surgenor, but also a new combination of McKeller and Marucci, actors with previous form for Rowntree Players, but now venturing into the dark side, albeit to self-delusional comic effect as the topically tax-hiking Sheriff and the dimwitted, snatch-all Snatchell.
Hannah King’s Robin Hood and Marie-Louise Surgenor’s Maid Marion
McKeller is particularly inspired casting. Now making his name on the streets of York as ghostwalk host Doctor Dorian Deathly, he returns to his former stamping ground to make a big imprint with his gleefully dastardly Sheriff, eyebrows arched, voice arch, stage walk swaggering. “There’s still a touch of showbiz lurking behind the venom,” as Ella puts it and he’s spot on.
The comic and the dame nail the slapstick sludge scene; Viner’s musical band are as merry as Robin’s band; the senior chorus and young Blue/Red Team (Red on Saturday night) lap up every ensemble scene, and Ami Carter’s choreography is all dash, nothing slapdash.
Ella and his fellow set designers Paul Mantle and scenic artist Anna Jones have excelled too for the tower and forest alike. Andrea Dillon and Claire Newbold have fun with the costumes, for the pink-fixated dame as ever, but doubly so for the Merry Band in the Six pastiche.
You will love the all-action songsheet number too in a production that comes with genuine icing on the cake: a snow-topped roof from a past panto now repurposed to the dame’s mocking as the Gingerbread House.
Knocked for Six: The Merry Band mirroring SIX The Musical in Babes In The Wood
Chloe Hart’s Catherine of Aragon, centre, vows No Way in SIX The Musical. Picture: Pamela Raith
HISTORY and hysteria combined, SIX The Musical’s run in York has been met with excitement befitting an A-list pop star. Sold out, every last newly refurbished Grand Opera House seat.
Make that SIX pop divas as this all-female show for the millennial age reactivates the lives of the six wives of Henry VIII in modern mode with attitude: a pop concert wherein the Queens tell their story in song in chronological order to decide who suffered most at Henry’s hands once he put a ring on that wedding finger.
From this talent and talons contest between Henry’s trouble-and-strife sextet will emerge the group’s lead singer. Move over The Spice Girls, here come The Spouse Girls, whose rhyming career path read: Divorced, Beheaded, Died, Divorced, Beheaded, Survived.
Heading for a beheading: Jennifer Caldwell’s Anne Boleyn
This is not so much history as her-story, as they gleefully point out, in a tale of Tudor girl empowerment, one with no appearance by ‘orrible Henry, but the obligatory girl-group infighting, albeit engineered sassily and sometimes saucily (wait for the Anne Boleyn joke) by co-writers Toby Marlow and Lucy Moss.
“Musical theatre often has lame parts for women,” Moss once said. “We wanted to write loads of meaty, funny parts for women.”
That’s exactly what they have done, while also “making something which didn’t feel like a musical”, conjuring a 75-minute, straight-through, breathless show that began life as a Cambridge University student production in 2017. Since then, it has acquired more hi-tech trim in Emma Bailey’s set design for its staging with four ladies-in-waiting, leather and studs: musical director Caitlin Morgan on keys; Migdalia Van Der Hoven on drums, Ashley Young on bass and Laura Browne on guitar.
Stone in love: Casey Al-Shaqsy’s Jane Seymour pouring everything into big ballad Heart Of Stone. Picture: Pamela Raith
They provide the on-trend musical ballast for pop music devotees Marlow and Moss to mirror the tropes of this century’s pop queens: Beyonce for Catherine of Aragon’s No Way; lippy Lily Allen for Anne Boleyn’s Don’t Lose Ur Head; Adele for Jane Seymour’s Heart Of Stone; Rihanna and Nicki Minaj for Anne of Cleves’ Get Down; Ariane Grande for Katherine Howard’s All You Wanna Do and Alicia Keys for I Don’t Need Your Love. The pastiches are uncanny, adding to the fun and games, matched by the subject matter in the lyrics suiting the song style spot on.
You will have your favourites among those songs – for this reviewer, No Way, Get Down or the sudden burst of camp techno and yellow dark glasses for Haus Of Holbein with comedy German accents – but those choices will differ wildly. To these ears, the ballads carried less impact; others would insist Heart Of Stone is the peachiest number of all.
You will have your favourite Queens too, and again arguments can rage as to who and why, but SIX is rooted in team work, in shared empowerment, and so the show opens with an ensemble number Ex-Wives and closes with two more, Six and MegaSix.
Haus music: The Queens go German techno for Haus Of Holbein, the height of camp in SIX. Picture: Pamela Raith
The Wives are omnipresent, singing backing vocals when not each having their moment in the spotlight, drilled by Carrie-Anne Ingrouille in that high-energy brand of choreography beloved of Beyonce and Britney with glittering, flashy, big-on-bling costume designs by Gabriella Slade to match.
As for the performances – not so much regal airs and disgraces as setting the record straight under Lucy Moss and Jamie Armitage’s dandy, defiant direction – they are indeed SIX of the best: Chloe Hart’s unbending Catherine of Aragon; Jennifer Caldwell’s fun-loving Yorkshire-voiced minx Anne Boleyn; Casey Al-Shaqsy’s true-love Jane Seymour; Jessica Niles’s wronged but life-of-luxury Anne of Cleves; Scottish-accented understudy Leesa Tulley’s tried-her-best Katherine Howard and Alana M Robinson’s resilient, broken-hearted survivor Catherine Parr.
Choose a winner? Yours truly is a Boleyn ally. Choose a loser? Alas anyone who was not quick enough off the mark to book a ticket.
SIX The Musical reigns at Grand Opera House, York, until October 16. Performances at 8pm, Wednesday and Thursday; 6pm and 8.30pm, Friday; 5pm and 8pm, Saturday; 3pm, Sunday. ALL SOLD OUT.
Parr empowered: Alana M Robinson’s Catherine Parr makes her statement in SIX. Picture: Pamela Raith
NEWSFLASH!
SIX more!
SIX The Musical is to return to the Grand Opera House, York, from June 27 to July 2 2023. Performances will be at 8pm, Tuesday to Thursday; 6pm and 8.30pm, Friday; 4pm and 8pm, Saturday, and 2pm, Sunday.
Tickets are on sale on 0844 871 7615 or atgtickets.com/York.
Tudor girl power: Jennifer Caldwell’s Anne Boleyn in SIX The Musical. Picture: Pamela Raith
HENRY VIII’s vengeful wives are not the only show in town. Charles Hutchinson finds alternatives aplenty.
Don’t lose your head over this but…SIX The Musical has sold out at Grand Opera House, York,October 11 to 16.8pm, Tuesday to Thursday; 6pm and 8.30pm, Friday; 5pm and 8pm, Saturday; 3pm, Sunday
DIVORCED, beheaded, scuppered. Those without a ticket for York’s hottest theatre show of the autumn are too late. Not one seat, even with a restricted view, is still available for Toby Marlow and Lucy Marlow’s irreverent historical musical romp that began as a Cambridge University show at the Edinburgh Fringe.
Welcome to their Queendom where Tudor queens turn into pop princesses as the six wives of Henry VIII take to the mic to tell their tales, remixing 500 years of heartbreak into a 75-minute celebration of 21st-century girl power.
Tom Chaplin: Solo songs of midlife musings from the Keane frontman
Take your pick at York Barbican: Uriah Heep, tomorrow, 8pm; Tom Chaplin, Tuesday, 8pm; Will Young: 20 Years Tour, Thursday, 7.30pm; Boyzlife, Friday, 7.30pm
SPOILT for choice at York Barbican in a busy, busy week. British rock titans Uriah Heep’s 50th Anniversary Tour is now taking place in their 52nd year after playing 4,000 shows in 60 countries. Keane frontman Tom Chaplin showcases September’s release of his second solo album, Midpoint, exploring a part of life that everyone goes through: midlife.
On the pop front, singer, radio presenter, actor and writer Will Young marks two decades since his Pop Idol blossoming. No sooner have Boyzlife performed to 20,000 people at the Yorkshire Balloon Fiesta on Knavesmire than their Old School Tour sends the boy band duo of Boyzone’s Keith Duffy and Westlife’s Brian McFadden back to York. Box office: yorkbarbican.co.uk.
Will Young: From Pop Idol young man to the polymath of today
Toasting the trailblazers: A Celebration Of Gilbert & Sullivan, Grand Opera House, York, tonight, 7.30pm
A 26-piece orchestra and soloists perform favourites from The Mikado, The Pirates Of Penzance and HMS Pinafore, complemented by less familiar gems in a glorious night at the light opera.
Taking part will be singers from Opera North, English National Opera, Scottish Opera, Welsh National Opera, Carl Rosa and D’Oyly Carte, such as Alexander Robin Baker, Rebecca Bottone, Barry Clark, Siân Dicker, Yvonne Howard, Judith Le Breuilly, Timothy Nelson and Matthew Siveter. Box office: 0844 8717615 or atgtickets.com/York.
Bongo’s Bingo: A rave new world for a British classic at York Barbican
House music but not as you know it: Bongo’s Bingo, York Barbican, tonight; doors, 6pm; last entry, 7:30pm; first game of bingo, 8pm
MAKING its York debut only a stone’s throw from the demolished Mecca Bingo, Bongo’s Bingo “rejuvenates a quintessentially quaint British pastime with an immersive live show featuring rave rounds, nostalgia-soaked revelry, dance-offs, audience participation and crazy prizes in a night of pure and unadulterated escapism”.
Looking for a full house, promoter Jonny Bongo promises magic and music, mischief and mayhem in a bingo rave experience. Box office: bongosbingo.co.uk or yorkbarbican.co.uk.
Sayaka Ichikawa in Ballet Black’s Black Sun at York Theatre Royal. Picture: Bill Cooper
Dance pioneers of the week: Ballet Black, Say It Loud & Black Sun, York Theatre Royal, Tuesday, 7.30pm
CELEBRATING their 20th anniversary, Black Ballet present two new works on tour. Choreographed and directed by founder and artistic director Cassa Pancho and company artists, Say It Loud charts this pioneering company’s progress, from the uncomfortable reasons behind its existence to the frenetic, creative energy that makes it such a necessary part of the British ballet industry.
South African choreographer Gregory Maqoma’s Black Sun, danced to an original score by Michael ‘Mikey J’ Asante, extracts energy from the sun and the moon giving rise to descendants of ancestors. These forces only meet to blacken, allowing us to draw from their powers as we prepare for life after life. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Dr Richard Shepherd: Pathologist, professor, lecturer, author, television presenter, apiarist and aviator, whose Unnatural Causes theatre tour will York and Leeds
Bringing death to life: Dr Richard Shepherd, Unnatural Causes theatre tour, York Theatre Royal, Thursday; Leeds City Varieties Music Hall, Friday, both 7.30pm
MEET Dr Richard Shepherd, a forensic pathologist who has solved the mystery of sudden and unexplained deaths aplenty, performed 23,000 autopsies and handled such cases the Hungerford Massacre, the Princess Diana inquiry and 9/11.
In Unnatural Causes, he not only tells the story of the cases and bodies that have haunted him the most, but also reflects on how to live a life steeped in death. Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Leeds, 0113 243 0808 or leedsheritagetheatres.co.uk
Make It Better: The theme for Day One of York Design Week
Festival of the week: Kaizen Arts Agency, United by Design and Dogeatcog unite for York Design Week 2022, Make It Work, October 13 to 17
YORK Design Week turns the spotlight on projects, organisations and people who are breaking and bending rules to create a fairer society, inviting you to explore how we can come together to “Make It Work”. “Let’s find creative and practical solutions to complex problems through collaboration, performance, and play,” say the organisers.
“The idea is to positively shift conversation and behaviour around what design means and how it can offer innovative solutions to knotty problems. Our approach is open, accessible, and seeks to provide space for participants to experience unexpected perspectives and express their own voice.” Full details can be found at: yorkdesignweek.com.
Make It Grow: The green theme for Day Four of York Design Week
120 years and still going strong: York Musical Theatre Company in A Musical Celebration, Theatre@41, Monkgate, York, Thursday and Friday, 7,30pm
YORK Musical Theatre Company’s 120th anniversary will be marked with two evenings of songs from past productions such as West Side Story, Oklahoma, Guys & Dolls, Annie, Acorn Antiques, Jekyll & Hyde, Jesus Christ Superstar and The Pirates Of Penzance, the company’s first show in April 1903.
Company members combine with guest solo artists in a celebratory production directed by John Atkin. Founded in 1902 as York Amateur Operatic and Dramatic Society, York’s longest established amateur theatre company changed its name in its centenary year. Box office: tickets.41monkgate.co.uk.
Ellen Carnazza, Andrew Purcell and Zach Atkinson in Badapple Theatre’s revival of The Frozen Roman, on tour this autumn. Picture: Karl Andre
What did the Romans ever do for us? Badapple Theatre in The Frozen Roman, on tour until November 13
GREEN Hammerton’s theatre-on-your-doorstep proponents Badapple Theatre take to the road this autumn with three actors new to the company: Zach Atkinson, Andrew Purcell and Ellen Carnazza.
In this revival of Kate Bramley’s play, they came, they saw, they built a wall, they went away again….or did they? When hapless villagers try to prevent a housing development being built in their midst, could the discovery of a burial site throw them a lifeline? Expect twists, turns and Latin puns as the situation in the village goes “ballisticus maximus”. For tour details, go to: badappletheatre.co.uk.
Ocean travel: Billy Ocean heads for Harrogate and Sheffield in 2023
Looking ahead: Billy Ocean, The Very Best Of Billy Ocean Tour, Harrogate Convention Centre, March 31 2023
BILLY Ocean will perform a hand-picked set of greatest hits and fan favourites on his 21-date tour next spring.
The Trinidad and Tobago-born British R&B singer, 72, has notched 30 million worldwide record sales and top ten singles on both sides of the Atlantic, such as Love Really Hurts Without You, Red Light Spells Danger, Caribbean Queen (No More Love On The Run), When The Going Gets Tough, The Tough Get Going, There’ll Be Sad Songs (To Make You Cry) and Get Outta My Dreams, Get Into My Car. The tour also takes in Sheffield City Hall on April 6. Box office: harrogatetheatre.co.uk; sheffieldcityhall.co.uk.
“I’m incredibly lucky to be a part of this wonderful show, which has such a great message and allows people to be, unapologetically, who they truly are,” says Jennifer Caldwell, who plays queen No. 2, Anne Boleyn
DIVORCED, beheaded, Covid-19’ed, SIX The Musical could have passed this way before, but “localised lockdowns” hit Live Nation Entertainment’s six drive-in shows at Church Fenton airport for six in August 2020.
Now, the newly refurbished Grand Opera House, in York, has the delight of hosting the first North Yorkshire run of the “electrifying musical phenomenon that everyone has lost their head over”, fully booked up from October 11 to 16.
First presented by Cambridge University students in a 100-seat Sweet Venue room at the 2017 Edinburgh Fringe Festival, Toby Marlow and Lucy Moss’s musical has been catapulted into a West End and international hit en route to being named the Musical of the Decade by WhatsOnStage (as well as Best Musical 2020). Nominations for five Olivier Awards, including Best New Musical, came the show’s way too.
Songs from the SIX studio album are streamed on average 450,000 times per day, making it the second-highest streaming musical theatre recording in the world after Hamilton.
SIX The Musical’s debut York run has sold out already, but why is there all this hoo-ha over the vengeful wives of Henry’s irreverent musical romp?
Welcome to their Queendom where Tudor queens turn into pop princesses as the six wives of Henry VIII take to the mic to tell their tales, remixing 500 years of historical heartbreak into a 75-minute celebration of 21st-century girl power. These queens may have green sleeves (a reference to the Henry VIII-penned Tudor chart topper) but their lipstick is rebellious red.
“To be able to play the iconic Anne Boleyn and fill the iconic boots of the incredible humans who have played her before is a dream come true,” says Jennifer Caldwell
Among the cast for a third year is Jennifer Caldwell, playing Anne Boleyn, Henry’s second wife, the one who was beheaded by a French swordsman on May 19 1536 after being found guilty of charges of adultery, incest and conspiracy against the king.
“I’m incredibly lucky to be a part of this wonderful show, which has such a great message and allows people to be, unapologetically, who they truly are,” says Jennifer, feeling very definitely luckier than Anne B.
“Having previously covered all the roles and had the opportunity to tell all those women’s amazing stories, to be able to play the iconic Anne Boleyn and fill the iconic boots of the incredible humans who have played her before is a dream come true.”
After covering the role of Anne Boleyn previously, “I had a lot of time to prepare and learn my own little nuances. I also read – a lot! – and watched documentaries to learn as much about our dear Anne Boleyn as I could,” Jennifer says.
She found rehearsing for the latest tour “great fun”. “Being able to go back to the drawing board and discover who my Boleyn is and be able to have ownership over that was really special,” she says. “Getting to bond with the new cast was wonderful too.”
SIX The Musical: Next week’s Grand Opera House run has sold out already
SIX is a very vocally demanding show, 75 minutes straight through and no interval. “I often live a little like a nun! I steam every morning and drink loads of water,” says Jennifer.
Picking out a favourite moment on the tour so far, she plumps for: “Being able to reopen after Covid. Feeling the love and appreciation from the audience. I cried!”
What should York’s audiences expect from the show, Jennifer? “Stupendous vocals, incredible choreography, laughter by the bucket load and…a whole lotta history,” she says.
“I want audiences to take away the message that we’re all enough on our own! We don’t need to be defined by anything other than who we are!”
Anything else? “I want them to leave with a stomach ache from laughing and aching cheeks from smiling too hard.”
SIX The Musical, directed by Lucy Moss and Jamie Armitage, heads into Grand Opera House, York from October 11 to 16; performances at 8pm, Tuesday to Thursday; 6pm and 8.30pm, Friday; 5pm and 8pm, Saturday; 3pm, Sunday. ALL SOLD OUT. Don’t lose your head still trying to acquire a ticket.
Brought to its knees: SIX The Musical’s summer of drive-in shows has been scuppered by localised lockdowns. Picture: Johan Persson
DIVORCED, beheaded and now Covid-19ed. Live Nation Entertainment have called off SIX The Musical’s drive-in concert series, hitting for six the August 11 to 16 run at the Church Fenton airfield.
Blame “localised lockdowns” for scuppering the Queens’ irreverent regal shows at 12 locations, explain the “devastated” producers.
“The latest developments regarding localised lockdowns mean it has become impossible for us to continue with the series with any confidence,” say Kenny Wax, Wendy & Andy Barnes and George Stiles.
“This devastating news has come out of the blue and hit us all for six. We are so sorry to disappoint the thousands of fans who have booked tickets and sold out many dates on the tour.
Dead end: The Divorced Beheaded Drive poster for SIX The Musical, no longer hitting the road
“It is also a sad day for our West End and UK Tour Queens who had already started rehearsals and our entire team of up to 60 people who were all working so hard to deliver a spectacular show.”
Their statement continues: “Despite the Government announcing Stage 3 of Culture Secretary Oliver Dowden’s road map, permitting performances outdoors with an audience, the planned tour was due to visit 12 cities, several of which have since been identified as emerging Covid infection hot spots.
“We know that ultimately there is nothing more important than the safety and wellbeing of our company and the Six Queendom. We look forward to better times.” Full refunds for “the first West End musical to perform again after lockdown” will be issued directly to all ticket holders within the next seven days from Ticketmaster.
Leeds East Airport, at Church Fenton, was among 12 sites nationwide picked for Live Nation Entertainment’s Utilita Live From The Drive-In: SIX The Musical, The Live Concert.
A bevy of Queens from the West End cast for SIX The Musical in 2019
The West End and tour casts were to have taken to the road in August and September to present the full musical version in the open air, with the Arts Theatre, London company in action at Church Fenton.
Billed as “Divorced, Beheaded, Drive – Live In Concert” for the now cancelled drive-in tour, Toby Marlow and Lucy Moss‘s SIX is the “electrifying musical phenomenon that everyone has lost their head over”. First presented by Cambridge University students at the 2017 Edinburgh Fringe Festival, the show has been catapulted into a West End and international hit en route to being named the Musical of the Decade by WhatsOnStage.
From Tudor queens to pop princesses, the six wives of Henry VIII take to the mic in SIX to tell their tales, remixing 500 years of historical heartbreak into a 75-minute celebration of 21st-century girl power where these queens may have green sleeves but their lipstick is rebellious red.
Wife strife: Drive-in audiences will now miss out on the joy of SIX in the open air after the “out of the blue” cancellation of shows at all 12 locations
The publicity promised: “This intoxicating Tudor take by Toby Marlow and Lucy Moss is a histo-remixed pop-concert musical you won’t forget. The Queens are back, so grab your crowns and your picnic blankets and get down like it’s 1533.”
SIX The Musical and Utilita Live From The Drive-In were to have linked up this summer from August 4 to September 12 for shows at Colesdale Farm, London; Birmingham Resorts World Arena; University of Bolton Stadium, Bolton; Filton Airfield, Bristol; Cheltenham Racecourse; the Royal Highland Centre, Edinburgh; Leeds East Airport, Church Fenton, near Leeds; Lincoln, Central Docks, Liverpool; The National Bowl, Milton Keynes; the July Course, Newmarket Racecourse, and Teesside International Airport.
SIX The Musical, The Drive-In: Divorced, beheaded and now cancelled, alas.
