REVIEW: York Shakespeare Project in Sonnets In Bloom, Holy Trinity churchyard, Goodramgate, York, until Saturday ****

Harry Summers’ Reverend Planter and Stuart Lindsay’s Doug O’Graves in York Shakespeare Project’s Sonnets In Bloom at Holy Trinity, Goodramgate, York. All pictures: John Saunders

SONNETS In Bloom 2025 is the ninth iteration of York Shakespeare Project’s summer sonnet celebration. Make that Sonnets In Full Bloom at the flower fete in the churchyard of Holy Trinity, Goodramgate,  where the emphasis is on the new.

New director, Josie Connor; new scenario writer Natalie Roe; nine debutants among the 12 sonneteers; seven Shakespeare sonnets making their YSP bow among the 13 featured here.

Welcomed with a complimentary drink, the audience takes its place on benches and seats arranged in circular fashion around the churchyard, to the muffled accompaniment of evening street sounds from Goodramgate’s restaurants and bars.

Oliver Taylor’s broken-hearted forager Arti Choke

YSP’s Sonnets have taken myriad forms: sonnet walks around the city centre and Dean’s Park; sit-down sonnets under Covid social distancing; sonnets in the Bar Convent gardens. Holy Trinity, favourite York church of the loved-up Anne “Gentleman Jack” Lister, has been a regular host, and this time war, more than love, is in the air.

More specifically, an alternative version of the war of the roses breaks out among the competitors in a fractious regional leg of Summer In Bloom. Given the profusion of puns among Roe’s humorous character names, perhaps it could be renamed Punfight At The OK Floral. Hoe hoe.

First of those horticultural names is the cactus-loving Reverend Planter (Sonnets’ debutant Harry Summers in genial mood), who will oversee the “arrival of participants with their prized entries, some more competitive than others. But where is the special guest? And who will win the People’s Vote?” All in good time, all in good time, although all will be revealed within a fast-moving hour.

Difference of opinion: Tom Langley’s Ally Lottment, left, and Benjamin Rowley’s Pete Shoveller clash in Sonnets In Bloom

Under YSP’s format, each colourful character will move seamlessly from amusing introductory scene/mood/motive-setting chatter – either with a fellow character or breaking down theatre’s fourth wall in direct address to Rev Planter’s flock – to performing an apt sonnet from Shakespeare’s repertoire of 154. In the vicar’s case, “When I Consider Everything  That Grows”.

The sonnets, the characters, the names, keep a’coming. Next, James Tyler’s Tom Martow, proud Yorkshire marrow connoisseur (“to marrow, and to marrow, and to marrow”). Then Stuart Lindsay’s gravely serious Scottish sexton Doug O’Grafves, dour digger of depths and confirmed misanthropist.

Next comes the interplay of returnee Grace Scott’s May Blooms, fantastic flower arranger and generational rose grower; Lily Geering’s Lily White, unfailing friend to May; Benjamin Rowley’s Pete Shoveller, poet and patient but tongue-tied pursuer of Lily, and Sonnets returnee Emilie Knight’s Rose Thorn, May’s ruthless rival. Annie Dunbar’s Blossom Springs, conscience-stricken apprentice to Rose, becomes entangled in the floral furore too.

Tipsy-topsy-turvy encounter with wine: Xandra Logan’s Inny Briation

Bubbling away is the intrigue of the appearance/non-appearance of Stuart Green’s Freddie Firm-Carrot, celebratory gardening superstar. In a running joke, Tom Langley’s Ally Lottment, disdainful PA  to Firm-Carrot, keeps being mistaken for his absent boss, before Firm-Carrot turns up at last, his lack of interest in his brief for the day indicated by calling Goodramgate “Goodramsgate”.

Debutant Oliver Taylor catches the eye with his lovelorn Arti Choke, kitchen warlock and broken-hearted forager, while returnee Xandra Logan makes the most of the boozed-up indiscretions of Inny Briation, home winemaker and anywhere, anytime wine-drinker.

Connor directs with momentum and a sense of mischief, matching the fun in Roe’s script, and fittingly the whole cast assembles for the final sonnet, delivering one line each of “That Time Of Year Thou May’st In Me Behold”, book-ended by a joint first and last line in a communal floral finale.

Celebrity selfie: Grace Scott’s May Blooms with Stuart Green’s gardening superstar Freddie Firm-Carrot

Coming next from YSP after this summer’s display of flower power will be Thomas Kyd’s The Spanish Tragedy, “the play that outsold Shakespeare”, at Theatre@41, Monkgate, York, from October 22 to 25 (box office, tickets.41monkgate.co.uk

York Shakespeare Project in Sonnets In Bloom, Holy Trinity churchyard, Goodramgate, York, tonight, 6pm and 7.30pm; tomorrow, 4.30pm, 6pm and 7.30pm.

Box office: 01904 623568;  https://www.yorktheatreroyal.co.uk/show/sonnets-in-bloom-2025/; in person from York Theatre Royal box office. Price, including a drink: £10 or £5 for age 14 to 17.

Lily Geering’s Lily White, unfailing friend to May Blooms in Sonnets In Bloom

Sonnets in Bloom turn Holy Trinity Goodramgate churchyard into competitive garden fete with writer Natalie Roe and director Josie Connor at helm for YSP

Sonnets In Bloom script writer Natalie Roe, left, and director Josie Connor on a churchyard bench at Holly Trinity, Goodramgate, York, where the 50-minute performances will be staged

YORK Shakespeare Project’s summer celebration of Shakespeare’s sonnets returns to the churchyard of Holy Trinity, Goodramgate, York, from August 15 to August 23.

In the ninth iteration of these annual YSP shows, Sonnets In Bloom brings together the Bard, director Josie Connor, scenario scriptwriter Natalie Roe and a cast of 12 sonneteers.

“The last two shows have attracted record audiences so we’re delighted again to be offering a summer taste of Shakespeare that is both entertaining and accessible,” says producer Maurice Crichton.

The year’s show has been scripted by Natalie Roe in her first involvement with YSP’s Sonnets project. “Natalie has incorporated a record 13 sonnets into her script, including seven that have not featured in previous YSP productions,” says Maurice.

“Shakespeare wrote at least 154 sonnets. We have plenty more to go at but the new ones in this show mean we will have featured more than a third of the total across the nine sonnets productions we have so far put on.”

In Natalie’s script, “Reverend Planter is very excited that his church is hosting the regional leg of Summer in Bloom. You are all warmly invited to enjoy a complimentary drink and to see the goings-on. Participants are arriving with their prized entries, some more competitive than others. But where is the special guest? And who will win the People’s Vote?”

“The churchyard and Goodramgate were very inspiring,” says Natalie. “There are lots of little references that I’ve put in because, if you know a space well, why not?! So there are references to the trees and the shops and restaurants on the street.

“I’ve been inspired by the nature in Shakespeare’s sonnets. It was being outside in the gardens at Bar Convent for the Sonnets there that gave me the idea of using sonnets full of nature and growth.”

Natalie has a copy of Shakespeare’s Sonnets that she bought on a National Express coach trip to Anne Hathaway’s Cottage at Stratford-upon-Avon in her school days. “It’s full of stars and love hearts next to the parts that I particularly liked as a moody teenager,” she says.

“For Sonnets In Bloom, I went through it and picked ones that fitted with performing outdoor theatre in a beautiful churchyard setting in the summer, and that’s why we have the setting of a church flower show, which is ripe for having lots of comedic characters, and then thinking about which sonnet would suit them.” Step forward Reverend Planter, the grave digger and assorted members of the congregation.

“It’s lovely to be able to create characters around a concentrated theme and the concentrated emotions in the sonnets, where I enjoy the richness of the imagery and there’s a frequently a metaphor that is then beautifully elaborated on.

“When writing the monologue that leads into each sonnet, what I’m looking for is for the character to have a dilemma, and in some ways Shakespeare’s sonnets come with the dilemmas ready made.”

York Shakespeare Project’s poster for Sonnets In Bloom 2025

Josie Connor is directing YSP for the first time, having worked with Natalie previously when she directed her script, Leaves, for York Settlement Community Players’ pub theatre initiative, The Direct Approach, in 2023.

“When Nat contacted me about Sonnets In Bloom, there was no doubt in my mind about saying yes,” says Josie. “I had heard Nat speak about the Sonnets shows in previous conversations and why they’re such a hit each year, I was very excited to be asked to be a part of this collaborative project this year – and her script compliments the churchyard setting brilliantly.

“Working with Nat is always a pleasure. Her work has great realness with comedic timing, even in dramas, and I think we’re both fans of creative collaboration. Nat and I met on a film set in 2017, where I saw her understanding for production as a whole, so reconnecting again to collaborate creatively while I’m building as a director was a no-brainer.”

In turn, Natalie says: “I was already a friend of Josie when she directed Leaves for The Direct Approach. Scripts are sent in anonymously, and she picked mine before knowing it was by me, so the play found her.”

Now they are in tandem again, working on Sonnets In Bloom’s wide variety of colourful characters, who each find an opportunity to give voice to one of Shakespeare’s sonnets.

This year, the cast of 12 is mostly new to the Sonnet shows and younger too. “Only three performers have been involved previously, and with a new writer and a first-time Sonnets director, this production will take a fresh look at a trusted format,” says Maurice.

The cast in full comprises new sonneteers Harry Summers, James Tyler,Stuart Lindsay, Benjamin Rowley, Oliver Taylor, Tom Langley, Annie Dunbar, Lily Geering and Stuart Green, alongside returnees Grace Scott, Emilie Knight and Xandra Logan.

“When we were casting, we were looking out for the usual understanding of what they’re reading, energy and wanted to see not only what they could offer, but mainly see how and if each actor takes direction,” says Josie.

“That’s a very important part in the casting process; it reassures me that they will work well with any other actor, location and situation they’re put in.”

One last question for Josie: What can Shakespeare say in a sonnet that he cannot in a three-hour play?! “Let me call him and get back to you on that…do you think he’d be in the Yellow Pages?” she says.

York Shakespeare Project in Sonnets In Bloom, Holy Trinity churchyard, Goodramgate, York, August 15 to 23, 6pm and 7.30pm, plus 4.30pm, August 16 and 23. Box office: 01904 623568; yorktheatreroyal.co.uk/show/sonnets-in-bloom-2025/; in person from York Theatre Royal box office. Running time: 50 minutes.

Sonnets In Bloom 2025 cast members Emile Knight, left, Annie Dunbar, Oliver Taylor, Benjamin Rowley, Lily Geering, Harry Summers, James Tyler, Grace Scott, Tom Langley, Stuart Green, Stuart Lindsay and Xandra Logan at Holy Trinity churchyard. Picture: John Saunders

What’s coming up next for Josie Connor?

“I HAVE some exciting projects in the near future/next year, which will continue my directing path,” she says. “However, for now I’m keen to collaborate with more actors and try out new pieces!”

Copyright of The York Press

More Things To Do in York and beyond in a flurry of festivals and sonnet declarations. Hutch’s List No. 35, from The York Press

Sonnets in Bloom script writer Natalie Roe, left, and director Josie Connor on a churchyard bench at Holy Trinity, Goodramgate, where York Shakespeare Project’s performances will be staged

SHAKESPEARE in poetic full bloom, arguably the best ever British farce and moorland classical music lead off Charles Hutchinson’s case for not going on holiday in August.

Poetic return of the week: York Shakespeare Project presents Sonnets In Bloom, Holy Trinity churchyard, Goodramgate, York, August 15 to 23, 6pm and 7.30pm, plus 4.30pm, August 16 and 23

REVEREND Planter is very excited that his church is hosting the regional leg of Summer in Bloom. You are warmly invited to enjoy a complimentary drink and to see the goings-on. Participants will be arriving with their prized entries, some more competitive than others, but where is the special guest? And who will win the People’s Vote?

Welcome back Sonnets In Bloom as YSP’s 50-minute summer show returns to Holy Trinity’s churchyard with a new director, Josie Connor, new scenario script writer, Natalie Roe, and nine new sonneteers among the dozen presenting a new collection of characters, each finding a way to share one of Shakespeare’s celebrated sonnets. Box office: 01904 623568 or yorktheatreroyal.co.uk. Age recommendation: 14 plus.

Lucy Hook Designs’ poster for York River Art Market’s tenth anniversary

Art event of the month: York River Art Market, Dame Judi Dench Walk, by Lendal Bridge, York, today and tomorrow, August 16 and 17, 10am to 5.30pm

YORK River Art Market returns for its tenth anniversary season by the Ouse riverside railings, where 30 artists and designers will be setting up stalls each day.

Organised by York artist and tutor Charlotte Dawson, the market offers the chance to buy directly from the makers of ceramics, jewellery, paintings, prints, photographs, clothing, candles, soaps, cards and more besides. Admission is free.

Mad Alice: History talk and Georgian gin tasting at Impossible York at 4pm tomorrow

York festival of the week: York Georgian Festival 2025, until August 11

ORGANISED by York Mansion House, in tandem with York businesses, the York Georgian Festival is a whirl of  dashing dandy fashions, extravagant feasting and romantic country dancing in a celebration of a golden social scene hidden within the brickwork of York’s abundant 18th century architecture.

Among the highlights will be a Promenade through the city; Georgian ice-cream cooking demonstrations; Regency Rejigged dance performances; Georgian Execution Tour with Bloody Tours of York; Mad Alice and York Gin’s history talk and Georgian gin tasting at Impossible York bar; York Georgian Ball at Grand Assembly Rooms; Portraits in Jane Austen; A Byron Letter and A Georgian Kerfuffle at York Mansion House and An Intimate History: The Life and Loves of Anne Lister at Holy Trinity, Goodramgate. For the full programme and tickets, go to: mansionhouseyork.com/york-georgian-festival.

Seven Wonders: Paying tribute to Fleetwood Mac at the Joseph Rowntree Theatre

Tribute show of the week: Seven Wonders, The Spirit Of Fleetwood Mac, Joseph Rowntree Theatre, York, tonight, 7.30pm

SEVEN Wonders, a seven-piece, 100 per cent live band, cover all eras of Fleetwood Mac, from the Peter Green blues years, through Rumours, to Tango In The Night. Be prepared to dance the night away to Go Your Own Way, Don’t Stop, The Chain, Rhiannon, Dreams, Little Lies, Oh Well, Edge Of Seventeen and many more. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Alex Phelps, left, Christopher Godwin, Olivia Woolhouse, Valerie Antwi, Susan Twist, Charlie Ryan and Andy Cryer in rehearsal for Michael Frayn’s Noises Off at the SJT, Scarborough. Picture: Tony Bartholomew

Play of the week: Noises Off, Stephen Joseph Theatre, Scarborough, today until September 6, 7.30pm plus 1.30pm Thursday and 2.30pm  Saturday matinees

SJT artistic director Paul Robinson directs the first ever in-the-round production of Michael Frayn’s legendary 1982 farce with its play-within-a- play structure. “Good luck!” said the playwright on hearing the Scarborough theatre was taking on what has always been considered an impossible task. 

Noises Off follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On. Across three acts, Frayn charts the shambolic final rehearsals, a disastrous matinee, seen entirely from backstage and the brilliantly catastrophic final performance. Box office: 01723 370541 or sjt.uk.com.

Jamie Walton: North York Moors Chamber Music Festival director and cellist. Picture: Matthew Johnson

Moorland festival of the week: North York Moors Chamber Music Festival, August 10 to 23

IN its 17th year, cellist Jamie Walton’s festival presents 14 concerts designed to mirror the 14-line structure of a sonnet, guiding audiences through a pagan year with its unfolding seasons, solstices and equinoxes. 

The four elements – Fire, Air, Water and Earth – will be explored through the lens of TS Eliot’s Four Quartets and staged in four historic moorland churches: St Hilda’s, Danby; St Hedda’s, Egton Bridge; St Michael’s, Coxwold, and St Mary’s, Lastingham. Ten concerts will be held in an acoustically treated venue in the grounds of Welburn Manor, near Kirkbymoorside. For the full programme, go to northyorkmoorsfestival.com. Box office: 07722 038990 or email bookings@northyorkmoorsfestival.com.

Mark Radcliffe and Arlo: Dog tales at The Crescent

Shaggy dog stories of the week: Mark Radcliffe (& Arlo): In Conversation, The Crescent, August 11, 7.30pm

MARK Radcliffe, radio broadcaster, musician and writer, is one half of BBC Radio 1′s semi-legendary Mark and Lard and one half of BBC 6Music’s Radcliffe & Maconie. Now he introduces his new double-act partner, his beloved pampered Cavapoo, Arlo, as featured in the book Et Tu, Cavapoo?, published by Corsair on August 14.

In March 2024, Radcliffe and Arlo set off from Cheshire in their VW Beetle convertible for a three-month sojourn in Rome. Join them in conversation for an account of their time amid the sights (and sniffs) of the Italian capital in a show for lovers of travel and history, food and drink, art and architecture, and those seeking an insight into the eccentricities of the canine mind. This event combines a book signing, an interview with a special guest host and a chance to put questions to Mark (and Arlo). Box office: thecrescentyork.com.

Smashing Pumpkins: Heading to Scarborough on Aghori Tour

Coastal gig of the week: Smashing Pumpkins and White Lies, TK Maxx Presents Scarborough Open Air Theatre, August 13, gates 6pm

AMERICAN alternative rockers The Smashing Pumpkins play Scarborough on their Aghori Tour. Billy Corgan, James Iha and Jimmy Chamberlin’s multi-platinum-selling band will be supported on the Yorkshire coast by London post-punk revival band White Lies.

Since emerging from Chicago, Illinois, in 1988 with their iconoclastic sound, Smashing Pumpkins have sold more than 30 million albums. Box office: ticketmaster.co.uk.

Scarborough band Brightside: Making NCEM debut on August 14

From coast to York: Piano Goes Brightside, National Centre for Early Music, York, August 14, 7.30pm

SCARBOROUGH band Brightside are undergoing a name change to The Waisons but not before playing this Piano Goes Brightside gig in York. In the line-up are Josh Lappao, lead guitar and vocals, Vince Lappao, drums and keyboards,  Mason Marshall, guitar and vocals, and Olly Kershaw, bass guitar.

Formed to compete in a Battle of the Bands school competition, where they were placed runners-up, their two years of gigging has taken in school events, a Nativity entertainment, Christmas parties and a wedding. “We mostly do covers, but plan on making originals soon,” they say. As for the piano, progressive Scarborough pianist Jamie Kershaw will play 45 minutes of Schubert, Debussy, Ludovicio Einaudi, jazz and more. Box office: 01904 658338 or ncem.co.uk.