Bake Off’s Prue Leith cooks up first stage show at 82 in praise of food, love and life

Dame Prue Leith: First tour at 82 next year (or 83, as her birthday falls on February 18, part-way through the 34-date run)

SHE is “probably nuts to try it”, but nevertheless The Great British Bake Off judge Dame Prue Leith will mount her debut tour next year at the age of 82.

Nothing In Moderation is in the 2023 diary for March 2 at the Grand Opera House, York, as part of a 34-date British and Irish itinerary that will run from February 1 to an April 6 finale at the London Palladium.

Nothing is off the menu – apart from cookery demonstrations – in this frank, funny, foodie show, wherein Dame Prue will share anecdotes about her life: taking audiences through the ups and downs of being a restaurateur, chef, cookery school supremo, food writer, businesswoman and Bake Off judge.

Dame Prue says: “I’ve never done a stage show before and at 82 [83 by the time she plays York] I’m probably nuts to try it, but it’s huge fun, makes the audience laugh and lets me rant away about the restaurant trade, publishers, TV and writing, and sing the praises of food, love and life.”

Gourmet guru Dame Prue has been a judge on the world’s biggest baking TV show, The Great British Bake Off, since when 2017, when she joined Paul Hollywood after the switch to Channel 4.

Before Bake Off, South African-born Prue had long enjoyed success in her career,  running her own party and event catering business in the 1960s and ’70s,  then setting up Leith’s Food and Wine to train professional chefs and amateur cooks.

From feeding the rich and famous to cooking for royalty and even poisoning her clients, all will be told for the first time in Nothing In Moderation.

Her ever-busy diary left only ten minutes on Zoom for this interview, but that’s still time enough to take the microwave fast track to asking questions. How did it all start, Dame Prue? “I was at Cape Town University, flailing around failing at everything, so I persuaded my father that I should go to France, with a view to becoming an interpreter for the United Nations, but I fell in love with French food. I do love France anyway and you can’t live in Paris for two years and not appreciate it.”

London now has more Michelin-starred restaurants than anywhere but Paris, but when Dame Prue headed to England, it was the nadir of cooking. It took Elizabeth David to change all that. “Before then, olive oil was something you bought at Boots for your ears!” she recalls.

Think of England served on a plate back then, and it would be overcooked meat, industrial gravy, slopped out with two veg.

Prue Leith was determined to rectify that. “I don’t think of myself as having been on a mission, but I’ve always wanted to be at the forefront of change, and there are some things I’m very passionate about, like having English cheese on the menu when no posh restaurant would not have had French cheese, or writing the menu in English, rather than French,” she says.

“Before Elizabeth David, olive oil was something you bought at Boots for your ears,” says Dame Prue

“When I was on the board at British Rail, I took all their top chefs to Paris for a week to experience nouvelle cuisine. They were scornful, thinking it was a little bit of food on a big white plate, not realising how exact it was, with a balance of top-quality ingredients. It was interesting to then see these scornful chefs thinking, ‘I could do that’.”

In today’s cuisine scene, “the most interesting food in England right now is street food, where refugees in lockdown started doing street food,” says Dame Prue. “Often it leads to them opening restaurants.”

To create her stage show, she wrote a script, then did a few try-outs in Leamington Spa and Bath, using a back projector to screen clips from her past or for jokes, before taking the show to New York and Los Angeles for two nights in each American city.

“At the beginning, I wasn’t loving it; my heart was beating so hard, but I got 100 per cent of the audience saying they would recommend the show to their friends, which was amazing,” says Dame Prue.

“Before I even started in LA, as soon as I walked on stage, they were hollering and whooping, and there was this great wave of appreciation. It’s the best feeling in the world. I quite understand why some comedians never retire!”

Will she change the show’s content ahead of the UK tour? “I still think there are too many funny stories about cooking for the royals and catering disasters,” she says.

Alas, the ten-minute noose was tightening, so there was no time for Dame Prue to relate those stories, but come March 2, York Barbican audience members can seek answers to “what they’ve always wanted to ask” her when she is joined on stage by Clive Tulloh in the second half.

“We curate the questions because it’s a mistake just to take a microphone to the audience, where sometimes someone just has a bee in their bonnet, rather than wanting to ask a question. To avoid all that, we ask people to write their questions and Clive then brings them together.”

One final question for Dame Prue: does she prefer The Beatles’ psychedelic 1968 version of Dear Prudence or Siouxsie And The Banshees’ post-punk 1983 cover version?

 “Well, it would be The Beatles,” she says without hesitation, forever a devotee of the Fab Four generation. “People ask me what my favourite song is and I say, ‘Lucy In The Sky With Diamonds’.”

Prue Leith: Nothing In Moderation Live Tour 2023, Grand Opera House, York, March 2 , 7.30pm. Box office: atgtickets.com/York. Also: Sheffield City Hall, February 28, 7.30pm. Box office: sheffieldcityhall.co.uk.

The poster for Dame Prue Leith’s Nothing In Moderation tour, visiting York next March

Strictly dance star Johannes Radebe finds Freedom at last in debut solo tour show

FREEDOM. What better title could South African dancer and ground-breaking Strictly Come Dancing star Johannes Radebe give his debut British tour.

“It is the freedom to dance to my own tune for the first time,” says 34-year-old Johannes, ahead of his itinerary opening with a Yorkshire show at Bridlington Spa on Wednesday (16/3/2022) before playing the Grand Opera House, York, on April 12.

“I’ve danced in many productions around the world but I’ve never been able to capture on stage where I came from, and I never thought I’d be able to go on my own tour, so it’s a very welcome surprise.”

Radebe (pronounced Ra-dee-bay) was catapulted to new heights of popularity by bonding so exhilaratingly with 2012’s The Great British Bake Off winner and TV chef John Waite as the first all-male couple in 2021’s series of Strictly, pipped for the Glitterball by first deaf contestant Rose Ayling-Ellis and professional partner Giovanni Pernice.

“It was liberating and healing as well,” says Johannes. “I’ve got a better relationship with my mum now, as we can talk about my sexual orientation – and people’s lives have changed for the better too.

“In a world where two men still can’t be free to be  together, I hope to be able to educate the masses, and if people had a glimpse of that with me and John dancing together, then they can think about it.”

Such was the appeal and dancing brio of both partnerships, each marking a first for Strictly, that many would have loved them to have been declared first equal. “I’m with you!” says Johannes, bursting into laughter. “John kept saying, ‘it’s fine if we don’t win’, and yes, it is s fine! At the finale, we both stood there as couples thinking ‘it’s fine’. That’s the friendship that comes through the show.”

After touring the world in Burn The Floor, Joahannes was head-hunted to join the Strictly professionals for the 2018 series, first moving to Britain that year. In his second season, when partnering Catherine Tyldesley in 2019, he danced the first same-sex routine with fellow Strictly pro Graziano Di Prima.

The tour poster for Johannes Radebe’s Freedom show

Last year was to be even more significant. “My decision to finally dance with another man in the competition came about after I lost a friend of mine within our community. He was murdered, and the last words that were uttered to him by his killer was that he was a ‘faggot’,” says Johannes.

He paused, consumed again by the pain of what his friend had suffered, then said: “I get a moment to highlight it in the show. This is something that needs to be done, to give it that platform, and it’s important to keep being flamboyant – but that does require bravery.”

Freedom marks Johannes’s return to the Grand Opera House for the first time since sharing the York stage with Strictly alumni Kevin Clifton and Graziano Di Prima in Burn The Floor in July 2019.

On tour from March 16 to May 1, Johannes Radebe: Freedom is billed as “a celebration of music and dance, from African fusion to fiery Latin, from classic dance arrangements to huge party anthems”, as Radebe and his dancers take the audience on his personal journey, from starting to dance at seven to leaving South Africa at 21 to travel the world, winning international titles and electrifying Strictly Come Dancing.

Now he will be expressing himself to the full in Freedom. “I’ve been on a quest to find Black dancers in this country that are versed in all dance styles, but not many of them are ballroom dancers, whereas where I come from everyone can do the Cha-cha-cha,” says Johannes.

“I’ve chosen everyone through auditions. I had to be in the room to feel their energy, to see if they move me as a dancer, so I’ve found beautiful, individual dancers, which will make it feel a different show.

“It’s a show designed to be representing everyone, and it will be so beautiful to have audiences that support our artform – and I know we have that privilege because of the Strictly audience.”

Johannes has a theory as to why dance and TV audiences feel such a strong connection with him. “It’s because I have no inhibitions. I know that I come alive when I dance. Something takes over. It’s a feeling as an artist that I can’t explain but people connect with it,” he says.

In a nutshell, Freedom. “Absolutely! Nothing is going to stop me. It’s about the joy that my dancing has brought to my mother. Nothing was more important to me than to see my mum be happy when often she would be sad,” says Johannes.

“I was only a child and so I didn’t understand the magnitude of it when she carried me on her back, telling everyone I’d got a prize in a dance competition. She was so proud, even though it wasn’t first place. But that’s the thing. That talent was nurtured from a young age, and though my mum couldn’t support it financially, everyone else contributed.”

Johannes Radebe’s pathway to Freedom was set in perpetual motion, and hopefully another Strictly series awaits too. “We haven’t had the phone-calls yet, but I’ll gladly do it for as long as they will have me,” he says.

Might he look to do another all-male coupling? “Well, you never now. I’m just glad to have kicked down that door.”

Johannes Radebe: Freedom, Bridlington Spa, Wednesday, 7.30pm; Grand Opera House, York, April 12, 7.30pm. Box office: Bridlington, 01262 678258 or bridspa.com; York, 0844 871 7615 or atgtickets.com/York. Further Yorkshire performances: Sheffield City Hall, April 3, sheffieldcityhall.co.uk; Bradford St George’s Hall, April 9, bradford-theatres.co.uk; Hull City Hall, April 23, 01482 300306 or hulltheatres.co.uk.

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