More Things To Do in York and beyond as snow blanket covers JORVIK. Here’s Hutch’s List No. 51, from The York Press

The deep freeze: Snow goes underground in A Winter Wonderland at JORVIK Viking Centre

A FESTIVE trail, treasured exhibition and snow reboot, pantomime and A Christmas Carol spell out that winter staples aplenty are up and running, as Charles Hutchinson reports.  

Time travel of the week: A Winter Adventure at JORVIK Viking Centre, York, until February 22 2026

A WINTER Adventure brings a new wintery experience to the underground York visitor attraction, where the 10th century Vikings are preparing to celebrate Yule with natural decorations hung on their houses. For the first time, visitors can peer through Bright White’s time portal into the blacksmith’s house excavated on this site in the 1970s, seeing what it would have been like to live there.

They will then board a time sleigh to travel back in time around the backstreets, transformed for winter by Wetherby set dressers EPH Creative, who have covered streets and houses in a thick blanket of snow, bathed in cold blue lighting. Pre-booking is essential for all visits to JORVIK at jorvikvikingcentre.co.uk.

Christmas at The Bar Convent. Illustration by Nick Ellwood

Activity trail of the week: Christmas At The Convent, The Bar Convent Living Heritage Centre, Blossom Street, York, until December 22, Monday to Saturday, 10am to 5pm, last admission 4pm

DECEMBER visitors to The Bar Convent can uncover fascinating festive traditions through the centuries in a family-friendly activity trail through the exhibition that combines the convent’s history with the Advent season.

Families can enjoy finding clues, making decorations, dressing up, discovering traditions from Christmas past and much more. Look out for the traditional crib scene in the chapel. Tickets: barconvent.co.uk.

Garlands galore at An Inspired Christmas at Treasurer’s House, York. Picture: National Trust, Anthony Chappel-Ross

Festive exhibition of the week: An Inspired Christmas at Fairfax House, York, until December 21, open Saturday to Wednesday, 11am to 4pm, last entry 3.30pm

TREASURER’S House has undergone a winter transformation, where stories of its past residents come to life through handcrafted decoration as rooms are re-imagined by the National Trust with festive flair, inspired by the 17th-century house’s rich history.

Each room is styled to reflect the personalities and tales of those who once called Treasurer’s House home, from last occupant Frank Green, the visionary industrialist who gifted the property to the National Trust, to the Young family, Jane Squire, Ann Eliza Morritt, Elizabeth Montague, Sarah Scott, John Goodricke and Royal visitor Queen Alexandra, wife to King Edward VII. No booking is required, with free entry for National Trust members and under-fives.

Guy Masterson’s Ebenezer Scrooge in A Christmas Carol, on tour at Theatre@41, Monkgate, York

Festive ghostly return of the week: Guy Masterson in A Christmas Carol, Theatre@41, Monkgate, York, today, 2pm 7.30pm

HEADING back to Theatre@41 for the fourth time, Olivier Award winner Guy Masterson presents Charles Dickens’s Christmas fable anew, bringing multiple characters to vivid life as ever, from Scrooge and Marley to the Cratchits and the Ghosts of Christmas Past, Present and Yet To Come. 

Be dazzled, be enchanted by a performance destined to linger long in the memory. “It’s guaranteed to get you into the Christmas Spirit – in many  more ways than one,” says Masters. Box office: tickets.41monkgate.co.uk.

Ellie Gowers: Songs exploring distance, longing and identity at Rise@Bluebird Bakery

Ecological songs of the week: Ellie Gowers, Rise@Bluebird Bakery, Acomb, York, Sunday, 8pm, doors 7.30pm

WARWICKSHIRE singer-songwriter – and Morris dancer to boot – Ellie Gowers blends contemporary acoustic sounds with the storytelling traditions of folk. Her 2022 debut album Dwelling By The Weir addressed ecological themes and her 2024 EP You The Passenger received airplay on Mark Radcliffe and Stuart Maconie’s BBC 6Music show.

Her influences range from Mipso to Jeff Buckley is songs that explore distance, longing and identity. An extended version of the EP arrives this autumn 2025. Easingwold singer-songwriter Gary Stewart supports. Box office: bluebirdbakery.co.uk/rise.

St Agnes Fountain: Promoting new Christmas album Flakes & Flurries at NCEM, York

Folk gig of the week: Black Swan Folk Club presents St Agnes Fountain, National Centre for Early Music, York, December 1, 7.30pm

AFFECTIONATELY known as “the Aggies”, Chris While, Julie Matthews and Chris Leslie bring their Christmas cheer to the NCEM, presenting carols with a curve. They celebrate 25 years together with material from new festive album Flakes & Flurries (Fat Cat Records), old Aggie classics and a doff of the fedora to founder member David Hughes, who died in 2021. Box office: 01904 658338 or ncem.co.uk.

Name of the dame: Robin Simpson will be playing Nurse Nellie in Sleeping Beauty at York Theatre Royal

Pantomime opening of the week: Sleeping Beauty, York Theatre Royal, December 2 to January 4 2026

THEATRE Royal creative director Juliet Forster directs returnee dame Robin Simpson’s Nurse Nellie, Jocasta Almgill’s Carabosse, Tommy Carmichael’s Jangles, CBeebies star Jennie Dale’s Fairy Moonbeam, Aoife Kenny’s Aurora and Harrogate actor Christian Mortimer’s Prince Michael in Sleeping Beauty.

Written once more by Paul Hendy, the Theatre Royal’s festive extravaganza is co-produced with award-winning Evolution Productions, the same team behind All New Adventures Of Peter Pan, Jack And The Beanstalk and last winter’s Aladdin. Box office: 01904 623568 or yorktheatreroyal.co.uk. 

Mark Thomas in Ed Edwards’s play Ordinary Decent Criminal at York Theatre Royal Studio. Picture: Pamela Raith Photography

Recommended but sold out already: Paines Plough presents Mark Thomas in Ordinary Decent Criminal, York Theatre Royal Studio, December 2 and 3, 7.30pm

MEET recovering addict Frankie, played by political comedian Mark Thomas in his second acting role for playwright Ed Edwards after England & Son in 2023. In Ordinary Decent Criminal’s tale of freedom, revolution and messy love, Frankie has been sentenced to three and a half years in jail for dealing drugs. 

On his arrival, none of his fellow convicts are what they seem, but with his typewriter, activist soul and sore lack of a right hook, he somehow finds his way into their troubled hearts, and they into his. In the most unexpected of places, Frankie discovers that the revolution is not dead, only sleeping. Box office for returns only: 01904 623568 or yorktheatreroyal.co.uk.

The Jeremiahs: Irish folk band play York for the first time on December 3. Picture: Tony Gavin

York debut craic of the week: The Jeremiahs, National Centre for Early Music, York, December 3, 7.30pm

IRISH band The Jeremiahs have travelled extensively, including playing 26 states in the USA, performing rousing new songs and tunes in the folk genre, peppered with picks from the trad folk catalogue. Lead vocalist and occasional whistle player Joe Gibney, from County Dublin, is joined by his fellow founder,  Dublin guitarist James Ryan, New York-born fiddler Matt Mancuso and County Clare flautist Conor Crimmins. Box office: 01904 658338 or ncem.co.uk.

The one and only Jesca Hoop: Playing NCEM on December 4

Singer-songwriter of the week: Brudenell Presents and Please Please You present Jesca Hoop, National Centre for Early Music, York, December 4, 7.30pm

DISCOVERED by Tom Waits, invited on tour by Peter Gabriel and encouraged to relocate to the UK by Elbow’s Guy Garvey, Jesca Hoop left California for Manchester to carve out a singular path across six albums of original material. Collaborations with producers John Parish (PJ Harvey), Blake Mills (Feist), and Tony Berg (Phoebe Bridgers) have only sharpened the intricacy of her craft.

Now she has released Selective Memory, an unplugged reworking of 2017’s Memories Are Now, recorded live at home with bandmates Chloe Foy and Rachel Rimmer for Last Laugh Records. Box office: thecrescentyork.com/events/jesca-hoop-at-the-ncem-york/.

In Focus: York Mystery Plays Supporters Trust in A Nativity For York, on tour, November 29 to December 10

A Nativity For York director Paul Toy

YORK Mystery Plays Supporters Trust is touring A Nativity For York to Acomb, Fulford, Nether Poppleton and All Saints Church, North Street, bringing the Christmas story to York neighbourhoods from November 29 to December 10.

Directed by Paul Toy, this new and unique interpretation of the Nativity dramatises events surrounding the birth of Jesus Christ from the York Cycle of Mystery Plays, presented by a community cast and production team with music in candlelight.

Using medieval scripts from the York Cycle of Mystery Plays and music both medieval and folk in style, A Nativity For York “tells a familiar story of a marvellous birth, threaded with humour, reverence and, sadly, hatred”.

The candlelight emphasises the constant struggle of the light against the darkness in Toy’s production, set in a time of threat when a homeless couple and their newborn baby are driven from home by oppressors.  

“My vision is that of an underground, secret activity; clandestine performances of a play promoting banned religious doctrine in a time of oppression,” he says. “It mirrors both history and our current world situation, but it’s also a time of great hope.”

The York Mystery Plays were written in medieval times: 48 plays, once performed in the streets by the city’s Guilds, telling the Biblical story from Creation to Judgement Day, including the life of Jesus Christ.  

York Mystery Plays Supporters Trust is a registered charity whose group of volunteers aims to keep the story of the York Mystery Plays alive at the forefront of York’s cultural heritage.

Performances will take place at St Hilda’s Church, Tang Hall Lane, York, on November 29 at 1pm and 4pm; St Mary Bishophill Junior, York, December 2 and 4, 7.30pm; St Mary’s Church, The Village, Haxby, December 6, 1pm and 4pm, and All Saints Church, North Street, York, December 10, 7.30pm

Tickets are on sale at https://ympst.co.uk/nativitytickets or on 0333 666 3366. The performance lasts 60 minutes with no interval. Festive refreshments will be available.

York Early Music Christmas Festival opens week of music, minstrels and mystery

Beth Stone and Daniel Murphy of Flutes & Frets: Sold-out opening concert today at York Early Music Christmas Festival 2023

MUSIC, Minstrels and Mystery is the theme of the York Early Music Christmas Festival 2023, running from tomorrow to December 9.

This annual celebration conjures up the spirit of Christmas past with an array of atmospheric music, primarily at the National Centre for Early Music, in the medieval St Margaret’s Church, Walmgate, complemented by concerts at Bedern Hall and the Sir Jack Lyons Concert Hall, University of York.

Opening at the beginning of Advent, the festival features a host of world-class artists from the Early Music world, celebrating the extraordinary wealth of music associated with Advent, Christmas and Epiphany, from the medieval to the baroque.

To complete the Christmas experience, many concerts take place by candlelight, with mince pies and mulled wine available at most events.

Already the festival has been previewed on BBC Radio 3’s In Tune on November 26, when festival artists the Gesualdo Six spoke to Katie Derham and performed a selection of their work.

Both immersive Gesualdo Six concerts with the Fretwork Viol Consort at 6pm and 8.30pm on Saturday have sold out. Marking composer William Byrd’s 400th anniversary, Secret Byrd will theatrically intersperse Byrd’s private mass for secret worship with his virtuosic music for strings.

Sold out too are Saturday’s opening concert, European Court and Salon Music, by Flutes & Frets (Beth Stone, flute, and Daniel Murphy, lute, theorbo, guitar) at Bedern Hall at 11am, backed by funding from the European Festival Fund for Emerging Artists, and December 9’s Bach Christmas Oratorio concert at 7pm by the Yorkshire Bach Choir and Yorkshire Baroque Soloists at the Sir Jack Lyons Concert Hall.

Festival director Delma Tomlin will host an introductory talk at Sunday’s 6.30pm concert, A Christmas Song – The “original” Messiah, by festival debutants The Harmonious Society of Tickle-Fiddle Gentlemen at the NCEM. The Harmonious Society’s 14 musicians and singers face a busy three days of travel, playing Canterbury on Saturday, York on Sunday and Durham on Monday.

Baroque In The North: Festive sweetmeats from Versailles to Rome on December 9 at the NCEM

Fiddlesticks, a new ensemble featuring former festival advisers Kati Debretzeni and Steven Devine, will make their festival debut too with Monday’s 7pm NCEM programme of European court music for three violins and continuo. Earlier that day, the NCEM’s youth instrumental ensemble, Minster Minstrels, will be working on Christmas repertory with Fiddlesticks in the afternoon.

Further festival highlights will be The Marian Consort, performing music written for the festive court, on Thursday and Ceruleo’s Love Restor’d, a theatrical Restoration England programme of Henry Purcell, John Blow and John Eccles works, on Friday, both at 7pm at the NCEM.

On December 9, Baroque In The North will play this festival for the first time, performing Panettone or Bûche de Noël?, Festive Sweetmeats, featuring works by Esprit-Philippe, Chédeville, Vivaldi and Corelli at the NCEM at 11am.

In addition, the Minster Minstrels will work with the Harmonious Society’s baroque trumpeter Will Russell on Sunday, while Owain Park, director of The Gesualdo Six, is inviting singers to join him for a choral workshop, designed to celebrate the music of Willam Byrd on Saturday and Sunday at Bedern Hall.

The York Early Music Festival Christmas Box Set, featuring a selection of recorded highlights from the festival, plus this year’s York Early Music Festival and Beverley & East Riding Early Music Festival, is on sale now and will be available to enjoy online from December 15 to the end of January 2024. Highlights include concerts by violinist Rachel Podger and the Dunedin Consort, the Scottish baroque ensemble. The box set costs £50 or concerts can be bought individually at ncem.co.uk.

Ahead of the week of festive music, NCEM director Delma Tomlin says: “Our Christmas festival is one of the highlights of the city’s Christmas calendar. This December we are delighted to present an array of atmospheric Christmas concerts featuring music from the medieval times, through the ages and ending with Bach’s glorious Christmas Oratorio.

“The concerts are the perfect way to celebrate Yuletide and we look forward to seeing old friends and welcoming new ones at the special time of year.”

Full programme details can be found at ncem.co.uk/yemcf/. Box office: 01904 658338 or ncem.co.uk.

The Marian Consort: Performing music composed for the festive Stuart court in For Delighting The People – A Jacobean Christmas on December 7

York Early Music Christmas Festival programme highlights

Saturday, 11am: Flutes & Frets, European Court and Salon Music, Bedern Hall, Bedern. SOLD OUT.

FLUTES, lutes, theorbo and guitar introducing music of European courts across the ages, performed by NCEM Platform Artists Beth Stone and Daniel Murphy, who received grant from European Festivals Fund for Emerging Artists, leading to concerts in Antwerp, Krakow and York. Final concert of tour for young duo selected for annual International Artist Presentation in Flanders. Flutes & Frets will return to York next spring for Baroque Around The Books library tour.

Saturday, 6pm and 8.30pm, The Gesualdo Six & Fretwork Viol Consort, Secret Byrd, National Centre for Early Music, St Margaret’s Church, Walmgate. Both SOLD OUT.

CREATED and directed by Bill Barclay, this 80-minute immersive experience marks the 400th anniversary of composer William Byrd with a mix of voices, viols and theatricality. A small number of audience members sit and stand among costumed musicians who gather by candlelight to worship in secret as Byrd’s setting of the Ordinary is mixed with his most probing instrumental works, played where the five Proper sections of the Mass would take place.

Sunday, 6.30pm, The Harmonious Society of Tickle-Fiddle Gentlemen, A Christmas Song – The “original” Messiah, NCEM.

PRESENTING the only surviving Nativity story in England set to music in the baroque era: the original Messiah and possibly the first oratorio in English. Full title: the anonymous Messiah. A Christ -Mass Song for Voices and Instruments, circa 1720. Complete with tuneful shepherd dialogues, the joyful song of the Virgin Mary, Three Wise Men arias and even a ‘halleluia’ chorus. Plus offertory by Prague composer Simon Brixi.

Monday, 7pm, Fiddlesticks, Three Parts on a Ground: European Court Music for three violins and continuo, NCEM

VIOLINISTS Huw Davies, Kati Debretzeni and Debbie Diamond are joined by harpsichordist Steven Devine for glorious programme of the Pachelbel Canon, a new arrangement of the Corelli ‘Christmas’ Concerto and Bach Concerto for three violins.

Thursday, 7pm, The Marian Consort, For Delighting The People – A Jacobean Christmas, NCEM

DIRECTED by Rory McCleery, one of the festival’s favourite vocal groups returns for a special seasonal programme from the Golden Age of English composers at their most unbuttoned and celebratory, featuring music written for the famously festive Stuart court. Plus more intimate, introspective sacred works by Byrd, Gibbons, Weelkes and Bull.

Friday, 7pm, Ceruleo, Love Restor’d, NCEM

IN the summer of 1660, London’s theatres are reopening after 18 long years of Puritan rule: time for one Henry Purcell – the “English Orpheus” – to make his entrance on the musical stage to lead a musical revolution and new English baroque music. Ceruleo’s programme runs the gamut of Restoration English music, encompassing some of Purcell’s most famous pieces, alongside his lesser-known works and those by John Blow and John Eccles, while also celebrating the first female stars of the English stage.

Saturday, December 9, 11am, Baroque In The North, Panettone or Bûche de Noël? Festive Sweetmeats, NCEM

THIS multi-instrumented programme by Amanda Babington (violin, recorder, musette), Clare Babington (cello) and David Francis (harpsichord) showcases their debut album, Music For French King. Be prepared to fly from Versailles to Rome with works by Esprit-Philippe and Nicholas Chédeville, Antonio Vivaldi and Arcangelo Corelli. Enjoy the Advent spirit too with a tempting set of “French Noëls”. Musette, you ask. 18th century French bagpipes.

Saturday, December 9, 7pm, Yorkshire Bach Choir & Yorkshire Baroque Soloists, Bach Christmas Oratorio, Sir Jack Lyons Concert Hall, University of York. SOLD OUT.

WRITTEN in 1734, Bach’s Christmas Oratorio is heard rarely in its complete form, encapsulating rituals of belief, the human spirit’s diversity and the ecstatic joy in the Christmas message. Enjoy all six cantatas written for the feast days of Christmas and New Year, works that demand the largest and most spectacular orchestral forces Bach ever required. Soloists will be soprano Bethany Seymour, countertenor Robin Blaize, tenor Jonathan Hanley and bass Frederick Long.

Green Matthews: Dickens of a festive good time in A Christmas Carol In Concert

Festive folk concerts at NCEM

YULETIDE celebrations at the NCEM will be bookended by three festive folk nights: St Agnes Fountain, tonight; The Furrow Collective on December 5 and Green Matthews, December 19, all at 7.30pm.

Presented by the Black Swan Folk Club, St Agnes Fountain lines up with Chris While on vocals, guitar, bodhran, dulcimer, darbuka and percussion; Julie Matthews on vocals, piano, guitar, accordion and gazouki, and Chris Leslie on fiddle, mandolin, tenor guitar, bouzouki, ukulele, banjo, oud, whistle, Native American flute and “anything else he can lay his hands on”.

Postponed from last year, The Furrow Collective perform We Know By The Moon with Lucy Farrell on viola, voice and saw; Emily Portman on banjo, concertina and voice and Alasdair Roberts on guitars and voice.

Playing the NCEM for the second Christmas season in a row, Green Matthews turn Dickensian for A Christmas Carol In Concert, performed by Sophie Matthews, voice and flute, Chris Green, voice, guitar, mandocello and piano, and Jude Rees, voice, oboe and melodeon. Box office: 01904 658338 or ncem.co.uk